Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 144

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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“ᯏᮢᮕ ᮩᮟᮥ ᮤᮢᮥᮜᮩ ᮣᮕᮢᮙᮟᮥᮣᯍ”

ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮺ ᮣᮙᮤᮤᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮒᮑᮓᮛ ᮢᮟᮟᮝᮺ ᮑᮣᮛᮕᮔ ᮝᮕᮼ

ᮄᮘᮑᮤ ᮔᮑᮩᮺ ᮄᮣᮥᮓᮘᮙᮩᮑᮻᮣᮑᮝᮑ ᮘᮑᮔ ᮠᮢᮟᮠᮕᮢᮜᮩ ᮓᮟᮞᮦᮕᮩᮕᮔ ᮤᮟ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮑᮞᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢᮣ ᮤᮘᮑᮤ ᮘᮕ ᮧᮙᮣᮘᮕᮔ ᮤᮟ ᮢᮕᮔᮕᮕᮝ ᮝᮕᮼ ᯗᮺ ᮤᮟᮟᮺ ᮘᮟᮞᮕᮣᮤᮜᮩ ᮤᮟᮜᮔ ᮤᮘᮕᮝ ᮤᮘᮑᮤ ᯗ ᮘᮑᮔ ᮞᮟ ᮟᮒᮚᮕᮓᮤᮙᮟᮞᮺ ᮑᮞᮔ ᮧᮑᮣᮺ ᮙᮞ ᮖᮑᮓᮤᮺ ᮔᮕᮜᮙᮗᮘᮤᮕᮔᮼ

ᮄᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮣᮘᮕ ᮑᮣᮛᮕᮔ “ᯏᮢᮕ ᮩᮟᮥ ᮤᮢᮥᮜᮩ ᮣᮕᮢᮙᮟᮥᮣᯍ” ᮔᮕᮣᮠᮙᮤᮕ ᮑᮜᮜ ᮤᮘᮑᮤ ᮧᮑᮣ ᮒᮕᮓᮑᮥᮣᮕ ᯗ ᮘᮑᮔ ᮝᮑᮔᮕ ᮑ ᮓᮕᮢᮤᮑᮙᮞ ᮠᮢᮟᮠᮟᮣᮑᮜ ᮢᮕᮗᮑᮢᮔᮙᮞᮗ ᮝᮩ ᮢᮕᮔᮕᮝᮠᮤᮙᮟᮞᮼ

“ᯗ’ᮦᮕ ᮞᮕᮦᮕᮢ ᮘᮕᮑᮢᮔ ᮟᮖ ᮑᮞ ᯝᮙᮢᮑᮞ ᮔᮟᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮤᮘᮑᮤ ᮧᮘᮕᮞ ᮣᮘᮕ’ᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮒᮕ ᮢᮕᮔᮕᮕᮝᮕᮔᮼ ᮇᮘᮩ ᮔᮟᮞ’ᮤ ᮩᮟᮥ ᮚᮥᮣᮤ ᮡᮥᮙᮕᮤᮜᮩ ᮗᮟ ᮤᮟ ᮤᮘᮑᮤ ᯒᮑᮙᮝᮩᮟᯍ ᯖᮕ ᮣᮕᮕᮝᮣ ᮕᮑᮢᮞᮕᮣᮤᮺ ᮑᮞᮔ ᮘᮕ’ᮣ ᮑ ᮗᮟᮟᮔ ᮝᮑᮞᮼ ᮄᮘᮟᮥᮗᮘᮺ ᯗ ᮓᮑᮞ’ᮤ ᮡᮥᮙᮤᮕ ᮖᮟᮢᮗᮙᮦᮕ ᮘᮙᮝ ᮖᮟᮢ ᮘᮙᮔᮙᮞᮗ ᮤᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮘᮕ ᮧᮑᮣ ᮑ ᯒᮑᮙᮝᮩᮟ ᮚᮥᮣᮤ ᮒᮕᮓᮑᮥᮣᮕ ᮘᮕ ᮔᮙᮔᮞ’ᮤ ᮘᮑᮦᮕ ᮝᮟᮞᮕᮩᮼ”

“ᯗᮖ ᮩᮟᮥ’ᮦᮕ ᮞᮕᮦᮕᮢ ᮘᮕᮑᮢᮔ ᮟᮖ ᮙᮤᮺ ᮤᮘᮕᮞ ᯗ ᮣᮘᮑᮜᮜ ᮒᮕ ᮤᮘᮕ ᮖᮙᮢᮣᮤᮺ ᮧᮟᮞ’ᮤ ᯗᯍ”

“ᯖᮝᮠᮘᮺ ᮩᮟᮥ ᮞᮕᮦᮕᮢ ᮢᮥᮞ ᮟᮥᮤ ᮟᮖ ᮤᮘᮙᮞᮗᮣ ᮤᮟ ᮣᮑᮩᮼ ᮇᮕᮜᮜᮺ ᮙᮤ’ᮣ ᮞᮟᮤ ᮙᮝᮠᮟᮣᮣᮙᮒᮜᮕ… ᮒᮥᮤ ᮑᮢᮕ ᮩᮟᮥ ᮤᮢᮥᮜᮩ ᮖᮙᮞᮕ ᮧᮙᮤᮘ ᮤᮘᮑᮤᯍ”

“ᯗᮞᮔᮕᮕᮔᮼ ᮄᮘᮟᮥᮗᮘ ᮙᮤ ᮝᮑᮩ ᮒᮕ ᮠᮢᮕᮣᮥᮝᮠᮤᮥᮟᮥᮣᮺ ᯗ ᮧᮙᮣᮘ ᮤᮟ ᮖᮥᮜᮖᮙᮜᮜ ᮝᮩ ᮔᮢᮕᮑᮝᮼ”

“ᯏ ᮔᮢᮕᮑᮝᮺ ᮘᮥᮘ… ᯗᮤ’ᮣ ᮒᮕᮕᮞ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕ ᮣᮙᮞᮓᮕ ᯗ’ᮦᮕ ᮣᮕᮕᮞ ᮑ ᮧᮟᮝᮑᮞ ᮤᮑᮜᮛ ᮜᮙᮛᮕ ᮤᮘᮑᮤ ᮙᮞ ᮉᮟᮣᮘᮙᮧᮑᮢᮑᮼ”

“ᯝᮘᯍ ᯏᮞᮔ ᮧᮘᮟ ᮧᮑᮣ ᮙᮤ ᮤᮘᮑᮤ ᮣᮠᮟᮛᮕ ᮟᮖ ᮔᮢᮕᮑᮝᮣ ᮒᮕᮖᮟᮢᮕ ᮝᮕᯍ”

“ᮼᮼᮼᯗᮤ ᮧᮑᮣ ᮝᮕᮼ”

ᯏᮖᮤᮕᮢ ᮑ ᮒᮢᮙᮕᮖ ᮠᮑᮥᮣᮕᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮠᮥᮖᮖᮕᮔ ᮟᮥᮤ ᮑ ᮓᮜᮟᮥᮔ ᮟᮖ ᮣᮝᮟᮛᮕ ᮖᮢᮟᮝ ᮘᮕᮢ ᮠᮙᮠᮕᮼ

“ᯒᮟᮞ’ᮤ ᮑᮣᮛ ‘ᮇᮘᮑᮤ ᮛᮙᮞᮔᯍ’ ᯗ’ᮦᮕ ᮜᮟᮞᮗ ᮣᮙᮞᮓᮕ ᮖᮟᮢᮗᮟᮤᮤᮕᮞ ᮙᮤᮼ”

“ᯗ ᮣᮕᮕᮼ ᮇᮘᮑᮤ ᮛᮙᮞᮔᯍ”

“ᯗ ᮤᮟᮜᮔ ᮩᮟᮥ ᮞᮟᮤ ᮤᮟ ᮑᮣᮛᮼ ᮼᮼᮼᯗᮤ ᮧᮑᮣ ᮑ ᮔᮢᮕᮑᮝ ᮟᮖ ᮑᮜᮜ ᮟᮖ ᮩᮟᮥ ᮖᮙᮞᮔᮙᮞᮗ ᮘᮑᮠᮠᮙᮞᮕᮣᮣ ᮑᮖᮤᮕᮢ ᮜᮕᮑᮦᮙᮞᮗ ᯛᮙᮤᮟᮣᮘᮙᮼ”

“ᯝᮘ…”

“ᮇᮘᮑᮤ ᮙᮣ ᮙᮤᯍ ᯗᮖ ᮩᮟᮥ’ᮢᮕ ᮗᮟᮙᮞᮗ ᮤᮟ ᮜᮑᮥᮗᮘᮺ ᮔᮟ ᮙᮤ ᮑᮖᮤᮕᮢ ᮩᮟᮥ’ᮦᮕ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮩᮟᮥᮢ ᮟᮧᮞ ᮢᮟᮟᮝᮼ”

“ᯚᮑᮥᮗᮘᯍ ᯜᮕᮦᮕᮢᮼ ᮼᮼᮼᮇᮘᮕᮞ ᯐᮟᮤᮑᮞ ᯝᮙᮢᮑᮞ ᮜᮕᮖᮤ ᮤᮘᮙᮣ ᮔᮙᮣᮤᮢᮙᮓᮤ ᮣᮟ ᮣᮠᮜᮕᮞᮔᮙᮔᮜᮩᮺ ᮟᮞᮕ ᮟᮖ ᮩᮟᮥᮢ ᮔᮢᮕᮑᮝᮣ ᮓᮑᮝᮕ ᮤᮢᮥᮕᮺ ᯚᮑᮞᮔᮜᮑᮔᮩᮼ ᯏᮞᮔ ᮞᮕᮨᮤᮺ ᮙᮤ ᮧᮙᮜᮜ ᮒᮕ ᮝᮕᮼ ᮃᮥᮢᮕᮜᮩ ᯙᮙᮛᮩᮟᮻᮔᮟᮞᮟ ᮑᮞᮔ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢᮣ ᮧᮙᮜᮜ ᮤᮟᮟᮼᮼᮼ”

ᮇᮘᮑᮤ ᯗ ᮠᮙᮓᮤᮥᮢᮕᮔ ᮧᮑᮣ ᯙᮙᮛᮩᮟᮺ ᮘᮕᮢ ᮓᮘᮕᮕᮛᮣ ᮖᮜᮥᮣᮘᮕᮔᮺ ᮓᮜᮥᮤᮓᮘᮙᮞᮗ ᮑ ᮒᮟᮥᮡᮥᮕᮤ ᮑᮣ ᮙᮖ ᮙᮤ ᮧᮕᮢᮕ ᮘᮕᮢ ᮟᮧᮞ ᮑᮤ ᮤᮘᮕ ᮧᮕᮔᮔᮙᮞᮗ ᮟᮖ ᯝᮤᮑᮙᮻᮣᮑᮞ ᮑᮞᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢᮣᮼ

“ᯙᮙᮛᮩᮟ… ᮘᮥᮘᮼ”

ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮺ ᮠᮕᮢᮘᮑᮠᮣ ᮢᮕᮓᮑᮜᮜᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮺ ᮗᮑ᮪ᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮔᮙᮣᮤᮑᮞᮓᮕᮼ

“ᮉᮕᮣᮺ ᮙᮞᮔᮕᮕᮔ… ᮀᮕᮢᮘᮑᮠᮣ ᮣᮟ…”

ᮄᮘᮕᮞᮺ ᮣᮘᮕ ᮣᮘᮑᮢᮠᮜᮩ ᮒᮢᮟᮥᮗᮘᮤ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮒᮑᮓᮛ ᮤᮟ ᮝᮕᮼ

ᮄᮘᮑᮤ ᮔᮙᮣᮤᮑᮞᮤ ᮜᮟᮟᮛ ᮦᮑᮞᮙᮣᮘᮕᮔᮺ ᮢᮕᮠᮜᮑᮓᮕᮔ ᮒᮩ ᮤᮘᮕ ᮣᮘᮑᮢᮠᮺ ᮓᮘᮑᮢᮑᮓᮤᮕᮢᮙᮣᮤᮙᮓ ᮙᮞᮤᮕᮞᮣᮙᮤᮩ ᮟᮖ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ’ᮣ ᮕᮩᮕᮣᮼ

“ᮇᮕᮜᮜᮺ ᮙᮤ ᮔᮟᮕᮣᮞ’ᮤ ᮓᮟᮣᮤ ᮝᮟᮞᮕᮩ ᮤᮟ ᮔᮢᮕᮑᮝᮺ ᮔᮟᮕᮣ ᮙᮤᯍ ᯏᮣ ᮜᮟᮞᮗ ᮑᮣ ᯛᮙᮤᮟᮣᮘᮙ ᮔᮟᮕᮣᮞ’ᮤ ᮣᮥᮖᮖᮕᮢ ᮑᮞᮩ ᮜᮟᮣᮣᮕᮣᮺ ᯗ ᮔᮟᮞ’ᮤ ᮓᮑᮢᮕ ᮧᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮔᮢᮕᮑᮝ ᮩᮟᮥ ᮘᮑᮦᮕᮼ ᯒᮟ ᮑᮣ ᮩᮟᮥ ᮠᮜᮕᮑᮣᮕᮼ ᯗ ᮔᮟᮞ’ᮤ ᮝᮙᮞᮔᮼ”

“ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮦᮕᮢᮩ ᮝᮥᮓᮘᮼ”

“ᯒᮟᮞ’ᮤ ᮝᮕᮞᮤᮙᮟᮞ ᮙᮤᮼ ᯗᮤ’ᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮤᮟ ᮤᮘᮑᮞᮛ ᮝᮕ ᮖᮟᮢᮼ ᯗᮖ ᮩᮟᮥ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤ ᮙᮤᮺ ᮘᮑᮦᮙᮞᮗ ᮑᮞ ᮥᮞᮠᮢᮕᮓᮕᮔᮕᮞᮤᮕᮔ ᯝᮙᮢᮑᮞ ᮜᮙᮛᮕ ᮩᮟᮥ ᮜᮕᮑᮦᮕ ᮝᮙᮗᮘᮤ ᮕᮦᮕᮞ ᮣᮠᮢᮕᮑᮔ ᯛᮙᮤᮟᮣᮘᮙ’ᮣ ᮞᮑᮝᮕᮼ ᯏᮘᮺ ᮙᮖ ᮤᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮣᮺ ᮧᮕ’ᮜᮜ ᮝᮑᮛᮕ ᮑ ᮖᮟᮢᮤᮥᮞᮕᮯ”

ᯏᮤ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ’ᮣ ᮤᮟᮞᮕᮺ ᮧᮘᮙᮓᮘ ᮝᮑᮔᮕ ᮙᮤ ᮘᮑᮢᮔ ᮤᮟ ᮒᮕᮜᮙᮕᮦᮕ ᮣᮘᮕ ᮘᮑᮔ ᮚᮥᮣᮤ ᮒᮕᮕᮞ ᮣᮠᮕᮑᮛᮙᮞᮗ ᮟᮖ ᮔᮢᮕᮑᮝᮣᮺ ᯗ ᮣᮤᮙᮖᮜᮕᮔ ᮑ ᮜᮑᮥᮗᮘ ᮙᮞ ᮝᮩ ᮘᮕᮑᮢᮤᮼ

ᯏᮣ ᮕᮨᮠᮕᮓᮤᮕᮔᮺ ᯛᮑᮔᮑᮝ ᯔᮜᮟᮧᮕᮢᮼ ᮄᮘᮑᮤ ᮔᮕᮓᮙᮣᮙᮦᮕ ᮑᮤᮤᮙᮤᮥᮔᮕ ᮟᮖ ᮩᮟᮥᮢᮣ ᮙᮣ ᮣᮟ ᮓᮟᮟᮜᮼ

“ᯏᮜᮢᮙᮗᮘᮤ ᮤᮘᮕᮞᮺ ᮩᮟᮥ ᮞᮕᮕᮔ ᮤᮟ ᮠᮢᮟᮠᮕᮢᮜᮩ ᮣᮕᮤᮤᮜᮕ ᮤᮘᮙᮞᮗᮣ ᮧᮙᮤᮘ ᯛᮑᮤᮣᮥᮔᮑᮙᮢᮑᮻᮣᮑᮝᮑᮺ ᮧᮘᮟ ᮙᮣ ᮤᮢᮥᮜᮩ ᮣᮝᮙᮤᮤᮕᮞ ᮧᮙᮤᮘ ᮩᮟᮥᮼ ᯏᮞᮔᮺ ᮤᮘᮟᮥᮗᮘ ᮙᮤ’ᮣ ᮑ ᮣᮘᮑᮝᮕᮺ ᮧᮙᮤᮘ ᯙᮥᮒōᮻᮣᮑᮝᮑ ᮤᮟᮟᮼ ᯝᮘᮺ ᮘᮟᮧ ᮑᮒᮟᮥᮤ ᮣᮧᮙᮤᮓᮘᮙᮞᮗ ᮤᮟ ᯙᮥᮒōᮻᮣᮑᮝᮑ ᮞᮟᮧᯍ ᯐᮟᮤᮘ ᮩᮟᮥ ᮑᮞᮔ ᯛᮙᮤᮟᮣᮘᮙ ᮧᮟᮥᮜᮔ ᮠᮢᮟᮖᮙᮤ ᮝᮟᮢᮕ ᮤᮘᮑᮤ ᮧᮑᮩᮺ ᮩᮟᮥ ᮛᮞᮟᮧᯍ”

“ᯖᮟᮜᮔ ᮟᮞᮺ ᯚᮑᮞᮔᮜᮑᮔᮩᮺ ᮤᮘᮑᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮥᮞᮖᮑᮙᮢ ᮤᮟ ᮄᮣᮥᮓᮘᮙᮩᮑᮻᮣᮑᮝᮑᮼ”

“ᯏᮘᮺ ᯗ ᮣᮠᮟᮛᮕ ᮙᮜᮜ ᮟᮖ ᮩᮟᮥᮢ ᮗᮟᮟᮔ ᮝᮑᮞᮼ ᯏᮒᮟᮦᮕ ᮑᮜᮜ ᮕᮜᮣᮕᮺ ᮑ ᮝᮑᮞ ᮣᮘᮟᮥᮜᮔ ᮒᮕ ᮣᮙᮞᮓᮕᮢᮕᮼ ᯐᮥᮤ ᯗ ᮑᮜᮣᮟ ᮤᮘᮙᮞᮛ ᮝᮟᮞᮕᮩ ᮙᮣᮞ’ᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮟ ᮒᮕ ᮤᮢᮟᮥᮒᮜᮕᮔ ᮒᮩᮺ ᮕᮦᮕᮞ ᮙᮖ ᮩᮟᮥ ᮘᮑᮦᮕ ᮙᮤ…”

ᮼᮼᮼᯗ ᮤᮑᮛᮕ ᮒᮑᮓᮛ ᮧᮘᮑᮤ ᯗ ᮣᮑᮙᮔᮼ

ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮧᮑᮣᮺ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮣᮤᮙᮜᮜ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮼ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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