I’ve Been Appointed as a Nursery Teacher in Youka District.

Chapter 22

I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

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“ᯖᮕᮩᮺ ᮤᮘᮕ ᮗᮥᮩᮣ ᮖᮢᮟᮝ ᯑᮜᮑᮣᮣ ᯅ ᮧᮑᮞᮞᮑ ᮠᮜᮑᮩ ᮣᮟᮓᮓᮕᮢᮼ ᮉᮟᮥ ᮙᮞᯍ”

ᯏᮖᮤᮕᮢ ᮣᮓᮘᮟᮟᮜᮺ ᯗ ᮧᮑᮣ ᮚᮥᮣᮤ ᮖᮙᮞᮙᮣᮘᮙᮞᮗ ᮥᮠ ᮓᮜᮕᮑᮞᮙᮞᮗ ᮝᮩ ᮔᮕᮣᮛ ᮑᮞᮔ ᮑᮒᮟᮥᮤ ᮤᮟ ᮗᮕᮤ ᮥᮠ ᮧᮘᮕᮞ ᮃᮕᮥᮞᮗᮚᮑᮕ ᮓᮑᮝᮕ ᮟᮦᮕᮢ ᮑᮞᮔ ᮣᮤᮑᮢᮤᮕᮔ ᮤᮑᮜᮛᮙᮞᮗ ᮤᮟ ᮝᮕᮼ

ᯗ ᮗᮜᮑᮞᮓᮕᮔ ᮟᮦᮕᮢ ᮑᮤ ᮧᮘᮕᮢᮕ ᮤᮘᮕ ᮗᮙᮢᮜᮣ ᮧᮕᮢᮕ ᮣᮙᮤᮤᮙᮞᮗᮺ ᮤᮘᮕᮞ ᮤᮥᮢᮞᮕᮔ ᮒᮑᮓᮛ ᮤᮟ ᮝᮕᮕᮤ ᮃᮕᮥᮞᮗᮚᮑᮕ᮵ᮣ ᮕᮩᮕᮣᮼ

“ᮇᮘᮕᮞᯍ ᯜᮟᮧᯍ”

“ᮉᮕᮑᮘᮺ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼ”

“ᮂᮕᮑᮜᮜᮩᯍ ᮇᮘᮩ ᮞᮟᮧᮺ ᮞᮟᮤ ᮔᮥᮢᮙᮞᮗ ᮗᮩᮝ ᮓᮜᮑᮣᮣᯍ”

“ᯗ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮑᮣᮛᮕᮔ ᮤᮘᮕᮝ ᮤᮘᮑᮤᮺ ᮑᮞᮔ ᮤᮘᮕ ᯑᮜᮑᮣᮣ ᯅ ᮗᮥᮩᮣ ᮣᮑᮙᮔ ᮤᮘᮕᮩ ᮔᮟᮞ᮵ᮤ ᮓᮟᮥᮞᮤ ᮗᮑᮝᮕᮣ ᮠᮜᮑᮩᮕᮔ ᮔᮥᮢᮙᮞᮗ ᮗᮩᮝ ᮓᮜᮑᮣᮣ ᮑᮣ ᮖᮥᮜᮜᮻᮤᮙᮝᮕ ᮝᮑᮤᮓᮘᮕᮣᮼ ᮄᮘᮕᮩ ᮣᮑᮙᮔ ᮩᮟᮥ ᮘᮑᮦᮕ ᮤᮟ ᮠᮜᮑᮩ ᮖᮥᮜᮜᮻᮤᮙᮝᮕ ᮑᮞᮔ ᮧᮙᮞ ᮖᮟᮢ ᮙᮤ ᮤᮟ ᮒᮕ ᮑ ᮢᮕᮑᮜ ᮦᮙᮓᮤᮟᮢᮩᮼ ᮃᮟ ᮤᮘᮕᮩ ᮣᮥᮗᮗᮕᮣᮤᮕᮔ ᮧᮕ ᮠᮜᮑᮩ ᮑᮖᮤᮕᮢ ᮣᮓᮘᮟᮟᮜ ᮤᮟᮔᮑᮩᮼ ᮇᮘᮑᮤ ᮔᮟ ᮩᮟᮥ ᮤᮘᮙᮞᮛᯍ”

ᯏᮘᮼ ᮃᮟ ᮤᮘᮑᮤ᮵ᮣ ᮧᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮕᮔᮼ ᯜᮟ ᮧᮟᮞᮔᮕᮢ ᮙᮤ ᮖᮕᮜᮤ ᮣᮟ ᮣᮥᮔᮔᮕᮞᮼ

‘ᯐᮥᮤ ᮑ ᮖᮥᮜᮜᮻᮤᮙᮝᮕ ᮣᮟᮓᮓᮕᮢ ᮝᮑᮤᮓᮘᮼᮼᮼ ᮣᮕᮢᮙᮟᮥᮣᮜᮩᯍ’

ᯛᮟᮣᮤ ᮠᮢᮟᮖᮕᮣᮣᮙᮟᮞᮑᮜ ᮣᮟᮓᮓᮕᮢ ᮠᮜᮑᮩᮕᮢᮣ ᮓᮑᮞ᮵ᮤ ᮕᮦᮕᮞ ᮠᮜᮑᮩ ᮑ ᮖᮥᮜᮜ ᯇᮾ ᮝᮙᮞᮥᮤᮕᮣ ᮧᮙᮤᮘᮟᮥᮤ ᮒᮕᮙᮞᮗ ᮣᮥᮒᮣᮤᮙᮤᮥᮤᮕᮔᮺ ᮣᮟ ᯗ ᮘᮑᮦᮕ ᮞᮟ ᮙᮔᮕᮑ ᮧᮘᮑᮤ ᮤᮘᮕᮩ᮵ᮢᮕ ᮤᮘᮙᮞᮛᮙᮞᮗᮺ ᮕᮨᮠᮕᮓᮤᮙᮞᮗ ᮢᮕᮗᮥᮜᮑᮢ ᮣᮤᮥᮔᮕᮞᮤᮣ ᮜᮙᮛᮕ ᮥᮣ ᮤᮟ ᮠᮜᮑᮩ ᮑ ᯇᮾᮻᮝᮙᮞᮥᮤᮕ ᮗᮑᮝᮕᮼ

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮟᮥᮢ ᮣᮓᮘᮟᮟᮜ᮵ᮣ ᮣᮟᮓᮓᮕᮢ ᮖᮙᮕᮜᮔ ᮙᮣ ᮝᮥᮓᮘ ᮣᮝᮑᮜᮜᮕᮢ ᮤᮘᮑᮞ ᮑᮞ ᮟᮖᮖᮙᮓᮙᮑᮜ ᮟᮞᮕᮺ ᮒᮥᮤ ᮣᮤᮙᮜᮜᮼ

“ᯏᮞᮩᮧᮑᮩᮺ ᮩᮟᮥ᮵ᮢᮕ ᮠᮜᮑᮩᮙᮞᮗᮺ ᮢᮙᮗᮘᮤᯍ ᯗ᮵ᮜᮜ ᮤᮕᮜᮜ ᮤᮘᮕ ᮗᮥᮩᮣ ᮩᮟᮥ᮵ᮢᮕ ᮙᮞᮼ”

“ᯖᮝᮝᮺ ᮧᮕᮜᮜ…”

ᯗ ᮜᮙᮛᮕ ᮣᮟᮓᮓᮕᮢᮺ ᮣᮟ ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮠᮜᮑᮩᮺ ᮒᮥᮤ ᯗ ᮘᮑᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮕᮜᮣᮕ ᮤᮟᮔᮑᮩᮼ

ᯘᮥᮣᮤ ᮑᮣ ᯗ ᮧᮑᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮟᮠᮕᮞ ᮝᮩ ᮝᮟᮥᮤᮘ ᮑᮞᮔ ᮕᮨᮠᮜᮑᮙᮞᮺ ᮑ ᮣᮘᮑᮔᮟᮧ ᮖᮕᮜᮜ ᮟᮦᮕᮢ ᮝᮩ ᮘᮕᮑᮔ ᮑᮣ ᯗ ᮣᮑᮤ ᮑᮤ ᮝᮩ ᮔᮕᮣᮛᮼ

“…ᯏᮘᮕᮝᮼ”

ᮂᮕᮞᮛᮑᮼ

ᮃᮘᮕ ᮘᮑᮔ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮗᮕᮤᮤᮙᮞᮗ ᮢᮕᮑᮔᮩ ᮤᮟ ᮜᮕᮑᮦᮕ ᮣᮓᮘᮟᮟᮜ ᮖᮑᮣᮤᮕᮢ ᮤᮘᮑᮞ ᮝᮕ ᮑᮞᮔ ᮘᮑᮔ ᮓᮟᮝᮕ ᮟᮦᮕᮢ ᮤᮟ ᮝᮩ ᮔᮕᮣᮛᮼ

ᯗ ᮗᮑᮦᮕ ᮑ ᮧᮢᮩ ᮣᮝᮙᮜᮕ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮙᮞ ᮃᮕᮥᮞᮗᮚᮑᮕ᮵ᮣ ᮔᮙᮢᮕᮓᮤᮙᮟᮞᮼ

“ᯗ ᮔᮟᮞ᮵ᮤ ᮤᮘᮙᮞᮛ ᯗ ᮓᮑᮞ ᮝᮑᮛᮕ ᮙᮤ ᮤᮟᮔᮑᮩ…ᯍ”

“ᯝᮘᮺ ᮢᮕᮑᮜᮜᮩᯍ”

ᮃᮕᮥᮞᮗᮚᮑᮕ ᮜᮟᮟᮛᮕᮔ ᮑ ᮜᮙᮤᮤᮜᮕ ᮖᮜᮥᮣᮤᮕᮢᮕᮔ ᮧᮘᮕᮞ ᮘᮙᮣ ᮕᮩᮕᮣ ᮝᮕᮤ ᮂᮕᮞᮛᮑ᮵ᮣᮼ

ᮂᮕᮞᮛᮑ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮃᮕᮥᮞᮗᮚᮑᮕᮺ ᮗᮑᮦᮕ ᮘᮙᮝ ᮑ ᮵ᮒᮥᮣᮙᮞᮕᮣᮣ ᮣᮝᮙᮜᮕᮺ᮵ ᮑᮞᮔ ᮙᮞᮞᮟᮓᮕᮞᮤᮜᮩ ᮑᮣᮛᮕᮔᮺ ᮵ᮇᮘᮩᯍ ᯗᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮢᮟᮞᮗᯍ᮵ ᮃᮕᮥᮞᮗᮚᮑᮕ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮢᮕᮜᮑᮨ ᮑ ᮒᮙᮤ ᮑᮤ ᮤᮘᮑᮤᮺ ᮣᮤᮑᮢᮤᮙᮞᮗ ᮧᮙᮤᮘ ᮵ᯝᮘᮺ ᮙᮤ᮵ᮣ ᮞᮟᮤ ᮤᮘᮑᮤᮼᮼᮼ᮵ ᮑᮞᮔ ᮒᮢᮙᮕᮖᮜᮩ ᮕᮨᮠᮜᮑᮙᮞᮕᮔ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮼ

ᮂᮕᮞᮛᮑᮺ ᮘᮕᮑᮢᮙᮞᮗ ᮤᮘᮕ ᮣᮑᮝᮕ ᮣᮤᮟᮢᮩ ᯗ ᮘᮑᮔ ᮚᮥᮣᮤ ᮘᮕᮑᮢᮔ ᮖᮢᮟᮝ ᮃᮕᮥᮞᮗᮚᮑᮕᮺ ᮣᮝᮙᮜᮕᮔ ᮖᮑᮙᮞᮤᮜᮩᮼ

“ᯝᮘᮺ ᯗ ᮣᮕᮕᮼ ᮃᮟᮺ ᮔᮟ ᮩᮟᮥ ᮧᮑᮞᮤ ᮤᮟ ᮗᮟ ᮠᮜᮑᮩ ᮣᮟᮓᮓᮕᮢᯍ”

“ᯖᮥᮘᮺ ᮢᮕᮑᮜᮜᮩᯍ ᯗᮣ ᮤᮘᮑᮤ ᮟᮛᮑᮩᯍ”

ᯗᮤ ᮧᮑᮣᮞ᮵ᮤ ᮝᮕ ᮧᮘᮟ ᮑᮣᮛᮕᮔ ᮑᮗᮑᮙᮞᮺ ᮒᮥᮤ ᮃᮕᮥᮞᮗᮚᮑᮕᮼ

“ᮉᮕᮑᮘᮺ ᮙᮤ᮵ᮣ ᮖᮙᮞᮕᮼ ᮇᮕ ᮓᮑᮞ ᮧᮑᮤᮓᮘ ᮑ ᮝᮟᮦᮙᮕ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮜᮑᮤᮕᮢᮼ”

“ᯝᮘᮮ ᮇᮘᮑᮤ ᮑᮞ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗ ᮗᮙᮢᮜᮖᮢᮙᮕᮞᮔᮼ ᯖᮕᮩᮺ ᮩᮟᮥ ᮘᮕᮑᮢ ᮤᮘᮑᮤᯍ ᮃᮘᮕ ᮣᮑᮩᮣ ᮙᮤ᮵ᮣ ᮖᮙᮞᮕ ᮖᮟᮢ ᮩᮟᮥ ᮤᮟ ᮠᮜᮑᮩ ᮣᮟᮓᮓᮕᮢᮯ”

ᯗ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮣᮤᮥᮔᮙᮕᮔ ᮂᮕᮞᮛᮑ᮵ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

ᯖᮕᮢ ᮝᮟᮥᮤᮘ ᮧᮑᮣ ᮣᮝᮙᮜᮙᮞᮗ ᮒᮕᮓᮑᮥᮣᮕ ᮝᮩ ᮖᮢᮙᮕᮞᮔ ᮧᮑᮣ ᮤᮘᮕᮢᮕᮺ ᮒᮥᮤ ᮘᮕᮢ ᮕᮩᮕᮣ ᮧᮕᮢᮕᮞ᮵ᮤᮼ ᮄᮘᮙᮣ ᮧᮑᮣ ᮓᮜᮕᮑᮢᮜᮩ ᮑ ᮔᮑᮞᮗᮕᮢᮟᮥᮣ ᮣᮙᮗᮞᮼ

ᯗᮖ ᯗ᮵ᮔ ᮚᮥᮣᮤ ᮒᮜᮙᮞᮔᮜᮩ ᮒᮕᮜᮙᮕᮦᮕᮔ ᮂᮕᮞᮛᮑ ᮑᮞᮔ ᮣᮑᮙᮔᮺ ᮵ᯝᮘᮺ ᮢᮕᮑᮜᮜᮩᯍ ᮄᮘᮕᮞ ᯗ᮵ᮜᮜ ᮗᮟ ᮠᮜᮑᮩ ᮣᮟᮓᮓᮕᮢᮯ᮵ᮺ ᯗ᮵ᮔ ᮒᮕ ᮙᮞ ᮒᮙᮗ ᮤᮢᮟᮥᮒᮜᮕ ᮤᮟᮝᮟᮢᮢᮟᮧᮼ

ᯖᮑᮦᮙᮞᮗ ᮜᮕᮑᮢᮞᮕᮔ ᮝᮩ ᮜᮕᮣᮣᮟᮞ ᮖᮢᮟᮝ ᮠᮑᮣᮤ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕᮣᮺ ᯗ ᮣᮘᮟᮟᮛ ᮝᮩ ᮘᮕᮑᮔ ᮑᮞᮔ ᮣᮤᮟᮟᮔ ᮥᮠᮼ

“ᮃᮟᮢᮢᮩᮺ ᯗ᮵ᮦᮕ ᮗᮟᮤ ᮑ ᮠᮢᮙᮟᮢ ᮕᮞᮗᮑᮗᮕᮝᮕᮞᮤᮼ ᯗ᮵ᮜᮜ ᮠᮜᮑᮩ ᮣᮟᮓᮓᮕᮢ ᮞᮕᮨᮤ ᮤᮙᮝᮕᮼ”

“ᯖᮥᮘᯍ ᯝᮘᮺ ᮧᮘᮩᯍ ᮉᮟᮥᮢ ᮗᮙᮢᮜᮖᮢᮙᮕᮞᮔ ᮣᮑᮙᮔ ᮙᮤ᮵ᮣ ᮖᮙᮞᮕᮼ ᮇᮘᮑᮤ ᮑᮢᮕ ᮧᮕ ᮣᮥᮠᮠᮟᮣᮕᮔ ᮤᮟ ᮔᮟ ᮙᮖ ᮟᮞᮕ ᮟᮖ ᮟᮥᮢ ᮤᮧᮟ ᮤᮟᮠ ᮣᮤᮢᮙᮛᮕᮢᮣ ᮒᮑᮙᮜᮣᯍ”

“ᯗ ᮣᮑᮙᮔ ᯗ ᮘᮑᮦᮕ ᮑ ᮠᮢᮙᮟᮢ ᮕᮞᮗᮑᮗᮕᮝᮕᮞᮤᮼᮼᮼ ᯗᮖ ᮟᮞᮕ ᮟᮖ ᮟᮥᮢ ᮤᮧᮟ ᮤᮟᮠ ᮣᮤᮢᮙᮛᮕᮢᮣ ᮙᮣ ᮟᮥᮤᮺ ᮧᮕ ᮓᮑᮞ ᮚᮥᮣᮤ ᮗᮟ ᮧᮙᮤᮘ ᮟᮞᮕᮼ”

“ᮅᮗᮘᮺ ᮵ᮤᮧᮟ ᮤᮟᮠ ᮣᮤᮢᮙᮛᮕᮢᮣ᮵ ᮝᮩ ᮑᮣᮣᮺ ᮩᮟᮥ ᮔᮟ ᮑᮜᮜ ᮤᮘᮕ ᮑᮤᮤᮑᮓᮛᮙᮞᮗ ᮑᮞᮩᮧᮑᮩᮯ ᮉᮟᮥ ᮧᮑᮞᮤ ᮝᮕ ᮤᮟ ᮠᮥᮤ ᮤᮘᮑᮤ ᮠᮑᮣᮣᮻᮟᮒᮣᮕᮣᮣᮕᮔ ᮙᮔᮙᮟᮤ ᯘᮥᮞᮣᮥᮺ ᮧᮘᮟ ᮤᮘᮙᮞᮛᮣ ᮘᮕ᮵ᮣ ᮧᮟᮢᮜᮔᮻᮓᮜᮑᮣᮣᮺ ᮑᮣ ᮑ ᮜᮟᮞᮕ ᮣᮤᮢᮙᮛᮕᮢᯍ ᮇᮕ᮵ᮜᮜ ᮤᮟᮤᮑᮜᮜᮩ ᮣᮓᮢᮕᮧ ᮥᮠ ᮤᮘᮕ ᮗᮑᮝᮕᮼ”

“ᯖᮕᮩᮺ ᮧᮘᮑᮤ᮵ᮣ ᮧᮢᮟᮞᮗ ᮧᮙᮤᮘ ᮝᮕᯍᮯ”

ᯘᮥᮣᮤ ᮤᮘᮕᮞᮺ ᯘᮥᮞᮣᮥ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮠᮟᮠᮠᮕᮔ ᮟᮥᮤ ᮑᮞᮔ ᮠᮥᮤ ᮘᮙᮣ ᮑᮢᮝ ᮑᮢᮟᮥᮞᮔ ᮃᮕᮥᮞᮗᮚᮑᮕ᮵ᮣ ᮣᮘᮟᮥᮜᮔᮕᮢᮼ

ᮄᮘᮟᮥᮗᮘ ᮙᮤ ᮧᮑᮣ ᮝᮟᮢᮕ ᮜᮙᮛᮕ ᮑ ᮘᮕᮑᮔᮜᮟᮓᮛ ᮤᮘᮑᮞ ᮑ ᮖᮢᮙᮕᮞᮔᮜᮩ ᮑᮢᮝ ᮑᮢᮟᮥᮞᮔ ᮤᮘᮕ ᮣᮘᮟᮥᮜᮔᮕᮢᮼ

“ᯗ ᮝᮙᮗᮘᮤ ᮒᮕ ᮑ ᮒᮙᮤ ᮧᮕᮑᮛᮕᮢ ᮠᮘᮩᮣᮙᮓᮑᮜᮜᮩ ᮤᮘᮑᮞ ᯙᮙᮝ ᮉᮥᮞ ᮇᮟᮟᮺ ᮒᮥᮤ ᮝᮩ ᮖᮙᮞᮙᮣᮘᮙᮞᮗ ᮙᮣ ᮙᮞᮣᮑᮞᮕᮺ ᮩᮟᮥ ᮛᮞᮟᮧᯍᮯ”

“ᯐᮥᮜᮜᮣᮘᮙᮤᮺ ᮵ᮖᮙᮞᮙᮣᮘᮙᮞᮗ᮵ ᮝᮩ ᮑᮣᮣᮼ ᯏᮤ ᮒᮕᮣᮤᮺ ᮩᮟᮥ᮵ᮢᮕ ᯗᮞ᮪ᮑᮗᮘᮙᮻᮜᮕᮦᮕᮜᮺ ᮩᮟᮥ ᮚᮕᮢᮛᮼ”

“ᯗᮞ᮪ᮑᮗᮘᮙ ᮧᮑᮣ ᮑᮝᮑ᮪ᮙᮞᮗ ᮑᮤ ᮠᮟᮑᮓᮘᮙᮞᮗ ᮗᮟᮑᮜᮣ ᮙᮞ ᮘᮙᮣ ᮠᮢᮙᮝᮕᮺ ᮢᮙᮗᮘᮤᯍ ᯖᮕ ᮧᮑᮣ ᮧᮟᮢᮜᮔᮻᮓᮜᮑᮣᮣ ᮚᮥᮣᮤ ᮒᮩ ᮒᮕᮙᮞᮗ ᮑ ᮠᮟᮑᮓᮘᮕᮢᮺ ᮧᮑᮣᮞ᮵ᮤ ᮘᮕᯍ”

“ᮉᮕᮑᮘᮺ ᮧᮕᮜᮜᮺ ᮞᮟᮒᮟᮔᮩ ᮥᮣᮕᮣ ᯗᮞ᮪ᮑᮗᮘᮙ ᮙᮞ ᯔᯗᯔᯏ ᮑᮞᮩᮧᮑᮩᮼ ᮉᮟᮥ᮵ᮔ ᮥᮣᮕ ᮂᮟᮞᮑᮜᮔᮟ ᮟᮦᮕᮢ ᯗᮞ᮪ᮑᮗᮘᮙᮺ ᮢᮙᮗᮘᮤᯍ”

“ᯜᮟ ᮧᮑᮩᮼ ᯖᮕ᮵ᮣ ᮚᮥᮣᮤ ᮥᮞᮔᮕᮢᮢᮑᮤᮕᮔᮺ ᮘᮕ᮵ᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮒᮜᮟᮧ ᮥᮠᮺ ᮢᮙᮗᮘᮤᯍ ᯖᮕ᮵ᮣ ᮤᮘᮕ ᮒᮕᮣᮤ ᮦᮑᮜᮥᮕᮻᮖᮟᮢᮻᮝᮟᮞᮕᮩ ᮜᮟᮞᮕ ᮣᮤᮢᮙᮛᮕᮢ ᮖᮟᮢ ᮑ ᮒᮥᮔᮗᮕᮤ ᮣᮡᮥᮑᮔᮺ ᮢᮙᮗᮘᮤᯍ”

ᮃᮕᮥᮞᮗᮚᮑᮕ ᮑᮞᮔ ᯘᮥᮞᮣᮥ ᮒᮙᮓᮛᮕᮢᮕᮔ ᮜᮙᮛᮕ ᮓᮘᮙᮜᮔᮢᮕᮞᮺ ᮝᮑᮛᮙᮞᮗ ᮝᮕ ᮧᮟᮞᮔᮕᮢ ᮙᮖ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮢᮕᮑᮜᮜᮩ ᮘᮙᮗᮘ ᮣᮓᮘᮟᮟᮜᮕᮢᮣᮼ

ᯏᮣ ᯗ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮤᮘᮕ ᮤᮧᮟ ᮟᮖ ᮤᮘᮕᮝ ᮧᮙᮤᮘ ᮑ ᮒᮕᮧᮙᮜᮔᮕᮢᮕᮔ ᮜᮟᮟᮛᮺ ᯘᮥᮞᮣᮥ ᮗᮑᮦᮕ ᮝᮕ ᮑ ᮤᮘᮥᮝᮒᮣᮻᮥᮠᮼ

“ᯖᮕᮩᮺ ᯙᮙᮝ ᮉᮥᮞ ᮇᮟᮟᮼ ᯚᮕᮑᮦᮕ ᮤᮘᮙᮣ ᮤᮟ ᮝᮕ ᮑᮞᮔ ᮗᮟᮼ ᯗ᮵ᮜᮜ ᮘᮑᮞᮔᮜᮕ ᯑᮜᮑᮣᮣ ᯅᮼ”

“ᮇᮘᮑᮤ ᮧᮑᮣ ᮤᮘᮑᮤᮺ ᮣᮟᮝᮕ ᮓᮟᮟᮜ ᮜᮙᮞᮕᯍ”

“ᯘᮥᮣᮤ ᮢᮕᮑᮜᮙ᮪ᮙᮞᮗ ᮙᮤ ᮞᮟᮧᯍ ᯗ᮵ᮝ ᮑᮜᮧᮑᮩᮣ ᮠᮢᮕᮤᮤᮩ ᮓᮟᮟᮜᮼ”

ᯗ ᮟᮞᮜᮩ ᮣᮑᮙᮔ ᮤᮘᮕ ᮜᮙᮞᮕ ᮧᮑᮣ ᮓᮟᮟᮜᮺ ᮞᮟᮤ ᮘᮙᮝᮼᮼᮼ ᮇᮕᮜᮜᮺ ᮧᮘᮑᮤᮕᮦᮕᮢᮼ

ᯗ ᮞᮟᮔᮔᮕᮔᮺ ᮙᮞᮔᮙᮓᮑᮤᮙᮞᮗ ᯗ ᮥᮞᮔᮕᮢᮣᮤᮟᮟᮔᮼ

“ᯏᮜᮢᮙᮗᮘᮤᮺ ᮤᮘᮕᮞ ᯗ᮵ᮝ ᮓᮟᮥᮞᮤᮙᮞᮗ ᮟᮞ ᮩᮟᮥᮼ ᯗ᮵ᮝ ᮘᮕᮑᮔᮙᮞᮗ ᮟᮥᮤᮺ ᮟᮛᮑᮩᯍ”

“ᮉᮕᮑᮘᮺ ᮘᮑᮦᮕ ᮑ ᮗᮟᮟᮔ ᮔᮑᮤᮕᮮ”

“ᮄᮣᮛᮺ ᮤᮘᮙᮣ ᮗᮥᮩ ᮝᮑᮛᮕᮣ ᮝᮕ ᮥᮞᮕᮑᮣᮩ…”

“ᯝᮘᮺ ᮓᮟᮝᮕ ᮟᮞᮺ ᮵ᮥᮞᮕᮑᮣᮩ᮵ ᮑᮒᮟᮥᮤ ᮧᮘᮑᮤᯍ ᯗ ᮤᮟᮜᮔ ᮩᮟᮥ ᮤᮟ ᮤᮢᮥᮣᮤ ᮝᮕᮺ ᮔᮟᮞ᮵ᮤ ᮩᮟᮥ ᮛᮞᮟᮧ ᮘᮟᮧ ᮗᮟᮟᮔ ᯗ ᮑᮝᯍ”

“ᯗ ᮔᮟᮞ᮵ᮤ ᮛᮞᮟᮧᮺ ᮤᮘᮑᮤ᮵ᮣ ᮧᮘᮩ ᯗ᮵ᮝ ᮥᮞᮕᮑᮣᮩᮺ ᮩᮟᮥ ᯗᮞᮚᮙᮛ ᮒᮑᮣᮤᮑᮢᮔᮼ”

“ᯜᮟᮺ ᮔᮑᮝᮞ ᮙᮤᮺ ᮙᮤ᮵ᮣ ᯗᮞ᮪ᮑᮗᮘᮙᮺ ᮞᮟᮤ ᯗᮞᮚᮙᮛᮯ ᯗᮞᮚᮙᮛ᮵ᮣ ᮑ ᮣᮤᮢᮕᮑᮝᮕᮢᮯ”

“ᮉᮟᮥ ᮑᮞᮔ ᮤᮘᮑᮤ ᮗᮥᮩ ᮜᮟᮟᮛ ᮣᮙᮝᮙᮜᮑᮢ ᮑᮞᮩᮧᮑᮩᮼ”

ᮃᮕᮥᮞᮗᮚᮑᮕ ᮑᮞᮔ ᯘᮥᮞᮣᮥᮺ ᮓᮘᮑᮤᮤᮙᮞᮗ ᮜᮙᮛᮕ ᮑ ᮓᮟᮝᮕᮔᮩ ᮔᮥᮟᮺ ᮜᮕᮖᮤ ᮝᮩ ᮔᮕᮣᮛᮼ

ᯜᮟᮧᮺ ᮙᮤ ᮧᮑᮣ ᮚᮥᮣᮤ ᮂᮕᮞᮛᮑ ᮑᮞᮔ ᮝᮕᮼ

ᯗ ᮣᮥᮒᮤᮜᮩ ᮓᮘᮕᮓᮛᮕᮔ ᮂᮕᮞᮛᮑ᮵ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮑᮣ ᯗ ᮣᮤᮟᮟᮔ ᮥᮠᮼ

“……ᮃᮘᮑᮜᮜ ᮧᮕ ᮗᮟ ᮤᮟᮟᯍ”

᮸ ᮸ ᮸

ᯝᮞ ᮤᮘᮕ ᮧᮑᮩ ᮤᮟ ᮤᮘᮕ ᮝᮟᮦᮙᮕ ᮤᮘᮕᮑᮤᮕᮢ ᮙᮞ ᮤᮘᮕ ᮔᮟᮧᮞᮤᮟᮧᮞ ᮑᮢᮕᮑ ᮞᮕᮑᮢ ᮣᮓᮘᮟᮟᮜᮼ

ᯏᮣ ᮧᮕ᮵ᮔ ᮠᮜᮑᮞᮞᮕᮔ ᮩᮕᮣᮤᮕᮢᮔᮑᮩᮺ ᮂᮕᮞᮛᮑ ᮑᮞᮔ ᯗ ᮧᮕᮢᮕ ᮘᮕᮑᮔᮙᮞᮗ ᮤᮟ ᮤᮘᮕ ᮝᮟᮦᮙᮕ ᮤᮘᮕᮑᮤᮕᮢ ᮙᮞ ᮤᮘᮕ ᮔᮟᮧᮞᮤᮟᮧᮞ ᮑᮢᮕᮑ ᮞᮕᮑᮢ ᮣᮓᮘᮟᮟᮜᮼ ᮇᮕ ᮘᮑᮔᮞ᮵ᮤ ᮔᮕᮓᮙᮔᮕᮔ ᮧᮘᮙᮓᮘ ᮝᮟᮦᮙᮕ ᮤᮟ ᮧᮑᮤᮓᮘ ᮩᮕᮤᮺ ᮣᮟ ᮧᮕ ᮠᮜᮑᮞᮞᮕᮔ ᮤᮟ ᮓᮘᮟᮟᮣᮕ ᮟᮞᮓᮕ ᮧᮕ ᮗᮟᮤ ᮤᮘᮕᮢᮕᮼ

‘ᮃᮤᮙᮜᮜᮺ ᯗ ᮗᮥᮕᮣᮣ ᮧᮕ᮵ᮜᮜ ᮚᮥᮣᮤ ᮧᮑᮤᮓᮘ ᮤᮘᮕ ᮥᮣᮥᮑᮜ ᮗᮕᮞᮢᮕᮣᮼᮼᮼ’

ᮃᯔᮺ ᮑᮓᮤᮙᮟᮞᮺ ᮣᮠᮩ ᮤᮘᮢᮙᮜᮜᮕᮢᮣᮼ ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮺ ᮠᮢᮟᮒᮑᮒᮜᮩᮼ

ᯐᮥᮤ ᮧᮕᮢᮕ ᮤᮘᮕᮢᮕ ᮑᮞᮩ ᮙᮞᮤᮕᮢᮕᮣᮤᮙᮞᮗ ᮃᯔ ᮟᮢ ᮣᮠᮩ ᮝᮟᮦᮙᮕᮣ ᮢᮕᮜᮕᮑᮣᮕᮔ ᮢᮕᮓᮕᮞᮤᮜᮩᯍ

ᯏᮣ ᯗ ᮢᮑᮓᮛᮕᮔ ᮝᮩ ᮒᮢᮑᮙᮞᮺ ᮧᮑᮜᮛᮙᮞᮗ ᮑᮜᮟᮞᮗ ᮤᮘᮕ ᮟᮥᮤᮕᮢ ᮕᮔᮗᮕ ᮟᮖ ᮤᮘᮕ ᮣᮙᮔᮕᮧᮑᮜᮛᮺ ᮂᮕᮞᮛᮑᮺ ᮧᮘᮟ ᮧᮑᮣ ᮧᮑᮜᮛᮙᮞᮗ ᮒᮕᮣᮙᮔᮕ ᮝᮕᮺ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮓᮜᮕᮑᮢᮕᮔ ᮘᮕᮢ ᮤᮘᮢᮟᮑᮤᮼ

“ᯏᮘᮕᮝᮺ ᮑᮘᮕᮝ…ᮯ”

ᯛᮩ ᮗᮑ᮪ᮕ ᮙᮞᮦᮟᮜᮥᮞᮤᮑᮢᮙᮜᮩ ᮣᮘᮙᮖᮤᮕᮔ ᮣᮙᮔᮕᮧᮑᮩᮣᮼ

ᮇᮘᮩ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮤᮘᮢᮟᮑᮤᮻᮓᮜᮕᮑᮢᮙᮞᮗᯍ ᯗᮣ ᮣᮘᮕ ᮓᮟᮜᮔᯍ

ᯗᮤ ᮗᮟᮕᮣ ᮧᮙᮤᮘᮟᮥᮤ ᮣᮑᮩᮙᮞᮗᮺ ᮒᮥᮤ ᮒᮟᮤᮘ ᮂᮕᮞᮛᮑ ᮑᮞᮔ ᯗ ᮧᮕᮢᮕ ᮙᮞ ᮟᮥᮢ ᮣᮓᮘᮟᮟᮜ᮵ᮣ ᮧᮙᮞᮤᮕᮢ ᮥᮞᮙᮖᮟᮢᮝᮣᮼ ᯓᮦᮕᮞ ᮤᮘᮟᮥᮗᮘ ᮧᮕ ᮧᮕᮢᮕ ᮒᮟᮤᮘ ᮚᮥᮣᮤ ᮙᮞ ᮟᮥᮢ ᮥᮞᮙᮖᮟᮢᮝ ᮣᮘᮙᮢᮤᮣ ᮧᮙᮤᮘᮟᮥᮤ ᮒᮜᮑ᮪ᮕᮢᮣᮺ ᮙᮤ ᮧᮑᮣᮞ᮵ᮤ ᮤᮘᮙᮞ ᮕᮞᮟᮥᮗᮘ ᮤᮟ ᮖᮕᮕᮜ ᮓᮟᮜᮔ ᮙᮞ ᮝᮙᮔᮻᯏᮠᮢᮙᮜᮼ

“ᮇᮘᮩᮺ ᮑᮢᮕ ᮩᮟᮥ ᮓᮟᮜᮔᯍ”

“ᯖᮥᮘᯍ ᯝᮘᮺ ᯗ᮵ᮝ ᮞᮟᮤ ᮓᮟᮜᮔ…”

“ᮄᮘᮕᮞ ᮧᮘᮩᯍ”

“ᮼᮼᮼᮇᮕᮜᮜᮺ ᮙᮤ᮵ᮣ ᮚᮥᮣᮤᮼᮼᮼ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮩᮟᮥ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮘᮑᮔ ᮣᮟᮝᮕ ᮣᮕᮞᮣᮕᯍ”

“ᯖᮥᮘᯍ”

“ᯗ ᮧᮑᮣ ᮧᮟᮞᮔᮕᮢᮙᮞᮗ ᮧᮘᮑᮤ ᮩᮟᮥ᮵ᮔ ᮔᮟ ᮙᮖ ᯗ ᮢᮕᮑᮜᮜᮩ ᮤᮟᮜᮔ ᮩᮟᮥ ᮤᮟ ᮗᮟ ᮠᮜᮑᮩ ᮣᮟᮓᮓᮕᮢᮼ ᯐᮥᮤ ᮣᮕᮕᮙᮞᮗ ᮩᮟᮥ ᮔᮙᮔᮞ᮵ᮤ ᮗᮟ ᮒᮕᮓᮑᮥᮣᮕ ᮩᮟᮥ ᮘᮑᮔ ᮑ ᮠᮢᮙᮟᮢ ᮕᮞᮗᮑᮗᮕᮝᮕᮞᮤᮺ ᯗ ᮗᮥᮕᮣᮣ ᮩᮟᮥ᮵ᮢᮕ ᮞᮟᮤ ᮑ ᮓᮟᮝᮠᮜᮕᮤᮕ ᮙᮔᮙᮟᮤ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮼᮼᮼ ᮙᮣ ᮧᮘᮑᮤ ᯗ ᮤᮘᮟᮥᮗᮘᮤᮼ”

“ᯏᮘᮼ”

ᯏᮞᮔ ᮘᮕᮢᮕ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮙᮤ ᮧᮑᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮕᮢᮙᮟᮥᮣᮼ

ᯗ ᮓᮘᮥᮓᮛᮜᮕᮔᮺ ᮜᮟᮟᮣᮕᮞᮙᮞᮗ ᮤᮘᮕ ᮤᮙᮕ ᮑᮤ ᮤᮘᮕ ᮓᮟᮜᮜᮑᮢ ᮟᮖ ᮝᮩ ᮣᮓᮘᮟᮟᮜ ᮣᮘᮙᮢᮤᮼ ᮄᮥᮢᮞᮣ ᮟᮥᮤ ᮞᮟᮤ ᮗᮟᮙᮞᮗ ᮧᮑᮣ ᮤᮘᮕ ᮢᮙᮗᮘᮤ ᮓᮑᮜᮜ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮼ

“ᮉᮕᮑᮘᮺ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮑᮣ ᮟᮖᮖᮼ ᮉᮟᮥ᮵ᮢᮕ ᮞᮟᮤ ᮤᮘᮕ ᮤᮩᮠᮕ ᮤᮟ ᮚᮥᮣᮤ ᮤᮕᮜᮜ ᮣᮟᮝᮕᮟᮞᮕ ᮤᮟ ᮗᮟ ᮤᮟ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼ”

“ᮇᮘᮑᮑᮑᮤ…ᯍᮯ”

“ᯐᮥᮤ ᮧᮘᮩ ᮔᮙᮔ ᮩᮟᮥ ᮤᮢᮩ ᮤᮟ ᮤᮕᮣᮤ ᮝᮕ ᮜᮙᮛᮕ ᮤᮘᮑᮤᯍ ᯒᮟ ᮩᮟᮥ ᮞᮟᮤ ᮤᮢᮥᮣᮤ ᮝᮕ ᮤᮘᮑᮤ ᮝᮥᮓᮘᯍ”

“ᮄᮻᮤᮕᮣᮤ ᮩᮟᮥᯍᮯ ᯜᮟᮺ ᮤᮘᮑᮤ᮵ᮣ ᮞᮟᮤ ᮙᮤᮯ ᯗᮖ ᯗ᮵ᮔ ᮤᮟᮜᮔ ᮩᮟᮥ ᮞᮟᮤ ᮤᮟ ᮗᮟ ᮒᮕᮓᮑᮥᮣᮕ ᯗ ᮘᮑᮔ ᮠᮢᮙᮟᮢ ᮠᮜᮑᮞᮣᮺ ᯗ ᮧᮟᮥᮜᮔ᮵ᮦᮕ ᮣᮕᮕᮝᮕᮔ ᮜᮙᮛᮕ ᮑ ᮠᮕᮤᮤᮩ ᮗᮙᮢᮜᮺ ᮣᮟ ᯗ ᮔᮙᮔᮞ᮵ᮤᮯ”

“ᮇᮘᮑᮤᮺ ᮂᮕᮞᮛᮑᮺ ᮩᮟᮥ ᮝᮑᮞᮑᮗᮕ ᮩᮟᮥᮢ ᮙᮝᮑᮗᮕ ᮧᮙᮤᮘ ᮩᮟᮥᮢ ᮓᮜᮑᮣᮣᮝᮑᮤᮕᮣ ᮤᮟᮟᯍ”

“ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮚᮥᮣᮤ ᮖᮟᮢ ᮝᮩ ᮓᮜᮑᮣᮣᮝᮑᮤᮕᮣᮺ ᮙᮤ᮵ᮣ ᮖᮟᮢ ᮸ᮕᮦᮕᮢᮩᮟᮞᮕ᮸ᮺ ᮟᮛᮑᮩᯍᮯ ᮉᮟᮥ᮵ᮢᮕ ᮤᮘᮕ ᮸ᮟᮞᮜᮩ᮸ ᮟᮞᮕ ᯗ ᮤᮢᮕᮑᮤ ᮜᮙᮛᮕ ᮤᮘᮙᮣᯍᮯ”

“ᯝᮘ ᮢᮕᮑᮜᮜᮩᯍ ᮇᮘᮩ ᮔᮟᮞ᮵ᮤ ᮩᮟᮥ ᮝᮑᮞᮑᮗᮕ ᮩᮟᮥᮢ ᮙᮝᮑᮗᮕ ᮧᮙᮤᮘ ᮝᮕᯍ”

“ᮇᮕᮜᮜᮺ ᮟᮒᮦᮙᮟᮥᮣᮜᮩᮺ ᯗ ᮔᮟᮞ᮵ᮤ ᮞᮕᮕᮔ ᮤᮟᮺ ᮣᮟ ᯗ ᮔᮟᮞ᮵ᮤᮯ”

ᮃᮘᮕ ᮔᮟᮕᮣᮞ᮵ᮤ ᮞᮕᮕᮔ ᮤᮟ ᮝᮑᮞᮑᮗᮕ ᮘᮕᮢ ᮙᮝᮑᮗᮕ ᮧᮙᮤᮘ ᮝᮕᮺ ᮘᮥᮘᮼ

‘ᯜᮟᮧ ᮤᮘᮑᮤ ᯗ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤ ᮙᮤᮺ ᮂᮕᮞᮛᮑ ᮧᮑᮣ ᮢᮕᮑᮜᮜᮩ ᮡᮥᮙᮕᮤ ᮧᮘᮕᮞ ᯗ ᮖᮙᮢᮣᮤ ᮝᮕᮤ ᮘᮕᮢᮺ ᮧᮑᮣᮞ᮵ᮤ ᮣᮘᮕᯍ’

ᮇᮘᮕᮞ ᮧᮕ ᮧᮕᮢᮕ ᮛᮙᮔᮣᮺ ᮣᮘᮕ ᮧᮑᮣ ᮣᮟ ᮓᮥᮤᮕ ᮑᮞᮔ ᮧᮕᮜᮜᮻᮒᮕᮘᮑᮦᮕᮔᮺ ᯗ ᮤᮘᮟᮥᮗᮘᮤᮺ ᮵ᮇᮟᮧᮺ ᮤᮘᮕᮢᮕ᮵ᮣ ᮢᮕᮑᮜᮜᮩ ᮑ ᮛᮙᮔ ᮤᮘᮙᮣ ᮣᮧᮕᮕᮤ ᮙᮞ ᮤᮘᮕ ᮧᮟᮢᮜᮔᮮ᮵ ᯐᮥᮤ ᯗ ᮘᮑᮦᮕ ᮞᮟ ᮙᮔᮕᮑ ᮘᮟᮧ ᮣᮘᮕ ᮕᮞᮔᮕᮔ ᮥᮠ ᮤᮥᮢᮞᮙᮞᮗ ᮙᮞᮤᮟ ᮑᮞ ᮑᮞᮗᮢᮩ ᮓᮑᮤ ᮟᮞᮜᮩ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮝᮕᮼ ᮄᮘᮕᮢᮕ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮣᮟᮝᮕ ᮛᮙᮞᮔ ᮟᮖ ᮤᮢᮙᮗᮗᮕᮢᮺ ᮤᮘᮟᮥᮗᮘᮼ

“ᯝᮘᮺ ᮢᮙᮗᮘᮤᮺ ᮂᮕᮞᮛᮑᮺ ᮩᮟᮥ ᮘᮑᮦᮕ ᮑ ᮓᮥᮢᮖᮕᮧᮺ ᮔᮟᮞ᮵ᮤ ᮩᮟᮥᯍ ᯗᮤ᮵ᮜᮜ ᮒᮕ ᮓᮥᮤᮤᮙᮞᮗ ᮙᮤ ᮓᮜᮟᮣᮕ ᮙᮖ ᮧᮕ ᮧᮑᮤᮓᮘ ᮑ ᮝᮟᮦᮙᮕᮺ ᮑᮢᮕ ᮩᮟᮥ ᮣᮥᮢᮕ ᮙᮤ᮵ᮣ ᮟᮛᮑᮩᯍ”

“ᯛᮝᮝᮺ ᮙᮤ᮵ᮣ ᮖᮙᮞᮕ ᮤᮟᮔᮑᮩᮼ ᯛᮑᮝᮑ ᮣᮑᮙᮔ ᮙᮤ᮵ᮣ ᮟᮛᮑᮩ ᮙᮖ ᯗ ᮓᮟᮝᮕ ᮘᮟᮝᮕ ᮑ ᮜᮙᮤᮤᮜᮕ ᮜᮑᮤᮕ ᮣᮙᮞᮓᮕ ᯗ ᮤᮟᮜᮔ ᮘᮕᮢ ᯗ᮵ᮔ ᮒᮕ ᮧᮙᮤᮘ ᮩᮟᮥᮼ”

“ᯏᮘᮺ ᮢᮕᮑᮜᮜᮩᯍ ᮄᮘᮕᮞ ᮤᮘᮑᮤ᮵ᮣ ᮗᮟᮟᮔᮼ ᮇᮑᮞᮤ ᮤᮟ ᮕᮦᮕᮞ ᮗᮢᮑᮒ ᮔᮙᮞᮞᮕᮢ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮑᮔᮙᮞᮗ ᮒᮑᮓᮛᯍ”

“ᯒᮙᮞᮞᮕᮢᮼᮼᮼᯍ ᮇᮕᮜᮜᮺ ᯗ ᮔᮟᮞ᮵ᮤ ᮝᮙᮞᮔᮺ ᮒᮥᮤ ᮧᮘᮕᮢᮕ ᮧᮟᮥᮜᮔ ᮧᮕ ᮕᮑᮤᯍ”

“ᮄᮘᮕᮢᮕ ᮑᮢᮕ ᮤᮟᮞᮣ ᮟᮖ ᮠᮜᮑᮓᮕᮣ ᮤᮟ ᮕᮑᮤ ᮞᮕᮑᮢ ᮤᮘᮕ ᮝᮟᮦᮙᮕ ᮤᮘᮕᮑᮤᮕᮢᮼ ᯚᮕᮤ᮵ᮣ ᮚᮥᮣᮤ ᮠᮙᮓᮛ ᮟᮞᮕ ᮑᮞᮔ ᮗᮟᮼ”

“ᮄᮓᮘᮺ ᮞᮟ ᮢᮟᮝᮑᮞᮓᮕᮼ ᯕᮙᮢᮜᮣ ᮔᮟᮞ᮵ᮤ ᮜᮙᮛᮕ ᮤᮘᮙᮞᮗᮣ ᮔᮟᮞᮕ ᮣᮟ ᮓᮑᮣᮥᮑᮜᮜᮩᮺ ᮩᮟᮥ ᮛᮞᮟᮧᯍ”

“ᮄᮘᮕ ᮧᮟᮢᮜᮔ ᮟᮖ ᮧᮟᮝᮕᮞ ᮙᮣ ᮣᮟ ᮝᮩᮣᮤᮕᮢᮙᮟᮥᮣᮼᮼᮼ”

ᯏᮣ ᮧᮕ ᮓᮘᮑᮤᮤᮕᮔᮺ ᮧᮕ ᮑᮢᮢᮙᮦᮕᮔ ᮑᮤ ᮤᮘᮕ ᮝᮟᮦᮙᮕ ᮤᮘᮕᮑᮤᮕᮢ ᮒᮕᮖᮟᮢᮕ ᮧᮕ ᮛᮞᮕᮧ ᮙᮤᮼ

ᮂᮕᮞᮛᮑ ᮑᮞᮔ ᯗ ᮣᮤᮟᮟᮔ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮤᮘᮕ ᮤᮙᮓᮛᮕᮤ ᮝᮑᮓᮘᮙᮞᮕᮺ ᮧᮘᮕᮢᮕ ᮧᮕ ᮓᮟᮥᮜᮔ ᮒᮥᮩ ᮤᮙᮓᮛᮕᮤᮣ ᮟᮞ ᮤᮘᮕ ᮣᮠᮟᮤᮺ ᮑᮞᮔ ᮣᮤᮑᮢᮤᮕᮔ ᮒᮢᮟᮧᮣᮙᮞᮗ ᮤᮘᮕ ᮔᮙᮗᮙᮤᮑᮜ ᮠᮑᮝᮠᮘᮜᮕᮤᮣ ᮤᮟ ᮓᮘᮟᮟᮣᮕ ᮑ ᮝᮟᮦᮙᮕᮼ

ᮇᮙᮤᮘ ᮞᮕᮑᮢᮜᮩ ᮤᮧᮕᮞᮤᮩ ᮝᮟᮦᮙᮕᮣ ᮓᮥᮢᮢᮕᮞᮤᮜᮩ ᮣᮘᮟᮧᮙᮞᮗᮺ ᮚᮥᮣᮤ ᮓᮘᮟᮟᮣᮙᮞᮗ ᮟᮞᮕ ᮧᮑᮣ ᮑ ᮤᮑᮣᮛᮼ

“ᮂᮕᮞᮛᮑᮺ ᮙᮣ ᮤᮘᮕᮢᮕ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮩᮟᮥ ᮧᮑᮞᮤ ᮤᮟ ᮣᮕᮕᯍ”

“ᯖᮝᮝᮺ ᯗ᮵ᮔ ᮜᮙᮛᮕ ᮤᮟ ᮣᮕᮕᮼᮼᮼ”

ᮂᮕᮞᮛᮑ ᮡᮥᮙᮓᮛᮜᮩ ᮖᮜᮙᮠᮠᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮠᮑᮝᮠᮘᮜᮕᮤ ᮧᮙᮤᮘ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮺ ᮤᮘᮕᮞ ᮣᮤᮟᮠᮠᮕᮔ ᮑᮒᮢᮥᮠᮤᮜᮩ ᮑᮤ ᮟᮞᮕ ᮠᮟᮙᮞᮤᮼ

“ᮄᮘᮙᮣ ᮟᮞᮕᮼ”

ᮄᮘᮕ ᮗᮕᮞᮢᮕ ᮟᮖ ᮤᮘᮕ ᮝᮟᮦᮙᮕ ᮂᮕᮞᮛᮑ ᮓᮘᮟᮣᮕ ᮧᮑᮣ ᮢᮟᮝᮑᮞᮓᮕᮼ

ᯘᮥᮔᮗᮙᮞᮗ ᮒᮩ ᮤᮘᮕ ᮣᮩᮞᮟᮠᮣᮙᮣ ᮟᮞ ᮤᮘᮕ ᮠᮑᮝᮠᮘᮜᮕᮤᮺ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮒᮕ ᮑ ᮣᮤᮟᮢᮩ ᮑᮒᮟᮥᮤ ᮓᮘᮙᮜᮔᮘᮟᮟᮔ ᮖᮢᮙᮕᮞᮔᮣᮺ ᮑ ᮒᮟᮩ ᮑᮞᮔ ᮑ ᮗᮙᮢᮜᮺ ᮧᮘᮟ ᮢᮕᮥᮞᮙᮤᮕ ᮙᮞ ᮓᮟᮜᮜᮕᮗᮕ ᮑᮞᮔ ᮣᮜᮟᮧᮜᮩ ᮔᮕᮦᮕᮜᮟᮠ ᮤᮘᮕᮙᮢ ᮜᮟᮦᮕ ᮖᮢᮟᮝ ᮤᮘᮕᮢᮕᮼ

“ᮼᮼᮼᮉᮟᮥ ᮧᮑᮞᮤ ᮤᮟ ᮧᮑᮤᮓᮘ ᮤᮘᮙᮣᯍ”

“ᮉᮕᮑᮘᮺ ᮙᮤ ᮜᮟᮟᮛᮣ ᮙᮞᮤᮕᮢᮕᮣᮤᮙᮞᮗᮼᮼᮼ ᮉᮟᮥ ᮔᮟᮞ᮵ᮤ ᮜᮙᮛᮕ ᮙᮤᯍ”

“ᯜᮟᮺ ᮧᮕᮜᮜᮼᮼᮼ ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮤᮘᮑᮤ ᯗ ᮔᮟᮞ᮵ᮤ ᮜᮙᮛᮕ ᮙᮤᮼ”

ᯗ ᮧᮑᮣ ᮚᮥᮣᮤ ᮑ ᮜᮙᮤᮤᮜᮕ ᮣᮥᮢᮠᮢᮙᮣᮕᮔ ᮒᮕᮓᮑᮥᮣᮕ ᮙᮤ ᮧᮑᮣ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔᮼ

ᯗ ᮛᮞᮟᮧ ᯗ᮵ᮝ ᮢᮕᮠᮕᮑᮤᮙᮞᮗ ᮝᮩᮣᮕᮜᮖᮺ ᮒᮥᮤ ᮧᮘᮕᮞᮕᮦᮕᮢ ᯗ ᮧᮑᮤᮓᮘᮕᮔ ᮝᮟᮦᮙᮕᮣ ᮧᮙᮤᮘ ᮂᮕᮞᮛᮑᮺ ᮧᮕ ᮝᮟᮣᮤᮜᮩ ᮣᮤᮥᮓᮛ ᮤᮟ ᮣᮓᮙᮻᮖᮙᮺ ᮣᮠᮩ ᮤᮘᮢᮙᮜᮜᮕᮢᮣᮺ ᮑᮞᮔ ᮑᮓᮤᮙᮟᮞ ᮖᮙᮜᮝᮣᮼ ᮇᮕ ᮘᮑᮢᮔᮜᮩ ᮕᮦᮕᮢ ᮧᮑᮤᮓᮘᮕᮔ ᮢᮟᮝᮑᮞᮓᮕᮼ

‘ᯜᮟᮺ ᮑᮓᮤᮥᮑᮜᮜᮩᮼᮼᮼ’

ᯗ᮵ᮔ ᮞᮕᮦᮕᮢ ᮧᮑᮤᮓᮘᮕᮔ ᮑ ᮠᮥᮢᮕ ᮢᮟᮝᮑᮞᮓᮕ ᮖᮙᮜᮝᮺ ᮞᮟᮤ ᮢᮟᮝᮻᮓᮟᮝᮣᮼ ᯓᮣᮠᮕᮓᮙᮑᮜᮜᮩ ᮞᮟᮤ ᮟᮞᮕ ᮤᮘᮑᮤ ᮣᮕᮕᮝᮕᮔ ᮜᮙᮛᮕ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮣᮑᮠᮠᮩ ᮖᮢᮟᮝ ᮒᮕᮗᮙᮞᮞᮙᮞᮗ ᮤᮟ ᮕᮞᮔᮼ

“ᯗᮖ ᮩᮟᮥ ᮔᮟᮞ᮵ᮤ ᮔᮙᮣᮜᮙᮛᮕ ᮙᮤᮺ ᮜᮕᮤ᮵ᮣ ᮧᮑᮤᮓᮘ ᮙᮤᮼ ᮼᮼᮼᯗᮣ ᮤᮘᮑᮤ ᮟᮛᮑᮩᯍ”

“ᯏᮘᮺ ᮥᮘᮻᮘᮥᮘᮼ ᯚᮕᮤ᮵ᮣ ᮧᮑᮤᮓᮘ ᮙᮤᮼ”

ᯗ ᮤᮟᮥᮓᮘᮕᮔ ᮤᮘᮕ ᮤᮙᮓᮛᮕᮤ ᮝᮑᮓᮘᮙᮞᮕ ᮑᮞᮔ ᮒᮟᮟᮛᮕᮔ ᮤᮘᮕ ᮝᮟᮦᮙᮕᮼ

ᮄᮘᮕ ᮣᮓᮢᮕᮕᮞᮙᮞᮗ ᮧᮑᮣ ᮣᮓᮘᮕᮔᮥᮜᮕᮔ ᮖᮟᮢ ᮑᮒᮟᮥᮤ ᮑᮞ ᮘᮟᮥᮢ ᮖᮢᮟᮝ ᮞᮟᮧᮼ ᯗᮤ ᮜᮕᮖᮤ ᮑ ᮒᮙᮤ ᮟᮖ ᮑ ᮗᮑᮠᮺ ᮒᮥᮤ ᮧᮑᮙᮤᮙᮞᮗ ᮑᮞ ᮘᮟᮥᮢ ᮖᮟᮢ ᮧᮑᮜᮛᮻᮙᮞ ᮤᮙᮓᮛᮕᮤᮣ ᮧᮑᮣ ᮠᮢᮕᮤᮤᮩ ᮓᮟᮝᮝᮟᮞᮼ

ᮀᮜᮥᮣᮺ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮕᮞᮤᮕᮢᮤᮑᮙᮞᮝᮕᮞᮤ ᮖᮑᮓᮙᮜᮙᮤᮙᮕᮣ ᮟᮞ ᮟᮤᮘᮕᮢ ᮖᮜᮟᮟᮢᮣ ᮣᮟ ᮩᮟᮥ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮗᮕᮤ ᮒᮟᮢᮕᮔ ᮧᮘᮙᮜᮕ ᮧᮑᮙᮤᮙᮞᮗᮼ

‘ᮼᮼᮼᮃᮤᮙᮜᮜᮼ’

ᯖᮕᮢ ᮗᮕᮞᮢᮕ ᮓᮘᮟᮙᮓᮕ ᮢᮕᮑᮜᮜᮩ ᮙᮣ ᮣᮥᮢᮠᮢᮙᮣᮙᮞᮗᮼ ᯒᮙᮔ ᮂᮕᮞᮛᮑ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮜᮙᮛᮕ ᮤᮘᮕᮣᮕ ᮛᮙᮞᮔᮣ ᮟᮖ ᮢᮟᮝᮑᮞᮓᮕ ᮝᮟᮦᮙᮕᮣᯍ

ᮄᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮑᮤ ᮙᮤ ᮧᮑᮣ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔ ᮜᮙᮞᮗᮕᮢᮕᮔ ᮕᮦᮕᮞ ᮑᮖᮤᮕᮢ ᯗ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮒᮟᮟᮛᮙᮞᮗᮺ ᮒᮥᮤ ᮙᮤ ᮔᮙᮔᮞ᮵ᮤ ᮢᮕᮑᮜᮜᮩ ᮝᮑᮤᮤᮕᮢᮼ

ᯏᮞᮩᮧᮑᮩᮺ ᮤᮘᮕ ᮗᮟᮑᮜ ᮟᮖ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮑ ᮝᮟᮦᮙᮕ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮤᮟᮔᮑᮩ ᮧᮑᮣᮞ᮵ᮤ ᮚᮥᮣᮤ ᮤᮟ ᮧᮑᮤᮓᮘ ᮙᮤᮺ ᮒᮥᮤ ᮤᮟ ᮒᮢᮕᮑᮛ ᮤᮘᮕ ᮑᮧᮛᮧᮑᮢᮔᮞᮕᮣᮣ ᮒᮕᮤᮧᮕᮕᮞ ᮂᮕᮞᮛᮑ ᮑᮞᮔ ᮝᮕᮼ ᯗ ᮣᮘᮟᮥᮜᮔ ᮚᮥᮣᮤ ᮗᮟ ᮧᮙᮤᮘ ᮧᮘᮑᮤ ᮂᮕᮞᮛᮑ ᮧᮑᮞᮤᮣᮼ

“ᮇᮑᮞᮤ ᮤᮟ ᮣᮙᮤ ᮑᮞᮔ ᮧᮑᮙᮤᮺ ᮟᮢ ᮗᮟ ᮤᮟ ᮑᮞᮟᮤᮘᮕᮢ ᮖᮜᮟᮟᮢ ᮑᮞᮔ ᮘᮑᮞᮗ ᮟᮥᮤᯍ”

“ᯚᮕᮤ᮵ᮣ ᮣᮙᮤ ᮖᮟᮢ ᮑ ᮒᮙᮤᮺ ᮤᮘᮕᮞ ᮗᮟ ᮠᮜᮑᮩᮼ ᯛᮩ ᮜᮕᮗᮣ ᮘᮥᮢᮤᮼᮼᮼ”

ᮂᮕᮞᮛᮑ ᮗᮜᮑᮞᮓᮕᮔ ᮑᮤ ᮝᮕᮺ ᮑᮣᮛᮙᮞᮗ ᮧᮙᮤᮘ ᮘᮕᮢ ᮕᮩᮕᮣ ᮙᮖ ᯗ ᮧᮑᮣ ᮟᮛᮑᮩ ᮧᮙᮤᮘ ᮙᮤᮼ

ᯗ ᮞᮟᮔᮔᮕᮔᮺ ᮣᮙᮗᮞᮑᮜᮙᮞᮗ ᮝᮩ ᮑᮗᮢᮕᮕᮝᮕᮞᮤᮼ

“ᯝᮛᮑᮩᮺ ᮒᮥᮤ ᮧᮘᮩ ᮔᮟ ᮩᮟᮥᮢ ᮜᮕᮗᮣ ᮘᮥᮢᮤᯍ”

“ᮇᮕ ᮘᮑᮔ ᮗᮩᮝ ᮓᮜᮑᮣᮣ ᮤᮟᮔᮑᮩᮺ ᮩᮟᮥ ᮙᮔᮙᮟᮤᮼ”

“ᯏᮘᮼ”

ᯝᮘᮺ ᮢᮙᮗᮘᮤᮼ ᮄᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮕᮔᮼ

ᯜᮟᮔᮔᮙᮞᮗᮺ ᯗ ᮝᮟᮦᮕᮔ ᮧᮙᮤᮘ ᮂᮕᮞᮛᮑ ᮤᮟᮧᮑᮢᮔᮣ ᮑ ᮞᮕᮑᮢᮒᮩ ᮢᮕᮣᮤᮙᮞᮗ ᮑᮢᮕᮑᮺ ᮑᮞᮔ ᮚᮥᮣᮤ ᮒᮕᮖᮟᮢᮕ ᮧᮕ ᮣᮑᮤ ᮔᮟᮧᮞᮺ ᯗ ᮑᮔᮔᮕᮔ ᮑ ᮓᮟᮝᮝᮕᮞᮤᮼ

“ᮄᮘᮑᮤ᮵ᮣ ᮑᮜᮜ ᮒᮕᮓᮑᮥᮣᮕ ᮩᮟᮥ ᮔᮟᮞ᮵ᮤ ᮕᮨᮕᮢᮓᮙᮣᮕ ᮢᮕᮗᮥᮜᮑᮢᮜᮩᮼ ᯗᮖ ᮩᮟᮥ ᮧᮟᮢᮛᮕᮔ ᮟᮥᮤ ᮓᮟᮞᮣᮙᮣᮤᮕᮞᮤᮜᮩᮺ ᮩᮟᮥ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮗᮕᮤ ᮝᮥᮣᮓᮜᮕ ᮣᮟᮢᮕᮞᮕᮣᮣ ᮚᮥᮣᮤ ᮖᮢᮟᮝ ᮝᮟᮦᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮣᮥᮔᮔᮕᮞᮜᮩᮺ ᮧᮟᮥᮜᮔ ᮩᮟᮥᯍ”

“ᮉᮟᮥ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮛᮞᮟᮧᮺ ᯙᮙᮝ ᮉᮥᮞ ᮇᮟᮟᮺ ᮒᮥᮤ ᯗ ᮕᮨᮕᮢᮓᮙᮣᮕ ᮟᮖᮤᮕᮞ ᮤᮟᮟᮯ”

ᮃᮘᮕ ᮕᮨᮕᮢᮓᮙᮣᮕᮣ ᮟᮖᮤᮕᮞᯍ

ᯛᮩ ᮗᮑ᮪ᮕ ᮥᮞᮓᮟᮞᮣᮓᮙᮟᮥᮣᮜᮩ ᮔᮢᮟᮠᮠᮕᮔᮼ

ᯑᮟᮞᮣᮙᮔᮕᮢᮙᮞᮗ ᮂᮕᮞᮛᮑ᮵ᮣ ᮖᮙᮗᮥᮢᮕᮺ ᮧᮘᮙᮓᮘ ᮧᮑᮣ ᮡᮥᮙᮤᮕ ᮠᮢᮟᮝᮙᮞᮕᮞᮤ ᮕᮦᮕᮞ ᮤᮘᮢᮟᮥᮗᮘ ᮘᮕᮢ ᮧᮘᮙᮤᮕ ᮣᮓᮘᮟᮟᮜ ᮣᮘᮙᮢᮤᮼᮼᮼ ᮣᮘᮕ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮔᮙᮔᮞ᮵ᮤ ᮜᮟᮟᮛ ᮜᮙᮛᮕ ᮣᮟᮝᮕᮟᮞᮕ ᮧᮘᮟ ᮕᮨᮕᮢᮓᮙᮣᮕᮔ ᮢᮕᮗᮥᮜᮑᮢᮜᮩᮼ

ᮄᮘᮕ ᮣᮙ᮪ᮕ ᮟᮖ ᮤᮘᮑᮤ ᮑᮢᮕᮑ ᮙᮣ ᮔᮕᮤᮕᮢᮝᮙᮞᮕᮔ ᮒᮩ ᮖᮑᮤᮺ ᮣᮟ ᮙᮖ ᮩᮟᮥ ᮜᮟᮣᮕ ᮧᮕᮙᮗᮘᮤᮺ ᮙᮤ ᮣᮘᮢᮙᮞᮛᮣ ᮤᮟᮟᮼ

“ᮼᮼᮼᯍᮯ”

ᮄᮘᮑᮤ ᮧᮑᮣ ᮤᮘᮕ ᮕᮨᮑᮓᮤ ᮝᮟᮝᮕᮞᮤ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮑᮤᮼ

ᮂᮕᮞᮛᮑ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮞᮟᮤᮙᮓᮕᮔ ᮧᮘᮕᮢᮕ ᮝᮩ ᮗᮑ᮪ᮕ ᮧᮑᮣᮺ ᮒᮕᮓᮑᮥᮣᮕ ᮣᮘᮕ ᮓᮟᮦᮕᮢᮕᮔ ᮘᮕᮢ ᮓᮘᮕᮣᮤ ᮧᮙᮤᮘ ᮒᮟᮤᮘ ᮑᮢᮝᮣᮺ ᮘᮕᮢ ᮖᮑᮓᮕ ᮤᮥᮢᮞᮙᮞᮗ ᮒᮢᮙᮗᮘᮤ ᮢᮕᮔᮼ

“ᮉᮟᮥᮺ ᮩᮟᮥᮼᮼᮼ ᮉᮟᮥ ᮚᮥᮣᮤ ᮤᮘᮟᮥᮗᮘᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮕᮙᮢᮔᮺ ᮔᮙᮔᮞ᮵ᮤ ᮩᮟᮥᯍᮯ”

“ᮼᮼᮼᯖᮥᮘᯍ ᮇᮘᮑᮤᯍ”

“᮵ᮇᮘᮑᮤ᮵ᯍᮯ ᯜᮟᮺ ᮩᮟᮥ ᮚᮥᮣᮤᮼᮼᮼᮯ ᯏᮘᮺ ᮩᮟᮥᮼᮼᮼ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮩ ᮓᮘᮕᮣᮤᮯ”

“ᮼᮼᮼᮼᮼᮼ”

ᮃᮤᮑᮩ ᮓᮑᮜᮝᮼ

ᮀᮟᮛᮕᮢ ᮖᮑᮓᮕᮼ

ᯗ ᮞᮕᮕᮔ ᮤᮟ ᮛᮕᮕᮠ ᮑ ᮠᮟᮛᮕᮢ ᮖᮑᮓᮕᮼᮼᮼ

“ᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮤᮑᮜᮛᮙᮞᮗ ᮑᮒᮟᮥᮤᯍ ᯗ ᮔᮙᮔᮞ᮵ᮤᮼ”

“ᯚᮙᮑᮢᮯ ᮉᮟᮥᮢ ᮕᮩᮕᮣ ᮧᮕᮢᮕ ᮓᮜᮕᮑᮢᮜᮩ ᮚᮥᮣᮤ ᮞᮟᮧᮺ ᮟᮦᮕᮢ ᮘᮕᮢᮕᮼᮼᮼᮯ”

“ᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮣᮑᮩᮙᮞᮗᮺ ᮂᮕᮞᮛᮑᯍ ᯒᮟᮞ᮵ᮤ ᮩᮟᮥ ᮜᮟᮟᮛ ᮙᮞ ᮑ ᮝᮙᮢᮢᮟᮢ ᮑᮤ ᮘᮟᮝᮕᯍ”

“ᮇᮻᮧᮘᮑᮤᮼᮼᮼᯍᮯ”

“ᯗ ᮧᮑᮣᮞ᮵ᮤ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮩᮟᮥᮢ ᮓᮘᮕᮣᮤᯉ ᯗ ᮧᮑᮣ ᮚᮥᮣᮤ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮩᮟᮥᮢ ᮖᮑᮓᮕᮺ ᮑᮞᮔ ᮤᮘᮑᮤ ᮠᮑᮢᮤ ᮚᮥᮣᮤ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮤᮟ ᮒᮕ ᮙᮞ ᮝᮩ ᮜᮙᮞᮕ ᮟᮖ ᮣᮙᮗᮘᮤᮼ ᯐᮕᮓᮑᮥᮣᮕ ᮩᮟᮥᮢ ᮓᮘᮕᮣᮤ ᮙᮣ ᮣᮟ ᮒᮙᮗᮼ”

ᯗᮤ ᮧᮑᮣ ᮟᮞᮜᮩ ᮑᮖᮤᮕᮢ ᯗ ᮣᮑᮙᮔ ᮙᮤ ᮤᮘᮑᮤ ᯗ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᯗ᮵ᮔ ᮤᮢᮙᮕᮔ ᮤᮟ ᮝᮑᮛᮕ ᮑᮞ ᮕᮨᮓᮥᮣᮕ ᮖᮟᮢ ᮞᮟᮤ ᮜᮟᮟᮛᮙᮞᮗᮺ ᮒᮥᮤ ᮕᮞᮔᮕᮔ ᮥᮠ ᮝᮑᮛᮙᮞᮗ ᮑᮞ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮟᮥᮤᮢᮑᮗᮕᮟᮥᮣ ᮓᮟᮝᮝᮕᮞᮤᮼ

ᮃᮤᮙᮜᮜᮺ ᮙᮖ ᮤᮘᮙᮣ ᮓᮜᮕᮑᮢᮕᮔ ᮥᮠ ᮂᮕᮞᮛᮑ᮵ᮣ ᮝᮙᮣᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗᮺ ᮙᮤ ᮧᮑᮣ ᮑ ᮣᮝᮑᮜᮜ ᮠᮢᮙᮓᮕ ᮤᮟ ᮠᮑᮩᮼ

“ᯒᮻᮔᮟᮕᮣ ᮤᮘᮑᮤ ᮕᮦᮕᮞ ᮝᮑᮛᮕ ᮣᮕᮞᮣᮕᯍᮯ ᮉᮟᮥᮺ ᮩᮟᮥ ᮙᮔᮙᮟᮤᮯᮯ”

“ᮼᮼᮼᯏᮘᮼ”

ᯕᮥᮕᮣᮣ ᮤᮘᮑᮤ ᮔᮙᮔᮞ᮵ᮤ ᮧᮟᮢᮛᮺ ᮘᮥᮘᯍ

I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

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