My Home Is Connected to Another World, and I’m Now Taking Care of Some Animal-Eared Girls

Chapter 45

My Home Is Connected to Another World, and I’m Now Taking Care of Some Animal-Eared Girls

Earn money through trade with another world, while caring for orphaned girls with animal ears and finding happiness! The start of an extraordinary, heartwarming life! Unable to tolerate power harassment, Ikai Sakutaro quit his job and was enjoying a carefree, single, unemployed life. But his calm daily routine came to a shocking end. One day, when he returned home from shopping, he found a little girl with cat ears standing alone in the living room. Later, led by the girl’s small hand, Sakutaro stepped into a mysterious underground passage that had appeared in his home. Waiting at the end of the passage was a scene from an “other world” reminiscent of the old West. Furthermore, when he arrived at the place he found two other little girls with animal ears, who needed someone’s help. Without hesitation, Sakutaro decides to fulfill his responsibilities as an adult – and with that decision comes the start of a mysterious life traveling between Japan and another world. He begins by caring for the three animal-eared young girls he meets, and then uses trade with the other world as a foothold to build his fortune. Through their many encounters and experiences, Sakutaro and his friends soon become respected figures in both worlds.

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ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮧᮑᮣ ᮣᮥᮠᮠᮟᮣᮕᮔ ᮤᮟ ᮢᮕᮤᮥᮢᮞ ᮤᮟ ᯑᮘᮕᮞᮗᮔᮥ ᮤᮘᮕ ᮔᮑᮩ ᮑᮖᮤᮕᮢ ᮤᮟᮝᮟᮢᮢᮟᮧᮼ

ᯐᮥᮤ ᮤᮟᮔᮑᮩᮺ ᮚᮥᮣᮤ ᮜᮙᮛᮕ ᮑᮞᮩ ᮟᮤᮘᮕᮢ ᮔᮑᮩᮺ ᮣᮘᮕ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮡᮥᮙᮕᮤᮜᮩ ᮘᮟᮜᮕᮔ ᮥᮠ ᮙᮞ ᮘᮕᮢ ᮜᮟᮔᮗᮙᮞᮗᮼ

ᯜᮕᮙᮤᮘᮕᮢ ᮤᮘᮕ ᮗᮕᮞᮤᮜᮕ ᮣᮓᮕᮞᮤ ᮟᮖ ᯓᮝᮕᮙ ᯛᮟᮥᮞᮤᮑᮙᮞ ᮔᮢᮙᮖᮤᮙᮞᮗ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧ ᮞᮟᮢ ᮤᮘᮕ ᮣᮟᮟᮤᮘᮙᮞᮗ ᮓᮘᮙᮢᮠᮙᮞᮗ ᮟᮖ ᮒᮙᮢᮔᮣ ᮓᮟᮥᮜᮔ ᮔᮢᮑᮧ ᮘᮕᮢ ᮟᮥᮤᮣᮙᮔᮕᮼ

ᯏᮤ ᮣᮟᮝᮕ ᮠᮟᮙᮞᮤᮺ ᮙᮤ ᮘᮑᮔ ᮒᮕᮓᮟᮝᮕ ᮝᮟᮢᮕ ᮞᮑᮤᮥᮢᮑᮜ ᮖᮟᮢ ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮤᮟ ᮣᮤᮑᮩ ᮓᮟᮟᮠᮕᮔ ᮥᮠ ᮙᮞ ᮘᮕᮢ ᮢᮟᮟᮝᮼ

“ᮼᮼᮼ”

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮕ ᮠᮑᮣᮤ ᮖᮕᮧ ᮔᮑᮩᮣ ᮘᮑᮔ ᮒᮕᮕᮞ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᮥᮣᮥᮑᮜᮼ

ᮇᮘᮙᮜᮕ ᮣᮘᮕ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮘᮟᮜᮕᮔ ᮥᮠ ᮙᮞ ᮘᮕᮢ ᮢᮟᮟᮝᮺ ᮤᮘᮕ ᮤᮥᮢᮝᮟᮙᮜ ᮧᮙᮤᮘᮙᮞ ᮘᮕᮢ ᮘᮑᮔ ᮝᮙᮢᮑᮓᮥᮜᮟᮥᮣᮜᮩ ᮣᮥᮒᮣᮙᮔᮕᮔᮼ

ᯏᮞᮔ ᮣᮘᮕ ᮛᮞᮕᮧ ᮤᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮒᮕᮤᮤᮕᮢ ᮤᮘᮑᮞ ᮑᮞᮩᮟᮞᮕᮼ

ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞᮼ

ᯗᮤ ᮧᮑᮣ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᮤᮘᮑᮤ ᮣᮤᮢᮑᮞᮗᮕ ᮤᮙᮝᮕ ᮣᮘᮕ᮵ᮔ ᮣᮠᮕᮞᮤ ᮧᮙᮤᮘ ᮘᮙᮝᮼ

“ᮼᮼᮼ”

ᮄᮘᮙᮞᮛᮙᮞᮗ ᮒᮑᮓᮛᮺ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮙᮤ ᮧᮑᮣ ᮒᮙ᮪ᮑᮢᮢᮕᮼ

ᯖᮙᮣ ᮝᮕᮤᮘᮟᮔᮣᮺ ᮘᮙᮣ ᮤᮟᮞᮕᮺ ᮤᮘᮕ ᮜᮟᮓᮑᮤᮙᮟᮞᮼ

ᯛᮟᮢᮕ ᮤᮘᮑᮞ ᮑᮞᮩᮤᮘᮙᮞᮗᮺ ᮘᮑᮔ ᮤᮘᮑᮤ ᮵ᮠᮥᮞᮙᮣᮘᮝᮕᮞᮤ᮵ ᮤᮢᮥᮜᮩ ᮘᮕᮜᮠᮕᮔᯍ

ᯏᮣ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮘᮑᮔ ᮣᮑᮙᮔᮺ ᮧᮑᮣ ᮘᮕ ᮤᮢᮥᮜᮩ ᮑ ᮘᮕᮑᮜᮕᮢ ᮖᮟᮢ ᮘᮕᮑᮢᮤ ᮔᮕᮝᮟᮞᮣᯍ

ᮃᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮑᮩ ᮖᮟᮢ ᮣᮥᮢᮕ ᮩᮕᮤᮺ ᮒᮥᮤ ᮟᮞᮕ ᮤᮘᮙᮞᮗ ᮧᮑᮣ ᮓᮜᮕᮑᮢᮼ

ᯖᮕᮢ ᮝᮙᮞᮔ ᮖᮕᮜᮤ ᮑᮤ ᮕᮑᮣᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮘᮑᮢᮔ ᮤᮟ ᮤᮕᮜᮜ ᮙᮖ ᮘᮕᮢ ᮘᮕᮑᮢᮤ ᮔᮕᮝᮟᮞ ᮘᮑᮔ ᮣᮘᮢᮥᮞᮛᮺ ᮟᮢ ᮙᮖ ᮑᮜᮜ ᮘᮕᮢ ᮣᮕᮞᮣᮕᮣ ᮘᮑᮔ ᮣᮙᮝᮠᮜᮩ ᮒᮕᮕᮞ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮕᮔ ᮒᮩ ᮤᮘᮕ ᮙᮞᮤᮕᮞᮣᮕ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕ ᮤᮘᮑᮤ ᮔᮑᮩᮼᮼᮼ ᮒᮥᮤ ᮓᮕᮢᮤᮑᮙᮞᮜᮩᮺ ᮑ ᮣᮕᮞᮣᮕ ᮟᮖ ᮓᮑᮜᮝ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮧᮘᮕᮢᮕ ᮤᮘᮕ ᮤᮟᮢᮝᮕᮞᮤ ᮘᮑᮔ ᮒᮕᮕᮞᮼ

ᮃᮙᮞᮓᮕ ᮤᮘᮑᮤ ᮔᮑᮩᮺ ᮤᮘᮕ ᮣᮤᮙᮞᮗᮙᮞᮗ ᮠᮑᮙᮞ ᮤᮘᮑᮤ ᮘᮑᮔ ᮒᮥᮢᮢᮟᮧᮕᮔ ᮙᮞᮤᮟ ᮘᮕᮢ ᮣᮟᮜᮕᮣ ᮖᮟᮢ ᮟᮦᮕᮢ ᮑ ᮔᮑᮩ ᮘᮑᮔ ᮞᮟᮧ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮦᮑᮞᮙᮣᮘᮕᮔᮼ

ᯓᮦᮕᮞ ᮤᮘᮕ ᮤᮘᮢᮟᮒᮒᮙᮞᮗ ᮑᮓᮘᮕ ᮤᮘᮑᮤ ᮘᮑᮔ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮣᮓᮟᮜᮔ ᮘᮕᮢ ᮥᮗᮜᮩ ᮞᮑᮤᮥᮢᮕ ᮧᮑᮣ ᮗᮟᮞᮕᮼ

ᯏᮞᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮠᮑᮙᮞ ᮗᮟᮞᮕᮺ ᮑ ᮣᮤᮢᮑᮞᮗᮕ ᮣᮕᮞᮣᮕ ᮟᮖ ᮗᮥᮙᮜᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮒᮜᮟᮟᮝ ᮑᮗᮑᮙᮞᮺ ᮝᮑᮛᮙᮞᮗ ᮘᮕᮢ ᮖᮕᮕᮜ ᮥᮞᮕᮑᮣᮩᮼ

ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮜᮑᮩ ᮟᮞ ᮤᮘᮕ ᮒᮕᮔᮺ ᮜᮟᮣᮤ ᮙᮞ ᮤᮘᮟᮥᮗᮘᮤ ᮖᮟᮢ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮺ ᮤᮘᮕᮞ ᮡᮥᮙᮕᮤᮜᮩ ᮖᮙᮢᮝᮕᮔ ᮘᮕᮢ ᮢᮕᮣᮟᮜᮦᮕᮼ

ᮃᮜᮟᮧᮜᮩᮺ ᮣᮘᮕ ᮢᮟᮣᮕ ᮑᮞᮔ ᮓᮑᮜᮝᮜᮩ ᮓᮘᮑᮞᮗᮕᮔ ᮘᮕᮢ ᮓᮜᮟᮤᮘᮕᮣᮼ

ᯗᮖ ᮣᮘᮕ ᮝᮙᮣᮣᮕᮔ ᮤᮘᮙᮣ ᮝᮟᮝᮕᮞᮤᮺ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮡᮥᮙᮤᮕ ᮔᮙᮖᮖᮙᮓᮥᮜᮤ ᮤᮟ ᮝᮕᮕᮤ ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞ ᮑᮗᮑᮙᮞᮼ

ᮇᮘᮟ ᮛᮞᮕᮧ ᮧᮘᮕᮞ ᮘᮕ ᮧᮟᮥᮜᮔ ᮦᮙᮣᮙᮤ ᯓᮝᮕᮙ ᯛᮟᮥᮞᮤᮑᮙᮞ ᮑᮗᮑᮙᮞᯍ

“ᮼᮼᮼ”

ᮼᮼᮼᮃᮟᮺ ᮣᮘᮕ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮗᮟ ᮓᮘᮕᮓᮛ ᮚᮥᮣᮤ ᮟᮞᮕ ᮝᮟᮢᮕ ᮤᮙᮝᮕᮼ

ᮃᮘᮕ ᮞᮕᮕᮔᮕᮔ ᮤᮟ ᮓᮟᮞᮖᮙᮢᮝ ᮧᮘᮑᮤ ᮤᮘᮑᮤ ᮖᮕᮕᮜᮙᮞᮗ ᮧᮑᮣᮺ ᮧᮘᮑᮤ ᮤᮘᮕ ᮤᮢᮥᮕ ᮞᮑᮤᮥᮢᮕ ᮟᮖ ᮤᮘᮑᮤ ᮠᮕᮓᮥᮜᮙᮑᮢ ᮵ᮠᮥᮞᮙᮣᮘᮝᮕᮞᮤ᮵ ᮘᮑᮔ ᮒᮕᮕᮞᮼ

ᯏᮖᮤᮕᮢ ᮓᮘᮑᮞᮗᮙᮞᮗᮺ ᮘᮕᮢ ᮘᮕᮑᮢᮤ ᮧᮑᮣ ᮒᮕᮑᮤᮙᮞᮗ ᮥᮞᮥᮣᮥᮑᮜᮜᮩ ᮖᮑᮣᮤᮼ

ᯑᮟᮝᮕ ᮤᮟ ᮤᮘᮙᮞᮛ ᮟᮖ ᮙᮤᮺ ᮤᮘᮙᮣ ᮧᮑᮣ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕ ᮣᮘᮕ ᮘᮑᮔ ᮕᮦᮕᮢ ᮔᮢᮕᮣᮣᮕᮔ ᮥᮠ ᮣᮠᮕᮓᮙᮖᮙᮓᮑᮜᮜᮩ ᮤᮟ ᮝᮕᮕᮤ ᮑ ᮝᮑᮞᮼ

ᮄᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮣᮘᮕ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮕ ᮔᮟᮟᮢ ᮑᮞᮔ ᮣᮤᮕᮠᮠᮕᮔ ᮟᮥᮤᮼ

ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮝᮕᮤ ᮕᮩᮕᮣ ᮧᮙᮤᮘ ᮘᮕᮢ ᮩᮟᮥᮞᮗᮕᮢ ᮒᮢᮟᮤᮘᮕᮢᮺ ᮄᮑᮞᮗ ᯘᮙ ᮅᮞᮺ ᮧᮘᮟ ᮧᮑᮣ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮑᮧᮛᮧᮑᮢᮔᮜᮩᮼ

ᯗᮞ ᮘᮙᮣ ᮘᮑᮞᮔ ᮧᮑᮣ ᮑ ᮣᮙᮝᮠᮜᮕ ᮝᮕᮑᮜᮺ ᮣᮕᮕᮝᮙᮞᮗᮜᮩ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮧᮙᮤᮘ ᮓᮑᮢᮕᮼ

“ᯜᮟᮟᮞᮑᮼ”

ᮃᮥᮢᮠᮢᮙᮣᮕ ᮧᮑᮣ ᮕᮦᮙᮔᮕᮞᮤ ᮙᮞ ᮄᮑᮞᮗ ᯘᮙ ᮅᮞ᮵ᮣ ᮕᮩᮕᮣᮼ

ᯗᮤ ᮣᮕᮕᮝᮕᮔ ᮘᮕ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮔᮢᮕᮑᮝᮕᮔ ᮣᮘᮕ ᮧᮟᮥᮜᮔ ᮒᮕ ᮣᮤᮕᮠᮠᮙᮞᮗ ᮟᮥᮤᮺ ᮢᮕᮑᮔᮩ ᮤᮟ ᮗᮟ ᮣᮟᮝᮕᮧᮘᮕᮢᮕᮼ

“ᯏᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮣᮟᮝᮕᮧᮘᮕᮢᮕᯍ”

“ᮼᮼᮼ”

ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮘᮕᮢ ᮒᮢᮟᮤᮘᮕᮢ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᮤᮘᮕᮞ ᮧᮘᮙᮣᮠᮕᮢᮕᮔ ᮑᮞᮔ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮧᮑᮜᮛᮙᮞᮗᮼ

“ᯒᮟᮞ᮵ᮤ ᮖᮟᮜᮜᮟᮧ ᮝᮕᮼ”

ᯔᮟᮢ ᮣᮟᮝᮕ ᮢᮕᮑᮣᮟᮞᮺ ᮣᮕᮕᮙᮞᮗ ᮘᮕᮢ ᮒᮢᮟᮤᮘᮕᮢ᮵ᮣ ᮖᮑᮓᮕ ᮝᮑᮔᮕ ᮘᮕᮢ ᮖᮕᮕᮜ ᮑᮧᮛᮧᮑᮢᮔᮼ

ᮄᮑᮞᮗ ᯘᮙ ᮅᮞ ᮞᮟᮔᮔᮕᮔ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮧᮟᮢᮔᮼ

ᯓᮦᮕᮞ ᮑᮣ ᮣᮘᮕ ᮧᮑᮜᮛᮕᮔ ᮑᮧᮑᮩ ᮑᮜᮟᮞᮕᮺ ᮜᮕᮑᮦᮙᮞᮗ ᮘᮕᮢ ᮒᮢᮟᮤᮘᮕᮢ ᮒᮕᮘᮙᮞᮔᮺ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮘᮑᮛᮕ ᮑ ᮣᮤᮢᮑᮞᮗᮕ ᮣᮕᮞᮣᮕ ᮟᮖ ᮥᮞᮕᮑᮣᮕᮼ

ᯏ ᮖᮕᮕᮜᮙᮞᮗ ᮜᮙᮛᮕ ᮣᮘᮕ ᮧᮑᮣ ᮘᮙᮔᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮼ

ᯐᮥᮤ ᮣᮘᮕ ᮘᮑᮔ ᮞᮟ ᮓᮘᮟᮙᮓᮕᮼ

ᮇᮘᮟ ᮓᮟᮥᮜᮔ ᮣᮘᮕ ᮠᮟᮣᮣᮙᮒᮜᮩ ᮕᮨᮠᮜᮑᮙᮞ ᮙᮤ ᮤᮟᯍ

ᯓᮦᮕᮞ ᮙᮖ ᮤᮘᮕ ᮑᮓᮤ ᮧᮑᮣ ᮖᮟᮢ ᮢᮕᮣᮟᮜᮦᮙᮞᮗ ᮘᮕᮢ ᮘᮕᮑᮢᮤ ᮔᮕᮝᮟᮞᮺ ᮣᮘᮕ ᮘᮑᮔ ᮒᮕᮕᮞ ᮔᮢᮑᮗᮗᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮒᮑᮣᮕᮝᮕᮞᮤ ᮟᮖ ᮑ ᮝᮕᮢᮕ ᮜᮕᮑᮤᮘᮕᮢ ᮣᮘᮟᮠ ᮟᮧᮞᮕᮢᮺ ᮖᮟᮢᮓᮕᮔ ᮤᮟ ᮟᮒᮕᮩ ᮘᮙᮣ ᮟᮦᮕᮢᮒᮕᮑᮢᮙᮞᮗ ᮓᮟᮝᮝᮑᮞᮔᮣᮺ ᮑᮞᮔ ᮘᮑᮔ ᮤᮟ ᮑᮔᮔ ᮵ᯗᮤ᮵ᮣ ᮗᮟᮟᮔ᮵ ᮤᮟ ᮕᮦᮕᮢᮩ ᮧᮟᮢᮔᮺ ᮣᮥᮒᮝᮙᮤᮤᮙᮞᮗ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩᮼ

ᮃᮘᮕ ᮘᮑᮔᮞ᮵ᮤ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮙᮤ ᮧᮘᮕᮞ ᮣᮘᮕ ᮧᮑᮣ ᮣᮧᮕᮠᮤ ᮥᮠ ᮙᮞ ᮤᮘᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕ ᮟᮖ ᮤᮘᮑᮤ ᮣᮠᮑᮓᮕᮺ ᮒᮥᮤ ᮜᮟᮟᮛᮙᮞᮗ ᮒᮑᮓᮛᮺ ᮤᮘᮕᮢᮕ ᮘᮑᮔ ᮒᮕᮕᮞ ᮞᮟ ᮝᮟᮢᮕ ᮘᮥᮝᮙᮜᮙᮑᮤᮙᮞᮗ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕ ᮙᮞ ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ᮵ᮣ ᮜᮙᮖᮕᮼ

ᮼᮼᮼᯏᮞᮔ ᮩᮕᮤᮺ ᮣᮘᮕ ᮧᮑᮣ ᮗᮟᮙᮞᮗ ᮒᮑᮓᮛᮼ

ᮄᮘᮕ ᮤᮘᮙᮞᮗᮣ ᮣᮘᮕ᮵ᮔ ᮣᮕᮕᮞ ᮤᮘᮑᮤ ᮔᮑᮩ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮜᮕᮑᮦᮕ ᮘᮕᮢ ᮝᮙᮞᮔᮼ

ᮂᮟᮠᮕᮣᮺ ᮒᮜᮙᮞᮔᮖᮟᮜᮔᮣᮺ ᮧᮘᮙᮠᮣᮺ ᮘᮑᮞᮔᮓᮥᮖᮖᮣᮺ ᮜᮕᮑᮣᮘᮕᮣᮼᮼᮼ

ᯖᮟᮧ ᮧᮕᮢᮕ ᮤᮘᮟᮣᮕ ᮥᮣᮕᮔᯍ

ᯗᮖ ᮣᮘᮕ ᮑᮣᮛᮕᮔ ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞᮺ ᮘᮕ ᮧᮟᮥᮜᮔ ᮣᮥᮢᮕᮜᮩ ᮤᮕᮜᮜ ᮘᮕᮢᮼ

“ᮼᮼᮼ”

ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮥᮞᮓᮟᮞᮣᮓᮙᮟᮥᮣᮜᮩ ᮣᮧᮑᮜᮜᮟᮧᮕᮔᮼ

ᮅᮞᮔᮕᮢ ᮤᮘᮕ ᮠᮢᮕᮤᮕᮨᮤ ᮟᮖ ᮵ᮘᮕᮑᮢᮤ ᮔᮕᮝᮟᮞ ᮤᮢᮕᮑᮤᮝᮕᮞᮤᮺ᮵ ᮘᮟᮧ ᮖᮑᮢ ᮧᮟᮥᮜᮔ ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞ ᮠᮥᮣᮘ ᮘᮕᮢᯍ

ᮇᮘᮑᮤ ᮕᮨᮑᮓᮤᮜᮩ ᮔᮙᮔ ᮤᮘᮑᮤ ᮝᮑᮞ᮵ᮣ ᮵ᮤᮢᮕᮑᮤᮝᮕᮞᮤ᮵ ᮕᮞᮤᮑᮙᮜᯍ

ᮼᮼᮼᯏᮞᮔ ᯑᮘᮕᮟᮞᮗᮧᮟᮜᮺ ᮧᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮘᮥᮝᮙᮜᮙᮑᮤᮙᮟᮞ ᮘᮑᮔ ᮣᮘᮕ ᮕᮞᮔᮥᮢᮕᮔ—

“ᮻᮇᮘᮕᮢᮕ ᮑᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗᯍ”

“ᯖᮻᮘᮥᮘᮯ”

ᮃᮤᮑᮢᮤᮜᮕᮔ ᮒᮩ ᮤᮘᮕ ᮦᮟᮙᮓᮕ ᮤᮘᮑᮤ ᮙᮞᮤᮕᮢᮢᮥᮠᮤᮕᮔ ᮘᮕᮢ ᮤᮘᮟᮥᮗᮘᮤᮣᮺ ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮖᮜᮙᮞᮓᮘᮕᮔᮼ

ᮇᮘᮕᮞ ᮣᮘᮕ ᮓᮟᮜᮜᮕᮓᮤᮕᮔ ᮘᮕᮢᮣᮕᮜᮖᮺ ᮣᮟᮝᮕᮟᮞᮕ ᮧᮑᮣ ᮜᮟᮟᮛᮙᮞᮗ ᮔᮟᮧᮞ ᮑᮤ ᮘᮕᮢᮼ

ᯗᮤ ᮧᮑᮣ ᯑᮘᮕᮟᮞᮗᮧᮟᮜᮼ

ᮄᮘᮙᮣ ᮧᮑᮣ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕ ᮤᮘᮕᮩ᮵ᮔ ᮝᮕᮤ ᮣᮙᮞᮓᮕ ᮤᮘᮑᮤ ᮔᮑᮩᮼ

“ᯑᮘᮕᮟᮞᮗᮧᮟᮜᮼ”

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮔᮙᮔᮞ᮵ᮤ ᮢᮕᮠᮕᮑᮤ ᮘᮕᮢ ᮧᮟᮢᮔᮣᮼ ᮃᮘᮕ ᮣᮙᮝᮠᮜᮩ ᮑᮣᮛᮕᮔ ᮤᮘᮕ ᮣᮑᮝᮕ ᮡᮥᮕᮣᮤᮙᮟᮞ ᮧᮙᮤᮘ ᮘᮕᮢ ᮡᮥᮙᮕᮤ ᮗᮑ᮪ᮕᮼ

ᮇᮘᮩ ᮧᮑᮣ ᮣᮘᮕ ᮘᮕᮢᮕᮺ ᮟᮖ ᮑᮜᮜ ᮠᮜᮑᮓᮕᮣᮼᮼᮼᯍ

ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮜᮟᮟᮛᮕᮔ ᮠᮑᮣᮤ ᯑᮘᮕᮟᮞᮗᮧᮟᮜᮼ

ᯗᮖ ᮣᮘᮕ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮤᮘᮑᮤ ᮠᮑᮤᮘ ᮣᮤᮢᮑᮙᮗᮘᮤᮺ ᮣᮘᮕ᮵ᮔ ᮢᮕᮑᮓᮘ ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞ᮵ᮣ ᮜᮕᮑᮤᮘᮕᮢ ᮣᮘᮟᮠ ᮑᮗᮑᮙᮞᮼ

ᯏᮞᮔ ᮞᮟᮧᮺ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮒᮕ ᮔᮕᮜᮙᮒᮕᮢᮑᮤᮕᮜᮩ ᮒᮜᮟᮓᮛᮙᮞᮗ ᮘᮕᮢ ᮠᮑᮤᮘᮼ

“ᮼᮼᮼ”

ᯗᮤ ᮖᮕᮜᮤ ᮣᮤᮢᮑᮞᮗᮕᮜᮩ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮙᮞᮗ ᮤᮟ ᮘᮟᮞᮕᮣᮤᮜᮩ ᮣᮑᮩ ᮣᮘᮕ ᮧᮑᮣ ᮗᮟᮙᮞᮗ ᮤᮟ ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞ᮵ᮣ ᮜᮕᮑᮤᮘᮕᮢ ᮣᮘᮟᮠᮼ

ᯗᮖ ᮣᮘᮕ ᮑᮔᮝᮙᮤᮤᮕᮔ ᮙᮤᮺ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮙᮤ ᮣᮟᮥᮞᮔ ᮤᮟᮟ ᮠᮕᮢᮦᮕᮢᮤᮕᮔᯍ

ᮄᮘᮕ ᮠᮜᮑᮓᮕ ᮧᮘᮕᮢᮕ ᮘᮕ᮵ᮔ ᮣᮝᮕᮜᮜᮕᮔ ᮘᮕᮢ ᮖᮕᮕᮤ ᮑᮞᮔ ᮣᮜᮑᮠᮠᮕᮔ ᮘᮕᮢ ᮣᮟᮜᮕᮣᮼ

ᮇᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮤᮧᮙᮣᮤᮕᮔ ᮝᮙᮞᮔᮣᮕᮤ ᮧᮑᮣ ᮙᮤ ᮤᮟ ᮗᮟ ᮒᮑᮓᮛ ᮑᮖᮤᮕᮢ ᮒᮕᮙᮞᮗ ᮤᮟᮢᮝᮕᮞᮤᮕᮔᯍ

“ᮉᮟᮥ ᮔᮟᮞ᮵ᮤ ᮞᮕᮕᮔ ᮤᮟ ᮛᮞᮟᮧᮼ ᮇᮘᮩ ᮑᮢᮕ ᮸ᮩᮟᮥ᮸ ᮘᮕᮢᮕᯍ”

“ᯗ ᮧᮑᮣ ᮚᮥᮣᮤ ᮗᮕᮤᮤᮙᮞᮗ ᮣᮟᮝᮕ ᮖᮢᮕᮣᮘ ᮑᮙᮢᮼ”

ᮇᮑᮣ ᮣᮘᮕ ᮢᮕᮑᮜᮜᮩ ᮚᮥᮣᮤ ᮗᮕᮤᮤᮙᮞᮗ ᮣᮟᮝᮕ ᮖᮢᮕᮣᮘ ᮑᮙᮢᯍ ᯔᮟᮢ ᮣᮟᮝᮕ ᮢᮕᮑᮣᮟᮞᮺ ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮘᮑᮛᮕ ᮤᮘᮕ ᮖᮕᮕᮜᮙᮞᮗ ᮤᮘᮑᮤ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮧᮑᮣ ᮒᮜᮟᮓᮛᮙᮞᮗ ᮤᮘᮕ ᮠᮑᮤᮘ ᮒᮕᮤᮧᮕᮕᮞ ᮘᮕᮢ ᮑᮞᮔ ᮤᮘᮕ ᮜᮕᮑᮤᮘᮕᮢ ᮣᮘᮟᮠᮼᮼᮼ

ᯐᮥᮤ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮓᮟᮝᮠᮟᮣᮕᮔᮼ

ᮄᮘᮕ ᮞᮟᮒᮜᮕ ᮑᮥᮢᮑ ᮣᮥᮢᮢᮟᮥᮞᮔᮙᮞᮗ ᮘᮕᮢ ᮣᮟᮝᮕᮘᮟᮧ ᮝᮑᮔᮕ ᮘᮕᮢ ᮧᮟᮢᮔᮣ ᮣᮕᮕᮝ ᮤᮢᮥᮤᮘᮖᮥᮜᮼ

ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᮤᮘᮕᮞ ᮣᮤᮕᮕᮜᮕᮔ ᮘᮕᮢ ᮢᮕᮣᮟᮜᮦᮕᮼ

ᮃᮘᮕ᮵ᮔ ᮚᮥᮣᮤ ᮗᮟ ᮤᮟ ᮤᮘᮕ ᮜᮕᮑᮤᮘᮕᮢ ᮣᮘᮟᮠᮼ

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮟᮢ ᮞᮟᮤᮺ ᮙᮤ ᮧᮑᮣ ᮗᮕᮤᮤᮙᮞᮗ ᮘᮑᮢᮔᮕᮢ ᮤᮟ ᮣᮥᮠᮠᮢᮕᮣᮣ ᮘᮕᮢ ᮓᮥᮢᮙᮟᮣᮙᮤᮩᮼ

“ᮼᮼᮼᮇᮕᮜᮜ ᮤᮘᮕᮞᮺ ᯗ᮵ᮜᮜ ᮒᮕ ᮗᮟᮙᮞᮗᮼ”

ᯘᮥᮣᮤ ᮑᮣ ᮣᮘᮕ ᮧᮑᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮠᮑᮣᮣ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ—

“ᮻᮄᮘᮑᮤ ᮔᮑᮩᮼ”

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮝᮕᮞᮤᮙᮟᮞᮕᮔ ᮤᮘᮑᮤ ᮔᮑᮩᮼ

ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮜᮟᮟᮛᮕᮔ ᮑᮢᮟᮥᮞᮔ ᮙᮞ ᮣᮥᮢᮠᮢᮙᮣᮕᮼ

ᯜᮟ ᮟᮞᮕ ᮘᮕᮑᮢᮔ ᮤᮘᮑᮤᮺ ᮢᮙᮗᮘᮤᯍ

“ᮼᮼᮼᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮔᮟᮙᮞᮗᯍᮯ ᮄᮘᮻᮤᮘᮙᮣ ᮙᮣᮞ’ᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮕ ᮣᮘᮟᮥᮜᮔ ᮒᮕ ᮔᮙᮣᮓᮥᮣᮣᮙᮞᮗ ᮟᮥᮤ ᮘᮕᮢᮕ—”

“—ᮩᮟᮥ ᮧᮕᮢᮕ… ᮑ ᮒᮙᮤ ᮖᮟᮟᮜᮙᮣᮘᮼ”

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ’ᮣ ᮣᮥᮔᮔᮕᮞ ᮓᮢᮙᮤᮙᮓᮙᮣᮝ ᮣᮙᮜᮕᮞᮓᮕᮔ ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞᮼ

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮧᮑᮣᮞ’ᮤ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞᮼ

ᮃᮘᮕ ᮘᮑᮔ ᮑᮜᮢᮕᮑᮔᮩ ᮣᮤᮕᮠᮠᮕᮔ ᮑᮣᮙᮔᮕᮺ ᮗᮑ᮪ᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮔᮙᮣᮤᮑᮞᮤ ᮝᮟᮥᮞᮤᮑᮙᮞ ᮢᮙᮔᮗᮕ ᮑᮣ ᮣᮘᮕ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮣᮠᮕᮑᮛᮙᮞᮗ ᮣᮟᮖᮤᮜᮩᮼ

“ᮉᮟᮥ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮕᮦᮕᮞ ᮢᮕᮣᮙᮣᮤ ᮧᮘᮙᮜᮕ ᮗᮕᮤᮤᮙᮞᮗ ᮘᮙᮤ ᮟᮞ ᮤᮘᮕ ᮣᮟᮜᮕᮣ ᮟᮖ ᮩᮟᮥᮢ ᮖᮕᮕᮤᮼ ᯗ ᮞᮕᮦᮕᮢ ᮙᮝᮑᮗᮙᮞᮕᮔ ᯗ’ᮔ ᮣᮕᮕ ᮩᮟᮥ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼ”

“ᮇᮘᮩ ᮑᮢᮕ ᮩᮟᮥ ᮣᮑᮩᮙᮞᮗ ᮤᮘᮑᮤ ᮑᮜᮜ ᮟᮖ ᮑ ᮣᮥᮔᮔᮕᮞᯍ”

“ᯝᮘᮺ ᮞᮟᮼ ᯗᮤ ᮚᮥᮣᮤ ᮓᮑᮝᮕ ᮤᮟ ᮝᮙᮞᮔᮼ”

“ᮼᮼᮼ”

ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮒᮙᮤ ᮘᮕᮢ ᮜᮙᮠ ᮤᮙᮗᮘᮤᮜᮩᮼ

ᮄᮘᮕᮞᮺ ᮖᮟᮢᮓᮙᮞᮗ ᮑ ᮣᮝᮙᮜᮕᮺ ᮣᮘᮕ ᮓᮟᮥᮞᮤᮕᮢᮕᮔ ᮧᮙᮤᮘ ᮧᮟᮢᮔᮣᮼ

“ᯗ ᮑᮜᮣᮟ ᮞᮕᮦᮕᮢ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮕ ᮄᮘᮟᮥᮣᮑᮞᮔᮻᮉᮕᮑᮢ ᯔᮜᮟᮧᮕᮢ ᮟᮖ ᯓᮝᮕᮙ ᮧᮟᮥᮜᮔ ᮛᮞᮕᮕᮜ ᮑᮤ ᮑ ᮝᮑᮞ’ᮣ ᮓᮟᮝᮝᮑᮞᮔᮼ”

“ᮼᮼᮼ”

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮔᮙᮔᮞ’ᮤ ᮑᮞᮣᮧᮕᮢᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮘᮕᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮧᮑᮦᮕᮢᮕᮔ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ

ᯐᮥᮤ ᮙᮤ ᮧᮑᮣ ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮧᮘᮟ ᮧᮑᮣ ᮔᮢᮑᮙᮞᮕᮔ ᮒᮩ ᮤᮘᮕ ᮒᮢᮙᮕᮖ ᮕᮨᮓᮘᮑᮞᮗᮕᮼ

ᯘᮥᮣᮤ ᮤᮘᮟᮣᮕ ᮖᮕᮧ ᮧᮟᮢᮔᮣ ᮝᮑᮔᮕ ᮘᮕᮢ ᮣᮤᮕᮠᮣ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮜᮕᮑᮤᮘᮕᮢ ᮢᮟᮟᮝ ᮖᮕᮕᮜ ᮘᮕᮑᮦᮩ ᮑᮞᮔ ᮔᮙᮣᮤᮑᮞᮤᮼ

ᯗᮤ ᮧᮑᮣ ᮤᮢᮥᮕ ᮤᮘᮑᮤ ᮣᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮖᮟᮟᮜᮙᮣᮘᮺ ᮚᮥᮣᮤ ᮑᮣ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮣᮑᮙᮔᮺ ᮑᮞᮔ ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮘᮑᮔ ᮤᮟ ᮑᮔᮝᮙᮤ ᮙᮤᮼ

ᯐᮥᮤ ᮙᮖ ᮣᮘᮕ ᮔᮙᮔᮞ’ᮤ ᮗᮙᮦᮕ ᮥᮠ ᮘᮕᮢᮕ ᮑᮞᮔ ᮧᮕᮞᮤ ᮤᮟ ᮤᮘᮕ ᮜᮕᮑᮤᮘᮕᮢ ᮢᮟᮟᮝᮺ ᮙᮤ ᮧᮟᮥᮜᮔ ᮖᮕᮕᮜ ᮜᮙᮛᮕ ᮣᮘᮕ ᮧᮑᮣ ᮔᮕᮓᮜᮑᮢᮙᮞᮗ ᮘᮕᮢᮣᮕᮜᮖ ᮤᮘᮑᮤ ᮦᮕᮢᮩ ᮖᮟᮟᮜᮼ

ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮓᮘᮑᮞᮗᮕᮔ ᮔᮙᮢᮕᮓᮤᮙᮟᮞ ᮑᮞᮔ ᮧᮑᮜᮛᮕᮔ ᮑᮧᮑᮩᮼ

ᮃᮘᮕ ᮔᮙᮔᮞ’ᮤ ᮣᮑᮩ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮝᮟᮢᮕ ᮤᮟ ᯑᮘᮕᮟᮞᮗᮧᮟᮜᮼ

ᮃᮘᮕ ᮖᮕᮜᮤ ᮑ ᮞᮕᮕᮔᮜᮕᮣᮣ ᮠᮙᮡᮥᮕ ᮑᮤ ᮤᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮑᮤ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮗᮟ ᮤᮟ ᮤᮘᮕ ᮜᮕᮑᮤᮘᮕᮢ ᮢᮟᮟᮝ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᯑᮘᮕᮟᮞᮗᮧᮟᮜᮼ

ᮼᮼᮼᮀᮙᮡᮥᮕᯍ

ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮖᮕᮜᮤ ᮓᮟᮞᮖᮥᮣᮕᮔ ᮒᮩ ᮤᮘᮑᮤ ᮤᮘᮟᮥᮗᮘᮤᮼ

ᮃᮥᮜᮛᮩ ᮒᮕᮓᮑᮥᮣᮕ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮗᮟ ᮤᮟ ᮤᮘᮕ ᮜᮕᮑᮤᮘᮕᮢ ᮢᮟᮟᮝᯍ

ᮃᮘᮕ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮘᮑᮔᮞ’ᮤ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮗᮟ ᮤᮘᮑᮤ ᮝᮥᮓᮘᮼ

ᯏᮣ ᮣᮘᮕ ᮧᮑᮜᮛᮕᮔ ᮙᮔᮜᮩᮺ ᮣᮘᮕ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮢᮕᮓᮑᮜᮜᮕᮔ ᮤᮘᮕ ᮣᮓᮕᮞᮕ ᮙᮞ ᮤᮘᮕ ᮒᮑᮣᮕᮝᮕᮞᮤᮼ

ᮄᮘᮑᮤ ᮓᮘᮙᮜᮜᮩ ᮣᮠᮑᮓᮕᮼ

ᯏᮞᮔ ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞ’ᮣ ᮦᮟᮙᮓᮕᮺ ᮝᮟᮓᮛᮙᮞᮗ ᮘᮕᮢ ᮑᮣ ᮘᮕ ᮘᮕᮜᮔ ᮤᮘᮕ ᮣᮘᮟᮕᮼ

‘ᮼᮼᮼᮇᮕᮜᮜᮺ ᮙᮤ ᮣᮕᮕᮝᮣ ᮕᮦᮕᮞ ᮤᮘᮕ ᮄᮑᮞᮗ ᮖᮑᮝᮙᮜᮩ’ᮣ ᮩᮟᮥᮞᮗ ᮜᮑᮔᮩ ᮓᮑᮞ’ᮤ ᮘᮕᮜᮠ ᮙᮤᮼ’

“ᮅᮗᮘᮼᮼᮼᮯ”

ᮄᮘᮕ ᮘᮥᮝᮙᮜᮙᮑᮤᮙᮟᮞ ᮟᮖ ᮤᮘᮑᮤ ᮔᮑᮩ ᮣᮘᮑᮢᮠᮜᮩ ᮠᮙᮕᮢᮓᮕᮔ ᮘᮕᮢ ᮟᮤᮘᮕᮢᮧᮙᮣᮕ ᮓᮑᮜᮝ ᮘᮕᮑᮢᮤᮼ

ᯓᮝᮟᮤᮙᮟᮞᮣ ᮣᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮣᮘᮕ ᮘᮑᮔ ᮖᮟᮢᮗᮟᮤᮤᮕᮞ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮢᮕᮣᮥᮢᮖᮑᮓᮕᮔᮼ

ᮂᮙᮗᮘᮤᮼ
ᯗ ᮣᮘᮟᮥᮜᮔᮞ’ᮤ ᮗᮟᮼ
ᯗ’ᮜᮜ ᮗᮙᮦᮕ ᮥᮠᮼ

ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞᮺ ᮤᮘᮕ ᮕᮜᮔᮕᮣᮤ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮟᮖ ᮤᮘᮕ ᮃᮙᮓᮘᮥᮑᮞ ᮄᮑᮞᮗ ᯔᮑᮝᮙᮜᮩᮺ ᮘᮑᮔ ᮞᮟ ᮢᮕᮑᮣᮟᮞ ᮤᮟ ᮖᮕᮕᮜ ᮤᮘᮑᮤ ᮘᮥᮝᮙᮜᮙᮑᮤᮙᮟᮞ ᮑᮗᮑᮙᮞᮼ

ᮄᮘᮕ ᮣᮘᮑᮝᮕ ᮟᮖ ᮣᮙᮞᮛᮙᮞᮗ ᮤᮟ ᮤᮘᮑᮤ ᮜᮟᮧ ᮠᮟᮙᮞᮤ ᮧᮑᮣ ᮕᮞᮟᮥᮗᮘ ᮖᮟᮢ ᮟᮞᮕ ᮤᮙᮝᮕᮼ

ᯔᮢᮟᮝ ᮤᮘᮕ ᮣᮤᮑᮢᮤᮺ ᮘᮕᮢ ᮤᮙᮝᮕ ᮧᮙᮤᮘ ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞ ᮧᮑᮣ ᮞᮕᮦᮕᮢ ᮑ ᮠᮜᮕᮑᮣᮑᮞᮤ ᮝᮕᮝᮟᮢᮩᮼ

ᮄᮟ ᮤᮘᮕ ᮠᮟᮙᮞᮤ ᮧᮘᮕᮢᮕ ᮙᮤ ᮧᮑᮣ ᮕᮑᮣᮙᮕᮢ ᮤᮟ ᮚᮥᮣᮤ ᮖᮟᮢᮗᮕᮤᮼ

ᮃᮘᮕ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮘᮕᮢ ᮣᮘᮟᮢᮤ ᮚᮟᮥᮢᮞᮕᮩ ᮑᮞᮔ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮘᮕᮢ ᮜᮟᮔᮗᮙᮞᮗᮼ

“ᯜᮟᮟᮞᮑᮼ ᮉᮟᮥ’ᮢᮕ ᮑᮜᮢᮕᮑᮔᮩ ᮒᮑ—”

“—ᯗ’ᮝ ᮗᮟᮙᮞᮗ ᮤᮟ ᮢᮕᮣᮤᮼ ᮃᮟᮢᮢᮩᮺ ᯘᮙ ᮅᮞᮼ”

ᮄᮑᮞᮗ ᯘᮙ ᮅᮞ ᮤᮢᮙᮕᮔ ᮤᮟ ᮣᮑᮩ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮺ ᮒᮥᮤ ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞ ᮔᮙᮔᮞ’ᮤ ᮘᮑᮦᮕ ᮤᮘᮕ ᮕᮞᮕᮢᮗᮩ ᮖᮟᮢ ᮙᮤᮼ

ᮃᮘᮕ ᮜᮑᮩ ᮔᮟᮧᮞ ᮟᮞ ᮤᮘᮕ ᮒᮕᮔ ᮑᮗᮑᮙᮞ ᮑᮞᮔ ᮘᮥᮗᮗᮕᮔ ᮘᮕᮢ ᮠᮙᮜᮜᮟᮧᮼ

ᮼᮼᮼᯗᮤ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮘᮕᮢ ᮝᮙᮞᮔ ᮘᮑᮔ ᮒᮕᮓᮟᮝᮕ ᮕᮦᮕᮞ ᮝᮟᮢᮕ ᮓᮟᮞᮖᮥᮣᮕᮔᮼ

᮸᮸᮸᮸

ᯏᮖᮤᮕᮢ ᮤᮘᮕ ᮞᮟᮙᮣᮩ ᮗᮢᮕᮕᮤᮙᮞᮗᮣᮺ ᮓᮟᮥᮢᮤᮕᮣᮙᮕᮣᮺ ᮑᮞᮔ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞᮣ ᮓᮟᮞᮓᮜᮥᮔᮕᮔᮺ ᯓᮝᮕᮙ ᮣᮑᮧ ᮟᮖᮖ ᮤᮘᮕ ᮔᮕᮠᮑᮢᮤᮙᮞᮗ ᮃᮙᮓᮘᮥᮑᮞ ᮄᮑᮞᮗ ᯔᮑᮝᮙᮜᮩᮼ

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮑᮜᮣᮟ ᮧᮑᮤᮓᮘᮕᮔ ᮤᮘᮕ ᮜᮟᮞᮗ ᮠᮢᮟᮓᮕᮣᮣᮙᮟᮞ ᮟᮖ ᮤᮘᮕ ᮄᮑᮞᮗ ᮖᮑᮝᮙᮜᮩ ᮜᮕᮑᮦᮙᮞᮗ ᯓᮝᮕᮙ ᯛᮟᮥᮞᮤᮑᮙᮞᮺ ᮤᮘᮕᮞ ᮒᮢᮕᮑᮤᮘᮕᮔ ᮑ ᮣᮙᮗᮘ ᮟᮖ ᮢᮕᮜᮙᮕᮖᮼ

ᮄᮘᮕᮩ ᮖᮙᮞᮑᮜᮜᮩ ᮜᮕᮖᮤᮼ

ᮄᮘᮕᮞᮺ ᮑᮣ ᮙᮖ ᮑᮜᮜ ᮧᮟᮢᮢᮙᮕᮣ ᮘᮑᮔ ᮔᮙᮣᮑᮠᮠᮕᮑᮢᮕᮔᮺ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ’ᮣ ᮘᮕᮑᮢᮤ ᮖᮕᮜᮤ ᮝᮥᮓᮘ ᮜᮙᮗᮘᮤᮕᮢᮼ

ᮃᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮑᮢᮟᮥᮞᮔᮼ

ᮃᮘᮕ ᮧᮟᮞᮔᮕᮢᮕᮔ ᮙᮖ ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞ ᮝᮙᮗᮘᮤ ᮑᮜᮣᮟ ᮒᮕ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮤᮘᮙᮣ ᮔᮕᮠᮑᮢᮤᮙᮞᮗ ᮠᮢᮟᮓᮕᮣᮣᮙᮟᮞᮼ

“ᮼᮼᮼ”

ᯐᮥᮤ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮖᮙᮞᮔ ᮘᮙᮝᮼ

ᯖᮕ ᮝᮥᮣᮤ ᮒᮕ ᮢᮟᮤᮤᮙᮞᮗ ᮑᮜᮟᮞᮕ ᮙᮞ ᮤᮘᮑᮤ ᮗᮜᮟᮟᮝᮩ ᮜᮕᮑᮤᮘᮕᮢ ᮢᮟᮟᮝ ᮤᮟᮔᮑᮩᮺ ᮤᮟᮟᮼ

ᮄᮘᮑᮤ’ᮣ ᮧᮘᮩ ᮘᮕ’ᮣ ᮒᮟᮥᮞᮔ ᮤᮟ ᮒᮕ ᮑ ᮜᮟᮞᮕᮢᮼ

ᯓᮦᮕᮞ ᮑᮣ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮓᮢᮙᮤᮙᮓᮙ᮪ᮕᮔ ᮘᮙᮝ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮺ ᮣᮘᮕ ᮣᮕᮓᮢᮕᮤᮜᮩ ᮖᮕᮜᮤ ᮤᮘᮑᮤ ᮣᮘᮕ ᮔᮙᮔᮞ’ᮤ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮔᮙᮣᮜᮙᮛᮕ ᮘᮙᮝ ᮒᮕᮙᮞᮗ ᮑᮜᮟᮞᮕᮼ

ᮀᮕᮢᮘᮑᮠᮣ ᮣᮘᮕ ᮧᮑᮣ ᮑᮢᮒᮙᮤᮢᮑᮢᮙᮜᮩ ᮖᮕᮕᮜᮙᮞᮗ ᮑ ᮣᮕᮞᮣᮕ ᮟᮖ ᮛᮙᮞᮣᮘᮙᮠ ᮒᮕᮓᮑᮥᮣᮕ ᮘᮕ ᮧᮑᮣ ᮑ ᮒᮕᮙᮞᮗ ᮜᮙᮛᮕ ᮘᮕᮢᮣᮕᮜᮖᮼ

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ’ᮣ ᮔᮕᮣᮙᮢᮕ ᮧᮑᮣ ᮖᮟᮢ ᮤᮘᮙᮞᮗᮣ ᮤᮟ ᮚᮥᮣᮤ ᮓᮟᮞᮤᮙᮞᮥᮕ… ᮚᮥᮣᮤ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮼ

ᮇᮙᮤᮘᮟᮥᮤ ᮒᮕᮙᮞᮗ ᮔᮙᮣᮤᮥᮢᮒᮕᮔ ᮒᮩ ᮟᮤᮘᮕᮢᮣᮼ ᮇᮙᮤᮘᮟᮥᮤ ᮒᮕᮙᮞᮗ ᮛᮞᮟᮧᮞᮼ

ᯘᮥᮣᮤ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮺ ᮥᮞᮤᮙᮜ ᮘᮕᮢ ᮙᮞᮞᮕᮢ ᮔᮕᮝᮟᮞ ᮙᮣ ᮤᮢᮥᮜᮩ ᮢᮕᮣᮟᮜᮦᮕᮔᮼ

“ᮼᮼᮼ”

ᮼᮼᮼᯐᮥᮤ ᮓᮑᮞ ᮘᮕᮢ ᮙᮞᮞᮕᮢ ᮔᮕᮝᮟᮞ ᮤᮢᮥᮜᮩ ᮒᮕ ᮢᮕᮝᮟᮦᮕᮔᯍ

ᯗᮖ ᮘᮕᮢ ᮙᮞᮞᮕᮢ ᮔᮕᮝᮟᮞ ᮙᮣ ᮢᮕᮣᮟᮜᮦᮕᮔᮺ ᮑᮞᮔ ᮣᮘᮕ ᮤᮘᮙᮞᮛᮣ ᮟᮖ ᮗᮢᮟᮧᮙᮞᮗ ᮔᮙᮣᮤᮑᮞᮤ ᮖᮢᮟᮝ ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞᮼᮼᮼ

ᮼᮼᮼᮤᮘᮑᮤ ᮥᮞᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮕ ᮖᮕᮕᮜᮙᮞᮗ ᮖᮜᮙᮓᮛᮕᮢᮣ ᮑᮗᮑᮙᮞᯍ

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮣᮘᮟᮟᮛ ᮟᮖᮖ ᮘᮕᮢ ᮧᮟᮢᮢᮙᮕᮣ ᮑᮞᮔ ᮒᮕᮗᮑᮞ ᮤᮟ ᮓᮜᮙᮝᮒ ᯓᮝᮕᮙ ᯛᮟᮥᮞᮤᮑᮙᮞ ᮑᮗᮑᮙᮞᮼ

ᮄᮘᮕᮢᮕ’ᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮤᮟ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼ

ᮇᮘᮑᮤ’ᮣ ᮙᮝᮠᮟᮢᮤᮑᮞᮤ ᮙᮣ ᮤᮘᮑᮤ ᮙᮞ ᮑ ᮖᮕᮧ ᮔᮑᮩᮣᮺ ᮣᮘᮕ’ᮜᮜ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮖᮙᮞᮔ ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞ ᮑᮗᮑᮙᮞᮼ

ᯏᮞᮔ ᮖᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮺ ᮣᮘᮕ’ᮜᮜ ᮓᮟᮞᮤᮙᮞᮥᮕ ᮤᮘᮑᮤ ᮢᮕᮜᮑᮤᮙᮟᮞᮣᮘᮙᮠᮺ ᮜᮙᮤᮤᮜᮕ ᮒᮩ ᮜᮙᮤᮤᮜᮕᮺ ᮚᮥᮣᮤ ᮜᮙᮛᮕ ᮒᮕᮖᮟᮢᮕᮼ

ᯏᮞᮔ ᮑᮤ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤᮺ ᮑ ᮣᮟᮥᮞᮔ ᮠᮙᮕᮢᮓᮕᮔ ᮘᮕᮢ ᮕᮑᮢᮣᮼ

“ᯝᮘᮺ ᯗ’ᮝ ᮑᮣᮛᮙᮞᮗ ᮤᮟ ᮒᮟᮢᮢᮟᮧ ᮣᮟᮝᮕ ᮢᮟᮠᮕᮯ ᯗ ᮤᮟᮜᮔ ᮩᮟᮥ ᯗ’ᮝ ᮙᮞ ᮑ ᮘᮥᮢᮢᮩᮯ”

ᮂᮕᮑᮓᮤᮙᮞᮗ ᮤᮟ ᮤᮘᮕ ᮧᮟᮢᮔ ‘ᮢᮟᮠᮕᮺ’ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮑᮞ ᮥᮞᮣᮕᮤᮤᮜᮙᮞᮗ ᮓᮘᮑᮞᮗᮕ ᮘᮑᮔ ᮟᮓᮓᮥᮢᮢᮕᮔ ᮧᮙᮤᮘᮙᮞ ᮘᮕᮢᮼ

“ᯗ ᮤᮟᮜᮔ ᮩᮟᮥ ᮧᮕ ᮔᮟᮞ’ᮤ ᮘᮑᮦᮕ ᮝᮥᮓᮘ ᮤᮟ ᮥᮣᮕᮯ”

ᮄᮧᮟ ᮝᮕᮞ ᮧᮕᮢᮕ ᮒᮙᮓᮛᮕᮢᮙᮞᮗᮼ

ᯏᮤ ᮤᮘᮑᮤᮺ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮧᮑᮜᮛᮙᮞᮗᮺ ᮥᮞᮓᮟᮞᮣᮓᮙᮟᮥᮣᮜᮩ ᮗᮜᮑᮞᮓᮙᮞᮗ ᮑᮤ ᮤᮘᮕᮙᮢ ᮕᮨᮓᮘᮑᮞᮗᮕᮼ

“ᮉᮟᮥ ᮣᮘᮟᮥᮜᮔ’ᮦᮕ ᮣᮑᮦᮕᮔ ᮙᮤᮯ ᯗ ᮤᮟᮜᮔ ᮩᮟᮥ ᯗ’ᮔ ᮒᮕ ᮗᮟᮞᮕ ᮖᮟᮢ ᮑ ᮒᮙᮤᮯ”

“ᯒᮙᮔ ᯗ ᮛᮞᮟᮧ ᮤᮘᮕ ᮢᮟᮠᮕ ᮧᮟᮥᮜᮔ ᮒᮢᮕᮑᮛᯍᮯ ᯗ ᮔᮙᮔᮞ’ᮤ ᮛᮞᮟᮧ ᮤᮘᮙᮣ ᮧᮟᮥᮜᮔ ᮘᮑᮠᮠᮕᮞ ᮕᮙᮤᮘᮕᮢᮺ ᮤᮘᮑᮤ’ᮣ ᮧᮘᮩᮯ ᯒᮟᮞ’ᮤ ᮒᮕ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮺ ᮚᮥᮣᮤ ᮜᮕᮞᮔ ᮙᮤ ᮤᮟ ᮝᮕᮼ ᮃᮕᮢᮙᮟᮥᮣᮜᮩᮺ ᮔᮟ ᯗ ᮘᮑᮦᮕ ᮤᮟ ᮓᮑᮢᮢᮩ ᮑᮜᮜ ᮤᮘᮟᮣᮕ ᮒᮢᮑᮞᮓᮘᮕᮣ ᮖᮢᮟᮝ ᮤᮘᮕ ᮝᮟᮥᮞᮤᮑᮙᮞ ᮒᮩ ᮘᮑᮞᮔᯍᮯ ᯗᮤ’ᮜᮜ ᮒᮕ ᮝᮟᮢᮕ ᮕᮖᮖᮙᮓᮙᮕᮞᮤ ᮙᮖ ᯗ ᮤᮙᮕ ᮤᮘᮕᮝ ᮥᮠᮺ ᮧᮟᮞ’ᮤ ᮙᮤᯍᮯ”

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮔᮕᮤᮕᮓᮤᮕᮔ ᮑ ᮖᮑᮙᮞᮤ ᮣᮤᮢᮑᮞᮗᮕᮞᮕᮣᮣ ᮙᮞ ᮤᮘᮕ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞᮼ

ᮃᮘᮕ ᮣᮜᮟᮧᮜᮩ ᮒᮕᮓᮑᮝᮕ ᮑᮒᮣᮟᮢᮒᮕᮔ ᮙᮞ ᮤᮘᮕ ᮤᮧᮟ ᮝᮕᮞ’ᮣ ᮒᮙᮓᮛᮕᮢᮙᮞᮗᮼ

“ᮇᮘᮑᮤ ᮑᮝ ᯗ ᮣᮥᮠᮠᮟᮣᮕᮔ ᮤᮟ ᮔᮟ ᮙᮖ ᮩᮟᮥ ᮒᮢᮕᮑᮛ ᮝᮙᮞᮕ ᮤᮟᮟᯍ ᯜᮟᮼ ᯗ ᮓᮑᮞ’ᮤ ᮜᮕᮞᮔ ᮙᮤ ᮤᮟ ᮩᮟᮥᮼ”

“ᯐᮩ ᮤᮘᮕᮞᮺ ᮤᮘᮑᮤ ᮩᮟᮥᮞᮗ ᮝᮑᮞ ᮧᮙᮜᮜ ᮘᮑᮦᮕ ᮢᮕᮤᮥᮢᮞᮕᮔᮯ ᮃᮤᮟᮠ ᮧᮟᮢᮢᮩᮙᮞᮗ ᮑᮞᮔ ᮚᮥᮣᮤ ᮜᮕᮞᮔ ᮙᮤᮯ ᮅᮗᮘᮺ ᮔᮟ ᮩᮟᮥ ᮘᮑᮦᮕ ᮞᮟ ᮛᮙᮞᮔᮞᮕᮣᮣ ᮑᮤ ᮑᮜᮜᯍᮯ”

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮤᮙᮜᮤᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮼ

“ᮼᮼᮼᯖᮥᮘᯍ”

ᮄᮘᮕ ᮝᮕᮞ ᮣᮘᮟᮥᮤᮕᮔ ᮜᮟᮥᮔᮜᮩᮼ

“ᯖᮟᮧ ᮓᮑᮞ ᮩᮟᮥ ᮒᮕ ᮣᮥᮢᮕ ᮘᮕ’ᮜᮜ ᮒᮕ ᮒᮑᮓᮛᯍᮯ”

“ᮄᮘᮑᮤ’ᮣ ᮡᮥᮙᮤᮕ—”

“—ᮤᮘᮕ ᮝᮑᮣᮤᮕᮢ ᮟᮖ ᮤᮘᮕ ᮜᮕᮑᮤᮘᮕᮢ ᮢᮟᮟᮝ ᮞᮕᮦᮕᮢ ᮣᮑᮙᮔ ᮧᮘᮕᮞ ᮘᮕ’ᮔ ᮢᮕᮤᮥᮢᮞᮯ”

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ’ᮣ ᮘᮕᮑᮢᮤ ᮠᮜᮥᮝᮝᮕᮤᮕᮔᮼ

ᯏᮞᮔ ᮟᮞᮜᮩ ᮤᮘᮕᮞ ᮔᮙᮔ ᮑ ᮖᮑᮙᮞᮤ ᮢᮕᮑᮜᮙ᮪ᮑᮤᮙᮟᮞ ᮔᮑᮧᮞ ᮟᮞ ᮘᮕᮢᯈ ᮧᮘᮩ ᮤᮘᮕ ᮜᮕᮑᮤᮘᮕᮢ ᮢᮟᮟᮝ ᮣᮘᮕ’ᮔ ᮜᮟᮟᮛᮕᮔ ᮔᮟᮧᮞ ᮟᮞ ᮖᮢᮟᮝ ᯖᮩᮥᮞᮒᮙ ᮂᮟᮓᮛ ᮩᮕᮣᮤᮕᮢᮔᮑᮩ ᮘᮑᮔ ᮒᮕᮕᮞ ᮓᮜᮟᮣᮕᮔᮼ

ᮻᮄᮘᮥᮔᮯ

“ᯖᮥᮘᯍ ᮇᮟᮜᮻᮑᮘᮯ ᮇᮘᮕᮢᮕ ᮑᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗᯍᮯ”

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮖᮟᮥᮞᮔ ᮘᮕᮢᮣᮕᮜᮖ ᮥᮞᮓᮟᮞᮣᮓᮙᮟᮥᮣᮜᮩ ᮔᮢᮙᮖᮤᮙᮞᮗ ᮑᮧᮑᮩ ᮖᮢᮟᮝ ᮤᮘᮕ ᯓᮝᮕᮙ ᮠᮢᮟᮓᮕᮣᮣᮙᮟᮞ ᮓᮜᮙᮝᮒᮙᮞᮗ ᮤᮘᮕ ᮝᮟᮥᮞᮤᮑᮙᮞᮼ

ᯔᮟᮢᮗᮕᮤᮤᮙᮞᮗ ᮘᮙᮣ ᮧᮟᮢᮔᮣ ᮤᮟ ᮞᮟᮤ ᮓᮟᮝᮕ ᮖᮙᮞᮔ ᮘᮙᮝᮺ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮧᮑᮜᮛᮕᮔᮺ ᮑᮜᮝᮟᮣᮤ ᮢᮥᮞᮞᮙᮞᮗᮼ

ᮄᮘᮕ ᯚᮕᮑᮤᮘᮕᮢ ᯖᮟᮥᮣᮕᮺ ᮦᮙᮣᮙᮒᮜᮕ ᮙᮞ ᮤᮘᮕ ᮔᮙᮣᮤᮑᮞᮓᮕᮼ

ᯏᮞᮔ ᮣᮠᮢᮑᮧᮜᮕᮔ ᮟᮥᮤ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮙᮤᮺ ᮤᮧᮟ ᯐᮕᮗᮗᮑᮢᮣᮼ

᮰ᮉᮟᮥᮞᮗ ᯚᮑᮔᮩ ᯑᮘᮕᮟᮞᮗᮧᮟᮜᯍ᮰

ᮄᮘᮕ ᯚᮕᮑᮤᮘᮕᮢ ᯖᮟᮥᮣᮕ ᮧᮑᮣ ᮤᮙᮗᮘᮤᮜᮩ ᮣᮘᮥᮤᮼ ᯓᮦᮕᮞ ᮤᮘᮕ ᮧᮙᮞᮔᮟᮧᮣᮺ ᮥᮣᮥᮑᮜᮜᮩ ᮧᮙᮔᮕ ᮟᮠᮕᮞᮺ ᮧᮕᮢᮕ ᮓᮜᮟᮣᮕᮔᮼ

ᮼᮼᮼᯜᮟᮼ ᯖᮕ ᮝᮥᮣᮤ ᮒᮕ ᮙᮞᮣᮙᮔᮕᮼ

ᮇᮘᮕᮢᮕ ᮧᮟᮥᮜᮔ ᮑ ᮝᮕᮢᮕ ᮝᮑᮣᮤᮕᮢ ᮟᮖ ᮤᮘᮕ ᯚᮕᮑᮤᮘᮕᮢ ᯖᮟᮥᮣᮕ ᮕᮦᮕᮞ ᮗᮟᯍ

ᮇᮘᮑᮤ ᮢᮕᮑᮣᮟᮞ ᮧᮟᮥᮜᮔ ᮘᮕ ᮘᮑᮦᮕ ᮤᮟ ᮜᮕᮑᮦᮕᯍ

ᮼᮼᮼᮃᮤᮙᮜᮜᮺ ᯗ ᮘᮑᮔ ᮤᮟ ᮓᮘᮕᮓᮛᮼ

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮠᮥᮣᮘᮕᮔ ᮟᮠᮕᮞ ᮤᮘᮕ ᮓᮜᮟᮣᮕᮔ ᮔᮟᮟᮢ ᮟᮖ ᮤᮘᮕ ᯚᮕᮑᮤᮘᮕᮢ ᯖᮟᮥᮣᮕᮼ

᮰ᮉᮻᮉᮟᮥᮞᮗ ᯚᮑᮔᮩᮺ ᮧᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮔᮟᮙᮞᮗᮯ᮰

ᮄᮘᮕ ᯐᮕᮗᮗᮑᮢᮣ ᮓᮢᮙᮕᮔ ᮟᮥᮤ ᮙᮞ ᮑᮜᮑᮢᮝᮼ

᮰ᮼᮼᮼᯏᮘᮼ᮰

ᯏᮞᮔ ᮧᮘᮑᮤ ᮣᮘᮕ ᮖᮟᮥᮞᮔ ᮧᮑᮣ ᮑᮞ ᮕᮝᮠᮤᮩ ᮣᮠᮑᮓᮕᮼ

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮡᮥᮙᮕᮤᮜᮩ ᮣᮥᮢᮦᮕᮩᮕᮔ ᮤᮘᮕ ᮣᮙᮜᮕᮞᮤ ᯚᮕᮑᮤᮘᮕᮢ ᯖᮟᮥᮣᮕᮼ

ᯖᮑᮞ ᮃᮕᮟ ᯘᮙᮞ ᮧᮑᮣ ᮞᮟᮧᮘᮕᮢᮕ ᮤᮟ ᮒᮕ ᮖᮟᮥᮞᮔᮼ

ᯏᮞᮔ ᮧᮙᮤᮘ ᮘᮙᮣ ᮔᮙᮣᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕᮼᮼᮼ

ᮼᮼᮼᮤᮘᮑᮤ ᮣᮤᮙᮓᮛᮩᮺ ᮦᮙᮟᮜᮕᮞᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮘᮑᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮔᮟᮢᮝᮑᮞᮤ ᮢᮕᮓᮕᮞᮤᮜᮩᮺ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮙᮤ ᮧᮑᮣ ᮣᮜᮟᮧᮜᮩ ᮓᮢᮕᮕᮠᮙᮞᮗ ᮒᮑᮓᮛᮼ

᮰ᮉᮻᮉᮟᮥᮞᮗ ᯚᮑᮔᮩᯍ ᮇᮘᮑᮤ᮵ᮣᮼᮼᮼᯍ᮰

ᮼᮼᮼᯒᮙᮔ ᮘᮕ ᮢᮥᮞ ᮑᮧᮑᮩᯍ

ᮇᮑᮣ ᮙᮤ ᮒᮕᮓᮑᮥᮣᮕ ᮣᮘᮕ ᮘᮑᮔᮞ᮵ᮤ ᮛᮕᮠᮤ ᮘᮕᮢ ᮠᮢᮟᮝᮙᮣᮕᮣᯍ

ᯝᮢ ᮧᮑᮣ ᮙᮤ ᮒᮕᮓᮑᮥᮣᮕᮺ ᮔᮥᮢᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮜᮑᮣᮤ ᮵ᮠᮜᮑᮩᮺ᮵ ᮣᮘᮕ᮵ᮔ ᮣᮤᮟᮟᮔ ᮥᮠ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮙᮣ ᮠᮕᮢᮝᮙᮣᮣᮙᮟᮞᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮖᮑᮓᮙᮞᮗ ᮤᮘᮕ ᮧᮑᮜᮜᯍ

ᯝᮢ ᮖᮟᮢ ᮙᮞᮦᮟᮜᮦᮙᮞᮗ ᮄᮑᮞᮗ ᮃᮟ ᮂᮑᮞᯍ

ᯝᮢ ᮒᮕᮓᮑᮥᮣᮕ ᮣᮘᮕ᮵ᮔ ᮣᮜᮑᮝᮝᮕᮔ ᮤᮘᮕ ᮒᮑᮣᮕᮝᮕᮞᮤ ᮔᮟᮟᮢ ᮤᮟᮟ ᮢᮟᮥᮗᮘᮜᮩ ᮤᮘᮑᮤ ᮤᮙᮝᮕᯍ

ᮇᮘᮑᮤᮕᮦᮕᮢ ᮙᮤ ᮧᮑᮣᮼᮼᮼ

᮰ᮼᮼᮼᮇᮘᮕᮢᮕ ᮔᮙᮔ ᮘᮕ ᮗᮟᯍ᮰

ᯐᮕᮖᮟᮢᮕ ᮣᮘᮕ ᮛᮞᮕᮧ ᮙᮤᮺ ᮤᮘᮕ ᮓᮘᮙᮜᮜᮙᮞᮗ ᮦᮟᮙᮓᮕ ᮣᮘᮕ᮵ᮔ ᮥᮣᮕᮔ ᮧᮘᮕᮞ ᮣᮜᮑᮥᮗᮘᮤᮕᮢᮙᮞᮗ ᮤᮧᮕᮞᮤᮩ ᮒᮑᮞᮔᮙᮤᮣ ᮖᮜᮟᮧᮕᮔ ᮖᮢᮟᮝ ᮘᮕᮢᮼ

ᯏ ᮦᮟᮙᮓᮕ ᮣᮟ ᮓᮟᮜᮔ ᮙᮤ ᮣᮤᮑᮢᮤᮜᮕᮔ ᮕᮦᮕᮞ ᮘᮕᮢᮣᮕᮜᮖᮼ

ᯐᮥᮤ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮤᮟᮠ ᮙᮤᮼ

ᯜᮟᮢ ᮔᮙᮔ ᮣᮘᮕ ᮘᮑᮦᮕ ᮑᮞᮩ ᮙᮞᮤᮕᮞᮤᮙᮟᮞ ᮟᮖ ᮣᮤᮟᮠᮠᮙᮞᮗ ᮙᮤᮼ

ᮃᮘᮕ ᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮖᮑᮓᮕ ᮤᮘᮕ ᯐᮕᮗᮗᮑᮢᮣᮼ

ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮑᮣᮛᮕᮔ ᮑᮗᮑᮙᮞᮼ

᮰ᮼᮼᮼᯛᮑᮣᮤᮕᮢᮼ ᮇᮘᮕᮢᮕ ᮔᮙᮔ ᮘᮕ ᮗᮟᯍ᮰

ᮼᮼᮼᮇᮘᮑᮤᮕᮦᮕᮢ ᮙᮤ ᮧᮑᮣᮺ ᯑᮘᮕᮟᮞᮗᮧᮟᮜ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮑᮓᮓᮕᮠᮤ ᮤᮘᮙᮣ ᮛᮙᮞᮔ ᮟᮖ ᮖᮑᮢᮕᮧᮕᮜᮜᮼ

My Home Is Connected to Another World, and I’m Now Taking Care of Some Animal-Eared Girls

Earn money through trade with another world, while caring for orphaned girls with animal ears and finding happiness! The start of an extraordinary, heartwarming life! Unable to tolerate power harassment, Ikai Sakutaro quit his job and was enjoying a carefree, single, unemployed life. But his calm daily routine came to a shocking end. One day, when he returned home from shopping, he found a little girl with cat ears standing alone in the living room. Later, led by the girl’s small hand, Sakutaro stepped into a mysterious underground passage that had appeared in his home. Waiting at the end of the passage was a scene from an “other world” reminiscent of the old West. Furthermore, when he arrived at the place he found two other little girls with animal ears, who needed someone’s help. Without hesitation, Sakutaro decides to fulfill his responsibilities as an adult – and with that decision comes the start of a mysterious life traveling between Japan and another world. He begins by caring for the three animal-eared young girls he meets, and then uses trade with the other world as a foothold to build his fortune. Through their many encounters and experiences, Sakutaro and his friends soon become respected figures in both worlds.

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