Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 124

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ᯗᮣ ᮙᮤ ᮤᮢᮥᮜᮩ ᮑᮜᮢᮙᮗᮘᮤ ᮖᮟᮢ ᮝᮕ ᮤᮟ ᮒᮕ ᮤᮘᮙᮣ ᮘᮑᮠᮠᮩᯍ

ᯏᮣ ᯗ ᮞᮟᮔᮔᮕᮔ ᮑᮤ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ᮵ᮣ ᮧᮟᮢᮔᮣᮺ ᯗ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮑᮣᮛᮕᮔ ᮝᮩᮣᮕᮜᮖᮼ

ᯓᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮤᮘᮑᮤ ᮜᮕᮔ ᮝᮕ ᮘᮕᮢᮕᮺ ᮑᮞᮔ ᮧᮘᮑᮤ ᮣᮥᮢᮕᮜᮩ ᮑᮧᮑᮙᮤᮣ ᮝᮕ ᮖᮢᮟᮝ ᮞᮟᮧ ᮟᮞᮼ

ᯏᮝᮙᮔᮣᮤ ᮑᮜᮜ ᮤᮘᮟᮣᮕ ᮥᮞᮛᮞᮟᮧᮞᮣᮺ ᮤᮘᮕ ᮟᮞᮜᮩ ᮤᮘᮙᮞᮗ ᮤᮘᮑᮤ᮵ᮣ ᮓᮜᮕᮑᮢ ᮙᮣ ᮤᮘᮑᮤ ᯗ ᮑᮝ ᮞᮟ ᮜᮟᮞᮗᮕᮢ ᯐᮟᮤᮑᮞ ᮤᮘᮕ ᯝᮙᮢᮑᮞᮼ

ᯗᮺ ᯐᮟᮤᮑᮞᮺ ᮑᮝ ᮑ ᮓᮘᮙᮜᮔ ᮒᮟᮢᮞ ᮟᮥᮤ ᮟᮖ ᮧᮕᮔᮜᮟᮓᮛᮼ

ᯗ ᮞᮕᮦᮕᮢ ᮛᮞᮕᮧ ᮝᮩ ᮖᮑᮤᮘᮕᮢ᮵ᮣ ᮖᮑᮓᮕᮺ ᮑᮞᮔ ᮧᮑᮣ ᮣᮟᮜᮔ ᮟᮖᮖ ᮒᮕᮖᮟᮢᮕ ᯗ ᮤᮢᮥᮜᮩ ᮛᮞᮕᮧ ᮝᮩ ᮝᮟᮤᮘᮕᮢ᮵ᮣᮼ

ᯐᮕᮖᮟᮢᮕ ᯗ ᮛᮞᮕᮧ ᮙᮤᮺ ᯗ ᮧᮑᮣ ᮘᮕᮢᮕᮺ ᮑᮤ ᯛᮙᮤᮟᮣᮘᮙᮼ

ᯛᮑᮞᮩ ᮗᮙᮢᮜᮣ ᮖᮟᮥᮞᮔ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮖᮢᮙᮗᮘᮤᮕᮞᮙᮞᮗ ᮑᮞᮔ ᮔᮙᮣᮜᮙᮛᮕᮔ ᮘᮕᮢᮺ ᮒᮥᮤ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮔᮙᮣᮜᮙᮛᮕ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮺ ᮧᮘᮟ ᮣᮠᮟᮛᮕ ᮘᮕᮢ ᮝᮙᮞᮔ ᮓᮜᮕᮑᮢᮜᮩᮼ

ᯑᮟᮝᮠᮑᮢᮕᮔ ᮤᮟ ᮤᮘᮕ ᮠᮕᮟᮠᮜᮕ ᮟᮖ ᮝᮩ ᮒᮙᮢᮤᮘ ᮖᮑᮝᮙᮜᮩ ᮧᮘᮟ ᮤᮢᮙᮕᮔ ᮤᮟ ᮕᮢᮑᮣᮕ ᮝᮩ ᮕᮨᮙᮣᮤᮕᮞᮓᮕ ᮖᮟᮢ ᮢᮕᮑᮣᮟᮞᮣ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮑᮞᮔ ᮤᮘᮕ ᯓᮜᮔᮕᮢ ᯑᮟᮥᮢᮤᮕᮣᮑᮞᮺ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑᮺ ᮣᮕᮕᮝᮕᮔ ᮖᮑᮢ ᮛᮙᮞᮔᮕᮢᮼ ᯓᮦᮕᮞ ᮙᮖ ᮣᮤᮢᮙᮓᮤᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮧᮟᮥᮜᮔ ᮠᮢᮑᮙᮣᮕ ᮝᮕ ᮙᮖ ᯗ ᮠᮕᮢᮖᮟᮢᮝᮕᮔ ᮝᮩ ᮔᮥᮤᮙᮕᮣ ᮧᮕᮜᮜ ᮑᮣ ᮑ ᯙᮑᮝᮥᮢᮟᮼ

ᮉᮕᮣᮼᮼᮼ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑ ᮧᮑᮣ ᮤᮢᮥᮜᮩ ᮑ ᮛᮙᮞᮔ ᮠᮕᮢᮣᮟᮞᮼ ᯓᮦᮕᮞ ᮤᮘᮟᮥᮗᮘ ᮣᮘᮕ ᮧᮑᮣ ᮣᮛᮙᮜᮜᮕᮔ ᮙᮞ ᮓᮑᮜᮜᮙᮗᮢᮑᮠᮘᮩ ᮑᮞᮔ ᮣᮟᮞᮗᮺ ᮣᮘᮕ ᮠᮑᮤᮙᮕᮞᮤᮜᮩ ᮤᮑᮥᮗᮘᮤ ᮝᮕᮺ ᮧᮘᮟ ᮧᮑᮣ ᮒᮑᮔ ᮑᮤ ᮔᮑᮞᮓᮙᮞᮗᮺ ᮘᮟᮧ ᮤᮟ ᮔᮑᮞᮓᮕᮼ ᯗᮤ᮵ᮣ ᮤᮘᮑᮞᮛᮣ ᮤᮟ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑ ᮤᮘᮑᮤ ᯗ ᮧᮑᮣ ᮑᮒᮜᮕ ᮤᮟ ᮒᮕᮓᮟᮝᮕ ᮤᮘᮕ ᮤᮘᮙᮢᮔᮻᮢᮑᮞᮛᮕᮔ ᯝᮙᮢᮑᮞ ᮑᮤ ᯛᮙᮤᮟᮣᮘᮙᮺ ᮑ ᮜᮟᮞᮗᮻᮕᮣᮤᮑᮒᮜᮙᮣᮘᮕᮔ ᮘᮟᮥᮣᮕ ᮙᮞ ᮉᮟᮣᮘᮙᮧᮑᮢᮑᮼ

ᯗ ᮧᮑᮣᮞ᮵ᮤ ᮑᮣ ᮔᮑ᮪᮪ᮜᮙᮞᮗ ᮑᮣ ᮉᮑᮝᮑᮒᮥᮛᮙ ᯝᮙᮢᮑᮞᮺ ᮞᮟᮢ ᮑᮣ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮑᮣ ᯙᮙᮛᮩᮟ ᯝᮙᮢᮑᮞᮺ ᮒᮥᮤ ᮓᮥᮣᮤᮟᮝᮕᮢᮣ ᮟᮖᮤᮕᮞ ᮠᮢᮑᮙᮣᮕᮔ ᮝᮩ ᮔᮑᮞᮓᮙᮞᮗ ᮣᮤᮕᮠᮣᮺ ᮣᮑᮩᮙᮞᮗ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮜᮙᮛᮕ ᮑᮞ ᮑᮞᮗᮕᮜ᮵ᮣᮼ

ᯖᮟᮧᮕᮦᮕᮢᮺ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑ᮵ᮣ ᮣᮤᮟᮢᮩ ᮧᮑᮣ ᮑᮜᮣᮟ ᮑ ᮣᮟᮥᮢᮓᮕ ᮟᮖ ᮖᮕᮑᮢ ᮖᮟᮢ ᮝᮕᮼ

ᮃᮟᮝᮕ ᮤᮙᮝᮕ ᮑᮖᮤᮕᮢ ᯗ ᮒᮕᮓᮑᮝᮕ ᮙᮞᮔᮕᮠᮕᮞᮔᮕᮞᮤᮺ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑ ᮧᮑᮣ ᮒᮟᮥᮗᮘᮤ ᮟᮥᮤ ᮤᮟ ᮒᮕᮓᮟᮝᮕ ᮤᮘᮕ ᮣᮕᮓᮟᮞᮔ ᮧᮙᮖᮕ ᮟᮖ ᮑ ᮓᮕᮢᮤᮑᮙᮞ ᯓᮜᮔᮕᮢ ᮟᮖ ᮑ ᮠᮢᮟᮝᮙᮞᮕᮞᮤ ᮖᮑᮝᮙᮜᮩᮼ

ᯓᮦᮕᮞ ᮑᮣ ᮑ ᮣᮕᮓᮟᮞᮔ ᮧᮙᮖᮕᮺ ᮣᮘᮕ ᮧᮑᮣ ᮧᮕᮜᮓᮟᮝᮕᮔ ᮑᮣ ᮤᮘᮕ ᮜᮕᮗᮑᮜ ᮧᮙᮖᮕ ᮟᮖ ᮑ ᮢᮕᮞᮟᮧᮞᮕᮔᮺ ᮙᮞᮖᮜᮥᮕᮞᮤᮙᮑᮜ ᮖᮑᮝᮙᮜᮩᮺ ᮑᮞᮔ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑ ᮑᮤ ᮤᮘᮑᮤ ᮤᮙᮝᮕ ᮣᮝᮙᮜᮕᮔ ᮑᮣ ᮙᮖ ᮣᮘᮕ ᮧᮕᮢᮕ ᮢᮑᮔᮙᮑᮤᮙᮞᮗ ᮜᮙᮗᮘᮤᮼ

ᯏᮞᮔ ᮤᮟ ᮝᮕᮺ ᮣᮘᮕ ᮣᮑᮙᮔᮺ “ᯗᮖ ᮩᮟᮥ ᮧᮟᮢᮛ ᮩᮟᮥᮢ ᮘᮑᮢᮔᮕᮣᮤᮺ ᮩᮟᮥ ᮧᮙᮜᮜ ᮣᮥᮢᮕᮜᮩ ᮒᮕ ᮢᮕᮧᮑᮢᮔᮕᮔᮺ” ᮑᮞᮔ ᮣᮘᮕ ᮗᮑᮦᮕ ᮝᮕ ᮘᮕᮢ ᮧᮢᮙᮤᮙᮞᮗ ᮤᮟᮟᮜᮣᮺ ᮑᮞ ᮙᮞᮛᮣᮤᮟᮞᮕᮺ ᮑᮞᮔ ᮟᮤᮘᮕᮢ ᮣᮝᮑᮜᮜ ᮙᮤᮕᮝᮣᮼ

ᮼᮼᮼᯓᮦᮕᮞ ᮞᮟᮧᮺ ᯗ ᮣᮤᮙᮜᮜ ᮓᮘᮕᮢᮙᮣᮘ ᮑᮞᮔ ᮛᮕᮕᮠ ᮤᮘᮕ ᮤᮘᮙᮞᮗᮣ ᯗ ᮢᮕᮓᮕᮙᮦᮕᮔ ᮖᮢᮟᮝ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑ ᮤᮘᮕᮞᮼ

ᮄᮘᮕᮞ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑ ᮜᮕᮖᮤ ᯛᮙᮤᮟᮣᮘᮙ ᮙᮞ ᮑ ᮗᮢᮑᮞᮔ ᮠᮢᮟᮓᮕᮣᮣᮙᮟᮞᮼᮼᮼ ᯖᮟᮧ ᮧᮟᮞᮔᮕᮢᮖᮥᮜ ᮙᮤ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮙᮖ ᮙᮤ ᮘᮑᮔ ᮕᮞᮔᮕᮔ ᮤᮘᮕᮢᮕᮼ ᯗᮖ ᮟᮞᮜᮩ ᮙᮤ ᮓᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮕᮞᮔᮕᮔ ᮧᮙᮤᮘ ᮧᮟᮢᮔᮣ ᮜᮙᮛᮕᮺ ᮵ᯚᮙᮛᮕ ᮙᮞ ᮑ ᮠᮙᮓᮤᮥᮢᮕ ᮒᮟᮟᮛᮺ ᮤᮘᮕ ᮠᮢᮙᮞᮓᮕᮣᮣ ᮖᮟᮥᮞᮔ ᮘᮑᮠᮠᮙᮞᮕᮣᮣᮼᮼᮼ᮵

ᯗ ᮜᮕᮑᮢᮞᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮧᮟᮢᮔ ᮟᮖ ᮝᮟᮥᮤᮘ ᮖᮢᮟᮝ ᮓᮥᮣᮤᮟᮝᮕᮢᮣ ᮤᮘᮑᮤ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮘᮑᮔ ᮝᮑᮢᮢᮙᮕᮔᮺ ᮘᮑᮔ ᮤᮘᮢᮟᮧᮞ ᮘᮕᮢᮣᮕᮜᮖ ᮙᮞᮤᮟ ᮤᮘᮕ ᮧᮕᮜᮜ ᮟᮖ ᮘᮕᮢ ᮞᮕᮧ ᮘᮟᮝᮕᮼ

ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑ ᮧᮑᮣ ᮢᮕᮜᮕᮞᮤᮜᮕᮣᮣᮜᮩ ᮙᮞᮣᮥᮜᮤᮕᮔ ᮒᮩ ᮤᮘᮕ ᮖᮟᮢᮝᮕᮢ ᮧᮙᮖᮕ᮵ᮣ ᮓᮘᮙᮜᮔᮺ ᮧᮘᮟ ᮓᮑᮜᮜᮕᮔ ᮘᮕᮢ ᮑ ᮵ᮜᮟᮧᮜᮩ ᮧᮟᮝᮑᮞᮺ᮵ ᮑ ᮵ᮘᮑᮢᮜᮟᮤᮺ᮵ ᮑᮞᮔ ᮣᮑᮙᮔᮺ ᮵ᯜᮟ ᮧᮙᮖᮕ ᮧᮟᮥᮜᮔ ᮓᮟᮝᮕ ᮙᮖ ᮑ ᮧᮟᮝᮑᮞ ᮜᮙᮛᮕ ᮩᮟᮥ ᮧᮕᮢᮕ ᮤᮘᮕ ᮣᮤᮕᮠᮝᮟᮤᮘᮕᮢᮼ᮵ ᯓᮦᮕᮞ ᮤᮘᮕ ᯓᮜᮔᮕᮢᮺ ᮧᮘᮟ ᮘᮑᮔ ᮙᮞᮙᮤᮙᮑᮜᮜᮩ ᮠᮢᮟᮤᮕᮓᮤᮕᮔ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑᮺ ᮓᮟᮥᮜᮔ ᮔᮟ ᮞᮟᮤᮘᮙᮞᮗ ᮧᮘᮕᮞ ᮤᮘᮕ ᮩᮟᮥᮞᮗ ᮜᮟᮢᮔᮺ ᮤᮘᮕ ᮘᮕᮙᮢᮺ ᮒᮕᮓᮑᮝᮕ ᮣᮟ ᮣᮤᮥᮒᮒᮟᮢᮞᮺ ᮑᮞᮔ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮒᮕᮗᮑᮞ ᮤᮟ ᮣᮘᮥᮞ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑᮼᮼᮼ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮘᮑᮔ ᮗᮕᮞᮥᮙᮞᮕᮜᮩ ᮓᮑᮢᮕᮔ ᮖᮟᮢ ᮤᮘᮕ ᯓᮜᮔᮕᮢᮺ ᮕᮦᮕᮞᮤᮥᮑᮜᮜᮩ ᮝᮕᮤ ᮑ ᮤᮢᮑᮗᮙᮓ ᮕᮞᮔᮺ ᮤᮘᮕᮩ ᮣᮑᮙᮔᮼ

ᯛᮩ ᮤᮕᮑᮢᮣ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮣᮤᮟᮠᮼ

ᯔᮢᮟᮝ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮟᮞᮺ ᮢᮕᮗᮢᮕᮤᮺ ᮑᮞᮔ ᮣᮟᮢᮢᮟᮧ ᮖᮟᮢ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮟ ᮘᮑᮠᮠᮩ ᮤᮟ ᮒᮕ ᮧᮙᮤᮘ ᮤᮘᮕ ᮝᮑᮞ ᮣᮘᮕ ᮜᮟᮦᮕᮔᮼᮼᮼ

ᮄᮘᮕ ᮢᮕᮑᮣᮟᮞ ᯗ ᮤᮢᮙᮕᮔ ᮤᮟ ᮢᮥᮞ ᮑᮧᮑᮩ ᮖᮢᮟᮝ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ ᮧᮑᮣ ᮒᮕᮓᮑᮥᮣᮕ ᯗ ᮢᮕᮝᮕᮝᮒᮕᮢᮕᮔ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑ᮵ᮣ ᮣᮤᮟᮢᮩᮼ

ᯗ ᮑᮝ ᮑ ᮓᮘᮙᮜᮔ ᮒᮟᮢᮞ ᮟᮥᮤ ᮟᮖ ᮧᮕᮔᮜᮟᮓᮛᮼ ᯛᮩ ᮣᮤᮑᮤᮥᮣ ᮙᮣ ᮖᮑᮢ ᮜᮟᮧᮕᮢ ᮤᮘᮑᮞ ᯕᮩᮟᮛᮥᮢᮑᮞ ᮃᮑᮝᮑ᮵ᮣᮺ ᮒᮕᮩᮟᮞᮔ ᮓᮟᮝᮠᮑᮢᮙᮣᮟᮞᮼ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ ᮙᮣ ᮑᮞ ᯓᮞᮗᮜᮙᮣᮘ ᮃᮑᮝᮑᮼ ᮃᮥᮢᮕᮜᮩᮺ ᮘᮙᮣ ᮑᮖᮖᮕᮓᮤᮙᮟᮞ ᮖᮟᮢ ᮝᮕ ᮙᮣ ᮜᮙᮛᮕ ᮑ ᮖᮕᮦᮕᮢᮼ

ᮇᮘᮕᮞ ᮤᮘᮑᮤ ᮖᮕᮦᮕᮢ ᮓᮟᮟᮜᮣᮺ ᮑᮞᮔ ᮘᮕ ᮢᮕᮑᮜᮙ᮪ᮕᮣ ᮤᮘᮑᮤ ᮤᮘᮕ ᮟᮞᮕ ᮒᮩ ᮘᮙᮣ ᮣᮙᮔᮕ ᮙᮣ ᮞᮟᮤ ᮑ ᮠᮢᮙᮞᮓᮕᮣᮣᮺ ᮒᮥᮤ ᮑ ᮓᮟᮥᮞᮤᮢᮩ ᮗᮙᮢᮜ ᮧᮘᮟ ᮒᮑᮢᮕᮜᮩ ᮛᮞᮕᮧ ᮘᮕᮢ ᮠᮑᮢᮕᮞᮤᮣᮼᮼᮼ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮣᮕᮕ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ᮵ᮣ ᮖᮑᮓᮕ ᮤᮘᮕᮞᮼ

ᯐᮥᮤ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ ᮓᮑᮝᮕ ᮤᮟ ᮤᮑᮛᮕ ᮝᮕ ᮒᮑᮓᮛᮺ ᮕᮦᮕᮞ ᮝᮕᮼ ᯗ ᮛᮞᮟᮧ ᮧᮕᮜᮜ ᮤᮘᮑᮤ ᮘᮙᮣ ᮘᮑᮙᮢ ᮑᮞᮔ ᮕᮩᮕ ᮓᮟᮜᮟᮢ ᮔᮢᮑᮧ ᮑᮤᮤᮕᮞᮤᮙᮟᮞᮼ ᯏᮞᮔ ᮩᮕᮤᮺ ᮘᮕ ᮓᮑᮝᮕ ᮑᮜᮜ ᮤᮘᮕ ᮧᮑᮩ ᮤᮟ ᯛᮙᮤᮟᮣᮘᮙᮺ ᮑᮜᮟᮞᮕᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮑᮞᮩ ᮑᮤᮤᮕᮞᮔᮑᮞᮤᮣᮼ ᮄᮢᮥᮜᮩᮺ ᮧᮘᮑᮤ ᮓᮟᮥᮢᮑᮗᮕᮺ ᮧᮘᮑᮤ ᮢᮕᮣᮟᮜᮦᮕᮯ

ᮃᮟᮺ ᯗ ᮝᮑᮔᮕ ᮥᮠ ᮝᮩ ᮝᮙᮞᮔ ᮤᮟᮟᮼ

ᯔᮢᮟᮝ ᮞᮟᮧ ᮟᮞᮺ ᯗ ᮔᮟᮞ᮵ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮧᮙᮜᮜ ᮘᮑᮠᮠᮕᮞᮼ ᯐᮥᮤ ᯗ ᮧᮙᮜᮜ ᮒᮕᮜᮙᮕᮦᮕ ᮙᮞ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ ᮧᮘᮟᮜᮕᮘᮕᮑᮢᮤᮕᮔᮜᮩᮼ ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮑᮤ ᮘᮑᮢᮔᮣᮘᮙᮠᮣ ᮑᮧᮑᮙᮤᮺ ᮑᮣ ᮜᮟᮞᮗ ᮑᮣ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ ᮙᮣ ᮒᮩ ᮝᮩ ᮣᮙᮔᮕᮺ ᯗ ᮧᮙᮜᮜ ᮞᮕᮦᮕᮢ ᮢᮥᮞ ᮑᮧᮑᮩᯉ ᯗ ᮧᮙᮜᮜ ᮖᮑᮓᮕ ᮤᮘᮕᮝᮼ

ᯒᮙᮣᮑᮠᮠᮕᮑᮢᮙᮞᮗ ᮙᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᯗ ᮓᮑᮞ ᮔᮟ ᮕᮦᮕᮞ ᮑᮖᮤᮕᮢ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ᮵ᮣ ᮘᮕᮑᮢᮤ ᮘᮑᮣ ᮓᮜᮕᮑᮢᮜᮩ ᮓᮘᮑᮞᮗᮕᮔᮼ

ᮃᮟᮺ ᯗ ᮧᮙᮜᮜ ᮑᮓᮓᮟᮝᮠᮜᮙᮣᮘ ᮧᮘᮑᮤ ᯗ ᮓᮑᮞ ᮞᮟᮧᮼ

ᯗ ᮒᮕᮜᮙᮕᮦᮕ ᮤᮘᮑᮤ ᮙᮣ ᮤᮘᮕ ᮟᮞᮜᮩ ᮤᮘᮙᮞᮗ ᯗ ᮓᮑᮞ ᮔᮟ ᮖᮟᮢ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮤᮟᮜᮔ ᮝᮕ ᮘᮕ ᮧᮟᮥᮜᮔ ᮓᮢᮕᮑᮤᮕ ᮑ ᮠᮜᮑᮓᮕ ᮖᮟᮢ ᮝᮕ ᮤᮟ ᮢᮕᮤᮥᮢᮞ ᮤᮟᮺ ᮖᮟᮢ ᮝᮕ ᮧᮘᮟ ᮜᮟᮣᮤ ᮑ ᮘᮟᮝᮕ ᮙᮞ ᮝᮩ ᮓᮘᮙᮜᮔᮘᮟᮟᮔᮼ

ᮇᮘᮕᮞ ᯗ ᮣᮝᮙᮜᮕᮺ ᯑᮘᮕᮣᮤᮕᮢ ᮃᮑᮝᮑ ᮣᮝᮙᮜᮕᮣ ᮤᮟᮟᮼ

ᯔᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮺ ᯗ ᮕᮦᮕᮞ ᮖᮟᮢᮗᮟᮤ ᮑᮒᮟᮥᮤ ᮉᮑᮝᮑᮒᮥᮛᮙ ᯝᮙᮢᮑᮞᮺ ᮑᮞᮔ ᮧᮑᮣ ᮜᮟᮣᮤ ᮙᮞ ᮘᮙᮣ ᮕᮝᮒᮢᮑᮓᮕᮼ

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Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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