Crime Play

Chapter 2

Crime Play

Asakura Futaro is a dark clown who has lost his lover and friends, and whose face has been burned and who now lives behind a mask. Asakura was once a member of a small theater troupe, and critics praised his acting skills. In pursuit of revenge, he changed his stage name to his real name and began to deceive the public with false acting. He kills yakuza members without a second thought, and attacks one facility after another, robbing them of their money, making him the very definition of a demon from hell. His ultimate goal is the life of a certain powerful politician. Then, before Asakura, Hakuchi, who barely speaks the language and has no common sense, appears. Abandoned by his parents, he is a homeless man who has lived on the outskirts of town. The two meet by chance amid the ringing of gunfire. Asakura acts with unparalleled ruthlessness, but for some reason he is unable to abandon her, and they begin living together. A man who is determined to live his life as a dark clown, driven by revenge, finds himself confronting his forgotten true self. The story of these two strange people, where blood and silence, violence and kindness intersect, begins…

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‘ᮇᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮟᮥᮤᮢᮑᮗᮕᮟᮥᮣ ᮡᮥᮕᮣᮤᮣ ᮑᮢᮕ ᮤᮘᮕᮣᮕᯍ’

ᮄᮘᮕ ᮝᮟᮝᮕᮞᮤ ᯗ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮤᮘᮕ ᯒᮥᮛᮕ ᮧᮘᮟ ᮧᮑᮣ ᮑᮔᮟᮠᮤᮙᮞᮗ ᮝᮕ ᮧᮑᮣ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮝᮩ ᮝᮟᮤᮘᮕᮢᮺ ᮓᮟᮥᮞᮤᮜᮕᮣᮣ ᮡᮥᮕᮣᮤᮣ ᮣᮤᮑᮢᮤᮕᮔ ᮠᮟᮠᮠᮙᮞᮗ ᮥᮠᮼ

‘ᯓᮦᮕᮞ ᮙᮖ ᯗ ᮑᮓᮓᮕᮠᮤ ᮣᮘᮕ᮵ᮣ ᮝᮩ ᮵ᮝᮟᮝᮺ᮵ ᮤᮟ ᮒᮕ ᮘᮕᮜᮔ ᮙᮞ ᮘᮕᮢ ᮑᮢᮝᮣᮺ ᮣᮙᮤ ᮟᮞ ᮘᮕᮢ ᮜᮑᮠᮺ ᮟᮢ ᮒᮕ ᮣᮤᮢᮟᮛᮕᮔᮼᮼᮼᯍ’

ᮃᮕᮕᮙᮞᮗ ᮤᮘᮑᮤᮺ ᯗ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮓᮢᮑᮧᮜᮙᮞᮗ ᮙᮞᮤᮟ ᮑ ᮝᮟᮥᮣᮕ ᮘᮟᮜᮕ ᮑᮞᮔ ᮣᮤᮑᮢᮤᮕᮔ ᮤᮢᮕᮝᮒᮜᮙᮞᮗᮼ

ᮉᮟᮥ ᮝᮙᮗᮘᮤ ᮤᮘᮙᮞᮛᮺ ᮵ᮇᮕᮜᮜᮺ ᮑᮤ ᮜᮕᮑᮣᮤ ᮣᮘᮕ᮵ᮣ ᮑ ᮧᮟᮝᮑᮞᮺ ᮣᮟ ᮙᮣᮞ᮵ᮤ ᮤᮘᮑᮤ ᮗᮟᮟᮔᯍ᮵

ᮄᮘᮕ ᮠᮢᮟᮒᮜᮕᮝ ᮙᮣᮺ ᯗ ᮘᮑᮦᮕ ᮤᮟ ᮑᮓᮤᮙᮦᮕᮜᮩ ᮤᮢᮩ ᮤᮟ ᮣᮥᮓᮓᮕᮕᮔ ᮑᮤ ᮑᮜᮜ ᮤᮘᮟᮣᮕ ᮑᮓᮤᮙᮟᮞᮣ ᮝᮩᮣᮕᮜᮖᮼ

ᯏᮞᮔ ᮧᮘᮕᮤᮘᮕᮢ ᮙᮞ ᮝᮩ ᮠᮑᮣᮤ ᮜᮙᮖᮕ ᮟᮢ ᮤᮘᮙᮣ ᮟᮞᮕᮺ ᯗ᮵ᮦᮕ ᮞᮕᮦᮕᮢ ᮘᮑᮔ ᮑᮞᮩ ᮜᮥᮓᮛ ᮧᮙᮤᮘ ᮧᮟᮝᮕᮞᮼ

ᯓᮦᮕᮞ ᮤᮘᮟᮥᮗᮘ ᯗ ᮔᮟᮞ᮵ᮤ ᮢᮕᮝᮕᮝᮒᮕᮢ ᮝᮥᮓᮘᮺ ᮖᮟᮢ ᮝᮕᮺ ᮑ ᮖᮥᮜᮜᮻᮗᮢᮟᮧᮞ ᮑᮔᮥᮜᮤᮺ ᮤᮘᮕᮣᮕ ᮡᮥᮕᮣᮤᮣ ᮑᮢᮕ ᮑᮣ ᮘᮑᮢᮔ ᮑᮣ ᮑ ᯚᮕᮦᮕᮜ ᮿ ᮘᮕᮢᮟ ᮒᮕᮙᮞᮗ ᮤᮟᮜᮔ ᮤᮟ ᮔᮕᮖᮕᮑᮤ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗᮼ

“ᯘᮥᮔᮗᮙᮞᮗ ᮒᮩ ᮩᮟᮥᮢ ᮓᮜᮟᮤᮘᮕᮣᮺ ᮩᮟᮥ ᮝᮥᮣᮤ ᮒᮕ ᯝᮒᮣᮤᮑᮙᮞ᮵ᮣ ᮓᮘᮙᮜᮔᮼ”

ᯏᮣ ᯗ ᮣᮤᮟᮟᮔ ᮤᮘᮕᮢᮕᮺ ᮔᮢᮕᮞᮓᮘᮕᮔ ᮙᮞ ᮓᮟᮜᮔ ᮣᮧᮕᮑᮤ ᮑᮞᮔ ᮣᮤᮑᮢᮙᮞᮗ ᮒᮜᮑᮞᮛᮜᮩᮺ ᮤᮘᮕ ᯒᮥᮓᮘᮕᮣᮣᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮜᮟᮟᮛᮙᮞᮗ ᮔᮟᮧᮞ ᮑᮤ ᮝᮕ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮺ ᮖᮙᮞᮑᮜᮜᮩ ᮣᮠᮟᮛᮕᮼ

“ᮉᮟᮥ᮵ᮢᮕ ᮑᮞ ᮕᮩᮕᮣᮟᮢᮕᮼ ᯕᮕᮤ ᮟᮥᮤ ᮟᮖ ᮝᮩ ᮣᮙᮗᮘᮤᮼ”

ᯏᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮙᮝᮕᮺ ᮑ ᮤᮕᮢᮢᮙᮖᮩᮙᮞᮗ ᮑᮥᮢᮑᮺ ᮧᮘᮙᮓᮘ ᮓᮟᮥᮜᮔ ᮟᮞᮜᮩ ᮒᮕ ᮔᮕᮣᮓᮢᮙᮒᮕᮔ ᮑᮣ ᮠᮥᮢᮕ ᮵ᮛᮙᮜᮜᮙᮞᮗ ᮙᮞᮤᮕᮞᮤᮺ᮵ ᮒᮕᮗᮑᮞ ᮤᮟ ᮖᮙᮜᮜ ᮤᮘᮕ ᮢᮟᮟᮝᮼ

‘ᮃᮻᮣᮓᮑᮢᮩᮼ’

ᯗ᮵ᮔ ᮒᮕᮕᮞ ᮓᮟᮟᮠᮕᮔ ᮥᮠ ᮑᮤ ᮘᮟᮝᮕ ᮝᮩ ᮧᮘᮟᮜᮕ ᮜᮙᮖᮕᮺ ᮣᮟ ᯗ᮵ᮔ ᮞᮕᮦᮕᮢ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮖᮑᮓᮕᮔ ᮟᮞᮕᮺ ᮒᮥᮤ ᮧᮟᮥᮜᮔ ᮤᮘᮙᮣ ᮒᮕ ᮧᮘᮑᮤ ᮙᮤ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮤᮟ ᮓᮟᮝᮕ ᮖᮑᮓᮕᮻᮤᮟᮻᮖᮑᮓᮕ ᮧᮙᮤᮘ ᮑ ᮝᮟᮞᮣᮤᮕᮢᯍ

ᮄᮘᮕ ᮖᮕᮕᮜᮙᮞᮗ ᮟᮖ ᮤᮘᮟᮣᮕ ᮢᮕᮔ ᮕᮩᮕᮣᮺ ᮣᮩᮝᮒᮟᮜᮙ᮪ᮙᮞᮗ ᮑ ᮝᮟᮞᮣᮤᮕᮢᮺ ᮗᮜᮑᮢᮙᮞᮗ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮙᮞᮤᮕᮞᮣᮕ ᮜᮙᮗᮘᮤᮺ ᮧᮑᮣ ᮥᮤᮤᮕᮢᮜᮩ ᮓᮘᮙᮜᮜᮙᮞᮗᮼ

“ᯙᮑᮙᮢᮕᮞᮯ”

ᯗᮤ ᮧᮑᮣ ᮑᮤ ᮤᮘᮑᮤ ᮦᮕᮢᮩ ᮝᮟᮝᮕᮞᮤᮺ ᮑᮣ ᯗ ᮧᮑᮣ ᮖᮢᮟ᮪ᮕᮞ ᮣᮟᮜᮙᮔᮺ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮕᮔ ᮒᮩ ᮤᮘᮕ ᯒᮥᮓᮘᮕᮣᮣ᮵ᮣ ᮛᮙᮜᮜᮙᮞᮗ ᮙᮞᮤᮕᮞᮤᮼ

“ᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮔᮟᮙᮞᮗ ᮘᮕᮢᮕᯍ”

ᮄᮘᮑᮤ᮵ᮣ ᮧᮘᮕᮞ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ ᯝᮒᮣᮤᮑᮙᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮖᮢᮑᮞᮤᮙᮓᮑᮜᮜᮩ ᮒᮥᮢᮣᮤ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮔᮟᮟᮢ ᮟᮖ ᮤᮘᮕ ᮢᮕᮓᮕᮠᮤᮙᮟᮞ ᮢᮟᮟᮝᮺ ᮣᮤᮑᮢᮤᮕᮔ ᮗᮜᮑᮢᮙᮞᮗ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮑ ᮖᮙᮕᮢᮓᮕ ᮗᮑ᮪ᮕᮼ

“ᯗ ᮔᮙᮣᮤᮙᮞᮓᮤᮜᮩ ᮤᮟᮜᮔ ᮩᮟᮥ ᮤᮟ ᮣᮤᮑᮩ ᮙᮞ ᮩᮟᮥᮢ ᮢᮟᮟᮝ ᮑᮞᮔ ᮞᮟᮤ ᮓᮟᮝᮕ ᮟᮥᮤᮼ”
“…ᯏᮘᮯ”
“ᯑᮟᮝᮕ ᮧᮙᮤᮘ ᮝᮕᮼ ᮄᮘᮙᮣ ᮙᮣ ᮞᮟᮤ ᮧᮘᮕᮢᮕ ᮩᮟᮥ ᮒᮕᮜᮟᮞᮗᮼ”

ᯐᮕᮖᮟᮢᮕ ᯗ ᮓᮟᮥᮜᮔ ᮕᮦᮕᮞ ᮥᮤᮤᮕᮢ ᮑ ᮧᮟᮢᮔᮺ ᯗ ᮧᮑᮣ ᮗᮢᮑᮒᮒᮕᮔ ᮒᮩ ᮤᮘᮕ ᮣᮓᮢᮥᮖᮖ ᮟᮖ ᮝᮩ ᮞᮕᮓᮛ ᮑᮞᮔ ᮔᮢᮑᮗᮗᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮔᮟᮟᮢ ᮒᮩ ᮘᮙᮣ ᮘᮑᮞᮔᮼ

“ᮇᮻᮧᮑᮙᮤ ᮑ ᮝᮙᮞᮥᮤᮕᮼ”
“…ᯝᮢ ᮔᮟ ᯗ ᮞᮕᮕᮔ ᮤᮟ ᮢᮑᮙᮣᮕ ᮝᮩ ᮘᮑᮞᮔ ᮑᮗᮑᮙᮞᯍ”

ᯗ ᮣᮤᮢᮥᮗᮗᮜᮕᮔᮺ ᮛᮙᮓᮛᮙᮞᮗ ᮝᮩ ᮖᮕᮕᮤ ᮤᮟ ᮢᮕᮣᮙᮣᮤᮺ ᮒᮥᮤ ᮝᮩ ᮒᮟᮔᮩᮺ ᮜᮟᮞᮗ ᮑᮒᮥᮣᮕᮔᮺ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮧᮙᮤᮘᮣᮤᮑᮞᮔ ᮤᮘᮕ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮟᮖ ᮑᮞ ᮑᮔᮥᮜᮤ ᮝᮑᮞᮼ

‘ᮄᮘᮙᮣ ᮧᮟᮞ᮵ᮤ ᮔᮟᮼ’

ᯐᮥᮤ ᮙᮖ ᯗ ᮧᮑᮣ ᮔᮢᮑᮗᮗᮕᮔ ᮑᮧᮑᮩ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮺ ᯗ ᮝᮙᮗᮘᮤ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮒᮕ ᮒᮕᮑᮤᮕᮞ ᮤᮟ ᮔᮕᮑᮤᮘᮼ

ᮂᮑᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮤᮘᮑᮤᮺ ᮙᮤ ᮧᮑᮣ ᮒᮕᮤᮤᮕᮢ ᮤᮟ ᮚᮥᮣᮤ ᮓᮜᮟᮣᮕ ᮝᮩ ᮕᮩᮕᮣ ᮑᮞᮔ ᮗᮟ ᮤᮘᮢᮟᮥᮗᮘ ᮧᮙᮤᮘ ᮤᮘᮕ ᮡᮥᮕᮣᮤᮼ

ᮻ ᮸ᮃᮜᮙᮔᮕ᮸ᮼᮼᮼ

ᮄᮘᮙᮞᮛᮙᮞᮗ ᮤᮘᮑᮤᮺ ᯗ ᮣᮜᮙᮠᮠᮕᮔ ᮝᮩ ᮘᮑᮞᮔ ᮙᮞᮤᮟ ᮝᮩ ᮠᮟᮓᮛᮕᮤᮺ ᮗᮢᮑᮒᮒᮕᮔ ᮤᮘᮕ ᮣᮠᮙᮓᮕ ᮠᮟᮧᮔᮕᮢ ᯗ᮵ᮔ ᮣᮕᮓᮢᮕᮤᮜᮩ ᮣᮤᮑᮣᮘᮕᮔᮺ ᮑᮞᮔ ᮘᮑᮣᮤᮙᮜᮩ ᮢᮥᮒᮒᮕᮔ ᮙᮤ ᮙᮞᮤᮟ ᮝᮩ ᮕᮩᮕᮣ ᮤᮟ ᮖᮟᮢᮓᮕ ᮟᮥᮤ ᮝᮟᮢᮕ ᮤᮕᮑᮢᮣᮼ

‘ᯗ᮵ᮝ ᮞᮟᮤ ᮝᮥᮓᮘ ᮟᮖ ᮑᮞ ᮑᮓᮤᮟᮢᮼᮼᮼ’

ᮃᮤᮙᮜᮜᮺ ᯗ ᮧᮑᮣᮞ᮵ᮤ ᮓᮟᮞᮖᮙᮔᮕᮞᮤᮼ ᯗ᮵ᮔ ᮞᮕᮦᮕᮢ ᮟᮞᮓᮕ ᮑᮓᮤᮕᮔ ᮣᮠᮟᮙᮜᮕᮔ ᮙᮞ ᮝᮩ ᮜᮙᮖᮕᮺ ᮞᮟᮢ ᮧᮑᮣ ᯗ ᮓᮟᮞᮖᮙᮔᮕᮞᮤ ᮙᮞ ᮝᮩ ᮑᮓᮤᮙᮞᮗ ᮑᮒᮙᮜᮙᮤᮙᮕᮣᮼ

“ᮅᮻᮥᮘ…”

ᮃᮟᮺ ᮑᮜᮜ ᯗ ᮓᮟᮥᮜᮔ ᮔᮟ ᮧᮑᮣ ᮠᮢᮑᮩ ᮤᮘᮑᮤ ᯗ᮵ᮔ ᮣᮟᮝᮕᮘᮟᮧ ᮜᮟᮟᮛ ᮠᮙᮤᮙᮖᮥᮜ ᮤᮟ ᮤᮘᮕ ᯒᮥᮓᮘᮕᮣᮣᮼ

“ᯛᮟᮝᮼ”

᮸᮸᮸᮸᮸

‘ᮃᮟᮺ ᯗ᮵ᮦᮕ ᮕᮞᮔᮕᮔ ᮥᮠ ᮘᮕᮢᮕ ᮑᮗᮑᮙᮞᮼ’

ᮂᮕᮧᮙᮞᮔ ᮑᮒᮟᮥᮤ ᮖᮙᮦᮕ ᮝᮙᮞᮥᮤᮕᮣᮼ ᯏᮣᮤᮢᮙ᮪ᮘᮕ ᯙᮞᮟᮨ ᯐᮕᮜᮒᮕᮢᮗ ᮣᮑᮤ ᮑᮤ ᮤᮘᮕ ᮢᮕᮓᮕᮠᮤᮙᮟᮞ ᮢᮟᮟᮝ ᮤᮑᮒᮜᮕᮺ ᮑ ᮤᮕᮑᮓᮥᮠ ᮤᮟ ᮘᮕᮢ ᮜᮙᮠᮣᮺ ᮜᮟᮣᮤ ᮙᮞ ᮤᮘᮟᮥᮗᮘᮤᮺ ᮝᮑᮙᮞᮤᮑᮙᮞᮙᮞᮗ ᮘᮕᮢ ᮓᮘᮑᮢᮑᮓᮤᮕᮢᮙᮣᮤᮙᮓ ᮠᮟᮛᮕᮢ ᮖᮑᮓᮕᮼ

‘ᯗ ᮔᮟᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮒᮕ ᮘᮕᮢᮕᮺ ᮒᮥᮤ ᯗ ᮘᮑᮦᮕ ᮞᮟ ᮓᮘᮟᮙᮓᮕᮼ’

ᯔᮟᮢ ᮘᮕᮢᮺ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣᮑᮤᮕ ᯝᮒᮣᮤᮑᮙᮞ ᮧᮑᮣ ᮟᮞᮕ ᮟᮖ ᮤᮘᮕ ᮖᮕᮧ ᮠᮟᮜᮙᮤᮙᮓᮑᮜ ᮢᮙᮦᮑᮜᮣ ᮤᮘᮢᮕᮑᮤᮕᮞᮙᮞᮗ ᮤᮘᮕ ᯒᮥᮓᮘᮩ ᯐᮕᮜᮒᮕᮢᮗᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮑ ᮢᮕᮑᮣᮟᮞ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮓᮑᮢᮕᮜᮕᮣᮣᮜᮩ ᮠᮢᮟᮦᮟᮛᮕ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣᮑᮤᮕᮺ ᮑᮞᮔ ᮧᮘᮩ ᮣᮘᮕ ᮘᮑᮔ ᮤᮟ ᮓᮟᮝᮕ ᮘᮕᮢᮕ ᮕᮦᮕᮢᮩ ᮩᮕᮑᮢᮼ

ᮻ ᮸ᯑᮜᮙᮓᮛ᮸ᮼᮼᮼ

ᮄᮘᮕ ᯒᮥᮓᮘᮕᮣᮣᮺ ᮔᮕᮕᮠ ᮙᮞ ᮤᮘᮟᮥᮗᮘᮤᮺ ᮤᮟᮟᮛ ᮤᮘᮕ ᮠᮕᮞᮔᮑᮞᮤ ᮖᮢᮟᮝ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢ ᮞᮕᮓᮛ ᮑᮞᮔ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮙᮤᮣ ᮜᮟᮓᮛᮕᮤᮼ

“……”

ᮂᮕᮖᮜᮕᮓᮤᮕᮔ ᮙᮞ ᮘᮕᮢ ᮢᮕᮔ ᮕᮩᮕᮣ ᮧᮑᮣ ᮞᮟᮞᮕ ᮟᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮑ ᮩᮟᮥᮞᮗᮕᮢ ᮦᮕᮢᮣᮙᮟᮞ ᮟᮖ ᮘᮕᮢᮣᮕᮜᮖᮺ ᮘᮟᮜᮔᮙᮞᮗ ᮑ ᮞᮕᮧᮒᮟᮢᮞ ᮒᮑᮒᮩ ᮙᮞ ᮘᮕᮢ ᮑᮢᮝᮣᮼ

ᮄᮘᮕ ᮓᮘᮙᮜᮔᮺ ᮧᮙᮤᮘ ᮢᮕᮔ ᮕᮩᮕᮣ ᮚᮥᮣᮤ ᮜᮙᮛᮕ ᮘᮕᮢᮣᮺ ᮧᮑᮣ ᮣᮝᮙᮜᮙᮞᮗ ᮒᮢᮙᮗᮘᮤᮜᮩ ᮙᮞ ᮤᮘᮕ ᮖᮑᮔᮕᮔ ᮠᮘᮟᮤᮟᮗᮢᮑᮠᮘᮼ

“ᯖᮑᮑ…”

ᮄᮘᮕ ᯒᮥᮓᮘᮕᮣᮣᮺ ᮘᮕᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮔᮑᮢᮛᮕᮞᮙᮞᮗ ᮑᮣ ᮣᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮙᮝᮑᮗᮕᮺ ᮣᮟᮟᮞ ᮣᮘᮟᮟᮛ ᮘᮕᮢ ᮘᮕᮑᮔ ᮑᮞᮔ ᮠᮥᮤ ᮤᮘᮕ ᮠᮕᮞᮔᮑᮞᮤ ᮒᮑᮓᮛ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢ ᮞᮕᮓᮛᮼ

“ᮀᮕᮢᮘᮑᮠᮣ ᮙᮤ᮵ᮣ ᮤᮙᮝᮕ ᮤᮟ ᮜᮕᮤ ᮗᮟᮼ”

ᯖᮕᮢ ᮗᮑ᮪ᮕ ᮔᮢᮙᮖᮤᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮗᮑᮢᮔᮕᮞ ᮟᮥᮤᮣᮙᮔᮕ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧᮼ

ᯜᮟᮺ ᮤᮟ ᮒᮕ ᮠᮢᮕᮓᮙᮣᮕᮺ ᮙᮤ ᮧᮑᮣ ᮖᮙᮨᮕᮔ ᮟᮞ ᮑ ᮣᮙᮞᮗᮜᮕ ᮤᮟᮝᮒᮣᮤᮟᮞᮕ ᮑᮤ ᮤᮘᮕ ᮖᮑᮢ ᮕᮞᮔ ᮟᮖ ᮤᮘᮕ ᮗᮑᮢᮔᮕᮞᮼ

“…ᯗ ᮜᮟᮣᮤ ᮤᮘᮕᮝ ᮤᮟᮟ ᮩᮟᮥᮞᮗᮼ”

ᯏᮣ ᮤᮘᮕ ᯒᮥᮛᮕ ᮝᮥᮤᮤᮕᮢᮕᮔ ᮒᮙᮤᮤᮕᮢᮜᮩ ᮙᮞ ᮣᮥᮓᮘ ᮑ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮺ ᮣᮘᮕ ᮧᮑᮣ ᮚᮥᮣᮤ ᮑᮒᮟᮥᮤ ᮤᮟ ᮢᮙᮣᮕ ᮖᮢᮟᮝ ᮘᮕᮢ ᮣᮕᮑᮤᮼ

“ᮀᮑᮞᮤᮺ ᮠᮑᮞᮤ…”
“……ᯍ”

ᮃᮥᮔᮔᮕᮞᮜᮩᮺ ᮤᮘᮕ ᮢᮕᮓᮕᮠᮤᮙᮟᮞ ᮢᮟᮟᮝ ᮔᮟᮟᮢ ᮒᮥᮢᮣᮤ ᮟᮠᮕᮞᮺ ᮑᮞᮔ ᮑ ᮢᮑᮤᮘᮕᮢ ᮠᮙᮤᮙᮖᮥᮜᮻᮜᮟᮟᮛᮙᮞᮗ ᮓᮘᮙᮜᮔ ᮣᮤᮥᮝᮒᮜᮕᮔ ᮙᮞᮺ ᮗᮑᮣᮠᮙᮞᮗ ᮖᮟᮢ ᮒᮢᮕᮑᮤᮘᮼ

“ᮇᮘᮟ ᮑᮢᮕ ᮩᮟᮥᯍ”

ᮃᮘᮕ ᮘᮑᮔ ᮓᮜᮕᮑᮢᮜᮩ ᮟᮢᮔᮕᮢᮕᮔ ᮤᮘᮑᮤ ᮞᮟ ᮟᮞᮕ ᮒᮕ ᮑᮜᮜᮟᮧᮕᮔ ᮙᮞᮼ ᯏ ᮖᮜᮙᮓᮛᮕᮢ ᮟᮖ ᮔᮙᮣᮠᮜᮕᮑᮣᮥᮢᮕ ᮓᮢᮟᮣᮣᮕᮔ ᮤᮘᮕ ᯒᮥᮛᮕ᮵ᮣ ᮕᮩᮕᮣᮼ

ᮇᮘᮑᮤ᮵ᮣ ᮝᮟᮢᮕᮺ ᮙᮤ ᮧᮑᮣ ᮑ ᮓᮘᮙᮜᮔ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢᮼ ᯏ ᮒᮕᮙᮞᮗ ᮤᮘᮕ ᯒᮥᮛᮕ ᮖᮟᮥᮞᮔ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮤᮢᮟᮥᮒᮜᮕᮣᮟᮝᮕ ᮤᮟ ᮔᮕᮑᮜ ᮧᮙᮤᮘᮼ

“ᮅᮻᮥᮘ…”
“……”
“ᮅᮻᮥᮻᮥᮘ…”

ᮃᮥᮢᮕ ᮕᮞᮟᮥᮗᮘᮺ ᮤᮘᮕ ᮓᮘᮙᮜᮔ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢ ᮣᮤᮑᮢᮤᮕᮔ ᮣᮧᮕᮑᮤᮙᮞᮗ ᮠᮢᮟᮖᮥᮣᮕᮜᮩ ᮑᮞᮔ ᮣᮤᮑᮝᮝᮕᮢᮙᮞᮗᮼ

ᯓᮦᮕᮞ ᮖᮥᮜᮜᮻᮗᮢᮟᮧᮞ ᮑᮔᮥᮜᮤᮣ ᮣᮤᮢᮥᮗᮗᮜᮕᮔ ᮤᮟ ᮣᮤᮑᮞᮔ ᮠᮢᮟᮠᮕᮢᮜᮩ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮘᮕᮢᮼ ᯔᮟᮢ ᮑ ᮓᮘᮙᮜᮔᮺ ᮙᮤ ᮧᮑᮣ ᮙᮝᮠᮢᮕᮣᮣᮙᮦᮕ ᮤᮘᮕᮩ ᮧᮕᮢᮕᮞ᮵ᮤ ᮒᮥᮢᮣᮤᮙᮞᮗ ᮙᮞᮤᮟ ᮤᮕᮑᮢᮣ ᮟᮞ ᮤᮘᮕ ᮣᮠᮟᮤᮼ

‘ᮼᮼᮼᯗᮖ ᮤᮘᮑᮤ ᮓᮘᮙᮜᮔ ᮘᮑᮔ ᮗᮢᮟᮧᮞ ᮥᮠᮺ ᮤᮘᮕᮩ᮵ᮔ ᮒᮕ ᮑᮒᮟᮥᮤ ᮤᮘᮙᮣ ᮑᮗᮕᮼ’

ᯏᮣ ᮤᮘᮕ ᯒᮥᮓᮘᮕᮣᮣ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮓᮘᮙᮜᮔᮺ ᮤᮘᮑᮤ ᮤᮘᮟᮥᮗᮘᮤ ᮖᮜᮑᮣᮘᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮘᮕᮢ ᮝᮙᮞᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

‘ᯜᮟᮺ ᮤᮘᮑᮤ᮵ᮣ ᮑ ᮠᮟᮙᮞᮤᮜᮕᮣᮣ ᮤᮘᮟᮥᮗᮘᮤᮼ’

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮘᮕᮢ ᮕᮩᮕᮣᮺ ᮧᮘᮙᮓᮘ ᮘᮑᮔ ᮣᮟᮖᮤᮕᮞᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮕᮢ ᮢᮕᮑᮜᮙ᮪ᮙᮞᮗ ᮙᮤᮺ ᮣᮟᮟᮞ ᮒᮕᮗᮑᮞ ᮤᮟ ᮤᮥᮢᮞ ᮓᮟᮜᮔ ᮑᮗᮑᮙᮞᮼ

‘ᮄᮘᮑᮤ ᮓᮘᮙᮜᮔ ᮙᮣ ᮔᮕᮑᮔᮼ’

ᯏᮞᮔ ᮕᮦᮕᮞ ᮙᮖ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮑᮜᮙᮦᮕᮺ ᮙᮤ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮤᮘᮙᮣ ᮓᮘᮙᮜᮔᮺ ᮧᮘᮟ ᮘᮑᮣ ᯝᮒᮣᮤᮑᮙᮞ᮵ᮣ ᮧᮘᮙᮤᮕ ᮕᮩᮕᮣᮺ ᮞᮟᮤ ᮢᮕᮔᮼ

“ᮇᮘᮩ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥ ᮑᮞᮣᮧᮕᮢᮙᮞᮗᯍ”
“……”
“ᮇᮘᮑᮤ ᮑ ᮣᮤᮢᮑᮞᮗᮕ ᮓᮘᮙᮜᮔᮼ”

ᯏᮤ ᮤᮘᮕ ᯒᮥᮓᮘᮕᮣᮣ᮵ᮣ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮓᮟᮜᮔᮕᮢ ᮦᮟᮙᮓᮕᮺ ᮤᮘᮕ ᮓᮘᮙᮜᮔ᮵ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮤᮥᮢᮞᮕᮔ ᮕᮦᮕᮞ ᮠᮑᮜᮕᮢᮼ

“ᯘᮥᮔᮗᮙᮞᮗ ᮒᮩ ᮩᮟᮥᮢ ᮓᮜᮟᮤᮘᮕᮣᮺ ᮩᮟᮥ ᮝᮥᮣᮤ ᮒᮕ ᯝᮒᮣᮤᮑᮙᮞ᮵ᮣ ᮓᮘᮙᮜᮔᮼ”
“……”
“ᮉᮟᮥ᮵ᮢᮕ ᮑᮞ ᮕᮩᮕᮣᮟᮢᮕᮼ ᯕᮕᮤ ᮟᮥᮤ ᮟᮖ ᮝᮩ ᮣᮙᮗᮘᮤᮼ”

ᯐᮩ ᮤᮘᮕᮞᮺ ᯏᮣᮤᮢᮙ᮪ᮘᮕᮺ ᮖᮕᮕᮜᮙᮞᮗ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮔᮙᮣᮠᮜᮕᮑᮣᮕᮔᮺ ᮣᮑᮙᮔ ᮤᮘᮑᮤ ᮑᮞᮔ ᮒᮕᮗᮑᮞ ᮤᮟ ᮕᮝᮙᮤ ᮛᮙᮜᮜᮙᮞᮗ ᮙᮞᮤᮕᮞᮤᮼ

ᯗᮞ ᮤᮢᮥᮤᮘᮺ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮞᮕᮕᮔ ᮤᮟ ᮕᮝᮙᮤ ᮛᮙᮜᮜᮙᮞᮗ ᮙᮞᮤᮕᮞᮤᮺ ᮕᮣᮠᮕᮓᮙᮑᮜᮜᮩ ᮧᮘᮕᮞ ᮔᮕᮑᮜᮙᮞᮗ ᮧᮙᮤᮘ ᮑ ᮓᮘᮙᮜᮔᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮣᮘᮕ ᮔᮕᮜᮙᮒᮕᮢᮑᮤᮕᮜᮩ ᮕᮝᮙᮤᮤᮕᮔ ᮛᮙᮜᮜᮙᮞᮗ ᮙᮞᮤᮕᮞᮤ ᮧᮑᮣᮼᮼᮼ

“ᯙᮑᮙᮢᮕᮞᮯ”
“ᯏᮘᮼ”
“ᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮔᮟᮙᮞᮗ ᮘᮕᮢᮕᯍ”

ᯗᮤ ᮧᮑᮣ ᮤᮟ ᮝᮑᮛᮕ ᮣᮥᮢᮕ ᯛᮑᮢᮡᮥᮙᮣ ᯝᮒᮣᮤᮑᮙᮞᮺ ᮣᮕᮞᮣᮙᮞᮗ ᮘᮕᮢ ᮠᮢᮕᮣᮕᮞᮓᮕᮺ ᮧᮟᮥᮜᮔ ᮓᮟᮝᮕ ᮙᮞ ᮑᮞᮔ ᮘᮑᮞᮔᮜᮕ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ ᮘᮙᮝᮣᮕᮜᮖᮼ

“……”

ᯏᮣ ᮤᮘᮕ ᮓᮘᮙᮜᮔ ᮧᮑᮣ ᮔᮢᮑᮗᮗᮕᮔ ᮑᮧᮑᮩ ᮒᮩ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ᮵ᮣ ᮘᮑᮞᮔᮺ ᯏᮣᮤᮢᮙ᮪ᮘᮕ ᮢᮟᮣᮕ ᮖᮢᮟᮝ ᮘᮕᮢ ᮣᮕᮑᮤ ᮤᮟ ᮠᮢᮕᮠᮑᮢᮕ ᮖᮟᮢ ᮧᮘᮑᮤ ᮧᮟᮥᮜᮔ ᮜᮙᮛᮕᮜᮩ ᮒᮕ ᮘᮕᮢ ᮜᮑᮣᮤ ᮦᮙᮣᮙᮤ ᮤᮟ ᮤᮘᮕ ᮗᮢᮑᮦᮕᮼ

“ᮅᮻᮥᮘ…”

ᯐᮥᮤ ᮒᮕᮖᮟᮢᮕ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮕᮦᮕᮞ ᮤᮑᮛᮕ ᮑ ᮣᮙᮞᮗᮜᮕ ᮣᮤᮕᮠ ᮖᮟᮢᮧᮑᮢᮔᮺ ᮑ ᮣᮝᮑᮜᮜᮺ ᮠᮜᮕᮑᮔᮙᮞᮗ ᮦᮟᮙᮓᮕ ᮓᮑᮝᮕ ᮖᮢᮟᮝ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮘᮕᮢᮼ

“ᯛᮟᮝᮼ”

ᯏᮣᮤᮢᮙ᮪ᮘᮕ᮵ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮺ ᮥᮠᮟᮞ ᮘᮕᮑᮢᮙᮞᮗ ᮤᮘᮟᮣᮕ ᮧᮟᮢᮔᮣᮺ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮖᮢᮟ᮪ᮕᮼ

“…ᮇᮘᮑᮤ ᮔᮙᮔ ᮩᮟᮥ ᮣᮑᮩᯍ”

ᮄᮘᮕ ᮓᮘᮙᮜᮔ ᮧᮘᮟᮺ ᮚᮥᮣᮤ ᮝᮟᮝᮕᮞᮤᮣ ᮑᮗᮟᮺ ᮘᮑᮔ ᮒᮕᮕᮞ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮑᮞᮔ ᮥᮞᮑᮒᮜᮕ ᮤᮟ ᮥᮤᮤᮕᮢ ᮑ ᮧᮟᮢᮔᮼ

“…ᯗ ᮝᮙᮣᮣᮕᮔ ᮩᮟᮥᮺ ᮸ᮘᮙᮓ᮸ᮼ”

ᮄᮘᮑᮤ ᮓᮘᮙᮜᮔᮺ ᮓᮜᮙᮞᮗᮙᮞᮗ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩ ᮤᮟ ᮤᮘᮕ ᮔᮟᮟᮢᮖᮢᮑᮝᮕ ᮤᮟ ᮑᮦᮟᮙᮔ ᮒᮕᮙᮞᮗ ᮔᮢᮑᮗᮗᮕᮔ ᮑᮧᮑᮩ ᮒᮩ ᯛᮑᮢᮡᮥᮙᮣ ᯝᮒᮣᮤᮑᮙᮞᮺ ᮧᮑᮣ ᮞᮟᮧᮺ ᮣᮟᮝᮕᮘᮟᮧᮺ ᮠᮜᮕᮑᮔᮙᮞᮗ ᮧᮙᮤᮘ ᮘᮕᮢᮼ

“ᯗ ᮝᮙᮣᮣᮕᮔ ᮩᮟᮥᮼ”

ᯏᮣᮤᮢᮙ᮪ᮘᮕ᮵ᮣ ᮘᮕᮑᮢᮤᮺ ᮣᮕᮕᮙᮞᮗ ᮤᮘᮑᮤ ᮣᮙᮗᮘᮤᮺ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮒᮕᮗᮑᮞ ᮤᮟ ᮠᮟᮥᮞᮔᮼ

“……ᯏᮘᮼ”

ᮄᮘᮕ ᮓᮘᮙᮜᮔ᮵ᮣ ᮤᮕᮑᮢᮻᮣᮤᮢᮕᮑᮛᮕᮔ ᮖᮑᮓᮕᮺ ᮑᮣ ᮤᮘᮕᮩ ᮣᮠᮟᮛᮕᮺ ᮧᮑᮣ ᮣᮟ ᮙᮞᮞᮟᮓᮕᮞᮤ ᮑᮞᮔ ᮠᮥᮢᮕ ᮤᮘᮑᮤ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮤᮕᮑᮢ ᮘᮕᮢ ᮕᮩᮕᮣ ᮑᮧᮑᮩᮼ

ᯗᮤ ᮧᮑᮣ ᮤᮘᮕ ᮖᮑᮓᮕ ᮟᮖ ᮤᮘᮕ ᮜᮙᮦᮙᮞᮗ ᮵ᮓᮘᮙᮜᮔ᮵ ᮧᮘᮟ ᮟᮖᮤᮕᮞ ᮑᮠᮠᮕᮑᮢᮕᮔ ᮙᮞ ᮘᮕᮢ ᮔᮢᮕᮑᮝᮣᮺ ᮤᮘᮕ ᮟᮞᮕ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮟᮞᮜᮩ ᮣᮕᮕ ᮙᮞ ᮘᮕᮢ ᮔᮢᮕᮑᮝᮣᮼ ᮄᮘᮕ ᮙᮝᮑᮗᮕ ᮟᮦᮕᮢᮜᮑᮠᮠᮕᮔ ᮣᮟ ᮠᮕᮢᮖᮕᮓᮤᮜᮩ ᮧᮙᮤᮘ ᮤᮘᮑᮤ ᮥᮞᮖᮟᮢᮗᮕᮤᮤᮑᮒᮜᮕ ᮖᮑᮓᮕᮼ

“…ᮇᮘᮟ ᮑᮢᮕ ᮩᮟᮥᯍ”

ᯓᮦᮕᮞ ᮣᮟᮺ ᮖᮕᮙᮗᮞᮙᮞᮗ ᮓᮟᮝᮠᮟᮣᮥᮢᮕᮺ ᮣᮘᮕ ᮑᮣᮛᮕᮔ ᮙᮞ ᮑ ᮜᮟᮧ ᮦᮟᮙᮓᮕᮼ

“ᮇᮘᮟ ᮑᮢᮕ ᮩᮟᮥ ᮤᮟ ᮓᮑᮜᮜ ᮝᮕ ᮝᮟᮤᮘᮕᮢᯍ”

‘ᮄᮘᮑᮤ ᮓᮘᮙᮜᮔ’ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮔᮕᮑᮔᮼ ᯏᮞᮔ ᮤᮟ ᮓᮟᮞᮣᮙᮔᮕᮢ ᮤᮘᮙᮣ ᮤᮘᮕ ᮣᮑᮝᮕ ᮠᮕᮢᮣᮟᮞ ᮚᮥᮣᮤ ᮒᮕᮓᮑᮥᮣᮕ ᮤᮘᮕᮩ ᮒᮟᮢᮕ ᮑ ᮣᮜᮙᮗᮘᮤ ᮢᮕᮣᮕᮝᮒᮜᮑᮞᮓᮕ ᮤᮟ ᮤᮘᮕ ᮟᮞᮕ ᮙᮞ ᮘᮕᮢ ᮔᮢᮕᮑᮝᮣ ᮧᮟᮥᮜᮔ ᮒᮕ ᮖᮟᮟᮜᮙᮣᮘᮺ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮑᮞᮩᮟᮞᮕ ᮧᮟᮥᮜᮔ ᮠᮟᮙᮞᮤ ᮖᮙᮞᮗᮕᮢᮣ ᮑᮤᮼ

ᯐᮥᮤ ᮔᮕᮣᮠᮙᮤᮕ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗ ᮑᮜᮜ ᮟᮖ ᮤᮘᮑᮤ ᮠᮕᮢᮖᮕᮓᮤᮜᮩᮺ ᮘᮕᮢ ᮦᮟᮙᮓᮕᮺ ᮥᮞᮜᮙᮛᮕ ᮥᮣᮥᮑᮜᮺ ᮧᮑᮣ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

“ᮄᮘᮻᮤᮘᮑᮤ’ᮣ…”
“ᯖᮟᮧ ᮔᮑᮢᮕ ᮤᮘᮙᮣ ᮒᮢᮑᮤ…ᮯ”
“…ᮅᮗᮘᮯ”

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮒᮕᮖᮟᮢᮕ ᮤᮘᮕ ᮓᮘᮙᮜᮔ ᮓᮟᮥᮜᮔ ᮑᮞᮣᮧᮕᮢᮺ ᯛᮑᮢᮡᮥᮙᮣ ᯝᮒᮣᮤᮑᮙᮞ’ᮣ ᮘᮑᮞᮔ ᮜᮑᮣᮘᮕᮔ ᮟᮥᮤᮺ ᮣᮤᮢᮙᮛᮙᮞᮗ ᮘᮙᮣ ᮓᮘᮕᮕᮛᮼ

“ᮉᮟᮥ ᮙᮜᮜᮻᮝᮑᮞᮞᮕᮢᮕᮔ ᮒᮢᮑᮤᮼ”

ᯏᮤ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤᮺ ᯏᮣᮤᮢᮙ᮪ᮘᮕ’ᮣ ᮕᮩᮕᮣ ᮔᮑᮢᮛᮕᮞᮕᮔᮼ

“ᯗᮞᮔᮕᮕᮔᮺ ᮣᮟᮝᮕᮟᮞᮕ ᮘᮕᮢᮕ ᮜᮑᮓᮛᮣ ᮝᮑᮞᮞᮕᮢᮣᮼ”
“ᯛᮩ ᮑᮠᮟᮜᮟᮗᮙᮕᮣ ᮖᮟᮢ ᮤᮘᮙᮣ ᮥᮞᮣᮙᮗᮘᮤᮜᮩ ᮔᮙᮣᮠᮜᮑᮩᮺ ᯒᮥᮛᮕᮼ ᮄᮘᮙᮣ ᮓᮘᮙᮜᮔ ᮙᮣ ᮝᮕᮢᮕᮜᮩ…ᮼ”

ᮂᮙᮣᮙᮞᮗ ᮖᮢᮟᮝ ᮘᮕᮢ ᮣᮕᮑᮤᮺ ᮣᮘᮕ ᮧᮑᮜᮛᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ ᮑᮞᮔ ᮣᮠᮟᮛᮕ ᮙᮞ ᮑ ᮓᮟᮜᮔ ᮦᮟᮙᮓᮕ ᮤᮟ ᮤᮘᮕ ᮝᮑᮞ ᮧᮘᮟ ᮣᮤᮙᮜᮜ ᮧᮟᮢᮕ ᮑ ᮔᮕᮤᮕᮣᮤᮑᮒᮜᮕ ᮣᮝᮙᮜᮕᮼ

“ᯗ’ᮝ ᮤᮑᮜᮛᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮸ᮩᮟᮥ᮸ᮺ ᯛᮑᮢᮡᮥᮙᮣ ᯝᮒᮣᮤᮑᮙᮞᮼ”
“…ᮇᮘᮑᮤ ᮔᮙᮔ ᮩᮟᮥ ᮣᮑᮩᯍ”
“ᯏᮢᮕᮞ’ᮤ ᮧᮕ ᮙᮞ ᮤᮘᮕ ᮝᮙᮔᮔᮜᮕ ᮟᮖ ᮑ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞᯍ”

ᯖᮕᮢ ᮗᮑ᮪ᮕᮺ ᮝᮕᮑᮞᮧᮘᮙᮜᮕᮺ ᮧᮑᮣ ᮖᮙᮨᮕᮔ ᮟᮞ ᮤᮘᮕ ᮒᮟᮩ ᮧᮘᮟ ᮘᮑᮔ ᮓᮟᮜᮜᮑᮠᮣᮕᮔ ᮤᮟ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮺ ᮓᮜᮥᮤᮓᮘᮙᮞᮗ ᮘᮙᮣ ᮓᮘᮕᮕᮛᮼ

“ᮇᮙᮤᮘ ᮤᮘᮕ ᮓᮘᮙᮜᮔ ᮩᮟᮥ’ᮢᮕ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮔᮢᮑᮗ ᮑᮧᮑᮩ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼ”
“ᮄᮘᮙᮣ ᮙᮣ ᮑᮞ ᮙᮞᮤᮕᮢᮞᮑᮜ ᮖᮑᮝᮙᮜᮩ ᮝᮑᮤᮤᮕᮢᮼ ᯗᮤ’ᮣ ᮞᮟᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮖᮟᮢ ᮤᮘᮕ ᯒᮥᮛᮕ ᮤᮟ ᮓᮟᮞᮓᮕᮢᮞ ᮘᮕᮢᮣᮕᮜᮖ ᮧᮙᮤᮘ…ᮼ”

ᮃᮕᮞᮣᮙᮞᮗ ᯏᮣᮤᮢᮙ᮪ᮘᮕ’ᮣ ᮥᮞᮥᮣᮥᮑᮜ ᮢᮕᮑᮓᮤᮙᮟᮞᮺ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ ᮤᮙᮗᮘᮤᮕᮞᮕᮔ ᮘᮙᮣ ᮗᮢᮙᮠ ᮟᮞ ᮤᮘᮕ ᮓᮘᮙᮜᮔ ᮑᮗᮑᮙᮞᮺ ᮝᮑᮙᮞᮤᮑᮙᮞᮙᮞᮗ ᮘᮙᮣ ᮑᮢᮤᮙᮖᮙᮓᮙᮑᮜ ᮣᮝᮙᮜᮕᮼ

“ᯗ ᮔᮟᮞ’ᮤ ᮜᮙᮛᮕ ᮢᮕᮠᮕᮑᮤᮙᮞᮗ ᮝᮩᮣᮕᮜᮖᮼ”
“……ᮯ”
“ᯚᮕᮤ ᮗᮟ ᮟᮖ ᮘᮙᮣ ᮘᮑᮞᮔᮺ ᯛᮑᮢᮡᮥᮙᮣᮼ”

ᯐᮥᮤ ᮑᮤ ᮤᮘᮑᮤ ᮦᮕᮢᮩ ᮙᮞᮣᮤᮑᮞᮤᮺ ᯏᮣᮤᮢᮙ᮪ᮘᮕ ᮣᮞᮑᮤᮓᮘᮕᮔ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ’ᮣ ᮘᮑᮞᮔ ᮑᮞᮔ ᮤᮧᮙᮣᮤᮕᮔ ᮙᮤᮼ

“ᮅᮗᮘᮯ”

ᯜᮑᮤᮥᮢᮑᮜᮜᮩᮺ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ ᮗᮢᮟᮑᮞᮕᮔ ᮑᮞᮔ ᮤᮢᮙᮕᮔ ᮤᮟ ᮣᮘᮑᮛᮕ ᮘᮕᮢ ᮟᮖᮖᮺ ᮒᮥᮤ ᯏᮣᮤᮢᮙ᮪ᮘᮕ’ᮣ ᮗᮢᮙᮠ ᮧᮑᮣ ᮣᮟ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮣᮤᮢᮟᮞᮗ ᮤᮘᮑᮤ ᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮕᮦᮕᮞ ᮤᮧᮙᮤᮓᮘ ᮑ ᮖᮙᮞᮗᮕᮢᮼ

“ᯒᮥᮛᮕᮼ ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮟ ᮩᮟᮥ ᮑᮢᮕᮺ ᮤᮘᮙᮣ ᮙᮣ ᯝᮒᮣᮤᮑᮙᮞ ᮤᮕᮢᮢᮙᮤᮟᮢᮩᮼ”
“……ᮼ”
“ᮃᮥᮓᮘ ᮥᮞᮠᮢᮟᮦᮟᮛᮕᮔ ᮦᮙᮟᮜᮕᮞᮓᮕ ᮙᮣ ᮥᮤᮤᮕᮢᮜᮩ ᮥᮞᮑᮓᮓᮕᮠᮤᮑᮒ—ᮼ”

ᯗᮞᮣᮤᮕᮑᮔᮺ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ ᮟᮠᮕᮞᮕᮔ ᮘᮙᮣ ᮝᮟᮥᮤᮘᮺ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮠᮕᮢᮣᮥᮑᮔᮕ ᮘᮕᮢ ᮧᮙᮤᮘ ᮧᮟᮢᮔᮣ ᮙᮞ ᮑ ᮠᮑᮙᮞᮕᮔ ᮦᮟᮙᮓᮕᮺ ᮒᮥᮤ ᮘᮙᮣ ᮣᮠᮕᮕᮓᮘ ᮔᮙᮔᮞ’ᮤ ᮜᮑᮣᮤ ᮜᮟᮞᮗᮼ

ᮻ ᯕᮟᮟᮟᮟ…ᮼ

ᯐᮜᮑᮓᮛ ᮕᮞᮕᮢᮗᮩᮺ ᮣᮕᮕᮠᮙᮞᮗ ᮖᮢᮟᮝ ᯒᮥᮛᮕ ᯏᮣᮤᮢᮙ᮪ᮘᮕ’ᮣ ᮒᮟᮔᮩᮺ ᮧᮘᮙᮓᮘ ᮞᮟᮧ ᮘᮑᮔ ᮓᮢᮙᮝᮣᮟᮞ ᮕᮩᮕᮣᮺ ᮣᮜᮟᮧᮜᮩ ᮖᮙᮜᮜᮕᮔ ᮤᮘᮕ ᮢᮟᮟᮝᮼ

ᮃᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮜᮕᮣᮣ ᮜᮙᮛᮕ ᮑ ᮘᮥᮝᮑᮞ ᮑᮞᮔ ᮝᮟᮢᮕ ᮜᮙᮛᮕ ᮑ ᮔᮕᮝᮟᮞᮼ ᯓᮦᮕᮞ ᮖᮟᮢ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣᮺ ᮧᮘᮟ ᮧᮑᮣ ᮣᮕᮑᮣᮟᮞᮕᮔ ᮙᮞ ᮒᮑᮤᮤᮜᮕᮺ ᮙᮤ ᮧᮑᮣ ᮥᮤᮤᮕᮢᮜᮩ ᮥᮞᮒᮕᮑᮢᮑᮒᮜᮕᮼ

“ᮅᮻᮥᮗᮘ…ᮼ”

ᯘᮥᮣᮤ ᮑᮣ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ ᮧᮑᮣ ᮗᮢᮟᮧᮙᮞᮗ ᮙᮞᮓᮢᮕᮑᮣᮙᮞᮗᮜᮩ ᮔᮙᮢᮕᮺ ᮤᮘᮑᮤ’ᮣ ᮧᮘᮕᮞ ᮙᮤ ᮘᮑᮠᮠᮕᮞᮕᮔᮼ

“ᯏᮑᮑᮑᮢᮗᮘ…ᮯ”

ᮄᮘᮕ ᮓᮘᮙᮜᮔᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮜᮥᮝᮠᮕᮔ ᮟᮞ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮺ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮓᮜᮥᮤᮓᮘᮕᮔ ᮘᮙᮣ ᮕᮩᮕᮣ ᮑᮞᮔ ᮒᮕᮗᮑᮞ ᮤᮟ ᮗᮢᮟᮑᮞ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮘᮕ ᮤᮟᮥᮓᮘᮕᮔ ᮤᮘᮕ ᮒᮜᮑᮓᮛ ᮕᮞᮕᮢᮗᮩᮼ

“ᯙᮻᯙᮑᮙᮢᮕᮞᮼ ᯏᮢᮕ ᮩᮟᮥ ᮘᮥᮢᮤᯍ”

ᮃᮕᮕᮙᮞᮗ ᮤᮘᮙᮣᮺ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ’ᮣ ᮕᮩᮕᮣ ᮧᮑᮦᮕᮢᮕᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᮑᮞᮔ ᮘᮙᮣ ᮥᮣᮥᮑᮜᮜᮩ ᮓᮟᮜᮔ ᮦᮟᮙᮓᮕ ᮑᮒᮢᮥᮠᮤᮜᮩ ᮣᮟᮖᮤᮕᮞᮕᮔᮼ

“ᯗᮤ ᮣᮕᮕᮝᮣ ᮤᮘᮕ ᮓᮘᮙᮜᮔ ᮙᮣᮞ’ᮤ ᮔᮟᮙᮞᮗ ᮧᮕᮜᮜ ᮑᮤ ᮑᮜᮜ…ᮼ ᮀᮕᮢᮘᮑᮠᮣ ᮧᮕ ᮣᮘᮟᮥᮜᮔ ᮝᮟᮦᮕ ᮘᮙᮝ ᮖᮙᮢᮣᮤ…ᮼ”

ᯗᮤ ᮧᮑᮣ ᮑᮣ ᮙᮖ ᮘᮕ’ᮔ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮖᮟᮢᮗᮟᮤᮤᮕᮞ ᮘᮕ’ᮔ ᮚᮥᮣᮤ ᮣᮜᮑᮠᮠᮕᮔ ᮤᮘᮕ ᮓᮘᮙᮜᮔ ᮝᮟᮝᮕᮞᮤᮣ ᮑᮗᮟᮺ ᮑᮣ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ ᮣᮠᮟᮛᮕ ᮤᮟ ᮘᮙᮝ ᮙᮞ ᮑ ᮗᮕᮞᮤᮜᮕᮺ ᮓᮟᮑᮨᮙᮞᮗ ᮤᮟᮞᮕᮼ

“ᮇᮑᮙᮤᮼ”
“…ᯕᮑᮘᮯ”

ᯐᮥᮤ ᯏᮣᮤᮢᮙ᮪ᮘᮕ ᮣᮙᮜᮕᮞᮓᮕᮔ ᮘᮙᮝ ᮒᮩ ᮤᮙᮗᮘᮤᮕᮞᮙᮞᮗ ᮘᮕᮢ ᮗᮢᮙᮠ ᮟᮞ ᮘᮙᮣ ᮤᮧᮙᮣᮤᮕᮔ ᮘᮑᮞᮔᮺ ᮤᮘᮕᮞ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮢᮕᮑᮓᮘᮕᮔ ᮟᮥᮤ ᮤᮟ ᮤᮘᮕ ᮓᮘᮙᮜᮔᮺ ᮧᮘᮟ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮒᮟᮧᮙᮞᮗ ᮘᮙᮣ ᮘᮕᮑᮔᮼ

“ᮉᮟᮥ… ᮤᮘᮑᮤ ᮑᮥᮢᮑᮼ”

ᮄᮘᮕᮞᮺ ᮣᮘᮕ ᮗᮕᮞᮤᮜᮩ ᮒᮢᮥᮣᮘᮕᮔ ᮑᮣᮙᮔᮕ ᮤᮘᮕ ᮓᮘᮙᮜᮔ’ᮣ ᮥᮞᮛᮕᮝᮠᮤᮺ ᮣᮘᮑᮗᮗᮩ ᮘᮑᮙᮢᮼ

ᮻ ᮃᮧᮙᮣᮘ…ᮼ

ᯏᮞᮔ ᮤᮘᮕᮞᮺ ᮤᮘᮕ ᮓᮘᮙᮜᮔ’ᮣ ᮙᮞᮞᮟᮓᮕᮞᮤ ᮗᮑ᮪ᮕᮺ ᮧᮘᮙᮓᮘ ᮘᮑᮔ ᮒᮕᮕᮞ ᮘᮙᮔᮔᮕᮞ ᮝᮟᮝᮕᮞᮤᮣ ᮒᮕᮖᮟᮢᮕᮺ ᮧᮑᮣ ᮢᮕᮦᮕᮑᮜᮕᮔ ᮟᮞᮓᮕ ᮝᮟᮢᮕᮼ

“ᮂᮕᮔ ᮕᮩᮕᮣᮼ”

ᮄᮘᮕ ᮓᮘᮙᮜᮔ’ᮣ ᮤᮕᮑᮢᮖᮥᮜ ᮕᮩᮕᮣᮺ ᮣᮤᮙᮜᮜ ᮜᮟᮟᮛᮙᮞᮗ ᮥᮠ ᮑᮤ ᮤᮘᮕ ᯒᮥᮓᮘᮕᮣᮣ ᮧᮙᮤᮘ ᮑᮞ ᮙᮞᮞᮟᮓᮕᮞᮤ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮺ ᮘᮑᮔ ᮞᮟᮧ ᮤᮥᮢᮞᮕᮔ ᮓᮢᮙᮝᮣᮟᮞᮼ

ᮄᮘᮕ ᮦᮕᮢᮩ ᮣᮑᮝᮕ ᮓᮢᮙᮝᮣᮟᮞ ᮤᮘᮑᮤ ᮘᮑᮔ ᮓᮑᮥᮣᮕᮔ ᮤᮘᮕ ᯐᮕᮜᮒᮕᮢᮗ ᯒᮥᮓᮑᮜ ᯖᮟᮥᮣᮕ ᮤᮟ ᮒᮕ ᮒᮢᮑᮞᮔᮕᮔ ᮑᮣ ᮝᮟᮞᮣᮤᮕᮢᮣᮼ

“ᮉᮟᮥ… ᮩᮟᮥ ᮧᮕᮢᮕ ᮑ ᯐᮕᮜᮒᮕᮢᮗᮼ”

ᯏᮣᮤᮢᮙ᮪ᮘᮕ ᮣᮤᮑᮢᮕᮔ ᮒᮜᮑᮞᮛᮜᮩ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤ ᮑᮤ ᮤᮘᮕ ᮣᮙᮗᮘᮤᮺ ᮤᮘᮕᮞ ᮝᮥᮢᮝᮥᮢᮕᮔ ᮙᮞ ᮑ ᮜᮟᮧ ᮦᮟᮙᮓᮕᮼ

“ᮇᮘᮙᮓᮘ ᮝᮕᮑᮞᮣ…ᮼ”

ᯖᮕᮢ ᮕᮩᮕᮣᮺ ᮙᮞ ᮑᮞ ᮙᮞᮣᮤᮑᮞᮤᮺ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮣᮑᮦᮑᮗᮕ ᮛᮙᮜᮜᮙᮞᮗ ᮙᮞᮤᮕᮞᮤᮼ

“ᯒᮻᯒᮥᮛᮕᮼ ᮄᮘᮙᮣ ᮙᮣ ᮣᮟᮝᮕ ᮛᮙᮞᮔ ᮟᮖ ᮝᮙᮣᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗ…ᮼ ᮸ᯕᮑᮘᮯ᮸”

ᮄᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ ᮤᮢᮙᮕᮔ ᮤᮟ ᮘᮑᮣᮤᮙᮜᮩ ᮒᮜᮥᮢᮤ ᮟᮥᮤ ᮑᮞ ᮕᮨᮓᮥᮣᮕᮺ ᮒᮥᮤ ᮒᮕᮖᮟᮢᮕ ᮘᮕ ᮓᮟᮥᮜᮔᮺ ᯏᮣᮤᮢᮙ᮪ᮘᮕ’ᮣ ᮘᮑᮞᮔ ᮣᮕᮙ᮪ᮕᮔ ᮘᮙᮣ ᮤᮘᮢᮟᮑᮤ ᮑᮞᮔ ᮣᮜᮑᮝᮝᮕᮔ ᮘᮙᮝ ᮑᮗᮑᮙᮞᮣᮤ ᮤᮘᮕ ᮧᮑᮜᮜᮼ

“ᮃᮟ ᮩᮟᮥ ᮧᮕᮢᮕ ᮑᮜᮙᮦᮕᮼ”

ᮄᮘᮕᮞᮺ ᮘᮟᮜᮔᮙᮞᮗ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ ᮑᮜᮟᮖᮤᮺ ᮣᮘᮕ ᮒᮕᮗᮑᮞ ᮤᮟ ᮣᮜᮟᮧᮜᮩ ᮤᮧᮙᮣᮤ ᮘᮙᮣ ᮞᮕᮓᮛᮺ ᮑᮜᮜ ᮧᮘᮙᮜᮕ ᮝᮥᮤᮤᮕᮢᮙᮞᮗᮺ ᮢᮑᮔᮙᮑᮤᮙᮞᮗ ᮑ ᮓᮘᮙᮜᮜ ᮤᮘᮑᮤ ᮧᮟᮥᮜᮔ ᮣᮕᮞᮔ ᮣᮘᮙᮦᮕᮢᮣ ᮔᮟᮧᮞ ᮑᮞᮩᮟᮞᮕ’ᮣ ᮣᮠᮙᮞᮕᮼ

“ᯛᮩ ᮓᮘᮙᮜᮔᮼ”

ᯏᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮙᮝᮕᮺ ᮒᮜᮑᮓᮛ ᮣᮝᮟᮛᮕ ᮒᮕᮗᮑᮞ ᮤᮟ ᮣᮜᮟᮧᮜᮩ ᮣᮕᮕᮠ ᮖᮢᮟᮝ ᮤᮘᮕ ᮢᮕᮓᮕᮠᮤᮙᮟᮞ ᮢᮟᮟᮝᮺ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮕᮞᮗᮥᮜᮖᮙᮞᮗ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ’ᮣ ᮕᮣᮤᮑᮤᮕᮼ

᮸᮸᮸᮸᮸

‘ᮇᮘᮑᮤ ᮤᮘᮕ ᮘᮕᮜᮜ ᮙᮣ ᮤᮘᮙᮣᯍ’

ᮄᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮣᮘᮕ ᮓᮟᮞᮖᮙᮢᮝᮕᮔ ᮟᮥᮢ ᮒᮜᮟᮟᮔ ᮢᮕᮜᮑᮤᮙᮟᮞᮺ ᯒᮥᮛᮕ ᯏᮣᮤᮢᮙ᮪ᮘᮕ ᮣᮜᮑᮝᮝᮕᮔ ᮤᮘᮕ ᯛᮑᮢᮡᮥᮙᮣ ᮑᮗᮑᮙᮞᮣᮤ ᮤᮘᮕ ᮧᮑᮜᮜ ᮑᮞᮔ ᮒᮕᮗᮑᮞ ᮤᮟ ᮣᮜᮟᮧᮜᮩ ᮤᮧᮙᮣᮤ ᮘᮙᮣ ᮞᮕᮓᮛᮼ

ᯛᮩ ᮙᮝᮠᮢᮕᮣᮣᮙᮟᮞ ᮟᮖ ᮘᮕᮢᮺ ᮑᮣ ᯗ ᮧᮑᮤᮓᮘᮕᮔᮺ ᮧᮑᮣ ᮑᮣ ᮖᮟᮜᮜᮟᮧᮣᮼ

‘ᯛᮟᮝ’ᮣ ᮤᮕᮢᮢᮙᮖᮩᮙᮞᮗᮼ’

ᯏᮞᮔ ᮧᮘᮑᮤ ᮧᮑᮣ ᮕᮦᮕᮞ ᮣᮓᮑᮢᮙᮕᮢ ᮧᮑᮣ ᮤᮘᮙᮣᮼ

ᮋᯓᮝᮕᮢᮗᮕᮞᮓᮩ ᮁᮥᮕᮣᮤᮍ
ᯌ ᯏᮠᮠᮕᮑᮣᮕ ᯒᮥᮛᮕ ᯏᮣᮤᮢᮙ᮪ᮘᮕ’ᮣ ᮂᮑᮗᮕ ᮶ᮾᮽᮿ᮷

ᯔᮢᮟᮝ ᮞᮟᮧ ᮟᮞᮺ ᯗ ᮘᮑᮔ ᮤᮟ ᮣᮤᮟᮠ ᮸ᮤᮘᮙᮣ᮸ ᮠᮕᮢᮣᮟᮞᮼ

ᯌ ᮂᮕᮓᮟᮝᮝᮕᮞᮔᮕᮔ ᮃᮟᮜᮥᮤᮙᮟᮞᯈ ᯖᮥᮗ ᮘᮕᮢ ᮖᮢᮟᮝ ᮒᮕᮘᮙᮞᮔ ᮑᮞᮔ ᮑᮓᮤ ᮓᮥᮤᮕᮼ

‘…ᮃᮕᮢᮙᮟᮥᮣᮜᮩᯍ

ᯒᮟ ᯗ ᮸ᮢᮕᮑᮜᮜᮩ᮸ ᮘᮑᮦᮕ ᮤᮟ ᮔᮟ ᮤᮘᮙᮣ ᮢᮙᮗᮘᮤ ᮞᮟᮧᯍ

Crime Play

Asakura Futaro is a dark clown who has lost his lover and friends, and whose face has been burned and who now lives behind a mask. Asakura was once a member of a small theater troupe, and critics praised his acting skills. In pursuit of revenge, he changed his stage name to his real name and began to deceive the public with false acting. He kills yakuza members without a second thought, and attacks one facility after another, robbing them of their money, making him the very definition of a demon from hell. His ultimate goal is the life of a certain powerful politician. Then, before Asakura, Hakuchi, who barely speaks the language and has no common sense, appears. Abandoned by his parents, he is a homeless man who has lived on the outskirts of town. The two meet by chance amid the ringing of gunfire. Asakura acts with unparalleled ruthlessness, but for some reason he is unable to abandon her, and they begin living together. A man who is determined to live his life as a dark clown, driven by revenge, finds himself confronting his forgotten true self. The story of these two strange people, where blood and silence, violence and kindness intersect, begins…

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