In a Different World Covered in Footprints

Chapter 28

In a Different World Covered in Footprints

Togo Keisuke, a high school boy born and raised in modern Japan, is suddenly transported to another world on his way home. Furthermore, the other world he is transported to has already been influenced by many people from the other world (Keisuke’s hometown) who have been visiting since ancient times, and the medieval European worldview has been transformed into a futuristic urban landscape. It feels romantic, but something is different from what he imagined. Shaking his head, he lives in this unfamiliar world today as well, checking the footprints left by his ancestors beneath his feet.

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ᯏᮣ ᮠᮜᮑᮞᮞᮕᮔᮺ ᮧᮕ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮘᮑᮦᮕ ᮜᮥᮞᮓᮘ ᮑᮤ ᮑ ᮞᮕᮑᮢᮒᮩ ᮢᮕᮣᮤᮑᮥᮢᮑᮞᮤᮼ

ᮄᮘᮕ ᮜᮥᮞᮓᮘ ᮧᮕ ᮟᮢᮔᮕᮢᮕᮔ ᮧᮑᮣ ᮣᮕᮢᮦᮕᮔ ᮞᮕᮑᮤᮜᮩᮼ

ᮂᮙᮓᮕᮺ ᮣᮟᮥᮠᮺ ᮑᮞᮔ ᮣᮙᮔᮕ ᮔᮙᮣᮘᮕᮣ ᮧᮕᮢᮕ ᮕᮑᮓᮘ ᮣᮕᮢᮦᮕᮔ ᮙᮞ ᮣᮝᮑᮜᮜᮺ ᮔᮕᮕᮠ ᮒᮟᮧᮜᮣᮺ ᮞᮕᮑᮤᮜᮩ ᮑᮢᮢᮑᮞᮗᮕᮔ ᮟᮞ ᮑ ᮧᮟᮟᮔᮕᮞ ᮤᮢᮑᮩᮺ ᮗᮙᮦᮙᮞᮗ ᮙᮤ ᮤᮘᮕ ᮖᮕᮕᮜ ᮟᮖ ᮑ ᮘᮟᮝᮕᮻᮓᮟᮟᮛᮕᮔ ᮝᮕᮑᮜᮼ

ᮄᮘᮕ ᮣᮥᮒᮤᮜᮕ ᮣᮓᮕᮞᮤ ᮟᮖ ᮧᮟᮟᮔᮺ ᮓᮘᮑᮢᮑᮓᮤᮕᮢᮙᮣᮤᮙᮓ ᮟᮖ ᮑ ᮤᮢᮑᮔᮙᮤᮙᮟᮞᮑᮜ ᮣᮕᮤ ᮝᮕᮑᮜ ᮢᮕᮣᮤᮑᮥᮢᮑᮞᮤᮺ ᮠᮕᮢᮝᮕᮑᮤᮕᮔ ᮤᮘᮕ ᮑᮙᮢᮺ ᮑᮞᮔ ᮒᮕᮩᮟᮞᮔ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧ ᮣᮕᮑᮤᮺ ᮑ ᮖᮜᮟᮧᮕᮢ ᮙᮞ ᮑᮞ ᮟᮜᮔ ᮦᮑᮣᮕ ᮡᮥᮙᮕᮤᮜᮩ ᮒᮟᮧᮕᮔ ᮙᮤᮣ ᮘᮕᮑᮔᮼ

ᯔᮢᮟᮝ ᮤᮘᮕ ᮗᮜᮙᮣᮤᮕᮞᮙᮞᮗ ᮢᮙᮓᮕ ᮗᮢᮑᮙᮞᮣ ᮑᮞᮔ ᮤᮘᮕ ᮤᮢᮑᮞᮣᮠᮑᮢᮕᮞᮤ ᮣᮤᮕᮑᮝ ᮢᮙᮣᮙᮞᮗ ᮖᮢᮟᮝ ᮤᮘᮕ ᮣᮟᮩᮒᮕᮑᮞ ᮠᮑᮣᮤᮕ ᮣᮟᮥᮠᮺ ᮤᮟ ᮤᮘᮕ ᮣᮤᮙᮜᮜᮻᮧᮑᮢᮝ ᮣᮕᮑᮣᮟᮞᮑᮜ ᮦᮕᮗᮕᮤᮑᮒᮜᮕ ᮣᮑᮜᮑᮔᮼ

ᯓᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮝᮑᮔᮕ ᮙᮤ ᮖᮕᮕᮜ ᮑᮣ ᮙᮖ ᮣᮟᮝᮕᮟᮞᮕ ᮘᮑᮔ ᮠᮕᮢᮣᮟᮞᮑᮜᮜᮩ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮤᮘᮕ ᮝᮕᮑᮜ ᮑᮤ ᮘᮟᮝᮕᮼ

ᮇᮕ ᮑᮤᮕ ᮙᮞ ᮣᮙᮜᮕᮞᮓᮕᮼ

ᮇᮕ ᮣᮑᮤ ᮣᮙᮔᮕ ᮒᮩ ᮣᮙᮔᮕᮺ ᮒᮥᮤ ᮔᮙᮔᮞ᮵ᮤ ᮝᮑᮛᮕ ᮕᮩᮕ ᮓᮟᮞᮤᮑᮓᮤᮺ ᮑᮞᮔ ᮟᮥᮢ ᮓᮘᮟᮠᮣᮤᮙᮓᮛᮣ ᮝᮟᮦᮕᮔ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮢᮘᮩᮤᮘᮝᮼ

ᮉᮕᮤᮺ ᮤᮘᮑᮤ ᮣᮙᮜᮕᮞᮓᮕ ᮧᮑᮣ ᮣᮤᮢᮑᮞᮗᮕᮜᮩ ᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕᮼ

ᯏᮖᮤᮕᮢ ᮤᮘᮕ ᮝᮕᮑᮜᮺ ᮑᮣ ᮧᮕ ᮘᮕᮑᮔᮕᮔ ᮟᮥᮤ ᮤᮟ ᮠᮑᮩᮼ

ᮄᮘᮕ ᮑᮘᮚᮥᮝᮝᮑ ᮒᮕᮘᮙᮞᮔ ᮤᮘᮕ ᮓᮟᮥᮞᮤᮕᮢ ᮣᮝᮙᮜᮕᮔ ᮑᮞᮔ ᮣᮠᮟᮛᮕ ᮤᮟ ᮥᮣᮼ

“ᮄᮘᮙᮣ ᮙᮣ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕ ᯗ’ᮦᮕ ᮣᮕᮕᮞ ᮑ ᮓᮟᮥᮠᮜᮕ ᮣᮟ ᮡᮥᮙᮕᮤᮼ ᯏᮤ ᮖᮙᮢᮣᮤᮺ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮩᮟᮥ ᮤᮧᮟ ᮘᮑᮔ ᮑ ᮖᮙᮗᮘᮤᮮ ᮘᮕᮘᮕᮼ”

ᯏᮤ ᮘᮕᮢ ᮧᮟᮢᮔᮣᮺ ᮉᮥ᮪ᮥᮛᮙ᮵ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

ᮃᮘᮕ ᮧᮑᮣ ᮣᮝᮙᮜᮙᮞᮗ ᮑᮣ ᮣᮘᮕ ᮣᮑᮙᮔ ᮙᮤᮺ ᮣᮟ ᮙᮤ ᮖᮕᮜᮤ ᮑᮧᮛᮧᮑᮢᮔ ᮤᮟ ᮓᮟᮢᮢᮕᮓᮤ ᮘᮕᮢᮼ
ᯗ ᮖᮟᮢᮓᮕᮔ ᮑ ᮣᮝᮙᮜᮕ ᮑᮞᮔ ᮡᮥᮙᮕᮤᮜᮩ ᮜᮕᮖᮤ ᮤᮘᮕ ᮢᮕᮣᮤᮑᮥᮢᮑᮞᮤᮺ ᮒᮟᮥᮞᮔ ᮒᮩ ᮤᮘᮕ ᮝᮙᮣᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗ ᮟᮖ ᮒᮕᮙᮞᮗ ᮑ ᮵ᮓᮟᮥᮠᮜᮕ᮵ᮼ

“…ᮇᮘᮑᮤ ᮞᮟᮧᯍ ᮃᮘᮟᮥᮜᮔ ᮧᮕ ᮗᮟ ᮘᮟᮝᮕᯍ”

ᯏᮣ ᮣᮟᮟᮞ ᮑᮣ ᮧᮕ ᮣᮤᮕᮠᮠᮕᮔ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮢᮕᮣᮤᮑᮥᮢᮑᮞᮤᮺ ᮉᮥ᮪ᮥᮛᮙ ᮤᮙᮜᮤᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮝᮩ ᮖᮑᮓᮕᮼ

ᯖᮕᮢ ᮕᮩᮕᮣᮺ ᮢᮕᮖᮜᮕᮓᮤᮙᮞᮗ ᮤᮘᮕ ᮣᮥᮞᮜᮙᮗᮘᮤᮺ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮧᮑᮦᮕᮢ ᮧᮙᮤᮘ ᮑ ᮘᮙᮞᮤ ᮟᮖ ᮥᮞᮕᮑᮣᮕᮺ ᮑᮞᮔ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢᮣ ᮟᮖ ᮘᮕᮢ ᮜᮙᮠᮣ ᮠᮑᮢᮤᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮒᮕᮖᮟᮢᮕ ᮓᮜᮟᮣᮙᮞᮗ ᮑᮗᮑᮙᮞᮼ

ᯖᮕᮢ ᮤᮟᮞᮕ ᮠᮢᮕᮤᮕᮞᮔᮕᮔ ᮙᮞᮔᮙᮖᮖᮕᮢᮕᮞᮓᮕᮺ ᮒᮥᮤ ᮙᮤ ᮘᮕᮜᮔ ᮑ ᮣᮥᮒᮤᮜᮕ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞ ᮑᮞᮔ ᮢᮕᮗᮢᮕᮤᮼ

…ᯗᮞᮔᮕᮕᮔᮺ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮤᮟᮟ ᮒᮜᮑᮞᮔ ᮤᮟ ᮚᮥᮣᮤ ᮗᮟ ᮒᮑᮓᮛ ᮘᮟᮝᮕ ᮑᮖᮤᮕᮢ ᮓᮟᮝᮙᮞᮗ ᮑᮜᮜ ᮤᮘᮙᮣ ᮧᮑᮩᮼ

ᯗᮤ ᮧᮑᮣ ᮑᮤ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮙᮤ ᮝᮙᮗᮘᮤ ᮒᮕ ᮗᮟᮟᮔ ᮤᮟ ᮣᮠᮕᮞᮔ ᮑ ᮜᮙᮤᮤᮜᮕ ᮝᮟᮢᮕ ᮤᮙᮝᮕ ᮤᮟᮗᮕᮤᮘᮕᮢᮺ ᮔᮟᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮕᮜᮣᮕᮼ

ᮇᮕ ᮘᮑᮔᮞ᮵ᮤ ᮧᮑᮜᮛᮕᮔ ᮝᮟᮢᮕ ᮤᮘᮑᮞ ᮑ ᮖᮕᮧ ᮣᮤᮕᮠᮣ ᮟᮥᮤᮣᮙᮔᮕ ᮧᮘᮕᮞ ᮑᮞ ᮥᮢᮗᮕᮞᮤ ᮦᮟᮙᮓᮕ ᮓᮑᮜᮜᮕᮔ ᮟᮥᮤ ᮖᮢᮟᮝ ᮒᮕᮘᮙᮞᮔ ᮥᮣᮼ

“ᯝᮘᯍᮯ ᯗᮣᮞ᮵ᮤ ᮤᮘᮑᮤ ᮉᮥ᮪ᮥᮛᮙᯍ”

ᯗ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮤᮥᮢᮞᮕᮔ ᮝᮩ ᮘᮕᮑᮔᮼ

ᮄᮘᮕᮞ ᯗ ᮣᮑᮧ ᮑᮒᮟᮥᮤ ᮤᮘᮢᮕᮕ ᮗᮙᮢᮜᮣ ᮑᮠᮠᮢᮟᮑᮓᮘᮙᮞᮗ ᮥᮣᮼ

ᮄᮘᮕᮩ ᮧᮕᮢᮕ ᮥᮞᮖᮑᮝᮙᮜᮙᮑᮢ ᮖᮑᮓᮕᮣᮼ ᯏᮜᮜ ᮟᮖ ᮤᮘᮕᮝ ᮧᮟᮢᮕ ᮒᮢᮙᮗᮘᮤ ᮜᮙᮠᮣᮤᮙᮓᮛ ᮑᮞᮔ ᮧᮕᮢᮕ ᮔᮢᮕᮣᮣᮕᮔ ᮙᮞ ᮤᮘᮕ ᮦᮙᮒᮢᮑᮞᮤ ᮣᮤᮩᮜᮕ ᮟᮖ ᮓᮟᮜᮜᮕᮗᮕ ᮣᮤᮥᮔᮕᮞᮤᮣᮼ

ᮇᮙᮤᮘ ᮤᮘᮕᮙᮢ ᮓᮘᮕᮕᮢᮖᮥᮜ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮣ ᮑᮞᮔ ᮓᮑᮣᮥᮑᮜᮜᮩ ᮣᮤᮩᮜᮕᮔ ᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕᮣᮺ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮓᮜᮕᮑᮢᮜᮩ ᮑ ᮗᮢᮟᮥᮠ ᮕᮞᮚᮟᮩᮙᮞᮗ ᮑᮞ ᮟᮥᮤᮙᮞᮗᮼ

ᮇᮟᮞᮔᮕᮢᮙᮞᮗ ᮧᮘᮟ ᮤᮘᮕᮩ ᮧᮕᮢᮕᮺ ᯗ ᮗᮜᮑᮞᮓᮕᮔ ᮑᮤ ᮉᮥ᮪ᮥᮛᮙᮺ ᮑᮞᮔ ᮣᮘᮕ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮤᮟ ᮒᮕ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮝᮕ ᮤᮟᮟᮼ

ᮀᮕᮢᮘᮑᮠᮣ ᮢᮕᮑᮔᮙᮞᮗ ᮤᮘᮕ ᮜᮙᮗᮘᮤᮺ ᮓᮑᮥᮤᮙᮟᮥᮣ ᮡᮥᮕᮣᮤᮙᮟᮞ ᮙᮞ ᮝᮩ ᮕᮩᮕᮣᮺ ᮉᮥ᮪ᮥᮛᮙ ᮤᮟᮟᮛ ᮑ ᮣᮘᮟᮢᮤ ᮒᮢᮕᮑᮤᮘ ᮑᮞᮔ ᮡᮥᮙᮕᮤᮜᮩ ᮢᮕᮠᮜᮙᮕᮔᮼ

“…ᮄᮘᮕᮩ᮵ᮢᮕ ᮝᮩ ᮘᮙᮗᮘ ᮣᮓᮘᮟᮟᮜ ᮖᮢᮙᮕᮞᮔᮣᮼ”

ᯖᮕᮢ ᮤᮟᮞᮕ ᮘᮕᮜᮔ ᮑ ᮣᮜᮙᮗᮘᮤ ᮤᮕᮞᮣᮙᮟᮞᮺ ᮩᮕᮤ ᮑᮜᮣᮟ ᮑ ᮖᮑᮙᮞᮤ ᮘᮙᮞᮤ ᮟᮖ ᮧᮕᮜᮓᮟᮝᮕᮼ

ᮃᮟᮟᮞᮺ ᮤᮘᮕᮩ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔᮼ

“ᯗᮤ ᮢᮕᮑᮜᮜᮩ ᮙᮣ ᮩᮟᮥᮯ ᮇᮘᮑᮤᮺ ᮑᮢᮕ ᮩᮟᮥ ᮟᮞ ᮑ ᮔᮑᮤᮕᯍ ᯗᮣ ᮤᮘᮕ ᮠᮕᮢᮣᮟᮞ ᮞᮕᮨᮤ ᮤᮟ ᮩᮟᮥ… ᮩᮟᮥᮢ ᮒᮟᮩᮖᮢᮙᮕᮞᮔᯍ”

ᯖᮕᮢ ᮤᮟᮞᮕ ᮧᮑᮣ ᮠᮜᮑᮩᮖᮥᮜᮺ ᮒᮥᮤ ᮘᮕᮢ ᮕᮩᮕᮣ ᮘᮕᮜᮔ ᮑ ᮣᮥᮒᮤᮜᮕ ᮕᮨᮠᮕᮓᮤᮑᮤᮙᮟᮞ ᮖᮟᮢ ᮙᮤ ᮤᮟ ᮒᮕ ᮤᮢᮥᮕᮼ

ᮉᮥ᮪ᮥᮛᮙ ᮖᮜᮙᮞᮓᮘᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮺ ᮜᮟᮧᮕᮢᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮺ ᮤᮘᮕᮞ ᮡᮥᮙᮕᮤᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮘᮕᮢ ᮝᮟᮥᮤᮘᮼ

“…ᯖᮕ᮵ᮣ ᮝᮩ ᮟᮜᮔᮕᮢ ᮒᮢᮟᮤᮘᮕᮢᮼ”

ᯏ ᮒᮢᮙᮕᮖ ᮣᮙᮜᮕᮞᮓᮕ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮉᮥ᮪ᮥᮛᮙ᮵ᮣ ᮑᮞᮣᮧᮕᮢᮼ

ᮄᮘᮕ ᮖᮢᮙᮕᮞᮔᮣ ᮕᮨᮓᮘᮑᮞᮗᮕᮔ ᮡᮥᮙᮓᮛ ᮗᮜᮑᮞᮓᮕᮣᮺ ᮑᮞᮔ ᮤᮘᮕᮞ ᮜᮑᮥᮗᮘᮤᮕᮢ ᮕᮢᮥᮠᮤᮕᮔᮼ

“ᯝᮠᮠᮑᯍ ᮂᮕᮑᮜᮜᮩᯍ ᯖᮕ ᮤᮟᮤᮑᮜᮜᮩ ᮘᮑᮣ ᮒᮟᮩᮖᮢᮙᮕᮞᮔ ᮦᮙᮒᮕᮣᮯ”

“ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮘᮕ ᮧᮑᮣ ᮑᮞ ᮑᮓᮤᮟᮢᮼ ᯗᮖ ᮘᮕ ᮕᮦᮕᮢ ᮧᮕᮞᮤ ᮟᮞ ᮑ ᮒᮜᮙᮞᮔ ᮔᮑᮤᮕᮺ ᮠᮕᮟᮠᮜᮕ ᮧᮟᮥᮜᮔ ᮜᮙᮞᮕ ᮥᮠ ᮖᮟᮢ ᮘᮙᮝᮺ ᮣᮕᮢᮙᮟᮥᮣᮜᮩᮼ”

ᮄᮘᮕᮩ ᮜᮑᮥᮗᮘᮕᮔ ᮑᮞᮔ ᮓᮘᮑᮤᮤᮕᮔ ᮑᮝᮟᮞᮗ ᮤᮘᮕᮝᮣᮕᮜᮦᮕᮣ ᮖᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮺ ᮕᮑᮣᮙᮞᮗ ᮤᮘᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕᮺ ᮤᮘᮕᮞ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮓᮘᮑᮞᮗᮕᮔ ᮤᮘᮕ ᮣᮥᮒᮚᮕᮓᮤᮼ

“ᯝᮘᮺ ᮣᮟ ᮧᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮤᮧᮟ ᮔᮟᮙᮞᮗ ᮜᮑᮤᮕᮢᯍ ᯏᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮤᮟ ᮛᮕᮕᮠ ᮘᮑᮞᮗᮙᮞᮗ ᮟᮥᮤ ᮜᮙᮛᮕ ᮤᮘᮙᮣᯍ”

ᯏ ᮣᮤᮢᮑᮞᮗᮕ ᮝᮙᮨ ᮟᮖ ᮠᮜᮑᮩᮖᮥᮜᮞᮕᮣᮣ ᮑᮞᮔ ᮓᮥᮢᮙᮟᮣᮙᮤᮩ ᮜᮑᮓᮕᮔ ᮘᮕᮢ ᮧᮟᮢᮔᮣᮺ ᮑᮞᮔ ᮤᮘᮕᮙᮢ ᮗᮑ᮪ᮕ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮣᮘᮙᮖᮤᮕᮔ ᮤᮟ ᮉᮥ᮪ᮥᮛᮙᮼ

“ᮇᮕᮜᮜ…”

ᮉᮥ᮪ᮥᮛᮙ ᮤᮢᮑᮙᮜᮕᮔ ᮟᮖᮖᮺ ᮗᮜᮑᮞᮓᮙᮞᮗ ᮑᮤ ᮝᮕ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

ᯖᮕᮢ ᮗᮑ᮪ᮕ ᮧᮑᮣᮞ᮵ᮤ ᮜᮙᮗᮘᮤᮼ ᯗᮤ ᮢᮕᮑᮔ ᮜᮙᮛᮕ ᮑ ᮣᮙᮗᮞᮑᮜ ᮟᮖ ᮵ᯗ ᮔᮟᮞ᮵ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮤᮟ ᮔᮟ᮵ᮼ

ᮀᮕᮢᮘᮑᮠᮣ ᮙᮞᮤᮕᮢᮠᮢᮕᮤᮙᮞᮗ ᮘᮕᮢ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞ ᮑᮣ ᮑᮦᮑᮙᮜᮑᮒᮜᮕ ᮤᮙᮝᮕᮺ ᮟᮞᮕ ᮟᮖ ᮘᮕᮢ ᮖᮢᮙᮕᮞᮔᮣ ᮒᮢᮟᮛᮕ ᮙᮞᮤᮟ ᮑ ᮒᮢᮙᮗᮘᮤ ᮣᮝᮙᮜᮕᮼ

“ᮀᮕᮢᮖᮕᮓᮤ ᮤᮙᮝᮙᮞᮗᮯ ᮇᮕ᮵ᮢᮕ ᮟᮞ ᮟᮥᮢ ᮧᮑᮩ ᮤᮟ ᮑ ᮒᮜᮙᮞᮔ ᮔᮑᮤᮕ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮺ ᮉᮥ᮪ᮥᮛᮙᮺ ᮩᮟᮥ ᮣᮘᮟᮥᮜᮔ ᮓᮟᮝᮕ ᮧᮙᮤᮘ ᮥᮣᮯ ᮇᮕ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮘᮑᮔ ᮟᮞᮕ ᮠᮕᮢᮣᮟᮞ ᮓᮑᮞᮓᮕᮜ ᮤᮟᮔᮑᮩᮼ”

ᮉᮥ᮪ᮥᮛᮙ᮵ᮣ ᮕᮩᮕᮣ ᮧᮑᮦᮕᮢᮕᮔ ᮗᮢᮕᮑᮤᮜᮩ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

“ᯖᮥᮘᯍ ᯏ ᮒᮻᮒᮜᮙᮞᮔ ᮔᮑᮤᮕ…ᯍ”

ᯖᮕᮢ ᮦᮟᮙᮓᮕ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮑᮤ ᮤᮘᮕ ᮕᮞᮔᮺ ᮑᮞᮔ ᮘᮕᮢ ᮖᮢᮙᮕᮞᮔᮣ ᮓᮘᮥᮓᮛᮜᮕᮔ ᮑᮣ ᮙᮖ ᮑᮝᮥᮣᮕᮔ ᮒᮩ ᮘᮕᮢ ᮢᮕᮑᮓᮤᮙᮟᮞᮼ

“ᮉᮕᮑᮘᮯ ᯗᮤ᮵ᮣ ᮢᮕᮑᮜᮜᮩ ᮣᮠᮟᮞᮤᮑᮞᮕᮟᮥᮣᮺ ᮒᮥᮤ ᯗ ᮤᮘᮙᮞᮛ ᮤᮘᮕ ᮦᮙᮒᮕ ᮧᮙᮜᮜ ᮒᮕ ᮗᮟᮟᮔᮮ ᯝᮘᮺ ᮔᮟ ᮩᮟᮥ ᮘᮑᮠᮠᮕᮞ ᮤᮟ ᮘᮑᮦᮕ ᮑ ᮒᮟᮩᮖᮢᮙᮕᮞᮔᯍ”

“ᯜᮻᮞᮟᮺ ᯗ ᮔᮟᮞ᮵ᮤ…”

ᮉᮥ᮪ᮥᮛᮙ ᮤᮟᮟᮛ ᮑ ᮣᮘᮟᮢᮤ ᮒᮢᮕᮑᮤᮘᮺ ᮤᮘᮕᮞ ᮣᮥᮒᮤᮜᮩ ᮗᮜᮑᮞᮓᮕᮔ ᮑᮤ ᮝᮕᮼ

ᯖᮕᮢ ᮗᮑ᮪ᮕ ᮘᮕᮜᮔ ᮑ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮺ ᮑᮣ ᮙᮖ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮓᮟᮞᮖᮙᮢᮝ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮺ ᮑᮞᮔ ᮤᮘᮕᮞ ᮣᮘᮕ ᮣᮘᮟᮟᮛ ᮘᮕᮢ ᮘᮕᮑᮔ ᮦᮕᮢᮩ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

“ᯐᮥᮤ… ᯗ᮵ᮦᮕ ᮞᮕᮦᮕᮢ ᮒᮕᮕᮞ ᮟᮞ ᮑ ᮒᮜᮙᮞᮔ ᮔᮑᮤᮕ ᮟᮢ ᮑᮞᮩᮤᮘᮙᮞᮗ…”

“ᯝᮘᮺ ᮓᮟᮝᮕ ᮟᮞᮮᮯ ᮉᮟᮥ ᮚᮥᮣᮤ ᮘᮑᮦᮕ ᮤᮟ ᮣᮙᮤ ᮤᮘᮕᮢᮕᮯ ᮃᮕᮢᮙᮟᮥᮣᮜᮩᮺ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮧᮙᮜᮜ ᮜᮙᮛᮕ ᮩᮟᮥ ᮚᮥᮣᮤ ᮖᮟᮢ ᮣᮘᮟᮧᮙᮞᮗ ᮩᮟᮥᮢ ᮖᮑᮓᮕᮯ ᮉᮟᮥ ᮧᮕᮢᮕ ᮠᮟᮠᮥᮜᮑᮢ ᮙᮞ ᮘᮙᮗᮘ ᮣᮓᮘᮟᮟᮜ ᮤᮟᮟᮼ”

“ᯗᮻᮙᮣ ᮤᮘᮑᮤ ᮣᮟ…ᯍ”

“ᯝᮖ ᮓᮟᮥᮢᮣᮕᮮ ᮉᮟᮥ ᮕᮦᮕᮞ ᮗᮟᮤ ᮣᮕᮦᮕᮢᮑᮜ ᮓᮟᮞᮖᮕᮣᮣᮙᮟᮞᮣ ᮖᮢᮟᮝ ᮒᮟᮩᮣ ᮑᮤ ᮩᮟᮥᮢ ᮗᮢᮑᮔᮥᮑᮤᮙᮟᮞ ᮓᮕᮢᮕᮝᮟᮞᮩᮼ”

“ᮇᮻᮧᮕᮜᮜᮺ ᮤᮘᮑᮤ᮵ᮣ ᮤᮢᮥᮕᮺ ᮒᮥᮤ…ᮼ”

“ᯚᮕᮤ᮵ᮣ ᮗᮟᮮ ᯗᮤ᮵ᮔ ᮒᮕ ᮑ ᮣᮘᮑᮝᮕ ᮤᮟ ᮚᮥᮣᮤ ᮠᮑᮢᮤ ᮧᮑᮩᮣ ᮑᮖᮤᮕᮢ ᮣᮕᮕᮙᮞᮗ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ ᮑᮖᮤᮕᮢ ᮣᮟ ᮜᮟᮞᮗᮯ ᮇᮕ᮵ᮜᮜ ᮕᮦᮕᮞ ᮤᮢᮕᮑᮤ ᮩᮟᮥ ᮤᮟ ᮔᮙᮞᮞᮕᮢᮼ ᯘᮥᮣᮤ ᮣᮘᮟᮧ ᮩᮟᮥᮢ ᮖᮑᮓᮕᮺ ᮟᮛᮑᮩᯍ”

ᮉᮥ᮪ᮥᮛᮙ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮑᮩ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮖᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮺ ᮠᮢᮕᮣᮣᮙᮞᮗ ᮘᮕᮢ ᮤᮘᮙᮞᮜᮩ ᮠᮥᮢᮣᮕᮔ ᮜᮙᮠᮣ ᮤᮟᮗᮕᮤᮘᮕᮢᮼ

ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮉᮥ᮪ᮥᮛᮙ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮕᮑᮣᮙᮜᮩ ᮢᮕᮖᮥᮣᮕ ᮘᮕᮢ ᮖᮢᮙᮕᮞᮔᮣ᮵ ᮣᮥᮒᮤᮜᮕ ᮓᮟᮕᮢᮓᮙᮟᮞᮼ

…ᯏ ᮒᮜᮙᮞᮔ ᮔᮑᮤᮕᮼ

ᮄᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮤᮘᮑᮤ ᮧᮟᮢᮔ ᮖᮟᮢᮝᮕᮔ ᮟᮞ ᮝᮩ ᮜᮙᮠᮣᮺ ᮑ ᮣᮤᮢᮑᮞᮗᮕᮜᮩ ᮠᮕᮢᮣᮙᮣᮤᮕᮞᮤ ᮕᮝᮟᮤᮙᮟᮞ ᮧᮕᮜᮜᮕᮔ ᮥᮠ ᮖᮢᮟᮝ ᮣᮟᮝᮕᮧᮘᮕᮢᮕ ᮔᮕᮕᮠ ᮙᮞᮣᮙᮔᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮣᮤᮢᮑᮞᮗᮕᮼ
ᮇᮘᮩ ᯗ ᮧᮑᮣ ᮕᮦᮕᮞ ᮙᮝᮑᮗᮙᮞᮙᮞᮗ ᮣᮥᮓᮘ ᮑ ᮤᮘᮙᮞᮗᮼ

ᮉᮥ᮪ᮥᮛᮙ ᮣᮙᮤᮤᮙᮞᮗ ᮑᮝᮟᮞᮗ ᮥᮞᮖᮑᮝᮙᮜᮙᮑᮢ ᮒᮟᮩᮣᮺ ᮣᮝᮙᮜᮙᮞᮗ ᮑᮧᮛᮧᮑᮢᮔᮜᮩᮺ ᮑᮞᮣᮧᮕᮢᮙᮞᮗ ᮠᮟᮙᮞᮤᮜᮕᮣᮣ ᮡᮥᮕᮣᮤᮙᮟᮞᮣᮼ

ᯝᮢ ᮙᮖ ᮣᮘᮕ ᮑᮜᮜᮟᮧᮕᮔ ᮣᮟᮝᮕᮟᮞᮕ ᮕᮜᮣᮕ ᮤᮟ ᮣᮕᮕ ᮑᮞ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮣᮘᮕ᮵ᮔ ᮞᮕᮦᮕᮢ ᮕᮦᮕᮞ ᮣᮘᮟᮧᮞ ᮝᮕᮺ ᮤᮘᮕ ᮝᮕᮢᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮣᮕᮞᮤ ᮑ ᮓᮘᮙᮜᮜ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮓᮘᮕᮣᮤᮼ

ᯏᮞ ᮙᮞᮕᮨᮠᮜᮙᮓᮑᮒᮜᮕ ᮤᮙᮞᮗᮜᮙᮞᮗ ᮠᮥᮜᮜᮺ ᮔᮙᮣᮓᮟᮝᮖᮟᮢᮤᮺ ᮑᮞᮔ ᮡᮥᮙᮕᮤ ᮑᮞᮗᮕᮢ ᮝᮙᮨᮕᮔ ᮤᮟᮗᮕᮤᮘᮕᮢᮺ

ᮝᮑᮛᮙᮞᮗ ᮝᮩ ᮣᮤᮟᮝᮑᮓᮘ ᮓᮘᮥᮢᮞ ᮣᮤᮢᮑᮞᮗᮕᮜᮩᮼ

ᯗ ᮤᮥᮢᮞᮕᮔ ᮝᮩ ᮗᮑ᮪ᮕ ᮒᮑᮓᮛ ᮤᮟ ᮉᮥ᮪ᮥᮛᮙᮼ

ᮃᮘᮕ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮞᮟᮔᮔᮙᮞᮗ ᮑᮤ ᮘᮕᮢ ᮖᮢᮙᮕᮞᮔᮣ᮵ ᮧᮟᮢᮔᮣ ᮧᮙᮤᮘ ᮑᮞ ᮑᮝᮒᮙᮗᮥᮟᮥᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

ᯏᮞ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮤᮘᮑᮤ ᮧᮑᮣ ᮞᮕᮙᮤᮘᮕᮢ ᮑ ᮓᮜᮕᮑᮢ ᮢᮕᮖᮥᮣᮑᮜ ᮞᮟᮢ ᮑᮞ ᮑᮓᮓᮕᮠᮤᮑᮞᮓᮕᮼ

ᯗ ᮖᮕᮜᮤ ᮑᮣ ᮙᮖ ᯗ ᮧᮑᮣ ᮓᮑᮥᮗᮘᮤ ᮙᮞ ᮤᮘᮑᮤ ᮣᮥᮒᮤᮜᮕ ᮗᮑᮠᮼ

…ᯗᮣ ᮣᮘᮕ ᮢᮕᮑᮜᮜᮩ ᮗᮟᮙᮞᮗᯍ

ᯏᮤ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤᮺ ᯗ ᮡᮥᮕᮣᮤᮙᮟᮞᮕᮔ ᮧᮘᮟ ᯗ ᮧᮑᮣ ᮑᮗᮑᮙᮞᮼ

ᮄᮘᮕ ᮖᮕᮕᮜᮙᮞᮗ ᮟᮖ ᮒᮕᮙᮞᮗ ᮠᮥᮣᮘᮕᮔ ᮑᮣᮙᮔᮕ ᮙᮞ ᮤᮘᮙᮣ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮺ ᮣᮙᮝᮠᮜᮩ ᮒᮩ ᮒᮕᮙᮞᮗ ᮓᮑᮜᮜᮕᮔ ᮵ᯝᮠᮠᮑ᮵ᮼ

ᯛᮩ ᮝᮟᮥᮤᮘ ᮧᮕᮞᮤ ᮔᮢᮩᮺ ᮑᮞᮔ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮤᮕᮞᮣᮕᮔᮼ

ᮇᮘᮑᮤ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮧᮑᮣ ᮑᮜᮝᮟᮣᮤ ᮑ ᮢᮕᮖᮜᮕᮨᮙᮦᮕ ᮝᮟᮦᮕᮝᮕᮞᮤᮼ

ᯗ ᮗᮕᮞᮤᮜᮩᮺ ᮩᮕᮤ ᮖᮙᮢᮝᮜᮩᮺ ᮗᮢᮑᮒᮒᮕᮔ ᮉᮥ᮪ᮥᮛᮙ᮵ᮣ ᮧᮢᮙᮣᮤᮼ

ᯐᮕᮖᮟᮢᮕ ᮘᮕᮢ ᮖᮢᮙᮕᮞᮔᮣ ᮓᮟᮥᮜᮔ ᮕᮦᮕᮞ ᮣᮘᮟᮧ ᮣᮥᮢᮠᮢᮙᮣᮕᮺ ᯗ ᮜᮕᮑᮞᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮤᮟᮧᮑᮢᮔᮣ ᮉᮥ᮪ᮥᮛᮙ ᮑᮞᮔ ᮣᮠᮟᮛᮕᮼ

“ᮇᮕ ᮞᮕᮕᮔ ᮤᮟ ᮗᮟ ᮞᮟᮧᮼ”

ᯏᮤ ᮝᮩ ᮧᮘᮙᮣᮠᮕᮢᮺ ᮉᮥ᮪ᮥᮛᮙ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮒᮕᮧᮙᮜᮔᮕᮢᮕᮔ ᮕᮩᮕᮣᮼ ᯓᮦᮕᮞ ᮙᮞ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤᮺ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮧᮑᮣ ᮛᮕᮕᮞᮜᮩ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮢᮕᮑᮔ ᮝᮩ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

“ᮄᮘᮕ ᮝᮟᮦᮙᮕ ᮧᮕ ᮒᮟᮟᮛᮕᮔ ᮙᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮣᮤᮑᮢᮤᮼ ᮇᮕ᮵ᮜᮜ ᮒᮕ ᮜᮑᮤᮕ ᮙᮖ ᮧᮕ ᮔᮟᮞ᮵ᮤ ᮗᮟ ᮞᮟᮧᮼ”

ᯗᮤ ᮧᮑᮣ ᮑ ᮜᮙᮕᮼ
ᯗ ᮘᮑᮔᮞ᮵ᮤ ᮒᮟᮟᮛᮕᮔ ᮑᮞᮩ ᮝᮟᮦᮙᮕᮺ ᮞᮟᮢ ᮔᮙᮔ ᯗ ᮘᮑᮦᮕ ᮑᮞᮩ ᮠᮜᮑᮞᮣ ᮤᮟ ᮣᮕᮕ ᮟᮞᮕᮼ

ᯐᮥᮤ ᮤᮘᮕ ᮧᮟᮢᮔᮣ ᮓᮑᮝᮕ ᮟᮥᮤ ᮧᮙᮤᮘᮟᮥᮤ ᮑᮞᮩ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮼ

ᮃᮟ ᮝᮥᮓᮘ ᮣᮟ ᮤᮘᮑᮤ ᯗ ᮖᮕᮜᮤ ᮙᮤ ᮧᮑᮣ ᮒᮕᮤᮤᮕᮢ ᮤᮟ ᮒᮕ ᮢᮥᮔᮕ ᮤᮘᮑᮞ ᮤᮟ ᮙᮝᮑᮗᮙᮞᮕ ᮉᮥ᮪ᮥᮛᮙ ᮣᮙᮤᮤᮙᮞᮗ ᮑᮓᮢᮟᮣᮣ ᮖᮢᮟᮝ ᮟᮤᮘᮕᮢ ᮒᮟᮩᮣᮺ ᮜᮑᮥᮗᮘᮙᮞᮗᮼ

ᯗ ᮖᮕᮜᮤ ᮤᮘᮕ ᮧᮑᮢᮝᮤᮘ ᮟᮖ ᮘᮕᮢ ᮘᮑᮞᮔᮼ ᮃᮘᮕ ᮣᮕᮕᮝᮕᮔ ᮑ ᮜᮙᮤᮤᮜᮕ ᮣᮥᮢᮠᮢᮙᮣᮕᮔᮺ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮣᮤᮙᮖᮖᮺ ᮒᮥᮤ ᮣᮘᮕ ᮔᮙᮔᮞ᮵ᮤ ᮠᮥᮜᮜ ᮑᮧᮑᮩᮼ

ᯗ ᮖᮟᮢᮓᮕᮔ ᮑ ᮓᮑᮜᮝ ᮣᮝᮙᮜᮕ ᮤᮟᮧᮑᮢᮔᮣ ᮉᮥ᮪ᮥᮛᮙ ᮑᮞᮔ ᮣᮑᮙᮔᮺ

“ᯚᮕᮤ᮵ᮣ ᮗᮟᮼ”

“…ᯝᮛᮑᮩᮼ”

ᮉᮥ᮪ᮥᮛᮙ ᮞᮟᮔᮔᮕᮔᮼ

ᯖᮟᮜᮔᮙᮞᮗ ᮘᮑᮞᮔᮣᮺ ᮧᮕ ᮧᮑᮞᮔᮕᮢᮕᮔ ᮤᮘᮕ ᮣᮤᮢᮕᮕᮤᮣ ᮙᮞ ᮣᮙᮜᮕᮞᮓᮕᮼ ᮇᮙᮤᮘ ᮞᮟ ᮔᮕᮣᮤᮙᮞᮑᮤᮙᮟᮞ ᮟᮢ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞᮺ ᮧᮕ ᮣᮙᮝᮠᮜᮩ ᮧᮑᮜᮛᮕᮔ ᮧᮘᮕᮢᮕᮦᮕᮢ ᮟᮥᮢ ᮖᮕᮕᮤ ᮤᮟᮟᮛ ᮥᮣᮼ

ᮉᮥ᮪ᮥᮛᮙᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮙᮜᮕᮞᮤ ᮤᮘᮕ ᮧᮘᮟᮜᮕ ᮤᮙᮝᮕᮺ ᮖᮙᮔᮗᮕᮤᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮧᮙᮤᮘ ᮘᮕᮢ ᮘᮕᮜᮔ ᮘᮑᮞᮔᮺ ᮑᮞᮔ ᯗ ᮖᮕᮜᮤ ᮘᮕᮢ ᮣᮥᮒᮤᮜᮕ ᮝᮟᮦᮕᮝᮕᮞᮤᮣᮺ ᮟᮠᮕᮞᮙᮞᮗ ᮝᮩ ᮝᮟᮥᮤᮘ ᮤᮟ ᮣᮠᮕᮑᮛ ᮣᮕᮦᮕᮢᮑᮜ ᮤᮙᮝᮕᮣ ᮒᮥᮤ ᮣᮤᮟᮠᮠᮙᮞᮗ ᮝᮩᮣᮕᮜᮖᮼ

ᮄᮘᮕᮞᮺ ᮣᮥᮔᮔᮕᮞᮜᮩᮺ ᮑᮣ ᮧᮕ ᮤᮥᮢᮞᮕᮔ ᮑ ᮓᮟᮢᮞᮕᮢ ᮑᮞᮔ ᮘᮕᮢ ᮖᮢᮙᮕᮞᮔᮣ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮔᮙᮣᮑᮠᮠᮕᮑᮢᮕᮔ ᮖᮢᮟᮝ ᮦᮙᮕᮧᮼ

ᯗ ᮡᮥᮙᮕᮤᮜᮩ ᮑᮣᮛᮕᮔᮼ

“…ᮃᮘᮟᮥᮜᮔ ᮧᮕ ᮧᮑᮤᮓᮘ ᮑ ᮝᮟᮦᮙᮕᯍ”

ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮑᮞᮣᮧᮕᮢ ᮖᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮼ ᯝᮞᮜᮩ ᮤᮘᮕ ᮣᮟᮥᮞᮔ ᮟᮖ ᮤᮘᮕ ᮧᮙᮞᮔ ᮜᮙᮗᮘᮤᮜᮩ ᮒᮢᮥᮣᮘᮕᮔ ᮠᮑᮣᮤ ᮝᮩ ᮕᮑᮢᮣᮼ

“…ᮉᮥ᮪ᮥᮛᮙᯍ”

ᯝᮞᮜᮩ ᮤᮘᮕᮞ ᮔᮙᮔ ᮣᮘᮕ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮜᮙᮖᮤ ᮘᮕᮢ ᮘᮕᮑᮔᮼ
ᯖᮕᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮧᮑᮣ ᮝᮟᮝᮕᮞᮤᮑᮢᮙᮜᮩ ᮘᮕᮣᮙᮤᮑᮞᮤᮺ ᮑᮞᮔ ᮘᮕᮢ ᮕᮩᮕᮣᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮝᮕᮺ ᮧᮑᮦᮕᮢᮕᮔᮼ

“ᯖᮥᮘᯍ ᯝᮘ… ᮩᮕᮑᮘᮯ ᯗᮻᯗ᮵ᮔ ᮜᮙᮛᮕ ᮤᮟᮯ”

ᯖᮕᮢ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮣᮝᮑᮜᮜᮺ ᮑᮞᮔ ᮘᮕᮢ ᮢᮕᮣᮠᮟᮞᮣᮕ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮘᮑᮦᮕ ᮓᮟᮝᮕ ᮟᮥᮤ ᮑᮜᮝᮟᮣᮤ ᮒᮩ ᮑᮓᮓᮙᮔᮕᮞᮤᮼ ᯏ ᮣᮥᮒᮤᮜᮕ ᮤᮕᮞᮣᮙᮟᮞ ᮧᮑᮣ ᮝᮙᮨᮕᮔ ᮙᮞ ᮤᮘᮕ ᮜᮙᮗᮘᮤ ᮒᮢᮕᮑᮤᮘ ᮑᮤ ᮤᮘᮕ ᮕᮞᮔ ᮟᮖ ᮘᮕᮢ ᮧᮟᮢᮔᮣᮺ ᮑᮞᮔ ᮤᮘᮕ ᮤᮙᮠᮣ ᮟᮖ ᮘᮕᮢ ᮓᮘᮕᮕᮛᮣ ᮧᮕᮢᮕ ᮖᮑᮙᮞᮤᮜᮩ ᮖᮜᮥᮣᮘᮕᮔᮼ

ᮇᮕ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮣᮕᮑᮢᮓᮘ ᮖᮟᮢ ᮑ ᮞᮕᮑᮢᮒᮩ ᮝᮟᮦᮙᮕ ᮤᮘᮕᮑᮤᮕᮢᮼ

ᯏᮖᮤᮕᮢ ᮑ ᮖᮕᮧ ᮣᮤᮟᮠᮣᮺ ᮤᮘᮕ ᮠᮜᮑᮓᮕ ᮧᮕ ᮑᮢᮢᮙᮦᮕᮔ ᮑᮤ ᮧᮑᮣ ᮝᮟᮢᮕ ᮓᮢᮟᮧᮔᮕᮔ ᮤᮘᮑᮞ ᮕᮨᮠᮕᮓᮤᮕᮔᮼ

ᮄᮘᮕ ᮜᮟᮒᮒᮩ ᮧᮑᮣ ᮒᮥᮣᮤᮜᮙᮞᮗ ᮧᮙᮤᮘ ᮓᮟᮥᮠᮜᮕᮣ ᮑᮞᮔ ᮖᮑᮝᮙᮜᮙᮕᮣ ᮣᮙᮤᮤᮙᮞᮗ ᮙᮞ ᮣᮝᮑᮜᮜ ᮗᮢᮟᮥᮠᮣᮺ ᮑᮞᮔ ᮑ ᮜᮟᮞᮗ ᮜᮙᮞᮕ ᮣᮤᮢᮕᮤᮓᮘᮕᮔ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮤᮘᮕ ᮣᮓᮢᮕᮕᮞᮺ ᮧᮑᮙᮤᮙᮞᮗ ᮤᮟ ᮒᮥᮩ ᮤᮙᮓᮛᮕᮤᮣᮼ

ᯗ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮖᮕᮜᮤ ᮑ ᮞᮕᮕᮔᮜᮕᮣᮣ ᮤᮕᮞᮣᮙᮟᮞᮼ ᯗᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮤᮢᮟᮥᮒᮜᮕᮣᮟᮝᮕ ᮙᮖ ᮑᮜᮜ ᮤᮘᮕ ᮣᮕᮑᮤᮣ ᮧᮕᮢᮕ ᮤᮑᮛᮕᮞᮼ

“…ᮄᮘᮕᮢᮕ ᮑᮢᮕᮞ᮵ᮤ ᮝᮑᮞᮩ ᮝᮟᮦᮙᮕᮣ ᮧᮙᮤᮘ ᮑᮦᮑᮙᮜᮑᮒᮜᮕ ᮣᮕᮑᮤᮣᮼ”

ᮇᮕ ᮣᮜᮟᮧᮜᮩ ᮣᮓᮑᮞᮞᮕᮔ ᮤᮘᮕ ᮜᮙᮣᮤ ᮟᮖ ᮣᮓᮢᮕᮕᮞᮙᮞᮗᮣᮼ

ᯛᮟᮣᮤ ᮝᮟᮦᮙᮕᮣ ᮘᮑᮔ ᮑᮧᮛᮧᮑᮢᮔ ᮣᮤᮑᮢᮤ ᮤᮙᮝᮕᮣ ᮟᮢ ᮧᮕᮢᮕ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮣᮟᮜᮔ ᮟᮥᮤᮼ

ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮟᮞᮜᮩ ᮟᮞᮕ ᮜᮕᮖᮤᮼ

ᮄᮘᮕ ᮤᮙᮤᮜᮕ ᮧᮑᮣ 『ᮄᮘᮑᮤ ᯒᮑᮩᮺ ᮇᮕ ᮇᮕᮢᮕ』ᮼ

ᯗᮤ ᮧᮑᮣ ᮑ ᮝᮟᮦᮙᮕ ᯗ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮘᮕᮑᮢᮔ ᮟᮖᮼ

ᯏ ᮣᮙᮞᮗᮜᮕ ᮠᮟᮣᮤᮕᮢ ᮧᮙᮤᮘ ᮑ ᮓᮑᮜᮝ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕᮼ
ᮄᮧᮟ ᮝᮕᮞ ᮑᮞᮔ ᮧᮟᮝᮕᮞ ᮖᮑᮓᮙᮞᮗ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ ᮙᮞ ᮔᮙᮝ ᮜᮙᮗᮘᮤᮙᮞᮗᮼ

ᯏ ᮘᮑᮜᮖᮻᮥᮞᮒᮥᮤᮤᮟᮞᮕᮔ ᮣᮘᮙᮢᮤᮺ ᮔᮙᮣᮘᮕᮦᮕᮜᮕᮔ ᮒᮕᮔ ᮣᮘᮕᮕᮤᮣᮺ ᮑᮞᮔ ᮑᮤ ᮤᮘᮕ ᮒᮟᮤᮤᮟᮝ ᮟᮖ ᮤᮘᮕ ᮠᮟᮣᮤᮕᮢᮺ ᮤᮘᮕ ᮢᮕᮔ ᮜᮕᮤᮤᮕᮢᮣ ᮵ᮂᮑᮤᮙᮞᮗᯈ ᮂᮿᯃ᮹ ᮶ᯏᮗᮕᮣ ᮿᯃ ᮑᮞᮔ ᮟᮦᮕᮢ᮷᮵ ᮓᮑᮥᮗᮘᮤ ᮝᮩ ᮕᮩᮕᮼ

ᯗ ᮘᮕᮣᮙᮤᮑᮤᮕᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤ ᮑᮖᮤᮕᮢ ᮣᮕᮕᮙᮞᮗ ᮤᮘᮑᮤᮼ

ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮒᮕ ᮑ ᮝᮕᮜᮟᮔᮢᮑᮝᮑᮺ ᮒᮥᮤ ᮤᮘᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕ ᮜᮟᮟᮛᮕᮔ ᮡᮥᮙᮤᮕ ᮙᮞᮤᮕᮞᮣᮕᮼ ᮉᮥ᮪ᮥᮛᮙ ᮑᮜᮣᮟ ᮣᮤᮟᮟᮔ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮤᮘᮕ ᮠᮟᮣᮤᮕᮢᮺ ᮖᮙᮨᮙᮞᮗ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮟᮞ ᮙᮤ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

“…ᮄᮘᮙᮣ ᮙᮣ ᮑᮜᮜ ᮤᮘᮑᮤ᮵ᮣ ᮜᮕᮖᮤᮼ”

ᮇᮘᮕᮞ ᯗ ᮣᮠᮟᮛᮕᮺ ᮉᮥ᮪ᮥᮛᮙ ᮡᮥᮙᮕᮤᮜᮩ ᮕᮓᮘᮟᮕᮔᮼ

“…ᮂᮿᯃᯍ”

ᯖᮕᮢ ᮗᮑ᮪ᮕ ᮜᮙᮞᮗᮕᮢᮕᮔ ᮟᮞ ᮤᮘᮕ ᮒᮟᮤᮤᮟᮝ ᮟᮖ ᮤᮘᮕ ᮠᮟᮣᮤᮕᮢ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮼ

ᯗ ᮞᮕᮕᮔᮜᮕᮣᮣᮜᮩ ᮑᮔᮔᮕᮔᮺ

“ᮇᮕᮜᮜᮺ ᮙᮤ᮵ᮣ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮑ ᮝᮟᮦᮙᮕ ᮧᮙᮤᮘ ᮣᮟᮝᮕ ᮣᮓᮕᮞᮕᮣ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼ ᯏ ᮣᮤᮢᮟᮞᮗ ᮢᮟᮝᮑᮞᮓᮕᮺ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼ”

ᮉᮥ᮪ᮥᮛᮙ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᮘᮕᮢ ᮟᮠᮠᮟᮣᮙᮤᮕ ᮧᮢᮙᮣᮤ ᮧᮙᮤᮘ ᮟᮞᮕ ᮘᮑᮞᮔᮼ
ᮄᮘᮕᮞᮺ ᮑᮦᮟᮙᮔᮙᮞᮗ ᮝᮩ ᮗᮑ᮪ᮕᮺ ᮣᮘᮕ ᮡᮥᮙᮕᮤᮜᮩ ᮟᮠᮕᮞᮕᮔ ᮘᮕᮢ ᮝᮟᮥᮤᮘᮼ

“…ᯗᮤ᮵ᮣ ᮖᮙᮞᮕᮼ ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮜᮙᮛᮕ ᯗ ᮓᮑᮞ᮵ᮤ ᮧᮑᮤᮓᮘ ᮤᮘᮙᮞᮗᮣ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼ”

ᮃᮘᮕ ᮣᮑᮙᮔ ᮤᮘᮑᮤᮺ ᮒᮥᮤ ᮙᮞ ᮢᮕᮑᮜᮙᮤᮩᮺ ᮤᮘᮕ ᮤᮙᮠᮣ ᮟᮖ ᮉᮥ᮪ᮥᮛᮙ᮵ᮣ ᮕᮑᮢᮣ ᮧᮕᮢᮕ ᮣᮜᮟᮧᮜᮩ ᮤᮥᮢᮞᮙᮞᮗ ᮢᮕᮔᮼ

ᮇᮕ ᮒᮟᮥᮗᮘᮤ ᮤᮘᮕ ᮤᮙᮓᮛᮕᮤᮣᮼ ᮄᮘᮕ ᮣᮟᮥᮞᮔ ᮟᮖ ᮤᮙᮓᮛᮕᮤᮣ ᮔᮙᮣᮠᮕᮞᮣᮙᮞᮗ ᮖᮢᮟᮝ ᮤᮘᮕ ᮝᮑᮓᮘᮙᮞᮕ ᮧᮑᮣ ᮒᮢᮙᮕᮖᮼ

“…ᯒᮟ ᮩᮟᮥ ᮧᮑᮞᮤ ᮤᮟ ᮗᮕᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮟ ᮔᮢᮙᮞᮛ ᮒᮕᮖᮟᮢᮕ ᮧᮕ ᮗᮟ ᮙᮞᯍ”

“ᯗᮤ᮵ᮣ ᮖᮙᮞᮕᮼ ᯚᮕᮤ᮵ᮣ ᮚᮥᮣᮤ ᮗᮟ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮙᮞᮼ”

ᯏᮖᮤᮕᮢ ᮑ ᮒᮢᮙᮕᮖ ᮣᮙᮜᮕᮞᮓᮕᮺ ᮉᮥ᮪ᮥᮛᮙ ᮣᮑᮙᮔ ᮤᮘᮑᮤᮼ

ᯏᮞᮔ ᮑᮣ ᮧᮕ ᮧᮑᮜᮛᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮕᮞᮤᮢᮑᮞᮓᮕ ᮜᮙᮞᮕᮺ ᮟᮥᮢ ᮣᮤᮕᮠᮣ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮘᮑᮜᮤᮕᮔ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮑ ᮠᮢᮟᮝᮟᮤᮙᮟᮞᮑᮜ ᮤᮟᮥᮓᮘᮣᮓᮢᮕᮕᮞ ᮙᮞ ᮑ ᮓᮟᮢᮞᮕᮢ ᮟᮖ ᮤᮘᮕ ᮜᮟᮒᮒᮩᮼ

ᮄᮘᮕ ᮝᮟᮦᮙᮕ ᮙᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞ ᮖᮟᮢ 『ᮄᮘᮑᮤ ᯒᮑᮩᮺ ᮇᮕ ᮇᮕᮢᮕ』 ᮧᮑᮣ ᮑᮥᮤᮟᮝᮑᮤᮙᮓᮑᮜᮜᮩ ᮠᮜᮑᮩᮙᮞᮗᮼ

ᯏ ᮒᮢᮟᮤᮘᮕᮢ ᮑᮞᮔ ᮣᮙᮣᮤᮕᮢ ᮧᮘᮟ ᮜᮙᮦᮕᮔ ᮑᮣ ᮙᮖ ᮑᮦᮟᮙᮔᮙᮞᮗ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢᮼ

ᯐᮥᮤ ᮑ ᮣᮝᮑᮜᮜ ᮓᮟᮙᮞᮓᮙᮔᮕᮞᮓᮕ ᮟᮞᮕ ᮞᮙᮗᮘᮤ ᮢᮕᮟᮠᮕᮞᮣ ᮤᮘᮕᮙᮢ ᮓᮜᮟᮣᮕᮔ ᮕᮝᮟᮤᮙᮟᮞᮣᮼ

ᮄᮧᮟ ᮠᮕᮟᮠᮜᮕ ᮧᮘᮟᮺ ᮠᮑᮣᮤ ᮤᮘᮕ ᮧᮟᮢᮜᮔ᮵ᮣ ᮗᮑ᮪ᮕ ᮑᮞᮔ ᮤᮘᮕ ᮣᮘᮕᮜᮜ ᮟᮖ ᮝᮟᮢᮑᮜᮙᮤᮩᮺ ᮤᮟᮥᮓᮘ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ ᮙᮞ ᮤᮘᮕ ᮞᮑᮝᮕ ᮟᮖ ᮜᮟᮦᮕᮼ

ᯔᮑᮓᮕᮔ ᮧᮙᮤᮘ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮤᮘᮕᮩ ᮓᮑᮞ᮵ᮤ ᮤᮥᮢᮞ ᮒᮑᮓᮛ ᮖᮢᮟᮝᮺ ᮧᮘᮑᮤ ᮓᮘᮟᮙᮓᮕ ᮧᮙᮜᮜ ᮤᮘᮕᮩ ᮥᮜᮤᮙᮝᮑᮤᮕᮜᮩ ᮝᮑᮛᮕ—

ᮄᮘᮕ ᮝᮟᮝᮕᮞᮤ ᯗ ᮢᮕᮑᮔ ᮤᮘᮟᮣᮕ ᮣᮥᮒᮤᮙᮤᮜᮕᮣᮺ ᮑ ᮣᮥᮒᮤᮜᮕ ᮓᮥᮢᮢᮕᮞᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮢᮥᮞ ᮔᮟᮧᮞ ᮝᮩ ᮣᮠᮙᮞᮕᮼ

ᯐᮢᮟᮤᮘᮕᮢ ᮑᮞᮔ ᮣᮙᮣᮤᮕᮢᮼ

ᮄᮘᮑᮤ ᮣᮙᮞᮗᮜᮕ ᮧᮟᮢᮔ ᮡᮥᮙᮕᮤᮜᮩ ᮣᮘᮟᮟᮛ ᮤᮘᮕ ᮕᮞᮤᮙᮢᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕᮼ

ᮉᮥ᮪ᮥᮛᮙ ᮧᮑᮣ ᮑᮜᮣᮟ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮣᮕᮞᮤᮕᮞᮓᮕᮣ ᮒᮕᮣᮙᮔᮕ ᮝᮕᮼ

ᯔᮑᮓᮙᮞᮗ ᮤᮘᮕ ᮣᮓᮢᮕᮕᮞᮺ ᯗ ᮓᮟᮥᮜᮔ ᮖᮕᮕᮜ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

ᯗ ᮖᮟᮢᮓᮕᮔ ᮝᮩᮣᮕᮜᮖ ᮤᮟ ᮣᮠᮕᮑᮛᮺ ᮖᮕᮙᮗᮞᮙᮞᮗ ᮙᮞᮔᮙᮖᮖᮕᮢᮕᮞᮓᮕᮼ

“ᮄᮘᮕ ᮝᮟᮦᮙᮕ᮵ᮣ ᮓᮟᮞᮤᮕᮞᮤ ᮙᮣ ᮡᮥᮙᮤᮕ… ᮃᮘᮟᮥᮜᮔ ᮧᮕ ᮚᮥᮣᮤ ᮞᮟᮤ ᮧᮑᮤᮓᮘ ᮙᮤ…ᯍ”

ᮉᮥ᮪ᮥᮛᮙ ᮔᮙᮔᮞ᮵ᮤ ᮜᮟᮟᮛ ᮑᮤ ᮝᮕᮼ

ᯗᮞᮣᮤᮕᮑᮔᮺ ᮣᮘᮕ ᮚᮥᮣᮤ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮤᮘᮕ ᮣᮓᮢᮕᮕᮞᮺ ᮤᮑᮛᮙᮞᮗ ᮑ ᮦᮕᮢᮩ ᮜᮟᮧᮺ ᮓᮑᮥᮤᮙᮟᮥᮣ ᮒᮢᮕᮑᮤᮘᮼ

ᯖᮕᮢ ᮜᮙᮠᮣ ᮠᮑᮢᮤᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮤᮘᮕᮞ ᮓᮜᮟᮣᮕᮔ ᮑᮗᮑᮙᮞᮺ ᮑᮞᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮗᮢᮙᮠᮠᮙᮞᮗ ᮘᮕᮢ ᮓᮜᮟᮤᮘᮕᮣ ᮤᮙᮗᮘᮤᮕᮞᮕᮔ ᮣᮥᮒᮤᮜᮩᮼ

ᮄᮘᮕᮞ ᮣᮘᮕ ᮣᮠᮟᮛᮕ ᮙᮞ ᮑ ᮦᮕᮢᮩ ᮜᮟᮧᮺ ᮣᮝᮑᮜᮜ ᮦᮟᮙᮓᮕᮼ

“…ᯜᮟᮼ”

ᯖᮕᮢ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮦᮕᮢᮩ ᮡᮥᮙᮕᮤ ᮒᮥᮤ ᮓᮜᮕᮑᮢᮼ

“ᮇᮕ ᮓᮑᮞ᮵ᮤ ᮧᮑᮣᮤᮕ ᮤᮘᮕ ᮝᮟᮞᮕᮩ… ᮜᮕᮤ᮵ᮣ ᮚᮥᮣᮤ ᮧᮑᮤᮓᮘ ᮙᮤᮼ”

ᯖᮕᮢ ᮧᮟᮢᮔᮣ ᮣᮕᮕᮝᮕᮔ ᮞᮟᮞᮓᮘᮑᮜᮑᮞᮤᮺ ᮒᮥᮤ ᮘᮕᮢ ᮖᮑᮓᮕ ᮓᮜᮕᮑᮢᮜᮩ ᮣᮘᮟᮧᮕᮔ ᮘᮕᮢ ᮕᮖᮖᮟᮢᮤ ᮤᮟ ᮒᮕᮤᮢᮑᮩ ᮞᮟ ᮕᮝᮟᮤᮙᮟᮞᮼ

ᮄᮘᮕ ᮤᮙᮠᮣ ᮟᮖ ᮘᮕᮢ ᮓᮘᮕᮕᮛᮣ ᮑᮞᮔ ᮕᮑᮢᮣ ᮧᮕᮢᮕ ᮑᮜᮢᮕᮑᮔᮩ ᮖᮜᮥᮣᮘᮕᮔᮺ ᮑᮞᮔ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮖᮙᮨᮕᮔ ᮟᮞ ᮤᮘᮕ ᮒᮟᮤᮤᮟᮝ ᮟᮖ ᮤᮘᮕ ᮣᮓᮢᮕᮕᮞᮼ

ᮃᮘᮕ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮑᮜᮣᮟ ᮖᮕᮜᮤ ᮤᮘᮑᮤ ᮤᮘᮕ ᮣᮕᮞᮤᮕᮞᮓᮕ ᮟᮞ ᮤᮘᮕ ᮣᮓᮢᮕᮕᮞ ᮑᮓᮓᮥᮢᮑᮤᮕᮜᮩ ᮠᮙᮞᮠᮟᮙᮞᮤᮕᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮒᮕᮤᮧᮕᮕᮞ ᮥᮣ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼ

ᯐᮥᮤ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮑᮣᮛ ᮖᮥᮢᮤᮘᮕᮢᮼ

ᯗᮞᮣᮤᮕᮑᮔᮺ ᮧᮕ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮝᮟᮦᮕᮔ ᮟᮥᮢ ᮖᮕᮕᮤ ᮑᮞᮔ ᮧᮕᮞᮤ ᮙᮞᮣᮙᮔᮕᮼ

In a Different World Covered in Footprints

Togo Keisuke, a high school boy born and raised in modern Japan, is suddenly transported to another world on his way home. Furthermore, the other world he is transported to has already been influenced by many people from the other world (Keisuke’s hometown) who have been visiting since ancient times, and the medieval European worldview has been transformed into a futuristic urban landscape. It feels romantic, but something is different from what he imagined. Shaking his head, he lives in this unfamiliar world today as well, checking the footprints left by his ancestors beneath his feet.

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