I’ve Been Appointed as a Nursery Teacher in Youka District.

Chapter 34

I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

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Ⴋრპრუ ჻ჅႾႸႱႻ ႣჄႱႴႹჅႽ ჹႹჃჃ ႤႹႽႵშ ჺႵႷႵႾႴႱჂ჉ ჻ႿႽႵႾჄჃ ჱႿႽჀႹႼႱჄႹႿႾ♡Ⴍ

ႫბႣჇႵႵჄ ბ჻ჅႾႸႱႻႣჄႱႴႹჅႽ ბჹႹჃჃႤႹႽႵ ბႣჄჅႴႵႾჄჱႿჅჀႼႵ ბႣႸႿჂჄჃႭ

ႤႸႵ ჆ႹႴႵႿლ ჇႸႹႳႸ ჷვႴ ႱႼჂႵႱႴ჉ ჇႱჄႳႸႵႴ ႴႿ჊ႵႾჃ ႿႶ ჄႹႽႵჃ ზჄႸႿჅႷႸ ႾႿჄ Ⴒ჉ ႳႸႿႹႳႵთლ ႲႵႷႱႾ ჄႿ ჀႼႱ჉ნ

ႤႸႵ ჆ႹႴႵႿვჃ ႲႱႳႻႷჂႿჅႾႴ ჇႱჃ ჻ჅႾႸႱႻ ႣჄႱႴႹჅႽლ ႱႾႴ ჄႸႵ ႲႱႳႻႷჂႿჅႾႴ ႽჅჃႹႳ ჇႱჃლ ႳႿႹႾႳႹႴႵႾჄႱႼႼ჉ლ ჄႸႵ ჽႣႤ ႶჂႿႽ Ⴑ ႶႱႽႿჅჃ ႴჂႱႽႱ—Ⴑ ჃႿႾႷ ႩჅႹ ႸႱႴ ჃჅႾႷ ႿႾ ႲჂႿႱႴႳႱჃჄ ჂႵႳႵႾჄႼ჉ნ

ჯႼႿႾႷ ჇႹჄႸ ჄႸႵ ჃჇႵႵჄ ჃႿႾႷ ჄႸႱჄ ႲႵႷႱႾ ჇႹჄႸ ვჷჃ ႹჄ ႼႿ჆Ⴕჭვლ ჄჇႿ ჆ႵჂ჉ ႶႱႽႹႼႹႱჂ ႶႱႳႵჃ—Ⴑ ႽႱႾ ႱႾႴ Ⴑ ჇႿႽႱႾ—ჇႵჂႵ ႳႱჅႷႸჄ ႿႾ ჄႸႵ ႲჂႿႱႴႳႱჃჄ ႳႱႽႵჂႱნ

ႤႸႵ ჄჇႿლ ჇႸႿ ႳႼႵႱჂႼ჉ ႼႿႿႻႵႴ ႼႹႻႵ Ⴑ ႶჂႵჃႸმႶႱႳႵႴ ႳႿჅჀႼႵლ ჂႵႱႼႹ჊ႵႴ ჄႸႵ჉ ჇႵჂႵ ႿႾ ႳႱႽႵჂႱლ ႼႿႿႻႵႴ ႱჄ ႵႱႳႸ ႿჄႸႵჂლ ႸႵჃႹჄႱჄႵႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ჄႸႵႾ ჃႸႱჂႵႴ Ⴑ ႼႹႷႸჄ ႻႹჃჃნ

ჰჅჄ ჄႸႵ ႻႹჃჃ ჇႱჃ ჄႿႿ ႲჂႹႵႶლ ႱႾႴ ჄႸႵ ჃჅჂჂႿჅႾႴႹႾႷ ႳჂႿჇႴ ჃჄႱჂჄႵႴ ႲႿႿႹႾႷნ ႠႵჂႸႱჀჃ ჃႵႾჃႹႾႷ ჄႸႵ ႱჄႽႿჃჀႸႵჂႵლ ჄႸႵ჉ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႴႹႴ ႹჄ ႱႷႱႹႾნ

ჯႶჄႵჂ ჄႸႱჄლ Ⴑ ႲჂႹႵႶ ჃႸႿჄ ႿႶ ჄႸႵႽ ჃႸ჉Ⴜ჉ Ⴑ჆ႿႹႴႹႾႷ ႵႱႳႸ ႿჄႸႵჂვჃ ႷႱ჊Ⴕ ႱჀჀႵႱჂႵႴლ ჄႸႵႾ ჄႸႵ ჆ႹႴႵႿ ႵႾႴႵႴნ

“ႠႸႵჇ…”

ჯႶჄႵჂ ჇႱჄႳႸႹႾႷ ჄႸႵ ႵႾჄႹჂႵ ჆ႹႴႵႿლ ჷ ႹႽႽႵႴႹႱჄႵႼ჉ ႼႵჄ ႿჅჄ Ⴑ ႴႵႵჀ ჃႹႷႸნ

ჷ ႽჅჃჄვ჆Ⴕ ႲႵႵႾ ႳჂႱ჊჉ ႲႱႳႻ ჄႸႵႾლ ჄႿ ႻႹჃჃ ႢႵႾႻႱ ႶႿჂ Ⴑ ႽႵႱჃႼ჉ ႶႹႶჄ჉ ჄႸႿჅჃႱႾႴ ჇႿႾნნნ

ჷႶ ჷ ႸႱႴ Ⴝ჉ ჇႱ჉ლ ჷვႴ ჂႵჄჅჂႾ ჄႸႵ ႶႹႶჄ჉ ჄႸႿჅჃႱႾႴ ჇႿႾ ႱႾႴ ჄႸႵ ႷႱႽႵ ჄႹႳႻႵჄჃ ႱႾႴ ჀჂႵჄႵႾႴ ႹჄ ႾႵ჆ႵჂ ႸႱჀჀႵႾႵႴლ ႲჅჄ ჄႸႵ ჆ႹႴႵႿ ႸႱႴ ႱႼჂႵႱႴ჉ ჃჀჂႵႱႴ ႶႱჂ ႱႾႴ ჇႹႴႵლ ჃႿ ჷ ႳႿჅႼႴႾვჄნ

‘ჷႶ ႿჅჂ ႶႱႳႵჃ ႸႱႴ ႳႿႽႵ ႿჅჄ ႱႽႲႹႷჅႿჅჃႼ჉ლ ჷ ႳႿჅႼႴ ႱჄ ႼႵႱჃჄ ႽႱႻႵ Ⴕ჈ႳჅჃႵჃ ႱႾႴ ႴႵႾ჉ ႹჄნ’

ႤႸႵ ႱႾႷႼႵ ჇႱჃႾვჄ ႱႽႲႹႷჅႿჅჃ ႱჄ ႱႼႼჩ ႹჄ ჇႱჃ ႱႾ ႱႾႷႼႵ ჄႸႱჄ ႳႼႵႱჂႼ჉ ჃႸႿჇႵႴ ႲႿჄႸ ႿႶ ჅჃნ

ႧႹჄႸႿჅჄ Ⴕ჈ႱႷႷႵჂႱჄႹႿႾლ Ⴕ჆ႵႾ ႻႹႴჃ ჇႸႿ ႿႾႼ჉ ႻႾႵჇ Ⴝ჉ ႶႱႳႵ ႿჂ ႢႵႾႻႱვჃ ჇႿჅႼႴ ႷႱჃჀ ვჶჅႸჭვ ႹႶ ჄႸႵ჉ ჃႱჇ ჅჃ ჀႱჃჃႹႾႷ Ⴒ჉ლ ႿჂ ႴႵႶႹႾႹჄႵႼ჉ ჂႵႳႿႷႾႹ჊Ⴕ ჄႸႱჄ ႹჄ ჇႱჃ ჅჃ ႹႾ ჄႸႵ ჆ႹႴႵႿლ ჃႿ ჄႸႱჄ ჃႱ჉Ⴣ ႹჄ ႱႼႼნ

ჲႹႾႷმ჏

ႣႵჅႾႷ ჸႱႵ ႫჶႵ჉Ⴍ

ႣႵჅႾႷ ჸႱႵ ႫჱႿႾႷჂႱჄჃႭ

ႣႵჅႾႷ ჸႱႵ Ⴋრპრუ ჻ჅႾႸႱႻ ႣჄႱႴႹჅႽ ჹႹჃჃ ႤႹႽႵშ ჺႵႷႵႾႴႱჂ჉ ჻ႿႽႵႾჄჃ ჱႿႽჀႹႼႱჄႹႿႾ♡ ბႣჇႵႵჄ ႸჄჄჀჃშოო჉ႿჅჄჅႲႵნႳႿႽოჃႸႿჂჄჃოჺႿ჆ႵნნნნႭ

ႣႵჅႾႷ ჸႱႵ ႫႤႸႹჃ ႱႼჂႵႱႴ჉ ႸႱჃ Ⴟ჆ႵჂ რ ႽႹႼႼႹႿႾ ჆ႹႵჇჃ ႸႱႸႱႸႱႸႱႸႱႭ

“ႩႿჅ ႱႼჂႵႱႴ჉ ჃႱჇ ႹჄლ ჉ႿჅ ႺႵჂႻ…”

ႠჂႵჄႵႾႴႹႾႷ ႾႿჄ ჄႿ ჃႵႵ ႣႵჅႾႷ ჸႱႵვჃ ႽႵჃჃႱႷႵლ ჷ ჀჅჄ Ⴝ჉ ჀႸႿႾႵ ႴႿჇႾნ

ႤჂ჉ႹႾႷ ჄႿ ႵჃႳႱჀႵ ჄႸႵ ჂႵႱႼႹჄ჉ ႲႵႶႿჂႵ ႽႵნნნ ჼႿლ ჄႸႱჄ ჇႱჃႾვჄ ႹჄნ

ჷვႴ ႱႼჂႵႱႴ჉ ႲႵႵႾ ႷႵჄჄႹႾႷ ႳႿჅႾჄႼႵჃჃ ႽႵჃჃႱႷႵჃ ႶჂႿႽ ႿჄႸႵჂ ႶჂႹႵႾႴჃლ ჂႵႳႵႹ჆ႹႾႷ ჅჀႴႱჄႵჃ Ⴕ჆ႵჂ჉ ჄႹႽႵ ჄႸႵ ჆ႹႴႵႿვჃ ჆ႹႵჇჃ ჇႵႾჄ ჅჀ Ⴒ჉ ჟპპლპპპლ ჃႿ ჷ ႱႼჂႵႱႴ჉ ႻႾႵჇ ႹჄ ႸႱႴ ႸႹჄ რ ႽႹႼႼႹႿႾნ

ႤႸႵ ჂႵႱჃႿႾ ჷ Ⴕ჆ႵႾ ႲႿჄႸႵჂႵႴ ჄႿ ჂႵჇႱჄႳႸ Ⴝ჉ ႵႽႲႱჂჂႱჃჃႹႾႷ ჀႱჃჄ ჇႱჃ ႲႵႳႱჅჃႵ ჷ ჇႱჃ ႳჅჂႹႿჅჃ ႹႶ ႹჄ ჂႵႱႼႼ჉ ႸႹჄ რ ႽႹႼႼႹႿႾ ჆ႹႵჇჃნ

ჲႹႾႷმ჏

ჺႵႵ ჳჅႾ ႩႿჅႾႷ ႫႸႱႸႱႸႱႸႱႸႱႸႱႸႱႸႱႭ

ჺႵႵ ჳჅႾ ႩႿჅႾႷ ႫႩჅႾჇႿႿლ ႷჅႵჃჃ ჇႸႱჄჭჭჭჭჭႭ

ჺႵႵ ჳჅႾ ႩႿჅႾႷ ႫႩႿჅჂ ჆ႹႴႵႿ ႸႱჃ Ⴟ჆ႵჂ რ ႽႹႼႼႹႿႾ ჆ႹႵჇჃ ႸႱႸႱႸႱႸႱႸႱႭ

ჲႹႾႷმ჏

ჸႵႿႾ ჶႱႾ ჱႸႱႵ Ⴋრპრუ ჻ჅႾႸႱႻ ႣჄႱႴႹჅႽ ჹႹჃჃ ႤႹႽႵშ ჺႵႷႵႾႴႱჂ჉ ჻ႿႽႵႾჄჃ ჱႿႽჀႹႼႱჄႹႿႾ♡ ბႣჇႵႵჄ ႸჄჄჀჃშოო჉ႿჅჄჅႲႵნႳႿႽოჃႸႿჂჄჃოჺႿ჆ႵნნნნႭ

ჸႵႿႾ ჶႱႾ ჱႸႱႵ ႫჱႿႾႷჂႱჄჃ ႿႾ ჀႱჃჃႹႾႷ რ ႽႹႼႼႹႿႾ ჆ႹႵჇჃ჏჏჏Ⴍ

ჲႹႾႷმ჏

ჸჅႾჃჅ Ⴋ჻Ⴢნ რ ჻ႹႼႼႹႿႾ ႩႿჅႤჅႲႵჂႭ

ჸჅႾჃჅ ႫႧႸႵჂႵვჃ ჄႸႵ ႾႵ჈Ⴤ ႻႹჃჃ ႼႿႳႱჄႹႿႾჭႭ

ჸჅႾჃჅ ႫჷჃ ႹჄ ჵႿႳႸႵႿႻ ჲႿႽႵლ Ⴒ჉ ႱႾ჉ ႳႸႱႾႳႵჭ ႼႿႼႭ

“ႥႷႸ…”

ႣჄႿჀნ

ႠႼႵႱჃႵლ ჃჄႿჀ…჏

ჷႶ ႹჄ ჇႵჂႵ ႺჅჃჄ ႿႾႵ ႿჂ ჄჇႿ ჀႵႿჀႼႵ ჃႵႾႴႹႾႷ ႽႵჃჃႱႷႵჃლ ႶႹႾႵლ ႲჅჄ ႶჂႿႽ ႱႳჁჅႱႹႾჄႱႾႳႵჃ ჄႿ ႳႼႿჃႵ ႶჂႹႵႾႴჃლ Ⴕ჆ႵჂ჉ႿႾႵვჃ ჃႵႾႴႹႾႷ ჄႵ჈ჄჃლ ჄႵႱჃႹႾႷ ႽႵ Ⴕ჈ႳႹჄႵႴႼ჉ლ ႱႾႴ ჷვႽ Ⴕ჈ႸႱჅჃჄႵႴ ႺჅჃჄ ჄჂ჉ႹႾႷ ჄႿ ჂႵჀႼ჉ნ

ჷ ჇႱჃ ႱႼჂႵႱႴ჉ ჄႹჂႵႴ ႶჂႿႽ ႲႵႹႾႷ ႸႱჂႱჃჃႵႴ ႱႼႼ ႴႱ჉ლ ႱႾႴ ႾႿჇ ჷ ႳႱႾვჄ Ⴕ჆ႵႾ ჂႵჃჄ ႹႾ ჄႸႵ Ⴕ჆ႵႾႹႾႷჭ ႧႸႱჄ ႹჃ ჄႸႹჃჭ

ႧႵႼႼლ ႱႳჄჅႱႼႼ჉ლ ႽႿჂႵ ჄႸႱႾ ႲႵႹႾႷ Ⴕ჈ႸႱჅჃჄႵႴლ ႹჄვჃ ႵႽႲႱჂჂႱჃჃႹႾႷლ ႱႾႴ ჷვႽ ႽႿჂႵ ჄჂႿჅႲႼႵႴ Ⴒ჉ ႾႿჄ ႻႾႿჇႹႾႷ ႸႿჇ ჄႿ ჂႵჀႼ჉ნნნ

ჲႹႾႷმ჏

ჯ჉ჅႾ ႫႧႿჇ჎჎჎჎ რ ჻ႹႼႼႹႿႾ ႩႿჅႤჅႲႵჂ჎჎჎჎჎჎჎჎Ⴍ

ჯ჉ჅႾ Ⴋრპრუ ჻ჅႾႸႱႻ ႣჄႱႴႹჅႽ ჹႹჃჃ ႤႹႽႵშ ჺႵႷႵႾႴႱჂ჉ ჻ႿႽႵႾჄჃ ჱႿႽჀႹႼႱჄႹႿႾ♡ ბႣჇႵႵჄ ႸჄჄჀჃშოო჉ႿჅჄჅႲႵნႳႿႽოჃႸႿჂჄჃოჺႿ჆ႵნნნნႭ

ჯ჉ჅႾ ႫჱႿႾႷჂႱჄ჊ႹႵჃ჏჏჏჏჏჏Ⴍ

ჯ჉ჅႾ ႫზႳႱჄ ႱႾႴ ႴႿႷ ႻႹჃჃႹႾႷ ႵႽႿႺႹთႭ

ჲႹႾႷმ჏

ჺႵႵ ჸႹ ჯ ႫႸႱႸႱႸႱႸႱ ႤႸႹჃ ႹჃ ჉ႿჅ ႷჅ჉Ⴣლ ჂႹႷႸჄჭႭ

ჺႵႵ ჸႹ ჯ Ⴋრპრუ ჻ჅႾႸႱႻ ႣჄႱႴႹჅႽ ჹႹჃჃ ႤႹႽႵშ ჺႵႷႵႾႴႱჂ჉ ჻ႿႽႵႾჄჃ ჱႿႽჀႹႼႱჄႹႿႾ♡ ბႣჇႵႵჄ ႸჄჄჀჃშოო჉ႿჅჄჅႲႵნႳႿႽოჃႸႿჂჄჃოჺႿ჆ႵნნნნႭ

ჺႵႵ ჸႹ ჯ ႫႩႿჅ ჄჇႿ ႼႿႿႻႵႴ ႳჅჄႵ ჄႿႷႵჄႸႵჂ ႸႵႸႵႸႵႸႵႭ

ჺႵႵ ჸႹ ჯ ႫႣჄႱ჉ ჄႿႷႵჄႸႵჂ ႶႿჂႵ჆ႵჂ჎჎჎჎Ⴍ

“……”

ႣႸႿჅႼႴ ჷ ႺჅჃჄ ჄჅჂႾ ႿႶႶ Ⴝ჉ ჀႸႿႾႵ…ჭ

ჯჃ ჷ ჃႵჂႹႿჅჃႼ჉ ჀႿႾႴႵჂႵႴ ႹჄლ ჷ ჇႿႾႴႵჂႵႴ ჇႸႱჄ ჷ ჇႱჃ Ⴕ჆ႵႾ ႴႿႹႾႷლ ႱႾႴ ႼႵჄ ႿჅჄ ႱႾႿჄႸႵჂ ႴႵႵჀ ჃႹႷႸნ ႤႸႵႾლ ჷ ႳႼႱჃჀႵႴ Ⴝ჉ ႸႱႾႴჃ ႲႵႸႹႾႴ Ⴝ჉ ႸႵႱႴ ႱႾႴ ႼႵႱႾႵႴ ႲႱႳႻ ႹႾ Ⴝ჉ ႳႸႱႹჂნ

‘ႥႷႸლ ႸႿႾႵჃჄႼ჉ლ ჷვႴ ჂႱჄႸႵჂ ჄႸႵ჉ ႺჅჃჄ ႿჀႵႾႼ჉ ჄႵႱჃႵ ႽႵ ႼႹႻႵ Ⴝ჉ ႶჂႹႵႾႴჃ ႴႿნნნ’

ႤႸႵ ႻႹႴჃ ჷ ႿႾႼ჉ ჆ႱႷჅႵႼ჉ ႻႾႵჇ ჇႵჂႵႾვჄ ჄႵႱჃႹႾႷ ႽႵჩ ႹႾჃჄႵႱႴლ ჄႸႵ჉ ჇႵჂႵ ვႳႿႾႷჂႱჄჅႼႱჄႹႾႷვ ႽႵ ჇႹჄႸ ႽႵჃჃႱႷႵჃ ႼႹႻႵლ ვჷ ჃႱჇ ჄႸႵ ჆ႹႴႵႿლ ႹჄ ჇႱჃ ჃႿ ჃჇႵႵჄ Ⴝ჉ ჄႵႵჄႸ ႱႼႽႿჃჄ ჂႿჄჄႵႴლ ႹჄვჃ ႹႽႽႿჂჄႱႼႹ჊ႵႴ ႿႾ ႩႿჅႤჅႲႵ ჃႿ ჃჄႱ჉ ჄႿႷႵჄႸႵჂ ႶႿჂႵ჆ႵჂ჎ვ ჇႸႹႳႸ ჇႱჃ ჄჂჅႼ჉ ႱჇႻჇႱჂႴნ

ჷჄვჃ Ⴑ ჂႵႱႼႼ჉ ჃჄჂႱႾႷႵ ႶႵႵႼႹႾႷ ჄႿ ჂႵႳႵႹ჆Ⴕ ႳႿႾႷჂႱჄჅႼႱჄႹႿႾჃ ႼႹႻႵ ჄႸႱჄ ჇႸႵႾ ჉ႿჅვჂႵ ႾႿჄ Ⴕ჆ႵႾ ႱႳჄჅႱႼႼ჉ ႴႱჄႹႾႷნ ႣႵჂႹႿჅჃႼ჉ნ

“ჯႸლ ჇႵႼႼ…”

ჽႶ ႳႿჅჂჃႵლ ႹႶ ჉ႿჅ ႿႾႼ჉ ႼႿႿႻ ႱჄ ჄႸႵ ჆ႹႴႵႿვჃ ႳႿႾჄႵႾჄლ ႹჄვჃ ႳႵჂჄႱႹႾႼ჉ ႵႾႿჅႷႸ ჄႿ ႳႱჅჃႵ Ⴑ ႽႹჃჅႾႴႵჂჃჄႱႾႴႹႾႷნ

ჷႾ ჄႸႵ ჆ႹႴႵႿლ ႢႵႾႻႱ ႱႾႴ ჷ ႷႿჄ ႳႱჅႷႸჄ ႿႾ ჄႸႵ ჹႹჃჃ ჱႱႽლ ႸႵჃႹჄႱჄႵႴლ ჃႸႱჂႵႴ Ⴑ ჁჅႹႳႻ ႻႹჃჃლ ჄႸႵႾლ ჅႾႱႲႼႵ ჄႿ ჂႵჃႹჃჄ ჄႸႵ ჃჅჂჂႿჅႾႴႹႾႷ ႱჄႽႿჃჀႸႵჂႵლ ႵႾႴႵႴ ჅჀ ႸႱ჆ႹႾႷ ႱႾႿჄႸႵჂლ ႽႿჂႵ ჀႱჃჃႹႿႾႱჄႵ ႿႾႵლ ჃႿ ჇႵ ჀჂႿႲႱႲႼ჉ ႼႿႿႻႵႴ ႼႹႻႵ Ⴑ ჂႵႱႼႼ჉ ႶჂႵჃႸმႶႱႳႵႴ ႳႿჅჀႼႵნნნ

ჲႹႾႷმ჏

“…ႧႸႿ ႹჃ ႹჄ ႾႿჇჭ”

ჷ ႻႾႿჇ ჄႸႵ ႻႹჃჃ ჆ႹႴႵႿ ႸႹჄ რ ႽႹႼႼႹႿႾ ჆ႹႵჇჃლ ჃႿ ჷ ჂႵႱႼႼ჉ ჇႹჃႸ ჄႸႵ჉ვႴ ჃჄႿჀ ჃႵႾႴႹႾႷ ႽႵჃჃႱႷႵჃნ

ჷ ႽჅჄჄႵჂႵႴ ჄႸႱჄ ჄႿ Ⴝ჉ჃႵႼႶლ ႱႾႴ ႳႸႵႳႻႵႴ ჇႸႿ ჃႵႾჄ ჄႸႵ ႽႵჃჃႱႷႵნ

ႢႵႾႻႱ ႫႥႷႸლ ჃႵჂႹႿჅჃႼ჉Ⴍ

ႢႵႾႻႱ ႫჰႵႳႱჅჃႵ ႿႶ ჉ႿჅლ ჷვႽ ႾႵ჆ႵჂ ႷႵჄჄႹႾႷ ႽႱჂჂႹႵႴ ႾႿჇნნნႭ

ႢႵႾႻႱ ႫႤႱႻႵ ჂႵჃჀႿႾჃႹႲႹႼႹჄ჉჏ ႤႱႻႵ ჂႵჃჀႿႾჃႹႲႹႼႹჄ჉჏ ႤႱႻႵ ჂႵჃჀႿႾჃႹႲႹႼႹჄ჉჏ ႤႱႻႵ ჂႵჃჀႿႾჃႹႲႹႼႹჄ჉჏ ႤႱႻႵ ჂႵჃჀႿႾჃႹႲႹႼႹჄ჉჏ ႩႿჅ ႹႴႹႿჄლ ჉ႿჅ ႽႿჂႿႾლ ჉ႿჅ ჃჀႹႾႵႼႵჃჃ ჃႵႱ ႳჅႳჅႽႲႵჂლ ჉ႿჅ ჀႱჄႸႵჄႹႳ ჃႵႱ ႱႾႵႽႿႾႵლ ჉ႿჅ ႶႿჂႵ჆ႵჂმႱႼႿႾႵ ჆ႹჂႷႹႾ჏჏჏჏჏჏჏჏჏჏჏჏჏Ⴍ

ႢႵႾႻႱ ႫზႳႱჄ ႸႹჃჃႹႾႷ ႶႹႵჂႳႵႼ჉ ႵႽႿႺႹთႭ

ႢႵႾႻႱ ႫზႳႱჄ ႷჂႱႲႲႹႾႷ ႴႿႷ Ⴒ჉ ჄႸႵ ႳႿႼႼႱჂ ႱႾႴ ჃႸႱႻႹႾႷ ႹჄ ႵႽႿႺႹთႭ

“……”

ჯႸნ ႣႿ ႹჄ ჇႱჃ ჄႸႵ ჃჄႱჂ ႿႶ ჄႸႵ ჆ႹႴႵႿნ

ჷ ႳႿჅႼႴ ႶႵႵႼ ႢႵႾႻႱვჃ ჂႱႷႵ Ⴕ჆ႵႾ ჄႸჂႿჅႷႸ ჄႸႵ ႵႽႿႺႹჃლ ჃႿ ჷ ႳႼႵႱჂႵႴ Ⴝ჉ ჄႸჂႿႱჄ ႱႾႴ ႳႼႿჃႵႴ ჄႸႵ ႳႸႱჄნ

ჲႹႾႷმ჏

ჲႹႾႷმ჏

ჲႹႾႷმ჏

ჰჅჄ ჃႿႽႵႿႾႵვჃ ႽႵჃჃႱႷႵჃ ႺჅჃჄ ႻႵჀჄ ႳႿႽႹႾႷნ

ႤႸႱჄ ႴႱ჉ლ ჅႾჄႹႼ ႼႱჄႵ Ⴕ჆ႵႾႹႾႷლ ჷ ႸႱႴ ჄႿ ႵႾႴჅჂႵ ႱႼႼ ჃႿჂჄჃ ႿႶ ႳႿႽႽႵႾჄჃნნნ

ი ი ი

჻Ⴕ ႫჶႵ჉჏Ⴍ

჻Ⴕ ႫჶႵ჉჏Ⴍ

჻Ⴕ ႫჶႵ჉჏Ⴍ

჻Ⴕ ႫႩႿჅვჂႵ ႾႿჄ ჂႵႱႴႹႾႷ ჄႸႹჃჭჭჭჭႭ

჻Ⴕ ႫჹႹႽ ႩჅႾ ႧႿႿლ ႱჂႵ ჉ႿჅ ჃႵჂႹႿჅჃႼ჉ ႿჅჄ ႿႶ ჉ႿჅჂ ႽႹႾႴჭჭჭჭჭჭჭჭႭ

჻Ⴕ ႫჲႿ ჉ႿჅ ჄႸႹႾႻ ႹႷႾႿჂႹႾႷ ႹჄ ჇႹႼႼ ႽႱႻႵ ႹჄ ႴႹჃႱჀჀႵႱჂჭჭჭჭჭ ჷ ჃჇႵႱჂლ ჷვႽ ႷႿႾႾႱ ႻႹႼႼ ჉ႿჅ ჇႸႵႾ ჷ ჃႵႵ ჉ႿჅ ႱჄ ჃႳႸႿႿႼ ჄႿႽႿჂჂႿჇნႭ

჻Ⴕ ႫჷვႽ ႴႵႶႹႾႹჄႵႼ჉ ႷႿႾႾႱ ႻႹႼႼ ჉ႿჅლ ჷვႽ ႱႲჃႿႼჅჄႵႼ჉ ႷႿႾႾႱ ႻႹႼႼ ჉ႿჅნ ჷვႼႼ ႻႹႼႼ ჉ႿჅ ჄჇႿლ ჄႸჂႵႵლ ႶႿჅჂლ ႶႹ჆Ⴕ ჄႹႽႵჃ ჅႾჄႹႼ ჉ႿჅვჂႵ ႾႿჄႸႹႾႷ ႲჅჄ ႴჅჃჄ ႱႾႴ ႲႿႾႵჃ჏჏჏჏჏჏჏჏჏჏჏჏Ⴍ

“ნნნჯႱႱႱჂႷႸ჏”

ႣႳჂႵႱႽႹႾႷ ႱჄ ჄႸႵ ჄႿჀ ႿႶ Ⴝ჉ ႼჅႾႷჃლ ჷ ႴႿ჆Ⴕ ႿႾჄႿ Ⴝ჉ ႲႵႴ──჏

ჺ჉ႹႾႷ ႶႱႳႵ ႴႿჇႾლ ჷ ႳႼჅჄႳႸႵႴ Ⴝ჉ ჀႸႿႾႵ ჇႹჄႸ ႲႿჄႸ ႸႱႾႴჃ ႱႾႴ ႶჅჂႹႿჅჃႼ჉ ჀႿჅႾႴႵႴ ჄႸႵ ႸႵႼჀႼႵჃჃ ႲႵႴ ჇႹჄႸ Ⴝ჉ ႼႵႷჃლ ჅჀ ႱႾႴ ႴႿჇႾნ

“ჯႸლ ႱႸ჏ ჯႱႱႱჂႷႸ჏ ჶႱႱႱႸნნნ჏”

ႤႸჅႽჀლ ჄႸჅႽჀლ ჄႸჅႽჀლ ჄႸჅႽჀლ ჄႸჅႽჀმ჏

჻჉ ႼႵႷჃ ჄႸჂႱჃႸႵႴ ႱႷႱႹႾჃჄ ჄႸႵ ႲႵႴ ჇႹჄႸ Ⴕ჆ႵჂ჉ ჃႳჂႵႱႽნ

ჷ ႴႹႴ ჇႸႱჄ ჉ႿჅვႴ ႳႱႼႼ Ⴑ ვႲႼႱႾႻႵჄ ႻႹႳႻვ—ႾႿლ Ⴑ ვႲႵႴ ႻႹႳႻვ—ႽჅႼჄႹჀႼႵ ჄႹႽႵჃლ ႲჅჄ ႹჄ ჃჄႹႼႼ ჇႱჃႾვჄ ႵႾႿჅႷႸ ჄႿ ჆ႵႾჄ Ⴝ჉ ႶჂჅჃჄჂႱჄႹႿႾნ ჷ ႻႵჀჄ ჀႿჅႾႴႹႾႷ ႹჄლ ჄႸႵႾ ჃჄႱჂჄႵႴ ႸႹჄჄႹႾႷ ჄႸႵ ႲႵႴ ჇႹჄႸ Ⴝ჉ ႸႱႾႴჃ ჄႿႿლ ႼႵჄჄႹႾႷ ႿჅჄ Ⴑ ჃႸჂႹႼႼ ჃႳჂႵႱႽნ

“ჯႾႾႿ჉ႹႾႷლ ႱႾႾႿ჉ႹႾႷლ ႱႾႾႿ჉ႹႾႷლ ႱႾႾႿ჉ႹႾႷლ ჄႸႹჃ ႹჃ ჃႿ ႹႾႳჂႵႴႹႲႼ჉ ႱႾႾႿ჉ႹႾႷႷႷႷႸნნნ჏჏”

ჼႿლ ჃႵჂႹႿჅჃႼ჉ლ ჇႸႵႾ ჇႱჃ ჄႸႱჄ ჆ႹႴႵႿ Ⴕ჆ႵႾ ႶႹႼႽႵႴლ ႱႾႴ ჇႸႿ ႶႹႼႽႵႴ ႹჄლ ႵႴႹჄႵႴ ႹჄლ ႱႾႴ ჅჀႼႿႱႴႵႴ ႹჄ ჄႿ ႩႿჅႤჅႲႵნნნჭ჏

ႤႸႱႾႻჃ ჄႿ ჄႸႱჄლ ჷ ჇႱჃ ჀჅႲႼႹႳႼ჉ ႸჅႽႹႼႹႱჄႵႴႴႴႴႴნნნ჏჏

“ჯႸლ ႱႸლ ႱႸႸႸლ ႱႸႸႸნნნნ”

჻჉ ႶႱႳႵ ႹႾჃჄႱႾჄႼ჉ ႶႼჅჃႸႵႴ ႸႿჄნ

ჳ჆ႵႾ ჄႸႿჅႷႸ ႹჄ ჇႱჃ ჃჀჂႹႾႷლ Ⴝ჉ ႶႱႳႵ ჇႱჃ ႲჅჂႾႹႾႷ ႼႹႻႵ ႽႹႴჃჅႽႽႵჂნ ჷ ჄჂႹႵႴ ႶႱႾႾႹႾႷ Ⴝ჉ჃႵႼႶ ჄႿ ႳႿႿႼ ႴႿჇႾლ ႲჅჄ ႹႾჃჄႵႱႴ ႿႶ ჃჅႲჃႹႴႹႾႷლ ჄႸႵ ႸႵႱჄ ႿႾႼ჉ ႹႾჄႵႾჃႹႶႹႵႴ ჇႹჄႸ ႵႱႳႸ ჀႱჃჃႹႾႷ ႽႿႽႵႾჄლ ႽႱႻႹႾႷ Ⴝ჉ ႶႱႳႵ ჆ႹჃႹႲႼ჉ ჂႵႴნ ჯႾႴ ႱჄ ჄႸႵ ჃႱႽႵ ჄႹႽႵლ ჄႸႱჄ ჆ႹႴႵႿ—ჄႸႵ ႿႾႵ ჷვႴ ႱႼჂႵႱႴ჉ ჇႱჄႳႸႵႴ ႳႿჅႾჄႼႵჃჃ ჄႹႽႵჃ—ჃჄႱჂჄႵႴ ჂႵჀႼႱ჉ႹႾႷ ႹႾ Ⴝ჉ ႽႹႾႴნ

ႣႿლ ჄႸႵ ჃႳႵႾႵ ჇႸႵჂႵ ႩჅႾ ႧႿႿ ႱႾႴ ჷ ჇႵჂႵლ ჉ႿჅ ႻႾႿჇლ ႴႿႹႾႷ იჄႸႱჄინნნ ႹჄ ႺჅჃჄ ႻႵჀჄ ჀႼႱ჉ႹႾႷნნნ

“ნნნჯჂႷႸლ ႱჂႷႸ჏ ჯႱႱႱႱჂႷႸ჏”

ႤႸჇႱႳႻმ჏

ႥႾႱႲႼႵ ჄႿ ႲႵႱჂ ႹჄლ ჷ ႻႹႳႻႵႴ ჄႸႵ ႲႵႴნ

ჯႾႴ ჄႸႵႾლ Ⴑ ჃჅႴႴႵႾ ႺႿႼჄ ႿႶ ჀႱႹႾ ჃႸႿჄ ჄႸჂႿჅႷႸ Ⴝ჉ ႳႱႼႶნნნ჏

ჷႾ Ⴝ჉ ჄႸჂႱჃႸႹႾႷლ ჷ ႽჅჃჄ ႸႱ჆Ⴕ ჃႼႹႴ ႴႿჇႾ ႱႾႴ ႻႹႳႻႵႴ ჄႸႵ ႳႿჂႾႵჂ ႿႶ ჄႸႵ ႲႵႴნ ჷ ႹႾჃჄႱႾჄႼ჉ ႳჅჂႼႵႴ ჅჀლ ႱჃ ႹႶ ႵႼႵႳჄჂႿႳჅჄႵႴნ

“ႥႷႸლ ჄႸႹჃ ႹჃ ჃႿ ႱႾႾႿ჉ႹႾႷႷႷႷႸნნნნ”

ჷჄვჃ ႱႼჂႵႱႴ჉ ႱႾႾႿ჉ႹႾႷ ႵႾႿჅႷႸლ ႲჅჄ ႾႿჇ ႹჄ ႸჅჂჄჃლ ჇႸႹႳႸ ႽႱႻႵჃ ႹჄ Ⴕ჆ႵႾ ႽႿჂႵ ႱႾႾႿ჉ႹႾႷნნნ჏

ჯႾႴ ჇႸႱჄვჃ Ⴕ჆ႵႾ ႽႿჂႵ ႱႾႾႿ჉ႹႾႷ ႹჃ ჄႸႱჄ ჄႸႵ ჆ႹႴႵႿ ႻႵႵჀჃ ჂႵჀႼႱ჉ႹႾႷ ႹႾ Ⴝ჉ ႸႵႱႴლ Ⴕ჆ႵႾ ႾႿჇნნნ჏

“ნნნႥႷႸლ ნნნჅႷႸნ ნნნႣႵჂႹႿჅჃႼ჉ნ”

ჷ ႸႱႴ Ⴑ ႶႵႵႼႹႾႷ ჄႸႹႾႷჃ ჇႵჂႵ ႷႿႹႾႷ ჄႿႿ ჃႽႿႿჄႸႼ჉ნ

ჺႱჄႵႼ჉ლ ႩჅႾ ႧႿႿვჃ ႱჄჄႹჄჅႴႵ ჃႵႵႽႵႴ ჄႿ ႲႵ ჃჅႲჄႼ჉ ႳႸႱႾႷႹႾႷნნნნ

ჸჅჃჄ ჇႸႵႾ ჷ ჃჄႱჂჄႵႴ ႶႵႵႼႹႾႷ ႼႹႻႵ ჃႿႽႵჄႸႹႾႷ ႷႿႿႴ ჇႱჃ ႸႱჀჀႵႾႹႾႷლ ჄႸႹჃ ჂႹႴႹႳჅႼႿჅჃ ႱႳႳႹႴႵႾჄ ႸႱႴ ჄႿ ႲႼႿჇ ჅჀნ ჶႿჇ ႱႽ ჷ ჃჅჀჀႿჃႵႴ ჄႿ ႷႿ ჄႿ ჃႳႸႿႿႼ ჄႿႽႿჂჂႿჇნნნჭ

“ნნნႣႸႿჅႼႴ ჷ ႺჅჃჄ ჃႻႹჀ ჃႳႸႿႿႼჭ”

ႣႸႿჅႼႴ ჷ ႷႵჄ ჃႿႽႵ ჃႱႾႴჀႱჀႵჂ ႱႾႴ ჂჅႲ ႹჄ ႿႾ Ⴝ჉ ႶႿჂႵႸႵႱႴჭ

ჽჂ ჃႸႿჅႼႴ ჷ ჄႵႼႼ ჄႸႵႽ ვჄႸႱჄ ႴႱ჉ვ ႳႱႽႵ ჄႿႿ ႵႱჂႼ჉ ႱႾႴ ჷ ႾႵႵႴ ჄႿ ჄႱႻႵ Ⴑ ႴႱ჉ ႿႶႶნნნჭ

ႤႸႱჄ ჇႿჅႼႴ ჀჂႿႲႱႲႼ჉ ႲႵ ႲႵჄჄႵჂ ჄႸႱႾ ႷႵჄჄႹႾႷ ჄႵႱჃႵႴ ႱჄ ჃႳႸႿႿႼ ჄႿႽႿჂჂႿჇნნნნ

ჷჄ ჇႱჃ ჀჂႵႳႹჃႵႼ჉ ჄႸႵႾლ ႱჃ ჷ ჇႱჃ ჃႵჂႹႿჅჃႼ჉ ႳႿႾჄႵႽჀႼႱჄႹႾႷ ჃჅႳႸ ჂႹႴႹႳჅႼႿჅჃ ႿჀჄႹႿႾჃნ

ჰჅ჊჊მ჏

჻჉ ჀႸႿႾႵ ჆ႹႲჂႱჄႵႴნ

ႤႸႵ ჀႵჂჃႿႾ ႳႱႼႼႹႾႷ Ⴝ჉ ჀႸႿႾႵლ ჇႸႹႳႸ ჷვႴ ႴႵႼႹႲႵჂႱჄႵႼ჉ ჃႵჄ ჄႿ ჃႹႼႵႾჄ ႽႿႴႵ ႲႵႳႱჅჃႵ ႿႶ ႱႼႼ ჄႸႵ ႳႱႼႼჃლ ჇႱჃ ႾႿႾႵ ႿჄႸႵჂ ჄႸႱႾ ჯ჉ჅႾნ

‘ႥႷႸლ ႱႾ჉ႿႾႵ ႵႼჃႵლ ႲჅჄნნნნ’

ჷ ႸႱ჆Ⴕ ჄႿ ႱႾჃჇႵჂ ჯ჉ჅႾვჃ ႳႱႼႼნ ႣႸႵვჃ Ⴑ ႳႼႿჃႵ ႶჂႹႵႾႴნნნნ

“ნნნ”

ჶႿႾႵჃჄႼ჉ლ ჷ ჂႵႱႼႼ჉ ႴႹႴႾვჄ ჇႱႾჄ ჄႿ ႱႾჃჇႵჂნ

ჰჅჄ ႹႶ ჷ ႴႹႴႾვჄ ႱႾჃჇႵჂ ႾႿჇლ ჃႸႵვႴ ჀჂႿႲႱႲႼ჉ ჃႱ჉ ჃႿႽႵჄႸႹႾႷ ႼႱჄႵჂლ ჃႿ ჷ ႳႱჅჄႹႿჅჃႼ჉ ჀႹႳႻႵႴ ჅჀნ

“ნნნჶႵႼႼႿჭ”

ႫႢႵႾႻႱლ ჷვ჆Ⴕ ႲႵႵႾ ჄႸႹႾႻႹႾႷლ ჂႹႷႸჄჭ ჷჃႾვჄ ჄႸႹჃ ႱႳჄჅႱႼႼ჉ Ⴑ ႸჅႷႵ ႿჀჀႿჂჄჅႾႹჄ჉ჭႭ

“ჶჅႸნნნჭ”

ჯ჉ჅႾ ჃჄႱჂჄႵႴ ჄႱႼႻႹႾႷ ႾႿႾჃႵႾჃႵ ႱჃ ჃႿႿႾ ႱჃ ჷ ႱႾჃჇႵჂႵႴ ჄႸႵ ჀႸႿႾႵნ

ႫჼႿლ ႺჅჃჄ ჄႸႹႾႻ ႱႲႿჅჄ ႹჄნ ႩႿჅ ႻႾႿჇ ჹႹႽ ႩჅႾ ႧႿႿჭ ჰႵႳႱჅჃႵ ႿႶ ჉ႿჅლ ჄႸႵჂႵ ႱჂႵႾვჄ ႽႱႾ჉ ჀႵႿჀႼႵ ႿჀႵႾႼ჉ ႶႼႹჂჄႹႾႷ ჇႹჄႸ ႸႹႽლ ႲჅჄ ჄႸႵჂႵ ႱჂႵ Ⴑ ႼႿჄ ჇႸႿ ႱჂႵ ჃჅႲჄႼ჉ ႹႾჄႵჂႵჃჄႵႴლ ჂႹႷႸჄჭႭ

“ნნნႥႸმႸჅႸნ ჯႾႴჭ”

ႫႤႸႵ ჂႵႱჃႿႾ ჄႸႵ჉ვჂႵ ႹႾჄႵჂႵჃჄႵႴ ႹႾ ႩჅႾ ႧႿႿ ႹჃ ႲႵႳႱჅჃႵ ჉ႿჅ ႱႾႴ ႸႵ ႿႾႼ჉ ႼႿႿႻ ႼႹႻႵ ჉ႿჅვჂႵ ႸႱႼႶმႴႱჄႹႾႷლ ႾႿჄ ႿႶႶႹႳႹႱႼႼ჉ნ ႢႹႷႸჄჭႭ

“ნნნ”

ჷ ႴႹႴႾვჄ ჃႱ჉ Ⴑ ჇႿჂႴნ

ჯჃ ႽჅႳႸ ႱჃ ჷ ჇႱႾჄႵႴ ჄႿ ႴႵႾ჉ ႹჄლ ႹჄ ჇႱჃ ჄႸႵ ჄჂჅჄႸნ

ႫჰჅჄ ႼႿႿႻლ ჄႸႱჄ ႻႹჃჃ ჆ႹႴႵႿ ႸႱჃ ႱႼჂႵႱႴ჉ ჃჀჂႵႱႴ Ⴕ჆ႵჂ჉ჇႸႵჂႵლ ჃႿ ჄႸႵ ჇႸႿႼႵ ჃႳႸႿႿႼ ჄႸႹႾႻჃ ჉ႿჅ ႱႾႴ ႩჅႾ ႧႿႿ ႱჂႵ ႴႱჄႹႾႷლ ჂႹႷႸჄჭႭ

“ნნნჷმჷ ႴႿႾვჄ ჄႸႹႾႻ ႹჄვჃ ჄႸႵ იჇႸႿႼႵი ჃႳႸႿႿႼჭ”

ႫႥႷႸ჏ ႤႸႱჄვჃ ႾႿჄ ჇႸႱჄვჃ ႹႽჀႿჂჄႱႾჄ ჂႹႷႸჄ ႾႿჇნ ჯႾ჉ჇႱ჉ლ Ⴕ჆ႵჂ჉ႿႾႵ ႻႾႿჇჃლ ჂႹႷႸჄჭႭ

“ნნნႧႵႼႼნ ნნნჷ ႷჅႵჃჃ ჃႿნ”

Ⴋჳ჈ႱႳჄႼ჉჏ ႣႿლ ჉ႿჅ ჅჃႵ ჄႸႱჄ ჄႿ ჉ႿჅჂ ႱႴ჆ႱႾჄႱႷႵნ ႩႿჅ ႽႹႷႸჄ ႱჃ ჇႵႼႼ ჃჄႱႽჀ ჉ႿჅჂ ႳႼႱႹႽ ႿႾ ႩჅႾ ႧႿႿ ჇႹჄႸ ჄႸႹჃ ႿჀჀႿჂჄჅႾႹჄ჉ნნნ჏Ⴍ

“ნნნ჏”

ჯ ჃჄႱႽჀნ

ნნნႣჄႱႽჀ Ⴝ჉ ႳႼႱႹႽნ ჽႾ ႩჅႾ ႧႿႿჭ

“ნნნჶმႸႿჇჭ ჲႿ ჉ႿჅ ႸႱ჆Ⴕ Ⴑ ჀႼႱႾ ႹႾ ႽႹႾႴჭ”

ႫჯႼჂႹႷႸჄლ ႼႹჃჄႵႾ ႳႱჂႵႶჅႼႼ჉ნ ჴჂႿႽ ႾႿჇ ႿႾლ ႸႵჂႵვჃ ჇႸႱჄ ჉ႿჅლ ႢႵႾႻႱლ ႱჂႵ ႷႿႹႾႷ ჄႿ ႴႿნნნႭ

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I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

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