Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 12

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕᮺ ᮠᮕᮢᮘᮑᮠᮣ ᮟᮥᮤ ᮟᮖ ᮓᮟᮞᮣᮙᮔᮕᮢᮑᮤᮙᮟᮞ ᮖᮟᮢ ᮝᮕᮺ ᮔᮙᮔᮞ᮵ᮤ ᮣᮑᮩ ᮑ ᮧᮟᮢᮔ ᮑᮒᮟᮥᮤ ᮩᮕᮣᮤᮕᮢᮔᮑᮩᮼ

ᯛᮕᮺ ᮝᮕᮕᮤᮙᮞᮗ ᯗᮘᮕᮙ ᮧᮘᮙᮜᮕ ᮧᮕᮑᮢᮙᮞᮗ ᮤᮘᮕ ᮙᮞᮞᮕᮢ ᮛᮙᮝᮟᮞᮟ ᮤᮘᮑᮤ ᯙᮙᮛᮩᮟ ᮘᮑᮔ ᮣᮟᮙᮜᮕᮔᮼ

ᯏᮖᮤᮕᮢ ᮤᮘᮑᮤᮺ ᯗᮘᮕᮙ ᮜᮕᮖᮤ ᮕᮑᮢᮜᮩ ᮧᮙᮤᮘᮟᮥᮤ ᮕᮦᮕᮞ ᮣᮠᮕᮞᮔᮙᮞᮗ ᮤᮘᮕ ᮞᮙᮗᮘᮤᮼ

ᮄᮘᮕᮩ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮤᮘᮕᮙᮢ ᮟᮧᮞ ᮤᮘᮟᮥᮗᮘᮤᮣ ᮑᮒᮟᮥᮤ ᮙᮤᮼ

ᯓᮦᮕᮞ ᮤᮘᮟᮥᮗᮘ ᯗ᮵ᮝ ᮠᮕᮢᮖᮕᮓᮤᮜᮩ ᮖᮙᮞᮕᮼ ᯏᮘᮺ ᮤᮘᮕᮩ᮵ᮢᮕ ᮣᮟ ᮓᮥᮤᮕᮼ

ᮃᮕᮕᮙᮞᮗ ᮤᮘᮕ ᮤᮧᮟ ᮟᮖ ᮤᮘᮕᮝ ᮖᮙᮔᮗᮕᮤᮙᮞᮗᮺ ᮙᮤ ᮢᮕᮝᮙᮞᮔᮣ ᮝᮕ ᮟᮖ ᮝᮩ ᮩᮑᮞᮛᮕᮕ ᮔᮑᮩᮣᮺ ᮝᮩ ᮘᮟᮣᮤᮕᮣᮣ ᮓᮜᮥᮒ ᮔᮑᮩᮣᮺ ᮑᮞᮔ ᮑᮜᮜ ᮤᮘᮕ ᮤᮘᮙᮞᮗᮣ ᯗ ᮥᮣᮕᮔ ᮤᮟ ᮤᮕᮑᮓᮘ ᮝᮩ ᮚᮥᮞᮙᮟᮢᮣᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑ…”

ᮅᮝᮕ ᮘᮕᮣᮙᮤᮑᮞᮤᮜᮩ ᮓᮑᮜᮜᮕᮔ ᮟᮥᮤ ᮤᮟ ᮝᮕᮼ

“ᮅᮝᮺ ᯙᮙᮛᮩᮟ ᯝᮙᮢᮑᮞ ᮙᮣ ᮑᮤ ᮤᮘᮕ ᮔᮟᮟᮢ… ᯛᮑᮩ ᯗ ᮜᮕᮤ ᮘᮕᮢ ᮙᮞᯍ”

“ᯚᮕᮤ ᮘᮕᮢ ᮙᮞᮼ”

“ᮄᮢᮥᮜᮩ…ᯍ”

“ᯗᮖ ᯗ ᮣᮑᮩ ᮜᮕᮤ ᮘᮕᮢ ᮙᮞᮺ ᮤᮘᮕᮞ ᮜᮕᮤ ᮘᮕᮢ ᮙᮞᮼ”

“…ᮅᮞᮔᮕᮢᮣᮤᮟᮟᮔᮺ ᮃᮑᮝᮑᮼ”

ᮅᮝᮕ ᮒᮟᮧᮕᮔ ᮑᮞᮔ ᮘᮕᮑᮔᮕᮔ ᮖᮟᮢ ᮤᮘᮕ ᮔᮟᮟᮢᮼ

ᮃᮑᮛᮥᮢᮑᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮘᮕᮢᮺ ᮤᮥᮢᮞᮕᮔ ᮘᮕᮢ ᮒᮟᮔᮩ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮕᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑ…”

“ᮇᮘᮑᮤ ᮙᮣ ᮙᮤᮺ ᮃᮑᮛᮥᮢᮑᯍ”

“ᯜᮟ… ᮙᮤ ᮙᮣ ᮞᮟᮤᮘᮙᮞᮗᮼ”

ᯓᮦᮕᮞ ᮑᮣ ᮣᮘᮕ ᮔᮕᮞᮙᮕᮔ ᮙᮤᮺ ᮃᮑᮛᮥᮢᮑ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮑᮣ ᮙᮖ ᮣᮘᮕ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮣᮑᮩ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮼ

ᯐᮥᮤ ᮤᮘᮙᮣ ᮗᮙᮢᮜ ᮙᮣ ᮣᮝᮑᮢᮤᮺ ᮣᮟ ᮣᮘᮕ ᮧᮟᮞ᮵ᮤ ᮙᮞᮤᮕᮢᮖᮕᮢᮕ ᮧᮙᮤᮘ ᮧᮘᮑᮤ ᯗᮺ ᮘᮕᮢ ᯓᮜᮔᮕᮢ ᯑᮟᮥᮢᮤᮕᮣᮑᮞᮺ ᮘᮑᮦᮕ ᮔᮕᮓᮙᮔᮕᮔᮼ

ᮃᮤᮙᮜᮜᮺ ᮘᮕᮢ ᮕᮩᮕᮣ ᮧᮕᮢᮕ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩ ᮠᮜᮕᮑᮔᮙᮞᮗᮺ “ᯚᮕᮤ ᮥᮣ ᮘᮑᮞᮔᮜᮕ ᮘᮕᮢᮼ”

ᮄᮘᮑᮤ᮵ᮣ ᮣᮥᮓᮘ ᮑ ᮧᮑᮣᮤᮕᮯ ᯗ᮵ᮝ ᮤᮘᮕ ᮤᮩᮠᮕ ᮧᮘᮟ ᮕᮑᮤᮣ ᮤᮘᮕ ᮣᮤᮢᮑᮧᮒᮕᮢᮢᮩ ᮟᮞ ᮑ ᮣᮘᮟᮢᮤᮓᮑᮛᮕ ᮖᮙᮢᮣᮤᮼ

ᮃᮟᮺ ᯗ᮵ᮜᮜ ᮒᮕ ᮤᮘᮕ ᮟᮞᮕ ᮤᮟ ᮗᮙᮦᮕ ᯙᮙᮛᮩᮟ ᮘᮕᮢ ᮖᮙᮞᮑᮜ ᮣᮕᮞᮔᮻᮟᮖᮖ ᮖᮙᮢᮣᮤᮯ

“ᯙᮙᮛᮩᮟ ᮃᮑᮝᮑᮺ ᮠᮜᮕᮑᮣᮕ ᮓᮟᮝᮕ ᮙᮞᮼ”

“ᯗ ᮣᮘᮑᮜᮜᮼ …ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮺ ᮧᮘᮑᮤ ᮑ ᮠᮙᮤᮩ ᮤᮘᮑᮤ ᮧᮑᮣ ᮖᮟᮢ ᮩᮟᮥᮼ”

“ᯗ ᮘᮑᮦᮕ ᮞᮟ ᮙᮔᮕᮑ ᮧᮘᮑᮤ ᮩᮟᮥ ᮣᮠᮕᮑᮛ ᮟᮖ… ᯖᮑᮦᮕ ᮩᮟᮥ ᮠᮕᮢᮘᮑᮠᮣ ᮒᮙᮤᮤᮕᮞ ᮙᮞᮤᮟ ᮑ ᮠᮥᮖᮖᮕᮢᮖᮙᮣᮘᯍ”

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑ’ᮣ ᮢᮕᮗᮥᮜᮑᮢᮺ ᯐᮢᮥᮣᮘ ᮃᮘᮟᮠᮛᮕᮕᮠᮕᮢ ᯗᮘᮕᮙ ᮃᮑᮝᮑ… ᮘᮕ ᮜᮕᮖᮤ ᮡᮥᮙᮤᮕ ᮕᮑᮢᮜᮩ ᮜᮑᮣᮤ ᮞᮙᮗᮘᮤ… ᯗ ᮘᮕᮑᮢᮔ ᮘᮕ ᮔᮕᮠᮑᮢᮤᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮕ Ōᮝᮟᮞ ᮑᮢᮟᮥᮞᮔ ᮕᮙᮗᮘᮤ ᮟ’ᮓᮜᮟᮓᮛᮼ ᯗ ᮧᮑᮣ ᮣᮟ ᮧᮟᮢᮢᮙᮕᮔ ᮤᮘᮑᮤ ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮙᮞᮓᮥᮢᮢᮕᮔ ᮘᮙᮣ ᮔᮙᮣᮠᮜᮕᮑᮣᮥᮢᮕᮺ ᮣᮟ ᯗ ᮓᮑᮝᮕ ᮤᮟ ᮓᮘᮕᮓᮛ ᮟᮞ ᮩᮟᮥᮼ”

“ᮇᮕᮜᮜᮺ ᯗ ᮧᮟᮞᮔᮕᮢ ᮑᮒᮟᮥᮤ ᮤᮘᮑᮤᮼ ᯐᮥᮤ ᮤᮕᮜᮜ ᮝᮕᮺ ᯙᮙᮛᮩᮟ ᮃᮑᮝᮑᮺ ᮘᮟᮧ ᮔᮙᮔ ᮩᮟᮥᮢ ᮞᮙᮗᮘᮤ ᮗᮟ ᮩᮕᮣᮤᮕᮢᮔᮑᮩᯍ”

“ᯛᮩ ᮒᮕᮣᮤ ᮠᮑᮤᮢᮟᮞᮺ ᮄᮟᮕᮝᮟᮞ ᮃᮑᮝᮑᮺ ᮣᮤᮑᮩᮕᮔ ᮤᮘᮕ ᮞᮙᮗᮘᮤᮺ ᮑᮞᮔ ᮕᮦᮕᮞ ᮗᮑᮦᮕ ᮝᮕ ᮑ ᮘᮑᮙᮢᮠᮙᮞ ᮤᮘᮑᮤ ᮣᮥᮙᮤᮣ ᮝᮕ ᮠᮕᮢᮖᮕᮓᮤᮜᮩᮼ ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑ ᮛᮞᮟᮧᮣ ᮘᮙᮝᮺ ᮔᮟᮕᮣ ᮣᮘᮕ ᮞᮟᮤᯍ ᯖᮕ ᮙᮣ ᮄᮟᮒᮕ ᮄᮟᮕᮝᮟᮞ ᮃᮑᮝᮑᮺ ᮑᮞ ᯓᮔᮟ ᮄᮟᮧᮞᮣᮝᮑᮞᮼ”

“ᯝᮘᮺ ᮘᮟᮧ ᮧᮟᮞᮔᮕᮢᮖᮥᮜ ᮤᮘᮑᮤ ᮙᮣᮼ ᯖᮟᮧᮕᮦᮕᮢᮺ ᯗ ᮓᮑᮞᮞᮟᮤ ᮑᮣᮛ ᮖᮟᮢ ᮑ ᮘᮑᮙᮢᮠᮙᮞ ᮖᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮼ”

“ᯗᮣ ᮤᮘᮑᮤ ᮣᮟ…”

“ᯏᮣ ᯗ ᮑᮝ ᮘᮑᮦᮙᮞᮗ ᮑᮞ ᮙᮞᮞᮕᮢ ᮛᮙᮝᮟᮞᮟ ᮟᮖ ᮧᮘᮙᮤᮕ ᮣᮙᮜᮛ ᮣᮓᮑᮤᮤᮕᮢᮕᮔ ᮧᮙᮤᮘ ᮗᮟᮜᮔ ᮤᮘᮢᮕᮑᮔ ᮤᮑᮙᮜᮟᮢᮕᮔ ᮖᮟᮢ ᮝᮕᮺ ᮑ ᮘᮑᮙᮢᮠᮙᮞ ᮧᮟᮥᮜᮔ ᮒᮕ ᮤᮟᮟ ᮝᮥᮓᮘ ᮤᮟ ᮢᮕᮓᮕᮙᮦᮕᮼ”

“…ᮇᮘᮙᮤᮕ ᮣᮙᮜᮛᯍᮯ”

ᯙᮙᮛᮩᮟ’ᮣ ᮑᮜᮝᮟᮞᮔᮻᮣᮘᮑᮠᮕᮔ ᮕᮩᮕᮣ ᮞᮑᮢᮢᮟᮧᮕᮔ ᮣᮘᮑᮢᮠᮜᮩᮺ ᮠᮥᮜᮜᮙᮞᮗ ᮥᮠᮧᮑᮢᮔᮣᮼ

ᯝᮘ ᮔᮕᮑᮢᮺ ᮤᮘᮑᮤ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮢᮥᮙᮞᮣ ᮘᮕᮢ ᮙᮝᮑᮗᮕ ᮑᮣ ᮑ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᯝᮙᮢᮑᮞᮼ

ᯐᮥᮤ ᮩᮟᮥ ᮛᮞᮟᮧᮺ ᮤᮘᮕ ᮒᮢᮙᮗᮘᮤ ᮢᮕᮔ ᮣᮤᮢᮑᮧᮒᮕᮢᮢᮩ ᮟᮞ ᮤᮟᮠ ᮟᮖ ᮤᮘᮕ ᮣᮘᮟᮢᮤᮓᮑᮛᮕ ᮙᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮙᮞ ᮝᮩ ᮝᮟᮥᮤᮘᮼ

“ᯗᮘᮕᮙ ᮃᮑᮝᮑ ᮧᮑᮣ ᮣᮟ ᮔᮙᮣᮤᮢᮕᮣᮣᮕᮔ ᮤᮘᮑᮤ ᯗ ᮘᮑᮔ ᮣᮟᮙᮜᮕᮔ ᮤᮘᮕ ᮙᮞᮞᮕᮢ ᮛᮙᮝᮟᮞᮟ ᮘᮕ ᮗᮑᮦᮕ ᮝᮕᮼ ᯖᮕ ᮙᮞᮣᮙᮣᮤᮕᮔ ᮟᮞ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮔᮕᮜᮙᮦᮕᮢᮙᮞᮗ ᮑ ᮢᮕᮠᮜᮑᮓᮕᮝᮕᮞᮤ… ᮕᮦᮕᮞ ᮗᮟᮙᮞᮗ ᮣᮟ ᮖᮑᮢ ᮑᮣ ᮤᮟ ᮣᮑᮩ ᮘᮕ ᮧᮟᮥᮜᮔ ᮤᮑᮙᮜᮟᮢ ᮑ ᮓᮕᮜᮕᮣᮤᮙᮑᮜ ᮝᮑᮙᮔᮕᮞ’ᮣ ᮢᮟᮒᮕ ᮖᮟᮢ ᮝᮕᮼ ᯖᮕ ᮤᮢᮥᮜᮩ ᮙᮣ ᮑ ᮤᮢᮟᮥᮒᮜᮕᮣᮟᮝᮕ ᮝᮑᮞᮼ ᯏᮞᮔ ᮘᮕ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮑᮤ ᮕᮙᮗᮘᮤ ᮟ’ᮓᮜᮟᮓᮛ ᮒᮕᮓᮑᮥᮣᮕ ᮘᮕ ᮧᮑᮣ ᮧᮟᮢᮢᮙᮕᮔ ᮑᮒᮟᮥᮤ ᮝᮕᮺ ᮑᮣ ᯗ ᮑᮝ ᮢᮕᮓᮟᮦᮕᮢᮙᮞᮗ ᮖᮢᮟᮝ ᮑᮞ ᮙᮜᮜᮞᮕᮣᮣᮼ ᯗᮘᮕᮙ ᮃᮑᮝᮑ ᮙᮣ ᮤᮢᮥᮜᮩ ᮑ ᮝᮑᮞ ᮟᮖ ᮢᮕᮖᮙᮞᮕᮔ ᮤᮑᮣᮤᮕᮼ”

“ᮃᮤᮑᮙᮞᮺ ᮩᮟᮥ ᮣᮑᮩ… ᮇᮑᮣ ᮙᮤ ᮞᮟᮤ ᮔᮑᮢᮛ ᮙᮞᮛᯍᮯ”

ᯙᮙᮛᮩᮟ’ᮣ ᮣᮜᮕᮞᮔᮕᮢ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮤᮑᮠᮠᮕᮔ ᮤᮘᮕ ᮤᮑᮤᮑᮝᮙ ᮝᮑᮤᮼ

ᮄᮘᮕᮞᮺ ᮣᮘᮕ ᮗᮑᮣᮠᮕᮔ ᮑᮞᮔ ᮓᮟᮦᮕᮢᮕᮔ ᮘᮕᮢ ᮝᮟᮥᮤᮘᮼ

ᯗᮤ᮵ᮣ ᮖᮙᮞᮕᮼ ᯗ᮵ᮜᮜ ᮠᮢᮕᮤᮕᮞᮔ ᮞᮟᮤ ᮤᮟ ᮞᮟᮤᮙᮓᮕᮼ

ᯗ ᮤᮥᮢᮞᮕᮔ ᮝᮩ ᮠᮢᮟᮖᮕᮣᮣᮙᮟᮞᮑᮜ ᮣᮝᮙᮜᮕ ᮤᮟᮧᮑᮢᮔᮣ ᯙᮙᮛᮩᮟᮼ

“ᯐᮩ ᮤᮘᮕ ᮧᮑᮩᮺ ᯙᮙᮛᮩᮟ ᮃᮑᮝᮑᮺ ᮘᮟᮧ ᮙᮣ ᮙᮤ ᮤᮘᮑᮤ ᮩᮟᮥ ᮛᮞᮟᮧ ᮤᮘᮕ ᮣᮤᮑᮙᮞ ᮟᮞ ᮝᮩ ᮙᮞᮞᮕᮢ ᮛᮙᮝᮟᮞᮟ ᮧᮑᮣ ᮔᮑᮢᮛ ᮙᮞᮛᯍ”

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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