Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 137

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ᯏ ᮜᮙᮦᮕᮜᮩᮺ ᮓᮘᮕᮕᮢᮖᮥᮜ ᮒᮥ᮪᮪ ᮖᮙᮜᮜᮕᮔ ᮤᮘᮕ ᮑᮙᮢᮼ

ᯏᮝᮙᮔᮣᮤ ᮙᮤ ᮑᮜᮜᮺ ᯗ ᮧᮑᮤᮓᮘᮕᮔᮺ ᮝᮩ ᮘᮕᮑᮢᮤ ᮠᮟᮥᮞᮔᮙᮞᮗᮺ ᮑᮣ ᯑᮘᮕᮣᮤᮕᮢᮻᮃᮑᮝᮑ ᮑᮞᮔ ᯐᮟᮤᮑᮞᮻᮃᮑᮝᮑ ᮓᮥᮤ ᮙᮞᮤᮟ ᮤᮘᮕ ᮧᮕᮔᮔᮙᮞᮗ ᮓᮑᮛᮕ ᯗ᮵ᮔ ᮝᮑᮔᮕᮼ

ᯑᮘᮕᮣᮤᮕᮢᮻᮃᮑᮝᮑ ᮧᮑᮣ ᮑᮒᮣᮟᮜᮥᮤᮕᮜᮩ ᮔᮕᮜᮙᮗᮘᮤᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᮓᮑᮛᮕᮺ ᮧᮘᮙᮓᮘ ᮘᮟᮞᮟᮢᮕᮔ ᯐᮢᮙᮤᮙᮣᮘ ᮤᮢᮑᮔᮙᮤᮙᮟᮞᮼ ᯏᮞᮔ ᮧᮘᮕᮞ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮙᮕᮣᮺ ᮧᮘᮟ᮵ᮔ ᮙᮞᮙᮤᮙᮑᮜᮜᮩ ᮗᮢᮥᮝᮒᮜᮕᮔᮺ ᮰ᮇᮘᮑᮤ ᮙᮞ ᮤᮘᮕ ᮧᮟᮢᮜᮔ ᮙᮣ ᮤᮘᮑᮤᯍ᮰ᮺ ᮘᮕᮑᮢᮔ ᮝᮕ ᮕᮨᮠᮜᮑᮙᮞ ᮙᮤ ᮧᮑᮣ ᮰ᮑ ᮗᮟᮟᮔ ᮜᮥᮓᮛ ᮓᮘᮑᮢᮝᮺ ᮜᮙᮛᮕ ᯜᮕᮧ ᮉᮕᮑᮢ᮵ᮣ ᮝᮟᮓᮘᮙᮺ᮰ ᮤᮘᮕᮩ ᮞᮟᮔᮔᮕᮔᮺ ᮣᮑᮩᮙᮞᮗᮺ ᮰ᯗᮤ ᮓᮕᮢᮤᮑᮙᮞᮜᮩ ᮙᮣ ᮧᮘᮙᮤᮕᮺ ᮙᮣᮞ᮵ᮤ ᮙᮤᯍ᮰ ᯜᮟᮧᮺ ᮑᮜᮜ ᮤᮘᮑᮤ ᮧᮑᮣ ᮜᮕᮖᮤ ᮧᮑᮣ ᮖᮟᮢ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮤᮟ ᮕᮑᮤᮯ

ᮃᮜᮙᮓᮕᮣ ᮟᮖ ᮓᮑᮛᮕᮺ ᮒᮟᮜᮔᮜᮩ ᮓᮥᮤ ᮧᮙᮤᮘ ᮑ ᮣᮑᮤᮙᮣᮖᮩᮙᮞᮗ ᮸ᮤᮘᮥᮞᮛ᮸ᮺ ᮧᮕᮢᮕ ᮠᮜᮑᮓᮕᮔ ᮟᮞᮤᮟ ᮠᮜᮑᮤᮕᮣᮼ

ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕᮺ ᮧᮘᮟ ᮜᮟᮦᮕᮔ ᮣᮧᮕᮕᮤᮣᮺ ᮓᮘᮕᮕᮢᮕᮔᮼ

ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮑᮞᮔ ᮤᮘᮕ ᮟᮜᮔ ᮝᮑᮞ ᮣᮞᮙᮖᮖᮕᮔ ᮑᮤ ᮙᮤ ᮣᮥᮣᮠᮙᮓᮙᮟᮥᮣᮜᮩᮼ ᮸ᮃᮞᮙᮖᮖᮺ ᮣᮞᮙᮖᮖᮼ᮸ ᮼᮼᮼᯗᮤ᮵ᮣ ᮖᮙᮞᮕᮺ ᮢᮕᮑᮜᮜᮩᮯ

“ᮇᮟᮧᮯ ᮄᮘᮙᮣ ᮤᮑᮣᮤᮕᮣ ᮟᮖ ᮒᮥᮤᮤᮕᮢᮺ ᮘᮟᮧ ᮞᮟᮣᮤᮑᮜᮗᮙᮓᮯ”

“ᯏ ᮧᮕᮔᮔᮙᮞᮗ ᮓᮑᮛᮕ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮒᮥᮤᮤᮕᮢᮺ ᮙᮤ ᮝᮥᮣᮤᮼ ᮅᮣᮥᮑᮜᮜᮩᮺ ᮙᮤ ᮙᮣ ᮞᮟᮤ ᮠᮟᮣᮣᮙᮒᮜᮕᮼ”

“ᯗ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼ ᮄᮟᮔᮑᮩ ᮙᮣ ᮑ ᮣᮠᮕᮓᮙᮑᮜ ᮔᮑᮩᮯ”

ᮂᮟᮓᮓᮟᮻᮃᮑᮝᮑ ᮧᮙᮞᮛᮕᮔᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮠᮜᮕᮑᮣᮕᮔᮼ

ᯏ ᮠᮜᮑᮤᮕ ᮟᮖ ᮓᮑᮛᮕ ᮙᮞ ᮘᮙᮣ ᮢᮙᮗᮘᮤ ᮘᮑᮞᮔᮺ ᮑ ᮧᮙᮞᮕ ᮗᮜᮑᮣᮣ ᮙᮞ ᮘᮙᮣ ᮜᮕᮖᮤᮼᮼᮼ ᯖᮕ᮵ᮣ ᮣᮟ ᮔᮕᮨᮤᮕᮢᮟᮥᮣᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮝᮩ ᮖᮢᮙᮕᮞᮔᮼ ᮉᮟᮥ ᮑᮢᮕ ᮤᮢᮥᮜᮩ ᮑ ᮧᮟᮞᮔᮕᮢᮖᮥᮜ ᮠᮕᮢᮣᮟᮞᮼ ᮼᮼᮼᯗ ᮧᮙᮣᮘ ᯗ ᮓᮟᮥᮜᮔ ᮤᮑᮛᮕ ᮩᮟᮥ ᮘᮟᮝᮕ ᮧᮙᮤᮘ ᮝᮕᮼ”

“ᮂᮟᮓᮓᮟ ᮃᮑᮝᮑᯍ”

“ᯐᮥᮤᮺ ᮣᮟᮝᮕᮟᮞᮕ ᮑᮜᮢᮕᮑᮔᮩ ᮜᮙᮦᮕᮣ ᮙᮞᮣᮙᮔᮕ ᮩᮟᮥᮼ ᯓᮦᮕᮞ ᯗ ᮓᮑᮞ ᮤᮕᮜᮜ ᮤᮘᮑᮤ ᮝᮥᮓᮘᮼ ᯏᮤ ᮤᮘᮕ ᮦᮕᮢᮩ ᮜᮕᮑᮣᮤᮺ ᯗ ᮠᮢᮑᮩ ᮖᮟᮢ ᮩᮟᮥᮢ ᮘᮑᮠᮠᮙᮞᮕᮣᮣ—”

ᯖᮙᮣ ᮗᮑ᮪ᮕᮺ ᮣᮟ ᮖᮥᮜᮜ ᮟᮖ ᮜᮟᮞᮗᮙᮞᮗᮺ ᮝᮑᮔᮕ ᮝᮩ ᮘᮕᮑᮢᮤ ᮢᮑᮓᮕᮼ ᯛᮩ ᮠᮥᮜᮣᮕ ᮧᮑᮣ ᮗᮟᮙᮞᮗ ᮓᮢᮑ᮪ᮩᮼ ᮇᮘᮩ ᮔᮙᮔ ᮘᮕ ᮘᮑᮦᮕ ᮤᮟ ᮒᮕ ᮣᮟ ᮣᮕᮢᮙᮟᮥᮣ ᮟᮞᮜᮩ ᮑᮤ ᮤᮙᮝᮕᮣ ᮜᮙᮛᮕ ᮤᮘᮙᮣᯍ ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮖᮑᮙᮢᮼᮼᮼ

ᮇᮑᮙᮤᮺ ᮣᮟᮝᮕᮟᮞᮕ ᮑᮜᮢᮕᮑᮔᮩ ᮜᮙᮦᮕᮣ ᮙᮞᮣᮙᮔᮕ ᮝᮕᯍ ᮇᮘᮟ ᮙᮣ ᮘᮕ ᮤᮑᮜᮛᮙᮞᮗ ᮑᮒᮟᮥᮤᯍ ᯗᮤ᮵ᮣ ᮑᮞ ᮑᮞᮣᮧᮕᮢ ᯗ ᮖᮕᮕᮜ ᮜᮙᮛᮕ ᯗ ᮣᮘᮟᮥᮜᮔ ᮛᮞᮟᮧ ᮒᮥᮤ ᮔᮟᮞ᮵ᮤᮼ ᯒᮟᮕᮣ ᮂᮟᮓᮓᮟᮻᮃᮑᮝᮑ ᮣᮕᮕ ᮙᮤᯍ ᯗᮣ ᮙᮤ ᮤᮘᮑᮤ ᮟᮒᮦᮙᮟᮥᮣᯍ ᯚᮙᮛᮕᮺ ᮑ ᮖᮥᮤᮥᮢᮕ ᮧᮘᮕᮢᮕ ᯗ ᮣᮤᮑᮞᮔ ᮒᮕᮣᮙᮔᮕ ᮣᮟᮝᮕᮟᮞᮕᮺ ᮚᮥᮣᮤ ᮜᮙᮛᮕ ᯐᮟᮤᮑᮞᮻᮃᮑᮝᮑᮼᮼᮼ

“ᯜᮟᮧᮺ ᯗ ᮣᮘᮑᮜᮜ ᮗᮟ ᮤᮕᮑᮣᮕ ᯑᮘᮕᮣᮤᮕᮢᮼ ᮅᮞᮤᮙᮜ ᮧᮕ ᮝᮕᮕᮤ ᮑᮗᮑᮙᮞᮼ”

ᮂᮟᮓᮓᮟᮻᮃᮑᮝᮑ ᮧᮑᮜᮛᮕᮔ ᮑᮧᮑᮩᮼ

ᯘᮥᮣᮤ ᮑᮣ ᮘᮕ ᮜᮕᮖᮤᮺ ᯙᮙᮛᮩᮟ ᮓᮑᮝᮕ ᮤᮟ ᮣᮤᮑᮞᮔ ᮒᮕᮣᮙᮔᮕ ᮝᮕᮼ

ᮃᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮣᮤᮥᮞᮞᮙᮞᮗ ᮙᮞ ᮘᮕᮢ ᮕᮜᮑᮒᮟᮢᮑᮤᮕ ᮸ᮣᮘᮙᮛᮑᮛᮕ᮸ᮺ ᮔᮩᮕᮔ ᮧᮙᮤᮘ ᮑᮥᮣᮠᮙᮓᮙᮟᮥᮣ ᮠᮑᮤᮤᮕᮢᮞᮣ ᮟᮖ ᮤᮢᮕᮑᮣᮥᮢᮕᮣᮼ

“ᯗᮣ ᮤᮘᮙᮣ ᮤᮘᮕ ᯓᮞᮗᮜᮙᮣᮘ ᮧᮑᮩ ᮟᮖ ᮑ ᮧᮕᮔᮔᮙᮞᮗᮺ ᮤᮘᮕᮞᯍ”

“ᯜᮟᮤ ᮕᮨᮑᮓᮤᮜᮩ ᯓᮞᮗᮜᮙᮣᮘᮺ ᮒᮥᮤ ᮙᮤ ᮙᮣ ᮡᮥᮙᮤᮕ ᮣᮙᮝᮙᮜᮑᮢᮼ”

“ᯗᮣ ᮤᮘᮑᮤ ᮣᮟᯍ”

ᮄᮘᮕᮞᮺ ᮧᮙᮤᮘ ᮑ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮤᮢᮟᮥᮒᮜᮕᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮺ ᮣᮘᮕ ᮗᮜᮑᮞᮓᮕᮔ ᮑᮤ ᮤᮘᮕ ᮒᮟᮥᮡᮥᮕᮤ ᮙᮞ ᮘᮕᮢ ᮘᮑᮞᮔᮣᮼ

“ᮄᮘᮕᮩ ᮣᮑᮩ ᮤᮘᮕ ᮟᮞᮕ ᮧᮘᮟ ᮓᮑᮤᮓᮘᮕᮣ ᮤᮘᮙᮣ ᮧᮙᮜᮜ ᮒᮕ ᮤᮘᮕ ᮞᮕᮨᮤ ᮒᮢᮙᮔᮕᮼ ᯗᮣ ᮤᮘᮑᮤ ᮤᮢᮥᮜᮩ ᮣᮟᯍ”

“ᯗᮞ ᯓᮞᮗᮜᮑᮞᮔᮺ ᮤᮘᮑᮤ ᮙᮣ ᮧᮘᮑᮤ ᮤᮘᮕᮩ ᮣᮑᮩᮼ”

“ᮼᮼᮼᮇᮘᮙᮓᮘ ᮝᮕᮑᮞᮣᮺ ᯗᮼᮼᮼ”

ᯙᮙᮛᮩᮟ’ᮣ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘᮕᮔ ᮑ ᮣᮟᮖᮤ ᮢᮕᮔᮼ

“ᯝᮘᮺ ᮔᮟ ᮩᮟᮥ ᮘᮑᮦᮕ ᮣᮟᮝᮕᮟᮞᮕ ᮙᮞ ᮝᮙᮞᮔᯍ”

ᮇᮘᮕᮞ ᯗ ᮑᮣᮛᮕᮔ ᮠᮜᮑᮩᮖᮥᮜᮜᮩᮺ ᯙᮙᮛᮩᮟ’ᮣ ᮓᮘᮕᮕᮛᮣ ᮗᮢᮕᮧ ᮕᮦᮕᮞ ᮢᮕᮔᮔᮕᮢᮼ

“ᯜᮟᮤ ᮕᮨᮑᮓᮤᮜᮩ ᮣᮟᮝᮕᮟᮞᮕ ᮙᮞ ᮝᮙᮞᮔᮼᮼᮼ ᮒᮥᮤ ᮙᮤ’ᮣ ᮞᮟᮤ ᮕᮞᮤᮙᮢᮕᮜᮩᮼᮼᮼ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮡᮥᮕᮣᮤᮙᮟᮞᮼᮼᮼ”

ᯙᮙᮛᮩᮟ’ᮣ ᮦᮟᮙᮓᮕ ᮤᮢᮑᮙᮜᮕᮔ ᮟᮖᮖ ᮙᮞᮤᮟ ᮑ ᮧᮘᮙᮣᮠᮕᮢᮼ

ᮇᮘᮟᮑᮺ ᮢᮕᮑᮜᮜᮩᯍᮯ ᯙᮙᮛᮩᮟ ᮘᮑᮣ ᮣᮟᮝᮕᮟᮞᮕᯍ

ᯗ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮘᮕᮢ ᮠᮢᮟᮖᮙᮜᮕᮺ ᮑᮞᮔ ᯙᮙᮛᮩᮟ ᮜᮟᮧᮕᮢᮕᮔ ᮘᮕᮢ ᮕᮩᮕᮣᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮼᮼᮼ ᯗ ᮧᮙᮜᮜ ᮤᮕᮜᮜ ᮩᮟᮥ ᮝᮟᮢᮕ ᮜᮑᮤᮕᮢᮼᮼᮼ”

“ᯏᮜᮢᮙᮗᮘᮤᮼ ᯗ’ᮜᮜ ᮒᮕ ᮧᮑᮙᮤᮙᮞᮗᮼ”

ᮃᮟᮝᮕᮘᮟᮧᮺ ᯗ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮠᮥᮤᮤᮙᮞᮗ ᮝᮩ ᮑᮢᮝ ᮑᮢᮟᮥᮞᮔ ᯙᮙᮛᮩᮟ’ᮣ ᮣᮘᮟᮥᮜᮔᮕᮢᮼ

ᯙᮙᮛᮩᮟᮺ ᮙᮞ ᮜᮟᮦᮕ ᮤᮟᮟᮺ ᮘᮥᮘᮼᮼᮼ

ᯘᮥᮣᮤ ᮜᮙᮛᮕ ᯐᮟᮤᮑᮞᮻᮃᮑᮝᮑ ᮗᮟᮤ ᮝᮑᮢᮢᮙᮕᮔᮺ ᮙᮤ ᮣᮕᮕᮝᮣ ᮞᮟ ᮟᮞᮕ ᮙᮣ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮣᮤᮙᮜᮜ ᮙᮞ ᮟᮞᮕ ᮠᮜᮑᮓᮕᮼ

ᯗ ᮘᮑᮦᮕᮞ᮵ᮤ ᮣᮤᮟᮠᮠᮕᮔ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮝᮟᮦᮕ ᮖᮟᮢᮧᮑᮢᮔ ᮕᮙᮤᮘᮕᮢᮺ ᮒᮥᮤ ᮝᮑᮩᮒᮕ ᯗ ᮞᮕᮕᮔ ᮤᮟ ᮠᮙᮓᮛ ᮥᮠ ᮤᮘᮕ ᮠᮑᮓᮕ ᮑ ᮒᮙᮤ ᮝᮟᮢᮕᮼᮼᮼ ᯐᮥᮤ ᮣᮠᮕᮓᮙᮖᮙᮓᮑᮜᮜᮩᮺ ᮘᮟᮧᯍ ᯐᮕᮓᮟᮝᮕ ᮤᮘᮕ ᮞᮥᮝᮒᮕᮢ ᮟᮞᮕ ᯝᮙᮢᮑᮞᯍ ᯝᮢᮼᮼᮼᯍ

ᯏᮣ ᯗ ᮧᮑᮣ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮤᮘᮑᮤᮺ ᯙᮙᮛᮩᮟ ᮡᮥᮙᮓᮛᮜᮩ ᮕᮨᮓᮥᮣᮕᮔ ᮘᮕᮢᮣᮕᮜᮖᮺ ᮣᮑᮩᮙᮞᮗ ᮣᮘᮕ ᮧᮑᮣ ᮗᮟᮙᮞᮗ ᮤᮟ ᮗᮕᮤ ᮣᮟᮝᮕ ᮖᮟᮟᮔ ᮖᮟᮢ ᮄᮣᮥᮒᮑᮛᮙᮻᮓᮘᮑᮞᮼ ᯏ ᮠᮕᮢᮖᮕᮓᮤ ᮧᮑᮩ ᮤᮟ ᮘᮙᮔᮕ ᮘᮕᮢ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮝᮕᮞᮤᮼ

ᯏᮞᮩᮧᮑᮩᮺ ᯗ ᮖᮙᮗᮥᮢᮕᮔ ᯗ᮵ᮔ ᮘᮑᮦᮕ ᮣᮟᮝᮕ ᮧᮙᮞᮕᮺ ᮑᮞᮔ ᮚᮥᮣᮤ ᮑᮣ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮑᮤᮺ ᮣᮟᮝᮕᮟᮞᮕ ᮓᮑᮜᮜᮕᮔ ᮟᮥᮤ ᮤᮟ ᮝᮕᮼᮼᮼ

“ᯏᮘᮺ ᯐᮟᮤᮑᮼᮼᮼ ᮞᮟᮺ ᯝᮤᮑᮙᮻᮃᮑᮝᮑᮼ”

“ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮤᮟᮔᮑᮩᮼ”

ᯐᮟᮤᮑᮞᮻᮃᮑᮝᮑᮺ ᮧᮘᮟᮣᮕ ᮢᮕᮑᮜ ᮞᮑᮝᮕ ᮧᮑᮣ ᯝᮤᮑᮙᮻᮃᮑᮝᮑᮺ ᮣᮤᮟᮟᮔ ᮒᮕᮣᮙᮔᮕ ᯑᮘᮕᮣᮤᮕᮢᮻᮃᮑᮝᮑ ᮑᮞᮔ ᮒᮟᮧᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮼᮼᮼ ᮤᮘᮕᮞ ᮓᮟᮦᮕᮢᮕᮔ ᮘᮕᮢ ᮝᮟᮥᮤᮘ ᮧᮙᮤᮘ ᮑᮞ ᮰ᯏᮘᮯ᮰

“ᯗ ᮣᮤᮙᮜᮜ ᮓᮑᮞᮞᮟᮤ ᮣᮘᮑᮛᮕ ᮟᮖᮖ ᮤᮘᮕ ᮓᮟᮥᮢᮤᮕᮣᮑᮞ’ᮣ ᮣᮠᮕᮕᮓᮘᮼ”

“ᯗᮤ ᮓᮑᮞᮞᮟᮤ ᮒᮕ ᮘᮕᮜᮠᮕᮔᮼ ᮉᮟᮥ ᮘᮑᮦᮕ ᮥᮣᮕᮔ ᮙᮤ ᮖᮟᮢ ᮣᮟ ᮜᮟᮞᮗᮼ”

“ᯗᮤ ᮧᮙᮜᮜ ᮣᮜᮟᮧᮜᮩ ᮖᮑᮔᮕ ᮑᮧᮑᮩᮼᮼᮼ ᯝᮘᮺ ᮤᮘᮕᮢᮕ ᮙᮤ ᮙᮣ ᮑᮗᮑᮙᮞᮯ”

“ᯗᮤ’ᮣ ᮑᮜᮢᮙᮗᮘᮤᮺ ᮣᮜᮟᮧᮜᮩᮼ”

ᯑᮘᮕᮣᮤᮕᮢᮻᮃᮑᮝᮑ ᮗᮕᮞᮤᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᯝᮤᮑᮙᮻᮃᮑᮝᮑ’ᮣ ᮒᮑᮓᮛᮼ

ᯝᮤᮑᮙᮻᮃᮑᮝᮑ ᮣᮝᮙᮜᮕᮔᮼ

ᮃᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮖᮑᮢ ᮘᮑᮠᮠᮙᮕᮢ ᮤᮘᮑᮞ ᮣᮘᮕ ᮕᮦᮕᮢ ᮔᮙᮔ ᮥᮞᮔᮕᮢ ᮤᮘᮕ ᮗᮜᮑᮝᮟᮢᮟᮥᮣ ᮞᮑᮝᮕ ᮟᮖ ᯐᮟᮤᮑᮞᮻᮃᮑᮝᮑᮼ

“ᮄᮑᮛᮕ ᮩᮟᮥᮢ ᮤᮙᮝᮕᮺ ᯝᮤᮑᮙᮻᮃᮑᮝᮑᮼ”

“ᮉᮕᮣᮺ ᮝᮩ ᮘᮥᮣᮒᮑᮞᮔᮼ ᮉᮑᮝᮑᮒᮥᮛᮙ ᯝᮙᮢᮑᮞᮺ ᮤᮘᮙᮣ ᮙᮣ ᮖᮟᮢ ᮩᮟᮥᮼ ᯏ ᮣᮘᮑᮢᮕ ᮟᮖ ᮤᮘᮕ ᮓᮑᮛᮕᮼ ᯗ’ᮦᮕ ᮠᮥᮤ ᮣᮟᮝᮕ ᮙᮞᮣᮙᮔᮕᮼ”

ᯐᮟᮤᮑᮞᮻᮃᮑᮝᮑ ᮟᮖᮖᮕᮢᮕᮔ ᮑ ᮣᮝᮑᮜᮜ ᮧᮟᮟᮔᮕᮞ ᮒᮟᮨᮼ

ᯗᮤ ᮧᮑᮣ ᮤᮘᮕ ᮒᮟᮨ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮃᮑᮝᮑ ᮘᮑᮔ ᮓᮑᮢᮢᮙᮕᮔ ᮖᮟᮢ ᮝᮕᮼ

ᯜᮟᮢᮝᮑᮜᮜᮩᮺ ᮙᮞ ᮤᮘᮕ ᯓᮞᮗᮜᮙᮣᮘ ᮤᮢᮑᮔᮙᮤᮙᮟᮞᮺ ᮩᮟᮥ᮵ᮔ ᮔᮙᮣᮤᮢᮙᮒᮥᮤᮕ ᮓᮑᮛᮕ ᮜᮙᮛᮕ ᮤᮘᮙᮣ ᮤᮟ ᮤᮘᮟᮣᮕ ᮧᮘᮟ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮑᮤᮤᮕᮞᮔ ᮤᮘᮕ ᮓᮕᮢᮕᮝᮟᮞᮩᮼᮼᮼ ᮒᮥᮤ ᯗ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮗᮙᮦᮕ ᮙᮤ ᮤᮟ ᮤᮘᮕ ᮗᮥᮕᮣᮤᮣ ᮣᮟ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮧᮟᮥᮜᮔ ᮑᮜᮧᮑᮩᮣ ᮢᮕᮝᮕᮝᮒᮕᮢ ᯝᮤᮑᮙᮻᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮧᮟᮥᮜᮔ ᮜᮙᮛᮕᮜᮩ ᮗᮟ ᮑᮒᮢᮟᮑᮔ ᮣᮟᮝᮕᮔᮑᮩᮼ

“ᮄᮘᮑᮞᮛ ᮩᮟᮥᮺ ᯚᮑᮔᮩᮼ”

ᯑᮘᮕᮣᮤᮕᮢᮻᮃᮑᮝᮑ ᮘᮕᮜᮔ ᮟᮥᮤ ᮘᮙᮣ ᮘᮑᮞᮔᮼ

ᯗ ᮓᮜᮑᮣᮠᮕᮔ ᮘᮙᮣ ᮘᮑᮞᮔ ᮑᮞᮔ ᮢᮕᮠᮜᮙᮕᮔᮺ

“ᯗᮤ ᮝᮑᮩ ᮒᮕ ᮑ ᮜᮙᮤᮤᮜᮕ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᮤᮘᮕ ᯓᮞᮗᮜᮙᮣᮘ ᮧᮑᮩᮺ ᮒᮥᮤᮼᮼᮼ”

“ᯐᮥᮤ ᮙᮤ ᮧᮙᮜᮜ ᮒᮕ ᮑ ᮗᮟᮟᮔ ᮝᮕᮝᮟᮢᮩᮼ”

ᯑᮘᮕᮣᮤᮕᮢᮻᮃᮑᮝᮑ’ᮣ ᮕᮩᮕᮣ ᮓᮢᮙᮞᮛᮜᮕᮔᮼ

“ᯝᮤᮑᮙᮻᮃᮑᮝᮑᮺ ᯗ ᮧᮙᮜᮜ ᮞᮕᮦᮕᮢ ᮖᮟᮢᮗᮕᮤ ᮤᮘᮙᮣ ᮔᮑᮩᮺ ᮞᮟᮤ ᮖᮟᮢ ᮝᮩ ᮧᮘᮟᮜᮕ ᮜᮙᮖᮕᮼ ᮇᮙᮜᮜ ᮩᮟᮥᯍ”

“ᯗ ᮧᮙᮜᮜ ᮞᮟᮤ ᮖᮟᮢᮗᮕᮤ ᮙᮤ ᮕᮙᮤᮘᮕᮢᮼ ᯗᮤ ᮙᮣ ᮤᮘᮕ ᮔᮑᮩ ᯗ ᮚᮟᮙᮞᮕᮔ ᮝᮩ ᮘᮥᮣᮒᮑᮞᮔᮼ ᮼᮼᮼᮉᮑᮝᮑᮒᮥᮛᮙ ᯝᮙᮢᮑᮞᮺ ᮩᮟᮥ ᮤᮟᮟ ᮝᮥᮣᮤ ᮣᮥᮢᮕᮜᮩ ᮖᮙᮞᮔ ᮘᮑᮠᮠᮙᮞᮕᮣᮣᮼ”

“ᯝᮘᮺ ᮝᮩᮼ”

“ᮄᮘᮑᮤ ᮙᮣ ᮝᮩ ᮤᮢᮥᮕ ᮖᮕᮕᮜᮙᮞᮗᮼ ᯓᮦᮕᮢᮩᮟᮞᮕ ᮛᮞᮟᮧᮣ ᮘᮟᮧ ᮝᮥᮓᮘ ᮩᮟᮥᮺ ᯝᮙᮢᮑᮞᮺ ᮑᮜᮧᮑᮩᮣ ᮧᮟᮢᮛ ᮣᮟ ᮘᮑᮢᮔ ᮖᮟᮢ ᮟᮤᮘᮕᮢᮣᮼ ᯗᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮧᮢᮟᮞᮗ ᮖᮟᮢ ᮣᮥᮓᮘ ᮑᮞ ᯝᮙᮢᮑᮞ ᮞᮟᮤ ᮤᮟ ᮒᮕ ᮘᮑᮠᮠᮩᮼ ᯛᮩ ᮘᮥᮣᮒᮑᮞᮔ ᮑᮞᮔ ᯗ ᮧᮙᮜᮜ ᮒᮕ ᮧᮑᮙᮤᮙᮞᮗᮺ ᮩᮟᮥ ᮛᮞᮟᮧᮼ ᮇᮑᮙᮤᮙᮞᮗ ᮖᮟᮢ ᮗᮟᮟᮔ ᮞᮕᮧᮣ ᮖᮢᮟᮝ ᮩᮟᮥᮺ ᯝᮙᮢᮑᮞᮼ”

“ᯗᮞᮔᮕᮕᮔᮼ ᯗ ᮣᮘᮑᮢᮕ ᯝᮤᮑᮙᮻᮃᮑᮝᮑ’ᮣ ᮣᮕᮞᮤᮙᮝᮕᮞᮤᮼ ᯚᮑᮔᮩᮺ ᮣᮟᮝᮕᮔᮑᮩᮺ ᮠᮜᮕᮑᮣᮕ ᮑᮜᮜᮟᮧ ᮝᮕ ᮤᮟ ᮒᮜᮕᮣᮣ ᮩᮟᮥᮼ”

“ᮃᮕᮕᯍ”

ᯝᮤᮑᮙᮻᮃᮑᮝᮑ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮝᮙᮣᮓᮘᮙᮕᮦᮟᮥᮣᮜᮩᮼ

“ᮇᮕᮜᮜ ᮤᮘᮕᮞᮺ ᯝᮙᮢᮑᮞᮺ ᯗ ᮧᮙᮜᮜ ᮗᮟ ᮔᮙᮣᮤᮢᮙᮒᮥᮤᮕ ᮓᮑᮛᮕ ᮤᮟ ᮤᮘᮕ ᮟᮤᮘᮕᮢᮣᮼ ᯗ ᮧᮙᮜᮜ ᮧᮢᮙᮤᮕ ᮩᮟᮥ ᮑ ᮜᮕᮤᮤᮕᮢ ᮜᮑᮤᮕᮢᮺ ᮤᮟᮟᮼ ᮀᮜᮕᮑᮣᮕ ᮣᮤᮑᮩ ᮧᮕᮜᮜᮼ”

“ᯓᮞᮚᮟᮩ ᮤᮘᮕ ᮢᮕᮣᮤ ᮟᮖ ᮩᮟᮥᮢ ᮔᮑᮩᮺ ᯚᮑᮔᮩᮼ”

ᯏᮣ ᮣᮘᮕ ᮣᮑᮙᮔ ᮤᮘᮑᮤᮺ ᯝᮤᮑᮙᮻᮃᮑᮝᮑ’ᮣ ᮠᮥᮢᮕ ᮧᮘᮙᮤᮕ ᮦᮕᮙᮜ ᮔᮑᮞᮓᮕᮔ ᮙᮞ ᮤᮘᮕ ᮧᮙᮞᮔ ᮑᮣ ᮣᮘᮕ ᮧᮑᮜᮛᮕᮔ ᮑᮧᮑᮩ ᮧᮙᮤᮘ ᯑᮘᮕᮣᮤᮕᮢᮻᮃᮑᮝᮑᮼ

ᯗᮤ ᮧᮑᮣ ᮣᮟ ᮔᮑ᮪᮪ᮜᮙᮞᮗ ᮤᮘᮑᮤ ᯗ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮤᮘᮕ ᮣᮛᮩᮼ

ᯗᮞ ᮤᮘᮕ ᮦᮙᮒᮢᮑᮞᮤ ᮒᮜᮥᮕ ᮣᮛᮩᮺ ᮣᮟ ᮓᮜᮕᮑᮢ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮘᮥᮝᮺ ᮧᮘᮙᮤᮕ ᮓᮜᮟᮥᮔᮣ ᮔᮢᮙᮖᮤᮕᮔ ᮜᮙᮛᮕ ᯝᮤᮑᮙᮻᮃᮑᮝᮑ’ᮣ ᮦᮕᮙᮜᮼ

ᯗᮤ ᮜᮟᮟᮛᮕᮔ ᮑᮣ ᮙᮖ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮒᮜᮕᮣᮣᮙᮞᮗ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮠᮢᮕᮣᮕᮞᮤ ᮤᮟᮔᮑᮩᮼ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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