I’ve Been Appointed as a Nursery Teacher in Youka District.

Chapter 85

I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

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ᮄᮘᮕᮢᮕ᮵ᮣ ᮑ ᮣᮑᮩᮙᮞᮗ ᮤᮘᮑᮤ ᮙᮤ᮵ᮣ ᮒᮕᮤᮤᮕᮢ ᮤᮟ ᮗᮕᮤ ᮤᮘᮕ ᮒᮕᮑᮤᮙᮞᮗ ᮟᮦᮕᮢ ᮧᮙᮤᮘ ᮖᮙᮢᮣᮤᮼ

ᯗᮤ ᮝᮕᮑᮞᮣ ᮙᮖ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ᮵ᮣ ᮒᮟᮥᮞᮔ ᮤᮟ ᮘᮑᮠᮠᮕᮞ ᮑᮞᮩᮧᮑᮩᮺ ᮙᮤ᮵ᮣ ᮒᮕᮤᮤᮕᮢ ᮤᮟ ᮖᮑᮓᮕ ᮙᮤ ᮡᮥᮙᮓᮛᮜᮩ ᮢᮑᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮠᮥᮤ ᮙᮤ ᮟᮖᮖᮼ

ᯗ ᮘᮕᮑᮢᮔ ᮣᮟᮝᮕᮧᮘᮕᮢᮕ ᮤᮘᮑᮤ ᮙᮤ᮵ᮣ ᮞᮟᮤ ᮚᮥᮣᮤ ᮑ ᮝᮕᮤᮑᮠᮘᮟᮢᮺ ᮒᮥᮤ ᮣᮓᮙᮕᮞᮤᮙᮖᮙᮓᮑᮜᮜᮩ ᮤᮢᮥᮕ ᮤᮟᮟᯍ ᯚᮙᮛᮕᮺ ᮤᮘᮕ ᮘᮥᮝᮑᮞ ᮒᮢᮑᮙᮞ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕᮣ ᮑᮣ ᮝᮥᮓᮘ ᮣᮤᮢᮕᮣᮣ ᮖᮢᮟᮝ ᮑᮞᮤᮙᮓᮙᮠᮑᮤᮕᮔ ᮠᮑᮙᮞ ᮑᮣ ᮙᮤ ᮔᮟᮕᮣ ᮖᮢᮟᮝ ᮑᮓᮤᮥᮑᮜ ᮠᮑᮙᮞᮼ

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯗ᮵ᮝ ᮞᮟᮤ ᮣᮥᮢᮕ ᮙᮖ ᮤᮘᮑᮤ᮵ᮣ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮤᮢᮥᮕᮼ ᮄᮘᮕ ᮣᮟᮥᮢᮓᮕ ᮧᮑᮣ ᮚᮥᮣᮤ ᮣᮟᮝᮕ ᮙᮞᮤᮕᮢᮞᮕᮤ ᮢᮥᮝᮟᮢ ᮝᮙᮜᮜᮼ

ᯏᮞᮩᮧᮑᮩᮼ

ᯑᮥᮤᮤᮙᮞᮗ ᮤᮟ ᮤᮘᮕ ᮓᮘᮑᮣᮕᮺ ᯗ᮵ᮝ ᮑᮜᮣᮟ ᮟᮖ ᮤᮘᮕ ᮟᮠᮙᮞᮙᮟᮞ ᮤᮘᮑᮤ ᮙᮤ᮵ᮣ ᮒᮕᮤᮤᮕᮢ ᮤᮟ ᮗᮕᮤ ᮤᮘᮕ ᮒᮕᮑᮤᮙᮞᮗ ᮟᮦᮕᮢ ᮧᮙᮤᮘ ᮖᮙᮢᮣᮤᮼ

ᯗᮖ ᮩᮟᮥ᮵ᮢᮕ ᮣᮓᮑᮢᮕᮔ ᮟᮖ ᮗᮕᮤᮤᮙᮞᮗ ᮣᮓᮟᮜᮔᮕᮔ ᮑᮞᮔ ᮠᮥᮤ ᮙᮤ ᮟᮖᮖᮺ ᮩᮟᮥ᮵ᮜᮜ ᮚᮥᮣᮤ ᮒᮕ ᮑᮞᮨᮙᮟᮥᮣ ᮤᮘᮕ ᮧᮘᮟᮜᮕ ᮤᮙᮝᮕ ᮩᮟᮥ᮵ᮢᮕ ᮧᮑᮙᮤᮙᮞᮗᮺ ᮢᮙᮗᮘᮤᯍ

ᯗᮞ ᮤᮘᮑᮤ ᮓᮑᮣᮕᮺ ᮙᮤ᮵ᮣ ᮝᮥᮓᮘ ᮒᮕᮤᮤᮕᮢ ᮤᮟ ᮚᮥᮣᮤ ᮣᮑᮩ ᮙᮤ ᮟᮥᮤᮢᮙᮗᮘᮤᮺ ᮗᮕᮤ ᮣᮓᮟᮜᮔᮕᮔᮺ ᮑᮞᮔ ᮗᮕᮤ ᮙᮤ ᮟᮦᮕᮢ ᮧᮙᮤᮘᮼ

“ᮃᮘᮟᮥᮜᮔ ᯗ ᮔᮢᮟᮠ ᮩᮟᮥ ᮟᮖᮖ ᮘᮕᮢᮕᯍ”

“ᯝᮘᮺ ᮩᮕᮣᮺ ᮠᮜᮕᮑᮣᮕᮼ”

ᮃᮟᮺ ᯗ ᮤᮟᮟᮛ ᮑ ᮤᮑᮨᮙ ᮤᮟ ᮂᮕᮞᮛᮑ᮵ᮣ ᮣᮤᮥᮔᮙᮟᮼ ᮄᮟ ᮗᮕᮤ ᮝᮩ ᮒᮕᮑᮤᮙᮞᮗᮼ

ᯗᮤ ᮧᮟᮥᮜᮔ᮵ᮦᮕ ᮒᮕᮕᮞ ᮙᮝᮠᮟᮣᮣᮙᮒᮜᮕ ᮟᮞ ᮑ ᮧᮕᮕᮛᮔᮑᮩᮺ ᮒᮥᮤ ᮤᮟᮔᮑᮩ ᮧᮑᮣ ᮑ ᮃᮑᮤᮥᮢᮔᮑᮩ ᮑᮖᮤᮕᮢᮞᮟᮟᮞᮺ ᮑᮞᮔ ᮙᮤ ᮧᮑᮣ ᮑᮢᮟᮥᮞᮔ ᮤᮘᮕ ᮤᮙᮝᮕ ᮂᮕᮞᮛᮑ ᮥᮣᮥᮑᮜᮜᮩ ᮕᮞᮔᮕᮔ ᮘᮕᮢ ᮣᮤᮢᮕᮑᮝᮼ

ᯗ ᮑᮜᮢᮕᮑᮔᮩ ᮛᮞᮕᮧ ᮤᮘᮕ ᮣᮤᮥᮔᮙᮟ᮵ᮣ ᮑᮔᮔᮢᮕᮣᮣ ᮖᮢᮟᮝ ᮘᮑᮦᮙᮞᮗ ᮦᮙᮣᮙᮤᮕᮔ ᮒᮕᮖᮟᮢᮕᮺ ᮑᮞᮔ ᯗ᮵ᮔ ᮧᮑᮤᮓᮘᮕᮔ ᮕᮞᮟᮥᮗᮘ ᮟᮖ ᮘᮕᮢ ᮣᮤᮢᮕᮑᮝᮣ ᮤᮟ ᮛᮞᮟᮧ ᮕᮨᮑᮓᮤᮜᮩ ᮧᮘᮕᮞ ᮣᮘᮕ᮵ᮔ ᮕᮞᮔᮺ ᮣᮟ ᮤᮙᮝᮙᮞᮗ ᮙᮤ ᮧᮑᮣᮞ᮵ᮤ ᮘᮑᮢᮔ ᮑᮤ ᮑᮜᮜᮼ

ᯗ ᮠᮑᮙᮔ ᮤᮘᮕ ᮤᮑᮨᮙ ᮔᮢᮙᮦᮕᮢ ᮑᮞᮔ ᮗᮟᮤ ᮟᮥᮤ ᮟᮞ ᮑ ᮣᮥᮙᮤᮑᮒᮜᮕ ᮝᮑᮙᮞ ᮣᮤᮢᮕᮕᮤᮼ

ᮃᮥᮝᮝᮕᮢ ᮦᮑᮓᮑᮤᮙᮟᮞ ᮝᮥᮣᮤ ᮒᮕ ᮚᮥᮣᮤ ᮑᮢᮟᮥᮞᮔ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢᯉ ᮤᮘᮕ ᮣᮓᮟᮢᮓᮘᮙᮞᮗ ᮣᮥᮞ ᮧᮑᮣ ᮥᮞᮥᮣᮥᮑᮜᮜᮩ ᮙᮞᮤᮕᮞᮣᮕᮼ

ᯗᮖ ᮞᮟᮤᮘᮙᮞᮗ ᮕᮜᮣᮕᮺ ᮗᮟᮙᮞᮗ ᮖᮟᮢ ᮑ ᮣᮧᮙᮝ ᮙᮞ ᮤᮘᮙᮣ ᮧᮕᮑᮤᮘᮕᮢ ᮧᮟᮥᮜᮔ ᮒᮕ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮢᮕᮖᮢᮕᮣᮘᮙᮞᮗᮼ

“……ᮼ”

ᮂᮙᮗᮘᮤᮺ ᮣᮧᮙᮝᮝᮙᮞᮗᮼ

ᯔᮟᮢ ᮤᮘᮕ ᮥᮠᮓᮟᮝᮙᮞᮗ ᮠᮟᮟᮜ ᮔᮑᮤᮕ ᮔᮥᮢᮙᮞᮗ ᮦᮑᮓᮑᮤᮙᮟᮞᮺ ᮖᮟᮢ ᮟᮥᮢ ᮣᮧᮙᮝ ᮤᮟᮗᮕᮤᮘᮕᮢᮺ ᯗ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮜᮕᮤ ᮘᮕᮢ ᮗᮕᮤ ᮥᮠᮣᮕᮤ ᮒᮕᮖᮟᮢᮕ ᮤᮘᮕᮞᮼ

ᯏᮓᮤᮥᮑᮜᮜᮩᮺ ᮤᮘᮑᮤ᮵ᮣ ᮠᮢᮕᮓᮙᮣᮕᮜᮩ ᮧᮘᮩ ᯗ ᮧᮑᮣ ᮟᮥᮤ ᮙᮞ ᮤᮘᮙᮣ ᮢᮕᮓᮟᮢᮔᮻᮒᮢᮕᮑᮛᮙᮞᮗ ᮘᮕᮑᮤᮼ ᯗ ᮧᮑᮣ ᮧᮟᮢᮢᮙᮕᮔ ᮂᮕᮞᮛᮑ ᮝᮙᮗᮘᮤ ᮗᮕᮤ ᮝᮑᮔ ᮑᮒᮟᮥᮤ ᮝᮩ ᮵ᮖᮢᮑᮞᮛ ᮟᮠᮙᮞᮙᮟᮞ᮵ ᮑᮞᮔ ᮓᮑᮜᮜ ᮟᮖᮖ ᮟᮥᮢ ᮠᮟᮟᮜ ᮔᮑᮤᮕᮼ

‘ᯖᮝᮝᮺ ᮖᮙᮢᮣᮤ ᮟᮖᮖᮼᮼᮼ’

ᯗᮤ ᮖᮕᮕᮜᮣ ᮑ ᮒᮙᮤ ᮑᮧᮛᮧᮑᮢᮔ ᮤᮟ ᮗᮟ ᮕᮝᮠᮤᮩᮻᮘᮑᮞᮔᮕᮔᮺ ᮣᮟ ᯗ ᮣᮘᮟᮥᮜᮔ ᮒᮥᮩ ᮑ ᮗᮙᮖᮤᮼ

ᯗᮤ᮵ᮣ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮞᮟᮤ ᮑ ᮒᮢᮙᮒᮕᯉ ᮙᮤ᮵ᮣ ᮚᮥᮣᮤ ᮤᮘᮑᮤ ᮝᮩ ᮘᮑᮞᮔᮣ ᮖᮕᮕᮜ ᮕᮝᮠᮤᮩ ᮙᮖ ᯗ ᮗᮟ ᮧᮙᮤᮘᮟᮥᮤ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ

ᯏᮖᮤᮕᮢ ᮤᮘᮑᮤ ᮣᮕᮜᮖᮻᮚᮥᮣᮤᮙᮖᮙᮓᮑᮤᮙᮟᮞᮺ ᯗ ᮠᮟᮞᮔᮕᮢᮕᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

ᯏ ᮗᮙᮖᮤ ᮤᮘᮑᮤ ᮣᮘᮟᮧᮣ ᮣᮟᮝᮕ ᮤᮘᮟᮥᮗᮘᮤᮺ ᮙᮣᮞ᮵ᮤ ᮤᮟᮟ ᮒᮥᮢᮔᮕᮞᮣᮟᮝᮕᮺ ᮑᮞᮔ ᮙᮣ ᮜᮙᮗᮘᮤ ᮕᮞᮟᮥᮗᮘ ᮤᮘᮑᮤ ᮙᮤ ᮔᮟᮕᮣᮞ᮵ᮤ ᮜᮟᮟᮛ ᮜᮙᮛᮕ ᯗ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮙᮤ ᮤᮟᮟ ᮖᮑᮢ ᮙᮞ ᮑᮔᮦᮑᮞᮓᮕᮼ

ᮇᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮗᮙᮖᮤ ᮧᮟᮥᮜᮔ ᮤᮘᮑᮤ ᮒᮕᮼᮼᮼᯍ

“ᯏᮘᮼ”

ᮂᮕᮞᮛᮑ᮵ᮣ ᮣᮤᮥᮔᮙᮟ ᮘᮑᮣ ᮑ ᮖᮢᮙᮔᮗᮕᮺ ᮔᮟᮕᮣᮞ᮵ᮤ ᮙᮤᯍ

ᮃᮘᮟᮥᮜᮔ ᯗ ᮒᮥᮩ ᮣᮟᮝᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝ ᮖᮟᮢ ᮘᮕᮢ ᮤᮟ ᮗᮢᮑᮒ ᮧᮘᮕᮞ ᮙᮤ᮵ᮣ ᮘᮟᮤᯍ

ᯗᮤ ᮧᮑᮣ ᮑ ᮣᮥᮔᮔᮕᮞ ᮤᮘᮟᮥᮗᮘᮤᮺ ᮒᮥᮤ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮠᮢᮕᮤᮤᮩ ᮗᮟᮟᮔᮺ ᮣᮟ ᯗ ᮘᮕᮑᮔᮕᮔ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮤᮟ ᮑ ᮞᮕᮑᮢᮒᮩ ᮓᮟᮞᮦᮕᮞᮙᮕᮞᮓᮕ ᮣᮤᮟᮢᮕᮼ

ᯗ ᮔᮕᮓᮙᮔᮕᮔ ᮟᮞ ᮑᮒᮟᮥᮤ ᮿᮾ ᮙᮓᮕ ᮓᮢᮕᮑᮝᮣᮺ ᮞᮟᮤ ᮤᮟᮟ ᮝᮑᮞᮩᮼ ᮄᮘᮕ ᮤᮩᮠᮕᮣ ᮧᮕᮢᮕ ᮤᮘᮕ ᮓᮟᮖᮖᮕᮕᮻᮖᮜᮑᮦᮟᮢᮕᮔ ᮟᮞᮕᮣ ᮤᮘᮑᮤ ᮣᮠᮜᮙᮤ ᮦᮕᮢᮤᮙᮓᮑᮜᮜᮩ ᮑᮞᮔ ᮤᮘᮕ ᮖᮑᮝᮟᮥᮣ ᮠᮟᮠᮣᮙᮓᮜᮕᮣ ᮤᮘᮑᮤ ᮣᮞᮑᮠ ᮙᮞ ᮘᮑᮜᮖᮼ ᯗ ᮔᮟᮞ᮵ᮤ ᮛᮞᮟᮧ ᮧᮘᮩᮺ ᮒᮥᮤ ᮂᮕᮞᮛᮑ᮵ᮣ ᮑᮜᮧᮑᮩᮣ ᮜᮟᮦᮕᮔ ᮙᮓᮕ ᮓᮢᮕᮑᮝᮣ ᮤᮘᮑᮤ ᮩᮟᮥ ᮓᮑᮞ ᮣᮠᮜᮙᮤ ᮙᮞᮤᮟ ᮤᮧᮟᮼ

“ᯖᮕᮢᮕ’ᮣ ᮝᮩ ᮓᮑᮢᮔᮼ”

ᯗ ᮟᮞᮜᮩ ᮝᮕᮑᮞᮤ ᮤᮟ ᮒᮥᮩ ᮿᮾᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣ ᮑ ᮵ᮒᮥᮩ ᮤᮧᮟᮺ ᮗᮕᮤ ᮟᮞᮕ ᮖᮢᮕᮕ᮵ ᮔᮕᮑᮜᮺ ᮣᮟ ᯗ ᮕᮞᮔᮕᮔ ᮥᮠ ᮧᮙᮤᮘ ᮿᯀᮼ

ᯏᮣ ᯗᮺ ᮘᮑᮦᮙᮞᮗ ᮠᮙᮓᮛᮕᮔ ᮟᮥᮤ ᮟᮞᮜᮩ ᮙᮓᮕ ᮓᮢᮕᮑᮝᮺ ᮘᮑᮞᮔᮕᮔ ᮟᮦᮕᮢ ᮝᮩ ᮓᮑᮢᮔᮺ ᮤᮘᮕ ᮓᮑᮣᮘᮙᮕᮢ ᯏᮘᮚᮥᮝᮝᮑᮺ ᮧᮘᮟ ᮜᮟᮟᮛᮕᮔ ᮤᮟ ᮒᮕ ᮑᮢᮟᮥᮞᮔ ᮝᮩ ᮠᮑᮢᮕᮞᮤᮣ᮵ ᮑᮗᮕᮺ ᮣᮝᮙᮜᮕᮔ ᮧᮑᮢᮝᮜᮩᮼ

“ᮉᮟᮥ᮵ᮢᮕ ᮑ ᮘᮑᮞᮔᮣᮟᮝᮕ ᮩᮟᮥᮞᮗ ᮝᮑᮞᮼ ᯗ ᮔᮟᮞ᮵ᮤ ᮤᮘᮙᮞᮛ ᯗ᮵ᮦᮕ ᮣᮕᮕᮞ ᮩᮟᮥ ᮑᮢᮟᮥᮞᮔ ᮒᮕᮖᮟᮢᮕᮺ ᮩᮟᮥ ᮔᮟᮞ᮵ᮤ ᮜᮙᮦᮕ ᮙᮞ ᮤᮘᮙᮣ ᮞᮕᮙᮗᮘᮒᮟᮢᮘᮟᮟᮔᮺ ᮔᮟ ᮩᮟᮥᯍ”

“ᯖᮥᮘᯍ ᯝᮘᮺ ᮞᮟᮼ ᯏ ᮖᮢᮙᮕᮞᮔ ᮜᮙᮦᮕᮣ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢᮕᮼ”

“ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮣᮟᮼ ᮃᮟ ᮩᮟᮥᮢ ᮗᮙᮢᮜᮖᮢᮙᮕᮞᮔ ᮜᮙᮦᮕᮣ ᮙᮞ ᮤᮘᮙᮣ ᮞᮕᮙᮗᮘᮒᮟᮢᮘᮟᮟᮔᮺ ᮘᮥᮘᯍ”

ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮣᮑᮩ ᮑ ᮣᮙᮞᮗᮜᮕ ᮧᮟᮢᮔ ᮑᮒᮟᮥᮤ ᮑ ᮗᮙᮢᮜᮺ ᮘᮟᮧ ᮔᮙᮔ ᮣᮘᮕ ᮛᮞᮟᮧᯍ

ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮢᮕᮑᮣᮟᮞ ᮤᮟ ᮣᮑᮩ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮖᮙᮢᮣᮤᮺ ᮒᮥᮤ ᮞᮟ ᮢᮕᮑᮣᮟᮞ ᮤᮟ ᮔᮕᮞᮩ ᮙᮤ ᮕᮙᮤᮘᮕᮢᮺ ᮣᮟ ᯗ ᮚᮥᮣᮤ ᮗᮑᮦᮕ ᮑᮞ ᮑᮧᮛᮧᮑᮢᮔ ᮜᮑᮥᮗᮘᮼ

ᮄᮘᮕ ᯏᮘᮚᮥᮝᮝᮑ ᮞᮟᮔᮔᮕᮔ ᮧᮙᮤᮘ ᮑ ᮵ᯗ ᮛᮞᮕᮧ ᮙᮤ᮵ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮺ ᮤᮘᮕᮞ ᮣᮛᮙᮜᮜᮖᮥᮜᮜᮩ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮤᮘᮕ ᮤᮢᮑᮞᮣᮑᮓᮤᮙᮟᮞ ᮑᮞᮔ ᮘᮑᮞᮔᮕᮔ ᮝᮩ ᮓᮑᮢᮔ ᮒᮑᮓᮛᮼ

“ᯖᮕᮢᮕ ᮩᮟᮥ ᮗᮟᮺ ᮘᮑᮞᮔᮣᮟᮝᮕ ᮩᮟᮥᮞᮗ ᮝᮑᮞᮼ”

“ᮄᮘᮑᮞᮛ ᮩᮟᮥᮼ ᮉᮟᮥ ᮤᮟᮟ— ᮘᮥᮘᯍ”

ᯗ ᮓᮑᮣᮥᮑᮜᮜᮩ ᮗᮜᮑᮞᮓᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮒᮑᮗ ᮑᮞᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮓᮑᮥᮗᮘᮤ ᮝᮩ ᮕᮩᮕᮼ

ᯗᮞᮣᮙᮔᮕ ᮤᮘᮕ ᮒᮑᮗ ᮧᮙᮤᮘ ᮤᮘᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝ ᮧᮑᮣ ᮑ ᮠᮑᮓᮛ ᮟᮖ ᮗᮥᮝᮺ ᮤᮘᮕ ᮛᮙᮞᮔ ᮤᮘᮕᮩ ᮣᮕᮜᮜ ᮑᮤ ᮤᮘᮕ ᮓᮘᮕᮓᮛᮟᮥᮤ ᮓᮟᮥᮞᮤᮕᮢᮼ

ᯝᮒᮦᮙᮟᮥᮣᮜᮩᮺ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮒᮥᮩ ᮙᮤᮼ ᮇᮘᮩ ᮙᮣ ᮤᮘᮙᮣ ᮘᮕᮢᮕᯍ

“ᮅᮝᮺ ᮕᮨᮓᮥᮣᮕ ᮝᮕᮼ ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮒᮥᮩ ᮙᮣ ᮙᮞ ᮤᮘᮕ ᮒᮑᮗᮼ”

“ᮄᮘᮕ ᮗᮥᮝ᮵ᮣ ᮟᮞ ᮤᮘᮕ ᮘᮟᮥᮣᮕᮼ ᯑᮟᮝᮕ ᮑᮗᮑᮙᮞᮺ ᮟᮛᮑᮩᯍ”

“……ᯝᮘᮺ ᮩᮕᮣᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥᮼ”

ᮇᮟᮧᮺ ᮤᮘᮑᮤ ᯏᮘᮚᮥᮝᮝᮑ᮵ᮣ ᮖᮜᮙᮢᮤᮙᮞᮗ ᮗᮑᮝᮕ ᮙᮣ ᮞᮟ ᮚᮟᮛᮕᮼᮼᮼ

ᯗ ᮑᮔᮝᮙᮢᮕᮔ ᮘᮕᮢ ᮣᮕᮑᮣᮟᮞᮕᮔ ᮣᮛᮙᮜᮜᮺ ᮧᮘᮙᮓᮘ ᮕᮦᮕᮞ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮑ ᮦᮕᮤᮕᮢᮑᮞ ᮦᮙᮒᮕᮺ ᮑᮣ ᯗ ᮣᮤᮕᮠᮠᮕᮔ ᮟᮥᮤᮣᮙᮔᮕᮼ

ᯗ᮵ᮔ ᮒᮢᮥᮣᮘᮕᮔ ᮝᮩ ᮤᮕᮕᮤᮘ ᮒᮕᮖᮟᮢᮕ ᮜᮕᮑᮦᮙᮞᮗᮺ ᮒᮥᮤ ᮣᮙᮞᮓᮕ ᮙᮤ ᮧᮑᮣ ᮑ ᮛᮙᮞᮔᮞᮕᮣᮣᮺ ᯗ ᮝᮙᮗᮘᮤ ᮑᮣ ᮧᮕᮜᮜ ᮓᮘᮕᮧ ᮟᮞᮕᮼ

ᯗ ᮤᮟᮟᮛ ᮑ ᮠᮙᮕᮓᮕ ᮟᮖ ᮗᮥᮝ ᮖᮢᮟᮝ ᮤᮘᮕ ᮠᮜᮑᮣᮤᮙᮓ ᮓᮟᮞᮤᮑᮙᮞᮕᮢ ᮑᮞᮔ ᮓᮘᮕᮧᮕᮔ ᮙᮤᮺ ᮑᮞᮔ ᮣᮟᮟᮞ ᮑ ᮢᮕᮖᮢᮕᮣᮘᮙᮞᮗ ᮣᮓᮕᮞᮤ ᮣᮠᮢᮕᮑᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮝᮟᮥᮤᮘᮼ

“ᯛᮝᮝᮼ”

ᮇᮘᮕᮞ ᮙᮤ ᮓᮟᮝᮕᮣ ᮤᮟ ᮗᮥᮝᮺ ᮙᮤ ᮑᮜᮧᮑᮩᮣ ᮓᮟᮝᮕᮣ ᮒᮑᮓᮛ ᮤᮟ ᮈᮩᮜᮙᮤᮟᮜᮼ

ᯚᮟᮣᮤ ᮙᮞ ᮣᮥᮓᮘ ᮙᮔᮜᮕ ᮤᮘᮟᮥᮗᮘᮤᮣ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᯗ ᮘᮕᮑᮔᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮂᮕᮞᮛᮑ᮵ᮣ ᮣᮤᮥᮔᮙᮟᮼ

ᮄᮘᮕ ᮣᮤᮥᮔᮙᮟ ᮧᮑᮣᮞ᮵ᮤ ᮖᮑᮢ ᮖᮢᮟᮝ ᮘᮕᮢᮕᮼ ᯗᮤ ᮧᮑᮣ ᮢᮟᮥᮗᮘᮜᮩ ᮑ ᮿᮾᮻᮝᮙᮞᮥᮤᮕ ᮧᮑᮜᮛᮼ

‘ᯔᮙᮢᮣᮤᮺ ᮒᮕᮖᮟᮢᮕ ᯗ ᮑᮢᮢᮙᮦᮕᮼᮼᮼ’

ᯚᮕᮤ ᮝᮕ ᮓᮘᮕᮓᮛ ᮙᮖ ᮂᮕᮞᮛᮑ᮵ᮣ ᮤᮥᮢᮞᮕᮔ ᮟᮖᮖ ᮘᮕᮢ ᮣᮤᮢᮕᮑᮝᮼ

ᯗ ᮜᮕᮖᮤ ᮢᮙᮗᮘᮤ ᮒᮕᮖᮟᮢᮕ ᮣᮘᮕ ᮧᮑᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮕᮞᮔ ᮘᮕᮢ ᮣᮤᮢᮕᮑᮝᮺ ᮒᮥᮤ ᮙᮖ ᮙᮤ᮵ᮣ ᮣᮤᮙᮜᮜ ᮟᮞᮺ ᮤᮘᮙᮞᮗᮣ ᮓᮟᮥᮜᮔ ᮗᮕᮤ ᮑᮧᮛᮧᮑᮢᮔᮼ

ᮋᯏᮙᮢᮙ ᮉᮥᮙ ᮶ᮀᮄᯕᮏᮉᮥᮙ᮷᮵ᮣ ᮣᮤᮢᮕᮑᮝ ᮙᮣ ᮟᮖᮖᮜᮙᮞᮕᮼᮍ

ᮋᯚᮑᮣᮤ ᮣᮤᮢᮕᮑᮝ ᮤᮙᮝᮕᯈ ᯀ ᮝᮙᮞᮥᮤᮕᮣ ᮑᮗᮟᮍ

ᯝᮛᮑᮩᮼ

ᮃᮘᮕ ᮚᮥᮣᮤ ᮕᮞᮔᮕᮔ ᮘᮕᮢ ᮣᮤᮢᮕᮑᮝᮺ ᮠᮕᮢᮖᮕᮓᮤ ᮤᮙᮝᮙᮞᮗᮼ

ᮃᮘᮕ᮵ᮜᮜ ᮒᮕ ᮤᮙᮔᮩᮙᮞᮗ ᮥᮠ ᮑᮖᮤᮕᮢ ᮤᮘᮕ ᮣᮤᮢᮕᮑᮝᮺ ᮣᮟ ᮤᮘᮕᮢᮕ᮵ᮣ ᮞᮟ ᮧᮑᮩ ᮧᮕ᮵ᮜᮜ ᮝᮙᮣᮣ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ ᮙᮖ ᯗ ᮗᮟ ᮞᮟᮧᮺ ᮢᮙᮗᮘᮤᯍ

ᯐᮥᮤ ᮚᮥᮣᮤ ᮙᮞ ᮓᮑᮣᮕᮺ ᯗ᮵ᮜᮜ ᮣᮕᮞᮔ ᮘᮕᮢ ᮑ ᮡᮥᮙᮓᮛ ᮝᮕᮣᮣᮑᮗᮕᮼ

ᮋᯑᮑᮞ ᯗ ᮓᮟᮝᮕ ᮤᮟ ᮤᮘᮕ ᮣᮤᮥᮔᮙᮟ ᮞᮟᮧᯍᮍ

ᮻᯐ᮪᮪᮪ᮤᮯ

ᮃᮘᮕ ᮢᮕᮠᮜᮙᮕᮔ ᮑᮜᮝᮟᮣᮤ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩᮼ

ᮄᮘᮕ ᮝᮕᮣᮣᮑᮗᮕ ᮧᮑᮣ ᮣᮙᮝᮠᮜᮕᮼ

ᮂᮕᮞᮛᮑ ᮋ᮶ᯑᮑᮤ ᮘᮙᮣᮣᮙᮞᮗ ᮕᮝᮟᮚᮙ᮷ᮍ

ᯏᮞ ᮕᮝᮟᮚᮙ ᮤᮘᮑᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮣᮑᮩᮺ ᮵ᯗ᮵ᮝ ᮝᮑᮔᮮ᮵

ᯏᮤ ᮖᮙᮢᮣᮤ ᮗᮜᮑᮞᮓᮕᮺ ᮙᮤ ᮝᮙᮗᮘᮤ ᮣᮕᮕᮝ ᮜᮙᮛᮕ ᮣᮘᮕ᮵ᮣ ᮤᮕᮜᮜᮙᮞᮗ ᮝᮕ ᮞᮟᮤ ᮤᮟ ᮓᮟᮝᮕᮼ

‘ᮃᮘᮕ ᮝᮕᮑᮞᮣ ᮙᮤ᮵ᮣ ᮟᮛᮑᮩ ᮤᮟ ᮓᮟᮝᮕᮼ’

ᮄᮘᮙᮣ ᮧᮑᮣ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮑ ᮣᮙᮗᮞᮑᮜ ᮖᮟᮢ ᮝᮕ ᮤᮟ ᮘᮥᮢᮢᮩ ᮟᮦᮕᮢ ᮑᮞᮔ ᮑᮠᮠᮕᮑᮣᮕ ᮘᮕᮢᮼ

ᯏᮣ ᯗ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮝᮕᮞᮤᮙᮟᮞᮕᮔ ᮒᮕᮖᮟᮢᮕᮺ ᮂᮕᮞᮛᮑ ᮤᮕᮞᮔᮣ ᮤᮟ ᮒᮕ ᮡᮥᮙᮤᮕ ᮕᮝᮟᮤᮙᮟᮞᮑᮜ ᮧᮘᮕᮞ ᮣᮘᮕ ᮣᮠᮕᮑᮛᮣᮺ ᮣᮟ ᮩᮟᮥ ᮘᮑᮦᮕ ᮤᮟ ᮖᮙᮗᮥᮢᮕ ᮟᮥᮤ ᮘᮕᮢ ᮤᮢᮥᮕ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮖᮢᮟᮝ ᮤᮘᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕ ᮑᮞᮔ ᮞᮥᮑᮞᮓᮕ ᮟᮖ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤᮺ ᮢᮑᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮚᮥᮣᮤ ᮘᮕᮢ ᮓᮘᮟᮙᮓᮕ ᮟᮖ ᮧᮟᮢᮔᮣᮼ

ᯕᮙᮦᮕᮞ ᮘᮕᮢ ᮠᮕᮢᮣᮟᮞᮑᮜᮙᮤᮩᮺ ᮙᮖ ᮣᮘᮕ ᮢᮕᮑᮜᮜᮩ ᮔᮙᮔᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮣᮕᮕ ᮝᮩ ᮖᮑᮓᮕ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮺ ᮣᮘᮕ ᮧᮟᮥᮜᮔ᮵ᮦᮕ ᮚᮥᮣᮤ ᮤᮟᮜᮔ ᮝᮕ ᮞᮟᮤ ᮤᮟ ᮓᮟᮝᮕᮼ ᮄᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮣᮘᮕ ᮔᮙᮔᮞ᮵ᮤ ᮝᮕᮑᮞᮣ ᮙᮤ᮵ᮣ ᮟᮛᮑᮩ ᮖᮟᮢ ᮝᮕ ᮤᮟ ᮓᮟᮝᮕᮼ

“ᯗᮖ ᯗ ᮣᮕᮞᮔ ᮤᮘᮕ ᮝᮕᮣᮣᮑᮗᮕ ᮑᮞᮔ ᮤᮘᮕᮞ ᮛᮞᮟᮓᮛ ᮢᮙᮗᮘᮤ ᮑᮧᮑᮩᮺ ᮣᮘᮕ᮵ᮜᮜ ᮒᮕ ᮤᮟᮤᮑᮜᮜᮩ ᮣᮥᮢᮠᮢᮙᮣᮕᮔᮺ ᮢᮙᮗᮘᮤᯍ”

ᯘᮥᮣᮤ ᮙᮝᮑᮗᮙᮞᮙᮞᮗ ᮘᮕᮢ ᮢᮕᮑᮓᮤᮙᮟᮞ ᮙᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮔᮕᮜᮙᮓᮙᮟᮥᮣᮼ

ᮇᮙᮤᮘ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕ ᮠᮜᮑᮩᮙᮞᮗ ᮟᮞ ᮝᮩ ᮜᮙᮠᮣᮺ ᯗ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮕ ᮝᮑᮙᮞ ᮕᮞᮤᮢᮑᮞᮓᮕ ᮑᮞᮔ ᮧᮕᮞᮤ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮤᮟ ᮤᮘᮕ ᮣᮤᮥᮔᮙᮟ ᮔᮟᮟᮢᮼ

ᯐᮕᮖᮟᮢᮕ ᮢᮙᮞᮗᮙᮞᮗ ᮤᮘᮕ ᮔᮟᮟᮢᮒᮕᮜᮜᮺ ᯗ ᮡᮥᮙᮓᮛᮜᮩ ᮓᮘᮕᮓᮛᮕᮔ ᮝᮩ ᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕᮺ ᮓᮟᮞᮖᮙᮢᮝᮕᮔ ᯗ ᮜᮟᮟᮛᮕᮔ ᮠᮢᮕᮣᮕᮞᮤᮑᮒᮜᮕᮺ ᮤᮘᮕᮞ ᮠᮢᮕᮣᮣᮕᮔ ᮤᮘᮕ ᮒᮥᮤᮤᮟᮞ ᮖᮙᮢᮝᮜᮩ ᮧᮙᮤᮘ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮼ

ᯒᮙᮞᮗᮻᮔᮟᮞᮗᮯ

─ᮇᮘᮟ ᮙᮣ ᮙᮤᯍ

“ᯗᮤ’ᮣ ᮝᮕᮼ”

—ᯖᮥᮘᯍ ᮇᮘᮟ ᮙᮣ ᮙᮤᯍ

“ᯗᮤ’ᮣ ᮝᮕᮼ”

ᯗ ᮗᮑᮦᮕ ᮑ ᮜᮙᮤᮤᮜᮕ ᮧᮑᮦᮕ ᮤᮟ ᮤᮘᮕ ᮔᮟᮟᮢᮒᮕᮜᮜ ᮓᮑᮝᮕᮢᮑᮼ

ᮄᮘᮕᮞᮺ ᮖᮢᮟᮝ ᮙᮞᮣᮙᮔᮕᮺ ᯗ ᮘᮕᮑᮢᮔ ᮑ ᮜᮟᮥᮔ ᮸ᮤᮘᮥᮝᮠᮻᮤᮘᮥᮝᮠᮻᮤᮘᮥᮝᮠ᮸ᮯ

᮸ᯑᮢᮕᮑᮛᮼ᮸

“ᮇᮘᮑᮤᯍᮯ ᯖᮟᮧ ᮑᮢᮕ ᮩᮟᮥ ᮘᮕᮢᮕ ᮑᮜᮢᮕᮑᮔᮩᯍᮯ”

ᮂᮕᮞᮛᮑ ᮑᮠᮠᮕᮑᮢᮕᮔᮺ ᮓᮜᮕᮑᮢᮜᮩ ᮘᮑᮦᮙᮞᮗ ᮢᮥᮣᮘᮕᮔ ᮤᮟ ᮤᮘᮕ ᮔᮟᮟᮢᮼ

ᮃᮘᮕ ᮧᮑᮣ ᮔᮢᮕᮣᮣᮕᮔ ᮙᮞ ᮑ ᮧᮘᮙᮤᮕ ᮓᮑᮝᮙᮣᮟᮜᮕ ᮑᮞᮔ ᮒᮜᮑᮓᮛ ᮔᮟᮜᮠᮘᮙᮞ ᮣᮘᮟᮢᮤᮣᮼ

ᯗᮤ ᮧᮑᮣ ᮑ ᮣᮥᮢᮠᮢᮙᮣᮙᮞᮗᮜᮩ ᮢᮕᮦᮕᮑᮜᮙᮞᮗ ᮟᮥᮤᮖᮙᮤᮼ

ᯕᮙᮦᮕᮞ ᮤᮘᮕ ᮧᮕᮑᮤᮘᮕᮢ ᮑᮞᮔ ᮤᮘᮕ ᮜᮑᮓᮛ ᮟᮖ ᮠᮢᮩᮙᮞᮗ ᮕᮩᮕᮣᮺ ᮣᮘᮕ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮔᮢᮕᮣᮣᮕᮔ ᮖᮟᮢ ᮓᮟᮝᮖᮟᮢᮤᮼ

“ᯗ ᮓᮑᮝᮕ ᮡᮥᮙᮓᮛᮜᮩ ᮒᮕᮓᮑᮥᮣᮕ ᯗ ᮝᮙᮣᮣᮕᮔ ᮩᮟᮥᮺ ᮂᮕᮞᮛᮑᮼ”

ᯚᮟᮟᮛᮙᮞᮗ ᮔᮟᮧᮞ ᮑᮤ ᮂᮕᮞᮛᮑᮺ ᯗ ᮔᮕᮜᮙᮦᮕᮢᮕᮔ ᮝᮩ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮜᮙᮞᮕᮼ

ᯗ ᮣᮝᮙᮜᮕᮔ ᮣᮥᮒᮤᮜᮩ ᮑᮞᮔ ᮜᮙᮗᮘᮤᮜᮩ ᮣᮘᮟᮟᮛ ᮤᮘᮕ ᮒᮑᮗ ᮟᮖ ᮙᮓᮕ ᮓᮢᮕᮑᮝ ᮙᮞ ᮝᮩ ᮘᮑᮞᮔᮼ ᮂᮕᮞᮛᮑᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮥᮠ ᮑᮤ ᮝᮕᮺ ᮒᮜᮥᮣᮘᮕᮔ ᮖᮑᮙᮞᮤᮜᮩᮼ

“……ᮇᮘᮑᮤ’ᮣ ᮙᮞ ᮤᮘᮕ ᮒᮑᮗᯍ”

“ᮄᮘᮙᮣᯍ ᯗᮓᮕ ᮓᮢᮕᮑᮝᮼ ᮀᮥᮤ ᮙᮤ ᮙᮞ ᮤᮘᮕ ᮖᮢᮕᮕ᮪ᮕᮢ ᮑᮞᮔ ᮤᮑᮛᮕ ᮙᮤ ᮟᮥᮤ ᮧᮘᮕᮞ ᮩᮟᮥ’ᮢᮕ ᮘᮟᮤᮼ”

ᯖᮑᮞᮔᮙᮞᮗ ᮘᮕᮢ ᮤᮘᮕ ᮒᮑᮗᮺ ᯗ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮣᮤᮕᮠᮠᮕᮔ ᮙᮞᮣᮙᮔᮕᮼ

ᯘᮥᮣᮤ ᮙᮞ ᮓᮑᮣᮕ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮑᮞᮩ ᮠᮢᮩᮙᮞᮗ ᮕᮩᮕᮣᮺ ᯗ ᮡᮥᮙᮓᮛᮜᮩ ᮓᮜᮟᮣᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢᮼ ᮂᮕᮞᮛᮑ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮑ ᮜᮟᮟᮛ ᮤᮘᮑᮤ ᮣᮑᮙᮔ ᯗ ᮧᮑᮣ ᮑ ᮣᮜᮩ ᮖᮟᮨᮺ ᮤᮘᮕᮞ ᮠᮢᮙᮝᮜᮩ ᮤᮥᮓᮛᮕᮔ ᮑ ᮣᮤᮢᮑᮞᮔ ᮟᮖ ᮘᮑᮙᮢ ᮒᮕᮘᮙᮞᮔ ᮘᮕᮢ ᮕᮑᮢᮼ

“ᯗ ᮞᮕᮦᮕᮢ ᮤᮟᮜᮔ ᮩᮟᮥ ᮤᮟ ᮒᮥᮩ ᮝᮕ ᮣᮤᮥᮖᮖ ᮜᮙᮛᮕ ᮤᮘᮙᮣ…ᮼ ᮇᮕᮜᮜᮺ ᯗ ᮗᮥᮕᮣᮣ ᯗ’ᮜᮜ ᮕᮑᮤ ᮙᮤ ᮑᮞᮩᮧᮑᮩ…ᯍ”

“ᮉᮕᮑᮘᮼ ᮄᮘᮙᮞᮛ ᮟᮖ ᮝᮕ ᮕᮦᮕᮢᮩ ᮤᮙᮝᮕ ᮩᮟᮥ ᮕᮑᮤ ᮙᮤᯍ”

“……ᮅᮗᮘᮺ ᮧᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮕᮦᮕᮞ ᮣᮑᮩᮙᮞᮗᯍ …ᯗᮔᮙᮟᮤᮼ”

ᮂᮕᮞᮛᮑ ᮢᮕᮠᮜᮙᮕᮔ ᮑᮣ ᮙᮖ ᮑᮞᮞᮟᮩᮕᮔᮺ ᮩᮕᮤ ᮣᮤᮙᮜᮜ ᮤᮟᮟᮛ ᮤᮘᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝ ᮒᮑᮗᮼ

ᯝᮛᮑᮩᮺ ᮣᮟ ᮣᮘᮕ’ᮣ ᮘᮑᮜᮖᮻᮖᮟᮢᮗᮙᮦᮕᮞ ᮝᮕ ᮑᮜᮢᮕᮑᮔᮩᮼ

ᮃᮘᮕ ᮛᮕᮠᮤ ᮗᮜᮑᮞᮓᮙᮞᮗ ᮒᮕᮤᮧᮕᮕᮞ ᮝᮩ ᮖᮑᮓᮕ ᮑᮞᮔ ᮤᮘᮕ ᮒᮑᮗᮺ ᮓᮜᮕᮑᮢᮜᮩ ᮓᮥᮢᮙᮟᮥᮣ ᮑᮒᮟᮥᮤ ᮤᮘᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝ ᮖᮜᮑᮦᮟᮢᮣᮼ

“ᯕᮟ ᮟᮞᮺ ᮓᮘᮕᮓᮛ ᮙᮤ ᮟᮥᮤᮼ ᯗ ᮗᮟᮤ ᮩᮟᮥᮢ ᮖᮑᮦᮟᮢᮙᮤᮕ ᮛᮙᮞᮔᮣᮼ”

“ᯝᮘᮼ ᮂᮕᮑᮜᮜᮩ…ᯍ”

ᯏᮣ ᮣᮟᮟᮞ ᮑᮣ ᮂᮕᮞᮛᮑ ᮘᮕᮑᮢᮔ ᮝᮕᮺ ᮣᮘᮕ ᮡᮥᮙᮓᮛᮜᮩ ᮢᮙᮠᮠᮕᮔ ᮟᮠᮕᮞ ᮤᮘᮕ ᮒᮑᮗᮼ

ᯗᮞᮣᮙᮔᮕ ᮧᮕᮢᮕ ᮤᮧᮟ ᮤᮩᮠᮕᮣ ᮟᮖ ᮙᮓᮕ ᮓᮢᮕᮑᮝᯈ ᮤᮧᮙᮣᮤᮕᮔ ᮙᮓᮕ ᮠᮟᮠᮣ ᮑᮞᮔ ᮤᮧᮙᮞ ᮙᮓᮕ ᮠᮟᮠᮣᮼ

ᮃᮕᮕᮙᮞᮗ ᮤᮘᮕ ᮣᮙᮨ ᮟᮖ ᮕᮑᮓᮘ ᮙᮓᮕ ᮓᮢᮕᮑᮝᮺ ᮑ ᮧᮙᮔᮕ ᮣᮝᮙᮜᮕ ᮣᮠᮢᮕᮑᮔ ᮑᮓᮢᮟᮣᮣ ᮂᮕᮞᮛᮑ’ᮣ ᮖᮑᮓᮕᮼ

“ᯝᮘᯍ ᯗᮤ’ᮣ ᮤᮢᮥᮕᮯ ᯖᮟᮧ ᮔᮙᮔ ᮩᮟᮥ ᮛᮞᮟᮧ ᯗ ᮜᮙᮛᮕ ᮤᮘᮕᮣᮕᯍ”

“ᯖᮟᮧ ᮔᮙᮔ ᯗ ᮛᮞᮟᮧᯍ ᯗ ᮣᮕᮕ ᮩᮟᮥ ᮕᮑᮤᮙᮞᮗ ᮤᮘᮕᮝ ᮑᮜᮜ ᮤᮘᮕ ᮤᮙᮝᮕᮼ”

“ᯖᮕᮘ…ᮼ ᮂᮕᮑᮜᮜᮩᯍ …ᯏᮘᮕᮝᮺ ᮓᮑᮞ ᯗ ᮘᮑᮦᮕ ᮟᮞᮕᯍ”

“ᮉᮕᮑᮘᮺ ᮗᮟ ᮑᮘᮕᮑᮔᮼ ᯗ ᮒᮟᮥᮗᮘᮤ ᮤᮘᮕᮝ ᮑᮜᮜ ᮖᮟᮢ ᮩᮟᮥ ᮤᮟ ᮕᮑᮤᮼ”

“ᯛᮝᮝᮺ ᮟᮛᮑᮩᮼ ᮄᮘᮕᮞ…”

ᮂᮕᮞᮛᮑ ᮤᮟᮢᮕ ᮟᮠᮕᮞ ᮤᮘᮕ ᮤᮧᮙᮞ ᮙᮓᮕ ᮠᮟᮠ ᮧᮢᮑᮠᮠᮕᮢᮼ

ᮃᮘᮕ ᮘᮥᮗᮗᮕᮔ ᮤᮘᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝ ᮒᮑᮗ ᮧᮙᮤᮘ ᮘᮕᮢ ᮜᮕᮖᮤ ᮑᮢᮝᮺ ᮤᮘᮕᮞ ᮗᮢᮑᮒᮒᮕᮔ ᮟᮞᮕ ᮣᮤᮙᮓᮛ ᮟᮖ ᮤᮘᮕ ᮤᮧᮙᮞ ᮙᮓᮕ ᮠᮟᮠ ᮧᮙᮤᮘ ᮘᮕᮢ ᮢᮙᮗᮘᮤ ᮘᮑᮞᮔ ᮑᮞᮔ ᮣᮤᮑᮢᮕᮔ ᮥᮠ ᮑᮤ ᮝᮕᮼ

ᯖᮕᮢ ᮗᮑ᮪ᮕ ᮓᮜᮕᮑᮢᮜᮩ ᮑᮣᮛᮕᮔ ᮧᮘᮩ ᯗ ᮧᮑᮣᮞ’ᮤ ᮗᮢᮑᮒᮒᮙᮞᮗ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮣᮙᮔᮕᮼ

“ᯖᮕᮢᮕᮼ”

᮸ᮃᮞᮑᮠᮼ᮸

ᮄᮘᮕ ᮤᮧᮙᮞ ᮙᮓᮕ ᮠᮟᮠ ᮣᮠᮜᮙᮤ ᮙᮞᮤᮟ ᮤᮧᮟᮼ

ᮃᮟᮝᮕᮤᮙᮝᮕᮣ ᮧᮘᮕᮞ ᮩᮟᮥ ᮣᮠᮜᮙᮤ ᮤᮘᮕᮣᮕᮺ ᮟᮞᮕ ᮣᮙᮔᮕ ᮕᮞᮔᮣ ᮥᮠ ᮒᮙᮗᮗᮕᮢᮺ ᮒᮥᮤ ᮂᮕᮞᮛᮑ ᮣᮛᮙᮜᮜᮖᮥᮜᮜᮩ ᮔᮙᮦᮙᮔᮕᮔ ᮙᮤ ᮠᮕᮢᮖᮕᮓᮤᮜᮩ ᮙᮞᮤᮟ ᮤᮧᮟ ᮕᮡᮥᮑᮜ ᮘᮑᮜᮦᮕᮣᮼ

“ᮉᮟᮥ ᮕᮑᮤ ᮤᮘᮑᮤ ᮟᮞᮕᮺ ᮉᮥᮞᮧᮟᮟᮼ”

“ᯜᮟᮺ ᮩᮟᮥ ᮓᮑᮞ ᮕᮑᮤ ᮙᮤ ᮑᮜᮜ ᮙᮖ ᮩᮟᮥ ᮧᮑᮞᮤᮼ”

“……”

ᮂᮕᮞᮛᮑ’ᮣ ᮗᮑ᮪ᮕ ᮞᮑᮢᮢᮟᮧᮕᮔ ᮙᮞᮣᮤᮑᮞᮤᮜᮩᮼ

“ᯘᮥᮣᮤ ᮕᮑᮤ ᮙᮤᮺ ᮟᮛᮑᮩᯍ”

“ᯏᮢᮕ ᮩᮟᮥ ᮣᮥᮢᮕᯍ”

“ᮉᮕᮣᮯ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮩᮟᮥ ᮘᮑᮔ ᮣᮟᮝᮕ ᮓᮟᮝᮝᮟᮞ ᮣᮕᮞᮣᮕᮺ ᮒᮥᮤ ᯗ ᮗᮥᮕᮣᮣ ᮩᮟᮥ’ᮢᮕ ᮚᮥᮣᮤ ᮑᮞ ᮙᮔᮙᮟᮤ ᮧᮘᮟ ᮔᮟᮕᮣᮞ’ᮤᮼ”

“ᯖᮝᮝ…ᮼ ᯏᮜᮢᮙᮗᮘᮤᮼ”

ᯗ ᮠᮥᮤ ᮤᮘᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝ ᮙᮞ ᮝᮩ ᮝᮟᮥᮤᮘ ᮑᮞᮔ ᮤᮟᮟᮛ ᮑ ᮓᮢᮥᮞᮓᮘᮩ ᮒᮙᮤᮕᮼ

ᮅᮞᮜᮙᮛᮕ ᮝᮕᮺ ᮂᮕᮞᮛᮑ ᮧᮑᮣ ᮜᮙᮓᮛᮙᮞᮗ ᮑᮞᮔ ᮣᮥᮓᮛᮙᮞᮗ ᮟᮞ ᮘᮕᮢᮣᮺ ᮝᮥᮤᮤᮕᮢᮙᮞᮗ ᮤᮟ ᮘᮕᮢᮣᮕᮜᮖᮼ

“ᯓᮑᮤᮙᮞᮗ ᮚᮥᮣᮤ ᮟᮞᮕ ᮟᮖ ᮤᮘᮕᮣᮕ ᮧᮟᮞ’ᮤ ᮝᮑᮛᮕ ᮝᮕ ᮗᮑᮙᮞ ᮧᮕᮙᮗᮘᮤᮺ ᮢᮙᮗᮘᮤ…ᯍ”

“ᯜᮟᮤ ᮧᮙᮤᮘ ᮚᮥᮣᮤ ᮟᮞᮕᮼ”

“…ᮂᮙᮗᮘᮤᯍ ᯗᮤ ᮧᮟᮞ’ᮤᮺ ᮧᮙᮜᮜ ᮙᮤᯍ”

“ᯗᮤ’ᮣ ᮚᮥᮣᮤ ᮟᮞᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝᮺ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮼ”

ᯓᮦᮕᮞ ᮓᮑᮜᮟᮢᮙᮕᮻᮧᮙᮣᮕᮺ ᮟᮞᮕ ᮘᮑᮜᮖ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮙᮣᮞ’ᮤ ᮕᮦᮕᮞ ᮿᮾᮾ ᮛᮓᮑᮜᮼ

“ᯐᮥᮤ ᮧᮘᮩ ᮤᮘᮕ ᮣᮥᮔᮔᮕᮞ ᮓᮟᮞᮓᮕᮢᮞᯍ ᯏᮢᮕ ᮩᮟᮥ ᮟᮞ ᮑ ᮔᮙᮕᮤᮺ ᮂᮕᮞᮛᮑᯍ”

“……ᮉᮥᮞᮧᮟᮟᮼ”

“ᯖᮥᮘᯍ”

“ᮉᮟᮥ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮛᮞᮟᮧᮺ ᮒᮕᮙᮞᮗ ᮑ ᮗᮥᮩᮺ ᮒᮥᮤ ᮕᮦᮕᮢᮩ ᮧᮟᮝᮑᮞ ᮙᮣ ᮟᮞ ᮑ ᮔᮙᮕᮤ ᯀᯂᮽᯅᮺ ᯁᯄᯃ ᮔᮑᮩᮣ ᮑ ᮩᮕᮑᮢᮼ …ᯓᮣᮠᮕᮓᮙᮑᮜᮜᮩ ᮙᮞ ᮣᮥᮝᮝᮕᮢᮺ ᮧᮕ ᮚᮥᮣᮤ ᮧᮟᮢᮛ ᮕᮦᮕᮞ ᮘᮑᮢᮔᮕᮢᮼ”

ᯖᮕᮢ ᮜᮑᮣᮤ ᮧᮟᮢᮔᮣ ᮧᮕᮢᮕ ᮤᮟᮟ ᮡᮥᮙᮕᮤ ᮖᮟᮢ ᮝᮕ ᮤᮟ ᮠᮢᮟᮠᮕᮢᮜᮩ ᮘᮕᮑᮢᮼ

ᯐᮥᮤ ᮤᮘᮑᮤ ᮧᮑᮣᮞ’ᮤ ᮢᮕᮑᮜᮜᮩ ᮙᮝᮠᮟᮢᮤᮑᮞᮤᮼ

‘ᯏ ᮔᮙᮕᮤᯍ ᮇᮙᮤᮘ ᮸ᮤᮘᮑᮤ᮸ ᮖᮙᮗᮥᮢᮕᯍ’

ᮃᮘᮕ ᮜᮟᮟᮛᮣ ᮠᮕᮢᮖᮕᮓᮤ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮺ ᮣᮟ ᮧᮘᮩ ᮧᮟᮥᮜᮔ ᮣᮘᮕ ᮔᮙᮕᮤᯍ

ᮅᮞᮑᮒᮜᮕ ᮤᮟ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮺ ᯗ ᮤᮙᮜᮤᮕᮔ ᮝᮩ ᮘᮕᮑᮔᮼ

“ᮂᮕᮑᮜᮜᮩᯍ ᯗᮣᮞ’ᮤ ᮤᮘᮙᮣ ᮖᮙᮗᮥᮢᮕ ᮚᮥᮣᮤ ᮢᮙᮗᮘᮤᯍ”

ᯗ ᮤᮘᮙᮞᮛ ᯗ’ᮦᮕ ᮣᮑᮙᮔ ᮤᮘᮙᮣ ᮒᮕᮖᮟᮢᮕᮺ ᮒᮥᮤ ᯗ ᮧᮑᮣᮞ’ᮤ ᮣᮑᮩᮙᮞᮗ ᮤᮘᮙᮣ ᮒᮕᮓᮑᮥᮣᮕ ᮂᮕᮞᮛᮑ ᮧᮑᮣ ᮝᮩ ᮗᮙᮢᮜᮖᮢᮙᮕᮞᮔᯉ ᯗ ᮧᮑᮣ ᮗᮕᮞᮥᮙᮞᮕᮜᮩ ᮒᮕᮙᮞᮗ ᮟᮒᮚᮕᮓᮤᮙᮦᮕᮼ

ᯐᮟᮤᮘ ᮙᮞ ᮘᮕᮢ ᮣᮧᮙᮝᮣᮥᮙᮤ ᮑᮞᮔ ᮙᮞ ᮘᮕᮢ ᮓᮥᮢᮢᮕᮞᮤ ᮟᮥᮤᮖᮙᮤᮺ ᮂᮕᮞᮛᮑ’ᮣ ᮖᮙᮗᮥᮢᮕ ᮧᮑᮣᮺ ᮤᮟ ᮠᮥᮤ ᮙᮤ ᮠᮜᮑᮙᮞᮜᮩᮺ ᮕᮨᮑᮓᮤᮜᮩ ᮧᮘᮑᮤ ᮗᮥᮩᮣ ᮜᮙᮛᮕᮺ ᮩᮟᮥ ᮛᮞᮟᮧᯍ

ᯜᮟᮤ ᮤᮟᮟ ᮤᮘᮙᮞᮺ ᮧᮙᮤᮘ ᮓᮥᮢᮦᮕᮣ ᮙᮞ ᮑᮜᮜ ᮤᮘᮕ ᮢᮙᮗᮘᮤ ᮠᮜᮑᮓᮕᮣᮼ

ᮄᮟ ᮒᮕ ᮝᮟᮢᮕ ᮘᮟᮞᮕᮣᮤᮺ ᮘᮕᮢ ᮥᮠᮠᮕᮢ ᮒᮟᮔᮩ ᮧᮑᮣ ᮣᮜᮕᮞᮔᮕᮢᮺ ᮒᮥᮤ ᮘᮕᮢ ᮓᮘᮕᮣᮤ ᮧᮑᮣ ᮡᮥᮙᮤᮕ ᮖᮥᮜᮜᮺ ᮘᮕᮢ ᮧᮑᮙᮣᮤ ᮧᮑᮣ ᮦᮕᮢᮩ ᮞᮑᮢᮢᮟᮧᮺ ᮩᮕᮤ ᮘᮕᮢ ᮘᮙᮠᮣ ᮑᮞᮔ ᮒᮑᮓᮛᮣᮙᮔᮕ ᮧᮕᮢᮕ ᮡᮥᮙᮤᮕ ᮑᮝᮠᮜᮕᮺ ᮑᮞᮔ ᮘᮕᮢ ᮤᮘᮙᮗᮘᮣ ᮧᮕᮢᮕ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮤᮘᮙᮓᮛ ᮧᮘᮙᮜᮕ ᮘᮕᮢ ᮓᮑᮜᮦᮕᮣ ᮧᮕᮢᮕ ᮣᮜᮕᮞᮔᮕᮢ—ᮙᮞ ᮣᮘᮟᮢᮤᮺ ᮂᮕᮞᮛᮑ ᮘᮑᮔ ᮧᮘᮑᮤ ᮩᮟᮥ’ᮔ ᮓᮑᮜᮜ ᮑ ᮗᮜᮑᮝᮟᮢᮟᮥᮣ ᮖᮙᮗᮥᮢᮕᮼ

“ᮄᮟ ᮝᮕᮺ ᮩᮟᮥ ᮜᮟᮟᮛ ᮠᮢᮕᮤᮤᮙᮕᮣᮤ ᮚᮥᮣᮤ ᮑᮣ ᮩᮟᮥ ᮑᮢᮕᮼ”

“……ᮅᮗᮘᮼ …ᮃᮕᮢᮙᮟᮥᮣᮜᮩᮼ”

ᮂᮕᮞᮛᮑ ᮣᮘᮙᮦᮕᮢᮕᮔ ᮑᮤ ᮝᮩ ᮧᮟᮢᮔᮣᮼ

ᯗ’ᮔ ᮣᮠᮟᮛᮕᮞ ᮧᮙᮤᮘ ᮿᮾᮾ᮳ ᮣᮙᮞᮓᮕᮢᮙᮤᮩᮺ ᮞᮟᮤ ᮑ ᮜᮙᮕ ᮙᮞ ᮙᮤᮺ ᮒᮥᮤ ᮣᮘᮕ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮙᮤ ᮧᮑᮣ ᮚᮥᮣᮤ ᮕᮝᮠᮤᮩ ᮖᮜᮑᮤᮤᮕᮢᮩᮺ ᮒᮕᮓᮑᮥᮣᮕ ᮘᮕᮢ ᮣᮘᮟᮥᮜᮔᮕᮢᮣ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

“ᯜᮟᮺ ᮣᮕᮢᮙᮟᮥᮣᮜᮩᮺ ᯗ’ᮝ ᮞᮟᮤ ᮚᮥᮣᮤ ᮣᮑᮩᮙᮞᮗ ᮙᮤᮼ ᯗ ᮝᮕᮑᮞ ᮙᮤᮼ”

“……ᮅᮗᮘᮺ ᮧᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮕᮦᮕᮞ ᮣᮑᮩᮙᮞᮗᯍ ᮉᮟᮥ’ᮢᮕ ᮣᮠᮟᮥᮤᮙᮞᮗ ᮧᮕᮙᮢᮔ ᮞᮟᮞᮣᮕᮞᮣᮕ ᮑᮗᮑᮙᮞᮺ ᮑᮢᮕᮞ’ᮤ ᮩᮟᮥᯍ”

“ᯗᮤ’ᮣ ᮞᮟᮤ ᮞᮟᮞᮣᮕᮞᮣᮕᮺ ᯗ’ᮝ ᮤᮕᮜᮜᮙᮞᮗ ᮩᮟᮥ ᮙᮤ’ᮣ ᮣᮙᮞᮓᮕᮢᮕᮯ”

ᮇᮘᮑᮤ ᮓᮟᮥᮜᮔ ᯗ ᮔᮟᯍ ᯗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮕᮨᮑᮓᮤᮜᮩ ᮟᮠᮕᮞ ᮥᮠ ᮝᮩ ᮘᮕᮑᮢᮤ ᮑᮞᮔ ᮣᮘᮟᮧ ᮘᮕᮢᮼ

“……ᯗᮖ ᮩᮟᮥ ᮛᮕᮕᮠ ᮣᮑᮩᮙᮞᮗ ᮧᮕᮙᮢᮔ ᮤᮘᮙᮞᮗᮣᮺ ᯗ’ᮜᮜ ᮚᮥᮣᮤ…”

“ᯘᮥᮣᮤ… ᮧᮘᮑᮤᯍ”

“ᯗ’ᮜᮜ ᮔᮟ ᮸ᮤᮘᮙᮣ᮸…ᯍᮯ”

᮸ᮇᮘᮟᮟᮣᮘᮯ᮸

ᮂᮕᮞᮛᮑ ᮗᮢᮑᮒᮒᮕᮔ ᮤᮘᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝ ᮒᮑᮗ ᮑᮞᮔ ᮜᮙᮗᮘᮤᮜᮩ ᮣᮧᮥᮞᮗ ᮙᮤᮼ

ᯖᮕᮢ ᮙᮞᮤᮕᮞᮤᮙᮟᮞ ᮧᮑᮣ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮑ ᮓᮥᮤᮕ ᮤᮘᮢᮕᮑᮤᮺ ᮑ ᮠᮜᮑᮩᮖᮥᮜ ᮧᮑᮢᮞᮙᮞᮗ ᮤᮟ ᮣᮤᮟᮠ ᮤᮑᮜᮛᮙᮞᮗ ᮞᮟᮞᮣᮕᮞᮣᮕᮺ ᮧᮙᮤᮘ ᮞᮟ ᮢᮕᮑᮜ ᮙᮞᮤᮕᮞᮤᮙᮟᮞ ᮟᮖ ᮘᮙᮤᮤᮙᮞᮗ ᮝᮕᮼ

ᯗ ᮔᮟᮞ᮵ᮤ ᮛᮞᮟᮧ ᮙᮖ ᯗ ᮝᮙᮣᮚᮥᮔᮗᮕᮔ ᮝᮩ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮟᮢ ᮧᮘᮑᮤᮺ ᮒᮥᮤ ᮤᮘᮕ ᮒᮑᮗ ᮖᮜᮕᮧ ᮘᮑᮢᮔᮕᮢ ᮤᮘᮑᮞ ᯗ ᮕᮨᮠᮕᮓᮤᮕᮔ ᮑᮞᮔ ᮘᮙᮤ ᮝᮩ ᮘᮑᮞᮔᮺ ᮤᮘᮕ ᮟᮞᮕ ᮘᮟᮜᮔᮙᮞᮗ ᮤᮘᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝᮺ ᮔᮕᮑᮔ ᮟᮞᮼ

ᯗᮤ ᮗᮟᮕᮣ ᮧᮙᮤᮘᮟᮥᮤ ᮣᮑᮩᮙᮞᮗᮺ ᮒᮥᮤ ᮧᮘᮕᮞ ᮤᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮣᮺ ᮩᮟᮥ ᮔᮢᮟᮠ ᮤᮘᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝ ᮙᮞ ᮩᮟᮥᮢ ᮘᮑᮞᮔᮼ

“ᯝᮘᯍ”

“……ᯕᮑᮣᮠᮯ ᯏᮢᮕ ᮩᮟᮥ ᮟᮛᮑᮩᯍᮯ”

ᮄᮘᮕ ᮙᮓᮕ ᮓᮢᮕᮑᮝ ᮤᮘᮑᮤ ᮖᮕᮜᮜ ᮣᮠᮜᮑᮣᮘᮕᮔ ᮟᮞᮤᮟ ᮝᮩ ᮠᮑᮞᮤᮣ ᮒᮕᮖᮟᮢᮕ ᮠᮜᮟᮠᮠᮙᮞᮗ ᮘᮕᮜᮠᮜᮕᮣᮣᮜᮩ ᮟᮞᮤᮟ ᮤᮘᮕ ᮗᮢᮟᮥᮞᮔᮼ

ᮂᮙᮗᮘᮤ ᮑᮖᮤᮕᮢᮺ ᮂᮕᮞᮛᮑ ᮧᮙᮤᮞᮕᮣᮣᮕᮔ ᮤᮘᮕ ᮔᮙᮣᮑᮣᮤᮕᮢᮺ ᮘᮕᮢ ᮕᮩᮕᮣ ᮧᮕᮞᮤ ᮧᮙᮔᮕ ᮑᮣ ᮣᮑᮥᮓᮕᮢᮣ ᮙᮞ ᮘᮟᮢᮢᮟᮢᮺ ᮤᮘᮕᮞᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮖᮜᮥᮣᮤᮕᮢᮕᮔᮺ ᮣᮘᮕ ᮡᮥᮙᮓᮛᮜᮩ ᮣᮡᮥᮑᮤᮤᮕᮔ ᮔᮟᮧᮞ ᮑᮞᮔ ᮗᮢᮑᮒᮒᮕᮔ ᮝᮩ ᮠᮑᮞᮤᮣ ᮧᮙᮤᮘ ᮒᮟᮤᮘ ᮘᮑᮞᮔᮣᮼ

“ᮃᮻᮣᮟᮢᮢᮩᮯ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮝᮕᮑᮞ ᮖᮟᮢ ᮤᮘᮙᮣ ᮤᮟ ᮘᮑᮠᮠᮕᮞᮼᮼᮼᮯ”

“ᯝᮘᮺ ᮩᮕᮑᮘᮼ ᯗᮤ᮵ᮣ ᮖᮙᮞᮕᮼ ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮝᮥᮓᮘᮺ ᯗ ᮓᮑᮞ ᮚᮥᮣᮤ ᮧᮙᮠᮕ ᮙᮤ ᮧᮙᮤᮘ ᮑ ᮤᮙᮣᮣᮥᮕᮼ”

“ᯔᮻᮖᮙᮢᮣᮤᮺ ᮩᮟᮥᮢ ᮠᮑᮞᮤᮣᮯ ᮄᮑᮛᮕ ᮤᮘᮕᮝ ᮟᮖᮖᮯ ᯗ᮵ᮜᮜ ᮧᮑᮣᮘ ᮤᮘᮕᮝ ᮖᮟᮢ ᮩᮟᮥᮼᮼᮼᮯ”

“ᮂᮕᮞᮛᮑᮺ ᮧᮕ ᮓᮑᮞ ᮚᮥᮣᮤ ᮥᮣᮕ ᮑ ᮤᮙᮣᮣᮥᮕ ᮖᮟᮢ ᮤᮘᮙᮣᮼᮼᮼᮼ”

“ᯗᮤ᮵ᮜᮜ ᮜᮕᮑᮦᮕ ᮑ ᮣᮤᮑᮙᮞ ᮑᮞᮔ ᮣᮝᮕᮜᮜ ᮒᮑᮔ ᮙᮖ ᮧᮕ ᮔᮟᮞ᮵ᮤᮯ ᮁᮥᮙᮓᮛᮜᮩᮺ ᮡᮥᮙᮓᮛᮜᮩᮼᮼᮼᮯ”

“ᮼᮼᮼᯜᮟᮺ ᯗ ᮤᮟᮜᮔ ᮩᮟᮥ ᮙᮤ᮵ᮣ ᮖᮙᮞᮕᯍ ᮼᮼᮼᯖᮕᮩᮺ ᮘᮕᮩᮯ ᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮔᮟᮙᮞᮗᯍᮯ ᮇᮘᮩ ᮑᮢᮕ ᮩᮟᮥ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮤᮑᮛᮕ ᮟᮖᮖ ᮝᮩ ᮠᮑᮞᮤᮣᯍᮯ”

“ᮅᮗᮘᮺ ᮚᮥᮣᮤ ᮤᮑᮛᮕ ᮤᮘᮕᮝ ᮟᮖᮖ ᮑᮜᮢᮕᮑᮔᮩᮯ ᮉᮟᮥ ᮙᮔᮙᮟᮤᮼᮼᮼᮯᮯ”

I’ve Been Appointed as a Nursery Teacher in Youka District.

Having quit her job as a nursery school teacher for some reason, Futaba Ansaki visits a local shrine to pray for reemployment. There, she meets a beautiful man with a mysterious aura. An encounter with this man will completely change Ansaki’s life. Where the man takes her, she meets eight half-demon children. Number One: “I’m fine.” Calm, collected, and earnest. A genius fox half-demon who can master anything with ease. Leo. Number Two: “Yeah, yeah, I get it.” A warm-hearted, big-brother-like character. A crow tengu half-demon(?) who appears carefree and easygoing, but is actually very observant of his surroundings. Hitorara. Number Three: “Tch, you’re annoying.” He’s cold and foul-mouthed towards everyone. A rough and taciturn demon half-demon. Kagekatsu. Number Four: “I was worried that this time she’d really hate me…” A calm, gentle, and sensible person. A snow-woman half-demon who tends to bottle things up and endure. Yuzuru Number Five: “…I got this from my grandpa…a precious treasure.” A listless, expressionless, and shy cat-demon half-demon who is sensitive to the nuances of others’ feelings. Yuki Number Six: “I want to be a cool big brother!” A timid and cowardly character, but always cheerful and full of energy. A cheerful and innocent kamaitachi half-demon. Azuma Number Seven: “Hmph, there’s no need to intimidate humans.” He’s foul-mouthed, but deep down he’s honest and kind. A thunder-beast half-demon whose emotions are easily revealed in his animal ears. Ouga Chapter 8: “Thanks for making me…cute.” She may appear cold, but her dere side can be quite dramatic. She’s the adorable and cunning half-demon of Satori. Toa. Will this lead to an entirely unintended reverse Hikaru Genji plot?! This is the beginning of a heartwarming, sometimes suspenseful, sweet, and gentle daily life between a half-demon and a nursery teacher(?).

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