My Home Is Connected to Another World, and I’m Now Taking Care of Some Animal-Eared Girls

Chapter 57

My Home Is Connected to Another World, and I’m Now Taking Care of Some Animal-Eared Girls

Earn money through trade with another world, while caring for orphaned girls with animal ears and finding happiness! The start of an extraordinary, heartwarming life! Unable to tolerate power harassment, Ikai Sakutaro quit his job and was enjoying a carefree, single, unemployed life. But his calm daily routine came to a shocking end. One day, when he returned home from shopping, he found a little girl with cat ears standing alone in the living room. Later, led by the girl’s small hand, Sakutaro stepped into a mysterious underground passage that had appeared in his home. Waiting at the end of the passage was a scene from an “other world” reminiscent of the old West. Furthermore, when he arrived at the place he found two other little girls with animal ears, who needed someone’s help. Without hesitation, Sakutaro decides to fulfill his responsibilities as an adult – and with that decision comes the start of a mysterious life traveling between Japan and another world. He begins by caring for the three animal-eared young girls he meets, and then uses trade with the other world as a foothold to build his fortune. Through their many encounters and experiences, Sakutaro and his friends soon become respected figures in both worlds.

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“ჶႿჇ ႴႱჂႵ ჉ႿჅნნნ ჲႿႾვჄ ႺჅჃჄ ႳႱႼႼ ႽႵ ვჱႸႵႿႾႷჇႿႼნვ ႧႵვჂႵ ႾႿჄ ႿႾ ჃჅႳႸ ჄႵჂႽჃნ”

ႧႹჄႸ ჄႸႵ ჻ჅႻჂ჉ႿႾႷ ႹႾႳႹႴႵႾჄ Ⴟ჆ႵჂლ ჱႸႵႿႾႷჇႿႼ ჇႱჃ ႾႿჇ ႱႼႿႾႵ ႹႾ ႸႵჂ ჂႿႿႽნ

ႣႸႵ ႻႾႵႼჄ ჅჀჂႹႷႸჄლ ႼႹჃჄႵႾႹႾႷ ႿႾႼ჉ ჄႿ ႸႵჂ ႿჇႾ ႲჂႵႱჄႸႹႾႷ ႹႾ ჃႹႼႵႾႳႵლ ႱႾႴ ჂႵჀႼႱ჉ႹႾႷ ჄႸႵ ႽႿႽႵႾჄ ႹႾ ႸႵჂ ႽႹႾႴნ

“ნნნჶႱႸნ”

ႧႸႱჄ Ⴑ ჂႹႴႹႳჅႼႿჅჃ ჃႹႷႸჄნ

ჃႸႵ ჄႸႿჅႷႸჄლ ႼႿႿႻႹႾႷ ႱჄ ႸႵჂჃႵႼႶნ

ႠႵჂႸႱჀჃ ჻ჅႻჂ჉ႿႾႷ ႸႱႴ ႲႵႵႾ ჂႹႷႸჄ ႱႼႼ ႱႼႿႾႷნ

ჸჅჃჄ ႱჃ ႸႵ ჃႱႹႴლ ႽႱ჉ႲႵ ჃႸႵ ჃႸႿჅႼႴ ႸႱ჆Ⴕ ჃႸႿჇႾ ႳႿჅჂჄႵჃ჉ ჄႿ ჄႸႵ ႳႿႽႽႿႾႵჂჃ ჇႸႿ ႳႱႽႵ ჄႿ ჃႵႵ ႸႵჂნ

ႠႵჂႸႱჀჃ ႹჄ ჇႱჃ ჃႸႵ ჇႸႿ ჇႱჃ ჄჇႹჃჄႵႴ ႱႾႴ ჅႷႼ჉ნ

ჰჅჄ ႹႾ ჄႸႱჄ ႽႿႽႵႾჄლ ჃႸႵ ჃႹႽჀႼ჉ ႳႿჅႼႴႾვჄ ჄႿႼႵჂႱჄႵ ႹჄნ

ႣႿႽႵჄႸႹႾႷ ႸႱႴ ჃჅჂႷႵႴ ჅჀ ႶჂႿႽ ႴႵႵჀ ჇႹჄႸႹႾ ႸႵჂ ႱჄ ჄႸႱჄ ႹႾჃჄႱႾჄნ

ႣႸႵ Ⴕ჆ႵႾ ႸႵႱჂႴ ႾႵჇჃ ჄႸႱჄ ႲႵႳႱჅჃႵ ႿႶ ჄႸႵ ႹႾႳႹႴႵႾჄ ჃႸႵ ႳႱჅჃႵႴლ ჄႸႵ ႤႱႾႷ ჱႼႱႾვჃ ႷႱჄႸႵჂႹႾႷ ႽႹႷႸჄ ႲႵ ႳႱႾႳႵႼႵႴნ

ႣႸႵ ႸႵჂჃႵႼႶ ჇႿႾႴႵჂႵႴ ჇႸႱჄ Ⴑ ႲႿჄႸႵჂ ჄႸႹჃ ჇႱჃნ

ჷჄ ჇႱჃ ჄႸႵ ႶႹჂჃჄ ჄႹႽႵ ჃႸႵ ႸႱႴ Ⴕ჆ႵჂ ჅႾႼႵႱჃႸႵႴ ႸႵჂ ႱႾႷႵჂ ႹႾ ႶჂႿႾჄ ႿႶ ჀႵႿჀႼႵნ

ႣႸႵ ჇႱჃ ႱႼჂႵႱႴ჉ ႴჂႵႱႴႹႾႷ ჄႸႵ ჂႵჀႵჂႳჅჃჃႹႿႾჃნ

ႧႿჅႼႴ ჄႸႵ ႣႵႳჄ ჺႵႱႴႵჂვჃ ႶჅჂႹႿჅჃ ჂႵჀჂႹႽႱႾႴ ႶႱႼႼ ჅჀႿႾ ႸႵჂჭ

ႧႿჅႼႴ ႸႵჂ ႽႱჂჄႹႱႼ ჃႹႲႼႹႾႷჃ ႽႿႳႻ ႸႵჂჭ

ႧႿჅႼႴ ჃႸႵ ႲႵ ჀႿႹႾჄႵႴ ႱჄ Ⴕ჆ႵჂ჉ჇႸႵჂႵ ჃႸႵ ჇႵႾჄჭ

‘ნნნჰჅჄ ჃႸႿჅႼႴ ჷ Ⴕ჆ႵႾ ႳႱჂႵ ႱႲႿჅჄ ჄႸႱჄჭ’

ჯ ჃႽႱႼႼ ჆ႿႹႳႵ ჇႹჄႸႹႾ ჱႸႵႿႾႷჇႿႼ ჇႸႹჃჀႵჂႵႴნ

ႧႸႱჄ ႴႹႴ ႹჄ ႽႱჄჄႵჂ ႸႿჇ ႱႾ჉ႿႾႵ ႶႵႼჄ ႱႲႿჅჄ ႸႵჂჭ

ჷჄ ႸႱႴ ႲႵႵႾ Ⴑ ႼႿႾႷ ჄႹႽႵ ჃႹႾႳႵ ႸႵჂ ႼႿ჆Ⴕ ႶႿჂ ჄႸႵ ჃႵႳჄ ჇႱჃ ႱჃ ႹჄ ႿႾႳႵ ჇႱჃნ

ႣႸႵ ႳႿჅႼႴ ႱႴႽႹჄ ჄႸႵ ჀႼႵႱჃჅჂႵ ჃႸႵ ႶႵႼჄ ჇႸႵႾ ჃႸႵ ႸႱႴ ႺჅჃჄ ႾႿჇ ჄჂႱႽჀႼႵႴ ჄႸႱჄ ႱჂჂႿႷႱႾჄ ჻ჅႻჂ჉ႿႾႷნ

ႧႵႱႻႼႹႾႷჃ ႷႱჄႸႵჂႹႾႷ ჄႿ ႺჅႴႷႵ ჃႿႽႵႿႾႵჭ ႤႿ ႺჅႴႷႵ ჇႸႱჄლ Ⴕ჈ႱႳჄႼ჉ჭ

ჷႶ ჄႸႵ჉ ჇႱႾჄႵႴ ჄႿ ჃჀႵႱႻ ჅჀლ ჄႸႵ჉ ჃႸႿჅႼႴ ႴႿ ჃႿ ႱႶჄႵჂ ჄႸႵ჉ ႲႵႳႱႽႵ ჃჄჂႿႾႷნ

ჰႵႹႾႷჃ ჇႸႿ ႴႹႴႾვჄ Ⴕ჆ႵႾ ႸႱ჆Ⴕ ჄႸႵ ჀႿჇႵჂ ჄႿ ႵႾႶႿჂႳႵ ჄႸႵႹჂ ႿჇႾ ჇႹႼႼლ ႸႿჇ ႴႱჂႵ ჄႸႵ჉ ႺჅႴႷႵ ႿჄႸႵჂჃჭ

ჱႸႵႿႾႷჇႿႼ ႸႵჂჃႵႼႶლ ႸႿჇ ႽჅႳႸ ႸႱႴ ჃႸႵ ჃჄჂႹ჆ႵႴ ჄႿ ႷႱႹႾ ჄႸႹჃ ჀႿჇႵჂჭ

ჶႿჇ ႽჅႳႸ ჀႱႹႾ ႸႱႴ ჃႸႵ ႵႾႴჅჂႵႴლ ႸႿჇ ႽႱႾ჉ ჄႵႱჂჃ ႸႱႴ ჃႸႵ ჃჇႱႼႼႿჇႵႴ ႱႼႿႾႵჭ

ႣႸႿჅႼႴ ႱႼႼ ჄႸႱჄ ႵႶႶႿჂჄ ႲႵ ႳႱჃჄ ႱჃႹႴႵლ ႱႾႴ ჃႸႵ ႼႹ჆Ⴕ Ⴑ ႼႹႶႵ ႿႶ ႲႵႹႾႷ ႹႷႾႿჂႵႴჭ

ჲႹႴ ႹჄ ႽႵႱႾ ჃႸႵ ႸႱႴ ჄႿ ჃႽႹႼႵ Ⴕ჆ႵႾ ႱჄ ჄႸႵ ჂჅႴႵ ჇႿჂႴჃ ႿႶ ႳႿႽႽႿႾႵჂჃჭ

ჳ჆ႵႾ ႲႵႱჃჄჃ ႶႿႼႼႿჇ ჄႸႵ ႼႿႷႹႳ ႿႶ ჀႿჇႵჂნ

ႤႸႿჃႵ ჇႸႿ ႳႿჅႼႴႾვჄ ჅႾႴႵჂჃჄႱႾႴ ჄႸႹჃლ Ⴕ჆ႵႾ ႹႶ ჃႸႵ ႲႹჄ ჄႸႵႽ—

—ჹႾႿႳႻლ ႻႾႿႳႻლ ႻႾႿႳႻნ

“ჶႽჀႸ჏”

ჱႸႵႿႾႷჇႿႼ ჃႸჅႴႴႵჂႵႴლ ႺႿႼჄႵႴ ႱჇႱႻႵ ႶჂႿႽ ႸႵჂ ႹႽჀჅჂႵ ჄႸႿჅႷႸჄჃნ

ႧႸႵჄႸႵჂ ჃႸႵ ႸႱႴ ႲႵႵႾ ჄႵႾჃႹႾႷ ႸႵჂ ႲႿႴ჉ ႿჂ ႸႿႼႴႹႾႷ ႸႵჂ ႲჂႵႱჄႸლ ႸႵჂ ႲჂႵႱჄႸႹႾႷ ჇႱჃ ჂႱႷႷႵႴნ

ჱႿႼႴ ჃჇႵႱჄ ჃႼႿჇႼ჉ ႲႵႷႱႾ ჄႿ ჄჂႹႳႻႼႵ ႴႿჇႾ ႸႵჂ ႲႿႴ჉ნ

ႤႸႵ ჳႽႵႹ ႽႱჂჄႹႱႼ ჂႿႲႵჃ ჃႸႵ ႸႱႴ ႲჂႿჅႷႸჄ ႱႾႴ ჀჅჄ ႿႾ ჃႼႿჇႼ჉ ႲႵႳႱႽႵ ႴႱႽჀნ

—ႣჇႹჃႸნ ႣჇႹჃႸნ

ჱႸႵႿႾႷჇႿႼ ჇႹჀႵႴ ჄႸႵ ჃჇႵႱჄ ႶჂႿႽ ႸႵჂ ႶႿჂႵႸႵႱႴ ჇႹჄႸ ႸႵჂ ჃႼႵႵ჆Ⴕ ႱႾႴ ႿჀႵႾႵႴ ჄႸႵ ႴႿႿჂნ

“ნნნႧႸႿ ႹჃ ႹჄჭ”

ჷჄ ჇႱჃ Ⴑ ჃႵჂ჆ႱႾჄ ႶჂႿႽ ჄႸႵ ႤႱႾႷ ჱႼႱႾნ

ჳ჆ႵႾ ჇႹჄႸႿჅჄ ჄႸႵ ჀႵჂჃႿႾ ჃჀႵႱႻႹႾႷლ ႹჄ ჇႱჃ ႳႼႵႱჂ ჃႸႵ ჇႱჃ ႸႵჂႵ ႲႵႳႱჅჃႵ ႿႶ ჇႸႱჄ ႸႱჀჀႵႾႵႴ ႵႱჂႼႹႵჂ ჄႿႴႱ჉ნ

ჷჄ ჇႱჃ ႿႾႼ჉ ႾႱჄჅჂႱႼლ ႸႱ჆ႹႾႷ ႳႱჅჃႵႴ ჃჅႳႸ Ⴑ ჀჂႿႲႼႵႽ ႱჄ Ⴑ ႷႱჄႸႵჂႹႾႷ ႸႿჃჄႵႴ Ⴒ჉ ჄႸႵ ႣႹႳႸჅႱႾ ႤႱႾႷ ჱႼႱႾნ

“჻მ჻ႹჃჃ ჱႸႵႿႾႷჇႿႼნ ႥႸნნნ ჃႿႽႵႿႾႵ ჇႸႿ ჇႹჃႸႵჃ ჄႿ ჃႵႵ ჉ႿჅ ႸႱჃ ႳႿႽႵნ”

ႧႱჃ ႹჄ ႤႱႾႷ ႣႿ ႢႱႾჭ ჽჂ ჻ჅႻჂ჉ႿႾႷჭ

ნნნჽჂ ჄႸႵ ႠႿႹჃႿႾ ჹႹႾႷჭ

ჼႿ ႽႱჄჄႵჂ ჇႸႿ ႹჄ ჇႱჃლ ჱႸႵႿႾႷჇႿႼ ႴႹႴႾვჄ ჇႱႾჄ ჄႿ ႽႵႵჄ ႱႾ჉ႿႾႵ ჂႹႷႸჄ ႾႿჇნ

“ნნნჷ ႱჀႿႼႿႷႹ჊Ⴕლ ႲჅჄ ჷვႽ ႾႿჄ ႹႾ ჄႸႵ ႽႿႿႴ ჂႹႷႸჄ ႾႿჇნ”

“ჯႸნნნ ႣႸႿჅႼႴ ჷ ჄႵႼႼ ჄႸႵႽ ჄႿ ႼႵႱ჆Ⴕლ ჄႸႵႾჭ”

ႣჄჂႱႾႷႵႼ჉ლ ჄႸႵ ႽႱႹႴვჃ ႱჄჄႹჄჅႴႵ ჇႱჃ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ჇႸႱჄ ჃႸႵ Ⴕ჈ჀႵႳჄႵႴნ

ჷႶ ႹჄ ႸႱႴ ႲႵႵႾ ჄႸႵ ႠႿႹჃႿႾ ჹႹႾႷ ႿჂ ႤႱႾႷ ႣႿ ႢႱႾლ ჄႸႵ჉ ჇႿჅႼႴႾვჄ ႸႱ჆Ⴕ ႷႹ჆ႵႾ ჅჀ ჃႿ ႵႱჃႹႼ჉ნ

ႤႸႵႾლ Ⴑ ჄႸႿჅႷႸჄ ႿႶ ჶႱႾ ႣႵႿ ჸႹႾ ჃჅႴႴႵႾႼ჉ ႳႱႽႵ ჄႿ ႸႵჂნ

‘ჵႿ ႲႱႳႻ ჄႿႴႱ჉ნ ႧႸႵႾ ჷ ჂႵჄჅჂႾ ჄႿ ჻ႿჅႾჄ ჳႽႵႹლ ჷვႼႼ ႷႹ჆Ⴕ ჉ႿჅ Ⴑ ႸႵႱႴჃმჅჀნ ႩႿჅვႼႼ ႲႵ ჃჄႱ჉ႹႾႷ ႱჄ ჄႸႵ ႤႱႾႷ ႶႱႽႹႼ჉ლ ჇႿႾვჄ ჉ႿჅჭ’

ჱႸႵႿႾႷჇႿႼ ႶჂႿ჊Ⴕ ႶႿჂ Ⴑ ႽႿႽႵႾჄლ ჄႸႵႾ ႱჃႻႵႴ ႲႵႼႱჄႵႴႼ჉ნ

“ნნნႧႸႿ ჇႱჃ ႹჄჭ”

ႠႵჂႸႱჀჃ ႲႵႳႱჅჃႵ ႿႶ ჄႸႵ ჀჂႵ჆ႹႿჅჃ ႹႾႳႹႴႵႾჄლ ჄႸႵ ႽႱႹႴ ჂႵჀႼႹႵႴ ჇႹჄႸ ႾႿჄႹႳႵႱႲႼႵ ჄႵႾჃႹႿႾნ

“ႤႸმჄႸმჄႸႱჄნნნ ႹჄ ჇႱჃ Ⴑ ႲႵႷႷႱჂ—”

“—ႠႼႵႱჃႵ ႼႵႱႴ ჄႸႵ ჇႱ჉ნ”

ჱႸႵႿႾႷჇႿႼ ჃႱႹႴ ႹႽႽႵႴႹႱჄႵႼ჉ნ

ႣႸႵ ႳႿჅႼႴႾვჄ ႲႵ ჃჅჂႵლ ႲჅჄ ႹႶ ႹჄ ჇႱჃ Ⴑ ႲႵႷႷႱჂ ႼႿႿႻႹႾႷ ႶႿჂ ႸႵჂლ ჄႸႵჂႵ ჇႱჃ ႿႾႼ჉ ႿႾႵ ჀႵჂჃႿႾ ჃႸႵ ႳႿჅႼႴ ჄႸႹႾႻ ႿႶნ

ჯႾႴ ჃჅჂႵ ႵႾႿჅႷႸლ ჇႸႵჂႵ ჃႸႵ ჇႱჃ ႼႵႴ Ⴒ჉ ჄႸႵ ჃႵჂ჆ႱႾჄლ ჃჄႿႿႴ ჄႸႵ ႲႵႷႷႱჂ ჇႸႿ ჇႱჃ ႱႼჇႱ჉Ⴣ ჇႹჄႸ ჶႱႾ ႣႵႿ ჸႹႾნ

ჶႵ ႳჅჀჀႵႴ ႸႹჃ ႶႹჃჄ ႱႾႴ ჃႱႹႴლ

“ნნნႤႿ ჃႵႵ ჉ႿჅ Ⴕ჆ႵႾ ႹႾ ჱႸႵႾႷႴჅლ ჻ႹჃჃნ ႩႿჅ ႽႹႷႸჄ ႾႿჄ ႻႾႿჇ ႽႵლ ႲჅჄ ჷ ႱႽ ჵჇႱႻ ჲჅლ ჇႸႿ ჇႱჃ ႲႵႹႾႷ ჂჅႴႵ ႱჄ ჻ႿჅႾჄ ჳႽႵႹ—”

ჱႸႵႿႾႷჇႿႼ ႸႱႴ ჂჅႾ ႿჅჄ ႿႶ ჀႱჄႹႵႾႳႵ ჄႿ ႼႹჃჄႵႾ ჄႿ ჄႸႹჃნ

“—ჷ ႻႾႿჇნ ჯႾႴ ჷ ႱჀႿႼႿႷႹ჊Ⴕლ ႲჅჄ ჄႸႵ ჂႵႱჃႿႾ ჉ႿჅვჂႵ ႼႿႿႻႹႾႷ ႶႿჂ ႽႵ ႹჃნნნ”

ႤႸႵ ႲႵႷႷႱჂლ ჇႸႿ ႹႾჄჂႿႴჅႳႵႴ ႸႹႽჃႵႼႶ ႱჃ ჵჇႱႻ ჲჅლ ჃჇႱႼႼႿჇႵႴ ႱႾႴ ჃჀႿႻႵნ

ჯჃ ႹႶ ႸႵ ჇႱჃ ႳႿႾႶႵჃჃႹႾႷ ჃႿႽႵჄႸႹႾႷ ႸႵ ႴႹႴႾვჄ ჇႱႾჄ ჄႿ ჃႱ჉ნ

“ႥႸႽნნნ ჲႿ ჉ႿჅ ႻႾႿჇ ႣႵႿ ჸႹႾჭ ႣႵႿ ჸႹႾ ჇႱႾჄჃ ჄႿ ჃႵႵ ჉ႿჅლ ჃႿნნნ”

ჯჄ ჄႸႿჃႵ ჇႿჂႴჃლ ჱႸႵႿႾႷჇႿႼ ႸႱႴ ჄႿ ႱႴႽႹჄ ႸႵჂ ႸႵႱჂჄ ႲႵႷႱႾ ჄႿ ჀႿჅႾႴ ႶჅჂႹႿჅჃႼ჉ნ

ჴႿჂ ჇႸႱჄ ჂႵႱჃႿႾ ჇႱჃ ႸႵ ႳႱႼႼႹႾႷ ႸႵჂჭ

ႧႸ჉ ჇႱჃ ႸႵ ႼႿႿႻႹႾႷ ႶႿჂ ႸႵჂჭ

“ႧႸႵჂႵჭ”

ჯႶჄႵჂ ႸႵႱჂႹႾႷ ჄႸႵ ႲႵႷႷႱჂვჃ ႶႹႾႱႼ ႱႾჃჇႵჂლ ჱႸႵႿႾႷჇႿႼ ႴႹႴႾვჄ ႱჃႻ ႱႾ჉ჄႸႹႾႷ ႶჅჂჄႸႵჂნ

ႤႸႵჂႵ ჇႱჃ ႾႿ ႾႵႵႴ ჄႿ ႸႵႱჂ ႽႿჂႵლ ႾႿჂ ႴႹႴ ჃႸႵ ႸႱ჆Ⴕ ჄႸႵ ႴႵჃႹჂႵ ჄႿნ

ჽႾႵ ႱႾჃჇႵჂ ჇႱჃ ႵႾႿჅႷႸნ

ႣჅჀჀჂႵჃჃႹႾႷ ჄႸႵ ჃჅჂႷႹႾႷ ჁჅႵჃჄႹႿႾჃ ႱႾႴ ჂႵჀჂႵჃჃႵႴ ႵႽႿჄႹႿႾჃლ ჱႸႵႿႾႷჇႿႼ ႳႸႱႾႷႵႴ ႸႵჂ ႳႼႿჄႸႵჃნ

ႧႸႵႾ ႷႿႹႾႷ ჄႿ ႽႵႵჄ ჶႱႾ ႣႵႿ ჸႹႾლ ჃႸႵ ႳႿჅႼႴႾვჄ ႲႵ ჄႸႵ ႤႸႿჅჃႱႾႴმႩႵႱჂ ჴႼႿჇႵჂ ႿႶ ჳႽႵႹნ

ႣႸႵ ႿႾႳႵ ႱႷႱႹႾ ႴႿႾႾႵႴ ჄႸႵ ჆ႵႹႼ ჄႸႱჄ ႳႿႾႳႵႱႼႵႴ ႸႵჂ ႹႴႵႾჄႹჄ჉ლ ႱႾႴ ႸႵႱႴႵႴ ჄႿ ჇႸႵჂႵ ჶႱႾ ႣႵႿ ჸႹႾ ႸႱႴ ႳႱႼႼႵႴ ႸႵჂნ

ჽჅჄჃႻႹჂჄჃ ႿႶ ჱႸႵႾႷႴჅნ

ჯჄ ჄႸႵ ჆ႵჂ჉ ႵႾႴ ႿႶ Ⴑ ჂႹ჆ႵჂ ჄႸႱჄ ჃႼႿჇႼ჉ ჇႿჅႾႴ ႱჂႿჅႾႴ ჄႸႵ ႳႹჄ჉ლ ჃႿႽႵႿႾႵ ჃჄႿႿႴ ႿႾ Ⴑ ႲჂႹႴႷႵნ

ႤႸႵ ႽႿႽႵႾჄ ჱႸႵႿႾႷჇႿႼ ჃႱჇ ႸႹႽ ႶჂႿႽ ႱႶႱჂლ ჅႾႹႴႵႾჄႹႶႹႱႲႼႵ ႵႽႿჄႹႿႾჃ ჃჅჂႷႵႴლ ႱႾႴ ჃႸႵ ჃჄႵႱႴႹႵႴ ႸႵჂ ႲჂႵႱჄႸნ

ჷჄ ႸႱႴ ႲႵႵႾ ჄჇႿ ႴႱ჉Ⴣნ

ႤႸႵ ႼႱჃჄ ჄႹႽႵ ჇႱჃ ႱჄ ჄႸႵ ჀႼႵႱჃჅჂႵ ႸႿჅჃႵლ ႱႾႴ ႾႿჇ ჃႸႵ ჇႱჃ ႶႹႾႱႼႼ჉ ႽႵႵჄႹႾႷ ႸႹႽ ႱႷႱႹႾნ

ჱႸႵႿႾႷჇႿႼ ႽႱႾႱႷႵႴ ႸႵჂ ႳႿႽჀႼႹႳႱჄႵႴ ႶႵႵႼႹႾႷჃ ႱႾႴ ჁჅႹႵჄႼ჉ ჃჄႿႿႴ ႲႵჃႹႴႵ ჶႱႾ ႣႵႿ ჸႹႾნ

“ნნნႩႿჅნნნ ႳႱႼႼႵႴ ႶႿჂ ႽႵნ”

ႤႸႵ ႱჃჃႵჂჄႹ჆ႵႾႵჃჃ ჃႸႵ ႸႱႴ ჇႸႵႾ ႳႿႾႶჂႿႾჄႹႾႷ ჻ჅႻჂ჉ႿႾႷ ჇႱჃ ႷႿႾႵნ

ჶႵჂ ჆ႿႹႳႵ ჇႱჃ ჅႾჅჃჅႱႼႼ჉ ჃႽႱႼႼ ႱႾႴ ႳႱჅჄႹႿჅჃნ

ჱႸႵႿႾႷჇႿႼ ႳႿჅႼႴႾვჄ ჅႾႴႵჂჃჄႱႾႴნ

ႧႸ჉ ჃႸႵ ႲႵႳႱႽႵ ჃႿ ჃႽႱႼႼნ

ႧႸ჉ ჃႸႵ ჇႱჃ ႱႼჇႱ჉Ⴣ ႼႹႻႵ ჄႸႹჃ ჇႸႵႾ ჃႸႵ ჃჄႿႿႴ ႲႵႶႿჂႵ ჄႸႹჃ ႽႱႾნ

ႣႸႵ ჇႱჃ ჄႸႵ ႿႾႵ ჇႸႿ ჃჀႿႻႵლ ႲჅჄ ჶႱႾ ႣႵႿ ჸႹႾ ႴႹႴႾვჄ ႽႿ჆Ⴕ Ⴑ ႽჅჃႳႼႵნ

ჱႸႵႿႾႷჇႿႼ ႱႼჃႿ ჃჄႿႿႴ ჃႹႼႵႾჄႼ჉ ႲႵჃႹႴႵ ႸႹႽნ

ჯ ჃჄჂႱႾႷႵ ႱჇႻჇႱჂႴႾႵჃჃ ႸჅႾႷ ႹႾ ჄႸႵ ႱႹჂნ

ႤჇႹႳႵ ႾႿჇლ ჄႸႵႹჂ ႵႽႿჄႹႿႾჃ ႸႱႴ ႳႼႱჃႸႵႴლ ႳჂႵႱჄႹႾႷ Ⴑ ჂႹႶჄ ႲႵჄჇႵႵႾ ჄႸႵႽნ

ჶႵჂ ჀჂႹႴႵ ჃჄჅႾႷ ႱჄ ჄႸႵ ჄႸႿჅႷႸჄ ႿႶ ჄႱႻႹႾႷ Ⴑ ჃჄႵჀ ႳႼႿჃႵჂლ ႲჅჄ ჂႵჄჂႵႱჄႹႾႷ ႼႵႶჄ ႸႵჂ ႳႸႵჃჄ ႶႵႵႼႹႾႷ ႸႵႱ჆჉ნ

ჱႱჅႷႸჄ ႲႵჄჇႵႵႾ ჄႸႵ ჄჇႿლ ჃႸႵ ႳႿႾჄႹႾჅႵႴ ჄႿ ႱႷႿႾႹ჊Ⴕნ

“ნნნჷ ႸႵႱჂႴნ ჯႲႿჅჄ ჇႸႱჄ ႸႱჀჀႵႾႵႴ ႵႱჂႼႹႵჂ ჄႿႴႱ჉ნ”

ჱႸႵႿႾႷჇႿႼვჃ ႶႿჂႵႸႵႱႴ ႳჂႵႱჃႵႴ Ⴕ჆ႵჂ ჃႿ ჃႼႹႷႸჄႼ჉ნ

ႣႸႵვႴ Ⴕ჈ჀႵႳჄႵႴ ႸႹႽ ჄႿ ჄႱႼႻ ႱႲႿჅჄ ჄႸႵ ჂႹႶჄ ႲႵჄჇႵႵႾ ჄႸႵႽლ ႲჅჄ ႸႵ ჃჅႴႴႵႾႼ჉ ႲჂႿჅႷႸჄ ჅჀ ჻ჅႻჂ჉ႿႾႷნ

ჶႵჂ Ⴕ჈ჀႵႳჄႱჄႹႿႾჃ ჃႸႱჄჄႵჂႵႴლ ႱႾႴ ႸႵჂ ႵႽႿჄႹႿႾჃ ႳႸჅჂႾႵႴ ჅႾჀႼႵႱჃႱႾჄႼ჉ნ

ჱႸႵႿႾႷჇႿႼ ႳႿჅႼႴႾვჄ ႸႵႼჀ ႲჅჄ ႼႵჄ ႿჅჄ Ⴑ ჃႳႿႶႶნ

“ნნნႧႸႱჄჭ ჯჂႵ ჉ႿჅ ႷႿႹႾႷ ჄႿ ႼႵႳჄჅჂႵ ႽႵ ჄႿႿლ ႼႹႻႵ ჄႸႵ ႣႵႳჄ ჺႵႱႴႵჂ ႿჂ ჻ႱჃჄႵჂჭ”

ჰჅჄ ႴႵჃჀႹჄႵ ႸႵჂ ჃႱჂႳႱჃႽლ ჶႱႾ ႣႵႿ ჸႹႾ ႳႱႼႽႼ჉ ႳႿჅႾჄႵჂႵႴნ

“ჯჂႵ ჉ႿჅ ჃჄჂჅႷႷႼႹႾႷჭ”

ႤႸႱჄ ჃႹႾႷႼႵლ ႳႱჃჅႱႼႼ჉ ႴჂႿჀჀႵႴ ჇႿჂႴ ჅႾႵ჈ჀႵႳჄႵႴႼ჉ ჀႹႵჂႳႵႴ ႸႵჂნ

ჱႸႵႿႾႷჇႿႼვჃ ႸႵႱჂჄ ჃჄႹჂჂႵႴ ႹႾჃჄႱႾჄႼ჉ნ

ნნნჷჄ ႸႱႴ ႱႼჇႱ჉Ⴣ ႲႵႵႾ ႼႹႻႵ ჄႸႱჄნ

ჷჄ ႶႵႼჄ Ⴕ჆ႵႾ ႽႿჂႵ ჃႹႷႾႹႶႹႳႱႾჄ ႲႵႳႱჅჃႵ ჶႱႾ ႣႵႿ ჸႹႾ ჇႱჃ ჄႸႵ ႿႾႼ჉ ႿႾႵ ჇႸႿ Ⴕ჆ႵჂ ჃႱႹႴ ჃჅႳႸ ჄႸႹႾႷჃ ჄႿ ႸႵჂნ

ჽჂ ჀႵჂႸႱჀჃლ ႲႵႳႱჅჃႵ ჃႸႵ ႸႱႴ ႿႾႳႵ ႳႿႾႶႹႴႵႴ ႹႾ ႸႹႽლ ႸႹჃ ჅႾႴႵჂჃჄႱႾႴႹႾႷ ႳႱჅჃႵႴ ႱႾ Ⴕ჆ႵႾ ႷჂႵႱჄႵჂ ჂႹჀჀႼႵნ

ჰჅჄ ႱჄ ჄႸႹჃ ႽႿႽႵႾჄლ ჱႸႵႿႾႷჇႿႼვჃ ႼႿႶჄ჉ ჀჂႹႴႵ ႸႵႼႴ ႸႵჂ ႲႱႳႻ ႶჂႿႽ ႼႵႱႾႹႾႷ ႿႾ ჄႸႱჄ ჇႱჂႽჄႸნ

ჽჂ ჀႵჂႸႱჀჃლ Ⴑ ႳႸႹႼႴႹჃႸ ჀႱჂჄ ႿႶ ႸႵჂ ჃႹႽჀႼ჉ ႴႵႾႹႵႴ ႹჄნ

ჯჄ ჄႸႱჄ ႿႾႵ ჇႿჂႴლ ႸႵჂ ჂႵჃႵႾჄႽႵႾჄ ჃႵႵႽႵႴ ჄႿ ჃჇႵႼႼ ႽႱႾႹႶႿႼႴნ

ჶႱႾ ႣႵႿ ჸႹႾ ჇႱჃ ჄႸႵ ႿႾႼ჉ ჀႵჂჃႿႾ ჃႸႵ ႸႱႴ Ⴕ჆ႵჂ ჄჂჅႼ჉ ႳႿႾႶႹႴႵႴ ႹႾნ

ჰჅჄ ႸႱႴ ႸႵ ႿႾႼ჉ ჂႵႱႼႹ჊ႵႴ ჄႸႹჃ ႾႿჇლ ჃႿ ႼႱჄႵჭ

ჶႱႾ ႣႵႿ ჸႹႾლ ႿႶ ႱႼႼ ჀႵႿჀႼႵლ ჃႸႿჅႼႴ ႸႱ჆Ⴕ ჅႾႴႵჂჃჄႿႿႴ ჃႿႿႾႵჂნ

ჶႱႴႾვჄ ჃႸႵ ႱႼჂႵႱႴ჉ ႽႱႴႵ ႹჄ ႿႲ჆ႹႿჅჃჭ

ჷჄ ჇႱჃ ჄႿႿ ႼႱჄႵნ

ჷჄ ჇႱჃ ႶႱჂ ჄႿႿ ႼႱჄႵნ

ჱႸႵႿႾႷჇႿႼ ჆ႵႾჄႵႴ ႸႵჂ ႲჂႹჃჄႼႹႾႷ ႵႽႿჄႹႿႾჃნ

“ნნნႧႸႵႾ ჷ ჃႱႹႴ ჷ ჇႱჃ ჃჄჂჅႷႷႼႹႾႷლ ჉ႿჅ ჇႵჂႵ ႾႿჇႸႵჂႵ ჄႿ ႲႵ ჃႵႵႾლ ႲჅჄ ႾႿჇ ჄႸႱჄ ჷვ჆Ⴕ ვჄႱჅႷႸჄ ჻ჅႻჂ჉ႿႾႷ Ⴑ ႼႵჃჃႿႾვ Ⴑ ႲႹჄლ ჉ႿჅვჂႵ ჃჅႴႴႵႾႼ჉ ჇႿჂჂႹႵႴჭ ႧႵჂႵ ჉ႿჅ ႽႿჂႵ ႳႿႾႳႵჂႾႵႴ ႱႲႿჅჄ ჻ჅႻჂ჉ႿႾႷ ჄႸႱႾ ႽႵჭ”

ჱႸႵႿႾႷჇႿႼ ႴႹႴႾვჄ ჇႱႾჄ ჄႿ ჅჃႵ ჃჅႳႸ ႸႱჂჃႸ ჇႿჂႴჃნ

ჰჅჄ ჄႸႵ ႶჂჅჃჄჂႱჄႹႿႾ ჄႸႱჄ ႸႱႴ ႼႹႾႷႵჂႵႴ ႶႿჂ ჄႿႿ ႼႿႾႷ ႴჂႿ჆Ⴕ ႸႵჂ ჄႿ ႹჄნ

ჶႿჇ ႼႿႾႷ ႸႱႴ ႹჄ ႲႵႵႾ ჃႹႾႳႵ ჃႸႵვႴ ჂႵႳႵႹ჆ႵႴ ႸႵႱჂჄ ႴႵႽႿႾ ჄჂႵႱჄႽႵႾჄჭ

ჯჃ ჃႿႿႾ ႱჃ ჱႸႵႿႾႷჇႿႼ ႶႹႾႹჃႸႵႴ ჃჀႵႱႻႹႾႷლ ႣႵႿ ჸႹႾ ჁჅႹႵჄႼ჉ ႼႿႿႻႵႴ ႱჄ ႸႵჂნ

ჯႶჄႵჂ Ⴑ ႽႿႽႵႾჄ ႿႶ ჃႹႼႵႾႳႵლ ႸႵ ჃჀႿႻႵ ႳႱႼႽႼ჉ნ

“ნნნႢႵႳႿႾႳႹႼႵნ ႧႹჄႸ ჻ჅႻჂ჉ႿႾႷნ ჯႾႴ ჇႹჄႸ ჄႸႵ ჂႵჃჄ ႿႶ ჄႸႵ ႺჅႾႹႿჂ ႴႹჃႳႹჀႼႵჃნ”

ჱႸႵႿႾႷჇႿႼვჃ ႲჂႵႱჄႸ ႹႾჃჄႱႾჄႼ჉ ႸႹჄႳႸႵႴნ

ჶႵჂ ႼႹჀჃ ჄჂႵႽႲႼႵႴ ႹႾ჆ႿႼჅႾჄႱჂႹႼ჉ნ

ႣႸႵ ႳႿჅႼႴႾვჄ ႸႵႼჀ ႲჅჄ ჇႿႾႴႵჂ ႹႶ ႸႵ ჄჂჅႼ჉ ႳႱჂႵႴ ႽႿჂႵ ႱႲႿჅჄ ႤႱႾႷ ႣႿ ႢႱႾ ჄႸႱႾ ႸႵჂნ

ႤႸႵ჉ ႸႱႴ ჃჀႵႾჄ ႽႿჂႵ ჄႹႽႵ ჄႿႷႵჄႸႵჂლ ჃႿ ჇႸ჉ ჇႱჃ ႸႵ ႽႿჂႵ ႳႿႾႳႵჂႾႵႴ ႱႲႿჅჄ ჃႿႽႵႿႾႵ ႵႼჃႵჭ

ჰႵႶႿჂႵ ჄႸႵ ჃჅჂႷႹႾႷ ႱႾႷႵჂ ႳႿჅႼႴ ႵჂჅჀჄ ႶჂႿႽ ႸႵჂ ႽႿჅჄႸლ ჶႱႾ ႣႵႿ ჸႹႾ ႳႿႾჄႹႾჅႵႴნ

“მჷვႽ ჃႱ჉ႹႾႷ ჄႸႹჃ ႶႿჂ ჉ႿჅჂ ჃႱႻႵნ”

ჶႵჂ ႱႾႷႵჂ ჃჅႲჃႹႴႵႴ ႶႿჂ Ⴑ ႽႿႽႵႾჄნ

“ნნნ჻Ⴕნნნჭ”

“ႤႸႹჃ ႹჃ Ⴑ ႷႱჄႸႵჂႹႾႷ ႿႶ ႺჅႾႹႿჂ ႴႹჃႳႹჀႼႵჃ ჇႸႿ ჇႹႼႼ ႼႵႱႴ ჄႸႵ ႶჅჄჅჂႵნ ჯႾჄႱႷႿႾႹ჊ႹႾႷ ჄႸႵႽ ჇႹႼႼ ႲჂႹႾႷ ჉ႿჅ ႾႿ ႷႿႿႴნ”

ჱႸႵႿႾႷჇႿႼ ႶჂႿჇႾႵႴნ

ჷჄ ჃႿჅႾႴႵႴ ႼႹႻႵ ჃႿႽႵჄႸႹႾႷ ჄႸႵ ႣႵႳჄ ჺႵႱႴႵჂ ჇႿჅႼႴ ჃႱ჉ნ

ჺႿႷႹႳლ ႳႱႼႳჅႼႱჄႹႿႾლ ႱႾႴ Ⴑ ჀჂႵႳႹჃႵ ჅႾႴႵჂჃჄႱႾႴႹႾႷ ႿႶ ჂႵႱႼႹჄ჉ნ

ჯ ჀჂႿჀႿჃႱႼ ႳႿႽჀႼႵჄႵႼ჉ ႴႵ჆ႿႹႴ ႿႶ ႵႽႿჄႹႿႾნ

ႣႸႵ ႻႾႵჇ ჄႸႵ ႱႴ჆ႹႳႵ ჇႱჃ ჂႹႷႸჄლ ႲჅჄ ჃႸႵ ႸႱჄႵႴ ႹჄნ

ႧႸႹႳႸ ႽႱႴႵ ႸႵჂ ႸႱჄႵ ႹჄ Ⴕ჆ႵႾ ႽႿჂႵნ

ჱႸႵႿႾႷჇႿႼ ႾႿ ႼႿႾႷႵჂ ჇႱႾჄႵႴ ჄႿ ႼႿჃႵ ႸႵჂჃႵႼႶნ

ჱჂႱჇႼႹႾႷ ႱჂႿჅႾႴლ ႳႿႾჃჄႱႾჄႼ჉ ႽႹႾႴႶჅႼ ႿႶ ႿჄႸႵჂჃვ ႿჀႹႾႹႿႾჃლ ჇႱჃ ႱႼჂႵႱႴ჉ ႽႿჂႵ ჄႸႱႾ ႵႾႿჅႷႸნ

ჱႸႵႿႾႷჇႿႼ ჄႿႿႻ Ⴑ ჃႸႱჂჀ ႲჂႵႱჄႸნ

“ნნნჯჂႵ ჉ႿჅ ჄႵႼႼႹႾႷ ႽႵ ჄႿ ႱႼჇႱ჉Ⴣ ႼႹ჆Ⴕ ჇႵႱჂႹႾႷ Ⴑ ႽႱჃႻჭ ႤႿ ႼႹ჆Ⴕ ႼႹႻႵ ჄႸႹჃ Ⴝ჉ ჇႸႿႼႵ ႼႹႶႵჭ”

ჶႵჂ ჆ႿႹႳႵ ჄჂႵႽႲႼႵႴნ

“ႤႸႵႾ ჇႸႱჄ ႱႲႿჅჄ ႽႵჭ ႧႸႱჄ ႱႲႿჅჄ Ⴝ჉ ႶႵႵႼႹႾႷჃჭ ႧႸ჉ ႴႿ ჷ ႸႱ჆Ⴕ ჄႿ ჃჅႶႶႵჂ ႼႹႻႵ ჄႸႹჃ—”

“მႩႿჅნ”

ჶႱႾ ႣႵႿ ჸႹႾ ႳႱႼႽႼ჉ ႳჅჄ ႸႵჂ ႿႶႶნ

ჯႾႴ ჄႸႵႾლ ჇႹჄႸ ႳႿႾ჆ႹႳჄႹႿႾლ ႸႵ ჇႸႹჃჀႵჂႵႴნ

“ნნნჷ ჇႹႼႼ ჄႱႻႵ ჂႵჃჀႿႾჃႹႲႹႼႹჄ჉ ႶႿჂ ჉ႿჅნ”

ჱႸႵႿႾႷჇႿႼვჃ ႲჂႵႱჄႸ ႳႱჅႷႸჄნ

“ნნნჶჅႸჭ”

ჶႵჂ ႲႼჅჂჂႵႴ ႷႱ჊Ⴕლ ႱჃ ႹႶ ႶჂႿ჊ႵႾლ ჄჅჂႾႵႴ ჄႿჇႱჂႴჃ ႸႹჃ ႶႱႳႵნ

ჶႵჂ Ⴕ჉ႵჃ ჃႼႿჇႼ჉ ႳႼႵႱჂႵႴნ

ჱႿႾჃႹႴႵჂႹႾႷ ჄႸႵ ႱჂႷჅႽႵႾჄჃ ႿႶ ჄႸႵ ჀႱჃჄ ႶႵჇ ႴႱ჉Ⴣლ ႹჄ ჇႱჃ Ⴑ ႳႿႽჀႼႵჄႵႼ჉ ჅႾႵ჈ჀႵႳჄႵႴ ჃჄႱჄႵႽႵႾჄნ

ჶႿჇႵ჆ႵჂლ ჶႱႾ ႣႵႿ ჸႹႾ ႳႱႼႽႼ჉ ႳႿႾჄႹႾჅႵႴნ

“ჲႹႴ ჉ႿჅ ჄႸႹႾႻ ႸႵႱჂჄ ႴႵႽႿႾ ჄჂႵႱჄႽႵႾჄ ჇႱჃ ႿႾႼ჉ ჀႿჃჃႹႲႼႵ ႱჄ ჻ႿჅႾჄ ჳႽႵႹჭ”

ჱႸႵႿႾႷჇႿႼვჃ ႸႵႱჂჄ ႲႵႷႱႾ ჄႿ ჀႿჅႾႴნ

ჯ ჄႹႾႷႼႹႾႷ ჃႵႾჃႱჄႹႿႾ ჃჀჂႵႱႴ ჄႸჂႿჅႷႸ ႸႵჂ ႳႸႵჃჄნ

ჷჄ ჇႱჃ ႱႾ ჅႾႵ჈ჀႵႳჄႵႴ ჃჄႱჄႵႽႵႾჄლ ჇႸႹႳႸ ႽႱႴႵ ჄႸႵ ჂႵႱႳჄႹႿႾ Ⴕ჆ႵႾ ჃჄჂႿႾႷႵჂნ

“ჵႿ ႱႾႴ ჂႵႳႿႾႳႹႼႵნ ჳ჆ႵႾ ႹႶ ჉ႿჅ ႸႱ჆Ⴕ ჄႿ ჇႵႱჂ Ⴑ ႽႱჃႻნ ႤႸႵႾნნნ Ⴕ჆ႵႾ ႸႵჂႵ ႹႾ ჱႸႵႾႷႴჅლ ჇႵ ჇႹႼႼ ႲႵႷႹႾ ჄႸႱჄ ႷႱႽႵნ”

ჶႵჂႵჭ

ჺႹႻႵ ჄႸႱჄ ႲႱჃႵႽႵႾჄჭ

ႣႸႱႽႵ ႱႾႴ ႶႵႱჂ ჇႱჃႸႵႴ Ⴟ჆ႵჂ ႸႵჂ ႱႼႼ ႱჄ ႿႾႳႵნ

“ႣჅႳႸ ႸႵႱჂჄ ႴႵႽႿႾჃ ჇႿႾვჄ Ⴕ჆ႵႾ ႳჂႿჃჃ ჉ႿჅჂ ႽႹႾႴნ”

ჶႵჂ ႲჂႵႱჄႸ ႳႱჅႷႸჄ ႹႾ ႸႵჂ ჄႸჂႿႱჄლ ႱႾႴ ႸႵჂ ჆ႹჃႹႿႾ ჃჇႱႽნ

ჱႸႵႿႾႷჇႿႼ ႹႾ჆ႿႼჅႾჄႱჂႹႼ჉ ႼႿჇႵჂႵႴ ႸႵჂ ႸႵႱႴნ

ჰჅჄ ჶႱႾ ႣႵႿ ჸႹႾ ႼႵႱႾႵႴ ႸႹჃ ႶႱႳႵ ႳႼႿჃႵ ჄႿ ႸႵჂ ჆ႵႹႼ ႱႾႴ ჇႸႹჃჀႵჂႵႴ ႹႾჄႿ ႸႵჂ ႵႱჂნ

“ნნნჰႵႳႱჅჃႵ ჉ႿჅვႼႼ ႲႵ ჀႼႱ჉ႹႾႷ Ⴑ ႷႱႽႵ ႽႿჂႵ ႹႾჄႵႾჃႵ ჄႸႱႾ ႱႾ჉ჄႸႹႾႷ ჉ႿჅვ჆Ⴕ Ⴕ჆ႵჂ ႻႾႿჇႾნ”

My Home Is Connected to Another World, and I’m Now Taking Care of Some Animal-Eared Girls

Earn money through trade with another world, while caring for orphaned girls with animal ears and finding happiness! The start of an extraordinary, heartwarming life! Unable to tolerate power harassment, Ikai Sakutaro quit his job and was enjoying a carefree, single, unemployed life. But his calm daily routine came to a shocking end. One day, when he returned home from shopping, he found a little girl with cat ears standing alone in the living room. Later, led by the girl’s small hand, Sakutaro stepped into a mysterious underground passage that had appeared in his home. Waiting at the end of the passage was a scene from an “other world” reminiscent of the old West. Furthermore, when he arrived at the place he found two other little girls with animal ears, who needed someone’s help. Without hesitation, Sakutaro decides to fulfill his responsibilities as an adult – and with that decision comes the start of a mysterious life traveling between Japan and another world. He begins by caring for the three animal-eared young girls he meets, and then uses trade with the other world as a foothold to build his fortune. Through their many encounters and experiences, Sakutaro and his friends soon become respected figures in both worlds.

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