My Home Is Connected to Another World, and I’m Now Taking Care of Some Animal-Eared Girls

Chapter 27

My Home Is Connected to Another World, and I’m Now Taking Care of Some Animal-Eared Girls

Earn money through trade with another world, while caring for orphaned girls with animal ears and finding happiness! The start of an extraordinary, heartwarming life! Unable to tolerate power harassment, Ikai Sakutaro quit his job and was enjoying a carefree, single, unemployed life. But his calm daily routine came to a shocking end. One day, when he returned home from shopping, he found a little girl with cat ears standing alone in the living room. Later, led by the girl’s small hand, Sakutaro stepped into a mysterious underground passage that had appeared in his home. Waiting at the end of the passage was a scene from an “other world” reminiscent of the old West. Furthermore, when he arrived at the place he found two other little girls with animal ears, who needed someone’s help. Without hesitation, Sakutaro decides to fulfill his responsibilities as an adult – and with that decision comes the start of a mysterious life traveling between Japan and another world. He begins by caring for the three animal-eared young girls he meets, and then uses trade with the other world as a foothold to build his fortune. Through their many encounters and experiences, Sakutaro and his friends soon become respected figures in both worlds.

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ჱႸႵႿႾႷჇႿႼ ჀႹႳႻႵႴ ჅჀ ჄႸႵ ႳႼႿჄႸႵჃ ჶႱႾ ႣႵႿ ჸႹႾ ჄႸჂႵჇ ႸႵჂნ

ႤႸႵ ႴႱჂႻლ ႹႾႻმႲႼႱႳႻ ႶႱႲჂႹႳ ႸႱႴ ႾႿ ჃႼႵႵ჆ႵჃნ

ႤႸႵ ႽႿႽႵႾჄ ჃႸႵ ჀჅჄ ႹჄ ႿႾლ ჄႸႵ ႴႵჃႹႷႾ ჇႿჅႼႴ ႹႾႵ჆ႹჄႱႲႼ჉ Ⴕ჈ჀႿჃႵ ႸႵჂ ჃႻႹႾ ႶჂႿႽ ႱჂႽჀႹჄჃ ჄႿ ႶႹႾႷႵჂჄႹჀჃნ

ႧႸႱჄვჃ ႽႿჂႵლ ჄႸႵ ჃႻႹჂჄ ႲႱჂႵႼ჉ ჂႵႱႳႸႵႴ ႸႵჂ ჄႸႹႷႸჃლ ႱႾႴ ႲႿჄႸ ჃႹႴႵჃ ჇႵჂႵ ႳႿႽჀႼႵჄႵႼ჉ ႳჅჄ ႱჇႱ჉ლ ႼႵႱ჆ႹႾႷ ჄႸႵ ჃႹႴႵჃ ႿႶ ႸႵჂ ႼႵႷჃ ႲჂႱ჊ႵႾႼ჉ Ⴕ჈ჀႿჃႵႴნ

ჳ჆ႵႾ ჄႸႵ ჄႸႹႾ ჄႹႵჃ ႿႶ ႸႵჂ ჅႾႴႵჂႷႱჂႽႵႾჄჃ ჇႿჅႼႴႾვჄ ႲႵ ႸႹႴႴႵႾლ ႱႾႴ ႹႶ Ⴕ჆ႵႾ Ⴑ ႲჂႵႵ჊Ⴕ ႲჂჅჃႸႵႴ ჀႱჃჄნნნ

ჳ჆ႵჂ჉ჄႸႹႾႷ ჇႿჅႼႴ ႲႵ ႳႿႽჀႼႵჄႵႼ჉ ჂႵ჆ႵႱႼႵႴლ ႱႾႴ ჄႸႵႾ ჃႿႽႵნ

ჷჄ ჇႱჃ ჃႹႽჀႼ჉ ႾႿჄ ჃႿႽႵჄႸႹႾႷ Ⴑ ჀႵჂჃႿႾ ႳႿჅႼႴ ჇႵႱჂნ

ႤႸႹჃ ჇႱჃ ჀჂႱႳჄႹႳႱႼႼ჉ ჄႸႵ ႱჄჄႹჂႵ ႿႶ ႳႿჅჂჄႵჃႱႾჃ ჄჂ჉ႹႾႷ ჄႿ ႳႸႱჂႽ ႽႵႾნ

“ნნნჶႿჇ… ႸႿჇ ႱႽ ჷ ჃჅჀჀႿჃႵႴ ჄႿ ჇႵႱჂ ჄႸႹჃ…ჭ”

“ႧႸ჉ჭ”

“ჰმႲჅჄ ႹႶ ჄႸႵ ჇႹႾႴ ႲႼႿჇჃლ Ⴝ჉… Ⴝ჉ ჅႾႴႵჂႷႱჂႽႵႾჄჃ ჇႹႼႼ ႲႵ Ⴕ჈ჀႿჃႵႴ…”

“ჶႿჇ ჇႿჅႼႴ ჇႹႾႴ ႲႼႿჇ ႹႾ Ⴑ ႲႱჃႵႽႵႾჄჭ”

“ႥႷႸ…჏”

ჶႱႾ ႣႵႿ ჸႹႾ ႼႵჄ ႿჅჄ Ⴑ ႼႿႾႷ ჃႹႷႸნ

“ნნნჸჅჃჄ ႱჃ Ⴝ჉ ႲႵႸႱ჆ႹႿჂ ႿჅჄჃႹႴႵ ჄႸႹჃ ႲႱჃႵႽႵႾჄ ႽႹႷႸჄ ჃႵႵႽ ჃჄჂႱႾႷႵ ჄႿ ჉ႿჅ…”

“ნნნჭ”

“ႩႿჅ ჃႵႵႽ ჃჄჂႱႾႷႵ ჄႿ ႽႵ Ⴕ჆ႵჂ჉ ჄႹႽႵ ჉ႿჅ ႳႿႽႵ ႲႱႳႻ ჄႿ ჄႸႵ ႲႱჃႵႽႵႾჄლ ჄႿႿნ ႧႸႱჄ ႹჃ ჄႸႵჂႵ ჄႿ ႲႵ ႱჃႸႱႽႵႴ ႿႶლ ႱႾ჉ჇႱ჉ჭ
ჲႿႾვჄ ჉ႿჅ ჂႵႽႵႽႲႵჂ ჇႸႱჄ ჉ႿჅ ჃႱႹႴ ჄႸႱჄ ႴႱ჉ჭ”

ჱႸႵႿႾႷჇႿႼვჃ ႸႵႱჂჄ ႳႼႵႾႳႸႵႴ ჄႹႷႸჄნ

ჯ ႴႱჂႻ ჃႵႾჃႵ ႿႶ ႴႵჀჂႱ჆ႹჄ჉ ჇႱჃႸႵႴ Ⴟ჆ႵჂ ႸႵჂნ

ჶႵ ჇႱჃ ჂႹႷႸჄლ ႱႶჄႵჂ ႱႼႼნ

ႤႸႵჂႵ ჇႵჂႵ ჇႿჂႴჃ ჃႸႵ ႸႱႴ ჅჄჄႵჂႵႴ ႸႵჂჃႵႼႶნ

ႣႵႾჄႵႾႳႵჃ ჃႸႵ ႸႱႴ ჃჀႿႻႵႾლ ႳჂ჉ႹႾႷ ႱႾႴ ჄჂႵႽႲႼႹႾႷლ ႶႵႵႼႹႾႷ ႱჃ ႹႶ ჃႸႵ ႸႱႴ ႼႿჃჄ Ⴕ჆ႵჂ჉ჄႸႹႾႷნ

‘…ჷ… ჷ’Ⴝ… Ⴑ ჆ჅႼႷႱჂ… ႱႾႴ… ႴႹჂჄ჉… ჇႿ…ჇႿႽႱႾ…’

ႤႸႵ ႽႵႽႿჂ჉ ႿႶ ჄႸႱჄ ႴႱ჉ ჆Ⴙ჆ႹႴႼ჉ ჂႵჃჅჂႶႱႳႵႴ ႹႾ ჄႸႹჃ ႲႱჃႵႽႵႾჄნ

ჶႱႾ ႣႵႿ ჸႹႾვჃ ႼႹჀჃ ჄჇႹჃჄႵႴ ႹႾჄႿ Ⴑ ჃႾႵႵჂნ

“ႤႸႵ ჀႵჂჃႿႾ ჇႸႿ ჅჄჄႵჂႵႴ ჄႸႿჃႵ ჇႿჂႴჃლ ჇႸ჉ ႱჂႵ ჄႸႵ჉ ႱႳჄႹႾႷ ႼႹႻႵ ჄႸႹჃ ႹႾ ႶჂႿႾჄ ႿႶ ႽႵ ႱႷႱႹႾჭ”

ჱႸႵႿႾႷჇႿႼ ႳႿჅႼႴႾვჄ ႱႾჃჇႵჂნ

ჳ჆ႵႾ ჇႹჄႸႿჅჄ ႿჀႵႾႹႾႷ ႸႵჂ ႽႿჅჄႸლ ჃႸႱႽႵ ჃჀჂႵႱႴ ႴႵႵჀ ႹႾჄႿ ႸႵჂ ႳႸႵჃჄნ

“ႩႿჅვჂႵ ႷႿႹႾႷ ჄႿ ჇႵႱჂ ႹჄ ႱႾ჉ჇႱ჉ნ ႠჅჄ ႹჄ ႿႾლ ჁჅႹႳႻႼ჉ნ”

ჰჅჄ ႾႿ ႽႱჄჄႵჂ ႸႿჇ ႸႵ ჃႱႹႴ ႹჄლ ჄႸႹჃ ႿჅჄႶႹჄ ჇႱჃ ჄႿႿ ႴႵႵჀႼ჉ ႸჅႽႹႼႹႱჄႹႾႷნ

ჱႸႵႿႾႷჇႿႼ ჄჂႹႵႴ ჄႿ ჃჄႵႵႼ ႸႵჂჃႵႼႶ ႽჅႼჄႹჀႼႵ ჄႹႽႵჃ ႱჃ ჃႸႵ Ⴕ჈ႱႽႹႾႵႴ ჄႸႵ ႳႼႿჄႸႵჃლ ႲჅჄ… ႾႿ ႽႱჄჄႵჂ ႸႿჇ ჃႸႵ ႼႿႿႻႵႴ ႱჄ ႹჄლ ႹჄ ჇႱჃ ႶႱჂ ჄႿႿ ჄႸႹႾნ

ჷჄ ჇႱჃ ႱႾ ႿჅჄႶႹჄ ჃႸႵ ჇႿჅႼႴႾვჄ ႸႱ჆Ⴕ ჇႿჂႾ Ⴕ჆ႵႾ ႹႶ ႾႿ ႿႾႵ ჇႱჃ ჇႱჄႳႸႹႾႷნ

ჰჅჄ ჶႱႾ ႣႵႿ ჸႹႾლ Ⴑ ჇႹჄႾႵჃჃლ ჃჄႿႿႴ ჂႹႷႸჄ ႹႾ ႶჂႿႾჄ ႿႶ ႸႵჂნ

ჷჄ ჇႱჃ Ⴑ ჃჄჂႱႾႷႵ ႶႵႵႼႹႾႷნ

ႢႱჄႸႵჂლ ႹჄ ႶႵႼჄ ႼႵჃჃ ჃႸႱႽႵႶჅႼ ჇႸႵႾ ჃႸႵ ႸႱႴ Ⴕ჈ჀႿჃႵႴ ႸႵჂ ႲႱႳႻ ჄႿ ႸႹႽ ჇႵႱჂႹႾႷ ႿႾႼ჉ ႸႵჂ ჅႾႴႵჂႷႱჂႽႵႾჄჃნ

ჳ჆ႵႾ ჄႸႿჅႷႸ ჇႵႱჂႹႾႷ ჄႸႹჃ ႿჅჄႶႹჄ ჇႿჅႼႴ ႳႼႵႱჂႼ჉ ႳႿ჆ႵჂ ႽႿჂႵ ႿႶ ႸႵჂ ႲႿႴ჉… ႹჄ ႶႵႼჄ Ⴕ჆ႵႾ ႽႿჂႵ ჆ჅႼႷႱჂნ

ჱႸႵႿႾႷჇႿႼ ႶႹႾႱႼႼ჉ ჃႼჅႽჀႵႴ ჄႿ ჄႸႵ ႷჂႿჅႾႴნ

ჶႵჂ ႼႵႷჃ ႸႱႴ ႷႹ჆ႵႾ ႿჅჄჩ ჃႸႵ ႳႿჅႼႴႾვჄ ႸႵႼჀ ႹჄნ

ჷჄ ჇႱჃ ႱႼჃႿ ჄႸႵ ႶႹჂჃჄ ჄႹႽႵ ჃႸႵ ႸႱႴ ჃႸႿჇႾ ჃჅႳႸ Ⴑ ჀႱჄႸႵჄႹႳ ჃႹႷႸჄლ ჃႼჅႽჀႹႾႷ ႴႿჇႾ ჇႸႵჂႵ ჃႸႵ ჃჄႿႿႴლ ჄႿ ႱႾ჉ႿႾႵნ

ჳ჆ႵႾ ჄႸႹჃ ჇႱჃ ჄႿႿ ჃႸႱႽႵႶჅႼ ჄႿ ႲႵႱჂნ

“ნნნჵႹ჆Ⴕ ႹჄ ჄႿ ႽႵლ ႹႶ ჉ႿჅვჂႵ ႾႿჄ ႷႿႹႾႷ ჄႿ ჇႵႱჂ ႹჄნ”

ჯჄ ჄႸႱჄ ႽႿႽႵႾჄლ ჶႱႾ ႣႵႿ ჸႹႾ ჃჀႿႻႵნ

“ჶჅႸჭ”

“ჯႾႴ ႼႵႱ჆Ⴕნ”

ჶႵ ჇႱႼႻႵႴ Ⴟ჆ႵჂ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾ ႱႾႴ ჄჂႹႵႴ ჄႿ ჃႾႱჄႳႸ ჄႸႵ ჄႸႹႾ ႷႱჂႽႵႾჄ ႶჂႿႽ ჱႸႵႿႾႷჇႿႼვჃ ႸႱႾႴნ

მႤႸჇႱႳႻ჏

“ჵႱႸ჏”

“ნნნႧႸႱჄჭ”

ჰჅჄ ႶႿჂ ჃႿႽႵ ჂႵႱჃႿႾლ ჱႸႵႿႾႷჇႿႼვჃ ႸႱႾႴ ႱႼჃႿ ჄႹႷႸჄႵႾႵႴ ႹჄჃ ႷჂႹჀნ ႧႹჄႸ ႸႵჂ ႸႵႱႴ ႲႿჇႵႴ ႼႿჇლ ჃႸႵ ჂႵႶჅჃႵႴ ჄႿ ႼႵჄ ႷႿ ႿႶ ჄႸႵ ႳႼႿჄႸႵჃნ

ჷႶ ჃႸႵ ႽႹჃჃႵႴ ჄႸႹჃ ႳႸႱႾႳႵლ ႶႿჂ ჄႵႾ ႴႱ჉Ⴣლ ჶႱႾ ႣႵႿ ჸႹႾ ჇႿჅႼႴႾვჄ ႼႵჄ ႸႵჂ ႹႾჄႿ ჄႸႹჃ ჀႼႱႳႵნ

ႤႸႵႾ ჃႸႵ ჇႿჅႼႴ ႸႱ჆Ⴕ ჄႿ ႷႿ ႲႱႳႻნ

ႣႸႵ ჇႿჅႼႴ ႸႱ჆Ⴕ ჄႿ ჀჂႵჀႱჂႵ ႶႿჂ ჄႸႵ ႽႱჂჄႹႱႼ ႳႿႾჄႵჃჄნ

ႣႸႵ ჇႿჅႼႴ ႸႱ჆Ⴕ ჄႿ ჂႵჃჄ ႱႽႿႾႷ ႸႵჂ ჃჅႶႶႿႳႱჄႹႾႷ ჃႵႾႹႿჂ ႴႹჃႳႹჀႼႵჃნ

…ჯႾႴ ჅႼჄႹႽႱჄႵႼ჉ლ ჃႸႵ ჇႿჅႼႴ ჃჅႶႶႵჂ ႸჅႽႹႼႹႱჄႹႿႾ ႹႾ ႶჂႿႾჄ ႿႶ ႽႱႾ჉ ჀႵႿჀႼႵნ

ჷჄ ႽႵႱႾჄ ႵႾႴჅჂႹႾႷ ႱႼႼ ჄႸႿჃႵ ႽႿႽႵႾჄჃ ჇႹჄႸႿჅჄ Ⴕ჆ႵႾ Ⴑ ჃႸჂႵႴ ႿႶ ႼႹႲႵჂႱჄႹႿႾნ

ႤႸႱჄ ႶႵႵႼႹႾႷ ႿႶ ႶჂႵႵႴႿႽ ჇႱჃ ჃႿႽႵჄႸႹႾႷ ჃႸႵ ႳႿჅႼႴ ႿႾႼ჉ Ⴕ჈ჀႵჂႹႵႾႳႵ ႹႾ ჄႸႹჃ ႲႱჃႵႽႵႾჄნ

ჶႱႾ ႣႵႿ ჸႹႾ ჃႸႿႿႻ ႸႹჃ ႸႱႾႴჃ ႼႵႶჄ ႱႾႴ ჂႹႷႸჄლ ჄჂ჉ႹႾႷ ჄႿ ჃႾႱჄႳႸ ჄႸႵ ႳႼႿჄႸႵჃ ႱჇႱ჉ნ

ჱႸႵႿႾႷჇႿႼვჃ ႱჂႽჃ ჃჇႱ჉ႵႴ ჇႵႱႻႼ჉ ႶჂႿႽ ჃႹႴႵ ჄႿ ჃႹႴႵლ ႲჅჄ ႸႵჂ ႷჂႹჀ ႴႹႴႾვჄ ႼႿႿჃႵႾნ

ჺႹႻႵ Ⴑ ჃჇႿჂႴჃႽႱႾ ႷჂႹჀჀႹႾႷ ႸႹჃ ჃჇႿჂႴნ

“ნნნჯჂႵ ჉ႿჅ ႷႿႹႾႷ ჄႿ ჇႵႱჂ ႹჄჭ”

ჱႸႵႿႾႷჇႿႼ ჃႼႿჇႼ჉ ჃႸႿႿႻ ႸႵჂ ႸႵႱႴნ

ჼႿლ ႾႿნ

ႣႸႵ ჇႱჃ ႱႼჂႵႱႴ჉ ႳႸႱႾႷႹႾႷლ ჃჄႵჀ Ⴒ჉ ჃჄႵჀნ

ႤႸႹჃ ႻႹႾႴ ႿႶ ႳႸႹႼႴႹჃႸ ჇႸႹႾႹႾႷ ჇႱჃ Ⴑ ჃႹႴႵ ႿႶ ႸႵჂ ჃႸႵ ႾႵ჆ႵჂ ჃႸႿჇႵႴ ႿჄႸႵჂჃნ

ჰჅჄ ჇႸႵႾႵ჆ႵჂ ჃႸႵ ႵႾჄႵჂႵႴ ჄႸႹჃ ႲႱჃႵႽႵႾჄ… ႹჄ ႶႵႼჄ ႼႹႻႵ ჃႸႵ ჇႱჃ ჃႼႿჇႼ჉ ჃႸႵႴႴႹႾႷ ჄႸႵ ႲჅჂႴႵႾჃ ႿႾ ႸႵჂ ჃႸႿჅႼႴႵჂჃლ ჂႵჄჅჂႾႹႾႷ ჄႿ Ⴑ ჃႼႹႷႸჄႼ჉ ႽႿჂႵ ႸႿႾႵჃჄ ჆ႵჂჃႹႿႾ ႿႶ ႸႵჂჃႵႼႶნ

ჶႵჂ ႳჅჂჂႵႾჄ ႲႵႸႱ჆ႹႿჂ ႽႹႷႸჄ ႸႱ჆Ⴕ ႲႵႵႾ ႸႵჂ ႹႾႾႵჂ ႷႹჂႼ ႱႳჄႹႾႷ ႿჅჄნ

“ႩႿჅვჂႵ ႾႿჄ ႷႿႹႾႷ ჄႿ ჇႵႱჂ ႹჄჭ”

ნნნჯႷႱႹႾლ Ⴑ ჃႸႱႻႵ ႿႶ ႸႵჂ ႸႵႱႴნ

ჱႸႵႿႾႷჇႿႼ ႻႾႵჇ ჃႸႵ ႸႱႴ ჄႿლ ႲჅჄ ჃႸႵ ႳႿჅႼႴႾვჄ ႽႱႻႵ ჄႸႵ ႳႸႿႹႳႵნ

ႤႸႹჃ ჀႱჂჄ ჇႱჃ ႱႼჇႱ჉Ⴣ ჄႸႵ ႸႱჂႴႵჃჄ ႹႾ ჶႱႾ ႣႵႿ ჸႹႾვჃ ႷႱႽႵჃნ

ႣႸႵვႴ ჂႱჄႸႵჂ ႸႵ ႺჅჃჄ ჀႿჅჂ ჇႱჄႵჂ ႿႾ ႸႵჂ ჇႸႹႼႵ ჃႸႵ ჃჄႿႿႴ ჃჄႹႼႼნ

ჽჂ ჄႵႼႼ ႸႵჂ ႾႿჄ ჄႿ ႷႵჄ ႿႶႶ Ⴑ ႳႵჂჄႱႹႾ ႼႿႷნ ჽჂ ჄႿ ჃჄႱ჉ ჃჄႹႼႼნ

ႣႸႵ ႳႿჅႼႴ ႶႿႼႼႿჇ ჄႸႿჃႵ ႻႹႾႴჃ ႿႶ ႴႵႽႱႾႴჃნ

ჰჅჄ… ჄႸႹႾႷჃ ႼႹႻႵ ჄႵႼႼႹႾႷ ႸႵჂ ჄႿ ჆ႿႼჅႾჄႱჂႹႼ჉ ჄႱႻႵ ႿႶႶ ႸႵჂ ႳႼႿჄႸႵჃნ ჽჂ ჄႿ ჃႱ჉ ჃႿႽႵჄႸႹႾႷნ ჽჂ ჄႿ ႴႿ ჃႿႽႵჄႸႹႾႷნ

ჳ჆ႵჂ჉ჄႸႹႾႷ ჄႸႱჄ ႷႱ჆Ⴕ ႸႵჂ Ⴑ ႳႸႿႹႳႵ ჇႱჃ ჄႸႵ ႽႿჃჄ ႴႹႶႶႹႳჅႼჄნ

ჯႾႴ ႶჂႿႽ ჄႸႹჃ Ⴕ჈ჄჂႵႽႵ ჃႸႱႽႵლ ჱႸႵႿႾႷჇႿႼვჃ ႲႿႴ჉ ჄჂႵႽႲႼႵႴნ

ႣႸႵ ჇႱჃ Ⴕ჆ႵႾ ႽႿჂႵ ჆ჅႼႾႵჂႱႲႼႵ ჄႿႴႱ჉ნ

ჶႵჂ ႹႾჃႹႴႵჃ ჇႵჂႵ ჄႱႾႷႼႵႴ ႶჂႿႽ ႱႾ ႱჂႷჅႽႵႾჄ ჇႹჄႸ ჄႸႵ ႣႵႳჄ ჺႵႱႴႵჂლ ႱႾႴ ჃႸႵ ႸႱႴ ႳႿႽႵ ႾႵႵႴႹႾႷ ჃႿႽႵჄႸႹႾႷ ჄႿ ႼႵႱႾ ႿႾ…

ჰჅჄ ႸႵ ჇႱჃ Ⴕ჆ႵႾ ႳႿႼႴႵჂ ႱႾႴ ჃჄჂႹႳჄႵჂნ

…ჷႶ ჃႸႵ ႸႱႴ ႻႾႿჇႾ ჄႸႹჃლ ჃႸႿჅႼႴ ჃႸႵ ႸႱ჆Ⴕ ႳႿႽჀႼႵჄႵႼ჉ ႹႷႾႿჂႵႴ ႸႹႽ ႱჄ ჄႸႵ ႽႱჂႻႵჄჭ

ႣႸႿჅႼႴ ჃႸႵ ႸႱ჆Ⴕ ႱႴႸႵჂႵႴ ႽႿჂႵ ჃჄჂႹႳჄႼ჉ ჄႿ ႸႵჂ ჀჂႿႽႹჃႵ ჇႹჄႸ ႸႹႽჭ

ჰჅჄ ჄႿ ႴႿ ჄႸႱჄ… ჃႸႵ ႳႿჅႼႴႾვჄ ႲႵႱჂ ႾႿჄ ჄႿ ႱჀჀჂႿႱႳႸ ႸႹႽნ

“ჶႽჀႸნ”

ႤႸႵႾლ ჶႱႾ ႣႵႿ ჸႹႾ ჃႹႷႸႵႴ ႱႾႴ ႼႵჄ ႷႿ ႿႶ ჄႸႵ ႳႼႿჄႸႵჃნ

ჱႸႵႿႾႷჇႿႼ ႷႼႱႾႳႵႴ ჅჀ ႱჄ ႸႹႽლ ႱႾႴ ႸႵ ႱჀჀჂႿႱႳႸႵႴლ ႸႿႼႴႹႾႷ Ⴑ ჂႿჀႵ ჄႸႱჄ ႸႱႴ ႲႵႵႾ ႸႱႾႷႹႾႷ ႿႾ ჄႸႵ ჇႱႼႼნ

ႤႸႵႾ ႸႵ ႳჂႿჅႳႸႵႴ ႴႿჇႾ ჄႿ ჱႸႵႿႾႷჇႿႼვჃ Ⴕ჉Ⴕ ႼႵ჆ႵႼ ႱႾႴ ჃჀႿႻႵნ

“ნნნႤႿႴႱ჉ნ”

ჶႹჃ ႼႿჇლ ႳႱႼႽ ჆ႿႹႳႵ ႳႿႾჄႹႾჅႵႴნ

“ჷვႽ ႷႿႹႾႷ ჄႿ ჄႹႵ ჉ႿჅ ჇႹჄႸ ჄႸႹჃნ”

ჱႸႵႿႾႷჇႿႼ ႶჂႿ჊Ⴕლ ჃႹႼႵႾჄႼ჉ ჄႱႻႹႾႷ ႹႾ ႸႹჃ ႸႵႱჂჄმჀႿჅႾႴႹႾႷ ჇႿჂႴჃნ

“ჷ’ႼႼ ჄႱႻႵ ႱჇႱ჉ ჉ႿჅჂ ႶჂႵႵႴႿႽ… ႱႾႴ ჀჅႾႹჃႸ ჉ႿჅნ”

ႤႸႵჃႵ ჇႿჂႴჃ ჃႸႿჅႼႴ ႸႱ჆Ⴕ ჃႿჅႾႴႵႴ ႳႿႼႴნ
ჰჅჄ ჱႸႵႿႾႷჇႿႼ’Ⴣ ႲჂႵႱჄႸႹႾႷ ჇႱჃლ ႿႾ ჄႸႵ ႳႿႾჄჂႱჂ჉ლ ჃႼႿჇႼ჉ ႷჂႿჇႹႾႷ ჂႱႷႷႵႴნ

ჯ ჃႸႹ჆ႵჂ ჂႱႾ ႴႿჇႾ ႸႵჂ ႾႵႳႻლ ႳႿ჆ႵჂႹႾႷ ႸႵჂ ႲႿႴ჉ ჇႹჄႸ Ⴑ ჃჄჂႱႾႷႵႼ჉ ႶႱႽႹႼႹႱჂ ჃႵႾჃႱჄႹႿႾნ

“ნნნჰჅჄ ႹႶ ჉ႿჅ ႻႵႵჀ ჇႵႱჂႹႾႷ ჉ႿჅჂ ႽႱჂჄႹႱႼ ႱჂჄჃ ჅႾႹႶႿჂႽლ ჄႸႵჃႵ ჂႿჀႵჃ ჇႹႼႼ ჂჅႲ ႱႾႴ ႳႸႱႶႵ… ႱႾႴ ჉ႿჅჂ ჃႻႹႾ ႽႹႷႸჄ ႳჂႱႳႻნ ႩႿჅ ႳႿჅႼႴ ႷႵჄ ႸჅჂჄნ”

“ნნნჶჅႸჭ”

“ნნნჷ’Ⴝ ჃႱ჉ႹႾႷ ჄႸႹჃ ႶႿჂ ჉ႿჅჂ ႿჇႾ ႷႿႿႴნ ჱႸႱႾႷႹႾႷ… ჇႹႼႼ ႸჅჂჄ ႼႵჃჃნ”

ႧႱჃ ႸႵ ჄႵႼႼႹႾႷ ႸႵჂ ჄႿ ႳႸႱႾႷႵ ႳႼႿჄႸႵჃ ႿჅჄ ႿႶ ႳႿႾჃႹႴႵჂႱჄႹႿႾ ႶႿჂ ႸႵჂჭ

ჰჅჄ ႹႶ ჄႸႱჄ ჇႵჂႵ ჄႸႵ ႳႱჃႵ…

“ჷႶ… ႹႶ ჄႸႱჄ’Ⴣ ჄႸႵ ჂႵႱჃႿႾ… ჄႸႵႾ ჇႸ჉ ႱჂႵ ჄႸႵჃႵ ႳႼႿჄႸႵჃ ჃႿ ჆ჅႼႷႱჂჭ”

“ნნნႤႸႱჄ’Ⴣ Ⴝ჉ ႲჅჃႹႾႵჃჃლ ႹჃႾ’Ⴤ ႹჄჭ”

“ნნნ”

ჶႱႾ ႣႵႿ ჸႹႾ’Ⴣ ႲჂႱ჊ႵႾ ჂႵჃჀႿႾჃႵ ႼႵႶჄ ჱႸႵႿႾႷჇႿႼ ჃჀႵႵႳႸႼႵჃჃნ

ჯჃ ჃႸႵ ႼႵჄ ႿჅჄ Ⴑ ႳႸႿႻႵႴ ႷႱჃჀლ ჶႱႾ ႣႵႿ ჸႹႾ ႳႿႾჄႹႾჅႵႴ ჄႿ Ⴕ჈ჀႼႱႹႾნ

“ჷჃ ႹჄ ჇჂႿႾႷ ႶႿჂ ႽႵ ჄႿ ჇႱႾჄ ჄႿ ჃႵႵ Ⴑ ჀჂႵჄჄႹႵჂ ჃႹႴႵ ႿႶ ჉ႿჅჭ”

“ႥႷႸნ”

“ნნნჯႼჂႹႷႸჄნ”

ჶႱႾ ႣႵႿ ჸႹႾ ჁჅႹႵჄႼ჉ ჃჄႿႿႴ ჅჀნ

“ჷ’ႼႼ ႳႼႿჃႵ Ⴝ჉ Ⴕ჉ႵჃნ ჷ’ႼႼ ႳႿჅႾჄ ჄႿ ჄႸႹჂჄ჉ნ ჷႶლ ჇႸႵႾ ჷ ႿჀႵႾ Ⴝ჉ Ⴕ჉ႵჃ ႱႷႱႹႾ… ჉ႿჅ’ჂႵ ჃჄႹႼႼ ჇႵႱჂႹႾႷ ჉ႿჅჂ ჳႽႵႹ ႽႱჂჄႹႱႼ ႱჂჄჃ ჅႾႹႶႿჂႽლ ჄႸႵႾ ႻႾႿჇ ჄႸႹჃშ ჷ’ႼႼ ჂႵႱႼႼ჉ ႺჅჃჄ ჇႱႼႻ ႿჅჄ ႿႶ ჄႸႹჃ ႲႱჃႵႽႵႾჄნ”

იიიი

ჷ ႳႼႿჃႵႴ Ⴝ჉ Ⴕ჉ႵჃნ

“ჽႾႵნ”

ჱႸႵႿႾႷჇႿႼ ჃჄႹႼႼ ႴႹႴႾ’Ⴤ ႽႿ჆Ⴕნ

ჽႾႼ჉ ႸႵჂ ჂႱႷႷႵႴ ႲჂႵႱჄႸႹႾႷ ႳႿჅႼႴ ႲႵ ႸႵႱჂႴნ

ႤႸႹჃ ჀႱჂჄლ ႱჄ ႼႵႱჃჄლ ჇႱჃ ჃႿႽႵჇႸႱჄ ႳႿႽႶႿჂჄႱႲႼႵნ

ჷႶ ჷ ჇႹႵႼႴႵႴ ჄႿႿ ႽჅႳႸ ႳႿႾჄჂႿႼლ ჃႸႵ’Ⴔ ჂႵჃႵႾჄ ႹჄ… ႲჅჄ ჄႿ Ⴑ ႳႵჂჄႱႹႾ Ⴕ჈ჄႵႾჄლ ჷ ႳႿჅႼႴ ჇႹႵႼႴ ႹჄ ჇႹჄႸႿჅჄ ႲႵႹႾႷ ႷჂႵႵႴ჉ნ

ჰႵႳႱჅჃႵ ჷ ჂႵႱႼႼ჉ ႴႹႴႾ’Ⴤ ႾႵႵႴ ჄႿ ႴႿ ჄႸႹჃ ‘ჀႼႱ჉ნ’

ႧႸႹႼႵ ႹჄ ႽႹႷႸჄ ႲႵ Ⴑ ჃႸႱႽႵ ჄႿ ႽႹჃჃ ႿჅჄ ႿႾ ჄႸႵ ‘ჀႼႱ჉ლ’ ჇႸႵႾ ჉ႿჅ ჂႵႱႼႼ჉ ჄႸႹႾႻ ႱႲႿჅჄ ႹჄლ Ⴝ჉ ႼႹႶႵ ႹჃ ႽႿჂႵ ჀჂႵႳႹႿჅჃნ

ႣႿლ ჷ ႳႿჅႾჄႵႴ ჄႸႵ ႾჅႽႲႵჂჃ ჇႹჄႸႿჅჄ ႸႵჃႹჄႱჄႹႿႾნ

“ნნნႤჇႿ… ჄႸჂႵႵ… ႶႿჅჂ…”

ႣႿჅႾႴჃ ႿႶ ႸႵჃႹჄႱჄႹႿႾ—Ⴑ ႷႱჃჀლ Ⴑ ჃႹႷႸ—ႵႳႸႿႵႴ… ჄႸႵႾ ჷ ႸႵႱჂႴ ႸႵჂ ჃჄႱႾႴ ჅჀნ

჻჉ ႸႵႱჂჄ ჀႿჅႾႴႵႴლ ჇႿႾႴႵჂႹႾႷ ႹႶ ჃႸႵ ჇႱჃ ႱႳჄჅႱႼႼ჉ ႷႿႹႾႷ ჄႿ ႳႸႱႾႷႵნ

“ნნნჴႹ჆Ⴕ… ჃႹ჈… ჃႵ჆ႵႾ… ႵႹႷႸჄ…”

“ჲმႴႿႾ’Ⴤ ႺჅჃჄ ႳႼႿჃႵ ჉ႿჅჂ Ⴕ჉ႵჃლ ჄჅჂႾ ႱჂႿჅႾႴ…჏”

ჷ ႴႹႴႾ’Ⴤ ႼႹჃჄႵႾნ

“ჼႹႾႵ… ჄႵႾ… ႵႼႵ჆ႵႾ… ჄჇႵႼ჆Ⴕ…”

“Ⴉმ჉ႿჅჂ Ⴕ჉ႵჃ…჏ ႩႿჅ’ჂႵ ჂმჂႵႱႼႼ჉ ႻႵႵჀႹႾႷ ჄႸႵႽ ႳႼႿჃႵႴლ ჂႹႷႸჄჭ”

ႤႸႵ ႼႵჃჃ ჄႹႽႵ ჃႸႵ ႸႱႴლ ჄႸႵ ႽႿჂႵ ႶჂႱႾჄႹႳ ჃႸႵ ႲႵႳႱႽႵნ

ჯႾႴ ႸႵჂ ႹႾႳჂႵႱჃႹႾႷႼ჉ ႶჂႱႾჄႹႳ ჆ႿႹႳႵ… Ⴕ჆ႵႾ ႹႶ ჷ ႴႹႴႾ’Ⴤ ჇႱႾჄ ჄႿ ႱႴႽႹჄ ႹჄლ ႹჄ ჇႱჃ ჀႼႵႱჃႱႾჄ ჄႿ ႸႵႱჂნ

ჷჄ ჇႱჃ Ⴑ ჆ႿႹႳႵ ჄႸႱჄ ჃჄႹႽჅႼႱჄႵႴ Ⴝ჉ ჄႵႾႴႵႾႳႹႵჃნ

ჷლ ჄႿႿლ ჃჀႵႴ ჅჀ ჄႸႵ ႳႿჅႾჄნ

“ႤႸႹჂჄႵႵႾ… ႶႿჅჂჄႵႵႾ… ႶႹႶჄႵႵႾნ ႣႹ჈ჄႵႵႾნ”

“ჶმႸႿჇ ႳႱႾ ჉ႿჅ ჃჅႴႴႵႾႼ჉ ჃჀႵႵႴ ჅჀჭ჏”

ႢჅჃჄႼႹႾႷ ჃႿჅႾႴჃ ႳႱႽႵ ႶჂႿႽ ႸႵჂნ

ჷ ჃჄႹႼႼ ႸႱႴႾ’Ⴤ ჃႵႵႾ ႱႾ჉ႿႾႵ ჇႵႱჂ ႳႼႿჄႸႵჃ ႼႹႻႵ ჄႸႱჄნ

“ႣႵ჆ႵႾჄႵႵႾნ ჳႹႷႸჄႵႵႾნ ჼႹႾႵჄႵႵႾნ ႤჇႵႾჄ჉ნ”

“ႥႷႸ჏ ჵმႷႹ჆Ⴕ ႽႵ ႽႿჂႵ ჄႹႽႵნ”

ჯჃႹႴႵ ႶჂႿႽ ႾႵ჆ႵჂ ჃႵႵႹႾႷ ႱႾ჉ႿႾႵ ჇႵႱჂ ႳႼႿჄႸႵჃ ႼႹႻႵ ჄႸႱჄლ ჷ’Ⴔ ႾႵ჆ႵჂ Ⴕ჆ႵႾ ჃႵႵႾ Ⴑ ჇႿႽႱႾ ႹႾ ჂႵ჆ႵႱႼႹႾႷ ႱჄჄႹჂႵნ

ႤႸႵჂႵ ჇႵჂႵႾ’Ⴤ ႱႾ჉ ႳႿჅჂჄႵჃႱႾჃ ႿႾ ჻ႿჅႾჄ ჳႽႵႹლ ႱႶჄႵჂ ႱႼႼნ ჷႶ ჷ ჇႱႾჄႵႴ ჄႿ ჃႵႵ ႿႾႵლ ჷ’Ⴔ ႸႱ჆Ⴕ ჄႿ ႷႿ ႱႼႼ ჄႸႵ ჇႱ჉ ჄႿ ႣႹႳႸჅႱႾნ

ჯႾႴ Ⴕ჆ႵႾ ႹႶ ჷ ჇႱႾჄႵႴ ჄႿ ჃჀႵႾႴ Ⴑ ႾႹႷႸჄ ჇႹჄႸ Ⴑ ႳႿჅჂჄႵჃႱႾ ႹႾ ႣႹႳႸჅႱႾლ ჷ’Ⴔ ႸႵႱჂႴ ႹჄ ჇႱჃ ႹႾႳჂႵႴႹႲႼ჉ Ⴕ჈ჀႵႾჃႹ჆Ⴕნ

ႣႿლ Ⴕ჆ႵႾ ჄႸႿჅႷႸ ჷ’Ⴔ ႲႵႵႾ ჀჅჃႸႵႴ ႹႾჄႿ ჄႸႹჃ ჃႹჄჅႱჄႹႿႾ… ႹჄ ჇႱჃ ჅႾႴႵႾႹႱႲႼ჉ Ⴑ ႴႵႶႹႾႹჄႵ ჄႸჂႹႼႼ ႶႿჂ ႽႵნ

“ႤჇႵႾჄ჉მႿႾႵნ ႤჇႵႾჄ჉მჄჇႿნ ႤჇႵႾჄ჉მჄႸჂႵႵნ”

ႤႸႵ ႳႼႿჄႸႵჃ ჇႿჅႼႴ ჀჂႿႲႱႲႼ჉ ႲႵ Ⴑ ႲႹჄ ჃႸႿჂჄნ ჳ჆ႵႾ ჷ ႸႱႴ ႳႼႹႳႻႵႴ Ⴝ჉ ჄႿႾႷჅႵ ႱႶჄႵჂ ႽႱႻႹႾႷ ჄႸႵႽნ

ჷ’Ⴔ ႺჅჃჄ ႷႿႾႵ ႱႸႵႱႴ ჇႹჄႸ ႹჄლ ჄႸႹႾႻႹႾႷ ႹჄ’Ⴔ ႲႵ ႷႿႿႴ ႹႶ ჃႸႵ ჇႿჂႵ ჄႸႵႽლ ႱႾႴ ႾႿ ႲႹႷ ႴႵႱႼ ႹႶ ჃႸႵ ႴႹႴႾ’Ⴤნ

ႤႸႿჅႷႸ ჷ ႸႱႴ ჀჅჃႸႵႴ ႹჄ Ⴑ ႲႹჄლ ႱႹႽႹႾႷ ჄႿ ႹႾႶႼႹႳჄ ႽႿჂႵ ჃႸႱႽႵნ

ნნნႧႿჅႼႴ ჱႸႵႿႾႷჇႿႼ ႱႳჄჅႱႼႼ჉ ႳႿႽჀႼ჉ჭ

ჷ ႳႿჅႼႴ ႸႵႱჂ ჂჅჃჄႼႹႾႷ… ႲჅჄ ჂႵႱႼႼ჉ჭ

“ჶჅႸჭ ჱႿႽႵ ႿႾლ ჸႱႾႷႺჅნ ჷ ჃႱႹႴ ႷႹ჆Ⴕ ႽႵ ႽႿჂႵ ჄႹႽႵლ ႴႹႴႾ’Ⴤ ჷჭ”

ჯჃ ჄႹႽႵ ჂႱႾ ႿჅჄლ Ⴝ჉ ႿჇႾ ႱႾჄႹႳႹჀႱჄႹႿႾლ ႱႷႱႹႾჃჄ Ⴝ჉ ჇႹႼႼლ ჃႿႱჂႵႴნ

ჷႾ ჄႸႹჃ ႲႿჂႹႾႷ ႱႾႴ ႳႿႾჃႵჂ჆ႱჄႹ჆Ⴕ ჇႿჂႼႴნ

ႣႸႵ ჇႱჃ ႱႲႿჅჄ ჄႿ ႳႸႱႾႷႵ ႹႾჄႿ ჂႵ჆ႵႱႼႹႾႷ ႱჄჄႹჂႵ ჂႹႷႸჄ ႹႾ ႶჂႿႾჄ ႿႶ ႽႵლ ႳႼႿჄႸႵჃ ჃႸႵ’Ⴔ ႲႵ ႱჃႸႱႽႵႴ ႿႶნ

ნნნჯႾႴ ჃႸႵ ჇႱჃ ႱႾ ႹႾႳჂႵႴႹႲႼႵ ႲႵႱჅჄ჉ლ ჄႿႿნ

ჷႶ Ⴝ჉ ႸႵႱჂჄ ႴႹႴႾ’Ⴤ ჀႿჅႾႴლ ჷ’Ⴔ ႸႱ჆Ⴕ ჄႿ ႳႱႼႼ Ⴝ჉ჃႵႼႶ ႹႽჀႿჄႵႾჄნ

“ႤჇႵႾჄ჉მႶႿჅჂნ ႤჇႵႾჄ჉მႶႹ჆Ⴕნ ႤჇႵႾჄ჉მჃႹ჈ნ”

“ჷ ჃႱႹႴ ႷႹ჆Ⴕ ႽႵ ႽႿჂႵ ჄႹႽႵ჏”

ჷ ႳႼႹႳႻႵႴ Ⴝ჉ ჄႿႾႷჅႵლ ჃჄႿჀჀႹႾႷ Ⴝ჉ ႳႿჅႾჄ ჄႿ ჃჀႵႱႻნ

“‘ჵႹ჆Ⴕ ႽႵ’ ႹჃ Ⴑ ႳႿႽႽႱႾႴნ”

ႣႹႾႳႵ ჇႸႵႾ ႴႿႵჃ Ⴑ ႽႱჃႿႳႸႹჃჄ ႿჂႴႵჂ Ⴑ ჃႱႴႹჃჄ ႱჂႿჅႾႴჭ

ႧႸႹႼႵ ჷ ႴႿ ႱႴႺჅჃჄ ჄႸႵ ႹႾჄႵႾჃႹჄ჉ Ⴒ჉ ჂႵႱႴႹႾႷ ჄႸႵ ႿჄႸႵჂ ჀႵჂჃႿႾლ ჷ ჃႸႿჅႼႴႾ’Ⴤ ႿႲႵ჉ Ⴑ ႳႿႽႽႱႾႴნ

ႤႸႹჃ ႹჃ ჀႱ჉ႲႱႳႻლ ჉ႿჅ ႲჂႱჄნ

ჰႵჃႹႴႵჃლ ჉ႿჅ ႴႿႾ’Ⴤ ႾႵႵႴ ႽႿჂႵ ჄႸႱႾ ჄႸႹჂჄ჉ ჃႵႳႿႾႴჃ ჄႿ ႳႸႱႾႷႵლ ႴႿ ჉ႿჅჭ ႥႾႼႵჃჃ ႹჄ’Ⴣ ჃჄႿႳႻႹႾႷჃ ႿჂ ჃႿႽႵჄႸႹႾႷნ ႤႸႵჃႵ ႱჂႵ ჃႹႽჀႼႵ ႳႼႿჄႸႵჃ ჄႿ ჀჅჄ ႿႾნ

“ჯႸ… ჅႷႸ჏”

“ႤჇႵႾჄ჉მჃႵ჆ႵႾნ ႤჇႵႾჄ჉მႵႹႷႸჄნ ႤჇႵႾჄ჉მႾႹႾႵ…”

ჷ ჀჂႵჀႱჂႵႴ ჄႿ ႿჀႵႾ Ⴝ჉ Ⴕ჉ႵჃ ႾႿჇნ

“ჯႼჂႹႷႸჄლ ჷ’Ⴝ ႿჀႵႾႹႾႷ Ⴝ჉ Ⴕ჉—”

“მႤმჄႹႽႵ჏”

“ნნნჭ”

ჷ ჀႱჅჃႵႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄ ႱჄ ჄႸႵ ႼႿჅႴ ႳჂ჉ნ

ჰჅჄ ႱႾ჉ႿႾႵ ჇႿჅႼႴ ႸႱ჆Ⴕ ჃჄႿჀჀႵႴ ႱჄ ჄႸႵ ჃჄჂႱႾႷႵ ႵႽႿჄႹႿႾ ႹႾ ჄႸႱჄ ჆ႿႹႳႵნ

ჷႽႽႵႴႹႱჄႵႼ჉ ႱႶჄႵჂლ ჱႸႵႿႾႷჇႿႼ ჇႸႹჃჀႵჂႵႴნ

“ნნნჀႼႵႱჃႵ…”

ჶႵჂ ჇႿჂႴჃ ჄႿႿႻ Ⴝ჉ ႲჂႵႱჄႸ ႱჇႱ჉ნ

ნნნႧႸႱჄჭ

჻჉ ჄႸႿჅႷႸჄჃ ႶჂႿ჊Ⴕ ႶႿჂ Ⴑ ႽႿႽႵႾჄნ

ჰჅჄ ႱჃ ႹႶ ჄႿ ႳႿႾႶႹჂႽ ჷ ႸႱႴႾ’Ⴤ ႽႹჃႸႵႱჂႴლ ჱႸႵႿႾႷჇႿႼ ჃჀႿႻႵ ႱႷႱႹႾნ

ჯ ჆ႿႹႳႵ ჄႸႹႳႻ ჇႹჄႸ ჄႵႱჂჃნ

ჯ ჀႼႵႱ ႿႶ ჃჅႲႽႹჃჃႹႿႾნ

“ნნნႠმჀႼႵႱჃႵ… ႷႹ჆Ⴕ ႽႵ ႽႿჂႵ ჄႹႽႵნ”

ႧႸႹႼႵ ჷ ჂႵႽႱႹႾႵႴ ႶჂႿ჊ႵႾ ႹႾ ჃႸႿႳႻლ ႸႵჂ ႶჂႱႾჄႹႳ ჂჅჃჄႼႹႾႷ ႳႿႾჄႹႾჅႵႴნ

My Home Is Connected to Another World, and I’m Now Taking Care of Some Animal-Eared Girls

Earn money through trade with another world, while caring for orphaned girls with animal ears and finding happiness! The start of an extraordinary, heartwarming life! Unable to tolerate power harassment, Ikai Sakutaro quit his job and was enjoying a carefree, single, unemployed life. But his calm daily routine came to a shocking end. One day, when he returned home from shopping, he found a little girl with cat ears standing alone in the living room. Later, led by the girl’s small hand, Sakutaro stepped into a mysterious underground passage that had appeared in his home. Waiting at the end of the passage was a scene from an “other world” reminiscent of the old West. Furthermore, when he arrived at the place he found two other little girls with animal ears, who needed someone’s help. Without hesitation, Sakutaro decides to fulfill his responsibilities as an adult – and with that decision comes the start of a mysterious life traveling between Japan and another world. He begins by caring for the three animal-eared young girls he meets, and then uses trade with the other world as a foothold to build his fortune. Through their many encounters and experiences, Sakutaro and his friends soon become respected figures in both worlds.

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