I’ve Been Appointed as a Nursery Teacher in Youka District.

Chapter 17

I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

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ႧႸႵႾ ჀႵႿჀႼႵ ႷႵჄ ႶႼჅჃჄႵჂႵႴლ ჄႸႵႹჂ ჂႵႱႳჄႹႿႾჃ ჅჃჅႱႼႼ჉ ႶႱႼႼ ႹႾჄႿ ჄჇႿ ႳႱჄႵႷႿჂႹႵჃნ

ႤႸႵ჉ ႵႹჄႸႵჂ ႲႵႳႿႽႵ Ⴕ჈ჄჂႵႽႵႼ჉ ჁჅႹႵჄლ ႿჂ Ⴕ჈ჄჂႵႽႵႼ჉ ႼႿჅႴნ

ჷႾ Ⴝ჉ ႳႱჃႵლ ჷვႴ ჀჂႿႲႱႲႼ჉ ႼႵႱႾ ჄႿჇႱჂႴჃ ჄႸႵ ႶႿჂႽႵჂნნნ

“ႥႸლ ႵႸ…ჭ჏ ჳმႵმႵმႵႵႻ…ჭ჏”

ჷჄ ჃႵႵႽႵႴ ႢႵႾႻႱ ჇႱჃ ႴႵႶႹႾႹჄႵႼ჉ ჄႸႵ ႼႱჄჄႵჂნ

჻Ⴑ჉ႲႵ ჃႸႵვႴ ႲႵႵႾ ჄႸႹႾႻႹႾႷლ ვჼႿ ჇႱ჉ ჇႵვႴ ႱႳჄჅႱႼႼ჉ ႷႵჄ ႳႱჅႷႸჄლ ჂႹႷႸჄ჎ჭვ ჰႵႳႱჅჃႵ ჇႸႵႾ ႿჅჂ ႶႱႳႵჃ ႱჀჀႵႱჂႵႴ ႿႾ ჄႸႵ ႺჅႽႲႿჄჂႿႾ ჃႳჂႵႵႾლ ჃႸႵ ჃჄႱჂჄႵႴ ჃჄႱႽႽႵჂႹႾႷლ ჅႾႱႲႼႵ ჄႿ ჃჀႵႱႻ ჀჂႿჀႵჂႼ჉ნ

ჶႵჂ ႶႱႳႵ ႹႾჃჄႱႾჄႼ჉ ႶႼჅჃႸႵႴლ ႱႾႴ ჃႸႵ ႼႿႿႻႵႴ ႱჄ ႽႵლ ჄႸႵႾ ჄႸႵ ႺჅႽႲႿჄჂႿႾლ ჄႸႵႾ ႽႵ ႱႷႱႹႾლ ჄႸႵႾ ჄႸႵ ႺჅႽႲႿჄჂႿႾ ႱႷႱႹႾნნნ

ჯႶჄႵჂ ჂႵჀႵႱჄႹႾႷ ჄႸႱჄ Ⴑ ႶႵჇ ჄႹႽႵჃლ ႸႵჂ ႶႱႳႵ ჇႱჃ ჀჂႱႳჄႹႳႱႼႼ჉ ႲႵႵჄ ჂႵႴლ ႱႾႴ ჄႸႵ ႱႳჄႹႿႾ ჃႸႵ ჄႿႿႻ ჇႱჃნნნ

“ჹმჹႹႽ ႩჅႾ ႧႿႿნნნ჏ ႧმჇმჇႸႱჄ ႴႿ ჇႵლ ႴႿნნნჭ”

ႣႸႵ ႷჂႱႲႲႵႴ Ⴝ჉ ჃႼႵႵ჆Ⴕლ ႱႾႴ ჃჀႿႻႵ ႹႾ Ⴑ ჄႹႾ჉ლ ႱႼႽႿჃჄ ႹႾႱჅႴႹႲႼႵ ჆ႿႹႳႵნ

ჽჅჂ ჆ႿႹႳႵჃ ჇႿჅႼႴႾვჄ ႲႵ ႸႵႱჂႴ ႿႾ ჄႸႵ ႺჅႽႲႿჄჂႿႾ ႱႾ჉ჇႱ჉ლ ჃႿ ႹჄ ჇႱჃ ႶႹႾႵ ჄႿ ჃჀႵႱႻ ႼႿჅႴႼ჉ლ ႲჅჄ ႢႵႾႻႱ ჇႱჃ ჄႿႿ ႶႼჅჃჄႵჂႵႴ ჄႿ Ⴕ჆ႵႾ ჄႸႹႾႻ ႿႶ ჄႸႱჄნ

“ႧმჇႵნნნ ჷ ჄႸႹႾႻ ჇႵ ႷႿჄლ ႳႱჅႷႸჄნნნჭ”

ႢႵႾႻႱლ ჷ ႻႾႿჇნ

ჷ ჃႱႹႴ ჄႸႱჄ ႹႾ Ⴝ჉ ႸႵႱႴლ ႲჅჄ ჷ ႳႿჅႼႴႾვჄ ჃႱ჉ ႱႾ჉ჄႸႹႾႷ ႿჅჄ ႼႿჅႴნ ჰႵႳႱჅჃႵ Ⴕ჆ႵႾ ჄႸႿჅႷႸ ჷ ႴႹႴႾვჄ ჃႸႿჇ ႹჄ ႿႾ ჄႸႵ ႿჅჄჃႹႴႵლ ჷ ჇႱჃ ႺჅჃჄ ႱჃ ႶႼჅჃჄႵჂႵႴ ႱჃ ႢႵႾႻႱნ

ჷჄვჃ ჄჂჅႵლ ჄႸႵ ႸჅႽႱႾ ႸႵႱჂჄ ႴႿႵჃႾვჄ ႱႼჇႱ჉Ⴣ ႼႹჃჄႵႾ ჄႿ ჂႵႱჃႿႾნნნ

ჷ ႻႾႵჇ ჇႵ ჇႵჂႵ ႷႿႹႾႷ ჄႿ ႷႵჄ ႳႱჅႷႸჄ ႱႾ჉ჇႱ჉ლ ჃႿ ჷვႴ ჂႵჃႿႼ჆ႵႴ ႾႿჄ ჄႿ ႲႵ ჃჅჂჀჂႹჃႵႴლ ႲჅჄ ჇႸႵႾ ႹჄ ႱႳჄჅႱႼႼ჉ ႸႱჀჀႵႾႵႴლ ჷ ჇႱჃ ჃჄႱჂჄႼႵႴლ Ⴝ჉ ႸႵႱჂჄ ჀႿჅႾႴႵႴლ ႱႾႴ ჷ ჃჇႱႼႼႿჇႵႴ ႸႱჂႴნ

ჷ ჇႿႾႴႵჂႵႴ ႹႶ ჷ ჃႸႿჅႼႴ ႱჄ ႼႵႱჃჄ ჀჂႵჄႵႾႴ ჄႿ ႲႵ ႶႼჅჃჄႵჂႵႴნნნ ჰჅჄ ჀჂႵჄႵႾႴჭ ႤႸႵჂႵ ჇႱჃ ႱႲჃႿႼჅჄႵႼ჉ ႾႿ ႾႵႵႴნ

“ႩმႩჅႾჇႿႿნნნ჏ ႧႸႱჄ ႱჂႵ ჇႵ ႷႿႾႾႱ ႴႿႿႿნნნ჏”

ႢႵႾႻႱ ჃႸႿႿႻ Ⴝ჉ ჃႼႵႵ჆Ⴕლ ႺႹႷႷႼႹႾႷ ႹჄ ႱჃ ჃႸႵ ჃჀႿႻႵნ

ႤႸႵ ႶႱႳჄ ჄႸႱჄ ჃႸႵვႴ ჂႵ჆ႵჂჄႵႴ ႶჂႿႽ ႳႱႼႼႹႾႷ ႽႵ ვჹႹႽ ႩჅႾ ႧႿႿვ ჄႿ ვႩჅႾჇႿႿლვ ႼႹႻႵ ჃႸႵ ႴႹႴ ჇႸႵႾ ჇႵ ჇႵჂႵ ႻႹႴჃლ ჃႸႿჇႵႴ ႺჅჃჄ ႸႿჇ ႽჅႳႸ ჃႸႵ ჇႱჃႾვჄ ჄႸႹႾႻႹႾႷ ჃჄჂႱႹႷႸჄ—

“ჯჂႵ ჉ႿჅ Ⴕ჆ႵႾ ႼႹჃჄႵႾႹႾႷ ჄႿ ႽႵნნნჭ჏”

ႣႡႥჳჳႪჳ—჏

ႢႵႾႻႱ ჉ႱႾႻႵႴ ႸႱჂႴ ႿႾ Ⴝ჉ ჃႼႵႵ჆Ⴕნ

ჷლ ჇႸႿ ႸႱႴ ႲႵႵႾ ႸႱႼႶმႼႿჃჄ ႹႾ ჄႸႿჅႷႸჄლ ႶႹႾႱႼႼ჉ ჃႾႱჀჀႵႴ ႲႱႳႻ ჄႿ ჂႵႱႼႹჄ჉ნ

“ႥႸნნნ ႩႵႱႸლ ჷვႽ ႼႹჃჄႵႾႹႾႷნ”

“ჺႹႱჂლ ჉ႿჅ ჇႵჂႵႾვჄ ႼႹჃჄႵႾႹႾႷ ႱჄ ႱႼႼნნნ჏”

“ჼႿლ ჷ ჇႱჃ ႼႹჃჄႵႾႹႾႷნნნჭ”

“ႧႸႱჄ ႴႹႴ ჷ ႺჅჃჄ ჃႱ჉ნნნჭ჏”

“ႩჅႾჇႿႿნნნჭ”

“ნნნჭ჏ ნნნႩმ჉ႿჅ ႹႴႹႿჄ჏ ႧႸ჉ ႴႿ ჉ႿჅ ႿႾႼ჉ ჂႵႽႵႽႲႵჂ ჄႸႱჄჭ ჯჂႵ ჉ႿჅ ჃႵჂႹႿჅჃႼ჉ ႱႾ ႹႴႹႿჄნნნჭ჏”

“ჶႽႽლ ჷ ჇႿჅႼႴႾვჄ ჃႱ჉ ჄႸႱჄნნნ”

ႣႸႵ ႻႵჀჄ ႳႱႼႼႹႾႷ ႽႵ ႱႾ ႹႴႹႿჄლ ႱႾႴ ჷ ჇႱჃ ჃჄႱჂჄႹႾႷ ჄႿ ႶႵႵႼ Ⴑ ႼႹჄჄႼႵ ႸჅჂჄნ ჼႿჄ ႽჅႳႸლ ႺჅჃჄ Ⴑ ჄႹႾ჉ ႲႹჄნ

“ნნნႣႿლ ჇႸႱჄ ႱჂႵ ჇႵ ႷႿႾႾႱ ႴႿჭ”

ჷ ჃႸႹႶჄႵႴ Ⴝ჉ ႷႱ჊Ⴕლ ჃჄႵႱႼႹႾႷ Ⴑ ႷႼႱႾႳႵ ႱჄ ႢႵႾႻႱ ჄႿ ႷႱჅႷႵ ႸႵჂ ჂႵႱႳჄႹႿႾნ

“ჶჅႸჭ ნნნႧმჇႸႱჄ ႴႿ ჉ႿჅ ႽႵႱႾჭ”

“ႧႸႱჄ ႴႿ ჉ႿჅ ႽႵႱႾ ვჇႸႱჄვჭ ნნნႧႵ ႷႿჄ ႳႱჅႷႸჄნ”

ჯႾႴ ჃႸႵ ჃႱႹႴ ჃႸႵვႴ ႼႵჄ ႽႵ ႻႹჃჃ ႸႵჂ ႹႶ ჇႵ ႱႳჄჅႱႼႼ჉ ႷႿჄ ႳႱჅႷႸჄნ

ჷ ႴႵႼႹႲႵჂႱჄႵႼ჉ ႴႹႴႾვჄ ჃႱ჉ ჄႸႱჄ ჀႱჂჄნ ჷჄ ჇႱჃ ჄႿႿ ႵႽႲႱჂჂႱჃჃႹႾႷნ

ჰჅჄ ႢႵႾႻႱ ჃႵႵႽႵႴ ჄႿ ႸႱ჆Ⴕ ႳႱჅႷႸჄ ႿႾ ჄႿ ჇႸႱჄ ჷ ჇႱჃ ႹႽჀႼ჉ႹႾႷნ

ႣႸႵ ႽႱႴႵ Ⴑ ჃჄჂႱႾႷႵႼ჉ ႳჅჄႵ ჃႿჅႾႴ ႿႶ ႶႼჅჃჄႵჂლ ႸႵჂ ჃႸႿჅႼႴႵჂჃ ჄჇႹჄႳႸႹႾႷ ႹႾ ჃჅჂჀჂႹჃႵლ ჄႸႵႾ ႼႿႿႻႵႴ ႱჄ ႽႵ ჇႹჄႸ ჄჂႵႽႲႼႹႾႷ Ⴕ჉ႵჃლ ႱႾႴ ჇႸႵႾ ႿჅჂ ႷႱ჊ႵჃ ႽႵჄლ ჃႸႵ ჄჅჂႾႵႴ ႸႵჂ ႸႵႱႴ ႱჇႱ჉ლ ႱჃ ႹႶ ჄჂ჉ႹႾႷ ჄႿ ႸႹႴႵ ႸႵჂ ႶႼჅჃႸႵႴ ႶႱႳႵ ႹႾ ႵႽႲႱჂჂႱჃჃႽႵႾჄნ

ჰჅჄ ႹჄ ჇႱჃ ჀႿႹႾჄႼႵჃჃლ ჃႹႾႳႵ ჃႸႵ ჇႱჃ ჂႹႷႸჄ ႾႵ჈Ⴤ ჄႿ ႽႵნ

“ნნნნნნ”

“ნნნნნნ”

ႤႸႵ ႳႱႽႵჂႱვჃ ႶႿႳჅჃ ႿႾ Ⴑ ႳႿჅჀႼႵ ႳႱჅႷႸჄ ႹႾ ჄႸႵ ჹႹჃჃ ჱႱႽ ჃႵႷႽႵႾჄ ႼႱჃჄჃ ႱჄ ႽႿჃჄ ႱჂႿჅႾႴ სპ ჃႵႳႿႾႴჃნ

ႧႵვႴ ႱႼჂႵႱႴ჉ ჇႱჃჄႵႴ Ⴟ჆ႵჂ ჟპ ჃႵႳႿႾႴჃ ჇႹჄႸ ႿჅჂ ჃჄჂႱႾႷႵ ႲႹႳႻႵჂႹႾႷლ ႱႾႴ ჄႸႵ ႳႼႿႳႻ ჇႱჃ ჃჄႵႱႴႹႼ჉ ჄႹႳႻႹႾႷ ႱჇႱ჉ლ ჃႵႳႿႾႴ Ⴒ჉ ჃႵႳႿႾႴნ

ჷႾ ႿჄႸႵჂ ჇႿჂႴჃლ ႢႵႾႻႱ ႱႾႴ ჷ ႸႱႴ ႱჄ ႽႿჃჄ ႱႲႿჅჄ ჟუ ჃႵႳႿႾႴჃ ႼႵႶჄნ

ჷႶ ჇႵ ჇႵჂႵ ႷႿႹႾႷ ჄႿ ႴႿ ႹჄლ ႹჄ ႸႱႴ ჄႿ ႲႵ ჇႹჄႸႹႾ ჄႸႱჄ ჄႹႽႵლ ႱႾႴ ႹႶ ႾႿჄლ ჇႵვႴ ႸႱ჆Ⴕ ჄႿ ႳჂႿჃჃ ႿჅჂ ႱჂႽჃ ჄႿ ႶႿჂႽ ႱႾ ვႨვ ჄႿ ჃႹႷႾႱႼ ჇႵ ჇႵჂႵႾვჄ ႻႹჃჃႹႾႷლ ႼႹႻႵ ჄႸႵ ჀႵႿჀႼႵ ႳႱჅႷႸჄ ჂႹႷႸჄ ႲႵႶႿჂႵ ჅჃნნნ

ჰჅჄ ႾႵႹჄႸႵჂ ႢႵႾႻႱ ႾႿჂ ჷ ႽႱႴႵ Ⴑ ႽႿ჆Ⴕნ

ჷ ႸႱႴႾვჄ ႸႵႱჂႴ ႢႵႾႻႱვჃ ႱႾჃჇႵჂლ ႱႾႴ ႢႵႾႻႱ ჇႱჃ ჀჂႿႲႱႲႼ჉ ႺჅჃჄ ჄႿႿ ႵႽႲႱჂჂႱჃჃႵႴ Ⴒ჉ ჄႸႵ ჇႸႿႼႵ ჃႹჄჅႱჄႹႿႾნ

‘ჽჂ ႽႱ჉ႲႵნნნ’

ႣႸႵ ႺჅჃჄ ႴႹႴႾვჄ ჇႱႾჄ ჄႿ ႻႹჃჃ ႽႵნ

ჶႿႾႵჃჄႼ჉ლ ჄႸႱჄ ჇႱჃ ჄႸႵ ႽႿჂႵ ႼႹႻႵႼ჉ ჃႳႵႾႱჂႹႿნ

ჷჄ ჇႱჃႾვჄ ჄႸႱჄ ჷ ჇႱჃ ჇჂႿႾႷჩ ჷვႴ ႲႵႵႾ ჄႵႱჃႹႾႷ ႢႵႾႻႱ ႱႾႴ ჀႼႱ჉ႹႾႷ ႱႼႼ ჃႿჂჄჃ ႿႶ ჀჂႱႾႻჃ ႿႾ ႸႵჂ ჅႾჄႹႼ ႾႿჇლ ჃႿ ႹჄ ჇႱჃ ჅႾႴႵჂჃჄႱႾႴႱႲႼႵ ჄႸႱჄ Ⴑ ႷႹჂႼ ႼႹႻႵ ႢႵႾႻႱ ჇႿჅႼႴႾვჄ ჇႱႾჄ ჄႿ ႸႱ჆Ⴕ ჀႸ჉ჃႹႳႱႼ ႳႿႾჄႱႳჄ ჇႹჄႸ Ⴑ ႷჅ჉ ႼႹႻႵ ႽႵნ

“ნნნႣႸႿჅႼႴ ჇႵ ႾႿჄ ႴႿ ႹჄჭ”

ჶႱ჆ႹႾႷ ჂႵႱႳႸႵႴ ჄႸႱჄ ႳႿႾႳႼჅჃႹႿႾლ ჷ ႿჀႵႾႵႴ Ⴝ჉ ႽႿჅჄႸნ

ႢႵႾႻႱ ႸႱႴ ჃႱႹႴ ჄႸႵჂႵ ჇႱჃ ႾႿ ჇႱ჉ ჇႵვႴ ႷႵჄ ႳႱჅႷႸჄ ႿႾ ჄႸႵ ჹႹჃჃ ჱႱႽლ ႱႾႴ ჄႸႱჄ ႹႶ ჇႵ ႴႹႴლ ჃႸႵვႴ ႻႹჃჃ ႽႵნ ჰჅჄ ႺჅჃჄ ႲႵႳႱჅჃႵ ჃႸႵ ႽႱႴႵ ჄႸႱჄ ჀჂႿႽႹჃႵ ႴႹႴႾვჄ ႽႵႱႾ ჷ ႳႿჅႼႴ ႱႳჄჅႱႼႼ჉ ႶႿჂႳႵ ႸႵჂ ჄႿ ႻႹჃჃ ႽႵლ ჂႹႷႸჄჭ

ჯ ႻႹჃჃ ႹჃႾვჄ ჃႿႽႵ ႳႸႹႼႴႹჃႸ ႷႱႽႵლ ႹჄვჃ ႿႾ Ⴑ ႳႿႽჀႼႵჄႵႼ჉ ႴႹႶႶႵჂႵႾჄ ႼႵ჆ႵႼ ႶჂႿႽ ჄႸႵ ႶႿჂႵႸႵႱႴ ႶႼႹႳႻႹႾႷ ჀჂႱႾႻჃ ჇႵ ჅჃჅႱႼႼ჉ ჀႼႱ჉ნნნ

“ნნნჶჅႸჭ”

ჯჄ ჄႸႱჄლ ႢႵႾႻႱ ႼႿႿႻႵႴ ჃჄႱჂჄႼႵႴნ

ჶႵჂ ႱႼჂႵႱႴ჉ ႼႱჂႷႵ Ⴕ჉ႵჃ ჇႹႴႵႾႵႴ ႱჃ ჃႸႵ ჃჄႱჂႵႴ ႱჄ ႽႵლ ႱႾႴ ჷ ႽႵჄ ႸႵჂ ႷႱ჊Ⴕლ ႱჇႻჇႱჂႴႼ჉ ჂჅႲႲႹႾႷ ჄႸႵ ႲႱႳႻ ႿႶ Ⴝ჉ ႾႵႳႻნ

“ჷჄვႴ ႲႵ Ⴑ ႲႹჄ ႽჅႳႸ ჄႿ ႶႿჂႳႵ ჉ႿჅ ႹႶ ჉ႿჅ ႴႿႾვჄ ჇႱႾჄ ჄႿნ ჷႶ ჉ႿჅ ႴႿႾვჄ ჇႱႾჄ ჄႿლ ჷვႼႼ ႺჅჃჄ ჃႱ჉ ႾႿნ”

ჷ ႽႿ჆ႵႴ ჄႸႵ ႸႱႾႴ ჄႸႱჄ ႸႱႴ ႲႵႵႾ ჂჅႲႲႹႾႷ Ⴝ჉ ႾႵႳႻ ႶႿჂჇႱჂႴნ

ჯႾႴ ႺჅჃჄ ႱჃ ჷ ჃჄႱჂჄႵႴ ჄႿ ႽႿ჆Ⴕლ ႳჂႿჃჃႹႾႷ Ⴝ჉ ႱჂႽჃ ჄႿ ႶႿჂႽ ႱႾ ვႨვ ჄႿ ჃႹႷႾႱႼ ႾႿ ႻႹჃჃნნნ

“ნნნႧმჇႱႹჄ Ⴑ ჃႵႳႿႾႴ჏”

ჵႢჯჰ—჏

ႢႵႾႻႱ ႷჂႱႲႲႵႴ Ⴝ჉ ႱჂႽნ

“ჶჅႸჭ ႧႸ჉ჭ”

“ჷმჷ ႴႹႴႾვჄ ჃႱ჉ ჷ ႴႹႴႾვჄ ჇႱႾჄ ჄႿნნნ”

“ნნნჭ”

“ნნნჷ ႴႹႴႾვჄ ჃႱ჉ნ ნნნჷ ႴႹႴႾვჄ ჇႱႾჄ ჄႿნ”

“ნნნნნნ”

“ნნნნნნ”

ႧႹჄႸႿჅჄ ჂႵႱႼႹ჊ႹႾႷ ႹჄლ ჷ ჃჄႱჂႵႴ ႱჄ ႢႵႾႻႱნ

ႢႵႾႻႱლ ჇႸႿ ႸႱႴ ႲႵႵႾ ႼႿႿႻႹႾႷ ႴႿჇႾლ ჃႼႹႷႸჄႼ჉ ႼႹႶჄႵႴ ႸႵჂ ႷႱ჊Ⴕლ ႱႾႴ ႱჃ ჃႿႿႾ ႱჃ ႿჅჂ Ⴕ჉ႵჃ ႽႵჄლ ჃႸႵ ႶႼႹႾႳႸႵႴ ႹႾ ჃჅჂჀჂႹჃႵლ ႱႾႴ ႲႵႷႱႾ ჄႿ ႽჅႽႲႼႵლ ႱჃ ႹႶ ႽႱႻႹႾႷ Ⴕ჈ႳჅჃႵჃნ

“ჼმႾႿლ ჄႸႱჄვჃ ႾႿჄ ႹჄნნნ ႧმჇႸႱჄ ჷ ႽႵႱႾ ႹჃნნნ”

“ნნნნნნ”

“ჰმႲႵႳႱჅჃႵ ჷ ჇႱჃ ჄႸႵ ႿႾႵ ჇႸႿ ჃႱႹႴ ႹჄ ႶႹჂჃჄლ ნნნჷ ႸႱ჆Ⴕ ჄႿ ႻႵႵჀ Ⴝ჉ ჀჂႿႽႹჃႵნ ႩႵႱႸნ”

“ნნნნნნ”

“ნნნႣႿნ ნნნჸჅჃჄ ႿႾႳႵნ ნნნႢႵႱႼႼ჉ლ ႺჅჃჄ ႿႾႳႵნ”

“ნნნნნნ”

ჲႹႴ ჄႸႱჄ ႽႵႱႾ ႹჄ ჇႱჃ ႿႻႱ჉ ჄႿ ႴႿ ႹჄჭ

ႧႸႵႾ ჷ ႱჃႻႵႴ ჇႹჄႸ Ⴝ჉ Ⴕ჉ႵჃლ ႢႵႾႻႱ ჃႸ჉Ⴜ჉ ႾႿႴႴႵႴნ

“ნნნႩႵႱႸნ”

“ნნნნნნ”

“ნნნჽႸლ ႲჅჄ჏”

ჸჅჃჄ ႱჃ ჷ ჇႱჃ ႱႲႿჅჄ ჄႿ ႷჅႼჀლ ႢႵႾႻႱ ჁჅႹႳႻႼ჉ ႷჂႱႲႲႵႴ ႽႵნ

“ჸმႺჅჃჄ ჂႵႽႵႽႲႵჂ ჄႸႹჃ ႿႾႵ ჄႸႹႾႷ჏ ႤႸႹჃ ႻႹჃჃნნნ ႹჄ’Ⴣ ႿჅჄ ႿႶ ႼმႼႿ჉ႱႼჄ჉ნნნ჏”

“ნნნჺႿ჉ႱႼჄ჉ჭ”

“Ⴉმ჉ႵႱႸ჏ ჺႿ჉ႱႼჄ჉჏ ჷჄ’Ⴣ ႿჅჄ ႿႶ ႼႿ჉ႱႼჄ჉ლ ႿႻႱ჉ჭ჏ ႣმჃႿნნნ ႹჄ ႱႲჃႿႼჅჄႵႼ჉ ႴႿႵჃႾ’Ⴤ ႽႵႱႾ ႱႾ჉ჄႸႹႾႷ ႵႼჃႵლ ႱႼჂႹႷႸჄჭ჏ ჲႿႾ’Ⴤ ႷႵჄ ႱႾ჉ ჇႵႹჂႴ ႹႴႵႱჃ ႼႱჄႵჂნ ჵႿჄ ႹჄნნნჭ჏”

“ნნნნნნ”

ჯႾႿჄႸႵჂ ႽႵႱႾႹႾႷლ ႸჅႸნ

ჷ ჇႱჃ ႹႾႳჂႵႴႹႲႼ჉ ႳჅჂႹႿჅჃ Ⴕ჈ႱႳჄႼ჉ ჇႸႱჄ ვႿჄႸႵჂ ႽႵႱႾႹႾႷვ ႢႵႾႻႱ ჇႱჃ ჂႵႶႵჂჂႹႾႷ ჄႿლ ႱႾႴ ႹႶ ႹჄ ჇႱჃ ჄႸႵ ჃႱႽႵ ႽႵႱႾႹႾႷ ჷ ჇႱჃ ჄႸႹႾႻႹႾႷ ႿႶლ ႲჅჄნნნ

ჷ ႶႵႼჄ ႹჄ ჇႿჅႼႴ ႲႵ ჂჅႴႵ ჄႿ ႱჃႻ ႹႾ ჄႸႹჃ ჃႹჄჅႱჄႹႿႾნ

ჯႶჄႵჂ ႱႼႼლ ႢႵႾႻႱ ႽჅჃჄ ႸႱ჆Ⴕ ႷႱჄႸႵჂႵႴ Ⴑ ႼႿჄ ႿႶ ႳႿჅჂႱႷႵ ჄႿ ჃႱ჉ ჃႿႽႵჄႸႹႾႷ ႼႹႻႵ ჄႸႹჃნ

“ჯႼჂႹႷႸჄნ ჷ ჇႿႾ’Ⴤ ႽႹჃჅႾႴႵჂჃჄႱႾႴნ”

“ჲმႴႿႾ’Ⴤ ჉ႿჅ ႴႱჂႵ ႽႹჃჅႾႴႵჂჃჄႱႾႴნ ႩႿჅ ႱႲჃႿႼჅჄႵႼ჉ ႳႱႾ’Ⴤ ႽႹჃჅႾႴႵჂჃჄႱႾႴლ ႿႻႱ჉ნნნჭ჏”

“ჷ ჇႿႾ’Ⴤლ ႱႲჃႿႼჅჄႵႼ჉ ႾႿჄნ ჷ ჇႿႾ’Ⴤლ ႾႿ ႽႱჄჄႵჂ ჇႸႱჄ ႸႱჀჀႵႾჃლ ႾႿჄ Ⴕ჆ႵႾ ႹႶ ჷ ႴႹႵნ ႣႿ ႴႿႾ’Ⴤ ჇႿჂჂ჉ნ”

ႣႹႾႳႵ ჃႸႵ ႻႵჀჄ ႵႽჀႸႱჃႹ჊ႹႾႷ ႹჄ ჃႿ ႽჅႳႸლ ჷ ႳჅჄ ႸႵჂ ႿႶႶ ႱႾႴ ႱჃჃႵჂჄႵႴნ

ႢႵႾႻႱ’Ⴣ Ⴕ჉ႵჃ ႾႱჂჂႿჇႵႴ ჃႼႹႷႸჄႼ჉ნ

ႧႿႾႴႵჂႹႾႷ ჇႸ჉ ჃႸႵ ჇႱჃ ჃჅႴႴႵႾႼ჉ ႱႳჄႹႾႷ ႼႹႻႵ ჄႸႹჃლ ჷ ჃჄႱჂႵႴ ႱჄ ႸႵჂლ ႱႾႴ ჃႸႵ ႼႵჄ ႿჅჄ Ⴑ ჄႹႾ჉ ჃႹႷႸლ ႲႱჂႵႼ჉ ႱჅႴႹႲႼႵ ჄႿ ႽႵნ

“前世の行いが悪かったのかな…。”
ზႧႸႱჄ ჃႹႾ ႴႹႴ ჷ ႳႿႽႽႹჄ ႹႾ Ⴝ჉ ჀႱჃჄ ႼႹႶႵნნნჭთ

“ჶჅႸჭ ႧႸႱჄ ჇႱჃ ჄႸႱჄჭ”

“ნნნႥႷႸნ ჼႵ჆ႵჂ ႽႹႾႴ჏ ნნნჸჅჃჄ ႴႿ ႹჄ ႱႼჂႵႱႴ჉ნ ჰႵႶႿჂႵ ჷ ႳႸႱႾႷႵ Ⴝ჉ ႽႹႾႴნ”

ႢႵႾႻႱ ႽჅჄჄႵჂႵႴ ჁჅႹႳႻႼ჉ ႱႾႴ ჄႱჀჀႵႴ Ⴝ჉ ႱჂႽნ

ჶႵჂ ჆ႿႹႳႵ ჇႱჃ ჄႿႿ ႼႿჇლ ႱႾႴ ႹჄ ႴႹႴႾ’Ⴤ ჃႿჅႾႴ ႼႹႻႵ ჹႿჂႵႱႾ ႱႾ჉ჇႱ჉ლ ჃႿ ჷ ႴႹႴႾ’Ⴤ ჅႾႴႵჂჃჄႱႾႴლ ႲჅჄნნნ ႿႸ ჇႵႼႼჭ

ႤႸႹႾႻႹႾႷ ჷ ჃႸႿჅႼႴ ႸჅჂჂ჉ ႲႵႶႿჂႵ ჃႸႵ ႳႸႱႾႷႵႴ ႸႵჂ ႽႹႾႴლ ႺჅჃჄ ႱჃ ჃႸႵ ჃႱႹႴლ ჷ ჃჇႱႼႼႿჇႵႴ ႸႱჂႴ ႱႾႴ ႼႵႱႾႵႴ ႹႾნ

“ნნნნნნ”

“ნნნნნნ”

“ნნნႢႵႱႴ჉ჭ”

“ნნნნნნ”

ႢႵႾႻႱლ ჇႹჄႸ ႸႵჂ Ⴕ჉ႵჃ ႳႼႿჃႵႴლ ႴႹႴႾ’Ⴤ ჂႵჃჀႿႾႴნ

ႣႿ ჷნნნ

—ი჻ჇႱႸინ

ჷ ႼႹႷႸჄႼ჉ ჀჂႵჃჃႵႴ Ⴝ჉ ႼႹჀჃ ႱႷႱႹႾჃჄ ႸႵჂჃ ႱႾႴ ჁჅႹႳႻႼ჉ ჀჅႼႼႵႴ ႱჇႱ჉ნ

‘ნნნჶჅႸნ ႤႸႱჄ ჇႱჃ ႼႵჃჃ ჄႸႱႾ ჷ Ⴕ჈ჀႵႳჄႵႴჭ’

ჷ ჇႱჃ ჃႿ ႾႵჂ჆ႿჅჃ ႲႵႶႿჂႵლ ႲჅჄ ႾႿჇ ჄႸႱჄ ჷ’Ⴔ ႴႿႾႵ ႹჄლ ႹჄ ႴႹႴႾ’Ⴤ ჃႵႵႽ ႼႹႻႵ ႽჅႳႸნ

ჷ’Ⴔ Ⴕ჆ႵႾ ႸႵႱჂႴ ჄႸႱჄ ႶႹჂჃჄ ႻႹჃჃႵჃ ႽႹႷႸჄ ჄႱჃჄႵ ႼႹႻႵ ႶႿႿႴლ ჃႿ ႴႿႾ’Ⴤ ႲႵ ႶႼჅჃჄႵჂႵႴლ ႲჅჄ ჷ ႳႿჅႼႴႾ’Ⴤ Ⴕ჆ႵႾ ჄႵႼႼ ႹႶ ჷ ჄႱჃჄႵႴ ႱႾ჉ჄႸႹႾႷნ

“ჲႿႾႵნ”

“ნნნჶჅႸჭ”

“ჷ ჃႱႹႴლ ჷ’Ⴝ ႴႿႾႵნ ჷჄ’Ⴣ Ⴟ჆ႵჂნ”

“ნნნნნნ”

ႢႵႾႻႱ ჃႼႿჇႼ჉ ႿჀႵႾႵႴ ႸႵჂ Ⴕ჉ႵჃ ႱႾႴ ႷႼႱჂႵႴ ႱჄ ႽႵნ

ჶႿჇ ჃႸႿჅႼႴ ჷ ჀჅჄ ႹჄჭ ჷჄ’Ⴣ ႸႱჂႴ ჄႿ Ⴕ჈ჀႼႱႹႾლ ႲჅჄ ႸႵჂ ႷႱ჊Ⴕ ჃႵႵႽႵႴ ჄႿ ჃႱ჉ლ ‘ႧႸႱჄ ႻႹႾႴ ႿႶ ჀႵჂჃႿႾ იႹჃი ჄႸႹჃნნნჭ’

‘ჯႸლ ႽႱ჉ႲႵნნნ’

ჲႹႴ ႢႵႾႻႱ ႸႱ჆Ⴕ Ⴑ ჃႹႽႹႼႱჂ ჄႸႿჅႷႸჄ ჄႿ ႽႵჭ ႤႸႱჄ Ⴑ ႻႹჃჃ ႹჃႾ’Ⴤ Ⴑ ႲႹႷ ႴႵႱႼჭ

“ჷჄ’Ⴣ ႾႿჄ Ⴑ ႲႹႷ ႴႵႱႼლ ჂႹႷႸჄჭ”

“ნნნჶႵ჉ნ”

“ჶჅႸჭ”

ႢႵႾႻႱ ჀႿႹႾჄႵႴ Ⴑ ႶႹႾႷႵჂ ჃႿႽႵჇႸႵჂႵნ

ჷ ႶႿႼႼႿჇႵႴ ႸႵჂ ႷႱ჊Ⴕლ ႱႾႴ ჇႸႱჄ ჷ ჃႱჇ ჇႵჂႵ ჀႵႿჀႼႵ ႲႿႿႹႾႷ ჅჃნ

“ნნნჭ჏”

ჼႿლ ჄႸႵ ႱჅႴႹႵႾႳႵ ႲႿႿႹႾႷ იႽႵიჭ჏

“ႧმჇႸႱჄნნნჭ”

ႧႸႱჄ ჄႸႵ ႸႵႳႻჭ ႧႸ჉ ႹჃ Ⴕ჆ႵჂ჉ႿႾႵ ჃჅႴႴႵႾႼ჉ ႲႿႿႹႾႷ ႽႵჭ჏

ჷ ჄჅჂႾႵႴ Ⴝ჉ ႸႵႱႴ ႹႾ ႳႿႾႶჅჃႹႿႾლ ႱႾႴ ႢႵႾႻႱ ჇႱჃ ჃჄႱჂႹႾႷ ႱჄ ႽႵ ჇႹჄႸ ႱႾ Ⴕ჈ႱჃჀႵჂႱჄႵႴ ႼႿႿႻნ

“ჹႹႽ ႩჅႾ ႧႿႿლ ႱჂႵ ჉ႿჅ ႱႾ ႹႴႹႿჄჭ ႧႸႿ ႻႹჃჃႵჃ ႼႹႻႵ იჄႸႱჄი ႴჅჂႹႾႷ Ⴑ ႻႹჃჃ ႳႱႽნნნჭ”

“ჶჅႸჭ ႧႸႱჄ ႱჂႵ ჉ႿჅ ჄႱႼႻႹႾႷ ႱႲႿჅჄჭ ჶႿჇ ႵႼჃႵ ႱႽ ჷ ჃჅჀჀႿჃႵႴ ჄႿ ႴႿ ႹჄჭ”

“ნნნჶႱႱნ ႣႵჂႹႿჅჃႼ჉ნ”

“ჼႿლ ႴႿႾ’Ⴤ ႺჅჃჄ ჃႹႷႸლ Ⴕ჈ჀႼႱႹႾ ႸႿჇ ჄႿნნნ ჻ႽჀႸჭ჏”

—ი჻ჇႱႸინ

ႢႵႾႻႱ’Ⴣ ႼႹჀჃ ႽႵჄ ႽႹႾႵნ

“ნნნნნნ”

“ნნნნნნ”

ჰჅჄნ

ႤႸႹჃ ჇႱჃႾ’Ⴤ ႺჅჃჄ Ⴑ ჁჅႹႳႻ ჄႿჅႳႸ ႱႾႴ ჀჅႼႼ ႱჇႱ჉ჩ ႿჅჂ ႼႹჀჃ ჃჄႱ჉ႵႴ ჀჂႵჃჃႵႴ ჄႿႷႵჄႸႵჂ ႶႿჂ Ⴑ ჇႸႹႼႵნ

ჼႿლ Ⴑ ႼႿႾႷ ჇႸႹႼႵლ Ⴑ ჂႵႱႼႼ჉ ႼႿႾႷ ჇႸႹႼႵნ

ჸჅჃჄ ჃჄႱ჉ႹႾႷ ჀჂႵჃჃႵႴ ჄႿႷႵჄႸႵჂნნნ

“ნნნნნნ”

“ნნნნნნ”

“ნნნნნნ”

“ნნნნნნ”

“ნნნ჻Ⴝნ”

ჽჅჂ ႼႹჀჃ ჀႱჂჄႵႴნ

ჽჅჂ ႼႹჀჃ ႸႱႴ ႲႵႵႾ ႳႿႾႾႵႳჄႵႴ ႶႿჂ ႱჄ ႼႵႱჃჄ ႶႹ჆Ⴕ ჃႵႳႿႾႴჃლ ႽႱ჉ႲႵ Ⴕ჆ႵႾ ႼႿႾႷႵჂნნნ

“ნნნႤႸႱჄ’Ⴣ ႸႿჇ ჉ႿჅ ႴႿ ႹჄნ”

“ჶჅႸნნნჭ”

“ႧႸႵႾ ჉ႿჅ ႷႵჄ ႳႱჅႷႸჄ ႿႾ ჄႸႵ ႻႹჃჃ ႳႱႽნნნ ჄႸႱჄ’Ⴣ ႸႿჇ ჉ႿჅ ႴႿ ႹჄნ ჵႿჄ ႹჄლ ჉ႿჅ ႹႴႹႿჄნნნჭ”

“ნნნნნნ”

჻჉ ႽႹႾႴ ჇႵႾჄ ႲႼႱႾႻნ ჷ ႲႱჂႵႼ჉ ჂႵႷႹჃჄႵჂႵႴ ჄႸႵ ႼႿჅႴ ႳႸႵႵჂჃ ႱჂႿჅႾႴ ႽႵლ ႺჅჃჄ ႲႼႹႾႻႵႴ ႱႾႴ ჃჄႱჂႵႴ ႱჄ ႢႵႾႻႱნ

“ႧႸႱჄლ ჇႸႱჄჭ ჵႿჄ Ⴑ ჀჂႿႲႼႵႽჭ ნნნႩႿჅ’ჂႵ ႺჅჃჄ ჃႿ ႲႱႴ ႱჄ ႻႹჃჃႹႾႷლ ჷ ႷႿჄ ႶჂჅჃჄჂႱჄႵႴ ႱႾႴ ႴႹႴ ႹჄ Ⴝ჉ჃႵႼႶლ ႿႻႱ჉ჭ”

“ნნნნნნ”

“ნნნႧႸ჉ ႱჂႵႾ’Ⴤ ჉ႿჅ ႱႾჃჇႵჂႹႾႷჭ”

“ნნნნნნ”

ႤႸႵႾ ႢႵႾႻႱ ჃჅႴႴႵႾႼ჉ ჄჅჂႾႵႴ ႸႵჂ ႸႵႱႴ ႱჇႱ჉ ჃႼႹႷႸჄႼ჉ლ ႱჃ ႹႶ ႵႽႲႱჂჂႱჃჃႵႴ Ⴒ჉ Ⴝ჉ ႷႱ჊Ⴕნნნ

“ნნნႥႷႸნ”

“ნნნნნნ”

ႣჅჂჀჂႹჃႹႾႷႼ჉ნ

ႤჂჅႼ჉ ჃჅჂჀჂႹჃႹႾႷႼ჉ნ

ႤႸჅႽჀმჄႸჅႽჀნ

‘ნნნჶჅႸჭ’

჻჉ ႸႵႱჂჄ ჃჄႱჂჄႵႴ ჀႿჅႾႴႹႾႷ ჂႱჀႹႴႼ჉ნ

ჷ ჃჅႴႴႵႾႼ჉ ჂႵႱႼႹ჊ႵႴ ჄႸႱჄ ႢႵႾႻႱლ ჃჄႱႾႴႹႾႷ ჂႹႷႸჄ ႹႾ ႶჂႿႾჄ ႿႶ ႽႵლ ჇႱჃ ႹႾႳჂႵႴႹႲႼ჉ ႳჅჄႵნნნ

I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

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