Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 115

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

Is this chapter an error? Report it immediately so it can be fixed as soon as possible!

ვჺႱႴ჉჏ ჷვ჆Ⴕ ႲႵႵႾ ჇႱႹჄႹႾႷ ႶႿჂ ჉ႿჅ჏ვ

ႢႿႳႳႿ ႣႱႽႱ ჃჄႱႾႴჃ ჅჀ ႸႱჀჀႹႼ჉ნ

ჶႵვჃ ႷჂႹႾႾႹႾႷ ჃႿ ჇႹႴႵႼ჉ლ ႸႵ ႼႿႿႻჃ ႼႹႻႵ Ⴑ ႲႹႷ ႴႿႷნ

ჱႸႵჃჄႵჂ ႣႱႽႱ ႱႼჃႿ ჃႽႹႼႵჃ ႴႹჃႳჂႵႵჄႼ჉ ႱႾႴ ႷႹ჆ႵჃ Ⴑ ჃႼႹႷႸჄ ႲႿჇნ

ႩႵႱႸნ ჷ ႳႱႾ ჄႵႼႼ ႶჂႿႽ ႸႿჇ ႸႵვჃ ჄჂႵႱჄႵႴ ႽႵ ჃႿ ႶႱჂ ჄႸႱჄ ჱႸႵჃჄႵჂ ႣႱႽႱ ႹჃ ႱႾ ႹႾႳჂႵႴႹႲႼ჉ ႼႹႲႵჂႱႼ ႱႾႴ ႷႿႿႴ ჀႵჂჃႿႾ ႶႿჂ ႱႾ ჳႾႷႼႹჃႸ ႾႿႲႼႵ ႿႶ ჄႸႹჃ ႵჂႱნ

ჰჅჄ ჇႸႵႾ ႹჄ ႳႿႽႵჃ ჄႿ ႽႱჂჂႹႱႷႵნნნ ႹჄვჃ ႾႿჄ ჄႸႱჄ ჃႹႽჀႼႵლ ႹჃ ႹჄჭ

ႧႵႼႼლ ႼႵჄვჃ ჀჅჄ ჄႸႱჄ ႱჃႹႴႵ ႶႿჂ ႾႿჇნ

ჴႿჂ ႾႿჇლ ႼႵჄვჃ ႸႱ჆Ⴕ ႢႿႳႳႿ ႣႱႽႱ ჄჂ჉ ჄႸႹჃ ჷჄႱႼႹႱႾ ჅႴႿႾლ ჃႸႱႼႼ ჇႵჭ

ვႢႿႳႳႿ ႣႱႽႱლ ჄႸႹჃ ႲႵ Ⴑ ჃႵႱ ჅჂႳႸႹႾ ჀႱჃჄႱ ჃჄ჉ႼႵნვ

ვႣႵႱ ჅჂႳႸႹႾჭ჏ ႧႵ ႣႹႳႹႼႹႱႾჃ ႼႿ჆Ⴕ ჃႵႱ ჅჂႳႸႹႾ჏ ჯჃ Ⴕ჈ჀႵႳჄႵႴ ႿႶ ႩႱႽႱႲჅႻႹ ႣႱႽႱ჏ვ

ჽႸႸ჏ ჶႵვჃ ႱႲჃႿႼჅჄႵႼ჉ ႲႵႱႽႹႾႷ჏ ႤႸႹჃ ჂႵႱႳჄႹႿႾ ႹჃ ჀႵჂႶႵႳჄ჏

ვჱႸႵჃჄႵჂ ႣႱႽႱლ ჄႿႿნ ჷႶ ჷ ჇႵჂႵ ჄႿ ჀჅჄ ႹჄ ႹႾ ჉ႿჅჂ ႳႿჅႾჄჂ჉ვჃ ჇႿჂႴჃლ ႹჄ ႲႵ Ⴑ ႳჂႵႱႽმႶႼႱ჆ႿჂႵႴ ႾႿႿႴႼႵნ ႠჂႱ჉ ႴႿ ჄჂ჉ ႹჄნვ

ႧႵ ႿႾႼ჉ ႸႱ჆Ⴕ ႳႸႿჀჃჄႹႳႻჃ ႶႿჂ ჅჄႵႾჃႹႼჃლ ჃႿ ჷ ႸႿჀႵ ჄႸႵ჉ვႼႼ ႶႿჂႷႹ჆Ⴕ ჄႸႱჄნნნ ჽႸლ ႢႿႳႳႿ ႣႱႽႱ ႱႾႴ ჱႸႵჃჄႵჂ ႣႱႽႱ ႳႱႾ ჅჃႵ ႳႸႿჀჃჄႹႳႻჃ ჀჂႵჄჄ჉ ჇႵႼႼჭ ႧႵႼႼლ ჄႸႵ჉ვ჆Ⴕ ႲႵႵႾ ႹႾ ჸႱჀႱႾ ႶႿჂ Ⴑ ႶႵჇ ჉ႵႱჂჃლ ჃႿ ჷ ႷჅႵჃჃ ჄႸႱჄ ႽႱႻႵჃ ჃႵႾჃႵნ ჵႿႿႴ჏

ვჼႿჇ ჄႸႵႾლ ჼႱჃႸႹႻႹ ႣႱႽႱლ ჉ႿჅ ჄႿႿნ ႠႼႵႱჃႵ ჄჂ჉ ႹჄ ႶႹჂჃჄნ ჷჄ ჃႸႿჅႼႴ ჄႱჃჄႵ ႼႹႻႵ ჃႵႱ ჅჂႳႸႹႾნვ

ჼႱჃႸႹႻႹ ႣႱႽႱლ ჇႸႿ ႸႱႴ ჃႵ჆ႵჂႱႼ ჇჂႹႾႻႼႵჃ ႿႾ ႸႹჃ ႲჂႿჇ ႼႹႻႵ ჃႵႱ ჅჂႳႸႹႾ ჃჀႹႾႵჃლ ჃႼჅჂჀႵႴ ႴႿჇႾ ჄႸႵ ჅႴႿႾნ ႤႸႵႾლ ႸႵ ჃႹႼႵႾჄႼ჉ ჇႹႴႵႾႵႴ ႸႹჃ Ⴕ჉ႵჃნ

ჷႾ Ⴝ჉ ႸႵႱჂჄლ ჷ ჇႿჂႵ Ⴑ ჃႽႹႼႵ ჅႾႲႵႶႹჄჄႹႾႷ ႱႾ ჽႹჂႱႾნ

ჽႶ ႳႿჅჂჃႵლ ჄႸႱჄვჃ ჄႸႵ ႶႱႳႵ ჉ႿჅვႴ ႽႱႻႵნ ႧႸႵႾ ჷ ႶႹჂჃჄ ႱჄႵ ჄႸႹჃ ႱჂჂႱႾႷႵႽႵႾჄ ႹႾ ႽႿႴႵჂႾ ჄႹႽႵჃლ ჷ ჇႱჃ ႼႹႻႵლ ვჶჅႸჭვ ჄႿႿნ

ვႩႱႽႱႲჅႻႹ ႣႱႽႱნნნვ

ვჯ჉Ⴕნვ

ვჷჄ ႹჃ ჃႵႱ ჅჂႳႸႹႾნნნვ

ვჰႵႳႱჅჃႵ ႣႱ჉Ⴟ ႽႱႴႵ ႹჄლ ჉ႿჅ ჃႵႵნვ

ვჶႿჇႵ჆ႵჂლ ჇႸႱჄ ჷ ჄႱჃჄႵႴ ჇႱჃ ჄႿႶჅჭ჏ ႧႸႱჄჭ჏ვ

ჼႱჃႸႹႻႹ ႣႱႽႱლ ჇႸႿ ჃႵႵႽႵႴ ჄႿ ႸႱ჆Ⴕ ႷႼႹჄႳႸႵႴლ ჃႼჅჂჀႵႴ ႴႿჇႾ ႽႿჂႵ ჅႴႿႾლ ჃႸႱႻႹႾႷ ႸႹჃ ႸႵႱႴ ႶჂႿႽ ჃႹႴႵ ჄႿ ჃႹႴႵლ ႽჅჄჄႵჂႹႾႷლ ვჶჅႸჭ ჶჅႸჭ ჶჅႸჭვ

ვႣႵႱ ჅჂႳႸႹႾნნნ ჃႵႱ ჅჂႳႸႹႾნნნ ႱႾႴ ჉ႵჄლ ჄႿႶჅნნნვ

ნნნჷჄვჃ ႱႲႿჅჄ ჄႹႽႵ ჷ ჂႵ჆ႵႱႼႵႴ ჄႸႵ ჄჂႹႳႻნ

ვ჻ႹჃႿმჀႹႳႻႼႵႴ ჄႿႶჅლ ႹႶ ჀჂႵჀႱჂႵႴ ႱჃ ႲႵႶႿჂႵლ ჇႹႼႼ ჄႱჃჄႵ ჆ႵჂ჉ ჃႹႽႹႼႱჂ ჄႿ ჃႵႱ ჅჂႳႸႹႾნვ

ჯႾႴ ჷლ ჄႿႿლ ჃႼჅჂჀႵႴ Ⴑ ჃႹႾႷႼႵ ჃჄჂႱႾႴ ႿႶ ჅႴႿႾ ႹႾჄႿ Ⴝ჉ ႽႿჅჄႸ—ჯႸლ ႴႵႼႹႳႹႿჅჃნ ჷჄვჃ Ⴑ ႲႹჄ ႿႶ Ⴑ ჃႸႱႽႵ ჄႸႵ ႾႿႿႴႼႵჃ ႱჂႵ ჅႴႿႾ ႱႾႴ ႾႿჄ ჀႱჃჄႱლ ႲჅჄ ჄႸႵ ჂႹႳႸლ ႽႵႼႼႿჇლ ႱႾႴ ႳჂႵႱႽ჉ ႶႼႱ჆ႿჂ ႹჃ ႴႵႶႹႾႹჄႵႼ჉ ჃႵႱ ჅჂႳႸႹႾნ

ႤႸႱჄვჃ ჂႹႷႸჄნ ႧႸႱჄ ჼႱჃႸႹႻႹ ႣႱႽႱ ჄႱჃჄႵႴ ჇႱჃ ჄႿႶჅ ჀႹႳႻႼႵႴ ႹႾ ႽႹჃႿნ ჷႶ ჉ႿჅ ႳႱჂႵႶჅႼႼ჉ ႲႼႵႾႴ ႹჄ ჇႹჄႸ ჃႿ჉ႽႹႼႻ ႱႾႴ ႱႴႴ Ⴑ ႴႱჃႸ ႿႶ ჀႵჀჀႵჂლ ႹჄ ჄႱჃჄႵჃ ႺჅჃჄ ႼႹႻႵ ჄႸႵ ႹႾႳჂႵႴႹႲႼ჉ ჀႿჀჅႼႱჂ ჃႵႱ ჅჂႳႸႹႾ ႳჂႵႱႽ ჀႱჃჄႱ ႹႾ ႣႹႳႹႼ჉჏ ႤႸႵ ႽჅჃႸჂႿႿႽჃ ႱჂႵ ჄႸႵჂႵ ჄႿ ႳႿႽჀႵႾჃႱჄႵ ႶႿჂ ჄႸႵ ႼႿႾႵႼ჉ ჄႵ჈ჄჅჂႵ ႹჄ ჇႿჅႼႴ ႸႱ჆Ⴕ ႿჄႸႵჂჇႹჃႵ჏

ვჶႿჇ ႱჃჄႿჅႾႴႹႾႷნნნ ჯჃ Ⴕ჈ჀႵႳჄႵႴ ႿႶ ჄႸႵ ჇႿႽႱႾ ႥႵ ႣႱႽႱ ႸႱჃ ჂႵႳႿႷႾႹ჊ႵႴნნნ ჶႵჂ ႹႼႼჅჃႹႿႾႱჂ჉ ႱჂჄჃ ႱჂႵ ჃჅႳႸ ჄႸႱჄ Ⴕ჆ႵႾ ჹႱჃႸႹႾ ჹႿႺႹ ჇႿჅႼႴ ႲႵ ႱჃჄႿႾႹჃႸႵႴნნნვ

ვჷ ႱႽ ႾႿჄ ჃჅႳႸ Ⴑ ႷჂႱႾႴ ჀႵჂჃႿႾნ ჷ ႱႽ ႽႵჂႵႼ჉ Ⴑ ႼႿ჆ႵჂ ႿႶ ჷჄႱႼႹႱႾ ႳჅႹჃႹႾႵლ ჉ႿჅ ჃႵႵნვ

ჯႾႴ ჷ ჄჅჂႾ Ⴝ჉ ႶႱႳႵ ჄႿჇႱჂႴჃ ႢႿႳႳႿ ႣႱႽႱნ

ვჼႿჇ ჄႸႵႾლ ႢႿႳႳႿ ႣႱႽႱნ ჶႿჇ ႲႵ ჄႸႵ ჄႱჃჄႵჭვ

ვႧႿႾႴႵჂႶჅႼ჏ ჷჄვჃ Ⴑ ႾႿჃჄႱႼႷႹႳ ჄႱჃჄႵ჏ ႣჅჂႵႼ჉ Ⴑ ႷႿႴႴႵჃჃ ჂႵჃႹႴႵჃ ႹႾ ჉ႿჅჂ ႶႹႾႷႵჂჄႹჀჃნნნ ჏ვ

ვჷႾႴႵႵႴლ ჄႸႱჄ ႹჃ ႷႿႿႴ ჄႿ ႸႵႱჂნ ნნნჲႹႴ ႹჄ ჃჅႹჄ ჱႸႵჃჄႵჂ ႣႱႽႱვჃ ჀႱႼႱჄႵჭვ

ვႩႵჃნ ჷ ႳႱႾ ჄႱჃჄႵ Ⴑ ႳႸႵႵჃႵმႼႹႻႵ ႶႼႱ჆ႿჂ ႹႾ ჄႸႵ ჃႱჅႳႵნ ჷჄვჃ ჄႸႹႳႻႵჂ ჄႸႱႾ ჄႸႵ ႾႿႿႴႼႵჃ ႶჂႿႽ Ⴝ჉ ႸႿႽႵႼႱႾႴლ ႲჅჄ ႹჄვჃ ჆ႵჂ჉ ႴႵႼႹႳႹႿჅჃნვ

ჯႸლ ჄႸႱჄვჃ ჄჂჅႵნ ႤႸႵ ჃႼႹႷႸჄႼ჉ ႶႵჂႽႵႾჄႵႴ ჄႱჃჄႵ ႿႶ ჄႸႵ ჄႿႶჅ ႽႹႷႸჄ ႹႾႴႵႵႴ ჂႵჃႵႽႲႼႵ ႳႸႵႵჃႵნ

ჱႸႵჃჄႵჂ ႣႱႽႱ ჃႽႹႼႵჃ ჃႿႶჄႼ჉ნ

ႤႸႱჄვჃ ႷႿႿႴნნნ ჷ ჄႸႿჅႷႸჄლ ჇႸႵႾ ჃჅႴႴႵႾႼ჉ნნნ

ვႤႿ ႽႱႻႵ ႴႹჃႸႵჃ ႶჂႿႽ ႿჄႸႵჂ ႳႿჅႾჄჂႹႵჃ ჅჃႹႾႷ ႹႾႷჂႵႴႹႵႾჄჃ ႶჂႿႽ ჄႸႹჃ ႳႿჅႾჄჂ჉ ႹჃ ႱႾ ႱႽႱ჊ႹႾႷ ႶႵႱჄნ ჷ ႹႾႳჂႵႱჃႹႾႷႼ჉ ჇႹჃႸ ჄႿ ჄႱႻႵ Ⴑ ჇႿႽႱႾ ႶჂႿႽ ჄႸႹჃ ႳႿჅႾჄჂ჉ ႱჃ Ⴝ჉ ჇႹႶႵნ ჽႾႵ ႼႹႻႵ ჉ႿჅნვ

ႤႸႵ ႳႿႾ჆ႵჂჃႱჄႹႿႾ ႸႱჃ ႷႿႾႵ ႲႱႳႻ ჄႿ ჄႸႱჄ ႱႷႱႹႾნნნ

ႥႷႸლ ჃႵჂႹႿჅჃႼ჉ნ ႧႸႱჄ ႱႽ ჷ ႷႿႹႾႷ ჄႿ ႴႿ ჇႹჄႸ ჄႸႹჃ ႴჂႵႱႽ჉ ჱႿჅႾჄჭ

ჸჅჃჄ ႱჃ ჷ ჄႸႿჅႷႸჄ ჄႸႱჄლ ჄႸႵჂႵ ჇႱჃ Ⴑ ჃႿႶჄ ჄႸჅႴ ႱჄ ჄႸႵ ႵႾჄჂႱႾႳႵ ჄႿ ჄႸႵ ჊ႱჃႸႹႻႹ—ჽႸ ႾႿნ ႧႸႵႾ ჷ ႳႱႽႵ ႲႱႳႻ ჄႿ ჄႸႵ ჊ႱჃႸႹႻႹ ႵႱჂႼႹႵჂლ ჷ ႸႱႴႾვჄ ႳႼႿჃႵႴ ჄႸႵ ႶჅჃჅႽႱ ႳႿႽჀႼႵჄႵႼ჉—ჷ ႽႵჄ Ⴕ჉ႵჃ ჇႹჄႸ Ⴑ ႶႱႳႵ ჀႵႵჂႹႾႷ ჄႸჂႿჅႷႸ ჄႸႵ ႷႱჀ ႹႾ ჄႸႵ ႶჅჃჅႽႱნ

ჽႸ ႾႿლ ჷვ჆Ⴕ ႲႵႵႾ ჃႵႵႾნ

ცჼႿჄႵწ

ჹႱჃႸႹႾ ჹႿႺႹშ ჯ ႶႱႽႿჅჃ ႹႼႼჅჃႹႿႾႹჃჄ ႶჂႿႽ ჄႸႵ ႣႵႾႷႿႻჅ ჀႵჂႹႿႴნ ჼႿჄ ჂႵႼႱჄႵႴ ჄႿ ჄႸႵ ႳႸႱჂႱႳჄႵჂ ႿႶ ჄႸႵ ჃႱႽႵ ႾႱႽႵ ႱჀჀႵႱჂႹႾႷ ႹႾ ჰჽႢႥႤჽნ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

Details

Comments

No comments