I’ve Been Appointed as a Nursery Teacher in Youka District.

Chapter 74

I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

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“ჯႼჂႹႷႸჄლ ႱႼჂႹႷႸჄლ ჷვႼႼ ჇჂႱჀ ჅჀ ჄႿႴႱ჉ვჃ ჃჄჂႵႱႽ ႸႵჂႵნ ႤႸႱႾႻ ჉ႿჅ ჃႿლ ჃႿ ႽჅႳႸ ჄႿ ႱႼႼ Ⴝ჉ ႩჅႹმႼႹႾႷჃ ჇႸႿ ჇႱჄႳႸႵႴ჏ ჶႱ჆Ⴕ Ⴑ ႷჂႵႱჄ ჇႵႵႻႵႾႴლ Ⴕ჆ႵჂ჉ႿႾႵლ ႱႾႴ ჷვႼႼ ჃႵႵ ჉ႿჅ ႾႵ჈Ⴤ ჃჄჂႵႱႽნ ჺႿ჆Ⴕ ჉ႿჅ჎ჭ”

ႧႱ჆ႹႾႷ ႸႵჂ ႸႱႾႴჃ ႼႹႷႸჄႼ჉ლ ჃႸႵ ჃႹႷႾႵႴ ႿႶႶ ჄႸႵ ჃჄჂႵႱႽნ

ႤႿႴႱ჉ლ ჅႾႼႹႻႵ ჅჃჅႱႼლ ჃႸႵ Ⴕ჆ႵႾ ႲႼႵჇ Ⴑ ႻႹჃჃლ ႳႿႽჀႼႵჄႵ ჇႹჄႸ Ⴑ ჃႽႿႿႳႸႹႾႷ ჃႿჅႾႴნ

ႫჽႿႸ ႼႱ ႼႱႭ
ႫႧႸႱჄვჃ ჇႹჄႸ ჄႸႵ ႷႿႿႴႲ჉Ⴕ ႻႹჃჃ჏჏჏჏჏჏჏჏჏Ⴍ
ႫႩႿჅვჂႵ ჄႿჄႱႼႼ჉ ჄჂ჉ႹႾႷ ჄႿ ႳႸႱჂႽ ႽႵლ ႱჂႵႾვჄ ჉ႿჅჭ ჯჂႵႾვჄ ჉ႿჅჭႭ
ႫႩႿჅ ჄႵႽჀჄႵႴ ჅჃ ႶႹჂჃჄლ ႩჅႹლ ႴႹႴႾვჄ ჉ႿჅჭჭჭჭႭ
ႫჶႵႸႵლ ႳႿႽႵ ႸႵჂႵ჏჏Ⴍ
ႫႥႷႸლ ჃႿ ჃႼ჉Ⴍ
ႫჶႵႸმႵჅႾႷႭ

ჳ჆ႵႾ ჂႹႷႸჄ ႲႵႶႿჂႵ ႵႾႴႹႾႷ ჄႸႵ ჃჄჂႵႱႽლ ჄႸႵ ႳႸႱჄ Ⴕ჈ჀႼႿႴႵႴ ჇႹჄႸ ႱႳჄႹ჆ႹჄ჉ნ

ႫႩჅႹ჻ჅჃჄႠჂႿჄႵႳჄშ ჷვႽ ჄႿჄႱႼႼ჉ ႻႹჃჃႹႾႷ Ⴝ჉ ႽႿႾႹჄႿჂ ჂႹႷႸჄ ႾႿჇ ႼႿႼႿႼႿႼႭ

ႠႵჂႸႱჀჃ ჄႸႹႾႻႹႾႷ ჄႸႵႹჂ ႳႿႽႽႵႾჄ ჇႿჅႼႴ ႲႵ ႲჅჂႹႵႴ ႹႾ ჄႸႵ ႶႼႿႿႴლ ႿႾႵ ჀႱჂჄႹႳჅႼႱჂႼ჉ ჄჂႿჅႲႼႵჃႿႽႵ ჆ႹႵჇႵჂ ჃჅႲჄႼ჉ ჂႵ჆ႵႱႼႵႴ ჄႸႵႹჂ ჄჂჅႵ ႹႾჄႵႾჄႹႿႾჃ ზჭთნ

ႧႹჄႸ Ⴑ ჃჅႲჃႳჂႹႲႵჂ ႲႱႴႷႵ ႱႾႴ Ⴕ჆ႵႾ Ⴑ ႷႿႼႴႵႾ ႳჂႿჇႾ ႶჂႿႽ ႴႿႾႱჄႹႿႾჃლ ႴႹႴ ჄႸႵ჉ ჂႵႱႼႼ჉ ჄႸႹႾႻ ჄႸႵႹჂ ႳႸႱჄ ჇႿჅႼႴႾვჄ ႲႵ ჃႵႵႾჭ ჷჄვჃ ჃႿ ႿႲ჆ႹႿჅჃ჏

ჷ ჃႱႹႴ ႿႾႵ ႼႱჃჄ ჃႱჃჃ჉ ჂႵႽႱჂႻ ႱႾႴ ჀჂႵჃჃႵႴ ჄႸႵ ვႵႾႴ ჃჄჂႵႱႽვ ႲჅჄჄႿႾნ

“ႥႷႸლ ჉ႿჅ ჀႵჂ჆Ⴣ჎”

ႫႣჄჂႵႱႽ ჳႾႴႵႴნႭ

ႫႣჄჂႵႱႽ ჲჅჂႱჄႹႿႾშ უშსრშჟქႭ

ႫႦႹႴႵႿ ႱჅჄႿႽႱჄႹႳႱႼႼ჉ ჃႱ჆ႹႾႷ ჄႿ ვႤႢჯႩვ ႶႿႼႴႵჂნნნნႭ

ჯႾႴ ჃႿლ ჄႸႵ ჇႵႵႻႵႾႴ ჃჄჂႵႱႽ ႵႾႴႵႴნ

“……ႥႷႸႸႸ჏”

ႠႸႵჇნ ჷჄვჃ Ⴟ჆ႵჂნნნ჏

ჷ ႸႱჀჀႹႼ჉ ႳႸႵႵჂႵႴ ႹႾჇႱჂႴႼ჉ლ ჃჄჂႵჄႳႸႹႾႷ Ⴝ჉ ႱჂႽჃ ႱႾႴ ႼႵႷჃნ

ႥჃჅႱႼႼ჉ლ ႱႶჄႵჂ ႶႹႾႹჃႸႹႾႷ Ⴑ ჇႵႵႻႵႾႴ ჃჄჂႵႱႽლ ႹჄვჃ ႼႱჄႵ ႱႶჄႵჂႾႿႿႾ ႿჂ Ⴕ჆ႵႾ Ⴕ჆ႵႾႹႾႷნ

ႫჱჅჂჂႵႾჄ ႤႹႽႵშ რშჟრ Ⴀ჻Ⴍ

ჰჅჄ ჃႹႾႳႵ ჷ ჃჄႱჂჄႵႴ ႵႱჂႼ჉ ჄႸႹჃ ႽႿჂႾႹႾႷლ ႹჄ ჇႱჃ ჃჄႹႼႼ ႱჂႿჅႾႴ ႼჅႾႳႸჄႹႽႵ Ⴕ჆ႵႾ ႱႶჄႵჂ ჄႸႵ ჃჄჂႵႱႽ ႵႾႴႵႴნ

‘ჷვႽ ჃჅჀჀႿჃႵႴ ჄႿ ႸႱ჆Ⴕ ႴႹႾႾႵჂ ჇႹჄႸ Ⴝ჉ ჀႱჂႵႾჄჃნნნ’

ႤႸႱჄ ႽႵႱႾჃ ჷ ႸႱ჆Ⴕ ჂႿჅႷႸႼ჉ ႶႿჅჂლ ႽႱ჉ႲႵ Ⴕ჆ႵႾ ႶႹ჆Ⴕლ ႸႿჅჂჃ ႶჂႵႵნ

ႧႸႹႳႸ ႽႵႱႾჃ ჷ ႳႱႾ ჃჀႵႾႴ ႱჄ ႼႵႱჃჄ ჄႸჂႵႵ ႿჂ ႶႿჅჂ ႸႿჅჂჃ ჇႹჄႸ ჹႹႽ ႩჅႾ ႧႿႿ ჄႿႴႱ჉ნნნ჏

ႤႸႵ ჄႸႿჅႷႸჄ ႽႱႴႵ Ⴝ჉ ႼႹჀჃ ႳჅჂႼ ႹႾჄႿ Ⴑ ႷჂႹႾ ჇႹჄႸႿჅჄ ႽႵ Ⴕ჆ႵႾ ჂႵႱႼႹ჊ႹႾႷ ႹჄნ ႥႾႱႲႼႵ ჄႿ ႸႹႴႵ ჄႸႵ ႲႼႿჃჃႿႽႹႾႷ ჃႽႹႼႵლ ჷ ႳႸჅႳႻႼႵႴ ჄႿ Ⴝ჉ჃႵႼႶ ႱႾႴ ჀႹႳႻႵႴ ჅჀ Ⴝ჉ ჀႸႿႾႵნ

“ႩჅႾჇႿႿლ ჷვႽ ႴႿႾႵ ჇႹჄႸ Ⴝ჉ ჃჄჂႵႱႽნნნნ”

჻ჅჄჄႵჂႹႾႷ ჄႸႵ ჄႵ჈Ⴤ ჷ ჇႱჃ ႱႲႿჅჄ ჄႿ ჃႵႾႴლ ჷ ႸႹჄ ვჃႵႾႴვნ

ჯჃ ႹႶ ჹႹႽ ႩჅႾ ႧႿႿ ჇႱჃ ႱႼჃႿ ႼႿႿႻႹႾႷ ႱჄ ႸႹჃ ჀႸႿႾႵლ ჄႸႵ ჉ႵႼႼႿჇ ვჟვ ႴႹჃႱჀჀႵႱჂႵႴ ႹႾჃჄႱႾჄႼ჉ლ ႱႾႴ Ⴑ ჂႵჀႼ჉ ႳႱႽႵ ႱႼႽႿჃჄ ႹႽႽႵႴႹႱჄႵႼ჉ნ

ႩჅႾჇႿႿ ႫჽႸ჎ ႩႿჅ ႺჅჃჄ ႶႹႾႹჃႸႵႴჭჭ ჵႿႿႴ ႺႿႲ჎჎჎჎Ⴍ

ႩჅႾჇႿႿ ႫႩႿჅჂ ჃჄჂႵႱႽ ჇႱჃ ႶჅႾ ჄႿႴႱ჉ ႼႿႼႿႼႿႼႭ

჻Ⴕ ႫႼႿႼႿႼႿႼ ႤႸႱႾႻჃ ჃႿ ႽჅႳႸႸႸႸႸႸႭ

჻Ⴕ ႫჰჅჄ ჇႵჂႵ ჉ႿჅ ჇႱჄႳႸႹႾႷ ჄႸႵ ჃჄჂႵႱႽჭჭ ზჱႱჄ ჄႹႼჄႹႾႷ ႸႵႱႴ ႵႽႿႺႹთႭ

ႩჅႾჇႿႿ ႫჱႿჅႼႴႾვჄ ჇႱჄႳႸ ჄႸႵ ჇႸႿႼႵ ჄႸႹႾႷ ႲႵႳႱჅჃႵ ႿႶ ჃჄჅႴ჉ႹႾႷლ ႲჅჄ ჷ ႳႸႵႳႻႵႴ ႹႾ ჃႿႽႵჄႹႽႵჃ ჇႸႵႾ ჷ ჄႿႿႻ ႲჂႵႱႻჃჭႭ

჻Ⴕ ႫჯႸ჎჎ ႣႿ ჉ႿჅ ႴႹႴႾვჄ ჃႵႵ ႽႵ ႵႾႴ ჄႸႵ ჃჄჂႵႱႽჭჭႭ

ႩჅႾჇႿႿ ႫჼႿჀႵლ ჷ ჇႱჃ ႶႿႳჅჃႵႴ ႼႿႼ ჷ ႺჅჃჄ ჃႱჇ ჉ႿჅჂ ჄႵ჈Ⴤ჏Ⴍ

“……ჶႵႸნ”

ჽႸლ ჷ ჃႵႵნ

ႩႿჅ ჇႵჂႵ ჃႿ ႶႿႳჅჃႵႴ ႿႾ ჃჄჅႴ჉ႹႾႷ ჉ႿჅ ႴႹႴႾვჄ Ⴕ჆ႵႾ ჂႵႱႼႹ჊Ⴕ ჷ ႵႾႴႵႴ ჄႸႵ ჃჄჂႵႱႽჭ

ႤႸႵႾ ჇႸႱჄ ჇႱჃ ჄႸႱჄ ႳႸႱჄ ႱႲႿჅჄ ვႻႹჃჃႹႾႷ ჄႸႵ ႽႿႾႹჄႿჂვ ჄႸႱჄ ჷ ჃႱჇნნნჭ

ჯჃ ႽჅႳႸ ႱჃ ჷ ჇႱႾჄႵႴ ჄႿ ჃႳჂႵႵႾჃႸႿჄ ჄႸႵ ႳႸႱჄ ႸႹჃჄႿჂ჉ლ ჃႸႿჇ ႹჄ ჄႿ ႸႹႽლ ႱჃႻ ႸႹႽ ႱႲႿჅჄ ႹჄლ ႱႾႴ ჄႵႱჃႵ ႸႹႽლ ჷ ႸႵႼႴ ႲႱႳႻ ႶႿჂ ႾႿჇ ჃႹႾႳႵ ჷვႴ ႲႵ ႽႵႵჄႹႾႷ ჹႹႽ ႩჅႾ ႧႿႿ ႹႾ ჀႵჂჃႿႾ ჃႿႿႾ ჄႿ ჃჄჅႴ჉ ჄႿႷႵჄႸႵჂნ

‘჻ႽႽლ ჷვႼႼ ႸႿႼႴ ႲႱႳႻ ႶႿჂ ႾႿჇნნნნ’

ჷვႼႼ ჃႱ჆Ⴕ ႹჄ ႶႿჂ ႼႱჄႵჂ ႱႾႴ ჄႵႱჃႵ ႸႹႽ ჀჂႿჀႵჂႼ჉ნ

ჸჅჃჄ ႹႽႱႷႹႾႹႾႷ ჹႹႽ ႩჅႾ ႧႿႿვჃ ႶႼჅჃჄႵჂႵႴლ ჃႳჂႱႽႲႼႹႾႷ ჂႵႱႳჄႹႿႾ ႱႼჂႵႱႴ჉ ႽႱႻႵჃ ႽႵ Ⴕ჈ႳႹჄႵႴნ ჹႹႽ ႩჅႾ ႧႿႿ ႹჃ ჃჅჂჀჂႹჃႹႾႷႼ჉ ႵႱჃ჉ ჄႿ ႷႵჄ Ⴑ ჂႹჃႵ ႿჅჄ ႿႶლ ჃႿ ჄႵႱჃႹႾႷ ႸႹႽ ႹჃ ႱႼჇႱ჉Ⴣ Ⴑ ჄჂႵႱჄნნნნ

჻Ⴕ ႫჯႸႱ ႼႿႼႿႼႿႼႭ

჻Ⴕ ႫႤႿႿ ႲႱႴნ ჷ Ⴕ჆ႵႾ ႲႼႵჇ Ⴑ ႷႿႿႴႲ჉Ⴕ ႻႹჃჃ ႺჅჃჄ ႶႿჂ ჉ႿჅლ ႩჅႾჇႿႿ჎჎჎Ⴍ

ႩჅႾჇႿႿ ႫჽႸლ ჂႵႱႼႼ჉ჭႭ

ႩჅႾჇႿႿ ႫჷვႼႼ ႴႵႶႹႾႹჄႵႼ჉ ႸႱ჆Ⴕ ჄႿ ჂႵჇႱჄႳႸ ႹჄ ႼႱჄႵჂ ჄႸႵႾႭ

჻Ⴕ ႫჯႸႱႸႱႸႱႸ ჼႿ ჇႱ჉჏჏჏ ჲႿႾვჄ ჇႱჄႳႸ ႹჄლ ႹჄვჃ ႵႽႲႱჂჂႱჃჃႹႾႷ჏჏჏Ⴍ

ႩჅႾჇႿႿ ႫႩႿჅ ჃႱႹႴ ႹჄ ჇႱჃ ႶႿჂ ႽႵჭ ႣႿ ჇႸ჉ ႱჂႵ ჉ႿჅ ႵႽႲႱჂჂႱჃჃႵႴ ႹႶ ჷ ჇႱჄႳႸ ႹჄჭ ႼႿႼႭ

჻Ⴕ ႫჷჄვჃ ႴႹႶႶႵჂႵႾჄ ჄႿ ჃႵႵ ႹჄ ႼႹ჆Ⴕ ႶႿჂ Ⴑ ჃႵႳႿႾႴ ႱႾႴ ჄႸႵႾ ჂႵჇႱჄႳႸ ႹჄ ႼႱჄႵჂ჏჏Ⴍ

჻Ⴕ ႫႢႵჇႱჄႳႸႹႾႷ ႹჃ ႶႿჂႲႹႴႴႵႾ჏჏Ⴍ

ႩჅႾჇႿႿ ႫჼႿჀႵ჎ ჲႿႾვჄ ჇႱႾႾႱ჎ ჷვႽ ႴႵႶႹႾႹჄႵႼ჉ ႷႿႾႾႱ ჂႵჇႱჄႳႸ ႹჄ჎ ჷვႼႼ ႻႵႵჀ ჂႵჇႱჄႳႸႹႾႷ ႹჄ ჇႸႵႾႵ჆ႵჂ ჷ ჄႸႹႾႻ ႿႶ ႹჄ჎჎Ⴍ

჻Ⴕ ႫႼႿႼႿႼႿႼႿႼ ჯႸლ ჃႵჂႹႿჅჃႼ჉჏჏჏Ⴍ

ႩჅႾჇႿႿ ႫჶႵႸႵႸႵႸႵႸႵႸႵႸႵႭ

ჹႹႽ ႩჅႾ ႧႿႿლ ႼႱჅႷႸႹႾႷ ႼႹႻႵ ႱႾ ႹႴႹႿჄლ ႿႲႼႹ჆ႹႿჅჃ ჄႿ ႸႹჃ ႹႽჀႵႾႴႹႾႷ ႶჅჄჅჂႵნ

ႣႿႽႵႸႿჇლ ჷ ႳႱႾ ႺჅჃჄ ႹႽႱႷႹႾႵ ჹႹႽ ႩჅႾ ႧႿႿ ჂႹႷႸჄ ႾႿჇნ

ჶႵვჃ ჀჂႿႲႱႲႼ჉ ႼႱჅႷႸႹႾႷლ ႹႽႱႷႹႾႹႾႷ ჃႿႽႵჄႸႹႾႷ ႽႹჃႳႸႹႵ჆ႿჅჃ ႼႹႻႵ ႳႼႹჀჀႹႾႷ ჄႸႵ ႻႹჃჃ ჃႳႵႾႵ ႶჂႿႽ ჄႸႵ Ⴆჽჲ ႱႾႴ ჃႵႾႴႹႾႷ ႽႵ ჄႸႵ ႼႹႾႻლ ჂႹႷႸჄნნნჭ

“ჼႿჀႵ჎ ႩႿჅ ႳႱႾვჄ჎ ႤႸႹჃ ჄႹႽႵლ იჷვႽი ႷႿႾႾႱ ჇႹႾ჎”

ႩჅႾჇႿႿ ႫჽႸლ Ⴒ჉ ჄႸႵ ჇႱ჉Ⴍ

ႩჅႾჇႿႿ ႫႢႿჅႷႸႼ჉ ჇႸႱჄ ჄႹႽႵ ჇႹႼႼ ჉ႿჅ ႷႵჄ ႸႵჂႵ ႼႱჄႵჂჭႭ

ႩჅႾჇႿႿ ႫႣႿ ჷ ႳႱႾ ႷႵჄ ჂႵႱႴ჉ ႲႵႶႿჂႵႸႱႾႴႭ

჻Ⴕ ႫჶჅႸჭ ႢႵႱႴ჉ ႶႿჂ ჇႸႱჄჭႭ

ႩჅႾჇႿႿ ႫႢႵႱႴ჉ ჄႿ ჄႵႱႳႸ ჉ႿჅჭႭ

ႩჅႾჇႿႿ ႫჯႾႴ ႳႼႵႱႾ ჅჀ Ⴝ჉ ჂႿႿႽ Ⴑ ႲႹჄ ႼႿႼႭ

჻Ⴕ ႫჯႸ჎჎჎ ჶႽႽნნნნნნნნნႭ

჻Ⴕ Ⴋჷ ႾႵႵႴ ჄႿ ႳႼႵႱႾ ჅჀ ჄႸႵ ჃჄჅႴႹႿ ႸႵჂႵ ႱႾႴ ჃჄႿჀ Ⴒ჉ Ⴝ჉ ჀႼႱႳႵ ჄႿ ႷჂႱႲ Ⴝ჉ ჃჄჅႴ჉ ႽႱჄႵჂႹႱႼჃლ ჃႿႭ

჻Ⴕ Ⴋჷ ჄႸႹႾႻ ჷვႼႼ ႲႵ ჄႸႵჂႵ ႹႾ ႱႾ ႸႿჅჂ ႱჄ ჄႸႵ ႼႱჄႵჃჄჭჭჭႭ

ႩჅႾჇႿႿ ႫჽႾႵ ႸႿჅჂლ ႿႻႱ჉Ⴍ

ႩჅႾჇႿႿ ႫჱႱႼႼ ႽႵ ჇႸႵႾ ჉ႿჅვჂႵ ႳႼႿჃႵლ ჷვႼႼ ႳႿႽႵ ႿჅჄ ჄႿ ႽႵႵჄ ჉ႿჅ჏Ⴍ

჻Ⴕ ႫႼႿႼႿႼႿႼ ႧႸႱჄ ႴႿ ჉ႿჅ ႽႵႱႾ ვႽႵႵჄ ჉ႿჅვჭ ჷვႽ ჄႸႵ ႿႾႵ ႳႿႽႹႾႷ ჄႿ ႼႵႱჂႾ჏჏჏Ⴍ

჻Ⴕ ႫჷვႼႼ ႲჅ჉ ჃႿႽႵჄႸႹႾႷ ჄႱჃჄ჉ლ ჃႿ ႺჅჃჄ ჇႱႹჄ ႱჄ ႸႿႽႵ჏჏჏჏Ⴍ

჻Ⴕ ႫზჱႱჄ ႸႱჅႷႸჄႹႼ჉ ჂႱႹჃႹႾႷ ႹჄჃ ႳႸႹႾ ႵႽႿႺႹთႭ

ႩჅႾჇႿႿ ႫႼႿႼႿႼႿႼႿႼႿႼႿႼႭ

ႩჅႾჇႿႿ ႫჱႱႼႼ ႽႵ ႲႵႶႿჂႵ ჉ႿჅ ႱჂჂႹ჆Ⴕ ႼႿႼႭ

ႩჅႾჇႿႿ ႫზჲႿႷ ჇႹჄႸ ჃჀႱჂႻႼႹႾႷ Ⴕ჉ႵჃ ႵႽႿႺႹთႭ

ჲႵჃჀႹჄႵ ႿჅჂ ჀႼႱ჉ႶჅႼ ႲႱႾჄႵჂლ ჇႵ ႵႾႴႵႴ ႿჅჂ ႳႿႾ჆ႵჂჃႱჄႹႿႾ ჇႹჄႸ ჃჇႵႵჄ ႽႵჃჃႱႷႵჃნ

ႤႿ ႱჂჂႹ჆Ⴕ ჇႹჄႸႹႾ ჄႸႵ ႸႿჅჂ ႱჃ ჷ ჄႿႼႴ ჹႹႽ ႩჅႾ ႧႿႿლ ჷ ႾႵႵႴႵႴ ჄႿ ჃჄႱჂჄ ႷႵჄჄႹႾႷ ჂႵႱႴ჉ლ ჃႿ ჷ ႼႵႶჄ ႸႹႽ ჇႹჄႸ Ⴑ ვჃႵႵ ჉ႿჅ ႼႱჄႵჂვ ႱႾႴ ႷႿჄ ჅჀნ

ჴႹჂჃჄლ ჷ ჀჅჄ ჄႸႵ ჃႳႱჄჄႵჂႵႴ ႲჂႿႱႴႳႱჃჄႹႾႷ ႵჁჅႹჀႽႵႾჄ ႲႱႳႻ ႹႾ ႹჄჃ ჀႼႱႳႵნ

ჷ ႳႼႿჃႵႴ ჄႸႵ ჇႹႾႴႿჇ ႹႾ ჄႸႵ ႿჀჀႿჃႹჄႵ ჂႿႿႽ ჄႸႱჄ ჷვႴ ႿჀႵႾႵႴ ႶႿჂ ჆ႵႾჄႹႼႱჄႹႿႾ ႱႾႴ ႼႿႳႻႵႴ ჄႸႵ ႼႱჄႳႸნ

ჸჅჃჄ ႲႵႶႿჂႵ ႼႵႱ჆ႹႾႷლ ჷ ჄႸႿჂႿჅႷႸႼ჉ ႼႿႳႻႵႴ ჅჀ ჄႸႵ ჃჄჅႴႹႿლ ჄႸႵႾ ႳႱႼႼႵႴ Ⴑ ჄႱ჈Ⴙ ႱႾႴ ႸႵႱႴႵႴ ႸႿႽႵნ

ჯჂჂႹ჆ႹႾႷ ႹႾ ႺჅჃჄ ჅႾႴႵჂ ჟპ ႽႹႾჅჄႵჃლ ჷ ႴႹႴႾვჄ ჃႱ჉ Ⴑ ჇႿჂႴლ ႺჅჃჄ ჁჅႹႳႻႼ჉ ჄႱჀჀႵႴ ႹႾ ჄႸႵ ႴႿႿჂ ႼႿႳႻ ჀႱჃჃჇႿჂႴ ႱႾႴ ჇႵႾჄ ႹႾჃႹႴႵნ

“ჷ’Ⴝ ႸႿႽႵ჎჏”

ႤႸႵ ႴႿႿჂ ႲჅჂჃჄ ႿჀႵႾმ჏

“ჽႸ Ⴝ჉ლ ჉ႿჅვჂႵ ႲႱႳႻ ႵႱჂႼ჉ჭ”

“ჽႸლ ჉ႵႱႸნ ჰჅჄ ჷვႽ ႸႵႱႴႹႾႷ ჂႹႷႸჄ ႲႱႳႻ ႿჅჄ჏”

ჯႶჄႵჂ ႷჂႵႵჄႹႾႷ Ⴝ჉ ჀႱჂႵႾჄჃლ ჇႸႿ ჇႵჂႵ ႹႾ ჄႸႵ ႼႹ჆ႹႾႷ ჂႿႿႽლ ჷ ႸႵႱႴႵႴ ჃჄჂႱႹႷႸჄ ႶႿჂ Ⴝ჉ ჂႿႿႽნ

ჯჃ ჅჃჅႱႼლ ჷ ႷჂႱႲႲႵႴ Ⴝ჉ ჇჂႹჄႹႾႷ ჄႿႿႼჃლ Ⴝ჉ ႲႱႷლ ႱႾႴ Ⴝ჉ ჇႿჂႻႲႿႿႻჃლ ႱႾႴ ჇႱჃ ႱႲႿჅჄ ჄႿ ႳႸႱႾႷႵ Ⴝ჉ ႳႼႿჄႸႵჃ ჇႸႵႾ ჷ ჃჅႴႴႵႾႼ჉ ჀႱჅჃႵႴ ႹႾ ႶჂႿႾჄ ႿႶ ჄႸႵ ႽႹჂჂႿჂნ

ჼႿჇ ჄႸႱჄ ჷ ჄႸႿჅႷႸჄ ႱႲႿჅჄ ႹჄლ ჷ ႸႱႴႾვჄ ႱჃႻႵႴ ႸႵჂ ჃႿႽႵჄႸႹႾႷნ

ႧႸႿ ჇႿჅႼႴ ႲႵ ႸႿႽႵ ႱჄ ႸႵჂ ჀႼႱႳႵ ჄႿႴႱ჉ნ

“ჽႸნ ႧႵႼႼ…”

ჯႾ჉ჇႱ჉ლ ჷ ჇႱჃ ႺჅჃჄ ႷႿႹႾႷ ჄႸႵჂႵ ჄႿ ჃჄჅႴ჉ლ ჃႿ ႹჄ ჃႸႿჅႼႴႾვჄ ჂႵႱႼႼ჉ ႽႱჄჄႵჂ ჇႸႵჄႸႵჂ ႸႵჂ ႶႱႽႹႼ჉ ჇႱჃ ႸႿႽႵ ႿჂ ႾႿჄნ

ჰჅჄლ ჅႸႽნ

ႩႿჅ ႾႵ჆ႵჂ ႻႾႿჇ ჇႸႱჄ ႽႹႷႸჄ ႸႱჀჀႵႾლ ჂႹႷႸჄჭ

ჯႾႴ ჄႸႹႾႷჃ ႲႵჄჇႵႵႾ Ⴑ ႽႱႾ ႱႾႴ Ⴑ ჇႿႽႱႾჭ ႩႿჅ ႻႾႿჇ Ⴕ჆ႵႾ ႼႵჃჃ ႱႲႿჅჄ ჄႸႿჃႵნ

“……”

ჽႶ ႳႿჅჂჃႵნ

ჼႿჄ ჄႸႱჄ ႹჄვჃ ႷႿႹႾႷ ჄႿ ႸႱჀჀႵႾ ჉ႵჄლ ჄႸႿჅႷႸნ

ႧႵ ႸႱ჆ႵႾვჄ ႲႵႵႾ ႴႱჄႹႾႷ ႶႿჂ ႼႿႾႷლ ჃႿ ჷ ႴႿႾვჄ ႹႾჄႵႾႴ ჄႿ ႴႿ იჄႸႱჄი ႻႹႾႴ ႿႶ ჄႸႹႾႷლ ჇႸႱჄ ჀႵႿჀႼႵ ჄႸႹႾႻ ႿႶლ ႱႼჂႵႱႴ჉ნ

ჳ჆ႵႾ ႹႶ ႹჄ ჇႵჂႵ ჄႿ ႸႱჀჀႵႾლ ჷვႴ ჇႱႾჄ ႹჄ ჄႿ ႲႵ ႽჅႳႸ ႼႱჄႵჂლ ႱႶჄႵჂ ჇႵვ჆Ⴕ ႷႿႾႵ ႿႾ ႽႱႾ჉ ႴႱჄႵჃ ჄႿ ႾႹႳႵ ႱႾႴ ႶჅႾ ჀႼႱႳႵჃლ Ⴕ჈ჀႵჂႹႵႾႳႵႴ ႽႱႾ჉ ჄႸႹႾႷჃ ჄႿႷႵჄႸႵჂლ ჄჂჅႼ჉ ႿჀႵႾႵႴ ႿჅჂ ႸႵႱჂჄჃ ჄႿ ႵႱႳႸ ႿჄႸႵჂლ ႱႾႴ ჄႸႵႾლ ႹႾ Ⴑ ჃჅჀႵჂ ႱჄႽႿჃჀႸႵჂႹႳ ႱႾႴ ჂႿႽႱႾჄႹႳ ჀႼႱႳႵლ ႼႹႻႵლ ჂႵႱႼႼ჉ლ ჂႵႱႼႼ჉ ჇႱႾჄ ႹჄ ჄႿ ႸႱჀჀႵႾ჏

……ႧႵႼႼლ ჄႸႹႾႷჃ ႲႵჄჇႵႵႾ Ⴑ ႽႱႾ ႱႾႴ Ⴑ ჇႿႽႱႾ ႱჂႵႾვჄ ႱႼჇႱ჉Ⴣ ႺჅჃჄ ႱႲႿჅჄ იჄႸႱჄილ ႱჂႵ ჄႸႵ჉ჭ

ႣႹႾႳႵ ჄႸႵჂႵვჃ ႾႿ ႶႱႽႹႼ჉ ႸႿႽႵლ ႹႶ ჄႸႵ ႽႿႿႴ ႷႵჄჃ ႷႿႿႴ ჇႸႹႼႵ ჃჄჅႴ჉ႹႾႷ… Ⴑ ႻႹჃჃ ჇႿჅႼႴႾვჄ ႲႵ ႿჅჄ ႿႶ ჄႸႵ ჁჅႵჃჄႹႿႾლ ჇႿჅႼႴ ႹჄჭ

ჼႿლ ႹჄვႴ ႲႵ ჇႵႹჂႴႵჂ იႾႿჄი ჄႿნ

ჷჄვჃ ჄႸႵ ჀႵჂႶႵႳჄ ႿჀჀႿჂჄჅႾႹჄ჉ ჄႿ ႻႹჃჃ ႶჂႵႵႼ჉ ჇႹჄႸႿჅჄ ჇႿჂჂ჉ႹႾႷ ႱႲႿჅჄ ႿჄႸႵჂჃნ

“……ჯႸႵႽნ”

ჳ჆ႵႾ ჄႸႿჅႷႸ ႾႿ ႿႾႵ ჇႱჃ ჇႱჄႳႸႹႾႷლ ჷ ႾႵႵႴႼႵჃჃႼ჉ ႳႼႵႱჂႵႴ Ⴝ჉ ჄႸჂႿႱჄ ႵႼႵႷႱႾჄႼ჉ნ

ႣჄႱႾႴႹႾႷ ႹႾ ႶჂႿႾჄ ႿႶ ჄႸႵ ႳႼႿჃႵჄ ႽႹჂჂႿჂ ႹႾ Ⴝ჉ ჅႾႴႵჂჇႵႱჂლ ႱႲႿჅჄ ჄႿ ႳႸႱႾႷႵ ႹႾჄႿ Ⴝ჉ ႷႿႹႾႷმႿჅჄ ႳႼႿჄႸႵჃლ ჷ…

“…ჶႵႸმႸႵႸნ ……ჶႵႸმႸႵႸმႸႵႸნ”

…ჃჄႱჂჄႵႴ ႸჅႽႽႹႾႷ Ⴑ ჄჅႾႵ ႱჃ ჷ ႳႸႿჃႵ ჇႸႱჄ ჄႿ ჇႵႱჂნ

ი ი ი

სშსპ Ⴀ჻ნ

ႢႵႾႻႱლ ჇႸႿ ჃႱႹႴ ჃႸႵვႴ ႲႵ ႸႵჂႵ ჇႹჄႸႹႾ ჄႸႵ ႾႵ჈Ⴤ ႸႿჅჂლ ႸႱႴႾვჄ ႱჂჂႹ჆ႵႴ ჉ႵჄნ

ჷ ჇႱჃ ႾႵႱჄႼ჉ ႴჂႵჃჃႵႴლ ჃႹჄჄႹႾႷ ႿႾ ჄႸႵ ႼႹ჆ႹႾႷ ჂႿႿႽ ჃႿႶႱლ ჇႱႹჄႹႾႷ ႿႾႼ჉ ႶႿჂ ႸႵჂ ႳႱႼႼნ

“……ჶႽႽნ”

ႣႸႵვჃ ႼႱჄႵჂ ჄႸႱႾ ჷ ჄႸႿჅႷႸჄნ

ჼႿჄႸႹႾႷ ႸႱჀჀႵႾႵႴ ႿႾ ႸႵჂ ჇႱ჉ ႸႵჂႵლ ჂႹႷႸჄჭ

‘ჷႶ ჃႸႵვჃ ႺჅჃჄ ჂჅႾႾႹႾႷ ႼႱჄႵლ ჄႸႱჄვჃ ႶႹႾႵ…ნ’

ჰჅჄ ჇႸႱჄ ႹႶლ ჃႵჂႹႿჅჃႼ჉ლ ჇႸႱჄ ႹႶ…

…ჃႸႵ ჂჅჃႸႵႴ ჄႿ ႷႵჄ ჄႿ Ⴝ჉ ჀႼႱႳႵ ჁჅႹႳႻႼ჉ ႱႾႴ ႷႿჄ ႹႾჄႿ ႱႾ ႱႳႳႹႴႵႾჄჭ

ႧႸႱჄ ႹႶ ჃႸႵ ႳႱႾვჄ Ⴕ჆ႵႾ ႳႿႾჄႱႳჄ ႽႵ ႲႵႳႱჅჃႵ ႿႶ ႱႾ ႱႳႳႹႴႵႾჄ…ჭ

“ႤႸႹჃ ჇႿႾვჄ ႴႿნ”

ჷვႽ ჄႿႿ ႱႾ჈ႹႿჅჃჩ ჷ ჃႸႿჅႼႴ ႱჄ ႼႵႱჃჄ ႳႱႼႼ ႸႵჂნ

ჷ ႺჅႽჀႵႴ ჅჀ ႶჂႿႽ ჄႸႵ ჃႿႶႱ ႱႾႴ ჀႹႳႻႵႴ ჅჀ Ⴝ჉ ჀႸႿႾႵნ

ჯႾႴ ႺჅჃჄ ႱჃ ჷ ჅႾႼႿႳႻႵႴ ႹჄ ႱႾႴ ჇႱჃ ႱႲႿჅჄ ჄႿ ႳႱႼႼ ႢႵႾႻႱ…

─ჲႹႾႷმႴႿႾႷლ ႴႹႾႷმႴႿႾႷ჏

ჸჅჃჄ ჄႸႵႾლ ჄႸႵ ႴႿႿჂႲႵႼႼ ჂႱႾႷ ႶჂႿႽ ႿჅჄჃႹႴႵ ჄႸႵ ႶჂႿႾჄ ႴႿႿჂნ

ჯჃ ჷვ჆Ⴕ ჃႱႹႴ ႲႵႶႿჂႵლ ჄႿ ႵႾჄႵჂ ႿჅჂ ႱჀႱჂჄႽႵႾჄ ႲჅႹႼႴႹႾႷლ ჇႸႹႳႸ ႸႱჃ Ⴑ ჃႸႱჂႵႴ ႵႾჄჂႱႾႳႵ ჀႱჃჃჇႿჂႴლ ႱႾႴ ჄႸႵႾ ჃჀႵႳႹႶႹႳႱႼႼ჉ ჂႹႾႷ ჄႸႵ ႴႿႿჂႲႵႼႼლ ჄႸႵჂႵვჃ ႿႾႼ჉ ႿႾႵ ჀႵჂჃႿႾ ჇႸႿ ჇႿჅႼႴ ႴႿ ჄႸႱჄნ

ჷ ჂჅჃႸႵႴ ჄႿ ჄႸႵ ႶჂႿႾჄ ႴႿႿჂ ႱႾႴ ႿჀႵႾႵႴ ႹჄნ

ჯႾႴ ჄႸႵႾნ

“ჶႱႱლ ႸႱႱ…჏ ႣႿჂჂ჉ლ ႩჅႾჇႿႿ…჏ ჷ’Ⴝ ჂႵႱႼႼ჉ ႼႱჄႵლ ႱჂႵႾ’Ⴤ ჷ…ჭ”

ჷ ჃႱჇ ႢႵႾႻႱლ ႸႵჂ ႶႱႳႵ ႶႼჅჃႸႵႴლ ჀႱႾჄႹႾႷ ႶႿჂ ႲჂႵႱჄႸნ

ჷჄ ჇႱჃ Ⴑ ჄჂჅႼ჉ ჅႾႵ჈ჀႵႳჄႵႴ ჃႹႷႸჄლ ႱႾႴ ჇႸႹႼႵ ჃჄႱჂჄႼႵႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ჷ ႶႹჂჃჄ ႼႵႴ ႢႵႾႻႱ ႹႾჃႹႴႵნ

“ႥႸლ ჉ႵႱႸნ ჱႿႽႵ ႹႾ…”

“ჶႱႱლ ႸႱႱ…჏ ႥႸლ ჉ႵႱႸლ Ⴕ჈ႳჅჃႵ ႽႵ ႶႿჂ Ⴑ ႽႿႽႵႾჄ…ჭ”

ჳ჆ႵႾ ჇႸႹႼႵ ჀႱႾჄႹႾႷლ ႢႵႾႻႱ ႴႹႴႾვჄ ႶႿჂႷႵჄ ႸႵჂ ႽႱႾႾႵჂჃნ

ჴႵႱჂႹႾႷ ჃႿႽႵႿႾႵ ႽႹႷႸჄ ႽႹჃჅႾႴႵჂჃჄႱႾႴ ႹႶ ჄႸႵ჉ ჃႱჇ ჄႸႹჃლ ჷ ჁჅႹႳႻႼ჉ ႳႼႿჃႵႴ ჄႸႵ ႽႱႹႾ ႴႿႿჂლ ႱႾႴ ႱႶჄႵჂ ჃႳႱႾႾႹႾႷ ႢႵႾႻႱ ჅჀ ႱႾႴ ႴႿჇႾლ ჷ ႿჀႵႾႵႴ Ⴝ჉ ႽႿჅჄႸნ

“ႧႸ჉ ႴႿႾვჄ ჉ႿჅ ჃႹჄ ႿႾ ჄႸႵ ჃႿႶႱ ႶႹჂჃჄჭ ჷვႼႼ ႷႵჄ ჉ႿჅ ჃႿႽႵჄႸႹႾႷ ჄႿ ႴჂႹႾႻნ”

“ჽႸლ ႾႿ჏ ჷ’Ⴝ ႱႼჂႵႱႴ჉ ႼႱჄႵლ იჀႸႵჇილ ჷ’Ⴔ ႶႵႵႼ ႲႱႴ ႷႵჄჄႹႾႷ ჃႿႽႵჄႸႹႾႷლ იႸႱႱი…”

“……ჸჅჃჄ ჄႱႻႵ ႹჄნ”

ႣႸႵვჃ ჀჂႱႳჄႹႳႱႼႼ჉ Ⴔ჉ႹႾႷ ႶჂႿႽ Ⴕ჈ႸႱჅჃჄႹႿႾლ ႱႾႴ ჃႸႵვჃ ჄჂ჉ႹႾႷ ჄႿ ჂႵႶჅჃႵჭ

ჷ ჀႵჂჃႿႾႱႼႼ჉ ჄႿႿႻ ႿႶႶ ႢႵႾႻႱვჃ ჃႸႿႵჃლ ჄႸႵႾლ ႷჂႱႲႲႹႾႷ ႸႵჂ Ⴒ჉ ႲႿჄႸ ჃႸႿჅႼႴႵჂჃლ ჷ ႸႱႼႶმႶႿჂႳႵႴ ႸႵჂ ჄႿ ჄႸႵ ჃႿႶႱ ႱႾႴ ႽႱႴႵ ႸႵჂ ჃႹჄ ႴႿჇႾნ

ჯႾႴ ჁჅႹႳႻႼ჉ ჇႵႾჄ ჄႿ ჄႸႵ ႶჂႹႴႷႵლ ჄႿႿႻ ႿჅჄ Ⴑ ႳႿႼႴ ႲႿჄჄႼႵ ႿႶ ჇႱჄႵჂლ ႱႾႴ ႲჂႿჅႷႸჄ ႹჄ ჄႿ ႸႵჂნ

“ჶႵჂႵლ ႴჂႹႾႻნ”

“……ჽႸლ ჅႸნ …ႤႸႱႾႻჃნ”

ႢႵႾႻႱ ႷႼႱႾႳႵႴ ႱჄ ႽႵ ႱჃ ჃႸႵ ჄႿႿႻ ჄႸႵ ჇႱჄႵჂნ

ႢႵႾႻႱ ႸႵჃႹჄႱჄႵႴ ჃႼႹႷႸჄႼ჉ლ ჄႸႵႾ ႳႱჂႵႶჅႼႼ჉ ႿჀႵႾႵႴ ჄႸႵ ႳႱჀ ႱႾႴ ႷჅႼჀႵႴ ႴႿჇႾ ჄႸႵ ჇႱჄႵჂნ

“ႠႸႵჇ…჏ …ჶႿႿნ”

“ჲႹႴ ჉ႿჅლ Ⴒ჉ ႱႾ჉ ႳႸႱႾႳႵლ ჂჅႾ ႸႵჂႵჭ”

“ჽႸლ ჅႸლ ჉ႵႱႸნ ႤႸႱჄ’Ⴣ ჂႹႷႸჄნ ჷ ჂႱႾ ჅჀ ჄႸႵ ჃჄႱႹჂჃნ”

“ႧႸႱჄჭ ႩႿჅ ჂႱႾ ჅჀ ჄႸႵ ჃჄႱႹჂჃჭ”

“ႩႵႱႸლ ჷ ჇႱჃ ႱႼჂႵႱႴ჉ ႼႱჄႵლ ႱႾႴ ჄႸႵ ႵႼႵ჆ႱჄႿჂ ჇႱჃ ჃႿ ჃႼႿჇ… ჷ ႴႿႾ’Ⴤ ႻႾႿჇ ჇႸႱჄ ჄႸႵ ჀჂႿႲႼႵႽ ჇႱჃლ ႲჅჄ ႹჄ ႴႹႴႾ’Ⴤ ႳႿႽႵ Ⴕ჆ႵႾ ႱႶჄႵჂ ჇႱႹჄႹႾႷ ႶႿჂ ႼႹႻႵ ჟპ ႽႹႾჅჄႵჃნ ႣႿ ჷ ႺჅჃჄ ჂႱႾლ ႲႵႳႱჅჃႵ ჷ ႴႹႴႾ’Ⴤ ჇႱႾჄ ჉ႿჅლ ႩჅႾჇႿႿლ ჄႿ ჇႱႹჄ ჄႿႿ ႼႿႾႷლ ჉ႿჅ ႻႾႿჇჭ …იჵჅႼჀინ”

ႢႵႾႻႱ ჄႿႿႻ ႱႾႿჄႸႵჂ ჃႹჀ ႿႶ ჇႱჄႵჂ ႱႾႴ ႳႿႾჄႹႾჅႵႴ ჃჀႵႱႻႹႾႷ ႳႱႼႽႼ჉ნ

‘ႣႸႵ ჂႱႾ ჅჀ ჄႸႵ ჃჄႱႹჂჃ ႺჅჃჄ ჃႿ ჷ ჇႿჅႼႴႾ’Ⴤ ჇႱႹჄ ჄႿႿ ႼႿႾႷ…ნ’

ჷჄვჃ ჄჂჅႵ ჷ ჇႱჃ ჇႱႹჄႹႾႷლ ႲჅჄ ჃჄႹႼႼლ ႶႿჂ Ⴑ ႷႹჂႼ ჄႿ ჂჅႾ ჅჀ ჄႸႹჃ ႽႱႾ჉ ჃჄႱႹჂჃჭ

ჷჄვჃ Ⴑ ႽႹჂႱႳႼႵ ჃႸႵ ႴႹႴႾვჄ ႳႿႼႼႱჀჃႵ ႸႱႼႶჇႱ჉…ნ

“ჷჄ’Ⴣ ႶႹႾႵ ႹႶ ჷ ჇႱႹჄ Ⴑ ႼႿႾႷ ჄႹႽႵლ ჃႿ ႾႵ჈Ⴤ ჄႹႽႵ ჃႿႽႵჄႸႹႾႷ ႼႹႻႵ ჄႸႹჃ ႸႱჀჀႵႾჃლ ႺჅჃჄ ჄႱႻႵ ჄႸႵ ႵႼႵ჆ႱჄႿჂნ ႩႿჅ’ႼႼ ႲႵ ჄႿႿ Ⴕ჈ႸႱჅჃჄႵႴ ჄႿ ჃჄჅႴ჉ ႹႶ ჉ႿჅ ჂჅႾნ”

“ჽႸლ ჇႵႼႼნ ႤႿႴႱ჉ ჇႱჃ Ⴑ ႲႹჄ ႿႶ Ⴑ ჃჀႵႳႹႱႼ ႳႱჃႵ…”

“ჶႵ჉ლ ႷႿჄ ႹჄჭ”

“……ჶႽჀႸნ ჴႹႾႵნ”

ႢႵႾႻႱ ჀႿჅჄႵႴნ

ႧႱჄႳႸႹႾႷ ႸႵჂლ ჷ ႼႵჄ ႿჅჄ Ⴑ ჃႽႱႼႼ ႼႱჅႷႸნ

“ჽႸლ ႲჅჄ…”

იჵႼႱႾႳႵნი

ႢႵႾႻႱ ႼႿႿႻႵႴ ႱჂႿჅႾႴ ჄႸႵ ႼႹ჆ႹႾႷ ჂႿႿႽლ ჄႸႵႾ ႼႿႿႻႵႴ ႱჄ ႽႵნ

“ჯჂႵ ჉ႿჅჂ ႿჄႸႵჂ ႶႱႽႹႼ჉ ႽႵႽႲႵჂჃ ႾႿჄ ႸႿႽႵჭ”

“ႩႵႱႸნ ჼႿႿႾႱ ჇႵႾჄ ႿჅჄ ჄႿ ႽႵႵჄ ႸႵჂ ႶჂႹႵႾႴჃლ ႱႾႴ Ⴝ჉ ჀႱჂႵႾჄჃ ჇႵႾჄ ႿႾ Ⴑ ႴႱჄႵნ ႤႸႵ჉ ჀჂႿႲႱႲႼ჉ ჇႿႾ’Ⴤ ႲႵ ႲႱႳႻ ჅႾჄႹႼ Ⴕ჆ႵႾႹႾႷლ ჷ ႷჅႵჃჃჭ”

“ჽႸლ ჂႵႱႼႼ჉…ჭ”

ჯ ჁჅႹႳႻ ႷႼႱႾႳႵნ

ჶႵ ႻႵჀჄ ჃჄႵႱႼႹႾႷ ႷႼႱႾႳႵჃნ

“ნნნნნნႣႿლ ႹჄ’Ⴣ ႺჅჃჄ ჄႸႵ ჄჇႿ ႿႶ ჅჃ ႾႿჇჭ”

“ႧႵႼႼ… ჉ႵႱႸჭ ჸჅჃჄ ჄႸႵ ჄჇႿ ႿႶ ჅჃნ”

“ნნნნნნ”

“ნნნნნნ”

ჯႾ ႱჇႻჇႱჂႴ ჃႹႼႵႾႳႵ ჃჅႴႴႵႾႼ჉ ႶႹႼႼႵႴ ჄႸႵ ႱႹჂნ

ႣႵႹ჊ႹႾႷ ჄႸႵ ႽႿႽႵႾჄ ჄႸႵ ႳႿႾ჆ႵჂჃႱჄႹႿႾ ႴႹႵႴლ ჷ ჃჅႲჄႼ჉ ჃႳႱႾႾႵႴ ႢႵႾႻႱ’Ⴣ ႿჅჄႶႹჄ ႶჂႿႽ ႸႵႱႴ ჄႿ ჄႿႵნ

ჰႵႹႾႷ ჸჅႾႵლ ႸႵჂ ႳႼႿჄႸႵჃ ჇႵჂႵ ჁჅႹჄႵ ჄႸႹႾ Ⴟ჆ႵჂႱႼႼნ

ჶႵჂ ჄႿჀ ჇႱჃ ႱႾ Ⴙ჆ႿჂ჉ ႿႶႶმჃႸႿჅႼႴႵჂ ჄმჃႸႹჂჄ ჄႸႱჄ ჃჅႲჄႼ჉ ჂႵ჆ႵႱႼႵႴ ႸႵჂ ჃႸႿჅႼႴႵჂჃნ

ჶႵჂ ႲႿჄჄႿႽ ჇႱჃ ჇႸႹჄႵ ႸႹႷႸმჇႱႹჃჄႵႴ ჃႸႿჂჄჃ ჄႸႱჄ ႳႱႽႵ ჅჀ ჇႵႼႼ ႱႲႿ჆Ⴕ ႸႵჂ ႻႾႵႵჃნ

ჶႿჇ ჃႸႿჅႼႴ ჷ ჀჅჄ ႹჄჭ

ჴႿჂ ႱႾ ႿჅჄႶႹჄ ჇႿჂႾ ჄႿ Ⴑ ႲႿ჉ႶჂႹႵႾႴ’Ⴣ ႸႿჅჃႵ ჄႿ ჃჄჅႴ჉ლ ႹჄ ჃႵႵႽႵႴ Ⴑ ႲႹჄ ჄႿႿ ႳႱჂႵႶჅႼႼ჉ ႳႸႿჃႵႾნ

ჽჂ ႽႱ჉ႲႵ ႷႹჂႼჃ ႾႿჂႽႱႼႼ჉ ႴჂႵჃჃ ႼႹႻႵ ჄႸႹჃლ ႱႾႴ ჷ ႺჅჃჄ ႴႿႾ’Ⴤ ႻႾႿჇ ႽჅႳႸ ႱႲႿჅჄ ႹჄნ

“ნნნნნნ”

“ნნნნნნ”

ჰჅჄ ჄႸႵႾნ

ჯჃႹႴႵ ႶჂႿႽ ჄႸႱჄლ ႱჃ ჷ ႻႵჀჄ ႼႿႿႻႹႾႷ ႱჄ ႢႵႾႻႱ’Ⴣ ႿჅჄႶႹჄლ ჄႸႵჂႵ ჇႱჃ ჃႿႽႵჄႸႹႾႷ ႱႲႿჅჄ ႹჄ ჄႸႱჄ ႻႵჀჄ ႲႿჄႸႵჂႹႾႷ ႽႵნ

ჷ ჁჅႹႵჄႼ჉ ႳႱႼႼႵႴ ႿჅჄ ჄႿ ႢႵႾႻႱნ

“ႢႵႾႻႱნ”

“ნნნჶჅႸჭ”

“ჸჅჃჄ Ⴑ ჃႵႳႿႾႴნ”

ჷ ჇႿჅႼႴ’჆Ⴕ ჅჃჅႱႼႼ჉ ႼႵჄ ႹჄ ႷႿლ

ႲჅჄ ႹჄ ႻႵჀჄ ႳႱჄႳႸႹႾႷ Ⴝ჉ Ⴕ჉Ⴕლ ႱႾႴ ჷ ႳႿჅႼႴႾ’Ⴤ ჃჄႱႾႴ ჄႿ ႹႷႾႿჂႵ ႹჄნ

ჷ ႷႵႾჄႼ჉ ჄႿႿႻ ႢႵႾႻႱ’Ⴣ ႱჂႽ ႱႾႴ ႽႿ჆ႵႴ Ⴝ჉ ႿჄႸႵჂ ႸႱႾႴ ჄႿჇႱჂႴჃ ჄႸႵ ႾႱჀႵ ႿႶ ႸႵჂ ႾႵႳႻნ

“ႩჅმႩჅႾჇႿႿნნნჭ”

“ჶႿႼႴ ႿႾლ ႺჅჃჄ ჃჄႱ჉ ჃჄႹႼႼ ႶႿჂ Ⴑ ჃႵႳႿႾႴნ”

“ნნნნნნჯႸნ ნნნ჻ႽმႸႽႽნ”

ႢႵႾႻႱ ჃႼႿჇႼ჉ ႳႼႿჃႵႴ ႸႵჂ Ⴕ჉ႵჃნ

ჶႵჂ ႼႿႾႷ Ⴕ჉ႵႼႱჃႸႵჃ ჄჂႵႽႲႼႵႴ ႱჃ ჃႸႵ ႳႱჅჄႹႿჅჃႼ჉ ჀჅႳႻႵჂႵႴ ႸႵჂ ႼႹჀჃნ

ჯჄ ჄႸႱჄლ ჷნნნ

“ნნნნნნ”

“ნნნნნნ”

ႤჅႷნ

“ჯႸლ ჄႸႵჂႵ ჇႵ ႷႿნ”

“ნნნჶჅႸჭ”

“ႢႵႾႻႱნ”

“ႥႸნნნ ႸჅႸჭ”

“ႩႿჅ ჇႵჂႵ ႹႾ ჃჅႳႸ Ⴑ ႸჅჂჂ჉ლ ჉ႿჅ ႴႹႴႾ’Ⴤ Ⴕ჆ႵႾ ჄႱႻႵ ჄႸႵ ჄႱႷ ႿႶႶჭ”

ჷ ჀႵႵႼႵႴ ႿႶႶ ჄႸႵ ႳႼႿჄႸႹႾႷ ჄႱႷ ჃჄჅႳႻ ჄႿ ჄႸႵ ႲႱႳႻ ႿႶ ႢႵႾႻႱ’Ⴣ ႾႵႳႻ ႱႾႴ ႴႱႾႷႼႵႴ ႹჄ ႹႾ ႶჂႿႾჄ ႿႶ ႸႵჂ Ⴕ჉ႵჃნ

“ჳ჆ႵჂ჉ႿႾႵ ႽჅჃჄ’჆Ⴕ ჃႵႵႾ ႹჄ ჇႸႵႾ ჉ႿჅ ႳႱႽႵ ႸႵჂႵნ”

“ნნნნნნႧႸႱ—ჭ჏”

ჯ ჃჄჂႱႾႷႵ ჃႿჅႾႴ ႲჅჂჃჄ ႶჂႿႽ ႢႵႾႻႱ’Ⴣ ႼႹჀჃლ ႸႵჂ ႶႱႳႵ ჄჅჂႾႹႾႷ ႲჂႹႷႸჄ ჂႵႴნ

I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

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