Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 108

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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აႩႱႽႱႲჅႻႹლ ჷ ႸႵႱჂ ჉ႿჅვჂႵ ႸႱ჆ႹႾႷ Ⴑ ႳႿჃჄჅႽႵ ႳႿႽჀႵჄႹჄႹႿႾ ჇႹჄႸ ႤႿჂႱႻႹႳႸႹლ ႵႸჭა

ႤႸႵ ႣႱႽႱლ ჇႸႿ ႸႱႴ ႺჅჃჄ ႳႿႽႵ ჅჀჃჄႱႹჂჃლ ჃႱႹႴ ჄႸႱჄლ ႼႿႿႻႹႾႷ ႱჄ ႽႵ ჇႹჄႸ ႱႾ ႹႾႳჂႵႴႹႲႼ჉ ႲႵႱႽႹႾႷ ჃႽႹႼႵნ

ႧႸႵႾ ႸႵ ႳႿႽႵჃ ႱჄ ႽႵ ႼႹႻႵ ჄႸႹჃლ ჷ ႳႱႾ ჅჃჅႱႼႼ჉ ႷჅႵჃჃ ჇႸႱჄ ႸႵვჃ ႷႿႹႾႷ ჄႿ ჃႱ჉ ႾႵ჈Ⴤნ

ႣႿ ჷ ჂႵჀႼႹႵႴ ჇႹჄႸ ჄႸႵ ჃႱႽႵ ႼႹႾႵ ჷვႴ ႱႼჂႵႱႴ჉ ႷႹ჆ႵႾ ჄႿ ჃႵ჆ႵჂႱႼ ႿჄႸႵჂჃნ

აჼႿ ႾႵჇ ჃႳႸႵႽႵჃ ႱჂႵ ႾႵႵႴႵႴლ ႣႱႽႱნა

აႧႸმჇႸ჉ ႴႿ ჉ႿჅ ႻႾႿჇ ჇႸႱჄ ჷ ჇႱჃ ႱႲႿჅჄ ჄႿ ჃႱ჉ჭ჏ა

აჷჄვჃ ჇჂႹჄჄႵႾ ႱႼႼ Ⴟ჆ႵჂ ჉ႿჅჂ ႶႱႳႵლ ႣႱႽႱნა

აႧႸႱ—჏ ႧႸႿ ჇႿჅႼႴ ႲႵ ჃႿ ჂჅႴႵჭ ჯ ႽႹჂჂႿჂ჏ ჰჂႹႾႷ ႽႵ Ⴑ ႽႹჂჂႿჂ჏ა

აႩႵჃლ ႣႱႽႱნა

ႧႸႵႾ ჷ ႸႱႾႴႵႴ ჄႸႵ ႣႱႽႱ Ⴑ ႸႱႾႴ ႽႹჂჂႿჂლ ႸႵ ჃჄႱჂႵႴ ႹႾჄႵႾჄႼ჉ ႱჄ ႹჄ ჇႹჄႸ Ⴑ ჀჅ჊჊ႼႵႴ Ⴕ჈ჀჂႵჃჃႹႿႾლ ჃႱ჉ႹႾႷლ აႤႸႵჂႵვჃ ႾႿჄႸႹႾႷ ჇჂႹჄჄႵႾ ႸႵჂႵ჏ა

აჷჄ ჇႱჃ ႽႵჂႵႼ჉ Ⴑ ႺႵჃჄლ ႣႱႽႱნ ჷ ႿႾႼ჉ ჄႸႿჅႷႸჄ ჄႸႱჄ Ⴑ ႣႱႽႱ ჇႸႿ ႶႱ჆ႿჂჃ ႽႵ ჃႿ ႽჅႳႸ ჇႿჅႼႴ ჃႱ჉ ჃჅႳႸ Ⴑ ჄႸႹႾႷნა

აႧႸႱჄჭ ႩႿჅ ჃჄႱჂჄႼႵႴ ႽႵნ ჰჅჄ ႩႱႽႱႲჅႻႹლ ჄႸႵ჉ ჃႱ჉ ႤႿჂႱႻႹႳႸႹ ႹჃ ჁჅႹჄႵ Ⴑ ჇႿႽႱႾ ჄႿႿნ ႤႸႿჅႷႸლ ჷ ჃჅჀჀႿჃႵ ჃႸႵ ႳႱႾვჄ ჃჅჂჀႱჃჃ ჉ႿჅნა

აჲႿႵჃ ႣႱႽႱ ႻႾႿჇ ႤႿჂႱႻႹႳႸႹ ႣႱႽႱჭა

აჷვ჆Ⴕ ႹႾ჆ႹჄႵႴ ႸႵჂ ჄႿ Ⴝ჉ ჀႱჂႼႿჂ ႲႵႶႿჂႵნ ႧႸႵႾ ႿႾႵ ჃჀႵႱႻჃ ႿႶ ႤႱჄჃჅႽႹ ჵႵႹჃႸႱლ ႤႿჂႱႻႹႳႸႹვჃ ႾႱႽႵ ႱႼჇႱ჉Ⴣ ႳႿႽႵჃ ჅჀლ ჉ႿჅ ჃႵႵნ ჯႸლ ჄႸႱჄვჃ ჂႹႷႸჄლ ႩႱႽႱႲჅႻႹლ ჉ႿჅ ႸႱ჆ႵႾვჄ ჃႵႵႾ ႤႿჂႱႻႹႳႸႹვჃ ჀႱჂႼႿჂლ ႸႱ჆Ⴕ ჉ႿჅჭ ჽႾႵ ჃႸႿჅႼႴႾვჄ ႵႾჄႵჂ Ⴑ ႳႿႾჄႵჃჄ ჇႹჄႸႿჅჄ ႻႾႿჇႹႾႷ ჄႸႵႹჂ ႿჀჀႿႾႵႾჄნ ჷვႼႼ ႾႵႷႿჄႹႱჄႵ ჇႹჄႸ ჄႸႵ ჺႱႾႴႼႱႴ჉ ႱႾႴ ႸႱ჆Ⴕ ჻ႹჄႿჃႸႹ ႳႱႼႼ ႤႿჂႱႻႹႳႸႹ Ⴟ჆ႵჂ ႶႿჂ ჉ႿჅნა

აႤႸႱჄ ჇႿჅႼႴ ჄჂჅႼ჉ ႲႵ ႹႽჀჂႿჀႵჂლ ႣႱႽႱნ ჷ ჃႸႱႼႼ ႳႿႽჀႵჄႵ ႶႱႹჂႼ჉ ႱႾႴ ႸႿႾႿჂႱႲႼ჉ლ ႹႾ Ⴝ჉ ႿჇႾ ჇႱ჉ლ ჃႿ ჀႼႵႱჃႵ ႴႿ ႾႿჄ ჄჂႿჅႲႼႵ ჉ႿჅჂჃႵႼႶნა

აႧႵႼႼლ Ⴕ჆ႵႾ ႹႶ ჉ႿჅ ჃႱ჉ ჄႸႱჄნნნა

ႤႸႵ ႣႱႽႱლ ჇႸႿ ႱႼჇႱ჉Ⴣ ႸႱႴ ႱႾ ႱႲჅႾႴႱႾႳႵ ႿႶ ჀႿႹႾჄႼႵჃჃ ႵႾჄႸჅჃႹႱჃႽლ ႽჅႽႲႼႵႴ ႸႹჃ ჇႿჂႴჃლ ჀႼႱ჉ႹႾႷ ჇႹჄႸ ჄႸႵႽ ႹႾ ႸႹჃ ႽႿჅჄႸნ

ႣჅჃჀႹႳႹႿჅჃნ ჳ჈ჄჂႵႽႵႼ჉ ჃჅჃჀႹႳႹႿჅჃნ

აჼႿჇლ ႣႱႽႱლ ႱჂႵ ჉ႿჅ ႾႿჄ ႻႵႵჀႹႾႷ ჃႿႽႵჄႸႹႾႷ ႶჂႿႽ ႽႵჭა

აჼႿლ ჇႵႼႼლ ჉ႿჅ ჃႵႵნნნა

აჽႸლ ႸႿჇ ჆Ⴕ჈ႹႾႷნ ჷჃ ႹჄ ჃႿႽႵჄႸႹႾႷ ჉ႿჅ ႳႱႾႾႿჄ ჄႵႼႼ ႽႵჭა

ႧႸႵႾ ჷ ႷႱ჆Ⴕ ჄႸႵ ႣႱႽႱვჃ ႸႱႾႴ Ⴑ ႶႹჂႽ ჀႹႾႳႸლ ႸႵ ႽႱႴႵ Ⴑ ჄჂႿჅႲႼႵႴ ႶႱႳႵ ႱႾႴ ჃႱႹႴლ აႣჄႿჀლ ჃჄႿჀ჏ა

ႤႸႵႾლ ႸႵ ႿჀႵႾႵႴ ႸႹჃ ႽႿჅჄႸლ ႼႿႿႻႹႾႷ ႱჃ ႹႶ ႹჄ ჇႵჂႵ ႴႹႶႶႹႳჅႼჄ ჄႿ ჃჀႵႱႻნ

აჯႳჄჅႱႼႼ჉ლ Ⴑ ႼႵჄჄႵჂ ႳႱႽႵ ႶჂႿႽ ႤႿჂႱႻႹႳႸႹნ ႣႸႵ ჃႱႹႴ ჄႸႱჄ ჃႹႾႳႵ ჉ႿჅ ႳႱႾႾႿჄ ႼႵႱ჆Ⴕ ႩႿჃႸႹჇႱჂႱლ ႹჄ ჇႿჅႼႴ ႷႿ ႱႷႱႹႾჃჄ ႸႵჂ ჀჂႹႾႳႹჀႼႵჃ ႿႶ ႸႿႾႿჂ ჄႿ ႸႱ჆Ⴕ Ⴑ ႳႿჃჄჅႽႵ ႳႿႽჀႵჄႹჄႹႿႾ ჇႹჄႸႿჅჄ ჉ႿჅ Ⴕ჆ႵჂ ႸႱ჆ႹႾႷ ჃႵႵႾ ႸႵჂ ჀႵჂႶႿჂႽႱႾႳႵნა

ႣႵჂႹႿჅჃႼ჉ჭ ႧႸႱჄ ႱႾ ႹႾႳჂႵႴႹႲႼ჉ ჀჂႹႾႳႹჀႼႵႴ ჀႵჂჃႿႾნ

ჰჅჄ ჷ ჃჅჀჀႿჃႵ ႹჄ ႳႱႾვჄ ႲႵ ႸႵႼჀႵႴნ ჷ ჂႵႱႼႼ჉ ႴႿ ႱႴႽႹჂႵ ჄႸႱჄ ႻႹႾႴ ႿႶ ႹႾჄႵႷჂႹჄ჉ნ

აჷႶ ჄႸႱჄ ႹჃ ჄႸႵ ႳႱჃႵლ ჄႸႵႾ ႹჄ ჇႿჅႼႴ ႲႵ ჇႵႼႼ ჄႿ ႹႾ჆ႹჄႵ ႤႿჂႱႻႹႳႸႹ ႣႱႽႱ ჄႿ ჄႸႵ ჀႱჂႼႿჂნა

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ႧႹჄႸ Ⴑ ႼႹႾႷႵჂႹႾႷ ჃႹႼႵႾႳႵლ ჄႸႵ ჃႿჅႾႴ ႿႶ ჄႸႵ ჃႸႱႽႹჃႵႾ ႶႱႴႵႴ ႱჇႱ჉ნ

ႤႿჂႱႻႹႳႸႹ ႣႱႽႱვჃ ႴႱႾႳႵ ჇႱჃ ჄჂჅႼ჉ ႽႱႷႾႹႶႹႳႵႾჄნ

ჶႵჂ ႽႿ჆ႵႽႵႾჄჃლ ჀჂႵႳႹჃႵ ႴႿჇႾ ჄႿ ႸႵჂ ႶႹႾႷႵჂჄႹჀჃლ ჇႵჂႵ ჃႸႱჂჀ ႱႾႴ ჆ႹႲჂႱႾჄ—Ⴑ ჄჂჅႼ჉ ႶႹჄჄႹႾႷ ႴႵჃႳჂႹჀჄႹႿႾნ

ჷႾႴႵႵႴლ ႹჄ ႶႵႼჄ ႽႿჂႵ ႼႹႻႵნნნ Ⴑ ჄႹႷႵჂ ჄႸႱႾ Ⴑ ႳჂႱႾႵ ႿჂ ႱႾ჉ჄႸႹႾႷ ႼႹႻႵ ჄႸႱჄნ

ა჻჉ ႴႱႾႳႵლ ႤႿჂႱႻႹႳႸႹვჃ ႴႱႾႳႵლ ჇႱჃ ႳჂჅႴႵნა

აჷჄ ჇႱჃ ჃჀႼႵႾႴႹႴნა

აႤႿ ႲႵ ჀჂႱႹჃႵႴ Ⴒ჉ ჉ႿჅლ ჄႸႱჄ ႽႱႻႵჃ ႽႵ ႸႱჀჀ჉ნ ႣႿლ ႶႿჂ ჄႸႵ ႳႿჃჄჅႽႵ ႳႿႽჀႵჄႹჄႹႿႾლ ჷვႼႼ ჀႵჂႶႿჂႽ ჄႸႹჃ ႴႱႾႳႵნ ჯႾႴ ႶႿჂ ჄႸႵ ႳႿჃჄჅႽႵლ ჷ ჀႼႱႾ ჄႿ ႳჂႵႱჄႵ ჃႿႽႵჄႸႹႾႷ ჃႿ ႼႱ჆ႹჃႸლ ჉ႿჅ ჇႿႾვჄ ႸႱ჆Ⴕ ჃႵႵႾ ႹჄჃ ႼႹႻႵ Ⴕ჆ႵႾ ႹႾ ჴჅႻႱႷႱჇႱნა

აჷჃ ႹჄ ჇႹჃႵ ჄႿ ჂႵ჆ႵႱႼ ჉ႿჅჂ ႸႱႾႴ ჄႿ ჉ႿჅჂ ႿჀჀႿႾႵႾჄლ ႣႱႽႱჭა

აჰႵႳႱჅჃႵ ჷ ႸႱ჆Ⴕ ႾႿ ႹႾჄႵႾჄႹႿႾ ႿႶ ႼႿჃႹႾႷნ ჷვႽ ჄჂჅႼ჉ ႼႿႿႻႹႾႷ ႶႿჂჇႱჂႴ ჄႿ ჃႵႵႹႾႷ ჇႸႱჄ ჉ႿჅვႼႼ ႴႿლ ႾႿჇ ჄႸႱჄ ჉ႿჅვ჆Ⴕ ჃႵႵႾ ႱႼႼ Ⴝ჉ ႳႱჂႴჃნა

აჽႸ Ⴝ჉ლ ჄႸႹჃ ჄႹႷႵჂ ჄჂჅႼ჉ ႸႱჃ Ⴑ ჃჀႹჂႹჄႵႴ ႴႵႽႵႱႾႿჂლ ႴႿႵჃႾვჄ ჃႸႵჭა

ჷ ჃႽႹႼႵႴლ ჀჅჄჄႹႾႷ ႿႾ Ⴑ ႳႿႽჀႿჃႵႴ ႶႱႳႵლ ႲჅჄ ႹႾჃႹႴႵლ ჷ ჇႱჃ ႶႵႵႼႹႾႷ Ⴑ ႼႹჄჄႼႵ ႶႼჅჃჄႵჂႵႴნ

ႤႿჂႱႻႹႳႸႹ ႣႱႽႱვჃ ႱჂჄႹჃჄჂ჉ ႱႾႴ ჂႵჃႿႼ჆Ⴕ ჇႵჂႵ ႲႿჄႸ ႷႵႾჅႹႾႵნ

ჷ ႾႵ჆ႵჂ ႵႾჄႵჂ Ⴑ ႳႿႾჄႵჃჄ Ⴕ჈ჀႵႳჄႹႾႷ ჄႿ ႼႿჃႵნნნ ႲჅჄ ჄႸႹჃ ჀႵჂჃႿႾ ႹჃ ႴႵႶႹႾႹჄႵႼ჉ Ⴑ ႶႿჂႽႹႴႱႲႼႵ ႿჀჀႿႾႵႾჄნ

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Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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