Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 104

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ᮄᮘᮑᮤ ᮔᮑᮩᮺ ᯗ ᮓᮜᮥᮤᮓᮘᮕᮔ ᮝᮩ ᮑᮓᮘᮙᮞᮗ ᮘᮕᮑᮔᮺ ᮖᮑᮓᮙᮞᮗ ᮑ ᮝᮑᮞ ᮧᮘᮟ ᮧᮑᮣ ᮓᮜᮑᮓᮛᮙᮞᮗ ᮑᮧᮑᮩ ᮟᮞ ᮑᮞ ᮑᮒᮑᮓᮥᮣ ᮘᮕ’ᮔ ᮠᮥᮜᮜᮕᮔ ᮟᮥᮤ ᮖᮢᮟᮝ ᮧᮘᮟᮻᮛᮞᮟᮧᮣᮻᮧᮘᮕᮢᮕᮼ

“ᯗ ᮣᮕᮕᮼ ᮃᮟᮺ ᮤᮘᮕ ᯝᮙᮢᮑᮞ’ᮣ ᮣᮘᮑᮢᮕ ᮧᮙᮜᮜ ᮒᮕ ᮤᮧᮕᮞᮤᮩᮻᮖᮙᮦᮕ ᮠᮕᮢᮓᮕᮞᮤᮼ”

“ᯗ ᮢᮕᮖᮥᮣᮕᮼ”

“ᮇᮘᮑᮤᯍ ᮄᮧᮕᮞᮤᮩᮻᮖᮙᮦᮕ ᮠᮕᮢᮓᮕᮞᮤ ᮙᮣᮞ’ᮤ ᮕᮞᮟᮥᮗᮘ ᮖᮟᮢ ᮩᮟᮥᯍ ᯏᮜᮢᮙᮗᮘᮤᮺ ᮘᮟᮧ ᮑᮒᮟᮥᮤ ᮤᮘᮙᮢᮤᮩ ᮠᮕᮢᮓᮕᮞᮤᮺ ᮤᮘᮙᮢᮤᮩ ᮠᮕᮢᮓᮕᮞᮤᯍ ᯗ ᮓᮑᮞ’ᮤ ᮗᮙᮦᮕ ᮩᮟᮥ ᮑ ᮣᮙᮞᮗᮜᮕ ᮓᮟᮙᮞ ᮝᮟᮢᮕ ᮤᮘᮑᮞ ᮤᮘᮑᮤᮯ”

“ᯗᮤ’ᮣ ᮞᮟᮤ ᮑᮒᮟᮥᮤ ᮤᮘᮕ ᮣᮘᮑᮢᮕᮯ ᯗ’ᮝ ᮤᮕᮜᮜᮙᮞᮗ ᮩᮟᮥᮺ ᯗ ᮢᮕᮖᮥᮣᮕᮯ”

ᮄᮘᮕ ᮝᮑᮞ’ᮣ ᮞᮑᮝᮕ ᮧᮑᮣ ᯙᮟᮤᮑᮤᮣᮥ ᯒᮕᮞᮝᮑᮼ ᮄᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮙᮤ’ᮣ ᮣᮥᮓᮘ ᮑᮞ ᮑᮝᮑ᮪ᮙᮞᮗ ᮞᮑᮝᮕ ᮙᮣ ᮒᮕᮓᮑᮥᮣᮕ ᮙᮤ’ᮣ ᮑ ᮠᮕᮞ ᮞᮑᮝᮕᮼ ᮉᮕᮣᮺ ᮤᮘᮙᮣ ᮝᮑᮞ ᮧᮑᮣ ᮑ ᮠᮜᮑᮩᮧᮢᮙᮗᮘᮤᮼ

ᯏᮣ ᮣᮟᮟᮞ ᮑᮣ ᮘᮕ ᮑᮢᮢᮙᮦᮕᮔᮺ ᮘᮕ ᮔᮕᮓᮜᮑᮢᮕᮔ ᮘᮕ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮧᮢᮙᮤᮕ ᮑ ᮞᮟᮞᮻᮖᮙᮓᮤᮙᮟᮞ ᮣᮤᮟᮢᮩ ᮧᮙᮤᮘ ᮝᮕ ᮑᮣ ᮤᮘᮕ ᮠᮢᮟᮤᮑᮗᮟᮞᮙᮣᮤ… ᯏᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮞᮟᮤᮼ ᮄᮘᮕ ᮞᮙᮗᮘᮤᮝᮑᮢᮕ ᮟᮖ ᮤᮘᮑᮤ ᮃᮑᮝᮑ ᮧᮘᮟ ᮑᮢᮒᮙᮤᮢᮑᮢᮙᮜᮩ ᮤᮥᮢᮞᮕᮔ ᮝᮕ ᮙᮞᮤᮟ ᮑ ᮠᮜᮑᮩ ᮓᮑᮝᮕ ᮖᮜᮟᮟᮔᮙᮞᮗ ᮒᮑᮓᮛᮼ

…ᯐᮑᮓᮛ ᮤᮘᮕᮞᮺ ᮙᮤ ᮧᮑᮣᮞ’ᮤ ᮕᮦᮕᮞ ᮠᮢᮟᮝᮟᮤᮙᮟᮞᮯ ᯗᮤ ᮚᮥᮣᮤ ᮒᮢᮟᮥᮗᮘᮤ ᮙᮞ ᮝᮟᮢᮕ ᮕᮓᮓᮕᮞᮤᮢᮙᮓ ᮓᮥᮣᮤᮟᮝᮕᮢᮣᮯ

ᮇᮘᮕᮞ ᮑ ᮣᮥᮝᮟ ᮧᮢᮕᮣᮤᮜᮕᮢ ᮧᮘᮟ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮧᮙᮞ ᮑᮞᮩᮝᮟᮢᮕ ᮑᮣᮛᮕᮔ ᮝᮕ ᮤᮟ ᮤᮕᮑᮓᮘ ᮘᮙᮝ ᮘᮟᮧ ᮤᮟ ᮗᮕᮤ ᮘᮙᮣ ᮧᮙᮞᮞᮙᮞᮗ ᮣᮠᮙᮢᮙᮤ ᮒᮑᮓᮛᮺ ᯗ ᮢᮕᮑᮜᮜᮩ ᮔᮙᮔᮞ’ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮤᮟ ᮔᮟᮼ

“ᮇᮕᮜᮜᮺ ᮧᮕᮜᮜᮺ ᮠᮜᮑᮩᮙᮞᮗ ᮘᮑᮢᮔ ᮤᮟ ᮗᮕᮤᮺ ᮑᮢᮕ ᮧᮕᯍ ᯏᮣ ᮕᮨᮠᮕᮓᮤᮕᮔ ᮟᮖ ᮑᮞ ᯝᮙᮢᮑᮞᮺ ᮩᮟᮥ’ᮦᮕ ᮗᮟᮤ ᮝᮕᮼ ᯖᮟᮧ ᮑᮒᮟᮥᮤ ᮤᮘᮙᮢᮤᮩᮻᮤᮧᮟ ᮠᮕᮢᮓᮕᮞᮤᯍ”

ᯐᮩ ᮤᮘᮕ ᮧᮑᮩᮺ ᮤᮘᮕ ᮠᮕᮢᮓᮕᮞᮤᮑᮗᮕᮣ ᮘᮕ’ᮣ ᮒᮕᮕᮞ ᮢᮑᮤᮤᮜᮙᮞᮗ ᮟᮖᮖ ᮑᮢᮕ ᮑᮠᮠᮑᮢᮕᮞᮤᮜᮩ ᮝᮩ ᮣᮘᮑᮢᮕ ᮟᮖ ᮤᮘᮕ ᮒᮟᮟᮛ’ᮣ ᮣᮑᮜᮕᮣ… ᯗ ᮔᮟᮞ’ᮤ ᮞᮕᮕᮔ ᮕᮦᮕᮞ ᮟᮞᮕ ᮠᮕᮢᮓᮕᮞᮤᮺ ᮣᮟ ᮓᮑᮞ’ᮤ ᮘᮕ ᮚᮥᮣᮤ ᮗᮙᮦᮕ ᮥᮠᮺ ᮣᮕᮢᮙᮟᮥᮣᮜᮩᯍ

“ᯗ ᮔᮙᮣᮜᮙᮛᮕ ᮣᮥᮓᮘ ᮒᮑᮢᮗᮑᮙᮞᮙᮞᮗᮼ ᮄᮢᮥᮜᮩᮺ ᯗ ᮔᮕᮤᮕᮣᮤ ᮙᮤᮺ ᮣᮟ ᮠᮜᮕᮑᮣᮕ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮡᮥᮙᮓᮛᮜᮩᮯ”

“ᮇᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮣᮑᮩᮙᮞᮗᯍ ᯚᮙᮣᮤᮕᮞᮺ ᮤᮘᮕᮢᮕ ᮑᮢᮕ ᮓᮟᮥᮞᮤᮜᮕᮣᮣ ᮠᮕᮟᮠᮜᮕ ᮧᮘᮟ ᮑᮔᮝᮙᮢᮕ ᯝᮙᮢᮑᮞᮼ ᯝᮠᮠᮟᮢᮤᮥᮞᮙᮤᮙᮕᮣ ᮤᮟ ᮒᮕᮓᮟᮝᮕ ᮑᮞ ᯏᮞᮗᮕᮜ ᮧᮘᮟ ᮓᮑᮞ ᮣᮟᮟᮤᮘᮕ ᮤᮘᮕᮙᮢ ᮘᮥᮞᮗᮕᮢ ᮔᮟᮞ’ᮤ ᮓᮟᮝᮕ ᮟᮖᮤᮕᮞᮺ ᮩᮟᮥ ᮛᮞᮟᮧᮼ”

“ᯜᮟᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥᮼ”

“ᮇᮘᮑᮤ’ᮣ ᮝᮟᮢᮕᮺ ᮙᮤ’ᮜᮜ ᮒᮢᮙᮞᮗ ᮙᮞ ᮗᮟᮟᮔ ᮝᮟᮞᮕᮩᮼ”

“ᯓᮦᮕᮞ ᮝᮟᮢᮕ ᮣᮟᮺ ᮞᮟ ᮤᮘᮑᮞᮛ ᮩᮟᮥᮼ”

“ᮉᮟᮥ ᮤᮢᮥᮜᮩ ᮑᮢᮕ ᮑ ᮣᮤᮥᮒᮒᮟᮢᮞ ᮠᮕᮢᮣᮟᮞᮼ ᮇᮘᮑᮤ ᮝᮥᮣᮤ ᯗ ᮣᮑᮩ ᮤᮟ ᮝᮑᮛᮕ ᮩᮟᮥ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᯍ”

ᮄᮘᮑᮤ’ᮣ ᮝᮩ ᮜᮙᮞᮕᮯᮯ

ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮛᮙᮓᮛ ᮘᮙᮝ ᮟᮥᮤ ᮑᮜᮢᮕᮑᮔᮩᮺ ᮒᮥᮤ ᮑ ᮓᮥᮣᮤᮟᮝᮕᮢ ᮙᮣ ᮑ ᮓᮥᮣᮤᮟᮝᮕᮢᮼ ᯗ ᮘᮕᮜᮔ ᮒᮑᮓᮛ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮧᮕᮜᮜᮙᮞᮗ ᮥᮠ ᮙᮞᮣᮙᮔᮕ ᮝᮕ ᮑᮞᮔ ᮣᮝᮙᮜᮕᮔ ᮣᮧᮕᮕᮤᮜᮩᮼ …ᯗ ᮘᮟᮠᮕ ᮝᮩ ᮣᮝᮙᮜᮕ ᮧᮑᮣᮞ’ᮤ ᮤᮟᮟ ᮣᮤᮢᮑᮙᮞᮕᮔ…

“ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮑᮤ ᮩᮟᮥ ᮣᮑᮩᮺ ᯗ ᮧᮙᮜᮜ ᮞᮟᮤ ᮑᮗᮢᮕᮕᮼ ᮀᮜᮕᮑᮣᮕ ᮗᮙᮦᮕ ᮥᮠᮼ”

“ᯗᮣ ᮤᮘᮑᮤ ᮣᮟ…”

“ᯗᮞᮔᮕᮕᮔᮼ”

ᯙᮟᮤᮑᮤᮣᮥᮻᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮜᮟᮟᮛᮙᮞᮗ ᮔᮟᮧᮞ ᮧᮙᮤᮘ ᮑ ᮤᮘᮟᮥᮗᮘᮤᮖᮥᮜ ᮘᮥᮝᮺ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮞᮔ ᮖᮜᮑᮣᮘᮕᮔ ᮑ ᮒᮢᮙᮗᮘᮤ ᮣᮝᮙᮜᮕᮼ

“ᮄᮘᮕᮞᮺ ᮙᮖ ᮤᮘᮕ ᯝᮙᮢᮑᮞ ᮙᮣ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮡᮥᮕᮣᮤᮙᮟᮞᮺ ᯗ ᮣᮘᮑᮜᮜ ᮙᮞᮤᮢᮟᮔᮥᮓᮕ ᮟᮞᮕ ᮟᮖ ᮩᮟᮥᮢ ᮓᮟᮜᮜᮕᮑᮗᮥᮕᮣ…”

ᯐᮥᮤ ᮤᮘᮑᮤ ᮣᮝᮙᮜᮕ ᮡᮥᮙᮓᮛᮜᮩ ᮖᮑᮔᮕᮔᮼ

“ᯜᮟᮺ ᮒᮥᮤ ᮓᮘᮑᮞᮗᮙᮞᮗ ᮟᮞᮕ’ᮣ ᮢᮕᮗᮥᮜᮑᮢ ᯝᮙᮢᮑᮞ ᮗᮟᮕᮣ ᮑᮗᮑᮙᮞᮣᮤ ᮤᮘᮕ ᮓᮟᮔᮕ ᮟᮖ ᮤᮘᮕ ᮠᮜᮕᮑᮣᮥᮢᮕ ᮡᮥᮑᮢᮤᮕᮢᮣᮺ ᮔᮟᮕᮣᮞ’ᮤ ᮙᮤ…”

ᯜᮟᮯ ᯘᮥᮣᮤ ᮤᮘᮙᮣ ᮟᮞᮓᮕᮺ ᮓᮘᮑᮞᮗᮙᮞᮗ ᮩᮟᮥᮢ ᮔᮕᮣᮙᮗᮞᮑᮤᮕᮔ ᯝᮙᮢᮑᮞ ᮙᮣ ᮤᮟᮤᮑᮜᮜᮩ ᮖᮙᮞᮕᮯᮯ

ᯗᮞ ᮖᮑᮓᮤᮺ ᮙᮖ ᮩᮟᮥ ᮚᮥᮣᮤ ᮔᮕᮣᮙᮗᮞᮑᮤᮕ ᮣᮟᮝᮕᮟᮞᮕ ᮟᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮝᮕᮺ ᯗ ᮔᮟᮞ’ᮤ ᮕᮦᮕᮞ ᮞᮕᮕᮔ ᮤᮘᮕ ᮖᮕᮕ ᮖᮟᮢ ᮤᮘᮙᮣ ᮦᮙᮣᮙᮤᮯ

ᮄᮘᮕᮞ ᮗᮟ ᮘᮟᮝᮕ ᮑᮞᮔ ᮧᮢᮙᮤᮕ ᮧᮘᮑᮤᮕᮦᮕᮢ ᮞᮟᮦᮕᮜ ᮩᮟᮥ ᮜᮙᮛᮕ—ᮞᮟᮞᮻᮖᮙᮓᮤᮙᮟᮞᮺ ᮢᮟᮝᮻᮓᮟᮝᮺ ᮑᮞᮩᮤᮘᮙᮞᮗᮯ ᯘᮥᮣᮤ ᮧᮙᮤᮘ ᮣᮟᮝᮕᮟᮞᮕ ᮟᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮝᮕ ᮑᮣ ᮤᮘᮕ ᮘᮕᮢᮟᮙᮞᮕᮯ

“ᮄᮘᮙᮣ ᮤᮙᮝᮕᮺ ᮙᮤ ᮙᮣ ᮝᮩ ᮖᮑᮥᮜᮤ ᮖᮟᮢ ᮢᮕᮖᮥᮣᮙᮞᮗ ᯙᮟᮤᮑᮤᮣᮥᮻᮃᮑᮝᮑ’ᮣ ᮟᮖᮖᮕᮢᮼ ᯗ ᮧᮙᮜᮜ ᮣᮠᮕᮑᮛ ᮤᮟ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮝᮩᮣᮕᮜᮖᮺ ᮣᮟ ᮠᮜᮕᮑᮣᮕ ᮖᮙᮞᮔ ᮑ ᮠᮑᮢᮤᮞᮕᮢ ᮩᮟᮥ ᮜᮙᮛᮕ ᮞᮟᮧᮼ”

“ᮄᮘᮙᮣ ᮙᮣ ᮝᮟᮣᮤ ᮛᮙᮞᮔᮼ ᮄᮘᮕᮞ ᯗ ᮣᮘᮑᮜᮜ ᮤᮑᮛᮕ ᮩᮟᮥ ᮥᮠ ᮟᮞ ᮩᮟᮥᮢ ᮟᮖᮖᮕᮢᮼ ᯝᮙᮢᮑᮞᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥ ᮑᮗᮑᮙᮞ ᮑᮞᮔ ᮑᮗᮑᮙᮞ ᮖᮟᮢ ᮤᮟᮔᮑᮩᮼ”

ᯙᮟᮤᮑᮤᮣᮥᮻᮃᮑᮝᮑ ᮜᮕᮖᮤ ᮤᮘᮕ ᮢᮟᮟᮝᮺ ᮑᮞᮔ ᯗ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮣᮙᮗᮘᮼ

ᯝᮘ ᮞᮟᮼ ᯛᮩ ᮣᮘᮟᮥᮜᮔᮕᮢᮣ ᮘᮑᮦᮕ ᮞᮕᮦᮕᮢ ᮒᮕᮕᮞ ᮤᮘᮙᮣ ᮣᮤᮙᮖᮖ ᮒᮕᮖᮟᮢᮕᮼ

ᯐᮥᮤ ᮣᮟᮝᮕᮘᮟᮧᮺ ᯗ ᮝᮑᮞᮑᮗᮕᮔ ᮤᮟ ᮠᮢᮕᮦᮕᮞᮤ ᮑ ᮣᮕᮓᮟᮞᮔ “ᮝᮕᮻᮑᮣᮻᮑᮻᮣᮤᮟᮢᮩ”ᮯ ᯗ ᮢᮕᮑᮜᮜᮩ ᮔᮙᮔ ᮝᮩ ᮒᮕᮣᮤᮯ

…ᯗ ᮧᮑᮣ ᮞᮑᮙᮦᮕ ᮤᮟ ᮤᮘᮙᮞᮛ ᮤᮘᮑᮤᮼ ᯗ ᮖᮟᮥᮞᮔ ᮟᮥᮤ ᮟᮤᮘᮕᮢᮧᮙᮣᮕ ᮑ ᮜᮙᮤᮤᮜᮕ ᮧᮘᮙᮜᮕ ᮜᮑᮤᮕᮢᮺ ᮧᮘᮕᮞ ᯙᮙᮛᮩᮟ ᮓᮑᮜᮜᮕᮔ ᮟᮥᮤ ᮤᮟ ᮝᮕ ᮙᮞ ᮤᮘᮕ ᯛᮙᮤᮟᮣᮘᮙ ᮓᮟᮢᮢᮙᮔᮟᮢᮼ

“ᯏᮘᮺ ᮉᮑᮝᮑᮒᮥᮛᮙᮻᮃᮑᮝᮑᮺ ᯗ ᮘᮑᮦᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮖᮢᮟᮝ ᮄᮕᮑᮓᮘᮕᮢ ᯙᮟᮤᮑᮤᮣᮥᮻᮃᮑᮝᮑᮼ”

“ᯙᮟᮤᮑᮤᮣᮥ… ᮤᮘᮑᮤ ᮠᮜᮑᮩᮧᮢᮙᮗᮘᮤᯍ”

“ᯗᮞᮔᮕᮕᮔᮼ ᯖᮕ ᮑᮣᮛᮕᮔ ᮝᮕ ᮤᮟ ᮗᮙᮦᮕ ᮩᮟᮥ ᮤᮘᮙᮣ ᮙᮜᮜᮥᮣᮤᮢᮑᮤᮕᮔ ᮣᮤᮟᮢᮩᮒᮟᮟᮛᮼ”

“ᮇᮘᮩ ᮧᮟᮥᮜᮔ ᮘᮕ…ᯍᮯ”

ᯛᮩ ᮦᮟᮙᮓᮕ ᮧᮕᮞᮤ ᮥᮠ ᮙᮞ ᮑ ᮣᮤᮢᮑᮞᮗᮕ ᮧᮑᮩᮺ ᮞᮟᮤ ᮑᮤ ᮑᮜᮜ ᮜᮙᮛᮕ ᮑᮞ ᯝᮙᮢᮑᮞᮺ ᮒᮥᮤ ᮠᮜᮕᮑᮣᮕ ᮖᮟᮢᮗᮙᮦᮕ ᮝᮕᮼ

ᯐᮕᮓᮑᮥᮣᮕᮺ ᮒᮕᮓᮑᮥᮣᮕᮺ ᮧᮘᮑᮤ ᮙᮣ ᮤᮘᮙᮣ ᮒᮟᮟᮛ ᮤᮙᮤᮜᮕᮺ ᮸ᯒᮢᮑᮗᮟᮞᮣ ᮑᮞᮔ ᮄᮙᮗᮕᮢᮣ ᮃᮤᮑᮞᮔᮙᮞᮗ ᮃᮙᮔᮕᮻᮒᮩᮻᮃᮙᮔᮕᯈ ᯙᮙᮛᮩᮟ ᮑᮞᮔ ᮉᮑᮝᮑᮒᮥᮛᮙ᮸ᯍᮯ ᯜᮟᮺ ᮣᮕᮢᮙᮟᮥᮣᮜᮩᮯ

“ᮄᮘᮙᮣᮺ ᮙᮣ…”

“ᮄᮕᮑᮓᮘᮕᮢ ᮑᮣᮛᮕᮔ ᮝᮕ ᮙᮖ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑᮜᮢᮙᮗᮘᮤ ᮤᮟ ᮧᮢᮙᮤᮕ ᮑᮒᮟᮥᮤ ᮝᮕ ᮙᮞ ᮑᮞ ᮙᮜᮜᮥᮣᮤᮢᮑᮤᮕᮔ ᮣᮤᮟᮢᮩᮒᮟᮟᮛᮺ ᮠᮢᮟᮝᮙᮣᮙᮞᮗ ᮑ ᮣᮘᮑᮢᮕ ᮙᮖ ᮙᮤ ᮣᮟᮜᮔᮼ ᯗ ᮑᮓᮓᮕᮠᮤᮕᮔᮺ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮝᮩ ᮢᮕᮗᮥᮜᮑᮢᮣ ᮧᮟᮥᮜᮔ ᮙᮞᮓᮢᮕᮑᮣᮕᮺ ᮑᮞᮔ ᯛᮙᮤᮟᮣᮘᮙ’ᮣ ᮓᮥᮣᮤᮟᮝᮕᮢᮣ ᮧᮟᮥᮜᮔ ᮤᮟᮟᮼ ᯏᮘᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮧᮑᮣ ᮠᮜᮕᮑᮣᮕᮔ ᮑᮣ ᮧᮕᮜᮜᮼ”

ᯙᮙᮛᮩᮟ ᮜᮑᮥᮗᮘᮕᮔ ᮙᮞᮞᮟᮓᮕᮞᮤᮜᮩᮺ ᮣᮑᮩᮙᮞᮗᮺ “ᮇᮙᮤᮘ ᮤᮘᮙᮣᮺ ᮤᮘᮕ ᮔᮑᮩ ᯗ ᮒᮕᮓᮟᮝᮕ ᮄᮘᮕ ᮗᮢᮕᮑᮤᮕᮣᮤ ᮧᮙᮜᮜ ᮣᮥᮢᮕᮜᮩ ᮔᮢᮑᮧ ᮓᮜᮟᮣᮕᮢᮯ”

“ᮄᮘᮕᮞᮺ ᮄᮕᮑᮓᮘᮕᮢ ᮑᮣᮛᮕᮔ ᮧᮘᮟ ᮓᮟᮥᮜᮔ ᮢᮙᮦᮑᮜ ᮝᮕ ᮙᮞ ᮑ ᮧᮟᮝᮑᮞ’ᮣ ᮒᮑᮤᮤᮜᮕᮺ ᮑᮞᮔ ᮧᮘᮕᮞ ᯗ ᮤᮟᮜᮔ ᮘᮙᮝ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟ ᮟᮞᮕ ᮒᮥᮤ ᮉᮑᮝᮑᮒᮥᮛᮙᮻᮃᮑᮝᮑᮺ ᮤᮘᮙᮣ ᮙᮜᮜᮥᮣᮤᮢᮑᮤᮕᮔ ᮣᮤᮟᮢᮩᮒᮟᮟᮛ ᮓᮑᮝᮕ ᮤᮟ ᮒᮕᮼ ᯗᮤ’ᮣ ᮞᮟ ᮖᮜᮑᮤᮤᮕᮢᮩᮺ ᮩᮟᮥ ᮛᮞᮟᮧᮼ ᮄᮘᮕ ᮟᮞᮜᮩ ᮟᮞᮕ ᯗ ᮤᮢᮥᮜᮩ ᮑᮓᮛᮞᮟᮧᮜᮕᮔᮗᮕ ᮙᮞ ᮉᮟᮣᮘᮙᮧᮑᮢᮑ ᮙᮣ ᮉᮑᮝᮑᮒᮥᮛᮙᮻᮃᮑᮝᮑᮼ”

ᯝᮘᮺ ᮟᮘᮺ ᯗ ᮣᮕᮕ… ᯗ’ᮝ ᮢᮕᮑᮜᮜᮩ ᮘᮑᮠᮠᮩ ᮩᮟᮥ ᮑᮓᮛᮞᮟᮧᮜᮕᮔᮗᮕ ᮝᮕᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥᮺ ᯙᮙᮛᮩᮟ… ᮒᮥᮤ ᯗ ᮧᮙᮣᮘ ᮩᮟᮥ’ᮔ ᮑᮣᮛᮕᮔ ᮝᮕ ᮖᮟᮢ ᮠᮕᮢᮝᮙᮣᮣᮙᮟᮞ ᮖᮙᮢᮣᮤ…

“ᮇᮘᮑᮤ’ᮣ ᮧᮢᮟᮞᮗᮺ ᮉᮑᮝᮑᮒᮥᮛᮙᮻᮃᮑᮝᮑᯍ ᮉᮟᮥ ᮜᮟᮟᮛ ᮠᮑᮜᮕᮼ”

“ᯗᮺ ᯗ ᮚᮥᮣᮤ ᮗᮟᮤ ᮑ ᮜᮙᮤᮤᮜᮕ ᮥᮠᮣᮕᮤ…”

“ᯝᮘᮺ ᮠᮜᮕᮑᮣᮕ ᮢᮕᮣᮤ ᮙᮞ ᮩᮟᮥᮢ ᮢᮟᮟᮝ ᮡᮥᮙᮓᮛᮜᮩᮼ ᮄᮕᮑᮓᮘᮕᮢ ᮣᮑᮩᮣ ᮤᮘᮕ ᮙᮜᮜᮥᮣᮤᮢᮑᮤᮕᮔ ᮣᮤᮟᮢᮩᮒᮟᮟᮛ ᮙᮣ ᮣᮕᮜᮜᮙᮞᮗ ᮧᮕᮜᮜᮺ ᮣᮟ ᮓᮥᮣᮤᮟᮝᮕᮢᮣ ᮧᮙᮜᮜ ᮣᮥᮢᮕᮜᮩ ᮙᮞᮓᮢᮕᮑᮣᮕ ᮖᮢᮟᮝ ᮞᮟᮧ ᮟᮞᮼ ᯗᮖ ᮤᮘᮕ ᯒᮢᮑᮗᮟᮞᮺ ᮝᮕᮺ ᮑᮞᮔ ᮤᮘᮕ ᮄᮙᮗᮕᮢᮺ ᮉᮑᮝᮑᮒᮥᮛᮙᮻᮃᮑᮝᮑᮺ ᮑᮢᮕᮞ’ᮤ ᮒᮟᮤᮘ ᮠᮢᮕᮣᮕᮞᮤᮺ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑ ᮔᮙᮣᮗᮢᮑᮓᮕ ᮤᮟ ᮟᮥᮢ ᮢᮕᮠᮥᮤᮑᮤᮙᮟᮞᮺ ᮩᮟᮥ ᮛᮞᮟᮧᮼ”

ᮃᮕᮢᮙᮟᮥᮣᮜᮩᯍ ᯗ’ᮔ ᮢᮑᮤᮘᮕᮢ ᮓᮟᮜᮜᮑᮠᮣᮕ ᮝᮩᮣᮕᮜᮖᮼ

ᮄᮘᮑᮤ ᮧᮑᮣ ᮤᮘᮕ ᮓᮑᮠᮤᮙᮟᮞ ᮤᮘᮑᮤ ᮖᮜᮑᮣᮘᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮝᮙᮞᮔ ᮧᮘᮕᮞ ᯗ ᮘᮕᮑᮢᮔ ᯙᮙᮛᮩᮟ’ᮣ ᮧᮟᮢᮔᮣᮼ

ᯊᯜᮟᮤᮕᯌ

ᮄᮘᮕ ᮣᮥᮝᮟ ᮧᮢᮕᮣᮤᮜᮕᮢ ᮧᮘᮟ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮧᮙᮞ ᮑᮞᮩᮝᮟᮢᮕᯈ ᮄᮘᮑᮤ’ᮣ ᯜᮑᮞᮑᮤᮣᮥᮝᮟᮢᮙᮻᮃᮑᮝᮑ ᮖᮢᮟᮝ ᯑᮘᮑᮠᮤᮕᮢ ᯃᮾᮺ “ᯏ ᯕᮟᮟᮔ ᯛᮑᮞ ᮇᮘᮟ ᯚᮙᮦᮕᮣ ᮄᮧᮕᮞᮤᮩ ᯒᮑᮩᮣ ᮙᮞ ᮑ ᮉᮕᮑᮢᮼ”

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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