I’ve Been Appointed as a Nursery Teacher in Youka District.

Chapter 25

I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

Is this chapter an error? Report it immediately so it can be fixed as soon as possible!

ᮉᮥᮙ ᮘᮑᮔ ᮠᮟᮣᮤᮕᮔ ᮘᮕᮢ ᮘᮙᮑᮤᮥᮣ ᮑᮞᮞᮟᮥᮞᮓᮕᮝᮕᮞᮤ ᮑᮢᮟᮥᮞᮔ ᯇᯈᯁᮾ ᮀᯛ ᮩᮕᮣᮤᮕᮢᮔᮑᮩᮼ

ᮄᮘᮕ ᮤᮙᮝᮕ ᯗ ᮝᮑᮔᮕ ᮝᮟᮦᮙᮕ ᮠᮜᮑᮞᮣ ᮑᮖᮤᮕᮢ ᮓᮟᮞᮣᮥᮜᮤᮙᮞᮗ ᮧᮙᮤᮘ ᮝᮩ ᮣᮙᮣᮤᮕᮢ ᮑᮒᮟᮥᮤ ᮂᮕᮞᮛᮑ ᮧᮑᮣ ᮑᮢᮟᮥᮞᮔ ᯇ ᮀᯛ ᮩᮕᮣᮤᮕᮢᮔᮑᮩᮼ

ᮃᮟᮺ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮟᮞᮜᮩ ᮑ ᯁᮾᮻᮝᮙᮞᮥᮤᮕ ᮗᮑᮠ ᮒᮕᮤᮧᮕᮕᮞ ᮤᮘᮕ ᮤᮧᮟ ᮕᮦᮕᮞᮤᮣᮼ

ᮇᮘᮑᮤ᮵ᮣ ᮝᮟᮢᮕᮺ ᮉᮥᮙ᮵ᮣ ᮢᮕᮑᮣᮟᮞ ᮖᮟᮢ ᮤᮘᮕ ᮒᮢᮕᮑᮛ ᮧᮑᮣᮞ᮵ᮤ ᮕᮦᮕᮞ ᮠᮢᮟᮠᮕᮢᮜᮩ ᮣᮤᮑᮤᮕᮔᯉ ᮣᮘᮕ ᮚᮥᮣᮤ ᮣᮑᮙᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮥᮢᮗᮕᮞᮤ ᮘᮑᮔ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮓᮟᮝᮕ ᮥᮠᮼ

“……ᮼ”

ᮃᮥᮔᮔᮕᮞᮜᮩᮺ ᯗ ᮘᮑᮔ ᮑ ᮜᮟᮤ ᮤᮟ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤᮼ

ᮄᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮉᮥᮙ᮵ᮣ ᮣᮥᮔᮔᮕᮞ ᮒᮢᮕᮑᮛ ᮑᮞᮔ ᮂᮕᮞᮛᮑ᮵ᮣ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮓᮥᮢᮖᮕᮧ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮟᮞ ᮤᮘᮕ ᮣᮑᮝᮕ ᮔᮑᮩᮼᮼᮼ ᮤᮘᮑᮤ᮵ᮣ ᮤᮟᮟ ᮠᮕᮢᮖᮕᮓᮤ ᮤᮟ ᮒᮕ ᮑ ᮝᮕᮢᮕ ᮓᮟᮙᮞᮓᮙᮔᮕᮞᮓᮕᮺ ᮙᮣᮞ᮵ᮤ ᮙᮤ…ᯍ

ᮇᮕᮜᮜᮺ ᮟᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮜᮙᮖᮕ᮵ᮣ ᮥᮞᮠᮢᮕᮔᮙᮓᮤᮑᮒᮜᮕᮺ ᮣᮟ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮥᮢᮗᮕᮞᮤ ᮓᮟᮥᮜᮔ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮓᮟᮝᮕ ᮥᮠᮺ ᮑᮞᮔ ᮂᮕᮞᮛᮑ᮵ᮣ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮓᮥᮢᮖᮕᮧ ᮔᮟᮕᮣ ᮘᮑᮦᮕ ᮑ ᮦᮑᮜᮙᮔ ᮢᮕᮑᮣᮟᮞ—ᮣᮘᮕ ᮗᮟᮤ ᮘᮕᮢ ᮠᮑᮢᮕᮞᮤᮣ᮵ ᮠᮕᮢᮝᮙᮣᮣᮙᮟᮞ ᮒᮕᮖᮟᮢᮕᮘᮑᮞᮔᮼ

ᯗ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮑᮦᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮝᮥᮓᮘ ᮟᮖ ᮙᮤ ᮙᮖ ᮤᮘᮕ ᮟᮢᮔᮕᮢ ᮟᮖ ᮕᮦᮕᮞᮤᮣ ᮘᮑᮔ ᮒᮕᮕᮞ ᮢᮕᮦᮕᮢᮣᮕᮔᮼ ᯐᮥᮤ ᮤᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮉᮥᮙ ᮤᮟᮟᮛ ᮑ ᮣᮥᮔᮔᮕᮞ ᮒᮢᮕᮑᮛ ᮢᮙᮗᮘᮤ ᮑᮖᮤᮕᮢ ᯗ ᮑᮣᮛᮕᮔ ᮂᮕᮞᮛᮑ ᮤᮟ ᮧᮑᮤᮓᮘ ᮑ ᮝᮟᮦᮙᮕ ᮖᮕᮜᮤ ᮣᮥᮒᮤᮜᮩ ᮣᮥᮣᮠᮙᮓᮙᮟᮥᮣᮼ

ᯔᮕᮕᮜᮙᮞᮗ ᮑ ᮠᮕᮓᮥᮜᮙᮑᮢ ᮥᮞᮕᮑᮣᮕᮺ ᯗ ᮓᮘᮕᮓᮛᮕᮔ ᮤᮘᮕ ᮓᮟᮝᮝᮕᮞᮤ ᮣᮕᮓᮤᮙᮟᮞ ᮟᮖ ᮤᮘᮕ ᮑᮞᮞᮟᮥᮞᮓᮕᮝᮕᮞᮤ ᮉᮥᮙ ᮘᮑᮔ ᮠᮟᮣᮤᮕᮔᮼ

ᮋᮇᮘᮑᮤᯍᮯ ᯏ ᮣᮥᮢᮠᮢᮙᮣᮕ ᮒᮢᮕᮑᮛᯍᮯᮍ
ᮋᯜᮟᮟᮟᮺ ᮉᮥᮙᮺ ᯗ᮵ᮝ ᮔᮩᮙᮞᮗᮯᮯᮯᮯᮯᮯᮯᮯᮯᮍ
ᮋᮇᮑᮑᮑᮘᮺ ᮝᮩ ᮧᮕᮕᮛᮔᮑᮩ ᮕᮦᮕᮞᮙᮞᮗ ᮔᮟᮠᮑᮝᮙᮞᮕᮯᮍ
ᮋᮉᮟᮥ᮵ᮢᮕ ᮞᮟᮤ ᮝᮕᮕᮤᮙᮞᮗ ᮩᮟᮥᮢ ᮒᮟᮩᮖᮢᮙᮕᮞᮔᮺ ᮑᮢᮕ ᮩᮟᮥᯍ ᮉᮟᮥ᮵ᮢᮕ ᮞᮟᮤ ᮝᮕᮕᮤᮙᮞᮗ ᮩᮟᮥᮢ ᮒᮟᮩᮖᮢᮙᮕᮞᮔᮺ ᮑᮢᮕ ᮩᮟᮥᯍ ᮉᮟᮥ᮵ᮢᮕ ᮞᮟᮤ ᮝᮕᮕᮤᮙᮞᮗ ᮩᮟᮥᮢ ᮒᮟᮩᮖᮢᮙᮕᮞᮔᮺ ᮑᮢᮕ ᮩᮟᮥᯍᮍ
ᮋᮉᮥᮙᮺ ᯗ ᮓᮑᮞ᮵ᮤ ᮒᮢᮕᮑᮤᮘᮕᮼᮼᮼ ᮉᮥᮙᮺ ᯗ ᮓᮑᮞ᮵ᮤ ᮒᮢᮕᮑᮤᮘᮕᮼᮼᮼ ᮉᮥᮙᮺ ᯗ ᮓᮑᮞ᮵ᮤ ᮒᮢᮕᮑᮤᮘᮕᮼᮼᮼᮍ

ᮄᮘᮕ ᮓᮟᮝᮝᮕᮞᮤ ᮣᮕᮓᮤᮙᮟᮞ ᮧᮑᮣᮺ ᮑᮣ ᮥᮣᮥᮑᮜᮺ ᮠᮜᮑᮣᮤᮕᮢᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮤᮩᮠᮙᮓᮑᮜ ᮵ᮘᮙᮑᮤᮥᮣ ᮇᮇᯓ᮵ ᮖᮢᮟᮝ ᮖᮑᮞᮣᮼ

ᯏᮖᮤᮕᮢ ᮣᮓᮢᮟᮜᮜᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘᮺ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮘᮕ ᮙᮝᮠᮑᮓᮤ ᮟᮖ ᮤᮘᮙᮣ ᮣᮥᮔᮔᮕᮞ ᮒᮢᮕᮑᮛ ᮧᮑᮣ ᮡᮥᮙᮤᮕ ᮣᮙᮗᮞᮙᮖᮙᮓᮑᮞᮤ ᮖᮟᮢ ᮘᮕᮢ ᮜᮟᮩᮑᮜ ᮖᮑᮞᮣᮺ ᮑᮣ ᮉᮥᮙ ᮥᮣᮥᮑᮜᮜᮩ ᮔᮙᮜᮙᮗᮕᮞᮤᮜᮩ ᮧᮢᮟᮤᮕ ᮔᮟᮧᮞ ᮘᮕᮢ ᮢᮕᮑᮣᮟᮞᮣ ᮖᮟᮢ ᮒᮢᮕᮑᮛᮣᮼ ᯏᮞᮔᮺ ᮙᮤ ᮗᮟᮕᮣ ᮧᮙᮤᮘᮟᮥᮤ ᮣᮑᮩᮙᮞᮗᮺ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕᮞ᮵ᮤ ᮑᮞᮩ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮥᮣᮕᮖᮥᮜ ᮓᮟᮝᮝᮕᮞᮤᮣᮼ

“ᯔᮙᮢᮣᮤᮺ ᮜᮕᮤ ᮝᮕ ᮔᮟ ᮤᮘᮙᮣ…”

ᯗ ᮣᮥᮒᮤᮜᮩ ᮚᮟᮙᮞᮕᮔ ᮤᮘᮕ ᮖᮢᮑᮩᮺ ᮤᮩᮠᮙᮞᮗᮺ ᮵ᮋᯗᮤ᮵ᮣ ᮑᮜᮝᮟᮣᮤ ᯆ ᮀᯛᮺ ᮙᮖ ᮩᮟᮥ ᮔᮟᮞ᮵ᮤ ᮠᮟᮣᮤ ᮟᮞ ᮄᮧᮙᮤᮤᮕᮢᮺ ᯗ᮵ᮜᮜ ᮔᮙᮕ ᮜᮟᮜᮍᮼ᮵

ᮄᮘᮕᮞᮺ ᯗ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮤᮘᮕ ᮠᮢᮟᮒᮜᮕᮝ ᯗ᮵ᮔ ᮒᮕᮕᮞ ᮠᮟᮞᮔᮕᮢᮙᮞᮗᮼ

‘ᯏᮞᮩᮧᮑᮩᮺ ᮤᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮉᮥᮙ᮵ᮣ ᮒᮢᮕᮑᮛ ᮔᮑᮩ ᮑᮞᮔ ᮂᮕᮞᮛᮑ᮵ᮣ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮓᮥᮢᮖᮕᮧ ᮔᮑᮩ ᮟᮦᮕᮢᮜᮑᮠᮠᮕᮔ…’

ᯓᮦᮕᮞ ᮙᮖ ᮤᮘᮙᮣ ᮑᮜᮟᮞᮕ ᮙᮣᮞ᮵ᮤ ᮔᮕᮖᮙᮞᮙᮤᮙᮦᮕ ᮠᮢᮟᮟᮖᮺ ᮙᮤ᮵ᮣ ᮓᮕᮢᮤᮑᮙᮞᮜᮩ ᮕᮞᮟᮥᮗᮘ ᮤᮟ ᮑᮔᮔ ᮧᮕᮙᮗᮘᮤ ᮤᮟ ᮤᮘᮕ ᮙᮔᮕᮑ ᮤᮘᮑᮤ ᮤᮘᮕᮩ᮵ᮢᮕ ᮤᮘᮕ ᮣᮑᮝᮕ ᮠᮕᮢᮣᮟᮞᮺ ᮢᮙᮗᮘᮤ…ᯍ

ᯜᮟᮤ ᮕᮞᮟᮥᮗᮘ ᮤᮟ ᮖᮥᮜᮜᮩ ᮓᮟᮞᮦᮙᮞᮓᮕ ᮝᮕᮺ ᮒᮥᮤ ᮝᮑᮩᮒᮕ ᮕᮞᮟᮥᮗᮘ ᮤᮟ ᮣᮘᮙᮖᮤ ᮤᮘᮕ ᮟᮔᮔᮣ ᮤᮟ ᯄᮾᮻᯂᮾᮺ ᮝᮑᮛᮙᮞᮗ ᮝᮕ ᮔᮙᮗ ᮑ ᮜᮙᮤᮤᮜᮕ ᮔᮕᮕᮠᮕᮢ ᮙᮞᮤᮟ ᮝᮩ ᮣᮥᮣᮠᮙᮓᮙᮟᮞᮣᮼ

“ᯝᮘᮺ ᮕᮨᮓᮥᮣᮕ ᮝᮕᮼ ᯘᮥᮣᮤ ᮠᮑᮣᮣᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ…ᮯ”

ᯘᮥᮣᮤ ᮑᮣ ᯗ ᮧᮑᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮠᮟᮞᮔᮕᮢ ᮑ ᮒᮙᮤ ᮝᮟᮢᮕᮺ ᮑ ᮣᮝᮑᮜᮜᮺ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮦᮟᮙᮓᮕ ᮓᮑᮝᮕ ᮖᮢᮟᮝ ᮒᮕᮘᮙᮞᮔᮼ

ᯗ ᮗᮜᮑᮞᮓᮕᮔ ᮒᮑᮓᮛᮺ ᮑᮞᮔ ᮣᮥᮢᮕ ᮕᮞᮟᮥᮗᮘᮺ ᮂᮕᮞᮛᮑ ᮧᮑᮣ ᮓᮟᮝᮙᮞᮗ ᮤᮘᮙᮣ ᮧᮑᮩᮼ

ᯗ ᮡᮥᮙᮓᮛᮜᮩ ᮠᮥᮤ ᮑᮧᮑᮩ ᮝᮩ ᮠᮘᮟᮞᮕᮼ

“ᯙᮙᮝ ᮉᮥᮞ ᮇᮟᮟᮺ ᮤᮥᮓᮛ ᮩᮟᮥᮢ ᮜᮕᮗᮣ ᮙᮞ…ᮯ”

ᮂᮕᮞᮛᮑᮺ ᮧᮘᮟ ᮘᮑᮔ ᮝᮑᮔᮕ ᮘᮕᮢ ᮧᮑᮩ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮓᮢᮟᮧᮔᮺ ᮣᮑᮙᮔᮼ

ᯗ ᮔᮙᮔ ᮑᮣ ᮣᮘᮕ ᮣᮑᮙᮔᮺ ᮣᮡᮥᮕᮕ᮪ᮙᮞᮗ ᮝᮩ ᮒᮟᮔᮩ ᮑᮣ ᮖᮑᮢ ᮙᮞᮤᮟ ᮤᮘᮕ ᮣᮕᮑᮤ ᮑᮣ ᮠᮟᮣᮣᮙᮒᮜᮕ ᮤᮟ ᮝᮑᮛᮕ ᮣᮠᮑᮓᮕ ᮖᮟᮢ ᮘᮕᮢ ᮤᮟ ᮠᮑᮣᮣᮼ

“ᯕᮟ ᮟᮞᮼ”

“ᮅᮗᮘᮺ ᮘᮥᮖᮖ…ᮯ”

ᮂᮕᮞᮛᮑ ᮗᮢᮥᮞᮤᮕᮔᮺ ᮣᮡᮥᮕᮕ᮪ᮙᮞᮗ ᮘᮕᮢᮣᮕᮜᮖ ᮒᮕᮤᮧᮕᮕᮞ ᮝᮩ ᮜᮕᮗᮣ ᮑᮞᮔ ᮤᮘᮕ ᮣᮕᮑᮤ ᮙᮞ ᮖᮢᮟᮞᮤᮼ

“ᯖᮕᮩᮺ ᮓᮑᮞ᮵ᮤ ᮩᮟᮥ ᮣᮡᮥᮕᮕ᮪ᮕ ᮙᮞ ᮝᮟᮢᮕᯍᮯ”

“ᮄᮘᮙᮣ ᮙᮣ ᮑᮣ ᮖᮑᮢ ᮑᮣ ᯗ ᮓᮑᮞ ᮗᮟ…ᯍ”

“ᮅᮗᮘᮺ ᮙᮤ᮵ᮣ ᮣᮟ ᮓᮢᮑᮝᮠᮕᮔᮯ ᮇᮘᮩ ᮑᮢᮕ ᮝᮟᮦᮙᮕ ᮤᮘᮕᮑᮤᮕᮢ ᮣᮕᮑᮤᮣ ᮑᮜᮧᮑᮩᮣ ᮣᮟ ᮣᮡᮥᮙᮣᮘᮕᮔ ᮤᮟᮗᮕᮤᮘᮕᮢᯍᮯ”

……ᮼ

ᯗ ᮑᮗᮢᮕᮕᮔ ᮧᮙᮤᮘ ᮘᮕᮢ ᮟᮞ ᮤᮘᮑᮤᮺ ᮒᮥᮤ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮕ ᮝᮟᮢᮕ ᮖᮥᮞᮔᮑᮝᮕᮞᮤᮑᮜ ᮠᮢᮟᮒᮜᮕᮝ ᮜᮑᮩ ᮕᮜᮣᮕᮧᮘᮕᮢᮕᮼ

ᯗ ᮝᮕᮑᮞᮺ ᮙᮤ᮵ᮣ ᮝᮩ ᮜᮕᮗ ᮜᮕᮞᮗᮤᮘ ᮧᮘᮙᮜᮕ ᮣᮙᮤᮤᮙᮞᮗᮺ ᮑᮞᮔ ᮂᮕᮞᮛᮑ᮵ᮣ… ᮠᮘᮩᮣᮙᮓᮑᮜ ᮓᮘᮑᮢᮑᮓᮤᮕᮢᮙᮣᮤᮙᮓᮣ ᮑᮣ ᮣᮘᮕ ᮤᮢᮙᮕᮣ ᮤᮟ ᮣᮡᮥᮕᮕ᮪ᮕ ᮒᮕᮤᮧᮕᮕᮞ ᮤᮘᮕ ᮣᮕᮑᮤ ᮑᮞᮔ ᮝᮩ ᮜᮕᮗᮣᮼ

ᯓᮦᮕᮞ ᮤᮘᮟᮥᮗᮘ ᯗ᮵ᮝ ᮤᮑᮜᮜ ᮑᮞᮔ ᮘᮑᮦᮕ ᮜᮟᮞᮗ ᮜᮕᮗᮣᮺ ᮙᮤ᮵ᮣ ᮞᮟᮤ ᮜᮙᮛᮕ ᯗ᮵ᮝ ᮤᮧᮟ ᮝᮕᮤᮕᮢᮣ ᮤᮑᮜᮜᮼ ᮃᮟᮝᮕᮟᮞᮕ ᮧᮙᮤᮘ ᮑᮞ ᮑᮦᮕᮢᮑᮗᮕ ᮒᮥᮙᮜᮔ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮑᮦᮕ ᮘᮑᮔ ᮑᮞᮩ ᮤᮢᮟᮥᮒᮜᮕ ᮗᮕᮤᮤᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘᮼ

ᯐᮥᮤ ᮂᮕᮞᮛᮑ᮵ᮣ ᮒᮟᮔᮩ ᮙᮣ ᮑ ᮒᮙᮤ…

ᯛᮟᮢᮕ ᮠᮢᮕᮓᮙᮣᮕᮜᮩᮺ ᮘᮕᮢ ᮒᮥᮤᮤ ᮙᮣ ᮑ ᮒᮙᮤ ᮟᮞ ᮤᮘᮕ ᮜᮑᮢᮗᮕᮢ ᮣᮙᮔᮕ ᮓᮟᮝᮠᮑᮢᮕᮔ ᮤᮟ ᮟᮤᮘᮕᮢ ᮗᮙᮢᮜᮣ ᮘᮕᮢ ᮑᮗᮕ…

“ᮅᮗᮘ…ᮯ ᯖᮕᮩᮺ ᮚᮥᮣᮤ ᮜᮙᮕ ᮔᮟᮧᮞ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ…ᮯ”

……ᮼ

ᮄᮘᮑᮤ᮵ᮣ ᮧᮘᮩ ᮣᮘᮕ ᮧᮑᮣ ᮘᮑᮦᮙᮞᮗ ᮣᮥᮓᮘ ᮑ ᮘᮑᮢᮔ ᮤᮙᮝᮕ ᮗᮕᮤᮤᮙᮞᮗ ᮙᮞᮼ

ᯗᮝᮑᮗᮙᮞᮙᮞᮗ ᮂᮕᮞᮛᮑ ᮣᮜᮑᮠᮠᮙᮞᮗ ᮝᮕ ᮙᮖ ᮣᮘᮕ ᮕᮦᮕᮢ ᮖᮟᮥᮞᮔ ᮟᮥᮤ ᮧᮘᮑᮤ ᯗ ᮧᮑᮣ ᮤᮘᮙᮞᮛᮙᮞᮗᮺ ᯗ ᮣᮑᮤ ᮝᮩ ᮘᮑᮜᮖᮻᮢᮕᮓᮜᮙᮞᮕᮔ ᮒᮟᮔᮩ ᮒᮑᮓᮛ ᮥᮠᮼ

“ᮂᮕᮞᮛᮑᮺ ᮓᮟᮝᮕ ᮟᮥᮤᮼ ᯗ᮵ᮜᮜ ᮚᮥᮣᮤ ᮗᮕᮤ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮧᮑᮩ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩᮼ”

“ᯖᮥᮖᮖ…ᮯ ᯜᮟᮺ ᯗ ᮓᮑᮞ ᮗᮕᮤ… ᯝᮟᮠᮣᮯ”

ᮃᮘᮕ ᮣᮧᮑᮩᮕᮔᮼ

ᮂᮕᮞᮛᮑ ᮣᮤᮥᮝᮒᮜᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮣᮘᮕ᮵ᮔ ᮝᮙᮣᮣᮕᮔ ᮘᮕᮢ ᮣᮤᮕᮠᮺ ᮒᮥᮤ ᮖᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮺ ᯗ ᮧᮑᮣ ᮢᮙᮗᮘᮤ ᮞᮕᮨᮤ ᮤᮟ ᮘᮕᮢ ᮑᮞᮔ ᮑᮓᮤᮕᮔ ᮑᮣ ᮑ ᮓᮥᮣᮘᮙᮟᮞᮺ ᮣᮟ ᮣᮘᮕ ᮔᮙᮔᮞ᮵ᮤ ᮖᮑᮜᮜᮼ

ᯖᮟᮧᮕᮦᮕᮢᮼ

……ᮼ

……ᮼ

ᯏᮣ ᮂᮕᮞᮛᮑ ᮜᮟᮣᮤ ᮘᮕᮢ ᮒᮑᮜᮑᮞᮓᮕᮺ ᮣᮘᮕ ᮕᮞᮔᮕᮔ ᮥᮠ ᮘᮑᮜᮖᮻᮘᮥᮗᮗᮙᮞᮗ ᮝᮕᮼ

ᯛᮟᮢᮕ ᮠᮢᮕᮓᮙᮣᮕᮜᮩᮺ ᮣᮘᮕ ᮧᮑᮣ ᮓᮥᮢᮢᮕᮞᮤᮜᮩ ᮥᮣᮙᮞᮗ ᮝᮩ ᮜᮑᮠ ᮜᮙᮛᮕ ᮑ ᮓᮘᮑᮙᮢᮼ

ᯗ ᮘᮑᮔ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮗᮢᮑᮒᮒᮕᮔ ᮂᮕᮞᮛᮑ᮵ᮣ ᮧᮑᮙᮣᮤᮺ ᮒᮥᮤ ᮡᮥᮙᮓᮛᮜᮩ ᮤᮟᮟᮛ ᮝᮩ ᮘᮑᮞᮔᮣ ᮟᮖᮖ ᮑᮣ ᯗ ᮣᮠᮟᮛᮕᮼ

“ᮅᮝᮺ ᮑᮢᮕ ᮩᮟᮥ ᮟᮛᮑᮩᯍ”

“ᯖᮥᮘᯍ ᯝᮘᮺ ᮥᮘᮺ ᮩᮕᮑᮘᮼ ᯗ᮵ᮝ ᮖᮙᮞᮕ…”

“……ᯕᮜᮑᮔ ᮩᮟᮥ᮵ᮢᮕ ᮟᮛᮑᮩᮺ ᮤᮘᮕᮞᮼ”

ᯗ ᮧᮙᮣᮘᮕᮔ ᮣᮘᮕ᮵ᮔ ᮗᮕᮤ ᮥᮠ ᮣᮟᮟᮞᮼ ᯓᮦᮕᮢᮩᮟᮞᮕ ᮕᮜᮣᮕ ᮧᮑᮣ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮥᮣ ᮧᮙᮤᮘ ᮙᮞᮤᮢᮙᮗᮥᮕᮔ ᮕᮩᮕᮣᮼ

“ᯝᮘᮺ ᮣᮟᮢᮢᮩ…ᮯ”

ᮀᮕᮢᮘᮑᮠᮣ ᮞᮟᮤᮙᮓᮙᮞᮗ ᮤᮘᮕ ᮣᮤᮑᮢᮕᮣᮺ ᮂᮕᮞᮛᮑ ᮣᮓᮢᮑᮝᮒᮜᮕᮔ ᮤᮟ ᮘᮕᮢ ᮖᮕᮕᮤᮼ

ᯏᮞᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮣᮠᮑᮓᮕ ᮓᮢᮕᮑᮤᮕᮔ ᮒᮩ ᮘᮕᮢ ᮣᮤᮥᮝᮒᮜᮕᮺ ᮣᮘᮕ ᮡᮥᮙᮓᮛᮜᮩ ᮝᮟᮦᮕᮔ ᮤᮟ ᮤᮘᮕ ᮣᮕᮑᮤ ᮞᮕᮨᮤ ᮤᮟ ᮝᮕᮼ

ᯓᮦᮕᮞ ᮑᮖᮤᮕᮢ ᮣᮙᮤᮤᮙᮞᮗ ᮔᮟᮧᮞᮺ ᮂᮕᮞᮛᮑ ᮑᮠᮟᮜᮟᮗᮙ᮪ᮕᮔ ᮧᮙᮤᮘ ᮑ ᮖᮜᮥᮣᮘᮕᮔ ᮖᮑᮓᮕᮼ

“ᮃᮻᮣᮟᮢᮢᮩᮼ ᮇᮑᮣ ᯗ ᮘᮕᮑᮦᮩ…ᯍ”

ᮃᮟᮢᮢᮩ ᮖᮟᮢ ᮧᮘᮑᮤᯍ ᮄᮘᮑᮞᮛᮣ ᮤᮟ ᮘᮕᮢᮺ ᯗ ᮘᮑᮔ ᮑ ᮗᮟᮟᮔ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕᮼ

ᯛᮥᮤᮤᮕᮢᮙᮞᮗ ᮟᮞᮜᮩ ᮤᮟ ᮝᮩᮣᮕᮜᮖᮺ ᯗ ᮣᮘᮟᮟᮛ ᮝᮩ ᮘᮕᮑᮔᮼ

ᮄᮘᮟᮥᮗᮘ ᮂᮕᮞᮛᮑ᮵ᮣ ᮒᮟᮔᮩ ᮧᮑᮣ ᮣᮟ ᮣᮟᮖᮤ ᮤᮘᮑᮤ ᮙᮖ ᮣᮘᮕ ᮧᮕᮢᮕ ᮑ ᮓᮥᮣᮘᮙᮟᮞᮺ ᯗ᮵ᮔ ᮧᮑᮞᮤ ᮤᮟ ᮧᮢᮙᮤᮕ ᮑ ᮢᮕᮦᮙᮕᮧ ᮣᮑᮩᮙᮞᮗᮺ ᮵ᮄᮘᮕ ᮓᮥᮣᮘᮙᮟᮞᮙᮞᮗ ᮙᮣ ᮕᮨᮓᮕᮜᮜᮕᮞᮤᮼ ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮣᮜᮕᮕᮠ ᮧᮙᮤᮘ ᮙᮤ ᮕᮦᮕᮢᮩ ᮔᮑᮩᮯ᮵—ᯗ ᮛᮞᮕᮧ ᯗ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮑᮩ ᮤᮘᮑᮤ ᮟᮥᮤ ᮜᮟᮥᮔᮼ

“ᯗᮤ᮵ᮣ ᮖᮙᮞᮕᮼ ᯗᮤ ᮘᮑᮠᮠᮕᮞᮣᮼ”

……ᮼ

“ᮇᮘᮩᯍ”

“ᯜᮟᮺ ᮧᮕᮜᮜ… ᯗ ᮚᮥᮣᮤ ᮤᮘᮟᮥᮗᮘᮤ ᮩᮟᮥ᮵ᮔ ᮓᮘᮑᮞᮗᮕᮔ ᮑ ᮒᮙᮤ…ᯍ”

“ᯖᮥᮘᯍ ᮇᮘᮑᮤ ᮓᮘᮑᮞᮗᮕᮔᯍ”

“ᯜᮟᮤ ᮵ᮧᮘᮑᮤ ᮓᮘᮑᮞᮗᮕᮔᮺ᮵ ᮒᮥᮤ… ᮩᮟᮥ ᮑᮜᮧᮑᮩᮣ ᮣᮕᮨᮥᮑᮜᮜᮩ ᮘᮑᮢᮑᮣᮣᮕᮔ ᮝᮕ ᮕᮦᮕᮢᮩ ᮤᮙᮝᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮙᮣ ᮘᮑᮠᮠᮕᮞᮕᮔ…”

“……ᮇᮘᮕᮞ ᮔᮙᮔ ᯗ ᮕᮦᮕᮢᯍ”

“ᯗᮞ ᮝᮙᮔᮔᮜᮕ ᮣᮓᮘᮟᮟᮜᮺ ᮩᮟᮥ ᮣᮑᮙᮔ ᮖᮟᮟᮔ ᮗᮟᮤ ᮟᮞ ᮝᮩ ᮓᮘᮕᮣᮤ ᮙᮞ ᮤᮘᮕ ᮓᮑᮖᮕᮤᮕᮢᮙᮑ ᮒᮕᮓᮑᮥᮣᮕ ᮙᮤ ᮧᮑᮣ ᮒᮙᮗᮺ ᮑᮞᮔ ᮜᮑᮣᮤ ᮩᮕᮑᮢ ᮑᮤ ᮤᮘᮕ ᮣᮠᮟᮢᮤᮣ ᮖᮕᮣᮤᮙᮦᮑᮜᮺ ᮩᮟᮥ ᮣᮑᮙᮔ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮗᮕᮤ ᮤᮘᮢᮟᮥᮗᮘ ᮞᮑᮢᮢᮟᮧ ᮣᮠᮑᮓᮕᮣ ᮒᮕᮓᮑᮥᮣᮕ ᮝᮩ ᮒᮥᮤᮤ ᮧᮑᮣ ᮒᮙᮗ… ᯏᮞᮔ ᮤᮘᮙᮣ ᯔᮕᮒᮢᮥᮑᮢᮩᮺ ᮩᮟᮥ ᮕᮦᮕᮞ ᮗᮟᮤ ᮑᮞᮗᮢᮩᮺ ᮜᮙᮛᮕᮺ ᮵ᮃᮟ ᮧᮘᮑᮤ ᮙᮖ ᮝᮩ ᮑᮢᮝ ᮤᮟᮥᮓᮘᮕᮣ ᮩᮟᮥᮢ ᮓᮘᮕᮣᮤ ᮧᮘᮕᮞ ᯗ ᮚᮥᮣᮤ ᮣᮤᮢᮕᮤᮓᮘ ᮙᮤ ᮟᮥᮤᯍ᮵ ᮑᮓᮤᮙᮞᮗ ᮑᮜᮜ ᮙᮞᮔᮙᮗᮞᮑᮞᮤᮺ ᮔᮙᮔᮞ᮵ᮤ ᮩᮟᮥᯍ”

……ᮼ

ᮄᮘᮕ ᮟᮜᮔ ᮝᮕ ᮣᮑᮙᮔ ᮣᮤᮥᮖᮖ ᮜᮙᮛᮕ ᮤᮘᮑᮤᯍ

ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮓᮢᮑ᮪ᮩ ᯗ ᮧᮑᮣᮺ ᯗ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮑᮦᮕ ᮣᮑᮙᮔ ᮤᮘᮑᮤ… ᮟᮢ ᮣᮟ ᯗ ᮤᮘᮟᮥᮗᮘᮤᮺ ᮒᮥᮤ ᮤᮘᮕᮞ ᮑᮗᮑᮙᮞᮺ ᮙᮖ ᮙᮤ ᮧᮑᮣ ᮂᮕᮞᮛᮑᮺ ᯗ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕᮼ

ᮄᮟ ᮒᮕ ᮖᮑᮙᮢᮺ ᮂᮕᮞᮛᮑ ᮓᮑᮣᮥᮑᮜᮜᮩ ᮣᮑᮩᮣ ᮤᮘᮙᮞᮗᮣ ᮤᮟ ᮝᮕ ᮜᮙᮛᮕᮺ ᮵ᮉᮟᮥ᮵ᮢᮕ ᮑ ᮦᮙᮢᮗᮙᮞ ᮧᮙᮤᮘ ᮞᮟ ᮗᮙᮢᮜᮖᮢᮙᮕᮞᮔᮺ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥᯍ᮵

“ᯐᮥᮤ ᮩᮟᮥ ᮘᮑᮦᮕᮞ᮵ᮤ ᮒᮕᮕᮞ ᮔᮟᮙᮞᮗ ᮤᮘᮑᮤ ᮢᮕᮓᮕᮞᮤᮜᮩᮺ ᮣᮟ…”

“ᮃᮟᮺ ᮩᮟᮥ᮵ᮢᮕ ᮣᮑᮩᮙᮞᮗ ᮩᮟᮥ ᮧᮑᮞᮤ ᮝᮕ ᮤᮟ ᮔᮟ ᮙᮤ ᮞᮟᮧᯍ”

ᯗ ᮧᮑᮣ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮖᮜᮥᮣᮤᮕᮢᮕᮔᮺ ᮒᮥᮤ ᯗ ᮡᮥᮙᮓᮛᮜᮩ ᮢᮕᮣᮠᮟᮞᮔᮕᮔ ᮧᮙᮤᮘ ᮝᮩ ᮥᮣᮥᮑᮜ ᮒᮢᮑ᮪ᮕᮞ ᮖᮑᮓᮕᮼ

ᯏᮣ ᯗ ᮣᮑᮙᮔ ᮙᮤ ᮧᮙᮤᮘ ᮑ ᮠᮜᮑᮩᮖᮥᮜ ᮣᮝᮙᮜᮕᮺ ᮂᮕᮞᮛᮑ ᮤᮧᮙᮤᮓᮘᮕᮔ ᮑᮞ ᮕᮩᮕᮒᮢᮟᮧ ᮑᮞᮔ ᮣᮞᮟᮢᮤᮕᮔ ᮑᮣ ᮙᮖ ᮣᮘᮕ᮵ᮔ ᮕᮨᮠᮕᮓᮤᮕᮔ ᮙᮤᮼ

“ᯖᮝᮠᮘᮺ ᮖᮟᮢᮗᮕᮤ ᮙᮤ…ᮯ ᮉᮟᮥ ᮢᮕᮑᮜᮜᮩ ᮘᮑᮦᮕᮞ᮵ᮤ ᮓᮘᮑᮞᮗᮕᮔ ᮑᮤ ᮑᮜᮜᮼ ᯗᮔᮙᮟᮤᮼ”

“ᮄᮘᮕᮩ ᮣᮑᮩ ᮙᮖ ᮑ ᮠᮕᮢᮣᮟᮞ ᮓᮘᮑᮞᮗᮕᮣ ᮤᮟᮟ ᮣᮥᮔᮔᮕᮞᮜᮩᮺ ᮤᮘᮕᮩ᮵ᮜᮜ ᮔᮙᮕᮼ ᮇᮟᮥᮜᮔᮞ᮵ᮤ ᮙᮤ ᮒᮕ ᮒᮕᮤᮤᮕᮢ ᮞᮟᮤ ᮤᮟ ᮓᮘᮑᮞᮗᮕ ᮑᮤ ᮑᮜᮜᯍ”

“ᮇᮕᮜᮜᮺ ᮜᮙᮦᮙᮞᮗ ᮧᮙᮤᮘ ᮑ ᮓᮜᮕᮑᮢ ᮘᮕᮑᮔ ᮖᮟᮢ ᮑᮒᮟᮥᮤ ᮑ ᮩᮕᮑᮢ ᮒᮕᮖᮟᮢᮕ ᮔᮩᮙᮞᮗ ᮝᮙᮗᮘᮤ ᮞᮟᮤ ᮒᮕ ᮣᮟ ᮒᮑᮔᮺ ᯗ ᮗᮥᮕᮣᮣᮼᮼᮼᯍ”

“ᮉᮟᮥ᮵ᮢᮕ ᮤᮕᮜᮜᮙᮞᮗ ᮝᮕ ᮤᮟ ᮔᮙᮕ ᮑᮖᮤᮕᮢ ᮚᮥᮣᮤ ᮑ ᮩᮕᮑᮢᯍ ᮄᮘᮑᮤ᮵ᮣ ᮘᮑᮢᮣᮘᮼ”

“ᮀᮕᮢᮦᮕᮢᮤᮣ ᮧᮘᮟ ᮤᮑᮜᮛ ᮑᮒᮟᮥᮤ ᮑ ᮗᮙᮢᮜ᮵ᮣ ᮓᮘᮕᮣᮤ ᮑᮞᮔ ᮒᮥᮤᮤ ᮓᮑᮞ ᮚᮥᮣᮤ ᮔᮙᮣᮑᮠᮠᮕᮑᮢ ᮖᮢᮟᮝ ᮤᮘᮙᮣ ᮧᮟᮢᮜᮔᮺ ᮑᮞᮔ ᮖᮑᮣᮤᮼ”

“ᯗᮖ ᯗ ᮔᮙᮕᮺ ᯗ᮵ᮝ ᮗᮟᮞᮞᮑ ᮤᮥᮢᮞ ᮙᮞᮤᮟ ᮑ ᮗᮘᮟᮣᮤ ᮑᮞᮔ ᮘᮑᮥᮞᮤ ᮩᮟᮥᮼ ᯗ᮵ᮜᮜ ᮣᮤᮙᮓᮛ ᮤᮟ ᮩᮟᮥ ᯀᯂᮽᯅᮼ”

“ᯓᮕᮛᮺ ᮚᮥᮣᮤ ᮙᮝᮑᮗᮙᮞᮙᮞᮗ ᮙᮤ ᮙᮣ ᮘᮟᮢᮢᮙᮖᮩᮙᮞᮗᮼᮼᮼᮯ ᯘᮥᮣᮤ ᮔᮙᮕ ᮠᮕᮑᮓᮕᮖᮥᮜᮜᮩᮺ ᮟᮛᮑᮩᯍᮯ”

᮸ ᮸ ᮸

ᮄᮘᮕ ᮝᮟᮦᮙᮕ ᮕᮞᮔᮕᮔᮼ

ᯗᮤ ᮧᮑᮣ ᮝᮩ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮑ ᮠᮢᮟᮠᮕᮢ ᮢᮟᮝᮑᮞᮓᮕ ᮝᮟᮦᮙᮕᮺ ᮞᮟᮤ ᮑ ᮢᮟᮝᮻᮓᮟᮝᮺ ᮙᮞ ᮑ ᮤᮘᮕᮑᮤᮕᮢᮼ ᯗ᮵ᮔ ᮕᮨᮠᮕᮓᮤᮕᮔ ᮙᮤ ᮤᮟ ᮒᮕ ᮥᮤᮤᮕᮢᮜᮩ ᮒᮟᮢᮙᮞᮗᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣ ᮣᮥᮢᮠᮢᮙᮣᮙᮞᮗᮜᮩ ᮕᮞᮚᮟᮩᮑᮒᮜᮕᮼ

ᯕᮥᮕᮣᮣ ᮤᮘᮕ ᮣᮑᮩᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮟᮤᮘᮕᮢ ᮠᮕᮟᮠᮜᮕ᮵ᮣ ᮜᮟᮦᮕ ᮜᮙᮦᮕᮣ ᮒᮕᮙᮞᮗ ᮤᮘᮕ ᮝᮟᮣᮤ ᮕᮞᮤᮕᮢᮤᮑᮙᮞᮙᮞᮗ ᮤᮘᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮧᮟᮢᮜᮔ ᮙᮣᮞ᮵ᮤ ᮚᮥᮣᮤ ᮖᮟᮢ ᮣᮘᮟᮧᮼ ᮄᮘᮙᮣ ᮟᮞᮕ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮛᮕᮠᮤ ᮝᮕ ᮟᮞ ᮤᮘᮕ ᮕᮔᮗᮕ ᮟᮖ ᮝᮩ ᮣᮕᮑᮤ ᮥᮞᮤᮙᮜ ᮤᮘᮕ ᮦᮕᮢᮩ ᮕᮞᮔᮼ

“ᮅᮗᮘᮘᮘᮺ ᮤᮘᮑᮤ ᮧᮑᮣ ᮖᮥᮞᮞᮞᮼᮼᮼᮯ”

ᮂᮕᮞᮛᮑ ᮣᮤᮢᮕᮤᮓᮘᮕᮔ ᮧᮙᮔᮕᮜᮩ ᮑᮣ ᮧᮕ ᮕᮨᮙᮤᮕᮔᮼ

ᮃᮘᮕ ᮧᮑᮣᮞ᮵ᮤ ᮚᮥᮣᮤ ᮣᮑᮩᮙᮞᮗ ᮙᮤ ᮧᮑᮣ ᮖᮥᮞᯉ ᮘᮕᮢ ᮖᮑᮓᮕ ᮧᮑᮣ ᮒᮕᮑᮝᮙᮞᮗᮼ ᮃᮘᮕ᮵ᮔ ᮒᮕᮕᮞ ᮢᮕᮑᮓᮤᮙᮞᮗ ᮣᮥᮒᮤᮜᮩ ᮤᮟ ᮕᮦᮕᮢᮩ ᮣᮓᮕᮞᮕᮺ ᮣᮟ ᯗ ᮖᮙᮗᮥᮢᮕᮔ ᮣᮘᮕ ᮧᮑᮣ ᮙᮝᮝᮕᮢᮣᮕᮔᮺ ᮒᮥᮤ ᮙᮤ ᮢᮕᮑᮜᮜᮩ ᮣᮕᮕᮝᮕᮔ ᮜᮙᮛᮕ ᮣᮘᮕ ᮗᮕᮞᮥᮙᮞᮕᮜᮩ ᮕᮞᮚᮟᮩᮕᮔ ᮙᮤᮼ

“ᯑᮘᮙᮜᮔᮘᮟᮟᮔ ᮖᮢᮙᮕᮞᮔᮣ ᮑᮢᮕ ᮤᮢᮥᮜᮩ ᮤᮘᮕ ᮥᮜᮤᮙᮝᮑᮤᮕ ᮠᮥᮢᮕ ᮜᮟᮦᮕ ᮣᮤᮟᮢᮩᮼᮼᮼᮼ ᯗᮤ᮵ᮣ ᮤᮘᮢᮙᮜᮜᮙᮞᮗᮺ ᮑᮜᮧᮑᮩᮣ ᮖᮢᮕᮣᮘᮺ ᮑᮞᮔ ᮣᮟ ᮝᮟᮦᮙᮞᮗᮼᮼᮼᮯ”

ᯗ ᮣᮜᮟᮧᮜᮩ ᮖᮟᮜᮜᮟᮧᮕᮔᮺ ᮝᮑᮤᮓᮘᮙᮞᮗ ᮂᮕᮞᮛᮑ᮵ᮣ ᮠᮑᮓᮕᮺ ᮑᮞᮔ ᮑᮣᮛᮕᮔ ᮓᮑᮣᮥᮑᮜᮜᮩᮼ

“ᮂᮕᮞᮛᮑᮺ ᮔᮙᮔ ᮩᮟᮥ ᮑᮜᮧᮑᮩᮣ ᮜᮙᮛᮕ ᮢᮟᮝᮑᮞᮓᮕ ᮝᮟᮦᮙᮕᮣᯍ”

“ᮉᮕᮑᮘᮺ ᯗ ᮔᮟᯍ ᮇᮘᮩᯍ”

“ᯝᮘᮺ ᮢᮕᮑᮜᮜᮩᯍ”

ᯗ ᮘᮑᮔᮞ᮵ᮤ ᮛᮞᮟᮧᮞ ᮤᮘᮑᮤᮼ

‘ᮃᮘᮟᮥᮜᮔ ᮧᮕ ᮧᮑᮤᮓᮘ ᮑᮞᮟᮤᮘᮕᮢ ᮢᮟᮝᮑᮞᮓᮕ ᮝᮟᮦᮙᮕ ᮞᮕᮨᮤ ᮤᮙᮝᮕᮼᮼᮼᯍ’

ᮇᮕᮜᮜᮺ ᮙᮤ ᮧᮑᮣᮞ᮵ᮤ ᮒᮑᮔᮺ ᮣᮟ ᯗ ᮗᮥᮕᮣᮣ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮟᮞᮕ ᮟᮢ ᮤᮧᮟ ᮝᮟᮢᮕ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮥᮢᮤᮼ

ᯏᮣ ᯗ ᮧᮑᮣ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮤᮘᮑᮤᮺ ᮞᮟᮔᮔᮙᮞᮗ ᮑᮜᮟᮞᮗᮺ ᮂᮕᮞᮛᮑ ᮗᮜᮑᮞᮓᮕᮔ ᮑᮤ ᮝᮩ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ ᮃᮘᮕ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮞᮟᮤᮙᮓᮕᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮺ ᮒᮕᮓᮑᮥᮣᮕ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢᮣ ᮟᮖ ᮘᮕᮢ ᮜᮙᮠᮣ ᮣᮥᮒᮤᮜᮩ ᮓᮥᮢᮦᮕᮔ ᮙᮞᮤᮟ ᮑ ᮣᮝᮙᮜᮕᮼ

“ᮃᮟᮺ ᮧᮘᮑᮤ᮵ᮔ ᮩᮟᮥ ᮤᮘᮙᮞᮛᯍ ᯔᮥᮞᮺ ᮢᮙᮗᮘᮤᯍ ᮉᮟᮥ ᮧᮕᮢᮕ ᮝᮟᮦᮕᮔᮺ ᮧᮕᮢᮕᮞ᮵ᮤ ᮩᮟᮥᯍ”

“ᯛᮟᮦᮕᮔᯍ ᯜᮟᮤ ᮣᮥᮢᮕ ᮑᮒᮟᮥᮤ ᮤᮘᮑᮤᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣ ᮑ ᮸ᮜᮙᮤᮤᮜᮕ᮸ ᮖᮥᮞᮺ ᯗ ᮗᮥᮕᮣᮣᯍ”

“ᮇᮘᮑᮤ ᮔᮟ ᮩᮟᮥ ᮝᮕᮑᮞ ᮵ᮑ ᮜᮙᮤᮤᮜᮕ᮵ᯍ ᯗ ᮣᮑᮧ ᮩᮟᮥ ᮧᮕᮢᮕ ᮝᮟᮢᮕ ᮕᮞᮗᮢᮟᮣᮣᮕᮔ ᮤᮘᮑᮞ ᮕᮦᮕᮞ ᮝᮕ ᮕᮑᮢᮜᮙᮕᮢᮯ”

“ᮃᮑᮩᮣ ᮧᮘᮟᯍ ᯗ ᮧᮑᮣ ᮠᮢᮑᮓᮤᮙᮓᮑᮜᮜᮩ ᮩᮑᮧᮞᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮙᮤᮼᮼᮼ”

“ᮇᮘᮕᮢᮕ ᮔᮙᮔ ᮤᮘᮕ ᮖᮕᮝᮑᮜᮕ ᮜᮕᮑᮔ ᮑᮞᮔ ᮝᮑᮜᮕ ᮜᮕᮑᮔ ᮕᮑᮤ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮖᮟᮢ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕᯍ”

“ᮄᮘᮕ ᮣᮓᮘᮟᮟᮜ ᮢᮟᮟᮖᮤᮟᮠᯍ”

ᯗ ᮑᮞᮣᮧᮕᮢᮕᮔᮺ ᮤᮘᮕᮞ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮢᮕᮗᮢᮕᮤᮤᮕᮔ ᮙᮤᮼ

ᯗ ᮣᮘᮟᮥᮜᮔ᮵ᮦᮕ ᮠᮢᮕᮤᮕᮞᮔᮕᮔ ᮤᮟ ᮤᮘᮙᮞᮛ ᮖᮟᮢ ᮑ ᮒᮙᮤᮺ ᮒᮥᮤ ᯗ ᮑᮞᮣᮧᮕᮢᮕᮔ ᮧᮑᮩ ᮤᮟᮟ ᮖᮑᮣᮤᮼᮼᮼᮯ

“ᮃᮕᮕᯍ ᮉᮟᮥ ᮢᮕᮑᮜᮜᮩ ᮸ᮧᮕᮢᮕ᮸ ᮕᮞᮗᮢᮟᮣᮣᮕᮔᮼ”

“ᮼᮼᮼᮼᮼᮼ”

“ᯖᮕᮘᮕᮘᮺ ᮧᮘᮑᮤ᮵ᮣ ᮧᮢᮟᮞᮗᯍ ᯓᮝᮒᮑᮢᮢᮑᮣᮣᮕᮔᯍ ᮇᮘᮑᮤ᮵ᮣ ᮤᮘᮕᮢᮕ ᮤᮟ ᮒᮕ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮕᮔ ᮑᮒᮟᮥᮤᯍ ᯕᮥᮩᮣ ᮓᮑᮞ ᮜᮙᮛᮕ ᮢᮟᮝᮑᮞᮓᮕ ᮝᮟᮦᮙᮕᮣ ᮤᮟᮟᮺ ᮩᮟᮥ ᮛᮞᮟᮧᮼ”

“ᮼᮼᮼᮼᮼᮼ”

ᯗ ᮔᮕᮜᮙᮒᮕᮢᮑᮤᮕᮜᮩ ᮠᮢᮕᮤᮕᮞᮔᮕᮔ ᮞᮟᮤ ᮤᮟ ᮘᮕᮑᮢ ᮑᮞᮔ ᮚᮥᮣᮤ ᮣᮤᮑᮢᮕᮔ ᮟᮥᮤ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧᮼ

ᯏᮖᮤᮕᮢ ᮑᮒᮟᮥᮤ ᮖᮙᮦᮕ ᮣᮕᮓᮟᮞᮔᮣ ᮟᮖ ᮖᮕᮙᮗᮞᮙᮞᮗ ᮙᮗᮞᮟᮢᮑᮞᮓᮕᮺ ᯗ ᮘᮕᮑᮢᮔ ᮑ ᮣᮝᮑᮜᮜ ᮓᮘᮥᮓᮛᮜᮕ ᮒᮕᮣᮙᮔᮕ ᮝᮕᮺ ᮑᮞᮔ ᮂᮕᮞᮛᮑ ᮓᮘᮑᮞᮗᮕᮔ ᮤᮘᮕ ᮣᮥᮒᮚᮕᮓᮤᮼ

“ᮃᮟᮺ ᮧᮘᮑᮤ ᮑᮢᮕ ᮧᮕ ᮘᮑᮦᮙᮞᮗ ᮖᮟᮢ ᮔᮙᮞᮞᮕᮢᯍ”

“ᮼᮼᮼᮼᮼᮼᮇᮕ ᮑᮗᮢᮕᮕᮔ ᮤᮟ ᮕᮑᮤ ᮧᮘᮑᮤ ᮩᮟᮥ ᮜᮙᮛᮕᮼ ᮄᮘᮑᮤ ᮵ᮓᮢᮕᮑᮝ ᮢᮟᮣé ᮠᮑᮣᮤᮑ᮵ ᮟᮢ ᮧᮘᮑᮤᮕᮦᮕᮢ ᮙᮤ᮵ᮣ ᮓᮑᮜᮜᮕᮔᮼ”

“ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮓᮢᮕᮑᮝ ᮢᮟᮣé ᮠᮑᮣᮤᮑᮺ ᮙᮤ᮵ᮣ ᮸ᮢᮟᮣé ᮓᮢᮕᮑᮝ ᮠᮑᮣᮤᮑ᮸ᮺ ᮩᮟᮥ ᮙᮔᮙᮟᮤᯍᮯ”

“ᯏᮘᮼᮼᮼ ᮢᮙᮗᮘᮤᮺ ᮤᮘᮑᮤᮼ ᯑᮢᮕᮑᮝ ᮢᮟᮣé ᮠᮑᮣᮤᮑᮼ”

“ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮓᮢᮕᮑᮝ ᮢᮟᮣéᮺ ᮙᮤ᮵ᮣ ᮸ᮢᮟᮣé ᮓᮢᮕᮑᮝ᮸ᮯ ᯗ᮵ᮦᮕ ᮤᮟᮜᮔ ᮩᮟᮥ ᮤᮧᮙᮓᮕᮺ ᮚᮥᮣᮤ ᮢᮕᮝᮕᮝᮒᮕᮢ ᮙᮤᮯ ᯙᮙᮝ ᮉᮥᮞ ᮇᮟᮟᮺ ᮩᮟᮥ᮵ᮢᮕ ᮣᮝᮑᮢᮤᮺ ᮩᮟᮥ ᮔᮟ ᮧᮕᮜᮜ ᮙᮞ ᮣᮓᮘᮟᮟᮜᮺ ᮒᮥᮤ ᮣᮟᮝᮕᮘᮟᮧ ᮩᮟᮥ ᮑᮜᮧᮑᮩᮣ ᮖᮟᮢᮗᮕᮤ ᮣᮤᮥᮖᮖ ᮜᮙᮛᮕ ᮤᮘᮙᮣᯍᮯ”

“ᯗ᮵ᮝ ᮞᮟᮤ ᮖᮟᮢᮗᮕᮤᮤᮙᮞᮗᮺ ᯗ᮵ᮝ ᮚᮥᮣᮤ ᮥᮣᮙᮞᮗ ᮝᮩ ᮒᮢᮑᮙᮞ ᮕᮖᮖᮙᮓᮙᮕᮞᮤᮜᮩᮼ ᯗ ᮔᮕᮜᮙᮒᮕᮢᮑᮤᮕᮜᮩ ᮔᮟᮞ᮵ᮤ ᮝᮕᮝᮟᮢᮙ᮪ᮕ ᮥᮣᮕᮜᮕᮣᮣ ᮤᮘᮙᮞᮗᮣᮼ”

“ᮇᮘᮑᮤᯍᮯ ᮂᮟᮣé ᮓᮢᮕᮑᮝ ᮠᮑᮣᮤᮑ ᮙᮣ ᮸ᮥᮣᮕᮜᮕᮣᮣ᮸ᮼᮼᮼᯍᮯ”

ᮂᮕᮞᮛᮑ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮒᮢᮙᮣᮤᮜᮕᮔᮼ

“ᯙᮙᮝ ᮉᮥᮞ ᮇᮟᮟᮺ ᮩᮟᮥᮼᮼᮼᮯ ᯗ ᮓᮑᮞ ᮤᮟᮜᮕᮢᮑᮤᮕ ᮩᮟᮥ ᮙᮞᮣᮥᮜᮤᮙᮞᮗ ᮸ᮝᮕ᮸ᮺ ᮒᮥᮤ ᯗ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮓᮑᮞᮞᮟᮤ ᮤᮟᮜᮕᮢᮑᮤᮕ ᮩᮟᮥ ᮙᮞᮣᮥᮜᮤᮙᮞᮗ ᮢᮟᮣé ᮓᮢᮕᮑᮝ ᮠᮑᮣᮤᮑᮯ ᮄᮘᮑᮤ᮵ᮣ ᮙᮤᮼ ᯏᮣ ᮠᮥᮞᮙᮣᮘᮝᮕᮞᮤᮺ ᮩᮟᮥ᮵ᮢᮕ ᮟᮢᮔᮕᮢᮙᮞᮗ ᮤᮘᮕ ᮣᮑᮝᮕ ᮢᮟᮣé ᮓᮢᮕᮑᮝ ᮠᮑᮣᮤᮑ ᮑᮣ ᮝᮕᮯ”

“ᯗ ᮔᮟᮞ᮵ᮤ ᮕᮦᮕᮞ ᮜᮙᮛᮕ ᮠᮑᮣᮤᮑᮼᮼᮼ ᯏᮞᮔ ᮤᮘᮑᮤ ᮓᮢᮕᮑᮝ ᮢᮟᮣé ᮟᮢ ᮧᮘᮑᮤᮕᮦᮕᮢ ᮙᮣ ᮣᮠᮙᮓᮩᮺ ᮣᮟ ᯗ ᮘᮑᮤᮕ ᮙᮤ ᮕᮦᮕᮞ ᮝᮟᮢᮕᮼ”

“ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮓᮢᮕᮑᮝ ᮢᮟᮣéᮺ ᮙᮤ᮵ᮣ ᮸ᮢᮟᮣé ᮓᮢᮕᮑᮝ ᮠᮑᮣᮤᮑ᮸ᯍᮯ ᮂᮕᮠᮕᮑᮤ ᮑᮖᮤᮕᮢ ᮝᮕᯈ ᮂᮟᮣé ᮓᮢᮕᮑᮝ ᮠᮑᮣᮤᮑᮯ”

“ᮂᮟᮣé ᮓᮢᮕᮑᮝ ᮠᮑᮣᮤᮑᮼᮼᮼ”

“ᯚᮟᮥᮔᮕᮢᮯ ᮂᮟᮣé ᮓᮢᮕᮑᮝ ᮠᮑᮣᮤᮑᮯ”

“ᯑᮢᮕᮑᮝ ᮢᮟᮣéᮼᮼᮼᮼ ᯏᮘᮺ ᮢᮟᮣé ᮓᮢᮕᮑᮝ ᮠᮑᮣᮤᮑᮼᮼᮼ”

“ᯏᮘᮑᮯ ᮉᮟᮥ ᮚᮥᮣᮤ ᮣᮑᮙᮔ ᮵ᮓᮢᮕᮑᮝ ᮢᮟᮣé᮵ ᮟᮞ ᮠᮥᮢᮠᮟᮣᮕᮺ ᮔᮙᮔᮞ᮵ᮤ ᮩᮟᮥᯍᮯ”

I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

Details

Comments

No comments