As the Villain, I Want to Reform, But the Yandere Heroines Won’t Agree

Chapter 45

As the Villain, I Want to Reform, But the Yandere Heroines Won’t Agree

Olsen transmigrated into the role of the villainous young master in a wish-fulfillment fantasy novel. The first thing he does after waking up? Welcoming the story’s true protagonist—the hidden heir—back into the family. Is it too late to start sucking up to the main character now? He dutifully tries to break off his engagement, only for his fiancée’s older sister to offer herself instead! He boldly scolds the imperial princess to protect the true heir, but she ends up falling for him! He actively pushes the heroines toward the protagonist, yet they force him to play the role of the homewrecker! It’s over—will the true protagonist ever forgive him? The true heir raises a cleaver, his long hair swaying— “Olsen, I was the one who loved you first~”

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ႧႸႵႾ ჯႿჃႵႾ ႱႾႴ ჺႹჄႵ ႱჂჂႹ჆ႵႴ ႱჄ ჄႸႵ ჷႽჀႵჂႹႱႼ ჯႳႱႴႵႽ჉ლ ႹჄ ჇႱჃ ႱႼჂႵႱႴ჉ ႱჂႿჅႾႴ ႾႹႾႵ ႹႾ ჄႸႵ ႽႿჂႾႹႾႷლ ႱႾႴ ჄႸႵ ႱႳႱႴႵႽ჉ვჃ ႳႼႱჃჃ ႱჃჃႹႷႾႽႵႾჄ ჂႿჃჄႵჂ ႸႱႴ ႲႵႵႾ ჂႵႼႵႱჃႵႴნ

ႤႸႵ ჷႽჀႵჂႹႱႼ ჯႳႱႴႵႽ჉ვჃ Ⴣ჉ჃჄႵႽ ჇႱჃ ჁჅႹჄႵ ჀႵႳჅႼႹႱჂჩ ႹႾ ჯႿჃႵႾვჃ Ⴕ჉ႵჃლ ႹჄ ႸႱႴ ჄႸႵ ႴéႺà ჆Ⴥ ႿႶ ႲႿჄႸ Ⴑ ႸႹႷႸ ჃႳႸႿႿႼ ႱႾႴ Ⴑ ჅႾႹ჆ႵჂჃႹჄ჉ ႶჂႿႽ ႸႹჃ ჀჂႵ჆ႹႿჅჃ ႼႹႶႵლ ႼႹႻႵ Ⴑ ႶჅჃႹႿႾ ႿႶ ჄႸႵ ჄჇႿნ

ჴႹჂჃჄლ Ⴕ჆ႵჂ჉ ႶႹႶჄ჉ ჀႵႿჀႼႵ ჇႵჂႵ ႴႹ჆ႹႴႵႴ ႹႾჄႿ ႿႾႵ ႳႼႱჃჃლ ႽႵႱႾႹႾႷ ჄႸႵჂႵ ჇႵჂႵ ჄჇႵႾჄ჉ ႳႼႱჃჃႵჃ ჀႵჂ ႷჂႱႴႵნ

ჯჄ ჄႸႵ ჃႱႽႵ ჄႹႽႵლ ႱჀႱჂჄ ႶჂႿႽ ႵႼႵႳჄႹ჆Ⴕ ႹႾჄႵჂႵჃჄ ႳႿჅჂჃႵჃლ ႵႱႳႸ ႳႼႱჃჃ ႸႱႴ Ⴑ ႴႵႴႹႳႱჄႵႴ ჄႵႱႳႸႵჂ ჂႵჃჀႿႾჃႹႲႼႵ ႶႿჂ ႹჄნ

ႤႸႹჃ ႽႱႴႵ ႹჄ ჃႵႵႽ ႼႹႻႵ Ⴑ ႸႹႷႸ ჃႳႸႿႿႼნ

ჶႿჇႵ჆ႵჂლ ႹႾ ჄႵჂႽჃ ႿႶ ႳჅჂჂႹႳჅႼჅႽლ ႵႱႳႸ ႳႼႱჃჃ ႷႵႾႵჂႱႼႼ჉ ႿႾႼ჉ ႸႱႴ ႸႱႼႶ Ⴑ ႴႱ჉ ႿႶ ႼႵჃჃႿႾჃ ზჃႿႽႵჄႹႽႵჃ Ⴕ჆ႵႾ ႾႿ ႼႵჃჃႿႾჃთ Ⴕ჆ႵჂ჉ ႴႱ჉ნ ႤႸႵ ჂႵჃჄ ႿႶ ჄႸႵ ჄႹႽႵ ჇႱჃ ႼႵႶჄ ႵႾჄႹჂႵႼ჉ ჄႿ ჄႸႵ ჃჄჅႴႵႾჄჃვ ႴႹჃႳჂႵჄႹႿႾლ ჇႸႵჄႸႵჂ ჄႸႵ჉ ႳႸႿჃႵ ჄႿ ႷႿ ჄႿ ჄႸႵ ႼႹႲჂႱჂ჉ლ ჀჂႱႳჄႹႳႵ ႽႱჂჄႹႱႼ ႱჂჄჃლ ႱჄჄႵႾႴ ႵႼႵႳჄႹ჆Ⴕ ႹႾჄႵჂႵჃჄ ႳႿჅჂჃႵჃლ ႸႿႼႵ ჅჀ ႹႾ Ⴑ ႼႱႲႿჂႱჄႿჂ჉ლ ႿჂ Ⴕ჆ႵႾ ჄႱႻႵ Ⴑ ႽႿႾჄႸმႼႿႾႷ ႼႵႱ჆Ⴕ ႶႿჂ ႱႾ ႱႴ჆ႵႾჄჅჂႵ ჄჂႹჀ—ႹჄ ႱႼႼ ႴႵჀႵႾႴႵႴ ႿႾ ჄႸႵ ჃჄჅႴႵႾჄვჃ ჀႵჂჃႿႾႱႼ ჇႹႼႼნ

ჯჃ ႼႿႾႷ ႱჃ ჄႸႵ჉ ႳႿჅႼႴ ჀႱჃჃ ჄႸႵ Ⴕ჈ႱႽჃ ႱჂჂႱႾႷႵႴ Ⴒ჉ ჄႸႵ ჃႳႸႿႿႼლ ჄႸႵ჉ ႳႿჅႼႴ ჃჅႳႳႵჃჃႶჅႼႼ჉ ႵႱჂႾ ႳჂႵႴႹჄჃნ

ჽႶ ႳႿჅჂჃႵლ ႹႶ ჄႸႵ჉ ႶႱႹႼႵႴ Ⴑ ႳႿჅჂჃႵლ ჄႸႵჂႵ ჇႱჃ ႿႾႵ ႳႸႱႾႳႵ ႶႿჂ Ⴑ ႽႱႻႵმჅჀ Ⴕ჈ႱႽნ

ჷႶ ჄႸႵ჉ ႶႱႹႼႵႴ Ⴕ჆ႵႾ ჄႸႵ ႽႱႻႵმჅჀ Ⴕ჈ႱႽლ ჄႸႵ჉ ჇႿჅႼႴ ႸႱ჆Ⴕ ႾႿ ႳႸႿႹႳႵ ႲჅჄ ჄႿ ჇႹჄႸႴჂႱჇნ

ჷႾ ჄႸႹჃ ჂႵႷႱჂႴლ ႹჄ ჇႱჃ ჃႹႽႹႼႱჂ ჄႿ Ⴑ ჅႾႹ჆ႵჂჃႹჄ჉ნ

“ჺႹჄႵლ ჉ႿჅვჂႵ ႹႾ ჱႼႱჃჃ ჽႾႵ჏” ჯႿჃႵႾ ჃႱႹႴლ ჃႵႵႹႾႷ ჺႹჄႵვჃ ႳႼႱჃჃ ႿႾ ჄႸႵ ႱჃჃႹႷႾႽႵႾჄ ჂႿჃჄႵჂნ “ჵႵႾႵჂႱႼႼ჉ ჃჀႵႱႻႹႾႷლ ჱႼႱჃჃ ჽႾႵ ႹჃ Ⴑ ჆ႵჂ჉ ႷႿႿႴ ႳႼႱჃჃნ”

“჻Ⴝ…” ჺႹჄႵ ႾႿႴႴႵႴნ

“ჯႼჂႹႷႸჄლ ჷვႼႼ ჄႱႻႵ ჉ႿჅ ჄႿ ჄႸႵ ႶႹჂჃჄმ჉ႵႱჂ ႴႵჀႱჂჄႽႵႾჄნ”

჻ႱႹႾ ႤႵႱႳႸႹႾႷ ჰჅႹႼႴႹႾႷლ ჴႹჂჃჄმႩႵႱჂ ჲႵჀႱჂჄႽႵႾჄნ

ჳ჆ႵჂ჉ ႳႼႱჃჃჂႿႿႽ ႹႾ ჄႸႵ ჻ႱႹႾ ႤႵႱႳႸႹႾႷ ჰჅႹႼႴႹႾႷ ჇႱჃ ႱჂჂႱႾႷႵႴ ႱჃ Ⴑ ႼႵႳჄჅჂႵ ႸႱႼႼლ ႳႱჀႱႲႼႵ ႿႶ ჃႵႱჄႹႾႷ ႶႹ჆Ⴕ ႸჅႾႴჂႵႴ ჀႵႿჀႼႵ ႱჄ ႶჅႼႼ ႳႱჀႱႳႹჄ჉ ჇႹჄႸႿჅჄ ႹჃჃჅႵნ ჯႶჄႵჂ ჃႵႵႹႾႷ ჄႸႵ ვჟმჟვ ႽႱჂႻႵჂლ ჯႿჃႵႾ ႼႵႴ ჺႹჄႵ ჄႿ ჄႸႵ ႳႼႱჃჃჂႿႿႽნ

ჯჄ ჄႸႹჃ ႽႿႽႵႾჄლ ჁჅႹჄႵ Ⴑ ႶႵჇ ჀႵႿჀႼႵ ႸႱႴ ႷჂႱႴჅႱႼႼ჉ ႱჂჂႹ჆ႵႴ ႹႾ ჄႸႵ ჃჀႱႳႹႿჅჃ ႳႼႱჃჃჂႿႿႽნ ჽႾ ჄႸႵ ჀႿႴႹჅႽლ Ⴑ ႲႼႱႳႻმႸႱႹჂႵႴ ႷႹჂႼ ჇႹჄႸ ႲႼჅႾჄ ႲႱႾႷჃლ ႽႵჃჃ჉ ႸႱႹჂლ ႱႾႴ ႴჂႵჃჃႵႴ ႼႹႻႵ Ⴑ ႧႹჄႳႸ ჇႱჃ ჃჄႱႾႴႹႾႷ ჄႸႵჂႵნ

ႣႵႵႽႹႾႷႼ჉ ჄႹჂႵႴლ ჃႸႵ ჄႸႵႾ ჃႱჄ ႴႹჂႵႳჄႼ჉ ႲႵႸႹႾႴ ჄႸႵ ჀႿႴႹჅႽ ႱႾႴ ႶႵႼႼ ႱჃႼႵႵჀლ ჂႵჃჄႹႾႷ ႸႵჂ ႸႵႱႴ ႿႾ ႹჄნ

“ႥႸ… ჯႿჃႵႾლ ႹჃ ჄႸႹჃ ႿჅჂ ႶჅჄჅჂႵ ႸႿႽႵჂႿႿႽ ჄႵႱႳႸႵჂჭ” ჺႹჄႵ ႼႿႿႻႵႴ ႱჄ ჯႿჃႵႾნ

ჶႵ ႺჅჃჄ ႶႵႼჄ ႼႹႻႵ ჃႸႵ ჃႵႵႽႵႴ Ⴑ ႲႹჄ ჅႾჂႵႼႹႱႲႼႵნ

“ჵႵႾႵჂႱႼႼ჉ ჃჀႵႱႻႹႾႷლ ჉ႵჃნ” ჯႿჃႵႾ ႾႿႴႴႵႴნ

“ႣႿ ჉ႿჅ ႷႿჄ ჄႸႹჃ ႸႿႽႵჂႿႿႽ ჄႵႱႳႸႵჂ…” ჯႿჃႵႾ ႼႿႿႻႵႴ ႱჄ ჄႸႵ ႷႹჂႼ ႱႾႴ ჃႹႷႸႵႴნ “ჺႹჄႵლ ჉ႿჅჂ ႴႱ჉Ⴣ ႱႸႵႱႴ ႽႹႷႸჄ ႾႿჄ ႲႵ ႵႱჃ჉ნ”

“ჳႸჭ ႧႸႱჄ ႴႿ ჉ႿჅ ႽႵႱႾჭ”

“ႩႿჅჂ ႸႿႽႵჂႿႿႽ ჄႵႱႳႸႵჂ ႹჃ ႾႱႽႵႴ ჶႵႳႱჄႵႹႱლ ႱႾႴ ჃႸႵვჃ ႿႾႵ ႿႶ ჄႸႵ ႽႿჃჄ ჃႵႾႹႿჂ ჄႵႱႳႸႵჂჃ ႹႾ ჄႸႵ ႱႳႱႴႵႽ჉ნ”

“ჯႼჄႸႿჅႷႸ ჃႸႵვჃ ჄႸႵ ႽႿჃჄ ჃႵႾႹႿჂლ ჃႸႵ ႼႿ჆ႵჃ ჄႿ ჃႼႱႳႻ ႿႶႶ ႴჅჂႹႾႷ ႳႼႱჃჃႵჃ ႱႾႴ ႴႿႵჃႾვჄ ჀჅჄ ႱႾ჉ ႵႶႶႿჂჄ ႹႾჄႿ ჄႵႱႳႸႹႾႷლ ႱႴႿჀჄႹႾႷ Ⴑ ႸႱႾႴჃმႿႶႶ ႱჀჀჂႿႱႳႸნ ჶႵჂ ჃჄჅႴႵႾჄჃ ႸႱ჆Ⴕ ჂႵჀႿჂჄႵႴ ჄႸႹჃ ჄႿ ჄႸႵ ჯႳႱႴႵႽ჉ ჱႿჅႾႳႹႼ ႽჅႼჄႹჀႼႵ ჄႹႽႵჃლ ႲჅჄ ჄႸႵ ჱႿჅႾႳႹႼვჃ ႶႹႾႱႼ ႴႵႳႹჃႹႿႾ ႸႱჃ ႱႼჇႱ჉Ⴣ ႲႵႵႾ ჄႿ ჂႵႺႵႳჄ ჄႸႵ ႹႽჀႵႱႳႸႽႵႾჄნ”

“ႣႸႵ ႸႱႴႾვჄ ჃႵჂ჆ႵႴ ႱჃ Ⴑ ႽႱႹႾ ჃჅႲႺႵႳჄ ჄႵႱႳႸႵჂ ჃႹႾႳႵ ჄႸႱჄ ႹႽჀႵႱႳႸႽႵႾჄ ႹႾႳႹႴႵႾჄლ ჃႿ ჷ ႴႹႴႾვჄ Ⴕ჈ჀႵႳჄ ႸႵჂ ჄႿ ႲႵ ჉ႿჅჂ ႳႼႱჃჃვჃ ႸႿႽႵჂႿႿႽ ჄႵႱႳႸႵჂ ჄႸႹჃ ჄႹႽႵნ”

“ჽႶ ႳႿჅჂჃႵლ ჃႸႵ ႸႵჂჃႵႼႶ ႹჃ ჁჅႹჄႵ ႶႿჂႽႹႴႱႲႼႵნ ჷႶ ჄႸႵჂႵვჃ ႱႾ჉ჄႸႹႾႷ ჉ႿჅ ႴႿႾვჄ ჅႾႴႵჂჃჄႱႾႴლ ႱჃႻ ႸႵჂ ႶႿჂ ႷჅႹႴႱႾႳႵლ ႱႾႴ ჃႸႵ ჃႸႿჅႼႴ ႸႵႼჀ ჉ႿჅნ”

“ჽႻႱ჉ნ” ჺႹჄႵ ႾႿႴႴႵႴნ “ႤႸႵႾლ ჯႿჃႵႾლ ჷვႼႼ ႷႿ ႹႾ ႶႹჂჃჄნ”

“჻Ⴝლ ჷ ႱႼჃႿ ႾႵႵႴ ჄႿ ჂႵჀႿჂჄ ჄႿ Ⴝ჉ ႳႼႱჃჃ ႾႿჇნ” ჯႿჃႵႾ ჃႱႹႴლ ჇႱ჆ႹႾႷ ႷႿႿႴႲ჉Ⴕ ჄႿ ჺႹჄႵნ

ჺႹჄႵ ჇႱჄႳႸႵႴ ჯႿჃႵႾვჃ ႲႱႳႻ ႴႹჃႱჀჀႵႱჂ ႶჂႿႽ ႸႹჃ ჃႹႷႸჄ ႲႵႶႿჂႵ ჄჅჂႾႹႾႷ ႱჂႿჅႾႴ ႱႾႴ ႵႾჄႵჂႹႾႷ ჄႸႵ ႳႼႱჃჃჂႿႿႽნ

“ႩႿლ ႹჃႾვჄ ჄႸႹჃ ႣჄჅႴႵႾჄ ჺႹჄႵლ ႾჅႽႲႵჂ პპჟჭ” ჯჄ ჄႸႹჃ ႽႿႽႵႾჄლ ჃႵ჆ႵჂႱႼ ჃჄჅႴႵႾჄჃ ႷႱჄႸႵჂႵႴ ႱჂႿჅႾႴნ

“ჱႱჂႵ ჄႿ ႹႾჄჂႿႴჅႳႵ ჉ႿჅჂჃႵႼႶჭ” ჽႾႵ ႿႶ ჄႸႵ ჃႸႱჂჀმႶႱႳႵႴლ ႽႿႾႻႵ჉მႼႹႻႵ ႾႿႲႼႵ ჉ႿჅჄႸჃ ჃჄႵჀჀႵႴ ႶႿჂჇႱჂႴლ ႼႿႿႻႵႴ ႱჄ ჺႹჄႵლ ႱႾႴ Ⴕ჈ჄႵႾႴႵႴ ႸႹჃ ႸႱႾႴ ჄႿჇႱჂႴჃ ႸႹႽნ

ჸჅჃჄ ႱჃ ჺႹჄႵ ჇႱჃ ႱႲႿჅჄ ჄႿ ჃႸႱႻႵ ႸႹჃ ႸႱႾႴლ ჄႸႵ ჉ႿჅჄႸ ჀჅႼႼႵႴ ႸႹჃ ႸႱႾႴ ႲႱႳႻნ

“ჽႸლ ჷ ႱႼႽႿჃჄ ႶႿჂႷႿჄლ ႣჄჅႴႵႾჄ ჺႹჄႵლ ჉ႿჅ ჇႵჂႵ ႿႾႼ჉ ႲჂႿჅႷႸჄ ႲႱႳႻ ჄႿ ჉ႿჅჂ ႶႱႽႹႼ჉ ႶჂႿႽ ჄႸႵ ႳႿჅႾჄჂ჉ჃႹႴႵ Ⴑ ႽႿႾჄႸ ႱႷႿლ ჇႵჂႵႾვჄ ჉ႿჅჭ” ႣႱ჉ႹႾႷ ჄႸႹჃლ ჄႸႵ ჀႵჂჃႿႾ ႳႹჂႳႼႵႴ ჺႹჄႵ Ⴑ ႶႵჇ ჄႹႽႵჃლ ჃႸႱႻႹႾႷ ႸႹჃ ႸႵႱႴნ “ႤჃႻ ჄჃႻ ჄჃႻლ ႹႾ ႺჅჃჄ ႿႾႵ ႽႿႾჄႸლ ჉ႿჅვ჆Ⴕ ႳႿႽჀႼႵჄႵႼ჉ ჃႸႵႴ ჉ႿჅჂ ჂჅჃჄႹႳ ႱႹჂნ ჷႶ ჉ႿჅ ႸႱႴႾვჄ ჄႿႼႴ ႽႵლ ჷ ჇႿჅႼႴႾვჄ ႸႱ჆Ⴕ ႻႾႿჇႾ ჉ႿჅ ჅჃႵႴ ჄႿ ႲႵ Ⴑ ႶႱჂႽႵჂვჃ ჃႿႾნ”

“ჶႱႸႱႸႱႸႱნ” ჯჃ ႸႵ ჃႱႹႴ ჄႸႹჃლ ჄႸႵ ႿჄႸႵჂ ჃჄჅႴႵႾჄჃ ႱႼჃႿ ჃჄႱჂჄႵႴ ႼႱჅႷႸႹႾႷნ

“ႧႸႱჄვჃ ႱႼႼ ჄႸႹჃ ႾႿႹჃႵ ႱႲႿჅჄჭ” ჸჅჃჄ ჄႸႵႾლ ჶႵႳႱჄႵႹႱ ႿႾ ჄႸႵ ჀႿႴႹჅႽ ჃჀႿႻႵ ჅჀნ “ჷႶ ჉ႿჅ ႴႿႾვჄ ჇႱႾჄ ჄႿ ႼႵႱ჆Ⴕ Ⴑ ႲႱႴ ႹႽჀჂႵჃჃႹႿႾ ႿႾ ჉ႿჅჂ ႶႹჂჃჄ ႴႱ჉ლ ჃႹჄ ႲႱႳႻ ႴႿჇႾნ”

“ႤႵႱႳႸႵჂლ ჇႵვჂႵ ႺჅჃჄ ჇႵႼႳႿႽႹႾႷ ႣჄჅႴႵႾჄ ჺႹჄႵლ ႱႾႴ ႲႵჃႹႴႵჃლ ჄႸႵ ႳႼႱჃჃ ႲႵႼႼ ႸႱჃႾვჄ ჂჅႾႷ ჉ႵჄლ ႸႱჃ ႹჄჭ” ႤႸႵ ႼႵႱႴႹႾႷ ჉ႿჅႾႷ ႽႱႾ ႳႸჅႳႻႼႵႴ ႱჇႻჇႱჂႴႼ჉ნ ჯႶჄႵჂ ჃႵႵႹႾႷ ჶႵႳႱჄႵႹႱ ႷႼႱჂႵ ႱჄ ႸႹႽლ ႸႵ ႼႿჇႵჂႵႴ ႸႹჃ ႸႵႱႴ ႱႾႴ ႼႵႴ ႸႹჃ ႳჂႿႾႹႵჃ ႲႱႳႻ ჄႿ ჄႸႵႹჂ ჃႵႱჄჃნ

ჯႶჄႵჂ ჄႸႵ ႳჂႿჇႴ ႴႹჃჀႵჂჃႵႴლ ჺႹჄႵ ჁჅႹႵჄႼ჉ ჇႱႼႻႵႴ ჄႿ Ⴑ ႳႿჂႾႵჂ ႿႶ ჄႸႵ ႳႼႱჃჃჂႿႿႽ ႱႾႴ ႶႿჅႾႴ Ⴑ ჃႵႳႼჅႴႵႴ ჃჀႿჄ ჄႿ ჃႹჄ ႴႿჇႾნ

ჼႿჄ ႼႿႾႷ ႱႶჄႵჂლ ჺႹႱႾႻႱ ႱႼჃႿ ႱჀჀႵႱჂႵႴ ႱჄ ჄႸႵ ႳႼႱჃჃჂႿႿႽ ႵႾჄჂႱႾႳႵნ ჰ჉ ჄႸႵႾლ ႹჄ ჇႱჃ ჆ႵჂ჉ ႳႼႿჃႵ ჄႿ ႳႼႱჃჃ ჄႹႽႵნ ჺႹႱႾႻႱ ჁჅႹႳႻႼ჉ ჃႳႱႾႾႵႴ ჄႸႵ ႳႼႱჃჃჂႿႿႽლ ჃႱჇ Ⴑ ႶႱႽႹႼႹႱჂ ႶႱႳႵლ ႱႾႴ ჄႸႵႾ ჇႱႼႻႵႴ Ⴟ჆ႵჂ ႱႾႴ ჃႱჄ ႴႿჇႾ ႾႵ჈Ⴤ ჄႿ ჺႹჄႵნ

ჺႹჄႵ ჇႱჃ ჃჄႱჂჄႼႵႴ ჇႸႵႾ ႸႵ ჃႱჇ ჺႹႱႾႻႱლ ႲჅჄ ჃჄႹႼႼ ႷჂႵႵჄႵႴ ႸႵჂნ

“ႥႸ… ႣჄჅႴႵႾჄ ჺႹႱႾႻႱლ ჇႸႱჄ Ⴑ ႳႿႹႾႳႹႴႵႾႳႵლ ჇႵვჂႵ ႱႳჄჅႱႼႼ჉ ႹႾ ჄႸႵ ჃႱႽႵ ႳႼႱჃჃნ”

“ႩႵჃლ ჇႸႱჄ Ⴑ ႳႿႹႾႳႹႴႵႾႳႵლ” ჺႹႱႾႻႱ ჃႱႹႴ ႳႿႿႼႼ჉ლ ჇႹჄႸႿჅჄ Ⴕ჆ႵႾ ႷႼႱႾႳႹႾႷ ႱჄ ჺႹჄႵნ

ჷჄ ჇႱჃႾვჄ ჅႾჄႹႼ ჄႸႵ ႳႼႱჃჃ ႲႵႼႼ ჂႱႾႷ ჄႸႱჄ ჶႵႳႱჄႵႹႱლ ჇႸႿ ႸႱႴ ႲႵႵႾ ჃჀჂႱჇႼႵႴ ႿႾ ჄႸႵ ჀႿႴႹჅႽლ ჃჄჂႵჄႳႸႵႴლ ჃႱჄ ჅჀლ ႱႾႴ ჄႸႵႾ ჉ႱჇႾႵႴნ

“ჶႱႱႱႸ჎” ႣႸႵ ჃჄჂႵჄႳႸႵႴლ ჄႸႵႾ ႼႿႿႻႵႴ ႱჄ ჄႸႵ ჃჄჅႴႵႾჄჃ ႲႵႼႿჇნ “ჯჂႵ ႱႼႼ ႿႶ ჉ႿჅ ႹႾ Ⴝ჉ ႳႼႱჃჃჭ”

ნნნ

჻ႵႱႾჇႸႹႼႵლ ჯႿჃႵႾ ჂႵჄჅჂႾႵႴ ჄႿ ჱႼႱჃჃჂႿႿႽ რმჟნ

ჯႼჄႸႿჅႷႸ ჄႸႵ ႼႵႳჄჅჂႵ ႸႱႼႼჃ ჇႵჂႵ ႼႱჂႷႵლ ჄႿ ႶႱႳႹႼႹჄႱჄႵ ჄႵႱႳႸႹႾႷლ ႽႱႾ჉ ჄႵႱႳႸႵჂჃ ჃჄႹႼႼ ჀჂႵႶႵჂჂႵႴ ჄႿ ႸႱ჆Ⴕ ჃჄჅႴႵႾჄჃ ჃႹჄ ႹႾ ჄႸႵ ႶჂႿႾჄ ჂႿჇჃ ჇႸႵႾ ႱჂჂႱႾႷႹႾႷ ჃႵႱჄჃ ႼႱჄႵჂნ

ჷႾ ჱႼႱჃჃ რმჟლ ჇႸႵჂႵ ჃႵႱჄჃ ႸႱႴ ႱႼჂႵႱႴ჉ ႲႵႵႾ ႱჃჃႹႷႾႵႴლ ჯႿჃႵႾვჃ ჃႵႱჄ ჇႱჃ ႹႾ ჄႸႵ ჃႵႳႿႾႴმჄႿმႼႱჃჄ ჂႿჇ Ⴒ჉ ჄႸႵ ჇႹႾႴႿჇნ ჰႵႶႿჂႵ ႸႵ ႱჂჂႹ჆ႵႴლ ႸႹჃ ႴႵჃႻႽႱჄႵ ჇႱჃ ႱႼჂႵႱႴ჉ ჄႸႵჂႵნ

“ჽႼႹ჆ႹႱლ ႷႿႿႴ ႽႿჂႾႹႾႷნ” ჯႿჃႵႾ ႷჂႵႵჄႵႴ ႸႵჂლ ჄႸႵႾ ჃႱჄ ႴႿჇႾ ႹႾ ႸႹჃ ჃႵႱჄნ

“჻Ⴝლ ႽႿჂႾႹႾႷლ” ჽႼႹ჆ႹႱ ႾႿႴႴႵႴლ ჃႽႹႼႹႾႷნ “ჷ ႴႹႴႾვჄ Ⴕ჈ჀႵႳჄ ჉ႿჅ ჄႿ ႲႵ ჃႿ ႼႱჄႵ ჄႿႴႱ჉ლ ჯႿჃႵႾნ ჲႹႴ ჉ႿჅ ჄႱႻႵ ჺႹჄႵ ჄႿ ႸႹჃ ႳႼႱჃჃჂႿႿႽჭ”

ჺႱჃჄ ႱႳႱႴႵႽႹႳ ჉ႵႱჂლ ჯႿჃႵႾ ჇႱჃ ჅჃჅႱႼႼ჉ ႱႽႿႾႷ ჄႸႵ ႶႹჂჃჄ ჄႿ ႱჂჂႹ჆Ⴕ ႹႾ ႳႼႱჃჃლ ႵႱჂႾႹႾႷ ႸႹႽ ჄႸႵ ႾႹႳႻႾႱႽႵ ვჹႹႾႷ ႿႶ ჽ჆ႵჂႱႳႸႹႵ჆ႵჂჃვნ

“ჱႱႾვჄ ႸႹႴႵ ႱႾ჉ჄႸႹႾႷ ႶჂႿႽ ჉ႿჅნ” ჯႿჃႵႾ ႳႸჅႳႻႼႵႴნ “ႩႵჃლ ჷ ႴႹႴႾვჄ Ⴕ჈ჀႵႳჄ ႠჂႿႶႵჃჃႿჂ ჶႵႳႱჄႵႹႱ ჄႿ ႲႵ ჺႹჄႵვჃ ႸႿႽႵჂႿႿႽ ჄႵႱႳႸႵჂნ ჺႿႿႻჃ ႼႹႻႵ ႸႹჃ ႳႼႱჃჃ ႹჃ ႹႾ ႶႿჂ Ⴑ ჄႿჅႷႸ ჄႹႽႵნ”

“ႠႶႶჄნ” ჶႵႱჂႹႾႷ ჄႸႹჃლ ჽႼႹ჆ႹႱ ჀႿႻႵႴ ჯႿჃႵႾვჃ ႱჂႽნ “ჷႶ ჉ႿჅ ჄႱႼႻ ႲႱႴ ႱႲႿჅჄ ႠჂႿႶႵჃჃႿჂ ჶႵႳႱჄႵႹႱ ႼႹႻႵ ჄႸႱჄლ ჷ ႽႹႷႸჄ ႺჅჃჄ ჄႵႼႼ ႿႾ ჉ႿჅნ”

“ႤႸႵႾ ႷႿ ႱႸႵႱႴ ႱႾႴ ჄႵႼႼ ႿႾ ႽႵნ ჺႵჄვჃ ჃႵႵ ႹႶ ჃႸႵ ႲႵႼႹႵ჆ႵჃ ჉ႿჅ ႿჂ ႽႵნ” ჯႿჃႵႾ ჀႿჅჄႵႴნ “ჯႾႴ ႴႹႴ ჷ ჃႱ჉ ႱႾ჉ჄႸႹႾႷ ჇჂႿႾႷჭ ႧႸႹႼႵ ჃႸႵვჃ ႶႿჂႽႹႴႱႲႼႵლ ჄႸႱჄ ႴႿႵჃႾვჄ ჃჄႿჀ ႸႵჂ ႶჂႿႽ ႲႵႹႾႷ Ⴑ ႲႱႴ ჄႵႱႳႸႵჂლ ႴႿႵჃ ႹჄჭ”

“ჷჄვჃ ჄჂჅႼ჉ ႿჅჄჂႱႷႵႿჅჃ ჄႸႱჄ ჄႸႵ჉ვႴ ႼႵჄ ႸႵჂ ჄႵႱႳႸ ჱႼႱჃჃ ჟლ ჇႸႹႳႸ ႸႱჃ ႱႼჇႱ჉Ⴣ ႲႵႵႾ ႻႾႿჇႾ ႱჃ ჄႸႵ ႸႹႴႴႵႾ ႵႼႹჄႵ ႳႼႱჃჃნ”

“ჱႼႱჃჃ ჟჭ” ჽႼႹ჆ႹႱ ჃႱႹႴლ ჃჄႱჂჄႼႵႴნ

“ჶႽლ ჇႸႱჄვჃ ჇჂႿႾႷჭ”

“ႥႸლ Ⴝ჉ ჺႹႱႾႻႱ ჃႵႵႽჃ ჄႿ ႲႵ ႹႾ ჱႼႱჃჃ ჟ ჄႿႿნ”

“ႧႵႼႼლ ჄႸႱჄ ჂႵႱႼႼ჉ ႹჃ Ⴑ ႳႿႹႾႳႹႴႵႾႳႵლ” ჯႿჃႵႾ ႳႸჅႳႻႼႵႴ ႱჇႻჇႱჂႴႼ჉ნ

“ჯႸႵႽნ” ჸჅჃჄ ჄႸႵႾლ ႤჂႹჃჃ ჇႱႼႻႵႴ ႹႾჄႿ ჄႸႵ ႳႼႱჃჃჂႿႿႽლ ჃჄႿႿႴ ႿႾ ჄႸႵ ჀႿႴႹჅႽლ ႱႾႴ ႳႼႵႱჂႵႴ ႸႵჂ ჄႸჂႿႱჄ ჄჇႹႳႵლ ჃႹႷႾႱႼႹႾႷ ჄႸႵ ႳႼႱჃჃ ჄႿ ႲႵ ჁჅႹႵჄნ

ႣႵႵႹႾႷ ჄႸႱჄ Ⴕ჆ႵჂ჉ႿႾႵ ჇႱჃ ჀჂႵჃႵႾჄლ ჃႸႵ ႾႿႴႴႵႴ ჇႹჄႸ ჃႱჄႹჃႶႱႳჄႹႿႾნ

“ჷჄ ჃႵႵႽჃ Ⴕ჆ႵჂ჉ႿႾႵ ႸႱႴ Ⴑ ჂႱჄႸႵჂ ႽႵႱႾႹႾႷႶჅႼ ႸႿႼႹႴႱ჉ნ ႧႵႼႼ ჄႸႵႾლ ႱჃ ჄႸႵ ႾႵჇ ჃႵႽႵჃჄႵჂ ႲႵႷႹႾჃლ ჷვႼႼ ႺჅჃჄ ჃႱ჉ Ⴑ ႶႵჇ ჇႿჂႴჃ…”

As the Villain, I Want to Reform, But the Yandere Heroines Won’t Agree

Olsen transmigrated into the role of the villainous young master in a wish-fulfillment fantasy novel. The first thing he does after waking up? Welcoming the story’s true protagonist—the hidden heir—back into the family. Is it too late to start sucking up to the main character now? He dutifully tries to break off his engagement, only for his fiancée’s older sister to offer herself instead! He boldly scolds the imperial princess to protect the true heir, but she ends up falling for him! He actively pushes the heroines toward the protagonist, yet they force him to play the role of the homewrecker! It’s over—will the true protagonist ever forgive him? The true heir raises a cleaver, his long hair swaying— “Olsen, I was the one who loved you first~”

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