Miss Patron, If You Want to Keep Me, Pay Extra

Chapter 7

Miss Patron, If You Want to Keep Me, Pay Extra

Why doesn’t the newly appointed Imperial Prime Minister, Reid Astralia, hide his past of selling charm in taverns in his early years? Rumor has it that his wealthy female patrons simply didn’t pay enough. After transmigrating into the body of a destitute prince who fled to an enemy nation, Reid ends up in a tavern, surviving as an exclusive companion for rich young ladies who commission his services. But no one told him his first client would be the very same duke’s daughter who nearly killed him! The duke’s daughter hires him as a contractual lover. The villainess commissions him as a secret rendezvous partner. The mafia wildflower invites him to dance on the edge of a blade. The princess begs him for late-night conversations. Yet, as Reid fulfills one request after another, his patrons refuse to let him go. Hey, Miss Patrons, this is strictly business—no emotions allowed! Not even for extra pay!

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ᯝᮞᮜᮩ ᮧᮘᮕᮞ ᮆᮕᮢᮟᮞᮙᮓᮑ᮵ᮣ ᮖᮙᮗᮥᮢᮕ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮦᮑᮞᮙᮣᮘᮕᮔ ᮑᮤ ᮤᮘᮕ ᮕᮞᮔ ᮟᮖ ᮤᮘᮕ ᮢᮟᮣᮕ ᮗᮑᮢᮔᮕᮞ ᮔᮙᮔ ᮂᮕᮞᮑ ᮢᮕᮑᮓᮤᮺ ᮑᮒᮢᮥᮠᮤᮜᮩ ᮜᮕᮤᮤᮙᮞᮗ ᮗᮟ ᮟᮖ ᯚᮕᮙ ᯒᮕ᮵ᮣ ᮑᮢᮝᮼ

ᮆᮕᮢᮟᮞᮙᮓᮑ᮵ᮣ ᮑ᮪ᮥᮢᮕ ᮒᮜᮥᮕ ᮕᮩᮕᮣ ᮖᮜᮑᮣᮘᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮘᮕᮢ ᮝᮙᮞᮔ—ᮑ ᮓᮜᮕᮑᮢ ᮓᮑᮜᮓᮥᮜᮑᮤᮙᮟᮞ ᮘᮙᮔᮔᮕᮞ ᮧᮙᮤᮘᮙᮞ ᮤᮘᮑᮤ ᮗᮑ᮪ᮕᮼ

ᯘᮥᮣᮤ ᮜᮙᮛᮕ ᮘᮕᮢ ᮝᮟᮤᮘᮕᮢ ᮔᮙᮔ ᮕᮦᮕᮢᮩ ᮤᮙᮝᮕ ᮣᮘᮕ ᮖᮕᮙᮗᮞᮕᮔ ᮓᮟᮞᮓᮕᮢᮞ ᮑᮤ ᮖᮑᮝᮙᮜᮩ ᮝᮕᮕᮤᮙᮞᮗᮣᮼ

ᮂᮕᮞᮑ ᮤᮟᮟᮛ ᮤᮧᮟ ᮣᮤᮕᮠᮣ ᮒᮑᮓᮛᮺ ᮘᮕᮢ ᮓᮘᮕᮣᮤ ᮢᮙᮣᮙᮞᮗ ᮑᮞᮔ ᮖᮑᮜᮜᮙᮞᮗ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

ᮆᮕᮢᮟᮞᮙᮓᮑ᮵ᮣ ᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕ ᮤᮟᮔᮑᮩ ᮧᮑᮣ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮞᮟᮤ ᮑᮣ ᮣᮙᮝᮠᮜᮕ ᮑᮣ ᮝᮕᮢᮕᮜᮩ ᮙᮞᮦᮙᮤᮙᮞᮗ ᮘᮕᮢ ᮤᮟ ᮑ ᮗᮑᮤᮘᮕᮢᮙᮞᮗᯉ ᮤᮘᮕᮢᮕ ᮘᮑᮔ ᮤᮟ ᮒᮕ ᮑ ᮔᮕᮕᮠᮕᮢ ᮓᮟᮞᮣᮠᮙᮢᮑᮓᮩ ᮒᮕᮘᮙᮞᮔ ᮙᮤᮼ

ᯐᮥᮤ ᮖᮟᮢᮤᮥᮞᮑᮤᮕᮜᮩᮼᮼᮼ

ᮂᮕᮞᮑ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᯚᮕᮙ ᯒᮕ ᮒᮕᮣᮙᮔᮕ ᮘᮕᮢᮺ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮥᮞᮓᮟᮞᮣᮓᮙᮟᮥᮣᮜᮩ ᮣᮟᮖᮤᮕᮞᮙᮞᮗ ᮓᮟᮞᮣᮙᮔᮕᮢᮑᮒᮜᮩᮼ

ᯚᮕᮙ ᯒᮕ᮵ᮣ ᮠᮕᮢᮖᮟᮢᮝᮑᮞᮓᮕ ᮚᮥᮣᮤ ᮞᮟᮧ ᮧᮑᮣ ᮤᮢᮥᮜᮩ ᮑᮣᮤᮟᮞᮙᮣᮘᮙᮞᮗᯉ ᮕᮦᮕᮞ ᮂᮕᮞᮑ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮡᮥᮙᮤᮕ ᮗᮢᮑᮣᮠ ᮤᮘᮕ ᮝᮑᮙᮞ ᮠᮟᮙᮞᮤᮼ

ᯗ᮵ᮝ ᮓᮜᮕᮑᮢᮜᮩ ᮘᮙᮣ ᮕᮝᮠᮜᮟᮩᮕᮢᮺ ᮣᮟ ᮧᮘᮩ ᮑᮝ ᯗ ᮤᮘᮕ ᮟᮞᮕ ᮒᮕᮙᮞᮗ ᮜᮕᮔ ᮒᮩ ᮤᮘᮕ ᮞᮟᮣᮕᯍ

ᯐᮥᮤ ᮂᮕᮞᮑ ᮘᮑᮔ ᮤᮟ ᮑᮔᮝᮙᮤᮺ ᯚᮕᮙ ᯒᮕ ᮘᮑᮔ ᮙᮞᮔᮕᮕᮔ ᮘᮕᮜᮠᮕᮔ ᮘᮕᮢ ᮙᮝᮝᮕᮞᮣᮕᮜᮩᮼ

ᮇᮘᮑᮤ ᮧᮑᮣ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮤᮕᮢᮢᮙᮖᮩᮙᮞᮗ ᮧᮑᮣ ᮤᮘᮙᮣ ᮝᮑᮞ᮵ᮣ ᮠᮕᮢᮖᮟᮢᮝᮑᮞᮓᮕ ᮚᮥᮣᮤ ᮞᮟᮧᮼ

ᮄᮘᮟᮣᮕ ᮙᮞᮤᮙᮝᮑᮤᮕ ᮜᮙᮤᮤᮜᮕ ᮗᮕᮣᮤᮥᮢᮕᮣᮺ ᮤᮘᮕ ᮠᮢᮙᮔᮕ ᮤᮘᮑᮤ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮣᮘᮟᮞᮕ ᮙᮞ ᮘᮙᮣ ᮕᮩᮕᮣ ᮧᮘᮕᮞ ᮘᮕ ᮣᮠᮟᮛᮕ ᮟᮖ ᮘᮕᮢᮺ ᮙᮤ ᮧᮑᮣ ᮣᮙᮝᮠᮜᮩᮼᮼᮼ

ᮼᮼᮼᮓᮘᮙᮜᮜᮙᮞᮗᮜᮩ ᮢᮕᮑᮜᮼ

“ᮄᮘᮑᮤ ᮧᮑᮣ ᮤᮟᮟ ᮓᮜᮟᮣᮕᮺ” ᮂᮕᮞᮑ᮵ᮣ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮕᮙᮗᮘᮤ ᮟᮓᮤᮑᮦᮕᮣ ᮜᮟᮧᮕᮢ ᮤᮘᮑᮞ ᮥᮣᮥᮑᮜᮺ “ᮒᮥᮤ ᮩᮟᮥᮢ ᮑᮔᮑᮠᮤᮑᮒᮙᮜᮙᮤᮩ ᮙᮣ ᮙᮝᮠᮢᮕᮣᮣᮙᮦᮕᮼ”

ᯚᮕᮙ ᯒᮕ ᮕᮨᮑᮗᮗᮕᮢᮑᮤᮕᮔᮜᮩ ᮧᮙᮠᮕᮔ ᮑᮧᮑᮩ ᮞᮟᮞᮻᮕᮨᮙᮣᮤᮕᮞᮤ ᮣᮧᮕᮑᮤ ᮖᮢᮟᮝ ᮘᮙᮣ ᮖᮟᮢᮕᮘᮕᮑᮔᮺ ᮘᮙᮣ ᮓᮥᮖᮖ ᮣᮕᮕᮝᮙᮞᮗᮜᮩ ᮓᮑᮣᮥᮑᮜᮜᮩ ᮒᮢᮥᮣᮘᮙᮞᮗ ᮑᮧᮑᮩ ᮤᮘᮕ ᮤᮢᮙᮥᮝᮠᮘᮑᮞᮤ ᮣᮝᮙᮜᮕ ᮑᮤ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢ ᮟᮖ ᮘᮙᮣ ᮝᮟᮥᮤᮘᮼ

ᯜᮟᮧ ᮧᮑᮣ ᮤᮘᮕ ᮤᮙᮝᮕ ᮤᮟ ᮔᮙᮑᮜ ᮥᮠ ᮤᮘᮕ ᮙᮞᮤᮕᮞᮣᮙᮤᮩ ᮖᮟᮢ ᮂᮕᮞᮑᮼ

ᯛᮕᮢᮓᮙᮜᮕᮣᮣᮜᮩ ᮠᮟᮙᮞᮤᮙᮞᮗ ᮟᮥᮤ ᮝᮙᮣᮤᮑᮛᮕᮣ ᮧᮘᮕᮞ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮠᮑᮢᮤᮩ ᮝᮑᮔᮕ ᮤᮘᮕᮝ ᮧᮑᮣ ᮤᮘᮕ ᮟᮞᮜᮩ ᮧᮑᮩ ᮤᮟ ᮝᮑᮛᮕ ᮘᮙᮣ ᮟᮧᮞ ᮖᮥᮤᮥᮢᮕ ᮔᮑᮩᮣ ᮑ ᮜᮙᮤᮤᮜᮕ ᮕᮑᮣᮙᮕᮢᮼ

ᮄᮘᮙᮣ ᮧᮑᮣ ᮧᮘᮑᮤ ᮤᮘᮕᮩ ᮓᮑᮜᮜᮕᮔ ᮣᮕᮤᮤᮙᮞᮗ ᮒᮟᮥᮞᮔᮑᮢᮙᮕᮣᮼ

“ᮉᮟᮥ ᮣᮘᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮤᮟᮜᮔ ᮝᮕ ᮤᮘᮕᮣᮕ ᮔᮕᮤᮑᮙᮜᮣ ᮒᮕᮖᮟᮢᮕᮘᮑᮞᮔᮼ”

ᯚᮕᮙ ᯒᮕ᮵ᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮞᮟᮢᮝᮑᮜᮺ ᮘᮙᮣ ᮤᮟᮞᮕ ᮓᮑᮢᮢᮩᮙᮞᮗ ᮑ ᮖᮑᮙᮞᮤ ᮢᮕᮠᮢᮟᮑᮓᮘᮺ ᮝᮥᮓᮘ ᮜᮙᮛᮕ ᮑ ᮣᮕᮑᮣᮟᮞᮕᮔ ᮗᮙᮗᮟᮜᮟ ᮑᮔᮔᮢᮕᮣᮣᮙᮞᮗ ᮑ ᮓᮜᮙᮕᮞᮤ ᮧᮙᮤᮘ ᮑ ᮣᮜᮙᮗᮘᮤ ᮝᮑᮣᮟᮓᮘᮙᮣᮤᮙᮓ ᮤᮕᮞᮔᮕᮞᮓᮩᮼ

“ᯛᮙᮣᮣ ᮆᮕᮢᮟᮞᮙᮓᮑ ᮙᮣ ᮓᮜᮕᮑᮢᮜᮩ ᮘᮑᮢᮔᮕᮢ ᮤᮟ ᮔᮕᮑᮜ ᮧᮙᮤᮘ ᮤᮘᮑᮞ ᮩᮟᮥ ᮕᮨᮠᮕᮓᮤᮕᮔᮼ”

“ᯗᮤ ᮧᮑᮣ ᮝᮩ ᮟᮦᮕᮢᮣᮙᮗᮘᮤᮺ” ᮂᮕᮞᮑ᮵ᮣ ᮗᮑ᮪ᮕ ᮧᮑᮣ ᮑ ᮒᮙᮤ ᮕᮦᮑᮣᮙᮦᮕᮼ “ᮄᮟᮞᮙᮗᮘᮤ ᮧᮕ ᮝᮥᮣᮤ ᮠᮕᮢᮖᮕᮓᮤ ᮩᮟᮥᮢ ᮒᮑᮓᮛᮗᮢᮟᮥᮞᮔ ᮣᮤᮟᮢᮩᮺ ᮕᮦᮕᮢᮩ ᮣᮙᮞᮗᮜᮕ ᮔᮕᮤᮑᮙᮜᮺ ᮒᮥᮤ—”

“ᯖᮟᮧ ᮔᮙᮔ ᮩᮟᮥ ᮛᮞᮟᮧ ᮑᮒᮟᮥᮤ ᮵ᮄᮘᮕ ᯑᮘᮑᮢᮗᮕ ᮟᮖ ᮤᮘᮕ ᯚᮙᮗᮘᮤ ᯐᮢᮙᮗᮑᮔᮕ᮵ᯍ”

“ᯏ ᮢᮕᮑᮣᮟᮞᮑᮒᮜᮕ ᮔᮕᮔᮥᮓᮤᮙᮟᮞᮼ”

ᯚᮕᮙ ᯒᮕ ᮥᮞᮘᮥᮢᮢᮙᮕᮔᮜᮩ ᮣᮤᮢᮑᮙᮗᮘᮤᮕᮞᮕᮔ ᮤᮘᮕ ᮓᮥᮖᮖ ᮓᮢᮥᮝᮠᮜᮕᮔ ᮒᮩ ᮂᮕᮞᮑᮺ ᮑ ᮖᮑᮙᮞᮤ ᮣᮝᮙᮜᮕᮺ ᮧᮘᮙᮓᮘ ᮣᮘᮕ ᮒᮟᮤᮘ ᮜᮟᮦᮕᮔ ᮑᮞᮔ ᮘᮑᮤᮕᮔᮺ ᮠᮜᮑᮩᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢ ᮟᮖ ᮘᮙᮣ ᮝᮟᮥᮤᮘᮼ

“ᯔᮢᮟᮝ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮩᮟᮥ ᮧᮑᮜᮛᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮢᮕᮓᮕᮠᮤᮙᮟᮞ ᮢᮟᮟᮝᮺ ᯗ ᮞᮟᮤᮙᮓᮕᮔ ᮤᮘᮕ ᮜᮙᮗᮘᮤ ᮓᮑᮦᮑᮜᮢᮩ ᮒᮑᮔᮗᮕ ᮟᮞ ᮩᮟᮥᮢ ᮓᮟᮜᮜᮑᮢᮼ”

“ᯏᮞᮔ ᮤᮘᮕ ᮠᮑᮢᮤ ᮑᮒᮟᮥᮤ ᮃᮤᮼ ᯘᮟᮘᮞ᮵ᮣ ᯏᮓᮑᮔᮕᮝᮩᮼᮼᮼ”

“ᯔᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮺ ᮤᮘᮕ ᮤᮑᮦᮕᮢᮞ᮵ᮣ ᮠᮑᮤᮢᮟᮞᮣ ᮧᮕᮢᮕ ᮡᮥᮙᮤᮕ ᮖᮟᮞᮔ ᮟᮖ ᮤᮘᮕ ᮵ᮖᮑᮜᮜᮕᮞ ᮞᮟᮒᮜᮕ ᮩᮟᮥᮞᮗ ᮝᮑᮣᮤᮕᮢ ᮑᮖᮤᮕᮢ ᮔᮕᮖᮕᮑᮤ ᮑᮞᮔ ᮓᮑᮠᮤᮥᮢᮕ᮵ ᮤᮢᮟᮠᮕᮼ”

ᯚᮕᮙ ᯒᮕ ᮣᮘᮢᮥᮗᮗᮕᮔᮺ ᮤᮘᮕ ᮣᮕᮤᮤᮙᮞᮗ ᮣᮥᮞ ᮓᮑᮣᮤᮙᮞᮗ ᮖᮢᮑᮗᮝᮕᮞᮤᮕᮔ ᮗᮟᮜᮔᮕᮞ ᮣᮘᮑᮔᮟᮧᮣ ᮟᮞ ᮘᮙᮣ ᮕᮩᮕᮜᮑᮣᮘᮕᮣᮼ “ᯏ ᮦᮕᮢᮩ ᮠᮟᮠᮥᮜᮑᮢ ᮢᮟᮜᮕᮻᮠᮜᮑᮩᮼ”

ᮂᮕᮞᮑ᮵ᮣ ᮒᮢᮕᮑᮤᮘ ᮘᮙᮤᮓᮘᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩᯈ

“ᯗᮞ ᮟᮤᮘᮕᮢ ᮧᮟᮢᮔᮣᮺ ᮑᮜᮜ ᮟᮖ ᮤᮘᮑᮤ ᮚᮥᮣᮤ ᮞᮟᮧᮼᮼᮼ ᮧᮑᮣ ᮑᮓᮤᮙᮞᮗᯍ”

“ᯝᮖ ᮓᮟᮥᮢᮣᮕᮼ”

ᯚᮕᮙ ᯒᮕ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮜᮕᮑᮞᮕᮔ ᮓᮜᮟᮣᮕᮢᮺ ᮣᮟ ᮓᮜᮟᮣᮕ ᮤᮘᮑᮤ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮣᮝᮕᮜᮜ ᮤᮘᮕ ᮣᮓᮕᮞᮤ ᮟᮖ ᮓᮕᮔᮑᮢ ᮑᮞᮔ ᮜᮕᮑᮤᮘᮕᮢ ᮟᮞ ᮘᮙᮝᮼ

“ᯒᮟᮞ᮵ᮤ ᮖᮟᮢᮗᮕᮤ ᮝᮩ ᮠᮢᮟᮖᮕᮣᮣᮙᮟᮞᮺ ᮔᮕᮑᮢᮼ ᯗ ᮝᮑᮛᮕ ᮑ ᮜᮙᮦᮙᮞᮗ ᮒᮩ ᮔᮕᮓᮕᮙᮦᮙᮞᮗ ᮠᮕᮟᮠᮜᮕᮼ”

ᮂᮕᮞᮑ ᮑᮒᮢᮥᮠᮤᮜᮩ ᮤᮟᮟᮛ ᮑ ᮣᮤᮕᮠ ᮒᮑᮓᮛᮺ ᮘᮕᮢ ᮣᮑᮞᮔᮑᮜ ᮓᮢᮥᮣᮘᮙᮞᮗ ᮑ ᮔᮢᮩ ᮤᮧᮙᮗ ᮟᮞ ᮤᮘᮕ ᮗᮢᮟᮥᮞᮔᮼ

ᯗᮖ ᮆᮕᮢᮟᮞᮙᮓᮑ ᮣᮑᮧ ᮤᮘᮙᮣ ᮣᮓᮕᮞᮕᮺ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮓᮟᮦᮕᮢ ᮘᮕᮢ ᮝᮟᮥᮤᮘ ᮧᮙᮤᮘ ᮤᮘᮑᮤ ᮔᮑᮝᮞᮕᮔ ᮖᮕᮑᮤᮘᮕᮢ ᮖᮑᮞ ᮑᮞᮔ ᮣᮞᮙᮓᮛᮕᮢᮺ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮘᮕᯍ

ᮃᮘᮕ ᮧᮑᮣ ᮒᮕᮣᮤ ᮑᮤ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮟᮤᮘᮕᮢᮣ ᮝᮑᮛᮕ ᮑ ᮖᮟᮟᮜ ᮟᮖ ᮤᮘᮕᮝᮣᮕᮜᮦᮕᮣᮼ

ᮂᮕᮞᮑ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮖᮕᮜᮤ ᮑᮞ ᮙᮞᮕᮨᮠᮜᮙᮓᮑᮒᮜᮕ ᮙᮢᮢᮙᮤᮑᮤᮙᮟᮞ ᮧᮕᮜᮜ ᮥᮠ ᮧᮙᮤᮘᮙᮞ ᮘᮕᮢᮼ

ᮉᮕᮣᮺ ᮧᮘᮕᮤᮘᮕᮢ ᮙᮤ ᮧᮑᮣ ᮤᮘᮕ ᮗᮕᮞᮤᮜᮕ ᮗᮑ᮪ᮕ ᮚᮥᮣᮤ ᮞᮟᮧ ᮟᮢ ᮤᮘᮕ “ᮔᮕᮑᮢ” ᮤᮘᮑᮤ ᮘᮑᮔ ᮣᮜᮙᮠᮠᮕᮔ ᮟᮥᮤᮺ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮑᮜᮜ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮧᮟᮦᮕᮞ ᮜᮙᮕᮣ ᮒᮩ ᮤᮘᮙᮣ ᮝᮑᮞ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮘᮕᮢᮼ

ᯗ ᮣᮘᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮛᮞᮟᮧᮞ ᮤᮘᮙᮣ ᮖᮢᮟᮝ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤ ᯗ ᮘᮙᮢᮕᮔ ᮘᮙᮝᮼ

“ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮩᮟᮥᮢ ᮠᮢᮟᮖᮕᮣᮣᮙᮟᮞᮑᮜᮙᮣᮝᮺ ᯛᮢᮼ ᯚᮕᮙ ᯒᮕᮺ ᮙᮤ ᮑᮜᮜᮟᮧᮕᮔ ᮥᮣ ᮤᮟ ᮕᮣᮓᮑᮠᮕ ᮑ ᮔᮙᮣᮑᮣᮤᮕᮢᮼ”

ᮂᮕᮞᮑ᮵ᮣ ᮦᮟᮙᮓᮕ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮙᮤᮣ ᮥᮣᮥᮑᮜ ᮓᮑᮜᮝᮺ ᮒᮥᮤ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮙᮔᮕ ᮤᮘᮕ ᮣᮜᮙᮗᮘᮤ ᮤᮢᮕᮝᮟᮢ ᮙᮞ ᮘᮕᮢ ᮤᮟᮞᮕᯈ

“ᯐᮥᮤ ᯗ᮵ᮝ ᮑ ᮒᮙᮤ ᮓᮥᮢᮙᮟᮥᮣᮺ ᮧᮙᮤᮘ ᮩᮟᮥᮢ ᮙᮞᮤᮕᮜᮜᮙᮗᮕᮞᮓᮕ ᮑᮞᮔ ᮤᮑᮜᮕᮞᮤᮺ ᮘᮟᮧ ᮓᮟᮥᮜᮔ ᮩᮟᮥ ᮒᮕ ᮓᮟᮞᮤᮕᮞᮤ ᮤᮟ ᮣᮤᮑᮩ ᮙᮞ ᮑ ᮣᮝᮑᮜᮜ ᮤᮑᮦᮕᮢᮞ ᮙᮞ ᮤᮘᮕ ᮠᮟᮢᮤ ᮔᮙᮣᮤᮢᮙᮓᮤᯍ”

ᯚᮕᮙ ᯒᮕ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮓᮑᮥᮗᮘᮤ ᮤᮘᮕ ᮣᮑᮢᮓᮑᮣᮝ ᮙᮞ ᮂᮕᮞᮑ᮵ᮣ ᮧᮟᮢᮔᮣᮺ ᮒᮥᮤ ᮙᮞᮣᮤᮕᮑᮔᮺ ᮘᮕ ᮖᮜᮑᮣᮘᮕᮔ ᮘᮕᮢ ᮑ ᮒᮢᮙᮜᮜᮙᮑᮞᮤ ᮣᮝᮙᮜᮕᮼ

“ᯗᮞ ᮤᮘᮕ ᮠᮟᮢᮤ ᮔᮙᮣᮤᮢᮙᮓᮤᮺ ᮙᮞᮤᮕᮜᮜᮙᮗᮕᮞᮓᮕ ᮑᮞᮔ ᮤᮑᮜᮕᮞᮤ ᮘᮑᮦᮕ ᮟᮞᮜᮩ ᮤᮧᮟ ᮥᮣᮕᮣᯈ ᮕᮙᮤᮘᮕᮢ ᮤᮟ ᮓᮟᮝᮝᮙᮤ ᮓᮢᮙᮝᮕᮣ ᮟᮢ ᮤᮟ ᮒᮕ ᮦᮙᮓᮤᮙᮝᮙ᮪ᮕᮔ ᮒᮩ ᮤᮘᮕᮝᮼ ᯏᮞᮔ ᯗ—”

ᯚᮕᮙ ᯒᮕ ᮣᮤᮕᮠᮠᮕᮔ ᮒᮑᮓᮛ ᮘᮑᮜᮖ ᮑ ᮠᮑᮓᮕ ᮑᮞᮔ ᮕᮜᮕᮗᮑᮞᮤᮜᮩ ᮠᮕᮢᮖᮟᮢᮝᮕᮔ ᮑ ᮣᮤᮑᮞᮔᮑᮢᮔ ᮗᮕᮞᮤᮜᮕᮝᮑᮞ᮵ᮣ ᮒᮟᮧᯈ

“ᯒᮕᮑᮢ ᮕᮝᮠᮜᮟᮩᮕᮢᮺ ᯗ ᮝᮕᮢᮕᮜᮩ ᮓᮘᮟᮣᮕ ᮤᮘᮕ ᮝᮟᮢᮕ ᮙᮞᮤᮕᮢᮕᮣᮤᮙᮞᮗ ᮠᮑᮤᮘᮼ”

ᯏᮜᮤᮘᮟᮥᮗᮘ ᯚᮕᮙ ᯒᮕ ᮓᮟᮞᮓᮕᮑᮜᮕᮔ ᮙᮤ ᮧᮕᮜᮜᮺ ᮂᮕᮞᮑ ᮔᮙᮔᮞ᮵ᮤ ᮝᮙᮣᮣ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤᮑᮢᮩ ᮣᮘᮑᮔᮟᮧ ᮤᮘᮑᮤ ᮖᮜᮙᮓᮛᮕᮢᮕᮔ ᮙᮞ ᮘᮙᮣ ᮕᮩᮕᮣ ᮧᮘᮕᮞ ᮣᮘᮕ ᮝᮕᮞᮤᮙᮟᮞᮕᮔ ᮤᮘᮕ ᮠᮟᮢᮤ ᮔᮙᮣᮤᮢᮙᮓᮤᮼ

ᮂᮕᮞᮑ ᮗᮑ᮪ᮕᮔ ᮑᮤ ᮤᮘᮕ ᮙᮞᮣᮓᮢᮥᮤᮑᮒᮜᮕ ᮝᮑᮞ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢ ᮑᮞᮔ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮑ ᮤᮕᮢᮢᮙᮖᮩᮙᮞᮗ ᮤᮢᮥᮤᮘᮼ

ᮃᮘᮕ ᮧᮑᮣ ᮣᮤᮑᮢᮤᮙᮞᮗ ᮤᮟ ᮘᮑᮦᮕ ᮤᮢᮟᮥᮒᮜᮕ ᮔᮙᮣᮤᮙᮞᮗᮥᮙᮣᮘᮙᮞᮗ ᮧᮘᮙᮓᮘ ᮠᮑᮢᮤᮣ ᮧᮕᮢᮕ ᮘᮙᮣ ᮠᮕᮢᮖᮟᮢᮝᮑᮞᮓᮕ ᮑᮞᮔ ᮧᮘᮙᮓᮘ ᮧᮕᮢᮕ ᮢᮕᮑᮜᮼ

ᯏᮞᮔ ᮧᮘᮑᮤ ᮧᮑᮣ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮤᮕᮢᮢᮙᮖᮩᮙᮞᮗ ᮧᮑᮣ ᮤᮘᮑᮤ ᮣᮘᮕ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮣᮤᮑᮢᮤᮕᮔ ᮤᮟ ᮓᮑᮢᮕ ᮑᮒᮟᮥᮤ ᮤᮘᮕ ᮑᮞᮣᮧᮕᮢ ᮤᮟ ᮤᮘᮙᮣ ᮡᮥᮕᮣᮤᮙᮟᮞᮼ

ᮻᮻᮻᮻᮻᮻᮻᮻᮻᮻ

ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ ᮧᮟᮛᮕ ᮥᮠ ᮜᮕᮙᮣᮥᮢᮕᮜᮩᯉ ᮣᮘᮕ ᮘᮑᮔ ᮠᮢᮑᮓᮤᮙᮓᮑᮜᮜᮩ ᮣᮜᮕᮠᮤ ᮖᮟᮢ ᮑ ᮔᮑᮩ ᮑᮞᮔ ᮑ ᮞᮙᮗᮘᮤᮺ ᮣᮠᮢᮑᮧᮜᮕᮔ ᮟᮞ ᮑ ᮤᮑᮒᮜᮕ ᮑᮤ ᮄᮘᮕ ᯜᮕᮨᮤ ᯚᮙᮖᮕ ᮄᮑᮦᮕᮢᮞᮼ

ᮄᮘᮕ ᯜᮕᮨᮤ ᯚᮙᮖᮕ ᮄᮑᮦᮕᮢᮞ ᮟᮖᮤᮕᮞ ᮘᮑᮔ ᮣᮥᮓᮘ ᮗᮥᮕᮣᮤᮣᮺ ᮑᮞᮔ ᮤᮘᮕ ᮤᮑᮦᮕᮢᮞ᮵ᮣ ᮣᮤᮑᮖᮖ ᮘᮑᮔ ᮤᮑᮛᮕᮞ ᮗᮟᮟᮔ ᮓᮑᮢᮕ ᮟᮖ ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙᮼ

ᯏᮣᮙᮔᮕ ᮖᮢᮟᮝ ᮤᮘᮕ ᮣᮘᮟᮥᮜᮔᮕᮢ ᮑᮞᮔ ᮞᮕᮓᮛ ᮣᮟᮢᮕᮞᮕᮣᮣ ᮓᮑᮥᮣᮕᮔ ᮒᮩ ᮣᮜᮕᮕᮠᮙᮞᮗ ᮧᮘᮙᮜᮕ ᮣᮙᮤᮤᮙᮞᮗᮺ ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ ᮘᮑᮔ ᮣᮥᮖᮖᮕᮢᮕᮔ ᮞᮟ ᮟᮤᮘᮕᮢ ᮘᮑᮢᮝᮼ

ᯐᮥᮤ ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮓᮑᮢᮕ ᮜᮕᮣᮣ ᮑᮒᮟᮥᮤ ᮘᮕᮢ ᮣᮘᮟᮥᮜᮔᮕᮢ ᮑᮞᮔ ᮞᮕᮓᮛ ᮠᮑᮙᮞ ᮑᮤ ᮤᮘᮙᮣ ᮝᮟᮝᮕᮞᮤᯉ ᮓᮟᮝᮠᮑᮢᮕᮔ ᮤᮟ ᮠᮘᮩᮣᮙᮓᮑᮜ ᮠᮑᮙᮞᮺ ᮤᮘᮕ ᮑᮞᮗᮕᮢ ᮖᮢᮟᮝ ᮒᮕᮙᮞᮗ ᮔᮕᮓᮕᮙᮦᮕᮔ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮓᮟᮞᮣᮥᮝᮕᮔ ᮘᮕᮢ ᮝᮙᮞᮔᮼ

ᯗ ᮣᮠᮕᮞᮤ ᮑ ᮖᮥᮜᮜ ᮤᮧᮟ ᮗᮟᮜᮔ ᮓᮟᮙᮞᮣᮺ ᮩᮕᮤ ᮔᮙᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮤᮟᮥᮓᮘ ᮤᮘᮕ ᮓᮟᮢᮞᮕᮢ ᮟᮖ ᮑ ᮝᮕᮢᮕ ᮒᮑᮢᮤᮕᮞᮔᮕᮢ᮵ᮣ ᮓᮜᮟᮤᮘᮕᮣᮯ

ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ ᮑᮒᮢᮥᮠᮤᮜᮩ ᮠᮥᮣᮘᮕᮔ ᮟᮠᮕᮞ ᯖᮑᮙᮜᮥᮟᮩᮙᮣᮙ᮵ᮣ ᮟᮖᮖᮙᮓᮕ᮵ᮣ ᮓᮑᮢᮦᮕᮔ ᮧᮟᮟᮔᮕᮞ ᮔᮟᮟᮢᮺ ᮤᮘᮕ ᮠᮑᮞᮕᮜ ᮘᮙᮤᮤᮙᮞᮗ ᮤᮘᮕ ᮧᮑᮜᮜ ᮧᮙᮤᮘ ᮑ ᮜᮟᮥᮔ ᮒᮑᮞᮗᮼ

ᯖᮕᮢ ᮗᮟᮜᮔᮕᮞ ᮓᮥᮢᮜᮩ ᮘᮑᮙᮢ ᮧᮑᮣ ᮝᮕᮣᮣᮙᮜᮩ ᮣᮓᮑᮤᮤᮕᮢᮕᮔ ᮟᮦᮕᮢ ᮘᮕᮢ ᮣᮘᮟᮥᮜᮔᮕᮢᮣᮺ ᮑᮞᮔ ᮘᮕᮢ ᮕᮨᮠᮕᮞᮣᮙᮦᮕ ᮣᮙᮜᮛ ᮣᮛᮙᮢᮤ ᮣᮤᮙᮜᮜ ᮒᮟᮢᮕ ᮧᮙᮞᮕ ᮣᮤᮑᮙᮞᮣ ᮖᮢᮟᮝ ᮜᮑᮣᮤ ᮞᮙᮗᮘᮤᮼ

“ᮇᮘᮕᮢᮕ᮵ᮣ ᯚᮕᮙ ᯒᮕᯍ”

ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ᮵ᮣ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮘᮟᮑᮢᮣᮕ ᮖᮢᮟᮝ ᮤᮘᮕ ᮘᮑᮞᮗᮟᮦᮕᮢᮺ ᮒᮥᮤ ᮣᮤᮙᮜᮜ ᮓᮑᮢᮢᮙᮕᮔ ᮤᮘᮕ ᮑᮢᮢᮟᮗᮑᮞᮓᮕ ᮒᮕᮖᮙᮤᮤᮙᮞᮗ ᮑ ᮦᮙᮣᮓᮟᮥᮞᮤ᮵ᮣ ᮔᮑᮥᮗᮘᮤᮕᮢᮼ “ᮄᮘᮑᮤ ᮔᮑᮝᮞᮕᮔ ᮒᮑᮢᮤᮕᮞᮔᮕᮢ ᮔᮑᮢᮕᮔ ᮤᮟ—”

ᯖᮑᮙᮜᮥᮟᮩᮙᮣᮙ ᮣᮜᮟᮧᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮖᮢᮟᮝ ᮤᮘᮕ ᮜᮕᮔᮗᮕᮢᮺ ᮘᮕᮢ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮗᮕᮞᮤᮜᮩ ᮓᮑᮢᮕᮣᮣᮙᮞᮗ ᮤᮘᮕ ᮜᮕᮤᮤᮕᮢ ᮟᮠᮕᮞᮕᮢ ᮟᮞ ᮤᮘᮕ ᮤᮑᮒᮜᮕᮺ ᮕᮞᮗᮢᮑᮦᮕᮔ ᮧᮙᮤᮘ ᮑ ᮣᮙᮢᮕᮞ ᮕᮝᮒᮜᮕᮝᮼ

“ᯛᮙᮣᮣ ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙᮺ” ᯖᮑᮙᮜᮥᮟᮩᮙᮣᮙ᮵ᮣ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮣᮟᮖᮤ ᮑᮣ ᮙᮖ ᮓᮟᮑᮨᮙᮞᮗ ᮑ ᮓᮘᮙᮜᮔᮺ ᮩᮕᮤ ᮙᮤ ᮝᮑᮔᮕ ᮤᮘᮕ ᮢᮟᮟᮝ᮵ᮣ ᮤᮕᮝᮠᮕᮢᮑᮤᮥᮢᮕ ᮠᮜᮥᮝᮝᮕᮤᮼ “ᯒᮟ ᯗ ᮞᮕᮕᮔ ᮤᮟ ᮢᮕᮝᮙᮞᮔ ᮩᮟᮥᯍ ᮄᮘᮙᮣ ᮙᮣ ᮄᮘᮕ ᯜᮕᮨᮤ ᯚᮙᮖᮕ ᮄᮑᮦᮕᮢᮞᮼ”

ᮄᮘᮕ ᯜᮕᮨᮤ ᯚᮙᮖᮕ ᮄᮑᮦᮕᮢᮞ ᮧᮑᮣ ᮜᮟᮓᮑᮤᮕᮔ ᮙᮞ ᮤᮘᮕ ᮠᮟᮢᮤ ᮔᮙᮣᮤᮢᮙᮓᮤᮺ ᮑᮞᮔ ᮤᮘᮕ ᮠᮟᮢᮤ ᮔᮙᮣᮤᮢᮙᮓᮤ ᮧᮑᮣ ᮤᮘᮕ ᮝᮟᮣᮤ ᮓᮘᮑᮟᮤᮙᮓ ᮠᮜᮑᮓᮕ ᮙᮞ ᯕᮢᮑᮞᮔ ᯑᮙᮤᮩᮼ

ᮄᮘᮙᮣ ᮧᮑᮣᮞ᮵ᮤ ᮑ ᮧᮕᮑᮜᮤᮘᮩ ᮔᮙᮣᮤᮢᮙᮓᮤ ᮧᮙᮤᮘ ᮣᮤᮢᮕᮕᮤ ᮠᮟᮜᮙᮓᮕ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮗᮥᮑᮢᮔᯉ ᮤᮘᮙᮣ ᮧᮑᮣ ᮑ ᮗᮕᮞᮥᮙᮞᮕᮺ ᮒᮟᮞᮑ ᮖᮙᮔᮕ ᮙᮜᮜᮕᮗᮑᮜ ᮪ᮟᮞᮕ ᮤᮕᮕᮝᮙᮞᮗ ᮧᮙᮤᮘ ᮦᮑᮢᮙᮟᮥᮣ ᮦᮙᮟᮜᮕᮞᮤ ᮓᮢᮙᮝᮕᮣᮼ

ᯜᮟᮢᮝᮑᮜᮜᮩ ᮣᮠᮕᮑᮛᮙᮞᮗᮺ ᮖᮟᮢ ᮑ ᮩᮟᮥᮞᮗ ᮧᮟᮝᮑᮞ ᮜᮙᮛᮕ ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙᮺ ᮔᮢᮕᮣᮣᮕᮔ ᮠᮢᮟᮦᮟᮓᮑᮤᮙᮦᮕᮜᮩ ᮑᮞᮔ ᮗᮕᮤᮤᮙᮞᮗ ᮔᮢᮥᮞᮛ ᮙᮞ ᮑ ᮠᮟᮢᮤ ᮔᮙᮣᮤᮢᮙᮓᮤ ᮤᮑᮦᮕᮢᮞᮺ ᮙᮤ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮣᮤᮢᮑᮞᮗᮕ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮕᮢᮕ ᮣᮘᮕ ᮧᮟᮛᮕ ᮥᮠᮼ

ᯐᮥᮤ ᮄᮘᮕ ᯜᮕᮨᮤ ᯚᮙᮖᮕ ᮄᮑᮦᮕᮢᮞ ᮧᮑᮣ ᮑᮞ ᮕᮨᮓᮕᮠᮤᮙᮟᮞᮼ

ᯏ ᮣᮑᮩᮙᮞᮗ ᮓᮙᮢᮓᮥᮜᮑᮤᮕᮔ ᮑᮝᮟᮞᮗ ᮤᮘᮕ ᮓᮟᮝᮝᮟᮞ ᮖᮟᮜᮛ ᮟᮖ ᯕᮢᮑᮞᮔ ᯑᮙᮤᮩᯈ

“ᯓᮞᮤᮕᮢ ᮤᮘᮕ ᯕᮑᮤᮕ ᮟᮖ ᮤᮘᮕ ᯜᮕᮨᮤ ᯚᮙᮖᮕᮺ ᯏᮣᮛ ᯜᮟᮤ ᮤᮘᮕ ᮀᮑᮤᮘ ᮟᮖ ᮤᮘᮕ ᯜᮕᮨᮤ ᯚᮙᮖᮕᮼ”

ᮄᮘᮑᮤ ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ ᮓᮟᮥᮜᮔ ᮞᮟᮧ ᮣᮤᮑᮞᮔ ᮒᮕᮖᮟᮢᮕ ᯖᮑᮙᮜᮥᮟᮩᮙᮣᮙ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮥᮞᮘᮑᮢᮝᮕᮔ ᮑᮞᮔ ᮓᮘᮑᮜᮜᮕᮞᮗᮕ ᮘᮕᮢ ᮧᮑᮣ ᮙᮞ ᮙᮤᮣᮕᮜᮖ ᮑ ᮤᮕᮣᮤᮑᮝᮕᮞᮤ ᮤᮟ ᮄᮘᮕ ᯜᮕᮨᮤ ᯚᮙᮖᮕ ᮄᮑᮦᮕᮢᮞ᮵ᮣ ᮣᮤᮢᮕᮞᮗᮤᮘᮼ

ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ᮵ᮣ ᮙᮝᮠᮟᮣᮙᮞᮗ ᮑᮥᮢᮑ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮧᮕᮑᮛᮕᮞᮕᮔ ᮑ ᮒᮙᮤᮺ ᮒᮥᮤ ᮣᮘᮕ ᮣᮤᮙᮜᮜ ᮣᮤᮢᮑᮙᮗᮘᮤᮕᮞᮕᮔ ᮘᮕᮢ ᮒᮑᮓᮛᮼ “ᯛᮩ ᮖᮑᮤᮘᮕᮢ ᮙᮣ—”

“ᮆᮙᮣᮓᮟᮥᮞᮤ ᮇᮙᮜᮜᮙᮑᮝ ᮆᮙᮣᮕᮢᮙᮞᮗᮤᮟᮞᮺ” ᯖᮑᮙᮜᮥᮟᮩᮙᮣᮙ ᮙᮞᮤᮕᮢᮢᮥᮠᮤᮕᮔ ᮘᮕᮢᮺ ᮥᮞᮘᮥᮢᮢᮙᮕᮔᮜᮩ ᮟᮠᮕᮞᮙᮞᮗ ᮑ ᮜᮕᮔᮗᮕᮢ ᮟᮞ ᮤᮘᮕ ᮤᮑᮒᮜᮕᮼ “ᯚᮑᮣᮤ ᮝᮟᮞᮤᮘᮺ ᮘᮕ ᮟᮧᮕᮔ ᮝᮕ ᯃᮾ ᮗᮟᮜᮔ ᮓᮟᮙᮞᮣ ᮙᮞ ᮗᮑᮝᮒᮜᮙᮞᮗ ᮔᮕᮒᮤᮣ ᮙᮞ ᮤᮘᮕ ᮠᮟᮢᮤ ᮔᮙᮣᮤᮢᮙᮓᮤᮺ ᮒᮥᮤ ᮘᮕ ᮔᮟᮕᮣᮞ᮵ᮤ ᮣᮕᮕᮝ ᮤᮟ ᮧᮑᮞᮤ ᮩᮟᮥᮢ ᮝᮟᮤᮘᮕᮢ ᮤᮟ ᮛᮞᮟᮧ ᮑᮒᮟᮥᮤ ᮤᮘᮙᮣᮼ”

ᯖᮑᮙᮜᮥᮟᮩᮙᮣᮙ ᮜᮑ᮪ᮙᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮕᮩᮕᮣᮼ “ᯒᮟ ᯗ ᮞᮕᮕᮔ ᮤᮟ ᮣᮕᮞᮔ ᮣᮟᮝᮕᮟᮞᮕ ᮤᮟ ᮩᮟᮥᮢ ᮢᮕᮣᮙᮔᮕᮞᮓᮕ ᮤᮟ ᮓᮟᮜᮜᮕᮓᮤ ᮤᮘᮕ ᮔᮕᮒᮤ ᮞᮟᮧᯍ”

ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ᮵ᮣ ᮖᮑᮓᮕ ᮙᮞᮣᮤᮑᮞᮤᮜᮩ ᮤᮥᮢᮞᮕᮔ ᮠᮑᮜᮕᮼ ᯝᮞᮜᮩ ᮤᮘᮕᮞ ᮔᮙᮔ ᮣᮘᮕ ᮞᮟᮤᮙᮓᮕ ᮤᮘᮕ ᮣᮙᮢᮕᮞ ᮕᮝᮒᮜᮕᮝ ᮟᮞ ᮤᮘᮕ ᮜᮕᮤᮤᮕᮢ ᮟᮠᮕᮞᮕᮢ ᮙᮞ ᯖᮑᮙᮜᮥᮟᮩᮙᮣᮙ᮵ᮣ ᮘᮑᮞᮔᮼ

ᮄᮘᮑᮤ ᮧᮑᮣ ᮑ ᮣᮩᮝᮒᮟᮜ ᮟᮞᮜᮩ ᮥᮣᮕᮔ ᮒᮩ ᮗᮑᮞᮗ ᮜᮕᮑᮔᮕᮢᮣ ᮙᮞ ᮤᮘᮕ ᮠᮟᮢᮤ ᮔᮙᮣᮤᮢᮙᮓᮤᮼ

“ᯗᮼᮼᮼ ᯗ ᮚᮥᮣᮤᮼᮼᮼ”

ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ᮵ᮣ ᮦᮟᮙᮓᮕ ᮒᮕᮗᮑᮞ ᮤᮟ ᮤᮢᮕᮝᮒᮜᮕᮺ ᮘᮕᮢ ᮝᮕᮤᮙᮓᮥᮜᮟᮥᮣᮜᮩ ᮝᮑᮞᮙᮓᮥᮢᮕᮔ ᮞᮑᮙᮜᮣ ᮔᮙᮗᮗᮙᮞᮗ ᮔᮕᮕᮠ ᮙᮞᮤᮟ ᮘᮕᮢ ᮠᮑᮜᮝᮼ

ᯖᮑᮙᮜᮥᮟᮩᮙᮣᮙ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮣᮤᮟᮟᮔ ᮥᮠᮺ ᮘᮕᮢ ᮘᮙᮗᮘ ᮘᮕᮕᮜᮣ ᮤᮑᮠᮠᮙᮞᮗ ᮟᮥᮤ ᮓᮢᮙᮣᮠ ᮣᮟᮥᮞᮔᮣ ᮟᮞ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ

ᮃᮘᮕ ᮣᮜᮟᮧᮜᮩ ᮧᮑᮜᮛᮕᮔ ᮤᮟ ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙᮺ ᮢᮕᮑᮓᮘᮙᮞᮗ ᮟᮥᮤ ᮤᮟ ᮣᮤᮢᮑᮙᮗᮘᮤᮕᮞ ᮘᮕᮢ ᮝᮕᮣᮣᮩ ᮓᮟᮜᮜᮑᮢᮺ ᮘᮕᮢ ᮝᮟᮦᮕᮝᮕᮞᮤᮣ ᮑᮣ ᮗᮕᮞᮤᮜᮕ ᮑᮣ ᮙᮖ ᮣᮘᮕ ᮧᮕᮢᮕ ᮔᮕᮑᮜᮙᮞᮗ ᮧᮙᮤᮘ ᮑ ᮧᮑᮩᮧᮑᮢᮔ ᮓᮘᮙᮜᮔᮼ

“ᯒᮕᮑᮢᮺ” ᮘᮕᮢ ᮢᮕᮔ ᮜᮙᮠᮣ ᮔᮢᮕᮧ ᮓᮜᮟᮣᮕ ᮤᮟ ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ᮵ᮣ ᮕᮑᮢᮺ ᮘᮕᮢ ᮒᮢᮕᮑᮤᮘ ᮙᮓᮩ ᮓᮟᮜᮔᮼ “ᮄᮘᮕ ᮢᮥᮜᮕᮣ ᮟᮖ ᮄᮘᮕ ᯜᮕᮨᮤ ᯚᮙᮖᮕ ᮄᮑᮦᮕᮢᮞ ᮑᮢᮕ ᮦᮕᮢᮩ ᮣᮙᮝᮠᮜᮕ—”

“ᮉᮟᮥ ᮓᮑᮞ ᮠᮑᮩ ᮤᮟ ᮗᮕᮤ ᮔᮢᮥᮞᮛᮺ ᮒᮥᮤ ᮔᮟᮞ᮵ᮤ ᮕᮦᮕᮞ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤ ᮤᮟᮥᮓᮘᮙᮞᮗ ᮝᮩ ᮠᮕᮟᮠᮜᮕᮼ”

ᮃᮘᮕ ᮣᮤᮕᮠᮠᮕᮔ ᮒᮑᮓᮛᮺ ᮤᮟᮟᮛ ᮟᮥᮤ ᮤᮧᮟ ᮓᮟᮠᮠᮕᮢ ᮓᮟᮙᮞᮣ ᮖᮢᮟᮝ ᮑ ᮔᮢᮑᮧᮕᮢᮺ ᮑᮞᮔ ᮗᮕᮞᮤᮜᮩ ᮠᮜᮑᮓᮕᮔ ᮤᮘᮕᮝ ᮙᮞ ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ᮵ᮣ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮠᮑᮜᮝᯈ

“ᮄᮘᮙᮣ ᮙᮣ ᮩᮟᮥᮢ ᮢᮕᮖᮥᮞᮔᮕᮔ ᮔᮢᮙᮞᮛ ᮝᮟᮞᮕᮩᮼ ᯗ ᮣᮥᮗᮗᮕᮣᮤ ᮩᮟᮥ ᮗᮟ ᮤᮟ ᮤᮘᮕ ᮂᮟᮣᮕ ᮃᮑᮜᮟᮞ ᮙᮞ ᮤᮘᮕ ᮥᮠᮠᮕᮢ ᮓᮙᮤᮩ ᮖᮟᮢ ᮕᮞᮤᮕᮢᮤᮑᮙᮞᮝᮕᮞᮤᯉ ᮤᮘᮕ ᮠᮢᮕᮤᮤᮩ ᮒᮟᮩᮣ ᮤᮘᮕᮢᮕ ᮑᮢᮕ ᮝᮟᮢᮕ ᮣᮥᮙᮤᮑᮒᮜᮕ ᮖᮟᮢ ᮑ ᮞᮟᮒᮜᮕ ᮜᮑᮔᮩ ᮜᮙᮛᮕ ᮩᮟᮥᮼ”

ᯛᮕᮙ ᯔᮕᮙᮜᮙ ᮃᮙ ᮓᮜᮥᮤᮓᮘᮕᮔ ᮤᮘᮕ ᮓᮟᮠᮠᮕᮢ ᮓᮟᮙᮞᮣ ᮑᮞᮔ ᮢᮥᮣᮘᮕᮔ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮟᮖᮖᮙᮓᮕ ᮧᮙᮤᮘᮟᮥᮤ ᮜᮟᮟᮛᮙᮞᮗ ᮒᮑᮓᮛᮼ

ᮃᮘᮕ ᮔᮙᮔᮞ᮵ᮤ ᮣᮕᮕ ᮤᮘᮕ ᮘᮙᮞᮤ ᮟᮖ ᮑᮝᮥᮣᮕᮝᮕᮞᮤ ᮤᮘᮑᮤ ᮖᮜᮑᮣᮘᮕᮔ ᮙᮞ ᯖᮑᮙᮜᮥᮟᮩᮙᮣᮙ᮵ᮣ ᮕᮩᮕᮣ ᮒᮕᮘᮙᮞᮔ ᮘᮕᮢᮺ ᮞᮟᮢ ᮔᮙᮔ ᮣᮘᮕ ᮘᮕᮑᮢ ᮘᮕᮢ ᮜᮟᮧ ᮝᮥᮢᮝᮥᮢᯈ

“ᮄᮘᮑᮤ ᮛᮙᮔ ᯚᮕᮙ ᯒᮕᮼᮼᮼ ᮓᮑᮥᮣᮙᮞᮗ ᮝᮕ ᮤᮢᮟᮥᮒᮜᮕ ᮑᮗᮑᮙᮞᮼ”

Miss Patron, If You Want to Keep Me, Pay Extra

Why doesn’t the newly appointed Imperial Prime Minister, Reid Astralia, hide his past of selling charm in taverns in his early years? Rumor has it that his wealthy female patrons simply didn’t pay enough. After transmigrating into the body of a destitute prince who fled to an enemy nation, Reid ends up in a tavern, surviving as an exclusive companion for rich young ladies who commission his services. But no one told him his first client would be the very same duke’s daughter who nearly killed him! The duke’s daughter hires him as a contractual lover. The villainess commissions him as a secret rendezvous partner. The mafia wildflower invites him to dance on the edge of a blade. The princess begs him for late-night conversations. Yet, as Reid fulfills one request after another, his patrons refuse to let him go. Hey, Miss Patrons, this is strictly business—no emotions allowed! Not even for extra pay!

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