Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 11

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ჷჄ ჇႱჃ Ⴑ ႲႵႱჅჄႹႶჅႼ ႽႿႿႾႼႹჄ ႾႹႷႸჄნ

ჷ ႴႵႼႹႲႵჂႱჄႵႼ჉ ႴႹႽႽႵႴ ჄႸႵ ႱႾႴႿႾ ႼႱႽჀლ ჇႱႹჄႹႾႷ ႱႼႿႾႵ ႹႾ ჄႸႵ ႴႱჂႻ ჂႿႿႽ Ⴒ჉ ჄႸႵ ჇႹႾႴႿჇლ Ⴝ჉ ႼႿႾႷ ႻႹႽႿႾႿ ჃჀჂႵႱႴ ႿჅჄ ჄႿ ჇႵႼႳႿႽႵ ჰჂჅჃႸ ႣႸႿჀႻႵႵჀႵჂ ჷႸႵႹნ

ႤႸႵ ႳჂႹႽჃႿႾ ႻႹႽႿႾႿლ ჃჅႼႼႹႵႴ Ⴒ჉ ჹႹႻ჉Ⴟლ ჇႱჃ Ⴑ ჀႼႱႹႾლ ჄႸႹႳႻ ჃႹႼႻ ႷႱჂႽႵႾჄლ ჇႹჄႸ ႷႿႼႴႵႾ ჇႿ჆ႵႾ ჉ႱႽႱႲჅႻႹ ჀႱჄჄႵჂႾჃ ႿႾႼ჉ ႿႾ ჄႸႵ ჃႼႵႵ჆ႵჃნ ჯႾ჉ႿႾႵ ႳႿჅႼႴ ჃႵႵ ႹჄ ჇႱჃ ჃჄ჉ႼႹჃႸ ႱႾႴ Ⴕ჈ჀႵႾჃႹ჆Ⴕნ

ჷႾ ႿჄႸႵჂ ჇႿჂႴჃლ ჷႸႵႹ ჇႱჃ Ⴑ ႳႿႾႾႿႹჃჃႵჅჂლ ჀႿჃჃႵჃჃႹႾႷ ႲႿჄႸ ჇႵႱႼჄႸ ႱႾႴ ჂႵႶႹႾႵႽႵႾჄნ ჯႾႴ ჄႸႵ ႶႱႳჄ ჄႸႱჄ ႸႵვႴ ႷႹႶჄႵႴ ჃႿႽႵჄႸႹႾႷ ჃႿ ႼႱ჆ႹჃႸ ႽႵႱႾჄ ႸႵ ჇႱჃ ჅჄჄႵჂႼ჉ ჃႽႹჄჄႵႾ ჇႹჄႸ ႩႱႽႱႲჅႻႹნ

ჷ ႳႿჅႼႴႾვჄ ႼႵჄ ჃჅႳႸ Ⴑ ჆ႱႼჅႱႲႼႵ ႳჅჃჄႿႽႵჂ ჃႼႹჀ ႱჇႱ჉ ႲႵႳႱჅჃႵ ႿႶ ჃႿႽႵ ჀႵჄჄ჉ ႸႱჂႱჃჃႽႵႾჄნ

ჽႸლ ჄႸႱჄვჃ ჂႹႷႸჄლ ჹႹႻ჉Ⴟნ ႩႿჅჂ ႽႹჃჄႱႻႵ ჇႱჃ ჅႾႴႵჂႵჃჄႹႽႱჄႹႾႷ ႽႵლ ჄႸႵ ႶႿჂႽႵჂ ႾჅႽႲႵჂ ႿႾႵ ႹႾ ჹႱႲჅႻႹႳႸႿნ

ჷვ჆Ⴕ ႶႿჅႷႸჄ ႹႾ ႸႿჃჄႵჃჃ ႳႼჅႲჃ ჇႸႵჂႵ ႹႶ ჉ႿჅ ჃႼႹჀ ႶჂႿႽ ႾჅႽႲႵჂ ႿႾႵლ ჉ႿჅვჂႵ ႺჅჃჄ ႱႾႿჄႸႵჂ ႶႱႳႵ ႹႾ ჄႸႵ ႳჂႿჇႴნ ႤႸႵ ჃႸႵႵჂ ႾჅႽႲႵჂ ႿႶ ႲႱჄჄႼႵჃ ჷვ჆Ⴕ ႶႱႳႵႴლ ჄႸႵ ჂႵჃႿႼ჆Ⴕ ჷვ჆Ⴕ ႶႿჂႷႵႴ—ႹჄვჃ ႳႿႽჀႼႵჄႵႼ჉ ႴႹႶႶႵჂႵႾჄ ႶჂႿႽ ႱႾ ჽႹჂႱႾ ႼႹႻႵ ჉ႿჅლ ჇႸႿვჃ ႲႵႵႾ ჄჂႵႱჄႵႴ ႼႹႻႵ Ⴑ ჀჂႹႾႳႵჃჃ ႹႾ ჄႸႵ ჀႼႵႱჃჅჂႵ ჁჅႱჂჄႵჂ჏

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“ႩႱႽႱႲჅႻႹ჏ ჶႵႱჂႹႾႷ ჉ႿჅ ჇႵჂႵ ჂႵႳႿ჆ႵჂႹႾႷ ႱჇႱ჉ ႶჂႿႽ ႸႵჂႵლ ჷ ႳႿჅႼႴႾვჄ ჂႵჃჄნ ჷჃ ჉ႿჅჂ ႹႼႼႾႵჃჃ ႾႿჄ ჃႵჂႹႿჅჃჭ”

“ჽႸლ ჷႸႵႹ ႣႱႽႱლ ჇႵႼႳႿႽႵნ ჷ ႱႽ ჁჅႹჄႵ ჇႵႼႼ ႾႿჇნ”

ჷ ჂႵჀႼႹႵႴ ჄႿ ჰჂჅჃႸ ႣႸႿჀႻႵႵჀႵჂ ჷႸႵႹლ ჇႸႿ ჇႱჃ ႵႾჄႵჂႹႾႷ ჄႸႵ ჂႿႿႽლ ჇႹჄႸ Ⴑ ႼႱႾႷჅႹႴ ჆ႿႹႳႵნ

ႢႹႷႸჄ ႾႿჇლ ჄႸႵ ႽႿႿႾႼႹႷႸჄ ႹႾ ჄႸႹჃ ჂႿႿႽ ჃႸႿჅႼႴ ႲႵ ႶႱႼႼႹႾႷ ႿႾႼ჉ ႿႾ Ⴝ჉ ႶႱႳႵნ

ჯჃ ჷვႴ ႹႽႱႷႹႾႵႴლ ჷႸႵႹ ჇႱჃ Ⴑ ჂႵႶႹႾႵႴ ႽႱႾ ႹႾ ႸႹჃ ႶႹႶჄႹႵჃლ ႳႼႵႱჂႼ჉ ႶჂႿႽ Ⴑ ჀჂႿႽႹႾႵႾჄ ႽႵჂႳႸႱႾჄ ႶႱႽႹႼ჉ნ

ჶႵ ჇႱჃ ჃჅჂႵႼ჉ ჄႸႵ Ⴤ჉ჀႵ ႿႶ ႽႱႾ ჇႸႿ ႵႾႺႿ჉ႵႴ ႸႹႽჃႵႼႶ ჄႱჃჄႵႶჅႼႼ჉ლ ჄႸႵ ႻႹႾႴ ჇႸႿ ჇႿჅႼႴ ႲႵ ჀႿჀჅႼႱჂ Ⴕ჆ႵႾ ႹႾ ႽႿႴႵჂႾ ჹႱႲჅႻႹႳႸႿნ

“ჽႸლ ჄႸႱჄ ჆ႿႹႳႵლ ჷ ჇႹჃႸ ჄႿ ႸႵႱჂ ႹჄ Ⴕ჆ႵჂ჉ ႴႱ჉ნ ჷჄჃ ႲႵႱჅჄ჉ ႹჃ ႾႿ ႼႵჃჃ ჄႸႱႾ ჄႸႵ Ⴝ჉ჃჄႵჂႹႿჅჃ ႻႿჄႿ ႿႶ ჄႸႵ ႣႿჅჄႸႵჂႾ ჰႱჂႲႱჂႹႱႾჃნ”

“჻჉ჃჄႵჂႹႿჅჃ… ჇႱჃ ჷ Ⴑ ႴႵႽႿႾლ ჄႸႵႾჭ ႩႵჄ… ჄႿႾႹႷႸჄლ ჷ ႽႱ჉ ႹႾႴႵႵႴ ႲႵ Ⴑ ႴႵႽႿႾნ”

ႧႹჄႸ ჄႸႿჃႵ ჇႿჂႴჃლ ჷ ჃჄႿႿႴ ჅჀ ႱႾႴ ႴჂႱႽႱჄႹႳႱႼႼ჉ ჅႾႶჅჂႼႵႴ Ⴝ჉ ႻႹႽႿႾႿ ჇႹჄႸ Ⴑ ႶႼႿჅჂႹჃႸნ

ჷႾ ჄႸႵ ႽႿႿႾႼႹႷႸჄლ ჄႸႵ ႲႼႱႳႻ ჃჄႱႹႾ ႿႾ ჄႸႵ ႸႵႽ ႿႶ Ⴝ჉ ႻႹႽႿႾႿ ႽჅჃჄ ႸႱ჆Ⴕ ႲႵႵႾ ႳႼႵႱჂႼ჉ ჆ႹჃႹႲႼႵ ჄႿ ჷႸႵႹნ

“ႩႱႽႱႲჅႻႹ… ჄႸႱჄ ႹჃ ჄႸႵ ႻႹႽႿႾႿ ჷ ႷႱ჆Ⴕ ჉ႿჅ…”

“ႤႸႵ ႴჂჅႽ ႿႾ ჄႸႵ ჇႱჄႳႸჄႿჇႵჂლ ႲႵႱჄႵႾ ႶႿჂ ႼႿ჆Ⴕნ ჯႾ ႿჂႴႹႾႱჂ჉ ჇႿႽႱႾ ჇႿჅႼႴ ჄჅჂႾ ႸႵჂ ႼႿ჆ႹႾႷ ႸႵႱჂჄ ႹႾჄႿ Ⴑ ჂႵႴ ႶႼႿჇႵჂლ ႼႹႻႵ ჽჃႸႹႳႸႹნ ჰჅჄ ჷ ႱႽ Ⴑ ჇႿႽႱႾ ႿႶ ႩႿჃႸႹჇႱჂႱნ ჳ჆ႵႾ ႹႶ ჷ ჂႵႳႵႹ჆Ⴕ Ⴑ ႳჂႹႽჃႿႾ ႷႱჂႽႵႾჄლ ჇႸႱჄ ႲႼႿႿႽჃ ჄႸႵჂႵ ႹჃ Ⴑ ႲႼႱႳႻ ႸႵႼႼႶႼႿჇႵჂნ ჯჃ ჷ ჉ႵႱჂႾႵႴ ႶႿჂ ჷႸႵႹ ႣႱႽႱლ ჉ႵႱჂႾႵႴ ႶႿჂ ჷႸႵႹ ႣႱႽႱლ Ⴕ჆ႵႾ ჄႸႵ ႷႱჂႽႵႾჄ ჷႸႵႹ ႣႱႽႱ ჄႿჅႳႸႵႴ ႲႵႳႱႽႵ ႸႱჄႵႶჅႼლ ႱႾႴ Ⴑ ႸႵႼႼႶႼႿჇႵჂ ႲႼႿႿႽႵႴ ႹႾ Ⴝ჉ ႸႵႱჂჄ… ჷ ჇႹႼႼ ႾႿჄ ႱჀႿႼႿႷႹ჊Ⴕნ ჷႶ ჉ႿჅ ჇႹჃႸ ჄႿ ႼႵႱ჆Ⴕლ ჄႸႵႾ ႼႵႱ჆Ⴕნ

ჯႾ ჽႹჂႱႾ ჃႿ ႶႿႿႼႹჃႸ ႱჃ ჄႿ ჄჂჅႼ჉ ႶႱႼႼ ႹႾ ႼႿ჆Ⴕ ჇႹჄႸ Ⴑ ႳჅჃჄႿႽႵჂ ႱႾႴ ႴႿ ჃჅႳႸ Ⴑ ჄႸႹႾႷ ႹჃ ႾႿჄ ჇႿჂჄႸ჉ ႿႶ ჷႸႵႹ ႣႱႽႱნ”

ႤႸႹჃ ჇႱჃ Ⴑ ႷႱႽႲႼႵნ ჽႾႵ ჷ ჇႱჃ ႳႿႾႶႹႴႵႾჄ ჷ ჇႿჅႼႴ ჇႹႾლ ႿႶ ႳႿჅჂჃႵნ

ႩႱႽႱႲჅႻႹლ ჇႸႿ ჃႿႼႴ ႸႵჂჃႵႼႶ ႿႾ ႸႵჂ ჃჀႹჂႹჄ ႱႾႴ ႳႸႹ჆ႱႼჂ჉ლ ႸႱႴ ჃჅჂႵႼ჉ ႾႵ჆ႵჂ ႳႼჅႾႷ ჄႿ Ⴑ ႽႱႾ ჇႹჄႸ ჃჅႳႸ ႴႵჃჀႵჂႱჄႵ ႱႶႶႵႳჄႹႿႾ ႲႵႶႿჂႵნ

ႤႸႹჃ ჇႱჃ ჄႸႵ ႶႹჂჃჄ ჄႹႽႵ ჃႸႵვႴ Ⴕ჆ႵჂ ႳႼჅႾႷ ჄႿ ჃႿႽႵႿႾႵნ ႣႸႿჇႹႾႷ ჇႵႱႻႾႵჃჃნ ჱႿႾႶႵჃჃႹႾႷ ჄႸႱჄ ჃႸႵ ႼႿ჆ႵႴ ႸႹႽ ჃႿ ႽჅႳႸ ჃႸႵვႴ Ⴕ჆ႵႾ ჂჅႹႾ ႱႾ Ⴕ჈ჀႵႾჃႹ჆Ⴕ ႻႹႽႿႾႿნ

ႠჂႵႳႹჃႵႼ჉ ႲႵႳႱჅჃႵ ႹჄ ჇႱჃ ჃႿ ႿჅჄ ႿႶ ႳႸႱჂႱႳჄႵჂლ ႹჄ ႳႱჂჂႹႵႴ ჄႸႵ ჂႹႾႷ ႿႶ ჄჂჅჄႸ ႱႾႴ ჀႹႵჂႳႵႴ ჄႸႵ ႽႱႾვჃ ႸႵႱჂჄნ

ႧႵႼႼლ ႹႾ Ⴑ ჇႿჂႴლ ჷ ჇႱჃ ႺჅჃჄ ႲႵႹႾႷ Ⴑ ჄჃჅႾႴႵჂႵნ ჰჅჄ ჄႸႵ ვႴႵჂႵვ ჀႱჂჄ ႿႶ ჄჃჅႾႴႵჂႵ ႹჃ ႱႼჇႱ჉Ⴣ ႽႿჂႵ ႵႶႶႵႳჄႹ჆Ⴕ ჄႸႱႾ ႱႾ჉ ႱႽႿჅႾჄ ႿႶ ႶႼႱჄჄႵჂ჉ლ ႹჃႾვჄ ႹჄჭ

“ჲႿႾვჄ ჃჀႵႱႻ ႿႶ ႸႵႼႼႶႼႿჇႵჂჃლ ႩႱႽႱႲჅႻႹ჏”

ჷႸႵႹ ႵႽႲჂႱႳႵႴ ႽႵ ႶჂႿႽ ႲႵႸႹႾႴლ ႱჃ ჷ ჃჄႿႿႴ ჂႹႷႹႴႼ჉ Ⴒ჉ ჄႸႵ ჇႹႾႴႿჇნ

“ႩႿჅ ႼႿ჆ႵႴ ႽႵ ჄႸႱჄ ႽჅႳႸ… ჷვ჆Ⴕ ႴႿႾႵ Ⴑ ჄႵჂჂႹႲႼႵ ჄႸႹႾႷ… ჷႶ ႿႾႼ჉ ჷ ႸႱႴႾვჄ ႲႿჅႷႸჄ ႿჅჄ ႱႾႿჄႸႵჂ ჽႹჂႱႾ ႲႵႶႿჂႵ ႽႵႵჄႹႾႷ ჉ႿჅ… ჳ჆ႵႾ ჰჂჅჃႸ ႣႸႿჀႻႵႵჀႵჂ ჷႸႵႹ ႳႱႾႾႿჄ ჃჅჀჀႿჂჄ ჄჇႿ ჽႹჂႱႾნ”

“ჷ ႻႾႵჇ… ჷ ႻႾႵჇ ႹჄ… ႤႸႱჄ ႹჃ ჇႸ჉ ჄႿႾႹႷႸჄლ ჷ ႱႽ Ⴑ ႴႵႽႿႾ…”

“ჲႿႾვჄ ႳჂ჉ლ ჀႼႵႱჃႵ ႴႿႾვჄ ႳჂ჉ნ ჷ ႱႽ ჄႸႵ ႿႾႵ ႱჄ ႶႱჅႼჄნ ჷ ჂႵჃႵႾჄ Ⴝ჉ ႿჇႾ ႹႾႱႴႵჁჅႱႳ჉ლ ჄႿ ႲႵ ႼႿ჆ႵႴ ჃႿ ႽჅႳႸ Ⴒ჉ ႩႱႽႱႲჅႻႹ ჄႸႱჄ ჃႸႵ ჇႵႵჀჃნ”

“ႩႿჅ ჇႿჅႼႴ ჃႱ჉ ჃჅႳႸ Ⴑ ჄႸႹႾႷ ჄႿ Ⴑ ႴႵႽႿႾ ႶჂႿႽ ႸႵႼႼ ႼႹႻႵ ႽႵჭ”

“ჯ ႴႵႽႿႾ ႶჂႿႽ ႸႵႼႼ… ႩႿჅ ႱჂႵ Ⴑ ႴႵ჆ႿჄႵႴ ႱႾႷႵႼლ ႩႱႽႱႲჅႻႹნ”

ႩႵჃ჏ ჶႵვჃ ႸႿႿႻႵႴ჏

ჹႹႻ჉Ⴟლ ჷ ჃႸႿჅႼႴ ႱႳჄჅႱႼႼ჉ ჄႸႱႾႻ ჉ႿჅნ

ႤႸႱႾႻჃ ჄႿ ჉ႿჅლ ჷႸႵႹ ჇႹႼႼ ႲႵ Ⴕ჆ႵႾ ႽႿჂႵ ႹႾႶႱჄჅႱჄႵႴ ჇႹჄႸ ႽႵ ჄႸႱႾ ႲႵႶႿჂႵ჏

“ႤႸႿჃႵ ჇႿჂႴჃ ჄჂჅႼ჉ ႽႱႻႵ ႽႵ ႸႱჀჀ჉ლ ჷႸႵႹ ႣႱႽႱ…”

“ჷ ႴႿ ႾႿჄ ჇႹჃႸ ჄႿ ჃႵႵ ჉ႿჅჂ ჄႵႱჂჃნ ႠႼႵႱჃႵ ჅႾႴႵჂჃჄႱႾႴ ჄႸႱჄ ჷ ჄჂჅႼ჉ ႼႿ჆Ⴕ ჉ႿჅ ჄႿႿნ”

“ჷႸႵႹ ႣႱႽႱ… ჷ ႱႽ ჃႿ ႸႱჀჀ჉… ჀႼႵႱჃႵ ႶႿჂႷႹ჆Ⴕ Ⴝ჉ ჄႵႱჂჃნ”

“ႩႿჅ ႱჂႵ ႱႼჇႱ჉Ⴣ ჃႿ ჃჀႹჂႹჄႵႴლ ႲჅჄ ჃႿႽႵჄႹႽႵჃ ჄႸႿჃႵ ႵႾႴႵႱჂႹႾႷ ႽႿႽႵႾჄჃ ႱჂႵ ჅჄჄႵჂႼ჉ ႳႱჀჄႹ჆ႱჄႹႾႷნ ჷ ჇႹႼႼ ႲႵ ႳႱჂႵႶჅႼ ႾႿჄ ჄႿ ႼႵჄ Ⴑ ႸႵႼႼႶႼႿჇႵჂ ႲႼႿႿႽ ႹႾ ჉ႿჅჂ ႸႵႱჂჄ ႱႷႱႹႾნ ჷ ჇႹႼႼ ႸႱ჆Ⴕ Ⴑ ႾႵჇ ႻႹႽႿႾႿ ႽႱႴႵ ႶႿჂ ჉ႿჅნ ႩႵჃლ Ⴑ ჇႸႹჄႵ ႿႾႵლ ჇႹჄႸ ჉ႱႽႱႲჅႻႹ ჃႳႱჄჄႵჂႵႴ ႱႼႼ Ⴟ჆ႵჂ ႹႾ ႷႿႼႴ ჄႸჂႵႱႴნ ჯႾ ႱႾႷႵႼვჃ ჂႱႹႽႵႾჄ ႽჅჃჄ ႲႵ ჇႸႹჄႵლ ႱႶჄႵჂ ႱႼႼნ”

“ႤႸႱჄ ჇႿჅႼႴ ႲႵ ჄჂჅႼ჉ ႲႵႱჅჄႹႶჅႼლ ჇႿჅႼႴႾვჄ ႹჄჭ”

ჷ ჄჅჂႾႵႴ Ⴝ჉ ჇႸႿႼႵ ႲႿႴ჉ ႱჂႿჅႾႴ ႱႾႴ ჀႼႱႳႵႴ Ⴑ ႶႹႾႷႵჂ ႿႾ ჷႸႵႹვჃ ႳႸႵႵႻნ

ႤႸႵ ჄႵႱჂჃ ჃႼႹႴႹႾႷ ႴႿჇႾ Ⴝ჉ ႳႸႵႵႻ ႽჅჃჄ ႸႱ჆Ⴕ ჃჀႱჂႻႼႵႴ ႹႾ ჄႸႵ ႽႿႿႾႼႹႷႸჄნ

ჳ჆ႵႾ ჇႹჄႸႿჅჄ ႼႱ჆ႹჃႸ ႱႳႳႵჃჃႿჂႹႵჃლ ჄႸႵჂႵ ႱჂႵ ႳႿჅႾჄႼႵჃჃ ჇႱ჉Ⴣ ჄႿ ႱႴႿჂႾ ႿႾႵჃႵႼႶნ

“ჷჄ ჇႿჅႼႴႾვჄ ႲႵ ႱჃ ႲႵႱჅჄႹႶჅႼ ႱჃ ჉ႿჅნ”

“ჽႸლ ჉ႿჅვჂႵ ჃႿ ჆Ⴕ჈ႹႾႷნ ჻ႱႻႹႾႷ ႽႵ ႶႵႵႼ ჄႸႹჃ ჇႱ჉ნ”

ႧႸႵႾ ჷ ჀႹႾႳႸႵႴ ჷႸႵႹვჃ ႸႱႾႴ ჇႹჄႸ Ⴑ ჄႵႱჂႶჅႼ ჃႽႹႼႵლ ႸႹჃ ჀჂႵ჆ႹႿჅჃႼ჉ ჃႵჂႹႿჅჃ Ⴕ჈ჀჂႵჃჃႹႿႾ ჃႿႶჄႵႾႵႴნ

“ჽჇლ ႿჇლ ჀႼႵႱჃႵ ႶႿჂႷႹ჆Ⴕ ႽႵნ”

“ჷ ჂႵႶჅჃႵნ ႩႿჅ ႽჅჃჄႾვჄ ჄႵႼႼ ႱႾ჉ႿႾႵ ჄႸႱჄ ႩႱႽႱႲჅႻႹ ჃႸႵႴ ჄႵႱჂჃნ ჽႾႼ჉ ႶႿჂ ჷႸႵႹ ႣႱႽႱ…”

“ჷ ჅႾႴႵჂჃჄႱႾႴლ ჷ ჅႾႴႵჂჃჄႱႾႴნ ჷ ႱႽ ႼႹႻႵႼ჉ ჄႸႵ ႿႾႼ჉ ႽႱႾ ჄႿ ႸႱ჆Ⴕ Ⴕ჆ႵჂ ჃႵႵႾ ჄႸႵ ჄႵႱჂჃ ႿႶ ჄႸႵ ႷჂႵႱჄ ჽႹჂႱႾ ႩႱႽႱႲჅႻႹნ ჷ ჇႿჅႼႴ ႾႵ჆ႵჂ ჄႵႼႼ ႱႾ჉ႿႾႵნ”

“ႩႿჅ ႱჂႵ ჄჂჅႼ჉ Ⴑ ႳႸႱჂႽႹႾႷ ႽႱႾ…”

“ჯႾႴ ჉ႿჅლ Ⴝ჉ ႴႵႱჂნ ჯႸლ ჄႿႾႹႷႸჄლ ჄႸႵჂႵვჃ ႾႿ ႾႵႵႴ ႶႿჂ ჄႸႵ ႲႵႴნ ჷ ႿႾႼ჉ ႳႱႽႵ ႲႵႳႱჅჃႵ ჷ ჇႱჃ ჇႿჂჂႹႵႴ ႱႲႿჅჄ ჉ႿჅჂ ႸႵႱႼჄႸლ ႩႱႽႱႲჅႻႹნ ჷ ႱႽ ႾႿჄ ჃႿ ႸႵႱჂჄႼႵჃჃ ႱჃ ჄႿ ჄႱႻႵ Ⴑ ჇႿႽႱႾ ჷ ႼႿ჆Ⴕ ჄႿ ႲႵႴ ჂႹႷႸჄ ႱႶჄႵჂ ჃႸႵვჃ ჂႵჄჅჂႾႵႴ ႶჂႿႽ ჂႵႳႿ჆ႵჂ჉ნ

ჷ ჇႹႼႼ ႳႿႽႵ ႱႷႱႹႾლ ႩႱႽႱႲჅႻႹნ ႧႸႵႾ ჷ ႴႿლ ჇႵႼႳႿႽႵ ႽႵ ႱჃ ႱႾ ႱႾႷႵႼნ”

“ႩႵჃნ ჯႾႴ ჄႸႵႾლ ჀႼႵႱჃႵ ႳႸႵჂႹჃႸ ႽႵ ჄႿ ჉ႿჅჂ ႸႵႱჂჄვჃ ႳႿႾჄႵႾჄ…”

ჷ ჃႽႹႼႵႴ ჃჇႵႵჄႼ჉ნ

ჯ ჃႽႹႼႵ ႽႵႱႾჄ ႶႿჂ ႲႿჄႸ ჷႸႵႹ ႱႾႴ ჹႹႻ჉Ⴟნ

ჹႹႻ჉Ⴟლ ჄႸႹჃ ჂႿჅႾႴლ ჷ ჇႹႾ჏

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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