Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 117

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑᮺ ᮣᮙᮤᮤᮙᮞᮗ ᮒᮕᮣᮙᮔᮕ ᮝᮕ ᮙᮞ ᮤᮘᮕ ᮠᮜᮑᮓᮕ ᮟᮖ ᮘᮟᮞᮟᮢ ᮟᮞ ᮤᮘᮕ ᮤᮑᮤᮑᮝᮙᮺ ᮧᮑᮣ ᮣᮝᮙᮜᮙᮞᮗ ᮑᮣ ᮥᮣᮥᮑᮜᮼ

…ᯖᮟᮜᮔ ᮟᮞ ᮑ ᮣᮕᮓᮟᮞᮔᮼ ᯗ ᮛᮞᮟᮧ ᮙᮤ᮵ᮣ ᮢᮙᮓᮘ ᮓᮟᮝᮙᮞᮗ ᮖᮢᮟᮝ ᮝᮕᮺ ᮒᮥᮤ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮤᮟ ᮝᮑᮛᮕ ᮑᮞᮩ ᮢᮕᮤᮟᮢᮤᮣ ᮑᮒᮟᮥᮤ ᮤᮘᮙᮣ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᯍᮯ

ᮂᮙᮗᮘᮤ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮥᮣ ᮙᮣ ᮑ ᮣᮑᮝᮥᮢᮑᮙ ᮧᮙᮤᮘ ᮑ ᮠᮑᮜᮕ ᮖᮑᮓᮕᮺ ᮑ ᮒᮜᮟᮞᮔᮺ ᮒᮜᮥᮕᮻᮕᮩᮕᮔ ᯓᮞᮗᮜᮙᮣᮘᮝᮑᮞᮺ ᮑᮞᮔ ᮑᮞ ᯗᮤᮑᮜᮙᮑᮞ ᮧᮘᮟᮺ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮩᮟᮥ ᮜᮟᮟᮛ ᮑᮤ ᮘᮙᮝᮺ ᮘᮑᮣ ᮑᮞ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮙᮞᮤᮕᮞᮣᮕ ᮠᮢᮕᮣᮕᮞᮓᮕᮯ ᯘᮥᮣᮤ ᮤᮘᮕᮣᮕ ᮤᮘᮢᮕᮕ ᮜᮙᮞᮕᮔ ᮥᮠ ᮓᮢᮕᮑᮤᮕᮣ ᮑᮞ ᮙᮞᮔᮕᮣᮓᮢᮙᮒᮑᮒᮜᮕ ᮑᮤᮝᮟᮣᮠᮘᮕᮢᮕᮯ

ᯗᮖ ᮙᮤ ᮧᮕᮢᮕ ᮝᮕᮺ ᯗ᮵ᮔ ᮘᮑᮦᮕ ᮝᮑᮔᮕ ᮣᮕᮦᮕᮢᮑᮜ ᮓᮟᮝᮝᮕᮞᮤᮣ ᮒᮩ ᮞᮟᮧᮼ ᯐᮥᮤ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑ ᮙᮣ ᮚᮥᮣᮤ ᮣᮝᮙᮜᮙᮞᮗᮼ

“ᮇᮕᮜᮜ ᮞᮟᮧᮺ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑᮼ”

“ᮉᮕᮣᮺ ᮧᮘᮑᮤ ᮙᮣ ᮙᮤᯍ”

“ᮉᮟᮥ ᮣᮕᮕᮺ ᮤᮘᮕᮢᮕ ᮑᮢᮕ ᮝᮑᮞᮩ ᮢᮕᮑᮣᮟᮞᮣ ᮖᮟᮢ ᮤᮘᮙᮣᮺ ᮒᮥᮤ ᮙᮖ ᮙᮤ ᮧᮕᮢᮕ ᮛᮞᮟᮧᮞ ᮤᮘᮑᮤ ᮖᮟᮢᮕᮙᮗᮞᮕᮢᮣ ᮑᮢᮕ ᮙᮞ ᮤᮘᮕ ᮓᮙᮤᮩᮺ ᮙᮤ ᮧᮟᮥᮜᮔ ᮓᮑᮥᮣᮕ ᮑ ᮗᮢᮕᮑᮤ ᮓᮟᮝᮝᮟᮤᮙᮟᮞᮼ ᮇᮟᮥᮜᮔ ᮩᮟᮥ ᮞᮟᮤ ᮛᮕᮕᮠ ᮤᮘᮙᮣ ᮝᮑᮤᮤᮕᮢ ᮤᮟ ᮩᮟᮥᮢᮣᮕᮜᮖᮺ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑᯍ”

“ᮅᮞᮔᮕᮢᮣᮤᮟᮟᮔᮼ”

ᯖᮕᮢ ᮢᮕᮠᮜᮩ ᮧᮑᮣ ᮣᮟ ᮜᮙᮗᮘᮤᮺ ᮙᮤ ᮑᮜᮝᮟᮣᮤ ᮝᮑᮔᮕ ᮝᮕ ᮔᮕᮖᮜᮑᮤᮕᮼ

ᯖᮥᮘᮺ ᮧᮑᮙᮤ ᮑ ᮝᮙᮞᮥᮤᮕᮼ ᮉᮟᮥ᮵ᮢᮕ ᮞᮟᮤ ᮗᮟᮙᮞᮗ ᮤᮟ ᮑᮣᮛ ᮖᮟᮢ ᮑ ᮢᮕᮑᮣᮟᮞᯍ ᮉᮟᮥ᮵ᮢᮕ ᮚᮥᮣᮤ ᮗᮟᮙᮞᮗ ᮤᮟ ᮑᮞᮣᮧᮕᮢ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮧᮙᮤᮘᮟᮥᮤ ᮕᮦᮕᮞ ᮣᮑᮩᮙᮞᮗ ᮩᮟᮥ᮵ᮜᮜ ᮑᮣᮛ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᯍ

ᮀᮕᮢᮘᮑᮠᮣ ᮣᮕᮞᮣᮙᮞᮗ ᮝᮩ ᮑᮗᮙᮤᮑᮤᮙᮟᮞᮺ ᯜᮑᮣᮘᮙᮛᮙ ᮃᮑᮝᮑ ᮧᮑᮣ ᮢᮥᮒᮒᮙᮞᮗ ᮘᮙᮣ ᮣᮤᮟᮝᮑᮓᮘ ᮧᮙᮤᮘ ᮤᮢᮕᮝᮒᮜᮙᮞᮗ ᮘᮑᮞᮔᮣᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮺ ᮙᮣ ᮤᮘᮙᮣ ᮧᮟᮝᮑᮞ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮒᮟᮜᮔᮺ ᮟᮢ ᮙᮣ ᮣᮘᮕ ᮠᮜᮟᮤᮤᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ…ᯍ”

“ᯝᮘᮺ ᮝᮕᯍ ᯗ’ᮝ ᮞᮟᮤ ᮠᮜᮟᮤᮤᮙᮞᮗ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮑᮤ ᮑᮜᮜᮼ ᯗᮖ ᮤᮘᮕᮩ’ᮦᮕ ᮓᮟᮝᮕ ᮤᮟ ᮉᮑᮝᮑᮒᮥᮛᮙ ᯝᮙᮢᮑᮞ’ᮣ ᮠᮑᮢᮜᮟᮢᮺ ᮤᮘᮕᮞ ᮤᮘᮕᮩ ᮑᮢᮕ ᯝᮙᮢᮑᮞ’ᮣ ᮙᮝᮠᮟᮢᮤᮑᮞᮤ ᮗᮥᮕᮣᮤᮣᮺ ᮑᮞᮔ ᮙᮤ’ᮣ ᮞᮟᮤ ᮝᮩ ᮠᮜᮑᮓᮕ ᮤᮟ ᮣᮑᮩ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ”

“ᮄᮘᮕᮞ ᮩᮟᮥ ᮖᮕᮕᮜ ᮞᮟᮤᮘᮙᮞᮗᮺ ᮕᮦᮕᮞ ᮣᮕᮕᮙᮞᮗ ᮤᮘᮕᮣᮕ ᮝᮕᮞᯍᮯ”

ᮇᮘᮕᮞ ᯜᮑᮣᮘᮙᮛᮙ ᮃᮑᮝᮑ ᮣᮑᮙᮔ ᮤᮘᮑᮤᮺ ᮜᮕᮑᮞᮙᮞᮗ ᮖᮟᮢᮧᮑᮢᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮂᮟᮓᮓᮟ ᮃᮑᮝᮑ ᮑᮞᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢᮣᮺ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑ᮵ᮣ ᮜᮙᮠᮣ ᮣᮟᮖᮤᮕᮞᮕᮔ ᮙᮞᮤᮟ ᮑ ᮗᮕᮞᮤᮜᮕ ᮣᮝᮙᮜᮕᮼ

“ᮄᮘᮕᮩ ᮑᮢᮕ ᮖᮟᮢᮕᮙᮗᮞᮕᮢᮣᮺ ᮩᮕᮣᮼ ᯐᮥᮤ ᮖᮟᮢ ᮣᮟᮝᮕᮟᮞᮕ ᮑᮣ ᮢᮕᮞᮟᮧᮞᮕᮔ ᮑᮣ ᮉᮑᮝᮑᮒᮥᮛᮙ ᯝᮙᮢᮑᮞᮺ ᮣᮥᮓᮘ ᮤᮘᮙᮞᮗᮣ ᮑᮢᮕ ᮒᮟᮥᮞᮔ ᮤᮟ ᮘᮑᮠᮠᮕᮞᮼ ᯏᮞᮔ ᮟᮞ ᮤᮟᮠ ᮟᮖ ᮤᮘᮑᮤᮺ ᮤᮘᮕᮢᮕ ᮑᮢᮕ ᮣᮥᮢᮕᮜᮩ ᮠᮢᮙᮦᮑᮤᮕ ᮝᮑᮤᮤᮕᮢᮣ ᮩᮟᮥ ᮧᮙᮣᮘ ᮤᮟ ᮛᮕᮕᮠ ᮣᮕᮓᮢᮕᮤᮼ ᮇᮕᮜᮜᮺ ᯗ ᮔᮟᮞ’ᮤ ᮤᮕᮞᮔ ᮤᮟ ᮟᮦᮕᮢᮤᮘᮙᮞᮛ ᮤᮘᮙᮞᮗᮣ ᮤᮘᮑᮤ ᮘᮑᮦᮕ ᮑᮜᮢᮕᮑᮔᮩ ᮘᮑᮠᮠᮕᮞᮕᮔᮼ ᮇᮘᮑᮤ’ᮣ ᮔᮟᮞᮕ ᮙᮣ ᮔᮟᮞᮕᮼ ᮄᮘᮕᮢᮕ’ᮣ ᮞᮟ ᮓᮘᮑᮞᮗᮙᮞᮗ ᮙᮤᮺ ᮣᮟ ᮙᮤ’ᮣ ᮒᮕᮣᮤ ᮤᮟ ᮣᮙᮝᮠᮜᮩ ᮑᮓᮓᮕᮠᮤ ᮙᮤ ᮑᮣ ᮙᮤ ᮙᮣᮼ”

“ᯏᮘᮺ ᮕᮦᮕᮞ ᮣᮟᮺ” ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑ ᮑᮔᮔᮕᮔᮼ

“ᮄᮘᮕᮙᮢ ᮘᮑᮙᮢ ᮙᮣ ᮜᮙᮛᮕ ᮗᮟᮜᮔᮕᮞ ᮤᮘᮢᮕᮑᮔᮣᮺ ᮤᮘᮕᮙᮢ ᮕᮩᮕᮣ ᮜᮙᮛᮕ ᮸ᮢōᮛᮑᮞ᮸ᮼ ᯗ ᮞᮕᮦᮕᮢ ᮙᮝᮑᮗᮙᮞᮕᮔ ᮖᮟᮢᮕᮙᮗᮞᮕᮢᮣ ᮓᮟᮥᮜᮔ ᮒᮕ ᮣᮟ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮼ”

ᮄᮘᮕᮞᮺ ᮣᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ ᮑᮞᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢᮣᮺ ᮤᮙᮜᮤᮙᮞᮗ ᮘᮕᮢ ᮘᮕᮑᮔ ᮑᮞᮔ ᮣᮝᮙᮜᮙᮞᮗᮼ

…ᯗᮣ ᮸ᮤᮘᮑᮤ᮸ ᮘᮕᮢ ᮙᮝᮠᮢᮕᮣᮣᮙᮟᮞ ᮑᮖᮤᮕᮢ ᮝᮕᮕᮤᮙᮞᮗ ᮖᮟᮢᮕᮙᮗᮞᮕᮢᮣ ᮖᮟᮢ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕ ᮙᮞ ᮘᮕᮢ ᮜᮙᮖᮕᯍ ᮃᮕᮢᮙᮟᮥᮣᮜᮩᮺ ᮘᮕᮢ ᮧᮑᮩ ᮟᮖ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮙᮣ ᮤᮟᮟ ᮝᮑᮤᮥᮢᮕ… ᯗ ᮣᮕᮕᮼ ᯜᮟ ᮧᮟᮞᮔᮕᮢ ᮣᮘᮕ᮵ᮣ ᯛᮙᮤᮟᮣᮘᮙ᮵ᮣ ᮤᮘᮙᮢᮔᮻᮢᮑᮞᮛᮕᮔ ᮑᮞᮔ ᮞᮕᮦᮕᮢ ᮓᮜᮑᮣᮘᮕᮣ ᮧᮙᮤᮘ ᯙᮙᮛᮩᮟ ᮟᮢ ᮑᮞᮩᮟᮞᮕ ᮕᮜᮣᮕᮼ ᯗᮖ ᮣᮘᮕ ᮘᮑᮞᮔᮜᮕᮣ ᮤᮘᮙᮞᮗᮣ ᮣᮟ ᮗᮕᮞᮤᮜᮩ ᮑᮞᮔ ᮓᮑᮜᮝᮜᮩ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮺ ᮩᮟᮥ ᮓᮑᮞ᮵ᮤ ᮕᮦᮕᮞ ᮒᮢᮙᮞᮗ ᮩᮟᮥᮢᮣᮕᮜᮖ ᮤᮟ ᮓᮟᮝᮠᮜᮑᮙᮞ ᮑᮒᮟᮥᮤ ᮤᮢᮙᮦᮙᮑᮜ ᮤᮘᮙᮞᮗᮣᮼ

ᮃᮟ ᮤᮘᮑᮤ᮵ᮣ ᮙᮤᮼ ᮄᮘᮑᮤ᮵ᮣ ᮤᮘᮕ ᮣᮟᮥᮢᮓᮕ ᮟᮖ ᮤᮘᮕ ᮓᮘᮑᮢᮝ ᮤᮘᮑᮤ ᮠᮢᮟᮠᮕᮜᮜᮕᮔ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑ ᮤᮟ ᮤᮘᮕ ᮤᮘᮙᮢᮔ ᮢᮑᮞᮛᮼ ᮃᮙᮝᮠᮜᮩ ᮑᮓᮓᮕᮠᮤᮙᮞᮗ ᮤᮘᮙᮞᮗᮣ ᮞᮑᮤᮥᮢᮑᮜᮜᮩᮼ ᯗᮞ ᮟᮤᮘᮕᮢ ᮧᮟᮢᮔᮣᮺ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮙᮞᮗ ᮘᮕᮑᮜᮙᮞᮗ ᮑᮞᮔ ᮓᮟᮝᮠᮑᮣᮣᮙᮟᮞᮼ ᯏᮤ ᮖᮙᮢᮣᮤ ᮗᮜᮑᮞᮓᮕᮺ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑ ᮝᮙᮗᮘᮤ ᮞᮟᮤ ᮣᮕᮕᮝ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮣᮤᮢᮙᮛᮙᮞᮗᮺ ᮒᮥᮤ ᮘᮕᮢ ᮣᮤᮑᮞᮓᮕ ᮙᮣ ᮣᮟᮝᮕᮤᮙᮝᮕᮣ ᮘᮑᮢᮔᮕᮢ ᮤᮘᮑᮞ ᮖᮙᮗᮘᮤᮙᮞᮗ ᮟᮢ ᮖᮟᮢᮗᮙᮦᮙᮞᮗᮼ ᯓᮑᮓᮘ ᮓᮥᮣᮤᮟᮝᮕᮢ ᮘᮑᮣ ᮤᮘᮕᮙᮢ ᮟᮧᮞ ᮓᮙᮢᮓᮥᮝᮣᮤᮑᮞᮓᮕᮣ ᮑᮞᮔ ᮦᮑᮢᮩᮙᮞᮗ ᮝᮟᮟᮔᮣᮺ ᮑᮞᮔ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑ᮵ᮣ ᮞᮑᮤᮥᮢᮕᮺ ᮧᮘᮙᮓᮘ ᮑᮜᮜᮟᮧᮣ ᮘᮕᮢ ᮤᮟ ᮕᮝᮠᮑᮤᮘᮙ᮪ᮕ ᮧᮙᮤᮘ ᮤᮘᮕᮝ ᮙᮞ ᮤᮘᮙᮣ ᮧᮑᮩᮺ ᮙᮣ ᮑ ᮠᮟᮧᮕᮢᮖᮥᮜ ᮧᮕᮑᮠᮟᮞᮼ

ᯘᮥᮣᮤ ᮤᮘᮕᮞᮺ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮙᮜᮕᮞᮤ ᮥᮞᮤᮙᮜ ᮞᮟᮧᮺ ᮣᮠᮟᮛᮕᮼ

“ᮄᮘᮙᮣ ᮧᮟᮝᮑᮞ ᮘᮑᮣ ᮕᮩᮕᮣ ᮜᮙᮛᮕ ᮩᮟᮥᮢᮣᮺ ᯚᮑᮔᮩ ᮉᮑᮝᮑᮒᮥᮛᮙᮼ ᮃᮘᮕ ᮔᮟᮕᮣᮞ’ᮤ ᮖᮜᮙᮞᮓᮘ ᮧᮘᮕᮞ ᮣᮘᮕ ᮣᮕᮕᮣ ᮥᮣᮼ ᮄᮘᮕ ᮒᮜᮑᮓᮛ ᮕᮩᮕᮣ ᮟᮖ ᮤᮘᮕ ᮠᮕᮟᮠᮜᮕ ᮙᮞ ᮤᮘᮙᮣ ᮓᮟᮥᮞᮤᮢᮩ ᮑᮢᮕ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮺ ᮒᮥᮤ ᮩᮟᮥᮢᮣ ᮑᮢᮕ ᮕᮣᮠᮕᮓᮙᮑᮜᮜᮩ ᮣᮟᮺ ᮜᮙᮛᮕ ᮟᮒᮣᮙᮔᮙᮑᮞᮼ”

ᯏᮞᮔ ᮘᮙᮣ ᮕᮩᮕᮣᮺ ᮑᮣ ᮘᮕ ᮣᮑᮙᮔ ᮤᮘᮙᮣᮺ ᮧᮕᮢᮕ ᮑᮣ ᮓᮜᮕᮑᮢ ᮑᮞᮔ ᮣᮕᮢᮕᮞᮕ ᮑᮣ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑ’ᮣᮼ

ᯖᮥᮘᮺ ᮧᮘᮑᮑᮑᮤ…ᯍ ᯑᮟᮥᮜᮔ ᮙᮤ ᮒᮕᮺ ᮑ ᮖᮜᮑᮗ ᮚᮥᮣᮤ ᮧᮕᮞᮤ ᮥᮠ…ᯍ

ᯊᯜᮟᮤᮕᯌ

᮸ᮂōᮛᮑᮞ᮸ᯈ ᯏ ᮗᮕᮝᮣᮤᮟᮞᮕ ᮤᮘᮑᮤ ᮓᮑᮝᮕ ᮖᮢᮟᮝ ᯑᮘᮙᮞᮑᮼ ᮄᮘᮕᮢᮕ ᮑᮢᮕ ᮗᮢᮕᮕᮞ ᮑᮞᮔ ᮒᮜᮥᮕ ᮦᮑᮢᮙᮕᮤᮙᮕᮣᮼ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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