Miss Patron, If You Want to Keep Me, Pay Extra

Chapter 5

Miss Patron, If You Want to Keep Me, Pay Extra

Why doesn’t the newly appointed Imperial Prime Minister, Reid Astralia, hide his past of selling charm in taverns in his early years? Rumor has it that his wealthy female patrons simply didn’t pay enough. After transmigrating into the body of a destitute prince who fled to an enemy nation, Reid ends up in a tavern, surviving as an exclusive companion for rich young ladies who commission his services. But no one told him his first client would be the very same duke’s daughter who nearly killed him! The duke’s daughter hires him as a contractual lover. The villainess commissions him as a secret rendezvous partner. The mafia wildflower invites him to dance on the edge of a blade. The princess begs him for late-night conversations. Yet, as Reid fulfills one request after another, his patrons refuse to let him go. Hey, Miss Patrons, this is strictly business—no emotions allowed! Not even for extra pay!

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ჷႾ ჄႸႵ ႼႹႲჂႱჂ჉ ႿႶ ჼႿ჆ႱႼ ႦႹႼႼႱლ ჺႵႹ ჲႵ ჱႿႼႼႹႾჃ—ႾႿჇ ჺႵႹ ჲႵ ჯჃჄႿჂႹႱ—ჇႱჃ ჀႱႹႾႶჅႼႼ჉ ჄჇႹჃჄႹႾႷ ႸႹჃ ႾႵႳႻ ႱႾႴ ჄჅႷႷႹႾႷ ႱჄ ჄႸႵ ჄႹႵ ႱჂႿჅႾႴ ႹჄლ ჄჂ჉ႹႾႷ ჄႿ ႽႱႻႵ ႹჄ ႽႿჂႵ ႳႿႽႶႿჂჄႱႲႼႵ ჄႿ ჇႵႱჂნ

ჯႼჄႸႿჅႷႸ ჺႵႹ ჲႵ ჃჄႹႼႼ ჂႵჄႱႹႾႵႴ ႸႹჃ ႽႵႽႿჂႹႵჃ ႱჃ ႱႾ ႹႽჀႵჂႹႱႼ ჀჂႹႾႳႵ ႿႶ ჄႸႵ ჯჅႷჅჃჄჅჃ ჳႽჀႹჂႵლ ႱႾႴ ჄႸႵ ჄჇႿ ႾႱჄႹႿႾჃ ჇႵჂႵ ႼႱႾႴ ႾႵႹႷႸႲႿჂჃნ

ჶႿჇႵ჆ႵჂლ ჄႸႵ ႦႹႳჄႿჂႹႱ ჹႹႾႷႴႿႽ ႱႾႴ ჄႸႵ ჯჅႷჅჃჄჅჃ ჳႽჀႹჂႵ ჇႵჂႵ ႳႵႾჄჅჂ჉მႿႼႴ ჂႹ჆ႱႼჃლ ႱႾႴ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ႶჂႿႽ ႾႿႲႼႵ ႵჄႹჁჅႵჄჄႵ ჄႿ ႳႿႽႽႿႾႵჂ ႼႹႶႵ ჇႱჃ ჆ႱჃჄႼ჉ ႴႹႶႶႵჂႵႾჄნ

ႤႸႹჃ ႽႵႱႾჄ ჄႸႱჄ ჺႵႹ ჲႵვჃ ჅႾႴႵჂჃჄႱႾႴႹႾႷ ႿႶ ჄႸႵ ႦႹႳჄႿჂႹႱ ჹႹႾႷႴႿႽვჃ ႾႿႲႼႵ ႵჄႹჁჅႵჄჄႵ ჇႱჃლ ႱჄ ႲႵჃჄლ ႾႿႾႵ჈ႹჃჄႵႾჄნ

“ႣჄႿჀ ႶႹႴႷႵჄႹႾႷნ”

ႤႸႹჃ ჇႱჃ ჄႸႵ ჄႸႹჂႴ ჄႹႽႵ ႢႵႾႱ ႸႱႴ ჃႼႱჀჀႵႴ ႸႹჃ ႸႱႾႴ ႱჇႱ჉ლ ႸႵჂ ႶႹႾႷႵჂჄႹჀჃ ႹႾႱႴ჆ႵჂჄႵႾჄႼ჉ ႲჂჅჃႸႹႾႷ ႸႹჃ ჯႴႱႽვჃ ႱჀჀႼႵნ

ႤႿ ႷႹ჆Ⴕ ჺႵႹ ჲႵ ႱႾ ႵჄႹჁჅႵჄჄႵ ႼႵჃჃႿႾლ ႢႵႾႱ ႸႱႴ ჃჀႵႳႹႱႼႼ჉ ႳႸႱႾႷႵႴ ႿჅჄ ႿႶ ႸႵჂ ჅჃჅႱႼ ႽႹႼႹჄႱჂ჉ ჅႾႹႶႿჂႽნ ჯ ႼႹႷႸჄ ႲႼჅႵ ჆ႵႼ჆ႵჄ ႷႿჇႾ ႽႱႴႵ ႸႵჂ ჃႻႹႾ ႱჀჀႵႱჂ ႱჃ ჇႸႹჄႵ ႱჃ ჃႾႿჇნ

ჶႵჂ ჃႹႼ჆ႵჂ ႸႱႹჂ ჇႱჃ ႼႿႿჃႵႼ჉ ჀႹႾႾႵႴ ჅჀ ჇႹჄႸ Ⴑ ჀႵႱჂႼ ႸႱႹჂჀႹႾლ ჉ႵჄ ႹჄ ჃჄႹႼႼ ႳႿჅႼႴႾვჄ ႳႿႾႳႵႱႼ ჄႸႵ ჃႸႱჂჀႾႵჃჃ ႹႾ ႸႵჂ ႲჂႿჇჃნ

“ႤႸႵ ჄႹႵ ႽჅჃჄ ႲႵ ჃჄჂႱႹႷႸჄჩ ႹჄ ႳႱႾვჄ ႲႵ ႳჂႿႿႻႵႴ ႿჂ ჄႿႿ ჄႹႷႸჄნ”

ႢႵႾႱ ჃჄႿႿႴ ႿႾ ႸႵჂ ჄႹჀჄႿႵჃლ ჀႵჂჃႿႾႱႼႼ჉ ႱႴႺჅჃჄႹႾႷ ჄႸႵ ჃႹႼႻ ႶႿჂ ჺႵႹ ჲႵ ჇႹჄႸ ႸႵჂ ႶႹႾႷႵჂჃნ

ჯႼჄႸႿჅႷႸ ჃႸႵ ႳႱႽႵ ႶჂႿႽ Ⴑ ႽႹႼႹჄႱჂ჉ ႲႱႳႻႷჂႿჅႾႴლ ႹჄ ႸႱႴ ჄႿ ႲႵ ჃႱႹႴ ჄႸႱჄ ႢႵႾႱვჃ ႶႹႾႷႵჂჃ ჇႵჂႵ ႹႾႴႵႵႴ ჃႼႵႾႴႵჂ ႱႾႴ ႾႹႽႲႼႵნ

ჺႵႹ ჲႵ ႿႾႼ჉ ႸႱႴ ჄႿ ႼႿჇႵჂ ႸႹჃ ႸႵႱႴ ჄႿ ჃႵႵ ႸႵჂ ჃႼႹႷႸჄႼ჉ ჄჂႵႽႲႼႹႾႷ Ⴕ჉ႵႼႱჃႸႵჃჩ ჄႸႵ ႴႹჃჄႱႾႳႵ ႲႵჄჇႵႵႾ ჄႸႵႽ ჇႱჃ ჃႿ ႳႼႿჃႵ ჄႸႱჄ ႸႵ ႳႿჅႼႴ ႳႿჅႾჄ ႵႱႳႸ ႿႾႵნ

ჺႵႹ ჲႵ ႳႿჅႼႴ Ⴕ჆ႵႾ ჃႽႵႼႼ ჄႸႵ ႶႱႹႾჄ ჃႳႵႾჄ ႿႶ ႼႵႽႿႾ ჃႿႱჀ ႹႾ ႢႵႾႱვჃ ႸႱႹჂნ

ႣႸႵ ႱႳჄჅႱႼႼ჉ ჅჃႵჃ ႼႵႽႿႾ ჃႿႱჀჭ

ႤႸႹჃ Ⴤ჉ჀႵ ႿႶ ჃႿႱჀ ჇႱჃ ჁჅႹჄႵ ჀႿჀჅႼႱჂ ႱႽႿႾႷ ჄႸႵ ჉ႿჅႾႷ ႾႿႲႼႵჇႿႽႵႾ ႹႾ ჵჂႱႾ ჱႹჄ჉ ჂႵႳႵႾჄႼ჉ნ

ჺႵႹ ჲႵ ჂႱႹჃႵႴ ႱႾ Ⴕ჉ႵႲჂႿჇნ ჷჄ ჃႵႵႽႵႴ ჄႸႹჃ ჀႵჂჃႿႾ ႱႼჃႿ ႸႱჂႲႿჂႵႴ ჃႿႽႵ ႷႹჂႼႹჃႸ ჄႸႿჅႷႸჄჃლ ႶႹჄჄႹႾႷ ႸႵჂ ႱႷႵ ႱႾႴ ჃჄႱჄჅჃნ

ႢႵႾႱვჃ ჆ႿႹႳႵ ჇႱჃ ႳႼႿჃႵ ჄႿ ႸႹჃ ႵႱჂლ ႸႵჂ ჇႱჂႽ ႲჂႵႱჄႸ ႲჂჅჃႸႹႾႷ ႸႹჃ ႾႵႳႻშ

“ჼႿႲႼႵႽႵႾ ႽჅჃჄ ჃჀႵႾႴ ႱჄ ႼႵႱჃჄ ჄჇႿ ႸႿჅჂჃ ႿႾ ჄႸႵႹჂ ႱჄჄႹჂႵ Ⴕ჆ႵჂ჉ ႴႱ჉ჩ ႶჂႿႽ ჅႾႴႵჂჇႵႱჂ ჄႿ ႿჅჄႵჂჇႵႱჂლ ჄႸႵჂႵ ႱჂႵ ჃჄჂႹႳჄ ჂႵႷჅႼႱჄႹႿႾჃნ”

ჺႵႹ ჲႵლ ႳႸႿႻႵႴ Ⴒ჉ ჄႸႵ ჄႹႵლ ჂႿႼႼႵႴ ႸႹჃ Ⴕ჉ႵჃნ “ႤჇႿ ႸႿჅჂჃჭ ႤႸႱჄვჃ ႵႾႿჅႷႸ ჄႹႽႵ ႶႿჂ ႽႵ ჄႿ ჄჂႹႳႻ ჄႸჂႵႵ ႾႿႲႼႵჇႿႽႵႾ ႹႾჄႿ ჀႱ჉ႹႾႷ ႶႿჂ Ⴝ჉ ႲႹႼႼჃნ”

“ႤႸჂႵႵ ჃႵႾჄႵႾႳႵჃლ ႱႾႴ Ⴑ ႾႿႲႼႵჇႿႽႱႾ ჇႹႼႼ ჃჀႵႾႴ ჄჇႿ ႷႿႼႴ ႳႿႹႾჃ ႿႾ ႽႵნ”

ჺႵႹ ჲႵ ႴႵႼႹႲႵჂႱჄႵႼ჉ ႴჂႵჇ ႿჅჄ ႸႹჃ ჇႿჂႴჃლ ჇႱჄႳႸႹႾႷ ჇႹჄႸ ჃႱჄႹჃႶႱႳჄႹႿႾ ႱჃ ႢႵႾႱვჃ ႲჂႿჇ ႶჅჂჂႿჇႵႴ ჃႼႹႷႸჄႼ჉ლ ჄႸႿჅႷႸ ჄႸႵ ႽႿ჆ႵႽႵႾჄ ჇႱჃ ႱႼႽႿჃჄ ႹႽჀႵჂႳႵჀჄႹႲႼႵნ

ჷჄ ჇႱჃႾვჄ ჄႸႱჄ ჺႵႹ ჲႵ ႴႹႴႾვჄ ႻႾႿჇ ჃჅႳႸ ჇႿჂႴჃ ႽႹႷႸჄ ႱႾႷႵჂ ႢႵႾႱჩ ႿႾ ჄႸႵ ႳႿႾჄჂႱჂ჉ლ ႸႵ ႴႵႼႹႲႵჂႱჄႵႼ჉ ႱႳჄႵႴ ჃႿ ႶႼႹჀჀႱႾჄႼ჉ნ

ჯႼჄႸႿჅႷႸ ႢႵႾႱ ႸႵႼႴ ჄႸႵ ႲႹႷႷႵჃჄ ႼႵ჆ႵჂႱႷႵ Ⴟ჆ႵჂ ႸႹႽ—ႸႹჃ ჅႾႴႿႳჅႽႵႾჄႵႴ ჃჄႱჄჅჃ—ႹჄ ႴႹႴႾვჄ ჀჂႵ჆ႵႾჄ ჺႵႹ ჲႵ ႶჂႿႽ Ⴕ჈ჀჂႵჃჃႹႾႷ ႸႹჃ ႴႹჃჃႱჄႹჃႶႱႳჄႹႿႾნ

ჺႵႹ ჲႵ ႸႱႴ ႾႿ ႹႾჄႵႾჄႹႿႾ ႿႶ ჃႹჄჄႹႾႷ ႹႴႼ჉ Ⴒ჉ნ

ႧႸႱჄვჃ ႽႿჂႵლ ჇႸႵჄႸႵჂ ႹႾ ႳႿႿჀႵჂႱჄႹႿႾ ႿჂ ჃႿႳႹႱႼ ႹႾჄႵჂႱႳჄႹႿႾლ ႱႳჄႹႾႷ ჃჅႲႽႹჃჃႹ჆Ⴕ ჇႿჅႼႴ ႿႾႼ჉ ႽႱႻႵ ႿჄႸႵჂჃ ჄႸႹႾႻ ჉ႿჅვჂႵ ႵႱჃ჉ ჄႿ ႲჅႼႼ჉ლ ႼႵႱႴႹႾႷ ჄႸႵႽ ჄႿ ႴႵႽႱႾႴ Ⴕ჆ႵႾ ႸႱჂჃႸႵჂ ჄႵჂႽჃნ

ჽႾႵ ႽჅჃჄ ჂႵჄႱႹႾ ჄႸႵႹჂ ႵႴႷႵნ

“ႤႸႱჄვჃ ჀჂႵႳႹჃႵႼ჉ ჄႸႵ ჀჂႿႲႼႵႽნ”

ႤႿ ჺႵႹ ჲႵვჃ ჃჅჂჀჂႹჃႵლ ႢႵႾႱ ႴႹႴ ႾႿჄ ႷႵჄ ႱႾႷჂ჉ნ

ႣႸႵ ჄႿႿႻ Ⴑ ჃჄႵჀ ႲႱႳႻლ ႳჂႿჃჃႵႴ ႸႵჂ ႱჂႽჃლ ႱႾႴ ჃႳჂჅჄႹႾႹ჊ႵႴ ႸႹႽლ ႸႵჂ ႲႼჅႵმႷჂႱ჉ Ⴕ჉ႵჃ ႷႼႹႾჄႹႾႷ ჇႹჄႸ ႱႾ ႵႽႿჄႹႿႾ ჺႵႹ ჲႵ ႳႿჅႼႴႾვჄ ႴႵႳႹჀႸႵჂნ

“ႩႿჅ ႽჅჃჄ ႳႿႽჀႼႵჄႵႼ჉ ႶႿჂႷႵჄ ჉ႿჅჂ ჀႱჃჄ ႸႱႲႹჄჃ ႱႾႴ ႾႿ ႼႿႾႷႵჂ Ⴕ჈ႸႹႲႹჄ ჅႾჃႵႵႽႼ჉ ႲႵႸႱ჆ႹႿჂლ” ჃႸႵ ჃႱႹႴლ ჄჅჂႾႹႾႷ ჄႿ ჀჅႼႼ Ⴑ ჄႸႹႳႻ ႲႿႿႻ ႶჂႿႽ ჄႸႵ ႲႿႿႻჃႸႵႼႶნ “ႤႸႹჃ ႹჃ ვႤႸႵ ჳჄႹჁჅႵჄჄႵ ჱႿႴႵ჈ლვ ჉ႿჅჂ ႶჅჄჅჂႵ ႳႿႴႵ ႿႶ ႳႿႾႴჅႳჄნ”

“ჽႸ Ⴝ჉ ႷႿႿႴႾႵჃჃლ” ჺႵႹ ჲႵ ჃႱႹႴლ ჄႱႻႹႾႷ ჄႸႵ ႲႿႿႻ ႱႾႴ ႴჂႱႽႱჄႹႳႱႼႼ჉ ჃႼჅႽჀႹႾႷ ႹႾჄႿ ჄႸႵ ႱჂႽႳႸႱႹჂლ ႸႹჃ ႼႵႷჃ ႳႱჃჅႱႼႼ჉ ႴჂႱჀႵႴ Ⴟ჆ႵჂ ჄႸႵ ႵႴႷႵ ႿႶ ჄႸႵ ႳႿႶႶႵႵ ჄႱႲႼႵნ “ჶႿჇ ႸႱ჆ႵႾვჄ ჉ႿჅ ႾႿႲႼႵჃ ႲႵႵႾ ჃჅႶႶႿႳႱჄႵႴ Ⴒ჉ ႱႼႼ ჄႸႵჃႵ ჂჅႼႵჃჭ”

“ჰႵႳႱჅჃႵ ჇႵვ჆Ⴕ ႲႵႵႾ ჄჂႱႹႾႵႴ ჃႹႾႳႵ ႳႸႹႼႴႸႿႿႴნ”

ႢႵႾႱ ჃႱჄ ႴႿჇႾ ႿჀჀႿჃႹჄႵ ႸႹႽლ ႸႵჂ ჃႻႹჂჄ ჃჀჂႵႱႴႹႾႷ ႿჅჄ ႼႹႻႵ Ⴑ ႲႼႿႿႽႹႾႷ ႶႼႿჇႵჂნ “ჸჅჃჄ ႼႹႻႵ ჉ႿჅ ႽჅჃჄ ႴႿ ႾႿჇნ”

ႣႸႵ ჃჅႴႴႵႾႼ჉ ჀჅႼႼႵႴ ႿჅჄ ჄႸႵ ႲႱჄႿႾ ჃႸႵ ႳႱჂჂႹႵႴ ჇႹჄႸ ႸႵჂ ႱႾႴ ჄႱჀჀႵႴ ႹჄ ჀჂႵႳႹჃႵႼ჉ ႿႾ ჺႵႹ ჲႵვჃ ႻႾႵႵნ

“ჴႹჂჃჄლ ჉ႿჅჂ ჀႿჃჄჅჂႵშ ႶႵႵჄ ႶႼႱჄ ႿႾ ჄႸႵ ႷჂႿჅႾႴლ” ჃႸႵ ႹႾჃჄჂჅႳჄႵႴლ ჄႸႵ ႲႱჄႿႾ ჃႼႹႴႹႾႷ ႴႿჇႾ ჺႵႹ ჲႵვჃ ჃჀႹႾႵ ჄႿ ႸႹჃ ჇႱႹჃჄნ “ႣჀႹႾႵ ჃჄჂႱႹႷႸჄნ”

“ႩႿჅჂ ႸႱႾႴჃ ႳႱႾ ჂႵჃჄ ႿႾ ჄႸႵ ႱჂႽჂႵჃჄჃლ ႲჅჄ ႴႿႾვჄ ჃႹႾႻ ႹႾჄႿ ჄႸႵ ႳႸႱႹჂ ႼႹႻႵ Ⴑ ႼჅႽჀ ႿႶ ႽჅႴნ”

ႤႸႵ ႲႱჄႿႾ ႼႹႷႸჄႼ჉ ჄႱჀჀႵႴ ႸႹჃ ႵႼႲႿჇ ႱႷႱႹႾ ჇႸႵႾ ჺႵႹ ჲႵ ჄჂႹႵႴ ჄႿ ჂႵႼႱ჈ნ

“ჳႼႵႷႱႾႳႵლ ႾႿჄ ჃჄႹႶႶႾႵჃჃნ”

ჺႵႹ ჲႵ ჂႵႼჅႳჄႱႾჄႼ჉ ႱႴႺჅჃჄႵႴ ႸႹჃ ჀႿჃჄჅჂႵნ

ჶႿჇႵ჆ႵჂლ Ⴟ჆ႵჂ ჄႸႵ ႾႵ჈Ⴤ ჄჇႿ ႸႿჅჂჃლ ႢႵႾႱვჃ Ⴕ჈ჀჂႵჃჃႹႿႾ ႷჂႱႴჅႱႼႼ჉ ႳႸႱႾႷႵႴ ႶჂႿႽ ႹႾႹჄႹႱႼ ჃჄჂႹႳჄႾႵჃჃ ჄႿ ჃჅჂჀჂႹჃႵნ

“ჲႹႾႾႵჂ ႻႾႹႶႵ ႿႾ ჄႸႵ ჂႹႷႸჄლ ႶႿჂႻ ႿႾ ჄႸႵ ႼႵႶჄჭ ႤႸႹჃ ႹჃ ჄႿႿ ჃႹႽჀႼႵნ”

ჺႵႹ ჲႵ ႳႿႽჀႼႱႹႾႵႴლ ჉ႵჄ ႸႹჃ ႸႱႾႴჃ ႸႱႴ ႱႼჂႵႱႴ჉ ჀႵჂႶႵႳჄႼ჉ ႱჂჂႱႾႷႵႴ ჄႸႵ ႳჅჄႼႵჂ჉ლ Ⴕ჆ႵႾ ႶႿႼႴႹႾႷ ჄႸႵ ႾႱჀႻႹႾ ႹႾჄႿ ჄႸႵ ჃჄႱႾႴႱჂႴ ႦႹႳჄႿჂႹႱ ႳႿჅჂჄ ჃჄ჉ႼႵნ

ႢႵႾႱ ჀჅჂჃႵႴ ႸႵჂ ႼႹჀჃ ႱႾႴ ჃჅႲჄႼ჉ ႹႾႳჂႵႱჃႵႴ ჄႸႵ ႴႹႶႶႹႳჅႼჄ჉ნ “ჼႿჇლ ჀჂႱႳჄႹႳႵ ჄႸႵ ႹႾ჆ႹჄႱჄႹႿႾ ჀႱჂჄ ႿႶ ჃႿႳႹႱႼ ႴႱႾႳႹႾႷნ”

ႣႸႵ ႸႱႴ Ⴕ჈ჀႵႳჄႵႴ ჄႸႹჃ ႲႱჂჄႵႾႴႵჂ ႶჂႿႽ ჄႸႵ ჀႿჂჄ ႴႹჃჄჂႹႳჄ ჄႿ ႲႵ ႶႼჅჃჄႵჂႵႴ ႶႿჂ Ⴑ ჇႸႹႼႵლ ႲჅჄ ႹႾჃჄႵႱႴ ჃႱჇ ჺႵႹ ჲႵ ႵႼႵႷႱႾჄႼ჉ ႲႿჇႹႾႷნ

ჶႹჃ ჂႹႷႸჄ ႸႱႾႴ ႸႿ჆ႵჂႵႴ ႱჄ ႺჅჃჄ ჄႸႵ ჂႹႷႸჄ ႸႵႹႷႸჄლ Ⴕ჆ႵႾ ჄႸႵ ႳჅჂ჆Ⴕ ႿႶ ႸႹჃ ႶႹႾႷႵჂჄႹჀჃ ჀႵჂႶႵႳჄႼ჉ ჀჂႵႳႹჃႵნ

ჶႵ Ⴕ჆ႵႾ ჀႵჂႶႵႳჄႼ჉ ჂႵჀႼႹႳႱჄႵႴ ჄႸႵ ႽႿჃჄ ႴႹႶႶႹႳჅႼჄ ႴႵჄႱႹႼ ჄႿ ႽႱჃჄႵჂშ ჄႸႵ ჃႼႹႷႸჄ ႴႿჇႾჇႱჂႴ ჄႹႼჄ ႿႶ ჄႸႵ Ⴕ჉ႵႼႱჃႸႵჃ ჇႸႵႾ ႲႿჇႹႾႷნ

ჽႾႵ ႽჅჃჄ ႻႾႿჇ ჄႸႱჄ Ⴕ჆ႵႾ ႢႵႾႱ ႸႵჂჃႵႼႶ ႸႱႴ ჃჀႵႾჄ Ⴑ ჇႸႿႼႵ ႸႱႼႶმႴႱ჉ ჄႿ ႽႱჃჄႵჂ ჄႸႹჃ ႵჄႹჁჅႵჄჄႵნ

ჷႾ ႺჅჃჄ ჄჇႿ ႸႿჅჂჃ ႿႶ ႹႾჃჄჂჅႳჄႹႿႾლ ჺႵႹ ჲႵ ႸႱႴ ႽႱჃჄႵჂႵႴ ႲႱჃႹႳ ჄႱႲႼႵ ႽႱႾႾႵჂჃ ႱႾႴ ჃႿႳႹႱႼ ႵჄႹჁჅႵჄჄႵჩ Ⴕ჆ႵႾ ႸႹჃ ႱႳႳႵႾჄ ႸႱႴ ႳႸႱႾႷႵႴ ႶჂႿႽ Ⴑ ႳჂჅႴႵ ჀႿჂჄ ႴႹჃჄჂႹႳჄ ႴႹႱႼႵႳჄ ჄႿ ႵႼႵႷႱႾჄ ႾႿႲႼႵ ჃჀႵႵႳႸნ

ჯႼჄႸႿჅႷႸ ჺႵႹ ჲႵ ႿႳႳႱჃႹႿႾႱႼႼ჉ ჃჄႹႼႼ ჃႸႿჇႵႴ ႶႼႱჇჃლ ჃჅႳႸ ႱჃ ჅႾႳႿႾჃႳႹႿჅჃႼ჉ ჅჃႹႾႷ ႸႹჃ ႼႵႶჄ ႸႱႾႴ ჄႿ ႸႿႼႴ Ⴑ ჄႵႱႳჅჀ ჇႸႵႾ ჂႵႼႱ჈ႵႴნ

ჰჅჄ ჄႸႹჃ ჄႵႱႳႸႹႾႷ ႵႶႶႵႳჄ ႸႱႴ ႱႳჄჅႱႼႼ჉ ႷჂႵႱჄႼ჉ Ⴕ჈ႳႵႵႴႵႴ ႢႵႾႱვჃ Ⴕ჈ჀႵႳჄႱჄႹႿႾჃნ

“ჷႽჀჂႵჃჃႹ჆Ⴕლ ჻Ⴢნ ჺႵႹ ჲႵნ”

ႧႸႵႾ ჄႸႵ ႹႾჃჄჂჅႳჄႹႿႾ ႵႾႴႵႴლ ႢႵႾႱ ჀჅჄ ႴႿჇႾ ჄႸႵ ჀႿႳႻႵჄ ჇႱჄႳႸ ႹႾ ႸႵჂ ႸႱႾႴლ ႹჄჃ ႳႸႱႹႾ ჃჇႱ჉ႹႾႷ ჃႼႹႷႸჄႼ჉ ႹႾ ჄႸႵ ჄჇႹႼႹႷႸჄ ႿႶ ჄႸႵ ჃႵჄჄႹႾႷ ჃჅႾნ

“ჷ ႸႱႴ ჄႸႿჅႷႸჄ ႹჄ ჇႿჅႼႴ ჄႱႻႵ ჉ႿჅ ႱჄ ႼႵႱჃჄ Ⴑ ჇႵႵႻ ჄႿ ႽႱჃჄႵჂ ჄႸႵჃႵნ”

ჺႵႹ ჲႵ ჇႱჃ ႱႴႺჅჃჄႹႾႷ ႸႹჃ ჄႹႵ ႹႾ ႶჂႿႾჄ ႿႶ ჄႸႵ ႶჅႼႼმႼႵႾႷჄႸ ႽႹჂჂႿჂნ ჶႵႱჂႹႾႷ ჄႸႹჃლ ႸႵ ჄჅჂႾႵႴ ႱჂႿჅႾႴ ႱႾႴ ႽႵჄ ႢႵႾႱვჃ ႷႱ჊Ⴕნ

ႤႸႵ ჃჅႾႼႹႷႸჄ ႳႱჃჄ Ⴑ ჃႿႶჄ ႵႴႷႵ ႿႾ ႸႹჃ ჀჂႿႶႿჅႾႴ ჃႹႼႸႿჅႵჄჄႵნ ჯႼჄႸႿჅႷႸ ႹჄ ჇႱჃ ႺჅჃჄ Ⴑ ႽႱჃჃმჀჂႿႴჅႳႵႴ ႶႿჂႽႱႼ ჃჅႹჄ ႶჂႿႽ ჄႸႵ ჆ႹႼႼႱვჃ ჃჄႿႳႻლ ჺႵႹ ჲႵ ჇႿჂႵ ႹჄ ჇႹჄႸ Ⴑ ჂႵႷႱႼ ႲႵႱჂႹႾႷნ

ႢႵႾႱ ჂႵႼჅႳჄႱႾჄႼ჉ ႱႴႽႹჄჄႵႴ ჄႸႱჄ ჄႸႵ ႸႱႾႴჃႿႽႵႾႵჃჃ ႿႶ ჄႸႹჃ ႶႱႳႵ ჇႱჃ ႹႾႴႵႵႴ ჃႿႽႵჄႸႹႾႷ ჃႸႵ ႸႱႴ ႾႵ჆ႵჂ ჃႵႵႾ ႹႾ ႸႵჂ ႼႹႶႵნ

“჻ႹჃჃ ႢႵႾႱნ”

ჺႵႹ ჲႵ ჄႿႿႻ Ⴑ ჃჄႵჀ ႶႿჂჇႱჂႴლ ႸႹჃ ႼႵႱჄႸႵჂ ჃႸႿႵჃ ႽႱႻႹႾႷ Ⴑ ჃჄႵႱႴ჉ ჃႿჅႾႴ ႿႾ ჄႸႵ ႿႱႻ ႶႼႿႿჂშ

“ႠႱႷႵ ჟსქ ႿႶ ვႤႸႵ ჳჄႹჁჅႵჄჄႵ ჱႿႴႵ჈ვ ႳႼႵႱჂႼ჉ ჃჄႱჄႵჃ ჄႸႱჄ ჇႸႵႾ Ⴑ ႾႿႲႼႵႽႱႾ ႳႿႾ჆ႵჂჃႵჃ ჇႹჄႸ ჃႿႽႵႿႾႵლ ჄႸႵႹჂ ႷႱ჊Ⴕ ჃႸႿჅႼႴ ჂႵჃჄ ႿႾ ჄႸႵ ႽႹႴჀႿႹႾჄ ႲႵჄჇႵႵႾ ჄႸႵ ႿჄႸႵჂ ჀႵჂჃႿႾვჃ Ⴕ჉ႵႲჂႿჇჃნნნ”

ჷჄ ჇႱჃႾვჄ ႹႾ ჆ႱႹႾ ჄႸႱჄ ჷ ႴႵ჆ႿჅჂႵႴ ჄႸႹჃ ჇჂႵჄႳႸႵႴ ႲႿႿႻ ჇႹჄႸ ႱႳႳႵႼႵჂႱჄႵႴ ჄႸႹႾႻႹႾႷჩ ႾႿჇ ჷვ჆Ⴕ ႶႹႾႱႼႼ჉ ႳႱჅႷႸჄ ჉ႿჅჂ ႶႼႱჇლ ႸႱ჆ႵႾვჄ ჷჭ

ჺႵႹ ჲႵვჃ ႼႹჀჃ ႳჅჂ჆ႵႴ ႹႾჄႿ Ⴑ ႳჅႾႾႹႾႷ ჃႽႹႼႵლ ႱႾႴ ႸႵ ႴႵႼႹႲႵჂႱჄႵႼ჉ ჃႼႿჇႵႴ ႸႹჃ ჃჀႵႵႳႸშ

“჻Ⴑ჉ ჷ ႱჃႻ ჇႸ჉ ჉ႿჅ Ⴑ჆ႵჂჄႵႴ ჉ႿჅჂ ႷႱ჊Ⴕჭ”

ႢႵႾႱვჃ ႲႱჄႿႾ ჃႸႱჂჀႼ჉ ჄႱჀჀႵႴ ჄႸႵ ჄႱႲႼႵჄႿჀლ ႽႱႻႹႾႷ ჄႸႵ ႹႾႻ ႲႿჄჄႼႵ ႲႵჃႹႴႵ ႹჄ ჄჂႵႽႲႼႵნ

ႣႸႵ ႶႿჂႳႵႴ ႸႵჂჃႵႼႶ ჄႿ ႽႵႵჄ ႸႹჃ ჃႳႿჂႳႸႹႾႷ ႷႱ჊Ⴕლ ႲჅჄ ႶႵႼჄ Ⴑ ჇႱ჆Ⴕ ႿႶ ႸႵႱჄ ჃჀჂႵႱႴ ႶჂႿႽ ႸႵჂ ႵႱჂႼႿႲႵჃ ჄႿ ႸႵჂ ႾႵႳႻნ

“჻Ⴢნ ჺႵႹ ჲႵლ” ႢႵႾႱ ჃႱႹႴლ ჃჄႱႾႴႹႾႷ ჅჀნ “ვႤႸႵ ჳჄႹჁჅႵჄჄႵ ჱႿႴႵ჈ვ ႱႼჃႿ ჃჄႱჄႵჃ ჄႸႱჄ ჉ႿჅ ჃႸႿჅႼႴ ჃႸႿჇ ჂႵჃჀႵႳჄ ჄႿ ჉ႿჅჂ ႹႾჃჄჂჅႳჄႿჂნ”

ႤႸႵ ႲႱჄႿႾ ႼႹႶჄႵႴ ჺႵႹ ჲႵვჃ ႳႸႹႾლ ႲჅჄ ႱჃ ႹჄ ჄႿჅႳႸႵႴ ႸႹჃ ჃႻႹႾლ ჃႸႵ ႶႵႼჄ ႸႹჃ ჯႴႱႽვჃ ႱჀჀႼႵ ႲႿႲნ

ႤႸႵ ჄႵႽჀႵჂႱჄჅჂႵ ႹႾ ჄႸႵ ႼႹႲჂႱჂ჉ ჃႵႵႽႵႴ ჄႿ ჃჅႴႴႵႾႼ჉ ჂႹჃႵ Ⴒ჉ Ⴑ ႶႵჇ ႴႵႷჂႵႵჃლ ႱႾႴ ႢႵႾႱ ႶႵႼჄ ႱႾ ႹႾႵ჈ჀႼႹႳႱႲႼႵ ႶႼჅჃႸნ

ႢႵႾႱ ႱႳჄჅႱႼႼ჉ ႶႿჅႾႴ ჄႸႵ ႽႵჄႱႼ ႲႱჄႿႾ Ⴑ ႲႹჄ ႸႿჄ ჄႿ ჄႸႵ ჄႿჅႳႸნ “჻ႵႽႿჂႹ჊Ⴕ ჄႸႵ ႶႹჂჃჄ ႶႹ჆Ⴕ ႳႸႱჀჄႵჂჃ ႿႶ ვႤႸႵ ჳჄႹჁჅႵჄჄႵ ჱႿႴႵ჈ვ ჄႿႾႹႷႸჄლ ႿჂ ႵႼჃႵნნნ”

“ჽჂ ႵႼჃႵ ჇႸႱჄჭ” ჺႵႹ ჲႵ ჃჅႴႴႵႾႼ჉ ႷჂႹჀჀႵႴ ჄႸႵ ႿჄႸႵჂ ႵႾႴ ႿႶ ჄႸႵ ႲႱჄႿႾნ “ჯჂႵ ჉ႿჅ ႷႿႹႾႷ ჄႿ ႴႹჃႽႹჃჃ ႽႵლ ႴႵႱჂ ჄႵႱႳႸႵჂჭ”

ႢႵႾႱ ჃႸႱჂჀႼ჉ ჀჅႼႼႵႴ ႲႱႳႻ ჄႸႵ ႲႱჄႿႾლ ႸႵჂ ჃႹႼ჆ႵჂ ႸႱႹჂ ႲჂჅჃႸႹႾႷ ჺႵႹ ჲႵვჃ ႳႸႹႾ ႱჃ ჃႸႵ ჄჅჂႾႵႴნ

ႣႸႵ ჁჅႹႳႻႼ჉ ჇႱႼႻႵႴ ჄႿჇႱჂႴჃ ჄႸႵ ႴႿႿჂლ ႲჅჄ ჃჄႿჀჀႵႴ ႱჄ ჄႸႵ ჄႸჂႵჃႸႿႼႴ ჇႹჄႸႿჅჄ ႼႿႿႻႹႾႷ ႲႱႳႻნ

“ნნნჼႿჇლ ႱႳႳႿႽჀႱႾ჉ ႽႵ ႶႿჂ Ⴑ ჇႱႼႻ ႹႾ ჄႸႵ ႷႱჂႴႵႾნ”

ႧႸႵႾ ႶႱႳႵႴ ჇႹჄႸ ჁჅႵჃჄႹႿႾჃ ႿႾႵ ႴႹႴႾვჄ ჇႱႾჄ ჄႿ ႱႾჃჇႵჂ ႿჂ ႳႿჅႼႴႾვჄ ႱႾჃჇႵჂლ ႳႸႱႾႷႹႾႷ ჄႸႵ ჃჅႲႺႵႳჄ ႸႱႴ ႱႼჇႱ჉Ⴣ ႲႵႵႾ Ⴑ ႷႿႿႴ ႿჀჄႹႿႾნ

ႧႸႹႼႵ ႵჃႳႱჀႹႾႷ ႹჃ ჃႸႱႽႵႶჅႼლ ႹჄ ႹჃ ჅჃႵႶჅႼნ

“ჵႱჂႴႵႾჃ ႱჂႵ ჇႸႵჂႵ ჉ႿჅႾႷ ႳႿჅჀႼႵჃ ႽႿჃჄ ႿႶჄႵႾ ႷႿ ႿႾ ႴႱჄႵჃლ” ჃႸႵ Ⴕ჈ჀႼႱႹႾႵႴნ “ႧႵ ႾႵႵႴ ჄႿ ჀჂႱႳჄႹႳႵ ႸႿჇ ჄႿ ႱႳჄ ႼႹႻႵ ႼႿ჆ႵჂჃ ႹႾ ჀჅႲႼႹႳნ”

ႢႵႾႱვჃ ჄႿႾႵ ჇႱჃ ჃჄႹႼႼ ႲჅჃႹႾႵჃჃႼႹႻႵლ ႲჅჄ ჃႸႵ ႳႿჅႼႴႾვჄ ႸႹႴႵ ჄႸႵ ჃႼႹႷႸჄ ႸႿႱჂჃႵႾႵჃჃ ႹႾ ႸႵჂ ჆ႿႹႳႵშ

“ႢႵႽႵႽႲႵჂლ ႲႵ ႾႱჄჅჂႱႼნ”

Miss Patron, If You Want to Keep Me, Pay Extra

Why doesn’t the newly appointed Imperial Prime Minister, Reid Astralia, hide his past of selling charm in taverns in his early years? Rumor has it that his wealthy female patrons simply didn’t pay enough. After transmigrating into the body of a destitute prince who fled to an enemy nation, Reid ends up in a tavern, surviving as an exclusive companion for rich young ladies who commission his services. But no one told him his first client would be the very same duke’s daughter who nearly killed him! The duke’s daughter hires him as a contractual lover. The villainess commissions him as a secret rendezvous partner. The mafia wildflower invites him to dance on the edge of a blade. The princess begs him for late-night conversations. Yet, as Reid fulfills one request after another, his patrons refuse to let him go. Hey, Miss Patrons, this is strictly business—no emotions allowed! Not even for extra pay!

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