Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 141

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᯍ ᮉᮟᮥᮢ ᮖᮑᮓᮕ ᮜᮟᮟᮛᮣ ᮠᮑᮜᮕᮼ”

ᮃᮑᮛᮥᮢᮑ᮵ᮣ ᮘᮑᮞᮔ ᮣᮘᮟᮟᮛ ᮝᮕᮼ

“ᯗ ᮤᮢᮥᮜᮩ ᮑᮝ ᮖᮙᮞᮕᮼ ᮄᮢᮥᮜᮩ…”

ᯏᮖᮤᮕᮢ ᮧᮑᮦᮙᮞᮗ ᮑ ᮘᮑᮞᮔ ᮙᮞ ᮢᮕᮣᮠᮟᮞᮣᮕ ᮤᮟ ᮅᮝᮕᮺ ᮧᮘᮟ ᮧᮑᮣ ᮠᮕᮕᮢᮙᮞᮗ ᮑᮤ ᮝᮩ ᮖᮑᮓᮕ ᮧᮙᮤᮘ ᮑ ᮧᮟᮢᮢᮙᮕᮔ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮺ ᯗ ᮣᮑᮤ ᮥᮠ ᮣᮤᮢᮑᮙᮗᮘᮤᮼ

ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮜᮕᮤ ᮤᮘᮕᮝ ᮧᮟᮢᮢᮩ ᮑᮒᮟᮥᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮝᮩᮣᮕᮜᮖᮼ

ᯛᮩ ᮙᮔᮕᮞᮤᮙᮤᮩ ᮑᮣ ᮵ᯏᮞᮞᮑ᮵ ᮘᮑᮔ ᮤᮟ ᮢᮕᮝᮑᮙᮞ ᮑ ᮣᮕᮓᮢᮕᮤ ᮤᮟ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮘᮕᮢᮕᮼ

“ᯏᮘᮺ ᮤᮘᮕᮞᮺ ᮠᮜᮕᮑᮣᮕ ᮒᮢᮙᮞᮗ ᮝᮕ ᮑ ᮘᮟᮤ ᮓᮥᮠ ᮟᮖ ᮓᮟᮖᮖᮕᮕᮼ ᯜᮟᮺ ᮤᮘᮕᮢᮕ ᮧᮟᮞ᮵ᮤ ᮒᮕ ᮑᮞᮩ ᮝᮟᮢᮕ ᮓᮥᮣᮤᮟᮝᮕᮢᮣ ᮤᮟᮔᮑᮩᮼ”

“ᯐᮥᮤ…”

“ᮃᮑᮛᮥᮢᮑᮺ ᮔᮟᮞ᮵ᮤ ᮝᮑᮛᮕ ᮣᮥᮓᮘ ᮑ ᮧᮟᮢᮢᮙᮕᮔ ᮖᮑᮓᮕᮼ ᯗᮖ ᮤᮘᮕᮢᮕ᮵ᮣ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮤᮟ ᮒᮕ ᮓᮟᮞᮓᮕᮢᮞᮕᮔ ᮑᮒᮟᮥᮤᮺ ᯗ᮵ᮜᮜ ᮒᮕ ᮘᮕᮢᮕ ᮧᮙᮤᮘ ᮅᮝᮕᮼ”

“ᯗᮖ ᮤᮘᮑᮤ᮵ᮣ ᮤᮘᮕ ᮓᮑᮣᮕᮺ ᮤᮘᮕᮞ… ᮅᮝᮕᮺ ᮠᮜᮕᮑᮣᮕ ᮛᮕᮕᮠ ᮑ ᮓᮜᮟᮣᮕ ᮕᮩᮕ ᮟᮞ ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮼ”

“ᮉᮕᮣᮺ ᯗ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼ”

ᮇᮘᮙᮜᮕ ᮃᮑᮛᮥᮢᮑ ᮧᮕᮞᮤ ᮔᮟᮧᮞᮣᮤᮑᮙᮢᮣ ᮤᮟ ᮗᮕᮤ ᮤᮘᮕ ᮓᮟᮖᮖᮕᮕᮺ ᮅᮝᮕᮺ ᮖᮟᮜᮜᮟᮧᮙᮞᮗ ᮘᮕᮢ ᮙᮞᮣᮤᮢᮥᮓᮤᮙᮟᮞᮣᮺ ᮣᮑᮤ ᮔᮕᮝᮥᮢᮕᮜᮩ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮝᮕᮼ

ᯗ ᮤᮢᮙᮕᮔ ᮤᮟ ᮣᮟᮝᮕᮘᮟᮧ ᮓᮜᮕᮑᮢ ᮝᮩ ᮣᮤᮙᮜᮜᮻᮓᮟᮞᮖᮥᮣᮕᮔ ᮘᮕᮑᮔᮼ

ᯏᮛᮑᮩᮑ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮧᮑᮣ ᮤᮟᮟ ᮦᮙᮦᮙᮔ ᮤᮟ ᮒᮕ ᮚᮥᮣᮤ ᮑ ᮔᮢᮕᮑᮝᮺ ᮑᮞᮔ ᮤᮘᮕ ᮛᮕᮩᮓᮘᮑᮙᮞ ᮤᮘᮑᮤ ᮣᮘᮟᮥᮜᮔᮞ᮵ᮤ ᮕᮨᮙᮣᮤ ᮙᮞ ᮤᮘᮙᮣ ᮕᮢᮑᮺ ᮣᮕᮕᮝᮙᮞᮗᮜᮩ ᮓᮟᮞᮖᮙᮢᮝᮙᮞᮗ ᮙᮤᮼ

ᮄᮘᮕᮢᮕ ᮘᮑᮔ ᮤᮟ ᮒᮕ ᮣᮟᮝᮕ ᮓᮟᮞᮞᮕᮓᮤᮙᮟᮞᮼ

ᯗ ᮤᮢᮙᮕᮔ ᮤᮟ ᮢᮕᮝᮕᮝᮒᮕᮢ ᮤᮘᮕ ᮔᮢᮕᮑᮝ᮵ᮣ ᮓᮟᮞᮤᮕᮞᮤᮣ ᮝᮟᮢᮕ ᮓᮜᮕᮑᮢᮜᮩᮼ

ᯙᮑᮒᮥᮛᮙᮓᮘᮟᮺ ᮑ ᮔᮢᮕᮑᮝ ᮤᮘᮑᮤ ᮧᮑᮣᮞ᮵ᮤ ᮑ ᮔᮢᮕᮑᮝᮺ ᯏᮛᮑᮩᮑ ᮃᮑᮝᮑ᮵ᮣ ᮧᮟᮢᮔᮣᮺ ᮛᮞᮟᮧᮙᮞᮗ ᮵ᯏᮞᮞᮑ᮵ ᮧᮘᮕᮞ ᮞᮟ ᮟᮞᮕ ᮕᮜᮣᮕ ᮣᮘᮟᮥᮜᮔ—ᮼ

—ᯘᮥᮣᮤ ᮞᮟᮧᮺ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮖᮜᮑᮣᮘᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮝᮕᮝᮟᮢᮩᮼ

ᯏ ᮞᮟᮣᮤᮑᮜᮗᮙᮓ ᮣᮓᮢᮑᮝᮒᮜᮕ ᮓᮢᮟᮣᮣᮙᮞᮗᮺ ᮝᮕ ᮧᮑᮜᮛᮙᮞᮗ ᮤᮘᮕᮢᮕᮺ ᮑᮞᮔ… ᯏᮛᮑᮩᮑ ᮃᮑᮝᮑ ᮙᮞ ᮑ ᮣᮥᮙᮤᮺ ᮢᮙᮗᮘᮤ ᮤᮘᮕᮢᮕ ᮧᮙᮤᮘ ᮝᮕ…ᯍ

…ᮄᮘᮑᮤ ᮧᮑᮣᮞ᮵ᮤ ᮑ ᮔᮢᮕᮑᮝ…ᯍ ᯓᮦᮕᮞ ᮙᮞ ᮤᮘᮕ ᮠᮢᮕᮣᮕᮞᮤ ᮔᮑᮩᮺ ᯗ᮵ᮦᮕ ᮝᮕᮤ ᯏᮛᮑᮩᮑ ᮃᮑᮝᮑ…ᯍ

ᯗ᮵ᮦᮕ… ᮝᮕᮤ ᮘᮙᮝ…ᯍ

“ᯝᮧ…ᮯ”

ᯘᮥᮣᮤ ᮤᮘᮕᮞᮺ ᮑ ᮠᮑᮙᮞ ᮣᮘᮟᮤ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮘᮕᮑᮔᮺ ᮑᮣ ᮙᮖ ᮒᮜᮟᮧᮙᮞᮗ ᮑᮧᮑᮩ ᮤᮘᮕ ᮤᮑᮙᮜ ᮕᮞᮔ ᮟᮖ ᮑ ᮝᮕᮝᮟᮢᮩ ᯗ ᮧᮑᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮗᮢᮑᮣᮠᮼ

ᯗᮞᮦᮟᮜᮥᮞᮤᮑᮢᮙᮜᮩᮺ ᯗ ᮠᮢᮕᮣᮣᮕᮔ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮤᮙᮠᮣ ᮤᮟ ᮝᮩ ᮤᮕᮝᮠᮜᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮑ ᮣᮘᮑᮢᮠ ᮠᮑᮙᮞᮺ ᮜᮙᮛᮕ ᮣᮤᮢᮟᮞᮗ ᮓᮑᮢᮒᮟᮞᮑᮤᮙᮟᮞ ᮒᮥᮢᮣᮤᮙᮞᮗ ᮑᮜᮜ ᮑᮤ ᮟᮞᮓᮕᮼ

ᯜᮟᮼ ᯗ ᮓᮑᮞ᮵ᮤ ᮢᮕᮝᮕᮝᮒᮕᮢ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮝᮟᮢᮕ—ᮯ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᯍᮯ”

ᮅᮝᮕ᮵ᮣ ᮣᮝᮑᮜᮜ ᮠᮑᮜᮝ ᮗᮢᮙᮠᮠᮕᮔ ᮝᮩ ᮣᮘᮟᮥᮜᮔᮕᮢᮼ

ᯚᮙᮣᮤᮕᮞᮙᮞᮗ ᮤᮟ ᮘᮕᮢ ᮤᮕᮑᮢᮖᮥᮜ ᮦᮟᮙᮓᮕᮺ ᯗ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩ ᮢᮕᮠᮕᮑᮤᮕᮔᮺ “ᯗ᮵ᮝ ᮖᮙᮞᮕᮺ” ᮑᮣ ᮝᮩ ᮓᮟᮞᮣᮓᮙᮟᮥᮣᮞᮕᮣᮣ ᮒᮕᮗᮑᮞ ᮤᮟ ᮖᮑᮔᮕᮼ

※※※

“ᮼᮼᮼᮉᮑᮼᮼᮼ ᮉᮑᮝᮑᮼᮼᮼ ᮉᮑᮝᮑᮼᮼᮼ ᮒᮥᮛᮙᮼ”

ᯏ ᮦᮟᮙᮓᮕ… ᮓᮑᮜᮜᮙᮞᮗ ᮝᮕᯍ ᯗᮣ ᮤᮘᮑᮤ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᯍ

ᯘᮥᮣᮤ ᮑᮣ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮑᮤᮺ ᮝᮩ ᮦᮙᮣᮙᮟᮞ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮓᮜᮕᮑᮢᮕᮔᮼ

ᯗᮤ ᮤᮟᮟᮛ ᮑ ᮗᮟᮟᮔ ᮤᮘᮙᮢᮤᮩ ᮣᮕᮓᮟᮞᮔᮣ ᮒᮕᮖᮟᮢᮕ ᯗ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᯗ ᮘᮑᮔ ᮟᮠᮕᮞᮕᮔ ᮝᮩ ᮕᮩᮕᮣᮼ

ᮄᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮘᮙᮞᮗ ᯗ ᮣᮑᮧ ᮧᮑᮣ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ᮵ᮣ ᮖᮑᮓᮕᮺ ᮧᮕᮑᮢᮙᮞᮗ ᮑᮞ ᮙᮞᮔᮕᮣᮓᮢᮙᮒᮑᮒᮜᮕ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮼ

ᯗᮖ ᮩᮟᮥ ᮤᮢᮙᮕᮔ ᮤᮟ ᮣᮝᮙᮜᮕ ᮧᮘᮙᮜᮕ ᮘᮟᮜᮔᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮒᮙᮤᮤᮕᮢ ᮙᮞ ᮩᮟᮥᮢ ᮝᮟᮥᮤᮘᮺ ᮤᮘᮑᮤ᮵ᮣ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮤᮘᮕ ᮖᮑᮓᮕ ᮩᮟᮥ᮵ᮔ ᮝᮑᮛᮕᮼ

“ᯏᮘᮺ ᮩᮟᮥ᮵ᮢᮕ ᮖᮙᮞᮑᮜᮜᮩ ᮑᮧᮑᮛᮕᮼ ᯖᮟᮞᮕᮣᮤᮜᮩᮺ ᮩᮟᮥ ᮣᮘᮟᮥᮜᮔᮞ᮵ᮤ ᮧᮟᮢᮢᮩ ᮥᮣ ᮣᮟ ᮝᮥᮓᮘᮼ …ᮉᮟᮥᮯ ᮉᮑᮝᮑᮒᮥᮛᮙ᮵ᮣ ᮑᮧᮑᮛᮕᮯ ᮀᮥᮤ ᮑᮧᮑᮩ ᮤᮘᮑᮤ ᮣᮤᮢᮑᮞᮗᮕ ᮝᮕᮔᮙᮓᮙᮞᮕᮯ”

“ᯗ… ᯗ ᮧᮑᮣ…”

“ᮉᮟᮥ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮖᮑᮙᮞᮤᮕᮔ ᮙᮞ ᮩᮟᮥᮢ ᮟᮧᮞ ᮢᮟᮟᮝᮼ ᮅᮝᮕ ᮓᮑᮝᮕ ᮢᮥᮞᮞᮙᮞᮗ ᮤᮟ ᮤᮘᮕ ᮛᮙᮤᮓᮘᮕᮞᮺ ᮘᮕᮢ ᮖᮑᮓᮕ ᮠᮑᮜᮕ ᮧᮙᮤᮘ ᮖᮢᮙᮗᮘᮤᮼ”

ᯏᮣ ᯗᮺ ᮣᮤᮙᮜᮜ ᮥᮞᮑᮒᮜᮕ ᮤᮟ ᮗᮢᮑᮣᮠ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮺ ᮤᮢᮙᮕᮔ ᮤᮟ ᮣᮙᮤ ᮥᮠᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮘᮑᮣᮤᮙᮜᮩ ᮠᮥᮣᮘᮕᮔ ᮝᮕ ᮒᮑᮓᮛ ᮔᮟᮧᮞᮼ

“ᯏᮘᮺ ᮣᮤᮑᮩ ᮙᮞ ᮒᮕᮔ ᮖᮟᮢ ᮞᮟᮧᮼ ᮄᮘᮕ ᮔᮟᮓᮤᮟᮢ᮵ᮣ ᮓᮟᮝᮙᮞᮗᮼ ᯒᮟᮞ᮵ᮤ ᮝᮟᮦᮕ ᮥᮞᮤᮙᮜ ᮤᮘᮕᮩ᮵ᮦᮕ ᮓᮘᮕᮓᮛᮕᮔ ᮩᮟᮥ ᮟᮦᮕᮢᮼ ᯒᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩᮺ ᮤᮘᮙᮣ ᮙᮣ ᮩᮟᮥᮢ ᮢᮟᮟᮝᮺ ᮣᮟ ᮤᮘᮕᮢᮕ᮵ᮣ ᮞᮟ ᮞᮕᮕᮔ ᮤᮟ ᮘᮟᮜᮔ ᮒᮑᮓᮛᮼ”

ᯑᮟᮝᮕ ᮤᮟ ᮤᮘᮙᮞᮛ ᮟᮖ ᮙᮤᮺ ᮤᮘᮕ ᮣᮥᮢᮢᮟᮥᮞᮔᮙᮞᮗᮣ ᮜᮟᮟᮛᮕᮔ ᮖᮑᮝᮙᮜᮙᮑᮢᮼ

ᯗ ᮜᮕᮤ ᮟᮥᮤ ᮑᮞ ᮙᮞᮦᮟᮜᮥᮞᮤᮑᮢᮩ ᮣᮙᮗᮘᮺ ᮤᮘᮕᮞ ᮜᮟᮟᮛᮕᮔ ᮥᮠ ᮑᮤ ᮤᮘᮕ ᮓᮕᮙᮜᮙᮞᮗᮼ

ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮕᮔᮺ ᮖᮑᮙᮞᮤᮙᮞᮗ ᮔᮥᮢᮙᮞᮗ ᮧᮟᮢᮛ ᮘᮟᮥᮢᮣ ᮧᮑᮣ ᮚᮥᮣᮤ ᮤᮟᮟ ᮠᮑᮤᮘᮕᮤᮙᮓᮼ ᯗ ᮧᮑᮣ ᮣᮟ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮕᮔᮺ ᯗ ᮧᮙᮣᮘᮕᮔ ᯗ ᮓᮟᮥᮜᮔ ᮚᮥᮣᮤ ᮒᮥᮢᮢᮟᮧ ᮥᮞᮔᮕᮢ ᮤᮘᮕ ᮖᮥᮤᮟᮞ ᮑᮞᮔ ᮘᮙᮔᮕᮼ

“ᯏ ᮔᮟᮓᮤᮟᮢ… ᮖᮟᮢ ᮝᮕ… ᯗ᮵ᮝ ᮣᮟ ᮣᮟᮢᮢᮩᮼ”

“ᮉᮟᮥ᮵ᮢᮕ ᮤᮘᮕ ᮗᮢᮕᮑᮤᮕᮣᮤ ᮙᮞ ᮟᮥᮢ ᮘᮟᮥᮣᮕᮼ ᮇᮕ᮵ᮔ ᮒᮕ ᮙᮞ ᮤᮢᮟᮥᮒᮜᮕ ᮙᮖ ᮩᮟᮥ ᮔᮙᮣᮑᮠᮠᮕᮑᮢᮕᮔ ᮞᮟᮧᮼ ᮄᮘᮑᮤ᮵ᮣ ᮑᮜᮜ ᯗ᮵ᮝ ᮤᮘᮙᮞᮛᮙᮞᮗᮼ ᯗ᮵ᮝ ᮞᮟᮤ ᮣᮘᮟᮧᮙᮞᮗ ᮩᮟᮥ ᮑᮞᮩ ᮠᮙᮤᮩᮼ ᯕᮟᮤ ᮙᮤᯍ”

ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮤᮥᮢᮞᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮑᮧᮑᮩᮼ

ᯐᮥᮤ ᮤᮘᮕ ᮤᮙᮠᮣ ᮟᮖ ᮘᮕᮢ ᮕᮑᮢᮣ ᮧᮕᮢᮕ ᮖᮑᮙᮞᮤᮜᮩ ᮢᮕᮔᮺ ᮑᮞᮔ ᮝᮩ ᮓᮘᮕᮣᮤ ᮖᮕᮜᮤ ᮧᮑᮢᮝ ᮣᮟᮝᮕᮘᮟᮧᮼ

ᮄᮘᮑᮞᮛ ᮩᮟᮥᮺ ᯛᮑᮝᮑ ᯔᮜᮟᮧᮕᮢᮼ

ᯏᮖᮤᮕᮢ ᮤᮘᮑᮤᮺ ᮤᮘᮕ ᮔᮟᮓᮤᮟᮢ ᮓᮑᮝᮕ ᮑᮞᮔ ᮑᮣᮛᮕᮔ ᮑ ᮜᮟᮤ ᮟᮖ ᮡᮥᮕᮣᮤᮙᮟᮞᮣᮺ ᮒᮥᮤ ᮙᮞ ᮤᮘᮕ ᮕᮞᮔᮺ ᮧᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮖᮙᮗᮥᮢᮕ ᮟᮥᮤ ᮧᮘᮩ ᮤᮘᮙᮣ ᮘᮑᮔ ᮘᮑᮠᮠᮕᮞᮕᮔᮼ

ᯔᮟᮢ ᮞᮟᮧᮺ ᮤᮘᮕ ᮓᮟᮞᮓᮜᮥᮣᮙᮟᮞ ᮧᮑᮣ ᮤᮘᮑᮤ ᯗ ᮧᮑᮣ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮚᮥᮣᮤ ᮤᮙᮢᮕᮔ…

ᯐᮥᮤ ᯗ ᮛᮞᮕᮧ ᮤᮘᮑᮤ ᮧᮑᮣᮞ᮵ᮤ ᮤᮘᮕ ᮢᮕᮑᮜ ᮢᮕᮑᮣᮟᮞᮼ

ᮄᮘᮕ ᮓᮑᮥᮣᮕ—ᮙᮤ ᮝᮥᮣᮤ ᮒᮕ ᯏᮛᮑᮩᮑ ᮃᮑᮝᮑᮼ

ᮂᮙᮗᮘᮤ ᮞᮟᮧᮺ ᮝᮩ ᮝᮕᮝᮟᮢᮙᮕᮣ ᮑᮢᮕ ᮖᮢᮑᮗᮝᮕᮞᮤᮕᮔ… ᮒᮥᮤ ᯗ ᮖᮕᮕᮜ ᮜᮙᮛᮕ ᮧᮘᮕᮞ ᯗ ᮢᮕᮝᮕᮝᮒᮕᮢ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗᮺ ᯗ᮵ᮜᮜ ᮑᮜᮣᮟ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮧᮘᮩ ᯗ ᮓᮑᮝᮕ ᮤᮟ ᯓᮔᮟᮼ

ᯐᮥᮤ ᮖᮟᮢ ᮤᮟᮔᮑᮩᮺ ᯗ᮵ᮜᮜ ᮤᮑᮛᮕ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ᮵ᮣ ᮧᮟᮢᮔᮣ ᮤᮟ ᮘᮕᮑᮢᮤ ᮑᮞᮔ ᮗᮟ ᮤᮟ ᮣᮜᮕᮕᮠ…

ᯝᮘᮺ ᮧᮘᮕᮞ ᯗ ᮧᮑᮛᮕ ᮥᮠ ᮤᮟᮝᮟᮢᮢᮟᮧᮺ ᯗ ᮘᮑᮦᮕ ᮤᮟ ᮤᮕᮜᮜ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕ ᮤᮘᮑᮤ ᯗ᮵ᮝ ᮟᮛᮑᮩ—…

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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