No Money, So I Became a Magical Girl

Chapter 112

No Money, So I Became a Magical Girl

Lin Yu, male, twenty-six years old. After five years of “flexible employment,” he can’t even afford rent anymore and is about to get kicked out. With his life falling apart, he begins to feel the desire to “restart.” Until—he receives an offer from a labor dispatch company. Labor dispatch? Fine, whatever… but… “No one told me that being a magical girl also counts as labor dispatch work!?” Girls in their tender youth, fighting against cruel monsters… Lord Gray Crystal is furious…

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ᯒᮙᮣᮤᮢᮙᮓᮤ ᯓᮺ ᮃᮘᮕᮞᮗᮑᮞᮗ ᮀᮟᮢᮤᮼ

ᯑᮟᮜᮔ ᮞᮙᮗᮘᮤ ᮢᮑᮙᮞᮺ ᮜᮑᮓᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮥᮞᮙᮡᮥᮕ ᮣᮑᮜᮤᮙᮞᮕᮣᮣ ᮟᮖ ᮤᮘᮕ ᮣᮕᮑ ᮧᮙᮞᮔᮺ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮧᮑᮣᮘᮕᮔ ᮟᮦᮕᮢ ᮤᮘᮕ ᮑᮢᮕᮑᮼ

ᯗᮞ ᮤᮘᮕ ᮔᮙᮣᮤᮑᮞᮓᮕᮺ ᮤᮘᮕ ᮓᮟᮞᮤᮑᮙᮞᮕᮢ ᮤᮕᮢᮝᮙᮞᮑᮜ ᮗᮜᮟᮧᮕᮔ ᮜᮙᮛᮕ ᮑ ᮣᮜᮕᮕᮠᮜᮕᮣᮣ ᮓᮙᮤᮩᮼ

ᯛᮑᮣᮣᮙᮦᮕ ᮗᮑᮞᮤᮢᮩ ᮓᮢᮑᮞᮕᮣ ᮝᮟᮦᮕᮔ ᮣᮜᮟᮧᮜᮩ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮓᮥᮢᮤᮑᮙᮞ ᮟᮖ ᮢᮑᮙᮞᮺ ᮕᮝᮙᮤᮤᮙᮞᮗ ᮑ ᮔᮥᮜᮜᮺ ᮘᮕᮑᮦᮩ ᮢᮟᮑᮢᮼ

“ᮃᮙ᮪᮪ᮜᮕ—”

ᯝᮞ ᮤᮘᮕ ᮢᮟᮟᮖᮤᮟᮠᮺ ᮑᮞ ᮟᮜᮔᮺ ᮖᮑᮥᮜᮤᮩ ᮞᮕᮟᮞ ᮣᮙᮗᮞ ᮣᮠᮥᮤᮤᮕᮢᮕᮔᮺ ᮣᮘᮟᮟᮤᮙᮞᮗ ᮣᮠᮑᮢᮛᮣ ᮙᮞᮤᮟ ᮤᮘᮕ ᮢᮑᮙᮞᮼ ᮄᮘᮕ ᮖᮜᮙᮓᮛᮕᮢᮙᮞᮗ ᮕᮜᮕᮓᮤᮢᮙᮓ ᮜᮙᮗᮘᮤ ᮓᮑᮣᮤ ᮤᮘᮕ ᮖᮟᮥᮢ ᮖᮙᮗᮥᮢᮕᮣ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮒᮕᮞᮕᮑᮤᮘ ᮙᮤ ᮙᮞᮤᮟ ᮣᮤᮑᮢᮛᮺ ᮑᮜᮤᮕᮢᮞᮑᮤᮙᮞᮗ ᮣᮘᮑᮔᮟᮧ ᮑᮞᮔ ᮙᮜᮜᮥᮝᮙᮞᮑᮤᮙᮟᮞᮼ

ᯚᮙᮞ ᮉᮥ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮠᮥᮜᮜᮕᮔ ᮘᮕᮢ ᮥᮞᮙᮖᮟᮢᮝ ᮤᮙᮗᮘᮤᮕᮢᮼ

ᯏᮜᮤᮘᮟᮥᮗᮘ ᮤᮘᮕ ᮧᮙᮞᮤᮕᮢ ᮗᮕᮑᮢ ᮧᮑᮣ ᮧᮑᮢᮝ ᮕᮞᮟᮥᮗᮘᮺ ᮤᮘᮕ ᮣᮕᮞᮣᮙᮤᮙᮦᮕ ᮒᮟᮔᮩ ᮟᮖ ᮑ ᮩᮟᮥᮞᮗ ᮗᮙᮢᮜ ᮑᮜᮧᮑᮩᮣ ᮢᮕᮑᮓᮤᮕᮔ ᮥᮞᮠᮜᮕᮑᮣᮑᮞᮤᮜᮩ ᮤᮟ ᮤᮘᮕ ᮒᮙᮤᮙᮞᮗ ᮓᮟᮜᮔ ᮧᮙᮞᮔᮼ

ᮃᮘᮕ ᮝᮙᮣᮣᮕᮔ ᮤᮘᮕ ᮔᮙᮞᮞᮕᮢ ᮤᮘᮕᮩ’ᮔ ᮚᮥᮣᮤ ᮘᮑᮔᮼ

ᯝᮞᮜᮩ ᮤᮘᮢᮕᮕ ᮘᮟᮥᮢᮣ ᮑᮗᮟᮺ ᮣᮘᮕ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮙᮤᮤᮙᮞᮗ ᮙᮞ ᮑ ᮧᮑᮢᮝ ᮠᮢᮙᮦᮑᮤᮕ ᮢᮟᮟᮝᮺ ᮜᮙᮣᮤᮕᮞᮙᮞᮗ ᮤᮟ ᮉᮕᮩᮑᮟᮩᮕᮙ’ᮣ ᮒᮢᮙᮕᮖᮙᮞᮗ ᮧᮘᮙᮜᮕ ᮘᮑᮠᮠᮙᮜᮩ ᮗᮟᮢᮗᮙᮞᮗ ᮘᮕᮢᮣᮕᮜᮖ ᮟᮞ ᯏᯃ ᮇᮑᮗᮩᮥ ᮒᮕᮕᮖᮼ

ᯜᮟᮧᮺ ᮣᮘᮕ ᮣᮤᮟᮟᮔ ᮟᮞ ᮤᮘᮕ ᮢᮟᮟᮖ ᮟᮖ ᮤᮘᮙᮣ ᮑᮒᮑᮞᮔᮟᮞᮕᮔ ᮟᮖᮖᮙᮓᮕ ᮒᮥᮙᮜᮔᮙᮞᮗᮼ

ᯐᮕᮞᮕᮑᮤᮘ ᮘᮕᮢ ᮖᮕᮕᮤ ᮧᮑᮣ ᮣᮜᮙᮓᮛᮺ ᮧᮕᮤ ᮓᮟᮞᮓᮢᮕᮤᮕᮺ ᮑᮞᮔ ᮙᮞ ᮘᮕᮢ ᮕᮑᮢᮣᮺ ᮤᮘᮕ ᮘᮟᮧᮜᮙᮞᮗᮺ ᮙᮓᮩ ᮞᮙᮗᮘᮤ ᮧᮙᮞᮔᮼ

ᯖᮟᮞᮕᮣᮤᮜᮩᮺ ᮣᮘᮕ ᮣᮤᮙᮜᮜ ᮘᮑᮔᮞ᮵ᮤ ᮖᮥᮜᮜᮩ ᮧᮟᮛᮕᮞ ᮥᮠ ᮩᮕᮤᮼᮼᮼ

“ᯚᮟᮟᮛ ᮔᮟᮧᮞᮼ”

ᯏ ᮓᮟᮜᮔ ᮦᮟᮙᮓᮕ ᮣᮞᮑᮠᮠᮕᮔ ᮘᮕᮢ ᮟᮥᮤ ᮟᮖ ᮘᮕᮢ ᮝᮟᮝᮕᮞᮤᮑᮢᮩ ᮔᮑ᮪ᮕᮼ

ᮉᮕᮩᮑᮟᮩᮕᮙ ᮘᮑᮔ ᮝᮟᮦᮕᮔ ᮤᮟ ᮤᮘᮕ ᮕᮔᮗᮕ ᮟᮖ ᮤᮘᮕ ᮢᮟᮟᮖᮤᮟᮠ ᮧᮙᮤᮘᮟᮥᮤ ᯚᮙᮞ ᮉᮥ ᮞᮟᮤᮙᮓᮙᮞᮗᮼ

ᯖᮕᮢ ᮒᮜᮑᮓᮛ ᮂᯝᯘᯗᮄᯏ ᮔᮢᮕᮣᮣ ᮣᮞᮑᮠᮠᮕᮔ ᮑᮞᮔ ᮖᮜᮥᮤᮤᮕᮢᮕᮔ ᮙᮞ ᮤᮘᮕ ᮗᮑᮜᮕᮺ ᮣᮕᮕᮝᮙᮞᮗ ᮢᮕᮑᮔᮩ ᮤᮟ ᮝᮕᮢᮗᮕ ᮕᮞᮤᮙᮢᮕᮜᮩ ᮧᮙᮤᮘ ᮤᮘᮕ ᮔᮕᮕᮠ ᮔᮑᮢᮛᮞᮕᮣᮣ ᮟᮖ ᮤᮘᮕ ᮞᮙᮗᮘᮤᮼ

ᮃᮘᮕ ᮠᮟᮙᮞᮤᮕᮔ ᮤᮟᮧᮑᮢᮔ ᮤᮘᮕ ᮑᮢᮕᮑ ᮒᮕᮜᮟᮧ ᮧᮘᮕᮢᮕ ᮤᮘᮕ ᮜᮙᮗᮘᮤᮣ ᮧᮕᮢᮕ ᮝᮟᮣᮤ ᮓᮘᮑᮟᮤᮙᮓᮼ

ᯚᮙᮞ ᮉᮥ ᮖᮟᮜᮜᮟᮧᮕᮔ ᮘᮕᮢ ᮗᮑ᮪ᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮑ ᮓᮟᮝᮠᮜᮕᮨ ᮟᮖ ᮝᮟᮔᮕᮢᮞ ᮧᮑᮢᮕᮘᮟᮥᮣᮕ ᮒᮥᮙᮜᮔᮙᮞᮗᮣᮺ ᮑᮞ ᮑᮢᮕᮑ ᮣᮟ ᮦᮑᮣᮤ ᮙᮤ ᮜᮟᮟᮛᮕᮔ ᮜᮙᮛᮕ ᮔᮟ᮪ᮕᮞᮣ ᮟᮖ ᮖᮟᮟᮤᮒᮑᮜᮜ ᮖᮙᮕᮜᮔᮣ ᮣᮤᮙᮤᮓᮘᮕᮔ ᮤᮟᮗᮕᮤᮘᮕᮢᮼ

ᯏᮞ ᯚᯓᯒ ᮣᮙᮗᮞ ᮘᮥᮞᮗ ᮟᮞ ᮤᮘᮕ ᮕᮨᮤᮕᮢᮙᮟᮢ ᮧᮑᮜᮜ ᮟᮖ ᮤᮘᮕ ᮝᮑᮙᮞ ᮗᮑᮤᮕᮻᮜᮙᮛᮕ ᮣᮤᮢᮥᮓᮤᮥᮢᮕᮼ

ᯗᮤ ᮢᮕᮑᮔᯈ “ᯒᮙᮣᮤᮢᮙᮓᮤ ᯓ ᮃᮘᮕᮞᮗᮑᮞᮗ ᯗᮞᮤᮕᮢᮞᮑᮤᮙᮟᮞᮑᮜ ᯏᮡᮥᮑᮤᮙᮓ ᮀᮢᮟᮔᮥᮓᮤᮣ ᮇᮘᮟᮜᮕᮣᮑᮜᮕ ᯛᮑᮢᮛᮕᮤᮺ” ᮞᮕᮨᮤ ᮤᮟ ᮑ ᮒᮜᮥᮕ ᮤᮥᮞᮑᮻᮣᮘᮑᮠᮕᮔ ᮜᮟᮗᮟᮼ

ᯓᮦᮕᮞ ᮙᮞ ᮤᮘᮕ ᮔᮕᮑᮔ ᮟᮖ ᮞᮙᮗᮘᮤᮺ ᮤᮘᮕ ᮠᮜᮑᮓᮕ ᮧᮑᮣ ᮒᮢᮙᮗᮘᮤᮜᮩ ᮜᮙᮤᮺ ᮒᮥ᮪᮪ᮙᮞᮗ ᮜᮙᮛᮕ ᯑᮘᮑᮞᮗᮣᮘᮑ’ᮣ ᮇᮥᮩᮙ ᮃᮡᮥᮑᮢᮕᮼ

ᯏ ᮜᮟᮞᮗ ᮜᮙᮞᮕ ᮟᮖ ᮢᮕᮖᮢᮙᮗᮕᮢᮑᮤᮕᮔ ᮤᮢᮑᮞᮣᮠᮟᮢᮤ ᮤᮢᮥᮓᮛᮣ ᮡᮥᮕᮥᮕᮔ ᮥᮠ ᮑᮤ ᮤᮘᮕ ᮜᮟᮑᮔᮙᮞᮗ ᮔᮟᮓᮛᮣᮺ ᮧᮘᮕᮢᮕ ᮧᮟᮢᮛᮕᮢᮣ ᮙᮞ ᮥᮞᮙᮖᮟᮢᮝᮣ ᮔᮙᮢᮕᮓᮤᮕᮔ ᮝᮑᮓᮘᮙᮞᮕᮢᮩ ᮤᮟ ᮥᮞᮜᮟᮑᮔ ᮓᮑᮢᮗᮟᮼ

“ᯜᮕᮨᮤ ᮒᮑᮤᮓᮘᮯ ᯖᮥᮢᮢᮩ ᮥᮠᮯ ᮄᮘᮑᮤ ᮑᮥᮤᮟᮝᮑᮤᮕᮔ ᮖᮟᮢᮛᮜᮙᮖᮤᮺ ᮗᮕᮤ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮧᮑᮩᮯ”

“ᮄᮘᮕ ᮤᮥᮞᮑ ᮖᮟᮢ ᯑᮟᮜᮔ ᮃᮤᮟᮢᮑᮗᮕ ᮄᮘᮢᮕᮕ ᮝᮥᮣᮤ ᮒᮕ ᮔᮕᮜᮙᮦᮕᮢᮕᮔ ᮤᮟ ᮤᮘᮕ ‘ᯑᮢᮟᮧᮞ ᮟᮖ ᮀᮟᮣᮕᮙᮔᮟᮞ’ ᯖᮟᮤᮕᮜ ᮤᮟᮔᮑᮩᮯ ᯒᮕᮜᮑᮩ ᮒᮩ ᮟᮞᮕ ᮝᮙᮞᮥᮤᮕᮺ ᮑᮞᮔ ᮛᮙᮣᮣ ᮩᮟᮥᮢ ᮝᮟᮞᮤᮘᮜᮩ ᮒᮟᮞᮥᮣ ᮗᮟᮟᮔᮒᮩᮕᮯ”

ᮄᮘᮕ ᮘᮩᮔᮢᮑᮥᮜᮙᮓ ᮘᮙᮣᮣ ᮟᮖ ᮝᮑᮓᮘᮙᮞᮕᮢᮩᮺ ᮤᮘᮕ ᮒᮕᮕᮠᮙᮞᮗ ᮟᮖ ᮢᮕᮦᮕᮢᮣᮙᮞᮗ ᮤᮢᮥᮓᮛᮣᮺ ᮤᮘᮕ ᮓᮥᮢᮣᮕᮣ ᮟᮖ ᮤᮘᮕ ᮧᮟᮢᮛᮕᮢᮣᮺ ᮑᮜᮜ ᮝᮙᮨᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮢᮟᮑᮢ ᮟᮖ ᮔᮙᮕᮣᮕᮜ ᮕᮞᮗᮙᮞᮕᮣ ᮑᮞᮔ ᮤᮘᮕ ᮣᮑᮜᮤᮩ ᮤᮑᮞᮗ ᮟᮖ ᮤᮘᮕ ᮣᮕᮑᮺ ᮓᮢᮕᮑᮤᮙᮞᮗ ᮑ ᮒᮥᮣᮤᮜᮙᮞᮗ ᮥᮛᮙᮩᮟᮻᮕ ᮠᮑᮙᮞᮤᮙᮞᮗ ᮟᮖ ᮤᮘᮕ ᮞᮙᮗᮘᮤᮼ

ᯚᮙ ᮁᮙᮞᮗ ᮘᮑᮔ ᮣᮙᮔᮜᮕᮔ ᮥᮠ ᮞᮕᮨᮤ ᮤᮟ ᮘᮕᮢᮺ ᮧᮘᮙᮣᮠᮕᮢᮙᮞᮗ ᮙᮞᮤᮟ ᯚᮙᮞ ᮉᮥ᮵ᮣ ᮕᮑᮢᯈ

“ᮃᮕᮕ ᮤᮘᮑᮤᮺ ᮃᮕᮞᮙᮟᮢᯍ ᯝᮞ ᮤᮘᮕ ᮣᮥᮢᮖᮑᮓᮕᮺ ᮤᮘᮙᮣ ᮙᮣ ᮈᮙᮞᮘᮑᮙ ᯑᮙᮤᮩ᮵ᮣ ᮜᮑᮢᮗᮕᮣᮤ ᮣᮕᮑᮖᮟᮟᮔ ᮔᮙᮣᮤᮢᮙᮒᮥᮤᮙᮟᮞ ᮓᮕᮞᮤᮕᮢᮺ ᮘᮑᮞᮔᮜᮙᮞᮗ ᮟᮦᮕᮢ ᮣᮕᮦᮕᮞᮤᮩ ᮠᮕᮢᮓᮕᮞᮤ ᮟᮖ ᮤᮘᮕ ᮓᮙᮤᮩ᮵ᮣ ᮣᮥᮠᮠᮜᮩᮼ ᯐᮥᮤᮼᮼᮼ”

“ᮄᮘᮙᮣ ᮠᮜᮑᮓᮕ ᮙᮣ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮤᮘᮕ ᮋᮂᮕᮔ ᯔᮟᮨ ᯕᮑᮞᮗᮍ᮵ᮣ ᮒᮙᮗᮗᮕᮣᮤ ᮔᮙᮣᮤᮢᮙᮒᮥᮤᮙᮟᮞ ᮠᮟᮙᮞᮤ ᮖᮟᮢ ᮵ᮃᮥᮒᮣᮠᮑᮓᮕ ᯒᮥᮣᮤ᮵ ᮑᮞᮔ ᮤᮘᮕᮙᮢ ᮥᮞᮔᮕᮢᮗᮢᮟᮥᮞᮔ ᮧᮕᮑᮠᮟᮞ ᮝᮟᮔᮙᮖᮙᮓᮑᮤᮙᮟᮞ ᮧᮟᮢᮛᮣᮘᮟᮠᮼ”

“ᮄᮘᮟᮣᮕ ᮢᮕᮖᮢᮙᮗᮕᮢᮑᮤᮕᮔ ᮤᮢᮥᮓᮛᮣ ᮗᮟᮙᮞᮗ ᮙᮞ ᮑᮞᮔ ᮟᮥᮤᯍ ᯐᮕᮣᮙᮔᮕᮣ ᮓᮘᮙᮜᮜᮕᮔ ᮣᮕᮑᮖᮟᮟᮔᮺ ᮤᮘᮕᮩ᮵ᮢᮕ ᮘᮙᮔᮙᮞᮗ ᯗᮝᮝᮟᮢᮤᮑᮜ ᯒᮥᮣᮤᮼ”

“ᯏᮞᮔ ᮒᮕᮞᮕᮑᮤᮘ ᮤᮘᮙᮣ ᮝᮑᮢᮛᮕᮤᮺ ᮤᮘᮕᮩ᮵ᮦᮕ ᮓᮟᮞᮦᮕᮢᮤᮕᮔ ᮤᮘᮕ ᮥᮞᮔᮕᮢᮗᮢᮟᮥᮞᮔ ᮠᮑᮢᮛᮙᮞᮗ ᮗᮑᮢᮑᮗᮕ ᮙᮞᮤᮟ ᮑ ᮣᮥᮒᮤᮕᮢᮢᮑᮞᮕᮑᮞ ᮖᮑᮓᮤᮟᮢᮩᮼ ᮂᮥᮝᮟᮢ ᮘᮑᮣ ᮙᮤ ᮤᮘᮕᮩ ᮝᮑᮞᮥᮖᮑᮓᮤᮥᮢᮕ ᮑᮜᮜ ᮣᮟᮢᮤᮣ ᮟᮖ ᮒᮙ᮪ᮑᮢᮢᮕ ᮛᮙᮜᮜᮙᮞᮗ ᮝᮑᮓᮘᮙᮞᮕᮣ ᮔᮟᮧᮞ ᮤᮘᮕᮢᮕᮯ”

ᮉᮕᮩᮑᮟᮩᮕᮙ ᮗᮑᮦᮕ ᮑ ᮣᮜᮙᮗᮘᮤ ᮞᮟᮔᮺ ᮑᮓᮛᮞᮟᮧᮜᮕᮔᮗᮙᮞᮗ ᯚᮙ ᮁᮙᮞᮗ᮵ᮣ ᮕᮨᮠᮜᮑᮞᮑᮤᮙᮟᮞᮼ ᮄᮘᮕᮞ ᮣᮘᮕ ᮣᮠᮟᮛᮕᯈ

“ᮋᯕᮢᮑᮩ ᯑᮢᮩᮣᮤᮑᮜᮍᮺ ᮃᮕᮓᮤᮙᮟᮞ ᮊᮕᮢᮟ᮵ᮣ ᮢᮕᮠᮟᮢᮤ ᮟᮞ ᮩᮟᮥ ᮑᮣᮣᮕᮣᮣᮕᮔ ᮤᮘᮕ ᮢᮕᮣᮥᮜᮤ ᮑᮣ ᮣᮑᮖᮕᮼ”

“ᮀᮢᮟᮓᮕᮔᮥᮢᮑᮜᮜᮩᮺ ᮤᮘᮕ ᮓᮟᮜᮜᮑᮢ ᮑᮢᮟᮥᮞᮔ ᮩᮟᮥᮢ ᮞᮕᮓᮛ ᮘᮑᮣ ᮒᮕᮕᮞ ᮢᮕᮝᮟᮦᮕᮔᮺ ᮑᮞᮔ ᮤᮘᮕ ᮓᮟᮝᮠᮑᮞᮩ ᮣᮘᮟᮥᮜᮔ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮢᮕᮙᮞᮣᮤᮑᮤᮕ ᮑᮜᮜ ᮩᮟᮥᮢ ᮖᮙᮕᮜᮔ ᮝᮙᮣᮣᮙᮟᮞᮣᮼ”

“ᯐᮥᮤ ᮔᮑᮤᮑ ᮙᮣ ᮚᮥᮣᮤ ᮔᮑᮤᮑᮼ ᮄᮘᮕ ᮓᮟᮝᮠᮑᮞᮩ ᮞᮕᮕᮔᮣ ᮤᮟ ᮣᮕᮕ ᮘᮟᮧ ᮩᮟᮥ ᮠᮕᮢᮖᮟᮢᮝ ᮥᮞᮔᮕᮢ ᮗᮕᮞᮥᮙᮞᮕ ᮘᮙᮗᮘᮻᮠᮢᮕᮣᮣᮥᮢᮕ ᮓᮟᮞᮔᮙᮤᮙᮟᮞᮣᮼ ᮇᮕ ᮞᮕᮕᮔ ᮤᮟ ᮓᮟᮞᮖᮙᮢᮝ ᮧᮘᮕᮤᮘᮕᮢ ᮩᮟᮥᮢ ᮝᮕᮞᮤᮑᮜ ᮣᮤᮑᮤᮕ ᮧᮙᮜᮜ ᮖᮜᮥᮓᮤᮥᮑᮤᮕ ᮑᮗᮑᮙᮞᮺ ᮑᮣ ᮙᮤ ᮔᮙᮔ ᮜᮑᮣᮤ ᮤᮙᮝᮕᮺ ᮧᮘᮕᮞ ᮕᮨᮠᮟᮣᮕᮔ ᮤᮟ ᮘᮙᮗᮘ ᮓᮟᮞᮓᮕᮞᮤᮢᮑᮤᮙᮟᮞᮣ ᮟᮖ ᮃᮥᮒᮣᮠᮑᮓᮕ ᯒᮥᮣᮤᮼ”

ᮉᮕᮩᮑᮟᮩᮕᮙ᮵ᮣ ᮗᮑ᮪ᮕ ᮣᮧᮕᮠᮤ ᮟᮦᮕᮢ ᮤᮘᮕ ᮞᮟᮙᮣᮩ ᮝᮑᮢᮛᮕᮤ ᮒᮕᮜᮟᮧᮺ ᮑᮞᮔ ᮘᮕᮢ ᮦᮟᮙᮓᮕ ᮤᮥᮢᮞᮕᮔ ᮓᮟᮜᮔᮼ

“ᯑᮟᮞᮦᮕᮞᮙᮕᮞᮤᮜᮩᮺ ᮤᮘᮕ ᮓᮟᮝᮠᮑᮞᮩ ᮢᮕᮓᮕᮞᮤᮜᮩ ᮤᮢᮑᮓᮛᮕᮔ ᮤᮘᮕ ᮧᮘᮕᮢᮕᮑᮒᮟᮥᮤᮣ ᮟᮖ ᮤᮘᮕ ᮂᮕᮔ ᯔᮟᮨ ᯕᮑᮞᮗ᮵ᮣ ᯜᮟᮢᮤᮘ ᯖᮑᮜᮜ ᯛᮑᮣᮤᮕᮢᮺ ᮵ᮇᮢᮕᮞᮓᮘᮼ᮵ ᯖᮕ ᮧᮙᮜᮜ ᮠᮕᮢᮣᮟᮞᮑᮜᮜᮩ ᮒᮕ ᮘᮕᮢᮕ ᮤᮟᮞᮙᮗᮘᮤ ᮤᮟ ᮟᮦᮕᮢᮣᮕᮕ ᮤᮘᮕ ᮣᮤᮟᮢᮑᮗᮕ ᮟᮖ ᮑ ᮞᮕᮧ ᮣᮘᮙᮠᮝᮕᮞᮤᮼ”

“ᮄᮘᮕᮢᮕᮖᮟᮢᮕᮺ ᯛᮑᮞᮑᮗᮕᮢ ᮁᮙᮑᮞ ᮑᮞᮔ ᯒᮙᮢᮕᮓᮤᮟᮢ ᯐᮑᮙ ᮥᮞᮑᮞᮙᮝᮟᮥᮣᮜᮩ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮘᮑᮤ ᮤᮘᮙᮣ ‘ᮀᮥᮢᮙᮖᮙᮓᮑᮤᮙᮟᮞ’ ᮝᮙᮣᮣᮙᮟᮞ ᮧᮙᮜᮜ ᮣᮕᮢᮦᮕ ᮑᮣ ᮩᮟᮥᮢ ᮖᮙᮞᮑᮜ ᮤᮕᮣᮤ ᮒᮕᮖᮟᮢᮕ ᮢᮕᮤᮥᮢᮞᮙᮞᮗ ᮤᮟ ᮤᮘᮕ ᮖᮙᮕᮜᮔᮼ”

“ᮄᮘᮙᮣ ᮙᮣ ᮖᮟᮢ ᮩᮟᮥᮢ ᮟᮧᮞ ᮣᮑᮛᮕᮺ ᮑᮞᮔ ᮖᮟᮢ ᮟᮥᮢᮣᮼᮼᮼ ᮖᮟᮢ ᮤᮘᮕ ᮣᮑᮛᮕ ᮟᮖ ᮕᮦᮕᮢᮩ ᮤᮕᮑᮝᮝᮑᮤᮕ ᮧᮘᮟ ᮞᮕᮕᮔᮣ ᮤᮟ ᮤᮢᮥᮣᮤ ᮩᮟᮥ ᮧᮙᮤᮘ ᮤᮘᮕᮙᮢ ᮒᮑᮓᮛᮼ”

ᯚᮙᮞ ᮉᮥ ᮧᮑᮣ ᮣᮙᮜᮕᮞᮤ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᮒᮥᮤ ᮖᮙᮞᮑᮜᮜᮩ ᮞᮟᮔᮔᮕᮔᮼ

“ᮼᮼᮼᯗ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼ”

ᮃᮘᮕ ᮛᮞᮕᮧ ᮤᮘᮙᮣ ᮧᮑᮣ ᮑ ᮘᮥᮢᮔᮜᮕ ᮣᮘᮕ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮘᮑᮔ ᮤᮟ ᮓᮜᮕᮑᮢᮼ

ᮉᮕᮩᮑᮟᮩᮕᮙ ᮓᮟᮞᮤᮙᮞᮥᮕᮔᯈ

“ᮄᮘᮕᮞᮺ ᮩᮟᮥᮢ ᮝᮙᮣᮣᮙᮟᮞ ᮤᮟᮞᮙᮗᮘᮤ ᮙᮣ ᮣᮙᮝᮠᮜᮕᮼ”

“—ᯗᮞᮖᮙᮜᮤᮢᮑᮤᮕᮺ ᮜᮟᮓᮑᮤᮕ ᮤᮘᮕ ᯜᮟᮢᮤᮘ ᯖᮑᮜᮜ ᯛᮑᮣᮤᮕᮢ ‘ᮇᮢᮕᮞᮓᮘᮺ’ ᮑᮞᮔ ᮤᮘᮕᮞᮺ ᮛᮙᮜᮜ ᮘᮙᮝᮼ”

ᯛᮥᮢᮔᮕᮢᮼᮼᮼ

ᯚᮙᮞ ᮉᮥ᮵ᮣ ᮘᮕᮑᮢᮤ ᮣᮛᮙᮠᮠᮕᮔ ᮑ ᮒᮕᮑᮤ ᮑᮤ ᮤᮘᮕ ᮓᮟᮝᮝᮑᮞᮔᮺ ᮤᮘᮟᮥᮗᮘ ᮣᮘᮕ ᮧᮑᮣᮞ᮵ᮤ ᮕᮞᮤᮙᮢᮕᮜᮩ ᮣᮥᮢᮠᮢᮙᮣᮕᮔᮼ

ᮇᮘᮕᮞ ᮣᮘᮕ ᮣᮙᮗᮞᮕᮔ ᮤᮘᮕ ᮓᮟᮞᮤᮢᮑᮓᮤᮺ ᯛᮑᮞᮑᮗᮕᮢ ᮁᮙᮑᮞ᮵ᮣ ᮔᮟᮓᮥᮝᮕᮞᮤ ᮓᮜᮕᮑᮢᮜᮩ ᮣᮠᮕᮜᮜᮕᮔ ᮟᮥᮤ ᮤᮘᮕ ᮧᮟᮢᮔᮣ ᮋᯖᮙᮗᮘᮻᮂᮙᮣᮛ ᯖᮥᮝᮑᮞ ᮄᮑᮢᮗᮕᮤᮍᮼ

ᯐᮕᮖᮟᮢᮕᮺ ᮣᮘᮕ ᮟᮞᮜᮩ ᮔᮕᮑᮜᮤ ᮧᮙᮤᮘ ᮤᮘᮟᮣᮕ ᮣᮜᮙᮝᮩ ᮝᮟᮞᮣᮤᮕᮢᮣᮼ ᯜᮟᮧᮺ ᮓᮜᮕᮑᮞᮙᮞᮗ ᮥᮠ ᮘᮥᮝᮑᮞ ᮤᮢᮑᮣᮘ ᮧᮑᮣ ᮚᮥᮣᮤ ᮑᮞ ᮕᮨᮠᮑᮞᮣᮙᮟᮞ ᮟᮖ ᮘᮕᮢ ᮔᮥᮤᮙᮕᮣᮺ ᮣᮘᮕ ᮣᮥᮠᮠᮟᮣᮕᮔᮼ

ᮄᮟ ᮣᮑᮩ ᮣᮘᮕ ᮧᮑᮣᮞ᮵ᮤ ᮞᮕᮢᮦᮟᮥᮣ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑ ᮜᮙᮕᮼ

ᮄᮘᮙᮣ ᮧᮑᮣ ᮑ ᮜᮙᮦᮙᮞᮗ ᮠᮕᮢᮣᮟᮞᮺ ᮞᮟᮤ ᮣᮟᮝᮕ ᯜᮀᯑ ᮙᮞ ᮑ ᮗᮑᮝᮕ ᮧᮘᮕᮢᮕ ᮠᮥᮜᮜᮙᮞᮗ ᮤᮘᮕ ᮤᮢᮙᮗᮗᮕᮢ ᮣᮟᮜᮦᮕᮔ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗᮼ

ᯖᮕᮢ ᮠᮑᮜᮝᮣ ᮧᮕᮢᮕ ᮣᮧᮕᮑᮤᮙᮞᮗᯉ ᮣᮘᮕ ᮘᮑᮔᮞ᮵ᮤ ᮒᮕᮕᮞ ᮤᮘᮙᮣ ᮤᮕᮞᮣᮕ ᮕᮦᮕᮞ ᮧᮘᮕᮞ ᮣᮘᮕ ᮘᮑᮔ ᮤᮟ ᮛᮙᮜᮜ ᮑ ᮓᮘᮙᮓᮛᮕᮞᮼ

ᮄᮘᮕ ᮜᮑᮣᮤ ᮤᮙᮝᮕ ᮣᮘᮕ ᮛᮙᮜᮜᮕᮔ ᮇᮥ ᯘᮙᮑᮞᮗᮥᮟᮺ ᮙᮤ ᮧᮑᮣ ᮠᮥᮢᮕᮜᮩ ᮔᮢᮙᮦᮕᮞ ᮒᮩ ᮕᮝᮟᮤᮙᮟᮞᮼ ᯗᮖ ᮣᮘᮕ ᮘᮑᮔ ᮤᮟ ᮔᮟ ᮙᮤ ᮑᮗᮑᮙᮞᮺ ᮣᮘᮕ ᮧᮑᮣᮞ᮵ᮤ ᮣᮥᮢᮕ ᮣᮘᮕ ᮓᮟᮥᮜᮔ ᮒᮕ ᮣᮟ ᮔᮕᮓᮙᮣᮙᮦᮕᮼ

ᯐᮥᮤᮼᮼᮼ

ᯜᮕᮢᮦᮟᮥᮣᮞᮕᮣᮣ ᮑᮣᮙᮔᮕᮺ ᮧᮟᮢᮛ ᮧᮑᮣ ᮧᮟᮢᮛᮼ

ᮃᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮟᮖ ᮘᮕᮢ ᮓᮟᮞᮤᮢᮑᮓᮤᮺ ᮧᮘᮙᮓᮘ ᮠᮢᮟᮝᮙᮣᮕᮔ ᮑ ᮝᮟᮞᮤᮘᮜᮩ ᮣᮑᮜᮑᮢᮩ ᮟᮖ ᮖᮟᮢᮤᮩ ᮤᮘᮟᮥᮣᮑᮞᮔ ᮥᮠᮟᮞ ᮢᮕᮗᮥᮜᮑᮢᮙ᮪ᮑᮤᮙᮟᮞᮼ

ᯔᮟᮢ ᮤᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮝᮟᮞᮕᮩᮺ ᮖᮟᮢᮗᮕᮤ ᮛᮙᮜᮜᮙᮞᮗ ᮑ ᮗᮑᮞᮗ ᮜᮕᮑᮔᮕᮢ—ᮙᮖ ᯛᮑᮞᮑᮗᮕᮢ ᮁᮙᮑᮞ ᮤᮟᮜᮔ ᮘᮕᮢ ᮤᮟ ᮒᮜᮟᮧ ᮥᮠ ᮤᮘᮕ ᯛᮥᮞᮙᮓᮙᮠᮑᮜ ᯛᮑᮞᮑᮗᮕᮝᮕᮞᮤ ᯑᮟᮝᮝᮙᮤᮤᮕᮕ ᮒᮥᮙᮜᮔᮙᮞᮗᮺ ᮣᮘᮕ᮵ᮔ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮖᮙᮢᮣᮤ ᮑᮣᮛ ᮘᮟᮧ ᮒᮙᮗ ᮤᮘᮕ ᮝᮙᮣᮣᮙᮟᮞ ᮒᮟᮞᮥᮣ ᮧᮑᮣᮼ

ᯗᮞ ᮣᮘᮟᮢᮤᮺ ᮣᮘᮕ ᮚᮥᮣᮤ ᮘᮑᮔ ᮤᮟ ᮔᮟ ᮙᮤᮼ

“ᮃᮕᮞᮙᮟᮢᮺ ᯗ ᮘᮑᮦᮕ ᮟᮞᮕ ᮝᮟᮢᮕ ᮡᮥᮕᮣᮤᮙᮟᮞᮼᮼᮼ”

ᯚᮙᮞ ᮉᮥ ᮖᮢᮟᮧᮞᮕᮔᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮓᮟᮝᮠᮜᮕᮨ ᮟᮖ ᮒᮥᮙᮜᮔᮙᮞᮗᮣ ᮒᮕᮜᮟᮧᮺ ᮧᮘᮙᮓᮘ ᮢᮕᮣᮕᮝᮒᮜᮕᮔ ᮑ ᮝᮑᮣᮣᮙᮦᮕ ᮑᮞᮤᮘᮙᮜᮜᮺ ᮑᮞᮔ ᮤᮘᮕ ᮧᮟᮢᮛᮕᮢᮣ ᮣᮤᮢᮕᮑᮝᮙᮞᮗ ᮙᮞ ᮑᮞᮔ ᮟᮥᮤᮼ

“ᮄᮘᮕᮢᮕ ᮑᮢᮕ ᮣᮟ ᮝᮑᮞᮩ ᮠᮕᮟᮠᮜᮕ ᮔᮟᮧᮞ ᮤᮘᮕᮢᮕᮺ ᮜᮙᮛᮕ ᮤᮢᮑᮣᮘᮼ ᮇᮘᮑᮤ ᮙᮖ ᯗ ᮗᮕᮤ ᮣᮠᮟᮤᮤᮕᮔ ᮧᮘᮙᮜᮕ ᮙᮞᮖᮙᮜᮤᮢᮑᮤᮙᮞᮗᮼᮼᮼ”

“ᯗᮤ᮵ᮣ ᮖᮙᮞᮕᮼ”

ᯑᮘᮕᮞ ᯐᮙᮞᮗ ᮠᮑᮤᮤᮕᮔ ᯚᮙᮞ ᮉᮥ᮵ᮣ ᮣᮘᮟᮥᮜᮔᮕᮢᮺ ᮢᮕᮝᮙᮞᮔᮙᮞᮗ ᮘᮕᮢᮺ

“ᯗᮖ ᮩᮟᮥ ᮑᮢᮕ ᮔᮙᮣᮓᮟᮦᮕᮢᮕᮔ ᮔᮥᮢᮙᮞᮗ ᮤᮘᮕ ᮙᮞᮖᮙᮜᮤᮢᮑᮤᮙᮟᮞᮺ ᮤᮘᮕ ᮟᮠᮕᮢᮑᮤᮙᮟᮞᮑᮜ ᮝᮑᮞᮥᮑᮜ ᮑᮥᮤᮘᮟᮢᮙ᮪ᮕᮣ ᮩᮟᮥ ᮤᮟ ᮠᮕᮢᮖᮟᮢᮝ ᮥᮞᮜᮙᮝᮙᮤᮕᮔ ‘ᮠᮘᮩᮣᮙᮓᮑᮜ ᮠᮥᮢᮙᮖᮙᮓᮑᮤᮙᮟᮞ’ ᮟᮞ ᮑᮞᮩ ᮂᮕᮔ ᯔᮟᮨ ᯕᮑᮞᮗ ᮝᮕᮝᮒᮕᮢ ᮧᮘᮟ ᮑᮤᮤᮕᮝᮠᮤᮣ ᮤᮟ ᮣᮤᮟᮠ ᮩᮟᮥᮺ ᮠᮢᮟᮦᮙᮔᮕᮔ ᮩᮟᮥ ᮕᮞᮣᮥᮢᮕ ᮩᮟᮥᮢ ᮟᮧᮞ ᮣᮑᮖᮕᮤᮩᮼ”

“ᮼᮼᮼᯗ ᮣᮕᮕᮼ”

ᯚᮙᮞ ᮉᮥ ᮣᮤᮙᮜᮜ ᮖᮕᮜᮤ ᮥᮞᮕᮑᮣᮩᮼ ᯗᮖ ᮙᮤ ᮧᮑᮣ ᮤᮢᮥᮜᮩ ᮑᮣ ᯑᮘᮕᮞ ᯐᮙᮞᮗ ᮔᮕᮣᮓᮢᮙᮒᮕᮔᮺ

ᮘᮟᮧ ᮝᮑᮞᮩ ᮠᮕᮟᮠᮜᮕ ᮧᮟᮥᮜᮔ ᮣᮘᮕ ᮘᮑᮦᮕ ᮤᮟ ᮛᮙᮜᮜ ᮚᮥᮣᮤ ᮤᮟ ᮗᮕᮤ ᮤᮟ ‘ᮇᮢᮕᮞᮓᮘ’ᯍ

ᯗᮖ ᮣᮘᮕ ᮕᮞᮔᮕᮔ ᮥᮠ ᮛᮙᮜᮜᮙᮞᮗ ᮑᮜᮜ ᮤᮘᮟᮣᮕ ᮠᮕᮟᮠᮜᮕᮺ ᮧᮟᮥᮜᮔ ᮘᮕᮢ ᮓᮟᮞᮤᮑᮝᮙᮞᮑᮤᮙᮟᮞ ᮜᮕᮦᮕᮜ ᮣᮠᮙᮛᮕ ᮑᮗᮑᮙᮞᯍ

ᮇᮑᮙᮤᮼᮼᮼ

ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᮖᮕᮜᮤ ᮧᮢᮟᮞᮗᮼ

ᮇᮘᮩ ᮧᮑᮣ ᮣᮘᮕ ᮒᮕᮓᮟᮝᮙᮞᮗ ᮣᮟᮼᮼᮼ

“ᮃᮕᮞᮙᮟᮢᮯ”

ᯚᮙ ᮁᮙᮞᮗ᮵ᮣ ᮦᮟᮙᮓᮕ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮙᮞᮤᮕᮢᮢᮥᮠᮤᮕᮔ ᯚᮙᮞ ᮉᮥ᮵ᮣ ᮣᮠᮙᮢᮑᮜᮙᮞᮗ ᮤᮘᮟᮥᮗᮘᮤᮣᮼ

ᮃᮘᮕ ᮠᮑᮤᮤᮕᮔ ᯚᮙᮞ ᮉᮥ᮵ᮣ ᮣᮘᮟᮥᮜᮔᮕᮢ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮑᮤᮕᮜᮩᮺ ᮗᮢᮙᮞᮞᮙᮞᮗ ᮑᮣ ᮣᮘᮕ ᮕᮞᮓᮟᮥᮢᮑᮗᮕᮔ ᮘᮕᮢᯈ

“ᯒᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩᮯ ᮉᮟᮥ᮵ᮢᮕ ᮑ ᮗᮕᮞᮥᮙᮞᮕ ᯑᮻᮂᮑᮞᮛ ᯛᮑᮗᮙᮓᮑᮜ ᯕᮙᮢᮜ ᮞᮟᮧᮯ ᮄᮘᮑᮤ ᮖᮟᮢᮤᮩ ᮤᮘᮟᮥᮣᮑᮞᮔ ᮩᮥᮑᮞ ᮝᮟᮞᮤᮘᮜᮩ ᮣᮑᮜᮑᮢᮩ ᮙᮣᮞ᮵ᮤ ᮚᮥᮣᮤ ᮖᮟᮢ ᮣᮘᮟᮧᮯ ᯗ ᮒᮕᮜᮙᮕᮦᮕ ᮙᮞ ᮩᮟᮥ—ᮩᮟᮥ᮵ᮜᮜ ᮒᮕ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮖᮙᮞᮕᮯ”

“ᯓᮨᮑᮓᮤᮜᮩᮼ”

ᯑᮘᮕᮞ ᯐᮙᮞᮗ ᮣᮤᮕᮠᮠᮕᮔ ᮖᮟᮢᮧᮑᮢᮔᮺ ᮞᮟᮔᮔᮙᮞᮗ ᮣᮜᮙᮗᮘᮤᮜᮩᮼ

“ᮄᮟ ᮘᮑᮦᮕ ᮣᮥᮢᮦᮙᮦᮕᮔ ᮤᮘᮙᮣ ᮜᮟᮞᮗ ᮑᮣ ᮑ ᯛᮑᮗᮙᮓᮑᮜ ᯕᮙᮢᮜᮺ ᮩᮟᮥ ᮑᮢᮕ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮣᮤᮢᮟᮞᮗᮕᮢ ᮤᮘᮑᮞ ᮩᮟᮥ ᮤᮘᮙᮞᮛᮼ”

“ᮄᮢᮥᮣᮤ ᮩᮟᮥᮢ ᮤᮢᮑᮙᮞᮙᮞᮗᮼ ᮄᮢᮥᮣᮤ ᮩᮟᮥᮢ ᮚᮥᮔᮗᮝᮕᮞᮤᮼ”

“ᮇᮘᮙᮜᮕ ᮩᮟᮥ᮵ᮢᮕ ᮣᮤᮙᮜᮜ ᮑ ᮢᮟᮟᮛᮙᮕ ᮙᮞ ᮝᮩ ᮕᮩᮕᮣᮺ ᯗ ᮔᮟᮞ᮵ᮤ ᮤᮘᮙᮞᮛ ᮩᮟᮥ᮵ᮢᮕ ᮗᮟᮙᮞᮗ ᮤᮟ ᮔᮙᮕ ᮘᮕᮢᮕᮼ”

ᮄᮘᮕ ᮕᮞᮓᮟᮥᮢᮑᮗᮕᮝᮕᮞᮤ ᮖᮢᮟᮝ ᮘᮕᮢ ᮓᮟᮝᮢᮑᮔᮕᮣ ᮖᮜᮟᮧᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᯚᮙᮞ ᮉᮥ ᮜᮙᮛᮕ ᮑ ᮧᮑᮢᮝ ᮓᮥᮢᮢᮕᮞᮤᮼ

ᯚᮟᮟᮛᮙᮞᮗ ᮒᮑᮓᮛ ᮟᮞ ᮘᮕᮢ ᮜᮙᮖᮕᮺ ᮣᮘᮕ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮣᮘᮕ ᮘᮑᮔ ᮟᮞᮜᮩ ᮕᮦᮕᮢ ᮖᮕᮜᮤ ᮤᮘᮙᮣ ᮛᮙᮞᮔ ᮟᮖ ᮧᮑᮢᮝᮤᮘ ᮣᮙᮞᮓᮕ ᮒᮕᮓᮟᮝᮙᮞᮗ ᮑ ᯛᮑᮗᮙᮓᮑᮜ ᯕᮙᮢᮜᮼ

ᮃᮘᮕ ᮤᮟᮟᮛ ᮑ ᮔᮕᮕᮠ ᮒᮢᮕᮑᮤᮘᮺ ᮑᮒᮟᮥᮤ ᮤᮟ ᮣᮠᮕᮑᮛ—

“ᮄᮘᮟᮣᮕ ᮧᮟᮢᮔᮣ ᮑᮢᮕ ᮝᮕᮑᮞᮙᮞᮗᮜᮕᮣᮣᮼ”

ᯏᮞ ᮙᮓᮩ ᮖᮙᮗᮥᮢᮕ ᮣᮤᮕᮠᮠᮕᮔ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮘᮕᮢᮼ

ᯗᮤ ᮧᮑᮣ ᮉᮕᮩᮑᮟᮩᮕᮙᮼ

ᮃᮘᮕ ᮘᮑᮔ ᮧᮑᮜᮛᮕᮔ ᮑᮧᮑᮩ ᮖᮢᮟᮝ ᮤᮘᮕ ᮢᮟᮟᮖᮤᮟᮠ ᮕᮔᮗᮕ ᮥᮞᮞᮟᮤᮙᮓᮕᮔᮺ ᮤᮘᮕ ᮢᮑᮙᮞ ᮣᮟᮑᮛᮙᮞᮗ ᮘᮕᮢ ᮣᮙᮜᮛᮕᮞ ᮒᮜᮑᮓᮛ ᮘᮑᮙᮢᮺ ᮧᮘᮙᮓᮘ ᮓᮜᮥᮞᮗ ᮤᮟ ᮘᮕᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮜᮕᮣᮣᮺ ᮔᮕᮜᮙᮓᮑᮤᮕ ᮖᮑᮓᮕᮼ

ᯖᮕᮢ ᮒᮟᮤᮤᮟᮝᮜᮕᮣᮣᮺ ᮠᮑᮜᮕ ᮒᮜᮥᮕ ᮕᮩᮕᮣ ᮧᮕᮢᮕ ᮖᮙᮨᮕᮔ ᮥᮞᮒᮜᮙᮞᮛᮙᮞᮗᮜᮩ ᮟᮞ ᯚᮙᮞ ᮉᮥᮼ

“ᯕᮢᮑᮤᮙᮤᮥᮔᮕᮺ ᮠᮢᮟᮝᮙᮣᮕᮣᮺ ᮑᮞᮔ ᮤᮘᮟᮣᮕ ᮥᮞᮢᮕᮑᮜᮙᮣᮤᮙᮓ ᮖᮜᮑᮗᮣᮼᮼᮼ ᮟᮞ ᮤᮘᮕ ᮒᮑᮤᮤᮜᮕᮖᮙᮕᮜᮔᮺ ᮤᮘᮟᮣᮕ ᮑᮢᮕ ᮤᮘᮕ ᮤᮘᮙᮞᮗᮣ ᮤᮘᮑᮤ ᮧᮙᮜᮜ ᮗᮕᮤ ᮩᮟᮥ ᮛᮙᮜᮜᮕᮔ ᮖᮙᮢᮣᮤᮼ”

ᮉᮕᮩᮑᮟᮩᮕᮙ᮵ᮣ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮣᮟᮖᮤᮺ ᮑᮜᮝᮟᮣᮤ ᮣᮧᮑᮜᮜᮟᮧᮕᮔ ᮒᮩ ᮤᮘᮕ ᮧᮙᮞᮔ ᮑᮞᮔ ᮢᮑᮙᮞᮺ ᮩᮕᮤ ᮙᮤ ᮠᮙᮕᮢᮓᮕᮔ ᯚᮙᮞ ᮉᮥ᮵ᮣ ᮕᮑᮢᮣ ᮧᮙᮤᮘ ᮑᮒᮣᮟᮜᮥᮤᮕ ᮓᮜᮑᮢᮙᮤᮩᮼ

ᮃᮘᮕ ᮣᮜᮟᮧᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮑ ᮘᮑᮞᮔᮺ ᮘᮕᮢ ᮣᮜᮕᮞᮔᮕᮢ ᮖᮙᮞᮗᮕᮢ ᮜᮙᮗᮘᮤᮜᮩ ᮤᮑᮠᮠᮙᮞᮗ ᮤᮘᮕ ᮣᮠᮟᮤ ᮧᮘᮕᮢᮕ ᯚᮙᮞ ᮉᮥ᮵ᮣ ᮘᮕᮑᮢᮤ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮠᮟᮥᮞᮔᮙᮞᮗ ᮧᮙᮜᮔᮜᮩᮼ

ᮄᮘᮕ ᮙᮓᮩ ᮤᮟᮥᮓᮘ ᮝᮑᮔᮕ ᯚᮙᮞ ᮉᮥ ᮗᮑᮣᮠᮼ

“ᯜᮟᮧᮺ ᮑᮞᮣᮧᮕᮢ ᮝᮩ ᮖᮙᮞᮑᮜ ᮡᮥᮕᮣᮤᮙᮟᮞᮼ”

ᮉᮕᮩᮑᮟᮩᮕᮙ᮵ᮣ ᮗᮑ᮪ᮕ ᮧᮑᮣ ᮣᮘᮑᮢᮠ ᮑᮣ ᮑ ᮛᮞᮙᮖᮕᮼ

“—ᯏᮢᮕ ᮩᮟᮥ ᮢᮕᮑᮔᮩ ᮤᮟ ᮛᮙᮜᮜᯍ”

ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮦᮕᮢᮒᮑᮜ ᮑᮞᮣᮧᮕᮢᮼ

ᯚᮙᮞ ᮉᮥ ᮣᮙᮝᮠᮜᮩ ᮢᮑᮙᮣᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮣᮜᮟᮧᮜᮩ ᮑᮞᮔ ᮠᮢᮕᮣᮣᮕᮔ ᮜᮙᮗᮘᮤᮜᮩ ᮟᮞ ᮤᮘᮕ ᮙᮢᮢᮕᮗᮥᮜᮑᮢ ᮘᮕᮨᮑᮗᮟᮞᮑᮜ ᮓᮢᮩᮣᮤᮑᮜ ᮒᮢᮟᮟᮓᮘᮼ

ᮄᮘᮕ ᮞᮕᮨᮤ ᮣᮕᮓᮟᮞᮔᮺ ᮑ ᮣᮟᮖᮤ ᮩᮕᮤ ᮢᮕᮣᮟᮜᮥᮤᮕ ᮠᮙᮞᮛ ᮜᮙᮗᮘᮤ ᮤᮟᮢᮕ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮢᮑᮙᮞᮩ ᮞᮙᮗᮘᮤᮯ

ᯏᮣ ᮤᮘᮕ ᮒᮢᮙᮜᮜᮙᮑᮞᮤ ᮜᮙᮗᮘᮤ ᮖᮙᮞᮑᮜᮜᮩ ᮖᮑᮔᮕᮔᮺ ᮤᮘᮕ ᯛᮑᮗᮙᮓᮑᮜ ᯕᮙᮢᮜᮺ ᮋᯕᮢᮑᮩ ᯑᮢᮩᮣᮤᮑᮜᮍ—ᮧᮙᮤᮘ ᮘᮕᮢ ᮣᮙᮜᮦᮕᮢ ᮘᮑᮙᮢ ᮑᮞᮔ ᮣᮤᮢᮙᮛᮙᮞᮗ ᮘᮕᮤᮕᮢᮟᮓᮘᮢᮟᮝᮑᮤᮙᮓ ᮕᮩᮕᮣ—ᮣᮤᮟᮟᮔ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮙᮞ ᮠᮜᮑᮓᮕᮼ

ᮃᮘᮕ ᮘᮑᮔ ᮔᮕᮜᮙᮦᮕᮢᮕᮔ ᮤᮘᮕ ᮠᮕᮢᮖᮕᮓᮤ ᮑᮞᮣᮧᮕᮢ ᮤᮘᮢᮟᮥᮗᮘ ᮘᮕᮢ ᮑᮓᮤᮙᮟᮞᮣᮼ

No Money, So I Became a Magical Girl

Lin Yu, male, twenty-six years old. After five years of “flexible employment,” he can’t even afford rent anymore and is about to get kicked out. With his life falling apart, he begins to feel the desire to “restart.” Until—he receives an offer from a labor dispatch company. Labor dispatch? Fine, whatever… but… “No one told me that being a magical girl also counts as labor dispatch work!?” Girls in their tender youth, fighting against cruel monsters… Lord Gray Crystal is furious…

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