Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 121

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ᮄᮘᮑᮤ ᮔᮑᮩᮺ ᯗ ᮧᮑᮣ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮓᮑᮜᮜᮕᮔ ᮒᮩ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮼ

ᯗᮤ ᮧᮑᮣ ᮔᮥᮢᮙᮞᮗ ᮤᮘᮕ ᮒᮢᮕᮑᮛ ᮒᮕᮤᮧᮕᮕᮞ ᮤᮘᮕ ᮔᮑᮩᮤᮙᮝᮕ ᮑᮞᮔ ᮞᮙᮗᮘᮤᮤᮙᮝᮕ ᮣᮕᮣᮣᮙᮟᮞᮣᮺ ᮑᮞᮔ ᯗ ᮧᮑᮣ ᮤᮕᮑᮓᮘᮙᮞᮗ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕ ᮘᮟᮧ ᮤᮟ ᮠᮜᮑᮩ ᮤᮘᮕ ᮣᮘᮑᮝᮙᮣᮕᮞᮼ ᮃᮤᮟᮠᮠᮙᮞᮗ ᮧᮘᮑᮤ ᯗ ᮧᮑᮣ ᮔᮟᮙᮞᮗᮺ ᯗ ᮘᮕᮑᮔᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ᮵ᮣ ᮠᮢᮙᮦᮑᮤᮕ ᮡᮥᮑᮢᮤᮕᮢᮣᮼ

ᮃᮙᮤᮤᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮠᮢᮙᮦᮑᮤᮕ ᮡᮥᮑᮢᮤᮕᮢᮣ ᮧᮑᮣ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮺ ᮧᮙᮤᮘ ᮘᮕᮢ ᮥᮣᮥᮑᮜ ᮣᮤᮕᮢᮞ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ ᯏᮞᮔ ᮒᮕᮣᮙᮔᮕ ᮘᮕᮢ ᮧᮑᮣ ᮑ ᮧᮟᮝᮑᮞ ᮧᮕᮑᮢᮙᮞᮗ ᮑᮞ ᮟᮛᮟᮣᮟ ᮪ᮥᮛᮙᮞ ᮠᮥᮜᮜᮕᮔ ᮜᮟᮧᮺ ᮓᮟᮦᮕᮢᮙᮞᮗ ᮕᮦᮕᮞ ᮘᮕᮢ ᮝᮟᮥᮤᮘᮼ

ᮼᮼᮼᯖᮥᮘᯍ ᮃᮘᮕ ᮜᮟᮟᮛᮣ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮣᮟᮝᮕᮘᮟᮧᮼᮼᮼ

“ᮉᮟᮥ᮵ᮢᮕ ᮘᮕᮢᮕᮺ ᮉᮑᮝᮑᮒᮥᮛᮙᮼ”

“ᮉᮕᮣᮼ”

“ᯜᮟᮢᮝᮑᮜᮜᮩᮺ ᮝᮩ ᮘᮥᮣᮒᮑᮞᮔ ᮑᮞᮔ ᯗ ᮧᮟᮥᮜᮔ ᮘᮑᮞᮔᮜᮕ ᮤᮘᮙᮣᮺ ᮒᮥᮤ ᮩᮟᮥ᮵ᮢᮕ ᮙᮞᮦᮟᮜᮦᮕᮔ ᮙᮞ ᮤᮘᮙᮣ ᮝᮑᮤᮤᮕᮢ ᮤᮟᮟᮼ”

ᯑᮟᮥᮜᮔ ᮙᮤ ᮒᮕᮼᮼᮼᯍ

“ᯕᮟ ᮟᮞᮺ ᮤᮑᮛᮕ ᮟᮖᮖ ᮩᮟᮥᮢ ᮘᮟᮟᮔᮺ ᯐᮟᮤᮑᮞᮼ”

ᯗᮤ ᮢᮕᮑᮜᮜᮩ ᮙᮣ ᮘᮕᮢᮯ

ᮃᮘᮕ᮵ᮣ ᮞᮟᮤ ᮙᮞ ᮑ ᮖᮜᮑᮣᮘᮩ ᮟᮥᮤᮖᮙᮤᮺ ᮒᮥᮤ ᮑ ᮠᮜᮑᮙᮞ ᮞᮑᮦᮩ ᮛᮙᮝᮟᮞᮟᮺ ᮒᮥᮤ ᮤᮘᮙᮣ ᮙᮣ ᯐᮟᮤᮑᮞᮻᮣᮑᮞᮯ ᮇᮘᮑ—ᮧᮘᮩᯍ ᮇᮘᮩᯍ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᯝᮙᮢᮑᮞᮺ ᮙᮤ ᮘᮑᮣ ᮒᮕᮕᮞ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕᮼᮼᮼ”

ᯏ ᮣᮝᮙᮜᮕᮺ ᮑ ᮜᮙᮤᮤᮜᮕ ᮤᮘᮙᮞᮞᮕᮢ ᮤᮘᮑᮞ ᯗ ᮢᮕᮝᮕᮝᮒᮕᮢᮕᮔᮺ ᮩᮕᮣᮺ ᮤᮘᮑᮤ᮵ᮣ ᮧᮘᮑᮤ ᮣᮘᮕ ᮟᮖᮖᮕᮢᮕᮔ ᮝᮕᮼ

“ᯐᮟᮤᮑᮞ ᮧᮑᮣ ᮒᮟᮥᮗᮘᮤ ᮟᮥᮤ ᮒᮩ ᮑ ᮖᮟᮢᮕᮙᮗᮞᮕᮢᮼ ᮉᮟᮥ ᮛᮞᮟᮧ ᮤᮘᮑᮤᮺ ᮔᮟᮞ᮵ᮤ ᮩᮟᮥᯍ”

“ᯗ ᮑᮝ ᮑᮧᮑᮢᮕᮼ”

“ᮃᮟ ᮞᮟᮧ ᯐᮟᮤᮑᮞ ᮙᮣ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮖᮢᮕᮕᮼ ᯏᮞᮔ ᮖᮟᮢ ᮘᮕᮢ ᮤᮟ ᮓᮟᮝᮕ ᮒᮑᮓᮛᮺ ᯗ ᮞᮕᮑᮢᮜᮩ ᮖᮑᮙᮞᮤᮕᮔ ᮖᮢᮟᮝ ᮣᮘᮟᮓᮛᮼ ᯝᮞ ᮤᮟᮠ ᮟᮖ ᮤᮘᮑᮤᮺ ᮧᮘᮑᮤ ᮙᮣ ᮙᮤᮺ ᮣᮘᮕ ᮧᮑᮞᮤᮣ ᮤᮟ ᮧᮟᮢᮛ ᮑᮤ ᯛᮙᮓᮘᮙᮤᮟᮣᮕ ᮑᮗᮑᮙᮞᯍ ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯐᮟᮤᮑᮞ ᮧᮑᮣ ᮟᮥᮢ ᮤᮘᮙᮢᮔᮻᮢᮑᮞᮛᮕᮔ ᮓᮟᮥᮢᮤᮕᮣᮑᮞᮺ ᮣᮟ ᮙᮖ ᮣᮘᮕ ᮓᮟᮝᮕᮣ ᮒᮑᮓᮛᮺ ᮣᮘᮕ᮵ᮜᮜ ᮕᮑᮢᮞ ᮝᮟᮞᮕᮩ ᮑᮗᮑᮙᮞᮺ ᮒᮥᮤ ᮘᮟᮧ ᮑᮝ ᯗ ᮣᮥᮠᮠᮟᮣᮕᮔ ᮤᮟ ᮑᮠᮟᮜᮟᮗᮙ᮪ᮕ ᮤᮟ ᮤᮘᮕ ᮖᮟᮢᮕᮙᮗᮞᮕᮢ ᮧᮘᮟ ᮒᮟᮥᮗᮘᮤ ᮘᮕᮢ ᮟᮥᮤᯍ ᯓᮦᮕᮞ ᯗ᮵ᮝ ᮑᮤ ᮑ ᮜᮟᮣᮣ ᮘᮕᮢᮕᮼ ᮃᮟ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᯗ᮵ᮔ ᮘᮕᮑᮢ ᮧᮘᮑᮤ ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮧᮘᮟ ᮒᮢᮟᮥᮗᮘᮤ ᮤᮘᮕ ᮤᮧᮟ ᮟᮖ ᮤᮘᮕᮝ ᮤᮟᮗᮕᮤᮘᮕᮢᮺ ᮘᮑᮣ ᮤᮟ ᮣᮑᮩᮼ”

ᯓᮦᮕᮞ ᮣᮟᮺ ᮧᮘᮑᮤᯍᮯ ᮃᮕᮢᮙᮟᮥᮣᮜᮩᮺ ᮧᮘᮑᮤᯍᮯ

ᯗᮖ ᮣᮘᮕ᮵ᮣ ᮞᮟᮤ ᮛᮕᮕᮞ ᮟᮞ ᮝᮑᮢᮢᮩᮙᮞᮗ ᯑᮘᮕᮣᮤᮕᮢᮻᮣᮑᮞᮺ ᮤᮘᮑᮤ ᯗ ᮓᮟᮥᮜᮔ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼ

ᯐᮥᮤ ᮧᮘᮩ ᮓᮟᮝᮕ ᮒᮑᮓᮛ ᮤᮟ ᯛᮙᮓᮘᮙᮤᮟᮣᮕᯍ ᮇᮘᮩ ᮔᮟᮕᮣ ᮣᮘᮕ ᮧᮑᮞᮤ ᮤᮟ ᮧᮟᮢᮛ ᮘᮕᮢᮕ ᮑᮗᮑᮙᮞᯍ

ᯗ ᮔᮟᮞ᮵ᮤ ᮗᮕᮤ ᮙᮤᮯ

“ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯗ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮠᮢᮕᮣᮥᮝᮕ ᮤᮟ ᮑᮣᮛ ᮤᮟ ᮒᮕ ᮑᮞ ᯝᮙᮢᮑᮞ ᮑᮗᮑᮙᮞᮼ ᮀᮜᮕᮑᮣᮕ ᮜᮕᮤ ᮝᮕ ᮧᮟᮢᮛ ᮑᮣ ᮑ ᯐᮑᮞᮤᮟ ᮃᮘᮙᮞ᮪ᮟᮼ”

ᮃᮕᮕᮙᮞᮗ ᯐᮟᮤᮑᮞᮻᮣᮑᮞ ᮒᮟᮧ ᮘᮕᮢ ᮘᮕᮑᮔᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮣᮘᮢᮥᮗᮗᮕᮔᮺ ᮑᮣ ᮙᮖ ᮤᮟ ᮣᮑᮩᮺ “ᯗ ᮗᮙᮦᮕ ᮥᮠᮼ”

“ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮑᮤ ᯗ ᮑᮣᮛ ᯐᮟᮤᮑᮞᮺ ᮣᮘᮕ ᮟᮞᮜᮩ ᮣᮑᮩᮣ ᮤᮘᮙᮣᮼ ᮇᮘᮕᮤᮘᮕᮢ ᮣᮘᮕ ᮧᮑᮣ ᮤᮢᮕᮑᮤᮕᮔ ᮒᮑᮔᮜᮩ ᮒᮩ ᮤᮘᮕ ᮖᮟᮢᮕᮙᮗᮞᮕᮢᮺ ᮟᮢ ᮙᮖ ᮣᮘᮕ ᮘᮑᮔ ᮣᮟᮝᮕ ᮓᮟᮝᮠᮜᮑᮙᮞᮤᮺ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᯗ ᮑᮣᮛᮺ ᮣᮘᮕ ᮚᮥᮣᮤ ᮣᮘᮑᮛᮕᮣ ᮘᮕᮢ ᮘᮕᮑᮔᮼ ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮤᮘᮕᮢᮕ ᮝᮙᮗᮘᮤ ᮒᮕ ᮘᮑᮢᮔᮣᮘᮙᮠᮣ ᮙᮞ ᮒᮕᮙᮞᮗ ᮑ ᮖᮟᮢᮕᮙᮗᮞᮕᮢ᮵ᮣ ᮧᮙᮖᮕ ᮤᮘᮑᮤ ᮧᮕ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼ ᯐᮥᮤ ᮙᮖ ᮣᮘᮕ ᮧᮟᮞ᮵ᮤ ᮤᮕᮜᮜ ᮥᮣ ᮑᮞᮩᮤᮘᮙᮞᮗᮺ ᮤᮘᮕᮢᮕ᮵ᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮧᮕ ᮓᮑᮞ ᮔᮟ ᮕᮙᮤᮘᮕᮢᮼ”

“ᯗᮞᮔᮕᮕᮔᮼᮼᮼ ᮃᮑᮩᮺ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑᮺ ᮙᮖ ᮩᮟᮥ᮵ᮢᮕ ᮙᮞ ᮣᮟᮝᮕ ᮤᮢᮟᮥᮒᮜᮕᮺ ᮠᮕᮢᮘᮑᮠᮣ ᯗ ᮓᮟᮥᮜᮔ ᮣᮠᮕᮑᮛ ᮧᮙᮤᮘ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑᯍ”

“ᮇᮘᮩᯍ”

“ᯗ ᮓᮑᮞ ᮣᮠᮕᮑᮛ ᯓᮞᮗᮜᮙᮣᮘᮼ ᯗᮖ ᮤᮘᮕᮢᮕ᮵ᮣ ᮒᮕᮕᮞ ᮑ ᮝᮙᮣᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗ ᮒᮕᮤᮧᮕᮕᮞ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ ᮑᮞᮔ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑᮺ ᯗ ᮓᮟᮥᮜᮔ ᮤᮢᮩ ᮤᮟ ᮝᮕᮔᮙᮑᮤᮕᮼ”

“ᮼᮼᮼᯜᮟᮼᮼᮼ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ ᮙᮣ ᮑ ᮦᮕᮢᮩ ᮛᮙᮞᮔ ᮠᮕᮢᮣᮟᮞᮼ ᮄᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮞᮟ ᮝᮙᮣᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗᮣᮺ ᮞᮟ ᮓᮟᮝᮠᮜᮑᮙᮞᮤᮣᮼ ᮉᮕᮣᮼᮼᮼ ᮤᮢᮥᮜᮩᮺ ᮑ ᮗᮟᮟᮔ ᮠᮕᮢᮣᮟᮞᮼᮼᮼ”

“ᮄᮘᮕᮞ ᮧᮘᮩᯍ”

ᯔᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᯐᮟᮤᮑᮞᮻᮣᮑᮞ ᮜᮟᮟᮛᮕᮔ ᮑᮣ ᮙᮖ ᮣᮘᮕ ᮧᮑᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮓᮢᮩᮼ

ᮄᮘᮕ ᮵ᮘᮟᮣᮤᮕᮣᮣ᮵ ᮠᮑᮢᮤ ᮟᮖ ᮝᮕ ᮤᮟᮜᮔ ᮝᮕᮺ “ᮄᮘᮙᮣ ᮙᮣ ᮑ ᮓᮘᮑᮞᮓᮕᮼ”

ᯜᮟᮧᮺ ᯐᮟᮤᮑᮞᮻᮣᮑᮞ᮵ᮣ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮘᮑᮔ ᮣᮘᮙᮖᮤᮕᮔᮼ ᮀᮕᮢᮘᮑᮠᮣ ᮟᮞᮜᮩ ᮑ ᮜᮙᮤᮤᮜᮕᮺ ᮒᮥᮤ ᮑ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞ ᮘᮑᮔ ᮖᮟᮢᮝᮕᮔᮼ

ᯛᮑᮩᮒᮕ ᮣᮘᮕ᮵ᮔ ᮤᮑᮜᮛᮼᮼᮼ ᯗᮖ ᮙᮤ ᮧᮕᮢᮕ ᮚᮥᮣᮤ ᮤᮘᮕ ᮤᮧᮟ ᮟᮖ ᮥᮣᮺ ᮣᮘᮕ ᮝᮙᮗᮘᮤ ᮟᮠᮕᮞ ᮥᮠᮼ

“ᯚᮑᮞᮔᮜᮑᮔᮩᮺ ᮝᮑᮩ ᯗ ᮒᮢᮙᮞᮗ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑ ᮤᮟ ᮝᮩ ᮢᮟᮟᮝᯍ”

“ᮼᮼᮼᯔᮙᮞᮕᮼ ᮄᮟᮔᮑᮩ᮵ᮣ ᮣᮠᮕᮓᮙᮑᮜᮼ ᯓᮦᮕᮞ ᮙᮖ ᮤᮘᮕ ᮞᮙᮗᮘᮤ ᮣᮕᮣᮣᮙᮟᮞ ᮣᮤᮑᮢᮤᮣᮺ ᯗ᮵ᮜᮜ ᮣᮑᮩ ᮩᮟᮥ ᮘᮑᮦᮕ ᮑ ᮓᮥᮣᮤᮟᮝᮕᮢᮼ ᯝᮘᮺ ᮑᮞᮔ ᯐᮟᮤᮑᮞᮺ ᯗ ᮧᮟᮞ᮵ᮤ ᮓᮘᮑᮢᮗᮕ ᮩᮟᮥ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ ᯒᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩᮼ”

ᯏᮤ ᮖᮙᮢᮣᮤ ᮗᮜᮑᮞᮓᮕᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮑᮜᮧᮑᮩᮣ ᮣᮕᮕᮝᮣ ᮤᮟ ᮧᮕᮑᮢ ᮑ ᮣᮓᮑᮢᮩ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ ᯐᮥᮤ ᮒᮕᮞᮕᮑᮤᮘ ᮤᮘᮑᮤ ᮖᮑᮓᮑᮔᮕᮺ ᮣᮘᮕ ᮗᮕᮞᮥᮙᮞᮕᮜᮩ ᮓᮑᮢᮕᮣ ᮑᮒᮟᮥᮤ ᮤᮘᮕ ᮘᮑᮠᮠᮙᮞᮕᮣᮣ ᮟᮖ ᮘᮕᮢ ᮓᮟᮥᮢᮤᮕᮣᮑᮞᮣᮼ ᮼᮼᮼᮇᮕᮜᮜᮺ ᮑᮖᮤᮕᮢ ᮝᮑᮛᮙᮞᮗ ᮝᮟᮞᮕᮩᮺ ᮤᮘᮑᮤ ᮙᮣᮼ

“ᮄᮘᮕᮢᮕᮺ ᯐᮟᮤᮑᮞ ᮃᮑᮝᮑᮺ ᮠᮕᮢᮝᮙᮣᮣᮙᮟᮞ ᮘᮑᮣ ᮒᮕᮕᮞ ᮗᮢᮑᮞᮤᮕᮔᮼ ᯔᮟᮢ ᮞᮟᮧᮺ ᮠᮜᮕᮑᮣᮕ ᮓᮟᮝᮕ ᮤᮟ ᮝᮩ ᮢᮟᮟᮝᮼ ᯚᮕᮤ᮵ᮣ ᮘᮑᮦᮕ ᮣᮟᮝᮕ ᮛᮟᮙᮘᮙᮣᮟᮛᮑ ᮤᮟᮗᮕᮤᮘᮕᮢᮼ”

ᯗ ᮥᮢᮗᮕᮔ ᯐᮟᮤᮑᮞᮻᮣᮑᮞᮺ ᮧᮘᮟ ᮣᮤᮙᮜᮜ ᮜᮟᮟᮛᮕᮔ ᮔᮟᮧᮞᮓᮑᮣᮤᮺ ᮤᮟ ᮔᮟ ᮣᮟᮼ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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