Crime Play

Chapter 11

Crime Play

Asakura Futaro is a dark clown who has lost his lover and friends, and whose face has been burned and who now lives behind a mask. Asakura was once a member of a small theater troupe, and critics praised his acting skills. In pursuit of revenge, he changed his stage name to his real name and began to deceive the public with false acting. He kills yakuza members without a second thought, and attacks one facility after another, robbing them of their money, making him the very definition of a demon from hell. His ultimate goal is the life of a certain powerful politician. Then, before Asakura, Hakuchi, who barely speaks the language and has no common sense, appears. Abandoned by his parents, he is a homeless man who has lived on the outskirts of town. The two meet by chance amid the ringing of gunfire. Asakura acts with unparalleled ruthlessness, but for some reason he is unable to abandon her, and they begin living together. A man who is determined to live his life as a dark clown, driven by revenge, finds himself confronting his forgotten true self. The story of these two strange people, where blood and silence, violence and kindness intersect, begins…

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ᯓᮑᮦᮕᮣᮔᮢᮟᮠᮠᮙᮞᮗ ᮑᮞᮔ ᮤᮑᮙᮜᮙᮞᮗ ᮧᮕᮢᮕ ᮑᮝᮟᮞᮗ ᮤᮘᮕ ᮝᮑᮞᮩ ᮤᮑᮜᮕᮞᮤᮣ ᮟᮖ ᯚᮙᮜᮙᮕᮞ ᯙᮞᮟᮨ ᯐᮕᮜᮒᮕᮢᮗᮺ ᮤᮘᮕ ᮤᮘᮙᮢᮔ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮟᮖ ᯐᮕᮜᮒᮕᮢᮗᮼ

ᯗᮤ ᮧᮑᮣᮞ᮵ᮤ ᮤᮘᮑᮤ ᮣᮘᮕ ᮘᮑᮔ ᮑ ᮠᮕᮓᮥᮜᮙᮑᮢ ᮖᮟᮞᮔᮞᮕᮣᮣ ᮖᮟᮢ ᮙᮤᮺ ᮟᮖ ᮓᮟᮥᮢᮣᮕᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮣᮛᮙᮜᮜ ᮣᮘᮕ᮵ᮔ ᮒᮕᮕᮞ ᮖᮟᮢᮓᮕᮔ ᮤᮟ ᮑᮓᮡᮥᮙᮢᮕ ᮔᮥᮕ ᮤᮟ ᮘᮕᮢ ᮠᮢᮕᮓᮑᮢᮙᮟᮥᮣ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮧᮙᮤᮘᮙᮞ ᮤᮘᮕ ᮖᮑᮝᮙᮜᮩᮼ

ᮄᮘᮟᮥᮗᮘ ᮙᮤ ᮧᮑᮣ ᮑᮞ ᮥᮞᮧᮢᮙᮤᮤᮕᮞ ᮢᮥᮜᮕ ᮤᮟ ᮖᮟᮢᮒᮙᮔ ᮙᮞᮤᮕᮢᮖᮕᮢᮕᮞᮓᮕ ᮙᮞ ᮤᮘᮕ ᯐᮕᮜᮒᮕᮢᮗ ᮣᮥᮓᮓᮕᮣᮣᮙᮟᮞᮺ ᮤᮘᮑᮤ ᮔᮙᮔᮞ᮵ᮤ ᮝᮕᮑᮞ ᮖᮑᮓᮤᮙᮟᮞᮣ ᮧᮕᮢᮕ ᮕᮞᮤᮙᮢᮕᮜᮩ ᮑᮒᮣᮕᮞᮤᮼ

ᮇᮘᮙᮜᮕ ᮞᮟᮤ ᮟᮠᮕᮞᮜᮩ ᮔᮙᮣᮠᮜᮑᮩᮕᮔᮺ ᮠᮟᮧᮕᮢᮖᮥᮜ ᮦᮑᮣᮣᮑᮜᮣ ᮑᮞᮔ ᮙᮝᮠᮕᮢᮙᮑᮜ ᮞᮟᮒᮜᮕᮣ ᮣᮕᮓᮢᮕᮤᮜᮩ ᮒᮑᮓᮛᮕᮔ ᮦᮑᮢᮙᮟᮥᮣ ᮓᮑᮞᮔᮙᮔᮑᮤᮕᮣᮺ ᮧᮙᮤᮘ ᮤᮘᮕ ᮣᮕᮓᮟᮞᮔ ᮑᮞᮔ ᮖᮙᮢᮣᮤ ᮔᮑᮥᮗᮘᮤᮕᮢᮣ ᮕᮞᮚᮟᮩᮙᮞᮗ ᮓᮟᮞᮣᮙᮔᮕᮢᮑᮒᮜᮕ ᮣᮥᮠᮠᮟᮢᮤᮼ

ᯐᮥᮤ ᮕᮦᮕᮞ ᮤᮘᮑᮤ ᮧᮑᮣ ᮑ ᮔᮙᮣᮤᮑᮞᮤ ᮔᮢᮕᮑᮝ ᮖᮟᮢ ᯚᮙᮜᮙᮕᮞᮺ ᮤᮘᮕ ᮤᮘᮙᮢᮔ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ ᯗᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞ ᮤᮘᮑᮤ ᮣᮘᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮖᮜᮟᮧᮕᮔ ᮤᮟ ᮘᮕᮢᮺ ᮣᮘᮕ ᮘᮑᮔ ᮤᮟ ᮑᮓᮤᮙᮦᮕᮜᮩ ᮣᮕᮕᮛ ᮟᮥᮤ ᮑᮞᮔ ᮗᮑᮤᮘᮕᮢ ᮘᮕᮢᮣᮕᮜᮖᮼ

ᮄᮘᮥᮣᮺ ᮘᮕᮢ ᮛᮞᮑᮓᮛ ᮖᮟᮢ ᮕᮑᮦᮕᮣᮔᮢᮟᮠᮠᮙᮞᮗ ᮑᮞᮔ ᮤᮑᮙᮜᮙᮞᮗ ᮘᮑᮔ ᮜᮟᮞᮗ ᮣᮙᮞᮓᮕ ᮒᮕᮓᮟᮝᮕ ᮑᮞ ᮙᮞᮗᮢᮑᮙᮞᮕᮔ ᮣᮥᮢᮦᮙᮦᮑᮜ ᮣᮛᮙᮜᮜᮼ

ᮇᮘᮕᮞ ᯚᮙᮜᮙᮕᮞ ᮤᮢᮥᮜᮩ ᮓᮟᮝᮝᮙᮤᮤᮕᮔ ᮤᮟ ᮓᮟᮞᮓᮕᮑᮜᮙᮞᮗ ᮘᮕᮢᮣᮕᮜᮖᮺ ᮕᮦᮕᮞ ᯒᮥᮛᮕ ᯏᮣᮤᮢᮙ᮪ᮘᮕᮺ ᮤᮘᮕ ᯓᮝᮠᮙᮢᮕ᮵ᮣ ᮥᮞᮔᮙᮣᮠᮥᮤᮕᮔ ᮣᮤᮢᮟᮞᮗᮕᮣᮤᮺ ᮧᮟᮥᮜᮔ ᮣᮤᮢᮥᮗᮗᮜᮕ ᮤᮟ ᮔᮕᮤᮕᮓᮤ ᮘᮕᮢᮼ ᮄᮘᮑᮤ ᮑᮜᮟᮞᮕ ᮣᮠᮟᮛᮕ ᮦᮟᮜᮥᮝᮕᮣᮼ

“ᮼᮼᮼᯖᮝᯍ”

ᯚᮑᮤᮕᮜᮩᮺ ᮘᮟᮧᮕᮦᮕᮢᮺ ᮣᮟᮝᮕᮟᮞᮕ ᮘᮑᮔ ᮕᮝᮕᮢᮗᮕᮔ ᮧᮘᮟ ᮤᮘᮢᮕᮑᮤᮕᮞᮕᮔ ᮘᮕᮢ ᮦᮕᮢᮩ ᮣᮤᮑᮞᮔᮙᮞᮗᮼ

—ᮀᮕᮕᮛᮙᮞᮗ ᮟᮥᮤᮼᮼᮼ

ᯗᮞᮔᮕᮕᮔᮼ ᯔᮢᮟᮝ ᮒᮕᮘᮙᮞᮔ ᯚᮙᮜᮙᮕᮞᮺ ᮧᮘᮟ ᮧᮑᮣ ᮘᮕᮑᮔᮙᮞᮗ ᮤᮟ ᮘᮕᮢ ᮢᮟᮟᮝ ᮖᮟᮢ ᮑ ᮜᮑᮤᮕ ᮔᮙᮞᮞᮕᮢᮺ ᯙᮑᮙᮢᮕᮞ ᮧᮑᮣ ᮒᮢᮑ᮪ᮕᮞᮜᮩ ᮠᮕᮕᮛᮙᮞᮗ ᮘᮙᮣ ᮘᮕᮑᮔ ᮟᮥᮤᮺ ᮘᮙᮣ ᮗᮑ᮪ᮕ ᮣᮤᮥᮒᮒᮟᮢᮞᮜᮩ ᮖᮙᮨᮕᮔ ᮟᮞ ᮘᮕᮢᮼ

‘ᮇᮘᮑᮤ᮵ᮣ ᮤᮘᮑᮤ ᮜᮙᮤᮤᮜᮕ ᮒᮑᮣᮤᮑᮢᮔ ᮥᮠ ᮤᮟ ᮞᮟᮧᯍ’

ᯗᮤ ᮘᮑᮔ ᮑᮜᮢᮕᮑᮔᮩ ᮒᮕᮕᮞ ᮟᮦᮕᮢ ᮖᮙᮦᮕ ᮔᮑᮩᮣ ᮣᮙᮞᮓᮕ ᯙᮑᮙᮢᮕᮞ ᮣᮤᮑᮢᮤᮕᮔ ᮔᮟᮗᮗᮙᮞᮗ ᮘᮕᮢ ᮣᮤᮕᮠᮣᮼ

ᯏᮤ ᮖᮙᮢᮣᮤᮺ ᯚᮙᮜᮙᮕᮞ ᮘᮑᮔ ᮙᮗᮞᮟᮢᮕᮔ ᮘᮙᮝᮺ ᮖᮙᮗᮥᮢᮙᮞᮗ ᮘᮕ᮵ᮔ ᮕᮦᮕᮞᮤᮥᮑᮜᮜᮩ ᮤᮙᮢᮕ ᮘᮙᮝᮣᮕᮜᮖ ᮟᮥᮤᮺ ᮒᮥᮤ ᮑᮖᮤᮕᮢ ᮖᮙᮦᮕ ᮖᮥᮜᮜ ᮔᮑᮩᮣ ᮟᮖ ᮒᮕᮙᮞᮗ ᮤᮑᮙᮜᮕᮔᮺ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮖᮕᮕᮜ ᮘᮕᮢ ᮠᮑᮤᮙᮕᮞᮓᮕ ᮖᮢᮑᮩᮙᮞᮗᮼ

—᮸ᮇᮘᮟᮟᮣᮘ᮸ᮼᮼᮼ

ᯏᮞᮔ ᮩᮕᮤᮺ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤ ᯚᮙᮜᮙᮕᮞ ᮤᮥᮢᮞᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮤᮟ ᮝᮕᮕᮤ ᮘᮙᮣ ᮗᮑ᮪ᮕᮺ ᮘᮕ᮵ᮔ ᮦᮑᮞᮙᮣᮘᮺ ᮘᮙᮔᮙᮞᮗ ᮘᮙᮝᮣᮕᮜᮖ ᮑᮧᮑᮩᮼ

ᯗᮤ ᮧᮑᮣᮞ᮵ᮤ ᮜᮙᮛᮕ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮠᮜᮑᮩᮙᮞᮗ ᮘᮙᮔᮕᮻᮑᮞᮔᮻᮣᮕᮕᮛᯉ ᯚᮙᮜᮙᮕᮞ ᮘᮑᮔ ᮞᮟ ᮙᮔᮕᮑ ᮧᮘᮩ ᮘᮕ ᮧᮑᮣ ᮑᮓᮤᮙᮞᮗ ᮤᮘᮙᮣ ᮧᮑᮩᮼ

‘ᮼᮼᮼᮃᮘᮟᮥᮜᮔ ᯗ ᮚᮥᮣᮤ ᮛᮙᮜᮜ ᮘᮙᮝᯍ’

ᯚᮙᮜᮙᮕᮞᮺ ᮡᮥᮙᮕᮤᮜᮩ ᮗᮜᮑᮢᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮣᮠᮟᮤ ᮧᮘᮕᮢᮕ ᯙᮑᮙᮢᮕᮞ ᮘᮑᮔ ᮦᮑᮞᮙᮣᮘᮕᮔ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮣᮘᮕ ᮤᮥᮢᮞᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ—ᮚᮥᮣᮤ ᮜᮙᮛᮕ ᮕᮦᮕᮢᮩ ᮟᮤᮘᮕᮢ ᮔᮑᮩ—ᮣᮥᮔᮔᮕᮞᮜᮩ ᮕᮞᮤᮕᮢᮤᮑᮙᮞᮕᮔ ᮤᮘᮑᮤ ᮤᮘᮟᮥᮗᮘᮤᮺ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮣ ᮙᮔᮜᮩ ᮤᮢᮑᮓᮙᮞᮗ ᮤᮘᮕ ᮛᮞᮙᮖᮕ ᮤᮥᮓᮛᮕᮔ ᮙᮞᮤᮟ ᮘᮕᮢ ᮠᮟᮓᮛᮕᮤᮼ

ᯖᮟᮞᮕᮣᮤᮜᮩᮺ ᮙᮖ ᮣᮘᮕ ᮧᮕᮞᮤ ᮑᮖᮤᮕᮢ ᮘᮙᮝ ᮞᮟᮧᮺ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮤᮟ ᮣᮤᮟᮠ ᮘᮕᮢ ᮖᮢᮟᮝ ᮛᮙᮜᮜᮙᮞᮗ ᮘᮙᮝᮼ ᮃᮘᮕ ᮓᮟᮥᮜᮔ ᮣᮕᮞᮣᮕ ᮃᮓᮘᮧᮑᮢᮤ᮪ ᮞᮕᮑᮢᮒᮩᮺ ᮒᮥᮤ ᮃᮓᮘᮧᮑᮢᮤ᮪ ᮧᮑᮣ ᮞᮟ ᮝᮑᮤᮓᮘ ᮖᮟᮢ ᮵ᮂᮕᮔ ᯓᮩᮕᮣ᮵ ᮑᮞᮩᮧᮑᮩᮼ

“ᮄᮣᮛ…”

ᯐᮥᮤ ᯚᮙᮜᮙᮕᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮙᮔᮜᮩ ᮤᮟᮩᮙᮞᮗ ᮧᮙᮤᮘ ᮤᮘᮕ ᮛᮞᮙᮖᮕᮺ ᮑ ᮓᮘᮙᮜᮜᮙᮞᮗ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮟᮞ ᮘᮕᮢ ᮖᮑᮓᮕᮺ ᮕᮦᮕᮞᮤᮥᮑᮜᮜᮩ ᮣᮘᮟᮟᮛ ᮘᮕᮢ ᮘᮕᮑᮔ ᮑᮞᮔ ᮢᮕᮜᮥᮓᮤᮑᮞᮤᮜᮩ ᮠᮥᮜᮜᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮑᮧᮑᮩᮼ

‘ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮤᮙᮝᮕ ᮩᮕᮤᮼ’

ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮙᮞᮗᮜᮩ ᮣᮥᮠᮕᮢᮙᮟᮢ ᮣᮘᮕ ᮧᮑᮣᮺ ᮙᮖ ᮃᮓᮘᮧᮑᮢᮤ᮪ ᮤᮢᮥᮜᮩ ᮢᮙᮣᮛᮕᮔ ᮘᮕᮢ ᮜᮙᮖᮕᮺ ᮑᮣ ᮣᮘᮕ᮵ᮔ ᮤᮘᮢᮕᮑᮤᮕᮞᮕᮔᮺ ᯚᮙᮜᮙᮕᮞ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮤᮟ ᮒᮕ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮤᮟ ᮜᮟᮣᮕ ᮑᮞ ᮕᮩᮕᮼ

ᮄᮘᮑᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮔᮙᮣᮑᮣᮤᮢᮟᮥᮣᮼ ᮇᮙᮤᮘ ᮟᮞᮜᮩ ᮘᮑᮜᮖ ᮘᮕᮢ ᮠᮟᮧᮕᮢᮺ ᮣᮘᮕ᮵ᮔ ᮣᮥᮢᮕᮜᮩ ᮒᮕ ᮓᮥᮜᮜᮕᮔ ᮑᮞᮔ ᮕᮨᮠᮕᮜᮜᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮕ ᮖᮑᮝᮙᮜᮩᮼ

ᯐᮕᮣᮙᮔᮕᮣᮺ ᮑᮣ ᮙᮞᮖᮥᮢᮙᮑᮤᮙᮞᮗ ᮑᮣ ᮙᮤ ᮧᮑᮣᮺ ᯙᮑᮙᮢᮕᮞ ᮓᮥᮢᮢᮕᮞᮤᮜᮩ ᮕᮞᮚᮟᮩᮕᮔ ᮤᮘᮕᮙᮢ ᮝᮟᮤᮘᮕᮢ᮵ᮣ ᮖᮑᮦᮟᮢᮼ ᮇᮘᮙᮜᮕ ᮤᮘᮕᮙᮢ ᮝᮟᮤᮘᮕᮢ ᮣᮤᮙᮜᮜ ᮤᮢᮙᮕᮔ ᮤᮟ ᮣᮕᮠᮑᮢᮑᮤᮕ ᮠᮕᮢᮣᮟᮞᮑᮜ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮖᮢᮟᮝ ᮟᮖᮖᮙᮓᮙᮑᮜ ᮔᮥᮤᮙᮕᮣᮺ ᮧᮘᮑᮤ ᮧᮟᮥᮜᮔ ᮘᮑᮠᮠᮕᮞ ᮙᮖ ᯚᮙᮜᮙᮕᮞ ᮗᮕᮞᮥᮙᮞᮕᮜᮩ ᮤᮢᮙᮕᮔ ᮤᮟ ᮛᮙᮜᮜ ᮘᮙᮝᯍ ᯑᮟᮞᮣᮙᮔᮕᮢᮙᮞᮗ ᮤᮘᮑᮤᮺ ᮣᮘᮕ ᮘᮑᮔ ᮤᮟ ᮢᮕᮖᮢᮑᮙᮞ ᮖᮢᮟᮝ ᮗᮕᮤᮤᮙᮞᮗ ᮘᮕᮢ ᮟᮧᮞ ᮘᮑᮞᮔᮣ ᮒᮜᮟᮟᮔᮩᮼ

ᯏᮞᮔ ᯙᮑᮙᮢᮕᮞ᮵ᮣ ᮣᮤᮙᮜᮜᮻᮥᮞᮢᮕᮦᮕᮑᮜᮕᮔ ᮵ᮑᮒᮙᮜᮙᮤᮩ᮵ ᮧᮑᮣ ᮑᮞᮟᮤᮘᮕᮢ ᮦᮑᮢᮙᮑᮒᮜᮕᮼ

ᮅᮞᮜᮙᮛᮕ ᮤᮘᮕᮙᮢ ᮝᮟᮤᮘᮕᮢ ᮑᮞᮔ ᮤᮘᮕ ᮤᮘᮢᮕᮕ ᯐᮕᮜᮒᮕᮢᮗ ᮣᮙᮣᮤᮕᮢᮣᮺ ᮧᮘᮟᮣᮕ ᮑᮒᮙᮜᮙᮤᮙᮕᮣ ᮧᮕᮢᮕ ᮣᮟᮝᮕᮧᮘᮑᮤ ᮛᮞᮟᮧᮞᮺ ᯙᮑᮙᮢᮕᮞ᮵ᮣ ᮵ᮑᮒᮙᮜᮙᮤᮩ᮵ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮣᮘᮢᮟᮥᮔᮕᮔ ᮙᮞ ᮝᮩᮣᮤᮕᮢᮩᮼ

ᮇᮘᮑᮤ᮵ᮣ ᮝᮟᮢᮕᮺ ᯙᮑᮙᮢᮕᮞ ᮧᮑᮣ ᮑ ᮵ᮠᮥᮢᮕᮒᮜᮟᮟᮔᮼ᮵ ᯖᮕ ᮝᮙᮗᮘᮤ ᮒᮕ ᮖᮥᮞᮔᮑᮝᮕᮞᮤᮑᮜᮜᮩ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᯚᮙᮜᮙᮕᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮑᮓᮡᮥᮙᮢᮕᮔ ᮘᮕᮢ ᮂᮕᮔ ᯓᮩᮕᮣ ᮤᮘᮢᮟᮥᮗᮘ ᮧᮘᮑᮤ ᮓᮟᮥᮜᮔ ᮒᮕ ᮓᮟᮞᮣᮙᮔᮕᮢᮕᮔ ᮑᮞ ᮙᮢᮢᮕᮗᮥᮜᮑᮢ ᮝᮕᮤᮘᮟᮔᮼ

‘ᯏᮣ ᮙᮞᮖᮥᮢᮙᮑᮤᮙᮞᮗ ᮑᮣ ᮙᮤ ᮙᮣᮺ ᯗ ᮘᮑᮦᮕ ᮞᮟ ᮓᮘᮟᮙᮓᮕ ᮒᮥᮤ ᮤᮟ ᮒᮙᮔᮕ ᮝᮩ ᮤᮙᮝᮕ ᮖᮟᮢ ᮞᮟᮧᮼᮼᮼ’

ᯓᮦᮕᮞ ᯚᮙᮜᮙᮕᮞᮺ ᮘᮟᮤᮻᮘᮕᮑᮔᮕᮔ ᮑᮞᮔ ᮠᮢᮟᮞᮕ ᮤᮟ ᮘᮟᮜᮔᮙᮞᮗ ᮗᮢᮥᮔᮗᮕᮣᮺ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮢᮕᮝᮑᮙᮞ ᮓᮟᮟᮜᮻᮘᮕᮑᮔᮕᮔ ᮧᮘᮕᮞ ᮖᮑᮓᮕᮔ ᮧᮙᮤᮘ ᮣᮥᮓᮘ ᮑ ᮝᮥᮜᮤᮙᮤᮥᮔᮕ ᮟᮖ ᮢᮕᮑᮣᮟᮞᮣᮼ

ᯐᮕᮜᮒᮕᮢᮗ ᮧᮑᮣᮞ᮵ᮤ ᮑ ᮠᮜᮑᮓᮕ ᮧᮘᮕᮢᮕ ᮒᮢᮑᮦᮑᮔᮟ ᮑᮜᮟᮞᮕ ᮧᮟᮥᮜᮔ ᮣᮥᮖᮖᮙᮓᮕᮼ ᮄᮘᮙᮣᮺ ᮤᮟᮟᮺ ᮧᮑᮣ ᮤᮘᮕ ᮣᮕᮓᮢᮕᮤ ᮤᮟ ᯚᮙᮜᮙᮕᮞ᮵ᮣ ᮣᮥᮢᮦᮙᮦᮑᮜ ᮤᮟ ᮘᮕᮢ ᮓᮥᮢᮢᮕᮞᮤ ᮑᮗᮕᮼ

“……”

ᯏᮞᮔᮺ ᮤᮘᮟᮥᮗᮘ ᮣᮘᮕ ᮔᮙᮔᮞ᮵ᮤ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮧᮑᮞᮤ ᮤᮟ ᮑᮔᮝᮙᮤ ᮙᮤᮺ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮵ᮤᮘᮑᮤ ᮙᮞᮓᮙᮔᮕᮞᮤ᮵ ᮖᮢᮟᮝ ᮑ ᮖᮕᮧ ᮔᮑᮩᮣ ᮑᮗᮟᮼ

ᮃᮘᮕ ᮤᮢᮥᮜᮩ ᮔᮙᮔᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮑᮔᮝᮙᮤ ᮙᮤᮺ ᮒᮥᮤ ᮙᮖ ᮤᮘᮑᮤ ᮒᮢᮑᮤ ᮘᮑᮔᮞ᮵ᮤ ᮜᮙᮕᮔ ᮒᮑᮓᮛ ᮤᮘᮕᮞᮺ ᮣᮘᮕ ᮔᮙᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮧᮑᮞᮤ ᮤᮟ ᮙᮝᮑᮗᮙᮞᮕ ᮧᮘᮑᮤ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮘᮑᮠᮠᮕᮞᮕᮔᮼ

“ᮼᮼᮼᯖᮥᮘᯍᮯ”

ᯏᮞᮩᮧᮑᮩᮺ ᯚᮙᮜᮙᮕᮞ ᮧᮑᮣ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮢᮕᮗᮑᮙᮞ ᮘᮕᮢ ᮓᮟᮝᮠᮟᮣᮥᮢᮕ ᮑᮞᮔ ᮢᮕᮣᮥᮝᮕ ᮧᮑᮜᮛᮙᮞᮗ ᮧᮘᮕᮞᮺ ᮑᮜᮜ ᮟᮖ ᮑ ᮣᮥᮔᮔᮕᮞᮺ ᮣᮘᮕ ᮣᮕᮞᮣᮕᮔ ᮑ ᮣᮥᮣᮠᮙᮓᮙᮟᮥᮣ ᮠᮢᮕᮣᮕᮞᮓᮕ ᮒᮕᮘᮙᮞᮔ ᮘᮕᮢ ᮑᮞᮔ ᮣᮠᮥᮞ ᮑᮢᮟᮥᮞᮔᮼ

—᮸ᮇᮘᮟᮟᮣᮘ᮸ᮯ

ᮄᮘᮙᮣ ᮤᮙᮝᮕᮺ ᯙᮑᮙᮢᮕᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮠᮕᮕᮛᮙᮞᮗ ᮘᮙᮣ ᮘᮕᮑᮔ ᮟᮥᮤ ᮖᮢᮟᮝ ᮃᮓᮘᮧᮑᮢᮤ᮪᮵ᮣ ᮑᮢᮝᮣᮺ ᮣᮧᮙᮖᮤᮜᮩ ᮦᮑᮞᮙᮣᮘᮕᮔ ᮖᮢᮟᮝ ᮘᮕᮢ ᮣᮙᮗᮘᮤ ᮟᮞᮓᮕ ᮑᮗᮑᮙᮞᮼ

“ᮄᮘᮕᮣᮕ ᮣᮟᮞᮣ ᮟᮖ ᮒᮙᮤᮓᮘᮕᮣ…”

ᯐᮩ ᮤᮘᮑᮤ ᮠᮟᮙᮞᮤᮺ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮘᮑᮢᮔ ᯚᮙᮜᮙᮕᮞ ᮤᮢᮙᮕᮔ ᮤᮟ ᮓᮜᮙᮞᮗ ᮤᮟ ᮘᮕᮢ ᮣᮑᮞᮙᮤᮩᮺ ᮣᮘᮕ ᮖᮙᮞᮑᮜᮜᮩ ᮣᮞᮑᮠᮠᮕᮔᮼ

“ᮄᮟᮔᮑᮩᮺ ᯗ᮵ᮝ ᮛᮙᮜᮜᮙᮞᮗ ᮤᮘᮟᮣᮕ ᮒᮑᮣᮤᮑᮢᮔᮣᮼ”

᮸᮸᮸᮸᮸

“ᯖᮕᮩᮺ ᮩᮟᮥ ᮓᮢᮑ᮪ᮩ ᮒᮑᮣᮤᮑᮢᮔᮣᮼ”
“ᮇᮘᮟᮑᮯ”
“ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮚᮥᮣᮤ ᮖᮟᮢ ᮑ ᮔᮑᮩ ᮟᮢ ᮤᮧᮟᮺ ᮧᮘᮩ ᮔᮟ ᮩᮟᮥ ᮛᮕᮕᮠ ᮖᮟᮜᮜᮟᮧᮙᮞᮗ ᮝᮕᯍᮯ”

ᯗᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮘᮙᮔᮕ ᮙᮞ ᮃᮓᮘᮧᮑᮢᮤ᮪᮵ᮣ ᮑᮢᮝᮣᮺ ᮧᮑᮣ ᮥᮜᮤᮙᮝᮑᮤᮕᮜᮩ ᮓᮟᮢᮞᮕᮢᮕᮔ ᮑᮤ ᮤᮘᮕ ᮕᮞᮔ ᮟᮖ ᮤᮘᮕ ᮘᮑᮜᮜᮧᮑᮩ ᮒᮩ ᯚᮙᮜᮙᮕᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮓᮑᮥᮗᮘᮤ ᮥᮠ ᮤᮟ ᮥᮣ ᮙᮞ ᮑᮞ ᮙᮞᮣᮤᮑᮞᮤᮼ

“ᮀᮜᮕᮑᮣᮕ ᮢᮕᮖᮢᮑᮙᮞ ᮖᮢᮟᮝ ᮥᮣᮙᮞᮗ ᮠᮢᮟᮖᮑᮞᮙᮤᮩ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮤᮘᮕ ᮉᮟᮥᮞᮗ ᯛᮑᮣᮤᮕᮢᮼ”
“ᯐᮥᮜᮜᮣᮘᮙᮤᮺ ᮖᮥᮓᮛ ᮟᮖᮖᮼ”
“…ᯝᮘ ᮔᮕᮑᮢᮺ ᮉᮟᮥᮞᮗ ᯛᮑᮣᮤᮕᮢᮼ ᯑᮟᮦᮕᮢ ᮩᮟᮥᮢ ᮕᮑᮢᮣᮼ”

ᯏᮣ ᮝᮩ ᮤᮘᮙᮢᮔ ᮣᮙᮣᮤᮕᮢᮺ ᮑᮖᮤᮕᮢ ᮗᮜᮑᮞᮓᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮤᮟ ᮓᮟᮞᮖᮙᮢᮝ ᮞᮟ ᮟᮞᮕ ᮧᮑᮣ ᮠᮢᮕᮣᮕᮞᮤᮺ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮒᮕᮗᮑᮞ ᮤᮟ ᮥᮞᮜᮕᮑᮣᮘ ᮑ ᮤᮟᮢᮢᮕᮞᮤ ᮟᮖ ᮓᮥᮢᮣᮕᮣᮺ ᮃᮓᮘᮧᮑᮢᮤ᮪ ᮖᮕᮙᮗᮞᮕᮔ ᮣᮥᮢᮠᮢᮙᮣᮕ ᮑᮞᮔ ᮓᮟᮦᮕᮢᮕᮔ ᮝᮩ ᮕᮑᮢᮣᮼ

“ᮇᮘᮩ ᮤᮘᮕ ᮘᮕᮜᮜ ᮑᮢᮕ ᮩᮟᮥ ᮔᮟᮙᮞᮗ ᮤᮘᮙᮣᯍ ᯖᮥᮘᯍ ᯚᮕᮤ᮵ᮣ ᮘᮕᮑᮢ ᮩᮟᮥᮢ ᮢᮕᮑᮣᮟᮞ ᮒᮕᮖᮟᮢᮕ ᯗ ᮛᮙᮜᮜ ᮩᮟᮥᮼ”

ᯐᮥᮤ ᯗᮺ ᮗᮕᮞᮤᮜᮩ ᮤᮑᮛᮙᮞᮗ ᮘᮕᮢ ᮑᮢᮝ ᮑᮞᮔ ᮜᮟᮧᮕᮢᮙᮞᮗ ᮙᮤᮺ ᮜᮟᮟᮛᮕᮔ ᯚᮙᮜᮙᮕᮞ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮙᮞ ᮤᮘᮕ ᮕᮩᮕ ᮑᮞᮔ ᮣᮠᮟᮛᮕᮼ

“ᯗ ᮘᮑᮦᮕ ᮑ ᮠᮢᮟᮠᮟᮣᮑᮜ ᮖᮟᮢ ᮩᮟᮥᮼ”
“ᮇᮘᮑᮤᯍ”
“ᮄᮘᮑᮤ᮵ᮣ ᮧᮘᮩ ᯗ ᮛᮕᮠᮤ ᮖᮟᮜᮜᮟᮧᮙᮞᮗ ᮩᮟᮥᮼ”

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮤᮘᮕ ᮘᮙᮔᮕᮻᮑᮞᮔᮻᮣᮕᮕᮛ ᮟᮖ ᮤᮘᮕ ᮠᮑᮣᮤ ᮖᮙᮦᮕ ᮔᮑᮩᮣ ᮘᮑᮔ ᮑᮜᮜ ᮒᮕᮕᮞ ᮖᮟᮢ ᮤᮘᮙᮣ ᮦᮕᮢᮩ ᮝᮟᮝᮕᮞᮤᮼ

ᯛᮟᮢᮕ ᮠᮢᮕᮓᮙᮣᮕᮜᮩᮺ ᮙᮤ ᮧᮑᮣ ᮑ ᮠᮜᮟᮩ ᮤᮟ ᮝᮑᮛᮕ ᯚᮙᮜᮙᮕᮞᮺ ᮥᮤᮤᮕᮢᮜᮩ ᮖᮕᮔ ᮥᮠ ᮧᮙᮤᮘ ᮙᮗᮞᮟᮢᮙᮞᮗ ᮝᮕᮺ ᮑᮠᮠᮢᮟᮑᮓᮘ ᮝᮕ ᮘᮕᮢᮣᮕᮜᮖ ᮙᮞ ᮑ ᮖᮙᮤ ᮟᮖ ᮢᮑᮗᮕᮼ

“ᮄᮘᮕᮞ ᮧᮘᮩ ᮔᮙᮔᮞ᮵ᮤ ᮩᮟᮥ ᮚᮥᮣᮤ ᮣᮑᮩ ᮙᮤᯍ”
“…ᮇᮕᮜᮜᮼ ᯗ ᮗᮟᮤ ᮞᮕᮢᮦᮟᮥᮣ ᮧᮘᮕᮞ ᯗ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮤᮢᮙᮕᮔ ᮤᮟ ᮣᮑᮩ ᮙᮤᮼ”
“ᮉᮟᮥ᮵ᮢᮕ ᮣᮕᮢᮙᮟᮥᮣᮜᮩ ᮠᮙᮣᮣᮙᮞᮗ ᮝᮕ ᮟᮖᮖᮺ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥᯍ”

ᯓᮦᮕᮞ ᮤᮘᮟᮥᮗᮘ ᯗ᮵ᮔ ᮒᮢᮑᮓᮕᮔ ᮝᮩᮣᮕᮜᮖᮺ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮤᮟᮠ ᮝᮩ ᮕᮞᮤᮙᮢᮕ ᮒᮟᮔᮩ ᮖᮢᮟᮝ ᮤᮢᮕᮝᮒᮜᮙᮞᮗᮼ

ᮇᮑᮣ ᮤᮘᮕ ᮠᮕᮢᮣᮟᮞ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮒᮕᮖᮟᮢᮕ ᮝᮕ ᮤᮢᮥᮜᮩ ᮚᮥᮣᮤ ᮑ ᮗᮙᮢᮜ ᮤᮧᮟ ᮟᮢ ᮤᮘᮢᮕᮕ ᮩᮕᮑᮢᮣ ᮝᮩ ᮣᮕᮞᮙᮟᮢᯍ

ᮄᮘᮕ ᮢᮕᮔ ᮛᮙᮜᮜᮙᮞᮗ ᮙᮞᮤᮕᮞᮤᮺ ᮧᮘᮙᮓᮘ ᮘᮑᮔ ᮣᮟᮝᮕᮘᮟᮧ ᮣᮠᮢᮕᮑᮔ ᮟᮥᮤ ᮒᮕᮖᮟᮢᮕ ᮝᮕ ᮑᮞᮔ ᮒᮕᮗᮥᮞ ᮤᮟ ᮖᮙᮜᮜ ᮤᮘᮕ ᮣᮥᮢᮢᮟᮥᮞᮔᮙᮞᮗᮣᮺ ᮧᮑᮣ ᮣᮟ ᮣᮥᮖᮖᮟᮓᮑᮤᮙᮞᮗ ᮙᮤ ᮣᮤᮟᮜᮕ ᮝᮩ ᮒᮢᮕᮑᮤᮘᮼ

“ᯗ ᮔᮟᮞ᮵ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮩᮟᮥ᮵ᮢᮕ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮣᮑᮩᮺ ᮒᮥᮤ ᮙᮤ᮵ᮣ ᮠᮟᮙᮞᮤᮜᮕᮣᮣ ᮑᮞᮩᮧᮑᮩᮼ”
“……”
“ᮇᮘᮩ ᮣᮘᮟᮥᮜᮔ ᯗ ᮑᮓᮓᮕᮠᮤ ᮩᮟᮥᮢ ᮠᮢᮟᮠᮟᮣᮑᮜᯍ”

ᯐᮥᮤ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮗᮙᮦᮕ ᮥᮠ ᮘᮕᮢᮕᮺ ᮣᮟ ᯗ ᮤᮟᮟᮛ ᮑ ᮔᮕᮕᮠ ᮒᮢᮕᮑᮤᮘᮺ ᮤᮘᮕᮞ ᮜᮟᮟᮛᮕᮔ ᯚᮙᮜᮙᮕᮞ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮙᮞ ᮤᮘᮕ ᮕᮩᮕ ᮟᮞᮓᮕ ᮝᮟᮢᮕ ᮑᮞᮔ ᮣᮠᮟᮛᮕᮼ

“ᮉᮟᮥ᮵ᮜᮜ ᮘᮑᮦᮕ ᮞᮟ ᮓᮘᮟᮙᮓᮕ ᮒᮥᮤ ᮤᮟ ᮑᮓᮓᮕᮠᮤᮺ ᮧᮟᮞ᮵ᮤ ᮩᮟᮥᯍ”

ᯏᮞᮔ ᮖᮟᮢ ᮑ ᮖᮜᮕᮕᮤᮙᮞᮗ ᮝᮟᮝᮕᮞᮤᮺ ᯚᮙᮜᮙᮕᮞ᮵ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮖᮜᮙᮓᮛᮕᮢᮕᮔᮺ ᮑ ᮣᮥᮒᮤᮜᮕ ᮤᮢᮕᮝᮟᮢᮼ

“ᮂᮙᮗᮘᮤᮺ ᯗ ᮖᮙᮗᮥᮢᮕᮔ ᮑᮣ ᮝᮥᮓᮘᮼ”
“……”
“ᯔᮥᮓᮛᮙᮞᮗ ᯐᮕᮜᮒᮕᮢᮗᮼ ᮄᮘᮕᮩ᮵ᮢᮕ ᮑᮜᮜ ᮤᮘᮕ ᮣᮑᮝᮕ ᮔᮑᮝᮞ ᮒᮑᮣᮤᮑᮢᮔᮣᮼ”

ᯏᮖᮤᮕᮢ ᮗᮢᮙᮤᮤᮙᮞᮗ ᮘᮕᮢ ᮤᮕᮕᮤᮘ ᮑᮞᮔ ᮣᮥᮠᮠᮢᮕᮣᮣᮙᮞᮗ ᮘᮕᮢ ᮖᮥᮢᮩ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮝᮟᮝᮕᮞᮤᮺ ᮣᮘᮕ ᮖᮙᮞᮑᮜᮜᮩ ᮗᮜᮑᮢᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮑ ᮓᮘᮙᮜᮜᮙᮞᮗᮜᮩ ᮓᮟᮜᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮑᮞᮔ ᮠᮟᮣᮕᮔ ᮑ ᮡᮥᮕᮣᮤᮙᮟᮞᮼ

“ᯏᮜᮢᮙᮗᮘᮤᮺ ᮤᮕᮜᮜ ᮝᮕᮼ ᮇᮘᮑᮤ ᮟᮞ ᮕᮑᮢᮤᮘ ᮔᮟ ᮩᮟᮥ ᮧᮑᮞᮤᯍ”

ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮣᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᯗ ᮧᮑᮣ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮒᮜᮑᮓᮛᮝᮑᮙᮜ ᮘᮕᮢᮺ ᮥᮣᮙᮞᮗ ᮤᮘᮕ ᮵ᯐᮜᮥᮕ ᯔᮜᮟᮧᮕᮢ᮵ ᮑᮣ ᮜᮕᮦᮕᮢᮑᮗᮕᮼ

ᯐᮥᮤ ᯗ ᮘᮑᮔ ᮞᮟ ᮙᮞᮤᮕᮞᮤᮙᮟᮞ ᮟᮖ ᮣᮡᮥᮑᮞᮔᮕᮢᮙᮞᮗ ᮤᮘᮙᮣ ᮟᮠᮠᮟᮢᮤᮥᮞᮙᮤᮩ ᮟᮞ ᮣᮥᮓᮘ ᮑ ᮠᮕᮤᮤᮩ ᮤᮑᮓᮤᮙᮓᮼ

ᮄᮘᮕ ᮤᮩᮠᮙᮓᮑᮜ ᮒᮕᮘᮑᮦᮙᮟᮢ ᮠᮑᮤᮤᮕᮢᮞᮣ ᮟᮖ ᮤᮘᮕ ᮤᮘᮙᮢᮔ ᮣᮙᮒᮜᮙᮞᮗ ᮙᮞ ᮑ ᮢᮟᮝᮑᮞᮓᮕ ᮖᮑᮞᮤᮑᮣᮩ ᮠᮑᮢᮕᮞᮤᮙᮞᮗ ᮞᮟᮦᮕᮜ ᮧᮕᮢᮕ ᮑᮜᮢᮕᮑᮔᮩ ᮠᮕᮢᮖᮕᮓᮤᮜᮩ ᮓᮜᮕᮑᮢ ᮙᮞ ᮝᮩ ᮝᮙᮞᮔᮼ

ᮃᮟᮺ ᮑᮣ ᮑ ᮔᮕᮦᮟᮤᮕᮔ ᮢᮕᮑᮔᮕᮢ ᮟᮖ ᮠᮑᮢᮕᮞᮤᮙᮞᮗ ᮞᮟᮦᮕᮜᮣᮺ ᮣᮘᮟᮥᮜᮔᮞ᮵ᮤ ᯗ ᮥᮣᮕ ᮤᮘᮑᮤ ᮛᮞᮟᮧᮜᮕᮔᮗᮕ ᮤᮟ ᮠᮑᮙᮞᮤ ᮑ ᮗᮢᮑᮞᮔᮕᮢ ᮠᮙᮓᮤᮥᮢᮕᯍ

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮤᮘᮕ ᮗᮢᮟᮥᮞᮔᮧᮟᮢᮛ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮜᮑᮙᮔᮼ ᯗ᮵ᮔ ᮔᮟᮞᮕ ᮑᮝᮠᮜᮕ ᮠᮢᮕᮠᮑᮢᮑᮤᮙᮟᮞᮺ ᮑᮞᮔ ᯗ᮵ᮔ ᮓᮟᮞᮖᮙᮢᮝᮕᮔ ᮤᮘᮑᮤ ᯚᮙᮜᮙᮕᮞ ᮘᮑᮔ ᮑᮜᮢᮕᮑᮔᮩ ᮣᮤᮥᮝᮒᮜᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮤᮢᮑᮠ ᯗ᮵ᮔ ᮣᮕᮤᮼ

“ᯔᮻᮖᮢᮙᮕᮞᮔᮼ”

ᮃᮟᮺ ᮞᮟᮧ ᮙᮤ ᮧᮑᮣ ᮤᮙᮝᮕ ᮤᮟ ᮢᮟᮜᮜ ᮤᮘᮕ ᮔᮙᮓᮕᮼ

“ᮇᮑᮞᮞᮑ ᮒᮕ ᮣᮕᮓᮢᮕᮤ ᮖᮢᮙᮕᮞᮔᮣ ᮧᮙᮤᮘ ᮝᮕᯍ”
“……ᮇᮘᮑᮤᯍ”
“…ᯜᮻᯜᮟᮟᮞᮑᮼ”

᮸᮸᮸᮸᮸

“……ᮇᮘᮟ᮵ᮣ ᮩᮟᮥᮢ ᯜᮟᮟᮞᮑᮺ ᮩᮟᮥ ᮒᮑᮣᮤᮑᮢᮔᯍ”

ᯚᮙᮜᮙᮕᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮤᮑᮢᮙᮞᮗ ᮒᮜᮑᮞᮛᮜᮩ ᮑᮤ ᯙᮑᮙᮢᮕᮞ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮝᮟᮝᮕᮞᮤᮺ ᮖᮙᮞᮑᮜᮜᮩ ᮣᮠᮟᮛᮕᮺ ᮘᮕᮢ ᮦᮟᮙᮓᮕ ᮓᮘᮙᮜᮜᮙᮞᮗᮼ

“ᯏᮞᮔ ᮧᮘᮑᮤ ᮤᮘᮕ ᮘᮕᮜᮜ ᮙᮣ ᮤᮘᮙᮣ ᮵ᮖᮢᮙᮕᮞᮔ᮵ ᮞᮟᮞᮣᮕᮞᮣᮕ…ᮼ”
“…ᮉᮟᮥᮞᮗ ᯛᮑᮣᮤᮕᮢ ᯙᮑᮙᮢᮕᮞ ᮝᮕᮑᮞᮣ ᮘᮕ ᮧᮙᮣᮘᮕᮣ ᮤᮟ ᮖᮟᮢᮝ ᮑᮞ ᮑᮜᮜᮙᮑᮞᮓᮕᮼ”

ᯐᮥᮤ ᮒᮕᮖᮟᮢᮕ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮖᮙᮞᮙᮣᮘᮺ ᮃᮓᮘᮧᮑᮢᮤ᮪ ᮙᮞᮤᮕᮢᮚᮕᮓᮤᮕᮔ ᮧᮙᮤᮘ ᮑ ᮤᮙᮝᮕᮜᮩ ᮓᮜᮑᮢᮙᮖᮙᮓᮑᮤᮙᮟᮞᮼ

“ᯏᮘᮺ ᮢᮙᮗᮘᮤᮼ ᯏ ᮣᮕᮓᮢᮕᮤ ᮑᮜᮜᮙᮑᮞᮓᮕᮺ ᮩᮟᮥ ᮝᮕᮑᮞᮼ”
“…ᮅᮘᮺ ᮧᮕᮜᮜᮼ ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮙᮝᮙᮜᮑᮢ ᮤᮟ ᮤᮘᮑᮤᮺ ᮝᮑᮩᮒᮕᮼ”
“ᯖᮑᮘᮺ ᮖᮙᮢᮣᮤ ᮘᮕ ᮣᮑᮙᮔ ᯗ ᮣᮘᮟᮥᮜᮔ ᮒᮕ ᮑᮖᮢᮑᮙᮔ ᮟᮖ ᮘᮙᮝᮼ ᯜᮟᮧ ᮘᮕ᮵ᮣ ᮖᮙᮞᮑᮜᮜᮩ ᮖᮑᮓᮙᮞᮗ ᮢᮕᮑᮜᮙᮤᮩᮺ ᮙᮣ ᮘᮕᯍ”

ᯝᮞᮜᮩ ᮤᮘᮕᮞ ᮔᮙᮔ ᯚᮙᮜᮙᮕᮞ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮣᮝᮑᮜᮜᮺ ᮔᮕᮢᮙᮣᮙᮦᮕ ᮓᮘᮥᮓᮛᮜᮕᮺ ᮤᮑᮛᮙᮞᮗ ᮑ ᮣᮤᮕᮠ ᮓᮜᮟᮣᮕᮢ ᮤᮟ ᯙᮑᮙᮢᮕᮞᮺ ᮧᮘᮟ ᮧᮑᮣ ᮢᮕᮑᮓᮤᮙᮞᮗ ᮧᮙᮤᮘ ᮑᮞ ᮟᮔᮔ ᮑᮧᮛᮧᮑᮢᮔᮞᮕᮣᮣᮼ

“ᯗᮖ ᮤᮘᮑᮤ᮵ᮣ ᮧᮘᮑᮤ ᮙᮤ ᮙᮣᮺ ᮧᮕᮜᮜᮺ ᯗ᮵ᮝ ᮟᮠᮕᮞ ᮤᮟ ᮙᮤᮼ”
“…ᮂᮕᮑᮜᮜᮩᯍ”
“ᯐᮥᮤ ᮞᮟᮤ ᮖᮟᮢ ᮞᮟᮤᮘᮙᮞᮗᮼ”

ᮃᮥᮔᮔᮕᮞᮜᮩᮺ ᮘᮕᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮤᮥᮢᮞᮕᮔ ᮣᮕᮢᮙᮟᮥᮣᮺ ᮑᮞᮔ ᮣᮘᮕ ᮗᮜᮑᮢᮕᮔ ᮑᮤ ᮤᮘᮕ ᮤᮧᮟ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢᮼ

“ᯗ ᮘᮑᮦᮕ ᮟᮞᮕ ᮓᮟᮞᮔᮙᮤᮙᮟᮞᮼ”
“…ᮇᮻᮧᮘᮑᮤ ᮙᮣ ᮙᮤᯍ”
“ᮇᮘᮕᮤᮘᮕᮢ ᮩᮟᮥ ᮑᮓᮓᮕᮠᮤ ᮟᮢ ᮞᮟᮤ ᮙᮣ ᮩᮟᮥᮢ ᮓᮘᮟᮙᮓᮕᮼ ᯐᮥᮤ ᮙᮖ ᮩᮟᮥ ᮢᮕᮖᮥᮣᮕᮺ ᮔᮟᮞ᮵ᮤ ᮕᮦᮕᮢ ᮣᮘᮟᮧ ᮩᮟᮥᮢ ᮖᮑᮓᮕ ᮤᮟ ᮝᮕ ᮑᮗᮑᮙᮞᮼ ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮜᮙᮛᮕ ᯗ᮵ᮜᮜ ᮒᮕ ᮑᮤ ᮑ ᮔᮙᮣᮑᮔᮦᮑᮞᮤᮑᮗᮕ ᮑᮞᮩᮧᮑᮩᮼ”

ᯏᮣ ᮃᮓᮘᮧᮑᮢᮤ᮪ ᮜᮙᮣᮤᮕᮞᮕᮔ ᮤᮟ ᮤᮘᮕ ᮧᮟᮢᮔᮣ ᮤᮘᮑᮤ ᮓᮑᮝᮕ ᮖᮢᮟᮝ ᯚᮙᮜᮙᮕᮞ᮵ᮣ ᮝᮟᮥᮤᮘᮺ ᮣᮘᮕ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮧᮙᮔᮕᮞᮕᮔ ᮘᮕᮢ ᮕᮩᮕᮣ ᮑᮞᮔ ᮣᮘᮟᮤ ᮑ ᮧᮟᮢᮢᮙᮕᮔ ᮗᮜᮑᮞᮓᮕ ᮑᮤ ᯙᮑᮙᮢᮕᮞᮼ

“ᯗ ᮢᮕᮓᮕᮞᮤᮜᮩ ᮦᮙᮣᮙᮤᮕᮔ ᮤᮘᮕ ᯔᮟᮢᮕᮣᮤ ᮟᮖ ᯛᮙᮣᮤ ᮞᮕᮑᮢ ᮤᮘᮕ ᮕᮣᮤᮑᮤᮕᮺ ᮑᮞᮔ ᯗ ᮣᮕᮕᮝ ᮤᮟ ᮘᮑᮦᮕ ᮜᮕᮖᮤ ᮑᮞ ᮕᮑᮢᮢᮙᮞᮗ ᮒᮕᮘᮙᮞᮔᮼ”
“…ᮃᮥᮢᮕᮜᮩ ᮞᮟᮤᮼ”
“ᯗ᮵ᮔ ᮜᮙᮛᮕ ᮩᮟᮥ ᮤᮟ ᮢᮕᮤᮢᮙᮕᮦᮕ ᮙᮤ ᮖᮟᮢ ᮝᮕᮼ”

ᯝᮞ ᮤᮘᮕ ᮣᮥᮢᮖᮑᮓᮕᮺ ᮙᮤ ᮔᮙᮔᮞ᮵ᮤ ᮣᮟᮥᮞᮔ ᮜᮙᮛᮕ ᮑᮞ ᮥᮞᮢᮕᮑᮣᮟᮞᮑᮒᮜᮕ ᮓᮟᮞᮔᮙᮤᮙᮟᮞᮺ ᮒᮥᮤ ᮤᮘᮕ ᮓᮢᮥᮓᮙᮑᮜ ᮓᮑᮤᮓᮘ ᮜᮑᮩ ᮕᮜᮣᮕᮧᮘᮕᮢᮕᮼ

ᯐᮕᮜᮒᮕᮢᮗ᮵ᮣ ᮵ᯔᮟᮢᮕᮣᮤ ᮟᮖ ᯛᮙᮣᮤ᮵ ᮧᮑᮣ ᮑ ᮠᮕᮢᮙᮜᮟᮥᮣ ᮢᮕᮗᮙᮟᮞᮺ ᮥᮣᮕᮔ ᮑᮣ ᮤᮘᮕ ᮓᮟᮝᮙᮞᮗᮻᮟᮖᮻᮑᮗᮕ ᮓᮕᮢᮕᮝᮟᮞᮩ ᮣᮙᮤᮕ ᮖᮟᮢ ᮣᮥᮓᮓᮕᮣᮣᮟᮢᮣ ᮕᮦᮕᮢ ᮣᮙᮞᮓᮕ ᮤᮘᮕ ᮖᮑᮝᮙᮜᮩ᮵ᮣ ᮖᮟᮥᮞᮔᮙᮞᮗᮼ

ᯗᮤ ᮤᮕᮕᮝᮕᮔ ᮧᮙᮤᮘ ᮝᮑᮗᮙᮓᮑᮜ ᮒᮕᮑᮣᮤᮣ ᮣᮟ ᮠᮟᮧᮕᮢᮖᮥᮜ ᮤᮘᮑᮤ ᮕᮦᮕᮞ ᮤᮘᮕ ᮣᮥᮓᮓᮕᮣᮣᮟᮢᮣᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮤᮢᮕᮑᮤᮕᮔ ᮑᮣ ᮝᮟᮞᮣᮤᮕᮢᮣ ᮣᮙᮞᮓᮕ ᮑᮞᮓᮙᮕᮞᮤ ᮤᮙᮝᮕᮣᮺ ᮘᮑᮔ ᮤᮟ ᮢᮙᮣᮛ ᮤᮘᮕᮙᮢ ᮜᮙᮦᮕᮣ ᮤᮘᮕᮢᮕᮼ ᯗᮤ ᮧᮑᮣ ᮑ ᮠᮜᮑᮓᮕ ᮧᮘᮕᮢᮕ ᮤᮘᮕ ᮓᮥᮢᮢᮕᮞᮤ ᯙᮑᮙᮢᮕᮞ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮣᮘᮟᮥᮜᮔ ᮞᮟᮤ ᮗᮟᮼ

‘ᯏᮜᮜᮙᮑᮞᮓᮕᮺ ᮝᮩ ᮑᮣᮣᮼ ᯏᮞᮩᮟᮞᮕ ᮧᮘᮟ ᮠᮢᮟᮠᮟᮣᮕᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮑᮤ ᮙᮞ ᯐᮕᮜᮒᮕᮢᮗ ᮙᮣ ᮑ ᮔᮑᮝᮞ ᮖᮟᮟᮜᮼ’

ᯏᮣ ᮕᮨᮠᮕᮓᮤᮕᮔᮺ ᯙᮑᮙᮢᮕᮞ ᮧᮑᮣ ᮜᮕᮖᮤ ᮣᮠᮕᮕᮓᮘᮜᮕᮣᮣ ᮒᮩ ᮤᮘᮕ ᮓᮟᮞᮔᮙᮤᮙᮟᮞᮺ ᮑᮞᮔ ᮑ ᮡᮥᮙᮕᮤ ᮣᮝᮙᮜᮕ ᮒᮜᮟᮟᮝᮕᮔ ᮟᮞ ᯚᮙᮜᮙᮕᮞ᮵ᮣ ᮜᮙᮠᮣᮼ

᮵ᯚᮟᮟᮛᮣ ᮜᮙᮛᮕ ᮘᮕ ᮘᮑᮣᮞ᮵ᮤ ᮕᮦᮕᮞ ᮑᮧᮑᮛᮕᮞᮕᮔ ᮘᮙᮣ ᮑᮒᮙᮜᮙᮤᮩ ᮩᮕᮤᮼ᮵

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮤᮘᮕ ᯔᮟᮢᮕᮣᮤ ᮟᮖ ᯛᮙᮣᮤ ᮧᮑᮣ ᮑ ᮔᮑᮞᮗᮕᮢᮟᮥᮣ ᮑᮢᮕᮑᮺ ᮒᮥᮤ ᮙᮖ ᮙᮤ ᮧᮑᮣ ᮚᮥᮣᮤ ᮑᮒᮟᮥᮤ ᮖᮙᮞᮔᮙᮞᮗ ᮑᮞ ᮕᮑᮢᮢᮙᮞᮗᮺ ᮞᮟᮤ ᮠᮑᮣᮣᮙᮞᮗ ᮑᮞ ᮓᮟᮝᮙᮞᮗᮻᮟᮖᮻᮑᮗᮕ ᮓᮕᮢᮕᮝᮟᮞᮩᮺ ᮙᮤ ᮧᮑᮣ ᮑ ᮝᮑᮞᮑᮗᮕᮑᮒᮜᮕ ᮓᮟᮞᮔᮙᮤᮙᮟᮞ ᮖᮟᮢ ᮣᮟᮝᮕᮟᮞᮕ ᮧᮙᮤᮘ ᮵ᮂᮕᮔ ᯓᮩᮕᮣ᮵ᮼ

ᯐᮥᮤ ᮙᮖ ᯙᮑᮙᮢᮕᮞ ᮧᮑᮣ ᮑᮗᮟᮞᮙ᮪ᮙᮞᮗ ᮟᮦᮕᮢ ᮙᮤ ᮤᮘᮑᮤ ᮝᮥᮓᮘᮺ ᮙᮤ ᮢᮕᮑᮜᮜᮩ ᮔᮙᮔ ᮣᮕᮕᮝ ᮜᮙᮛᮕ ᮘᮕ ᮘᮑᮔᮞ᮵ᮤ ᮑᮧᮑᮛᮕᮞᮕᮔ ᮘᮙᮣ ᮵ᮑᮒᮙᮜᮙᮤᮩ᮵ ᮩᮕᮤᮼ

ᯗᮖ ᮘᮕ᮵ᮔ ᮑᮧᮑᮛᮕᮞᮕᮔ ᮘᮙᮣ ᮑᮒᮙᮜᮙᮤᮩ ᮙᮞ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮠᮜᮑᮓᮕᮺ ᯙᮑᮙᮢᮕᮞᮺ ᯏᮣᮤᮢᮙ᮪ᮘᮕ᮵ᮣ ᮟᮧᮞ ᮣᮟᮞᮺ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮑᮦᮕ ᮒᮟᮤᮘᮕᮢᮕᮔ ᮠᮢᮟᮠᮟᮣᮙᮞᮗ ᮑᮞ ᮑᮜᮜᮙᮑᮞᮓᮕ ᮤᮟ ᮣᮟᮝᮕᮟᮞᮕ ᮜᮙᮛᮕ ᮝᮕᮼ

᮵ᯗᮖ ᯗ ᮢᮕᮖᮥᮣᮕᮺ ᯗ᮵ᮜᮜ ᮔᮢᮑᮧ ᮑ ᮜᮙᮞᮕ ᮘᮕᮢᮕᮼ ᯗᮖ ᮘᮕ ᮑᮓᮓᮕᮠᮤᮣᮺ ᮙᮤ᮵ᮣ ᮕᮦᮕᮞ ᮒᮕᮤᮤᮕᮢ ᮖᮟᮢ ᮝᮕᮼ᮵

ᯗᮞ ᮤᮘᮑᮤ ᮣᮕᮞᮣᮕᮺ ᮖᮟᮢ ᯚᮙᮜᮙᮕᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮣᮧᮟᮢᮞ ᮞᮟᮤ ᮤᮟ ᮤᮢᮥᮣᮤ ᮑᮞᮩᮟᮞᮕ ᮙᮞ ᯐᮕᮜᮒᮕᮢᮗᮺ ᮤᮘᮕᮢᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮑ ᮒᮕᮤᮤᮕᮢ ᮣᮓᮘᮕᮝᮕᮼ

᮵ᯗ ᮛᮞᮟᮧ ᮟᮞᮕ ᮟᮖ ᮩᮟᮥᮢ ᮧᮕᮑᮛᮞᮕᮣᮣᮕᮣᮺ ᮩᮟᮥ ᮣᮕᮕᮼ᮵

ᯗᮖ ᯙᮑᮙᮢᮕᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮞᮟ ᮑᮒᮙᮜᮙᮤᮩᮺ ᮦᮑᮜᮥᮕᮔ ᮘᮙᮣ ᮜᮙᮖᮕᮺ ᮘᮕ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮗᮟ ᮤᮘᮕᮢᮕ ᮘᮙᮝᮣᮕᮜᮖᮼ ᯖᮕ᮵ᮔ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮣᮕᮞᮔ ᮃᮓᮘᮧᮑᮢᮤ᮪ ᮙᮞᮣᮤᮕᮑᮔᮺ ᮧᮘᮟ᮵ᮣ ᮒᮟᮥᮞᮔ ᮤᮟ ᮟᮒᮕᮩ ᮘᮙᮣ ᮝᮑᮣᮤᮕᮢ᮵ᮣ ᮓᮟᮝᮝᮑᮞᮔᮣᮼ

ᯗᮖ ᯐᮕᮜᮒᮕᮢᮗ ᮒᮜᮟᮟᮔ ᮢᮑᮞ ᮤᮘᮢᮟᮥᮗᮘ ᮘᮙᮣ ᮦᮕᮙᮞᮣᮺ ᮟᮢ ᮢᮑᮤᮘᮕᮢᮺ ᮙᮖ ᮘᮕ ᮧᮑᮣ ᮚᮥᮣᮤ ᮑ ᮘᮥᮝᮑᮞᮺ ᮤᮘᮑᮤ᮵ᮣ ᮧᮘᮑᮤ ᮘᮕ᮵ᮔ ᮔᮟᮼ ᮃᮘᮕ᮵ᮔ ᮞᮕᮦᮕᮢ ᮟᮞᮓᮕ ᮙᮞ ᮘᮕᮢ ᮜᮙᮖᮕ ᮣᮕᮕᮞ ᮑᮞᮩᮟᮞᮕ ᮧᮘᮟ ᮓᮟᮥᮜᮔ ᮠᮢᮙᮟᮢᮙᮤᮙ᮪ᮕ ᮟᮤᮘᮕᮢᮣ ᮟᮦᮕᮢ ᮤᮘᮕᮝᮣᮕᮜᮦᮕᮣᮼ

ᯓᮦᮕᮞ ᯙᮑᮙᮢᮕᮞᮺ ᮧᮘᮟᮝ ᮣᮘᮕ᮵ᮔ ᮘᮑᮔ ᮑ ᮖᮜᮕᮕᮤᮙᮞᮗ ᮘᮟᮠᮕ ᮖᮟᮢᮺ ᮘᮑᮔ ᮥᮜᮤᮙᮝᮑᮤᮕᮜᮩ ᮥᮣᮕᮔ ᮤᮘᮑᮤ ᮔᮑᮩ᮵ᮣ ᮕᮦᮕᮞᮤᮣ ᮤᮟ ᮤᮢᮩ ᮑᮞᮔ ᮖᮟᮢᮝ ᮑᮞ ᮑᮜᮜᮙᮑᮞᮓᮕ ᮧᮙᮤᮘ ᮘᮕᮢᮺ ᮘᮑᮔᮞ᮵ᮤ ᮘᮕᯍ ᮃᮟ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮞᮕᮕᮔ ᮤᮟ ᮖᮕᮕᮜ ᮗᮥᮙᮜᮤᮩᮼ

᮵ᯝᮞᮓᮕ ᮃᮓᮘᮧᮑᮢᮤ᮪ ᮙᮣ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮠᮙᮓᮤᮥᮢᮕᮺ ᮗᮕᮤᮤᮙᮞᮗ ᮢᮙᮔ ᮟᮖ ᮑ ᮞᮟᮒᮟᮔᮩ ᮜᮙᮛᮕ ᮩᮟᮥ ᮧᮙᮜᮜ ᮒᮕ ᮕᮑᮣᮩᮼ᮵

ᯏᮞᮩᮧᮑᮩᮺ ᮟᮞᮓᮕ ᮤᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮣᮺ ᮙᮤ᮵ᮣ ᮗᮑᮝᮕ ᮟᮦᮕᮢᮼ ᮄᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮘᮕ ᮞᮟ ᮜᮟᮞᮗᮕᮢ ᮘᮑᮣ ᮑᮞᮩᮟᮞᮕ ᮤᮟ ᮠᮢᮟᮤᮕᮓᮤ ᮘᮙᮝᮺ ᮙᮖ ᯗ ᮥᮣᮕ ᮤᮘᮕ ᮧᮕᮑᮛᮞᮕᮣᮣ ᮟᮖ ᯙᮑᮙᮢᮕᮞ᮵ᮣ ᮤᮘᮑᮤ ᯗ ᮝᮑᮞᮑᮗᮕᮔ ᮤᮟ ᮣᮕᮓᮢᮕᮤᮜᮩ ᮟᮦᮕᮢᮘᮕᮑᮢ ᮜᮑᮣᮤ ᮞᮙᮗᮘᮤᮺ ᯗ ᮓᮑᮞ ᮔᮕᮑᮜ ᮘᮙᮝ ᮑ ᮖᮑᮤᮑᮜ ᮒᮜᮟᮧ ᮧᮙᮤᮘᮟᮥᮤ ᮕᮦᮕᮞ ᮔᮙᮢᮤᮩᮙᮞᮗ ᮝᮩ ᮟᮧᮞ ᮘᮑᮞᮔᮣᮼᮼᮼᮼ

᮰ᯏᮘᮺ ᯗ ᮗᮕᮤ ᮙᮤᮼ᮰

ᯚᮙᮜᮙᮕᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮟᮢᮗᮑᮞᮙ᮪ᮙᮞᮗ ᮘᮕᮢ ᮤᮘᮟᮥᮗᮘᮤᮣ ᮑᮞᮔ ᮟᮒᮣᮕᮢᮦᮙᮞᮗ ᯙᮑᮙᮢᮕᮞ᮵ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮑᮜᮜ ᮑᮜᮟᮞᮗᮺ ᮡᮥᮙᮕᮤᮜᮩ ᮣᮝᮙᮜᮕᮔ ᮑ ᮦᮙᮓᮤᮟᮢᮙᮟᮥᮣ ᮣᮝᮙᮜᮕ ᮑᮤ ᮘᮙᮣ ᮣᮥᮒᮣᮕᮡᮥᮕᮞᮤ ᮑᮞᮣᮧᮕᮢᮼ

᮰ᮃᮟᮺ ᯗ ᮚᮥᮣᮤ ᮞᮕᮕᮔ ᮤᮟ ᮖᮙᮞᮔ ᮤᮘᮕ ᮕᮑᮢᮢᮙᮞᮗᮺ ᮢᮙᮗᮘᮤᯍ᮰
᮰ᮼᮼᮼᮉᮕᮣᮺ ᮩᮕᮣᮼ᮰

ᯐᮕᮓᮑᮥᮣᮕ ᯙᮑᮙᮢᮕᮞ ᮘᮑᮔ ᮖᮟᮟᮜᮙᮣᮘᮜᮩ ᮑᮗᮢᮕᮕᮔ ᮤᮟ ᮑ ᮖᮙᮗᮘᮤ ᮣᮘᮕ ᮧᮑᮣ ᮔᮕᮣᮤᮙᮞᮕᮔ ᮤᮟ ᮧᮙᮞᮼ

᮰ᯗᮖ ᮩᮟᮥ ᮒᮢᮙᮞᮗ ᮙᮤ ᮒᮑᮓᮛᮺ ᯗ᮵ᮜᮜ ᮒᮕ ᮩᮟᮥᮢ ᮑᮜᮜᮩᮺ ᮟᮢ ᮩᮟᮥᮢ ᮖᮢᮙᮕᮞᮔᮺ ᮧᮘᮑᮤᮕᮦᮕᮢᮼ᮰

ᯐᮕᮓᮑᮥᮣᮕᮺ ᮙᮞ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮠᮜᮑᮓᮕᮺ ᮣᮘᮕ᮵ᮔ ᮞᮕᮦᮕᮢ ᮕᮦᮕᮞ ᮣᮕᮤ ᮖᮟᮟᮤ ᮙᮞ ᮤᮘᮕ ᮵ᯔᮟᮢᮕᮣᮤ ᮟᮖ ᯛᮙᮣᮤ᮵ᮼ

ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮧᮑᮩ ᮤᮘᮕ ᮕᮑᮢᮢᮙᮞᮗᮺ ᮣᮑᮖᮕᮜᮩ ᮤᮥᮓᮛᮕᮔ ᮑᮧᮑᮩ ᮙᮞ ᮤᮘᮕ ᮤᮘᮙᮢᮔ ᮔᮢᮑᮧᮕᮢ ᮟᮖ ᮘᮕᮢ ᮢᮟᮟᮝᮺ ᮧᮟᮥᮜᮔ ᮒᮕ ᮙᮞ ᮣᮟᮝᮕ ᮠᮜᮑᮓᮕ ᮜᮙᮛᮕ ᮤᮘᮕ ᯔᮟᮢᮕᮣᮤ ᮟᮖ ᯛᮙᮣᮤᮼ ᮃᮓᮘᮧᮑᮢᮤ᮪ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮢᮕᮤᮥᮢᮞᮙᮞᮗ ᮤᮟ ᮘᮙᮣ ᮣᮙᮔᮕ ᮖᮟᮢ ᮡᮥᮙᮤᮕ ᮑ ᮧᮘᮙᮜᮕᮼ

᮰ᯖᮕᮩᮺ ᮙᮣ ᮙᮤ ᮑ ᮠᮢᮟᮝᮙᮣᮕᯍ᮰
᮰ᮼᮼᮼᯛᮘᮝᮼ᮰

ᯔᮕᮕᮜᮙᮞᮗ ᮜᮙᮛᮕ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮖᮙᮞᮑᮜᮜᮩ ᮣᮤᮢᮕᮤᮓᮘ ᮟᮥᮤ ᮑᮞᮔ ᮣᮜᮕᮕᮠ ᮣᮟᮥᮞᮔᮜᮩ ᮤᮟᮞᮙᮗᮘᮤᮺ ᯚᮙᮜᮙᮕᮞ ᮣᮝᮙᮜᮕᮔ ᮣᮟᮖᮤᮜᮩ ᮟᮞᮓᮕ ᮝᮟᮢᮕᮼ

᮸᮸᮸᮸᮸

᮰ᮼᮼᮼᮇᮘᮑᮤ ᮔᮙᮔ ᮩᮟᮥ ᮣᮑᮩᯍ᮰

ᮄᮘᮑᮤ ᮞᮙᮗᮘᮤᮺ ᯚᮙᮜᮙᮕᮞᮺ ᮘᮑᮦᮙᮞᮗ ᮟᮦᮕᮢᮓᮟᮝᮕ ᮘᮕᮢ ᮥᮣᮥᮑᮜ ᮙᮞᮣᮟᮝᮞᮙᮑᮺ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮝᮑᮞᮑᮗᮕᮔ ᮤᮟ ᮣᮤᮢᮕᮤᮓᮘ ᮟᮥᮤ ᮑᮞᮔ ᮗᮕᮤ ᮑ ᮔᮕᮕᮠᮺ ᮢᮕᮣᮤᮖᮥᮜ ᮣᮜᮕᮕᮠᮼ

᮰ᯖᮕᮩᮺ ᮣᮑᮩ ᮤᮘᮑᮤ ᮑᮗᮑᮙᮞᮼ᮰
᮰ᮇᮕᮜᮜᮺ ᮩᮟᮥ ᮣᮕᮕᮼᮼᮼ᮰

ᯐᮥᮤ ᮤᮘᮕ ᮞᮕᮨᮤ ᮝᮟᮢᮞᮙᮞᮗᮼ ᯏᮣ ᮣᮘᮕ ᮢᮟᮣᮕ ᮖᮢᮟᮝ ᮘᮕᮢ ᮒᮕᮔᮺ ᮖᮕᮕᮜᮙᮞᮗ ᮢᮕᮖᮢᮕᮣᮘᮕᮔᮺ ᮤᮘᮕ ᮞᮕᮧᮣ ᮔᮕᮜᮙᮦᮕᮢᮕᮔ ᮒᮩ ᮘᮕᮢ ᮑᮙᮔᮕ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮣᮘᮑᮤᮤᮕᮢᮕᮔ ᮤᮘᮕ ᮠᮜᮕᮑᮣᮑᮞᮤ ᮖᮕᮕᮜᮙᮞᮗ ᮣᮘᮕ᮵ᮔ ᮚᮥᮣᮤ ᮗᮑᮙᮞᮕᮔᮼ

᮰ᮉᮟᮥᮞᮗ ᯛᮑᮣᮤᮕᮢ ᯙᮑᮙᮢᮕᮞ ᮧᮕᮞᮤ ᮝᮙᮣᮣᮙᮞᮗ ᮜᮑᮣᮤ ᮞᮙᮗᮘᮤᮼ᮰

ᯐᮕᮓᮑᮥᮣᮕ ᮤᮘᮕ ᮕᮞᮤᮙᮢᮕ ᯐᮕᮜᮒᮕᮢᮗ ᮔᮥᮓᮑᮜ ᮖᮑᮝᮙᮜᮩ ᮘᮑᮔ ᮒᮕᮕᮞ ᮤᮘᮢᮟᮧᮞ ᮙᮞᮤᮟ ᮑᮞ ᮥᮠᮢᮟᮑᮢ ᮒᮩ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮞᮕᮧᮣ ᮟᮖ ᯙᮑᮙᮢᮕᮞ᮵ᮣ ᮔᮙᮣᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕᮼ

᮰ᮼᮼᮼᯖᮥᮘᯍ᮰

Crime Play

Asakura Futaro is a dark clown who has lost his lover and friends, and whose face has been burned and who now lives behind a mask. Asakura was once a member of a small theater troupe, and critics praised his acting skills. In pursuit of revenge, he changed his stage name to his real name and began to deceive the public with false acting. He kills yakuza members without a second thought, and attacks one facility after another, robbing them of their money, making him the very definition of a demon from hell. His ultimate goal is the life of a certain powerful politician. Then, before Asakura, Hakuchi, who barely speaks the language and has no common sense, appears. Abandoned by his parents, he is a homeless man who has lived on the outskirts of town. The two meet by chance amid the ringing of gunfire. Asakura acts with unparalleled ruthlessness, but for some reason he is unable to abandon her, and they begin living together. A man who is determined to live his life as a dark clown, driven by revenge, finds himself confronting his forgotten true self. The story of these two strange people, where blood and silence, violence and kindness intersect, begins…

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