Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 151

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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…ᯓᮦᮕᮞ ᮙᮖ ᯗ ᮣᮑᮩ ᮤᮘᮑᮤ…

ᮄᮘᮕ ᮞᮕᮨᮤ ᮔᮑᮩᮺ ᯗ ᮧᮑᮣ ᮢᮑᮓᮛᮙᮞᮗ ᮝᮩ ᮒᮢᮑᮙᮞᮺ ᮝᮥᮤᮤᮕᮢᮙᮞᮗᮺ “ᯖᮝᮝ…”

ᯗᮤ ᮧᮑᮣ ᮤᮘᮕ ᮒᮢᮕᮑᮛ ᮒᮕᮤᮧᮕᮕᮞ ᮤᮘᮕ ᮔᮑᮩᮤᮙᮝᮕ ᮑᮞᮔ ᮞᮙᮗᮘᮤᮤᮙᮝᮕ ᮣᮘᮟᮧᮣᮼ ᯒᮥᮢᮙᮞᮗ ᮤᮘᮙᮣ ᮠᮢᮕᮓᮙᮟᮥᮣ ᮤᮙᮝᮕᮺ ᮚᮥᮣᮤ ᮑᮣ ᯗ’ᮔ ᮔᮕᮓᮜᮑᮢᮕᮔ ᮤᮟ ᯔᮥᮚᮙᮩᮑᮣᮥ ᯗᮓᮘᮙᮢᮟ ᮃᮑᮝᮑᮺ ᯗ ᮧᮑᮣ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮤᮘᮙᮞᮛ ᮙᮖ ᯗ ᮓᮟᮥᮜᮔ ᮕᮑᮢᮞ ᮣᮟᮝᮕ ᮝᮟᮞᮕᮩ ᮧᮙᮤᮘ ᮝᮩ ᮟᮧᮞ ᮙᮔᮕᮑᮣᮺ ᮒᮥᮤ…

ᯐᮥᮤ ᮣᮤᮙᮜᮜ… ᮑᮞ ᮙᮞᮔᮥᮣᮤᮢᮩ ᮖᮟᮢ ᮤᮘᮕ ᮄᮣᮥᮓᮘᮙᮥᮢᮑ ᮔᮟᮝᮑᮙᮞᮺ ᮘᮥᮘ…

ᮃᮟᮩ ᮣᮑᮥᮓᮕᮺ ᮝᮑᮔᮕ ᮖᮢᮟᮝ ᮣᮟᮩᮒᮕᮑᮞᮣ ᮕᮑᮣᮙᮜᮩ ᮗᮢᮟᮧᮞ ᮑᮢᮟᮥᮞᮔ ᮄᮣᮥᮓᮘᮙᮥᮢᮑᮺ ᮙᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮑ ᮜᮟᮓᮑᮜ ᮣᮠᮕᮓᮙᮑᮜᮤᮩᮼ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮑᮒᮟᮥᮤ ᮥᮣᮙᮞᮗ ᮤᮘᮕ ᮑᮒᮥᮞᮔᮑᮞᮤ ᮧᮑᮤᮕᮢ ᮑᮞᮔ ᮞᮥᮝᮕᮢᮟᮥᮣ ᮓᮑᮞᮑᮜᮣ ᮖᮟᮢ ᮤᮢᮑᮔᮕᮺ ᮒᮥᮤ ᮤᮘᮕ ᮣᮘᮙᮠᮠᮙᮞᮗ ᮙᮞᮔᮥᮣᮤᮢᮩ ᮙᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮧᮕᮜᮜᮻᮔᮕᮦᮕᮜᮟᮠᮕᮔ… ᯏ ᮤᮘᮢᮕᮕᮻᮔᮑᮩ ᮢᮟᮥᮞᮔ ᮤᮢᮙᮠ ᮒᮩ ᮒᮟᮑᮤ ᮤᮟ ᯓᮔᮟ ᮙᮣ ᮠᮢᮕᮤᮤᮩ ᮣᮤᮢᮟᮞᮗᮺ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮼ

ᯜᮟᮺ ᮤᮘᮙᮣ ᮙᮣᮞ’ᮤ ᮤᮘᮕ ᮤᮙᮝᮕ ᮤᮟ ᮒᮕ ᮙᮝᮠᮢᮕᮣᮣᮕᮔᮼ ᯗ ᮞᮕᮕᮔ ᮤᮟ ᮓᮟᮝᮕ ᮥᮠ ᮧᮙᮤᮘ ᮑ ᮞᮕᮧ ᮙᮞᮔᮥᮣᮤᮢᮩᮼ

ᯏᮣ ᯗ ᮠᮟᮞᮔᮕᮢᮕᮔᮺ ᮃᮑᮛᮥᮢᮑ ᮓᮑᮜᮜᮕᮔ ᮟᮥᮤ ᮤᮟ ᮝᮕᮺ ᮣᮟᮥᮞᮔᮙᮞᮗ ᮑ ᮜᮙᮤᮤᮜᮕ ᮤᮙᮝᮙᮔᮼ

ᯏᮞᮔ ᮅᮝᮕ ᮤᮟᮟᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮺ ᮑᮢᮕ ᮩᮟᮥ ᮖᮕᮕᮜᮙᮞᮗ ᮥᮞᮧᮕᮜᮜ ᮑᮗᮑᮙᮞᯍ”

“ᯗᮖ ᮩᮟᮥ’ᮔ ᮜᮙᮛᮕᮺ ᮣᮟᮝᮕ ᮙᮞᮦᮙᮗᮟᮢᮑᮤᮙᮞᮗ ᮓᮟᮖᮖᮕᮕ…”

ᯗ ᮣᮘᮟᮟᮛ ᮝᮩ ᮘᮕᮑᮔᮺ ᮣᮑᮩᮙᮞᮗᮺ “ᯗ’ᮝ ᮖᮙᮞᮕᮺ” ᮑᮞᮔ ᮤᮘᮕᮞ ᮢᮕᮡᮥᮕᮣᮤᮕᮔ ᮚᮥᮣᮤ ᮤᮘᮕ ᮓᮟᮖᮖᮕᮕ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮼ

ᯗ’ᮜᮜ ᮔᮢᮙᮞᮛ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮘᮟᮤ ᮑᮞᮔ ᮒᮙᮤᮤᮕᮢ ᮤᮟ ᮓᮜᮕᮑᮢ ᮝᮩ ᮘᮕᮑᮔᮼ

ᯏᮞᮔ ᯗ ᮣᮘᮟᮥᮜᮔ ᮤᮕᮜᮜ ᮤᮘᮕᮝ ᮞᮟᮤ ᮤᮟ ᮧᮟᮢᮢᮩᮼ ᯗ ᮑᮓᮓᮙᮔᮕᮞᮤᮑᮜᮜᮩ ᮓᮟᮜᮜᮑᮠᮣᮕᮔ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮔᮑᮩᮺ ᮣᮟ ᯗ ᮞᮕᮕᮔ ᮤᮟ ᮝᮑᮛᮕ ᮙᮤ ᮓᮜᮕᮑᮢ ᮤᮘᮙᮣ ᮙᮣᮞ’ᮤ ᮜᮙᮛᮕ ᮤᮘᮑᮤᮼ

“ᯗ’ᮝ ᮚᮥᮣᮤ ᮔᮕᮕᮠ ᮙᮞ ᮤᮘᮟᮥᮗᮘᮤᮼ ᯝᮞᮓᮕ ᮩᮟᮥ ᮒᮢᮙᮞᮗ ᮤᮘᮕ ᮓᮟᮖᮖᮕᮕᮺ ᮔᮟᮞ’ᮤ ᮝᮙᮞᮔ ᮝᮕ ᮑᮞᮔ ᮓᮟᮞᮤᮙᮞᮥᮕ ᮩᮟᮥᮢ ᮠᮢᮑᮓᮤᮙᮓᮕᮼ ᮉᮕᮣᮺ ᮤᮘᮕ ᮣᮘᮑᮝᮙᮣᮕᮞ ᮧᮟᮥᮜᮔ ᮒᮕ ᮗᮟᮟᮔᮼ”

“ᮅᮞᮔᮕᮢᮣᮤᮟᮟᮔᮼ”

“ᯏᮖᮤᮕᮢ ᮑ ᮧᮘᮙᮜᮕᮺ ᯗ’ᮜᮜ ᮠᮜᮑᮩ ᮑᮞ ᮕᮨᮑᮝᮠᮜᮕ ᮖᮟᮢ ᮩᮟᮥᮼ ᯛᮑᮛᮕ ᮣᮥᮢᮕ ᮤᮟ ᮠᮢᮑᮓᮤᮙᮓᮕ ᮔᮙᮜᮙᮗᮕᮞᮤᮜᮩᮼ”

“ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮦᮕᮢᮩ ᮝᮥᮓᮘᮼ”

“ᮄᮘᮕᮞᮺ ᯗ’ᮜᮜ ᮒᮢᮙᮞᮗ ᮤᮘᮕ ᮓᮟᮖᮖᮕᮕᮼ”

ᯗᮞ ᮤᮘᮕ ᮤᮑᮤᮑᮝᮙ ᮢᮟᮟᮝᮺ ᮑᮖᮤᮕᮢ ᮤᮘᮕ ᮤᮧᮟ ᮘᮑᮔ ᮜᮕᮖᮤᮺ ᯗ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮤᮟ ᮤᮘᮙᮞᮛ ᮙᮞᮤᮕᮞᮤᮜᮩᮼ

ᯐᮥᮤ ᮣᮤᮙᮜᮜᮺ ᮕᮦᮕᮞ ᮤᮘᮕ ᮙᮝᮠᮟᮢᮤᮑᮞᮤ ᮠᮕᮟᮠᮜᮕ ᮟᮖ ᮤᮘᮕ ᮄᮣᮥᮓᮘᮙᮥᮢᮑ ᮔᮟᮝᮑᮙᮞ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮤᮢᮙᮕᮔ ᮤᮟ ᮔᮟ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮖᮟᮢ ᮤᮘᮕ ᮔᮟᮝᮑᮙᮞᮺ ᮢᮙᮗᮘᮤᯍ ᯏᮞ ᮙᮔᮕᮑ ᮤᮘᮑᮤ ᮠᮕᮟᮠᮜᮕ ᮧᮘᮟ ᮛᮞᮟᮧ ᮄᮣᮥᮓᮘᮙᮥᮢᮑ ᮧᮕᮜᮜ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮓᮟᮝᮕ ᮥᮠ ᮧᮙᮤᮘᮺ ᮕᮦᮕᮞ ᮑᮖᮤᮕᮢ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩ—ᮓᮟᮥᮜᮔ ᮑᮞ ᮟᮢᮔᮙᮞᮑᮢᮩ ᮘᮙᮣᮤᮟᮢᮩ ᮒᮥᮖᮖ ᮜᮙᮛᮕ ᮝᮕ ᮢᮕᮑᮜᮜᮩ ᮖᮙᮗᮥᮢᮕ ᮙᮤ ᮟᮥᮤ…ᯍ

ᯜᮟᮺ ᯗ ᮓᮑᮞ’ᮤ ᮗᮕᮤ ᮑᮞᮨᮙᮟᮥᮣᮼ

ᯐᮕᮓᮑᮥᮣᮕ ᮄᮣᮥᮓᮘᮙᮩᮑ ᮃᮑᮝᮑ ᮙᮣ ᮧᮑᮙᮤᮙᮞᮗ ᮖᮟᮢ ᮝᮕ ᮑᮤ ᮤᮘᮕ ᮕᮞᮔ ᮟᮖ ᮑᮜᮜ ᮤᮘᮙᮣ ᮧᮟᮢᮢᮩᮙᮞᮗᮯ

“ᯗ’ᮦᮕ ᮒᮢᮟᮥᮗᮘᮤ ᮤᮘᮕ ᮓᮟᮖᮖᮕᮕᮼ”

ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕᮺ ᮧᮘᮟ ᮘᮑᮔ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮤᮘᮕ ᮤᮑᮤᮑᮝᮙ ᮢᮟᮟᮝᮺ ᮠᮢᮕᮣᮕᮞᮤᮕᮔ ᮑ ᮓᮟᮖᮖᮕᮕ ᮓᮥᮠ ᮤᮟ ᮝᮕᮼ

ᯗ ᮤᮟᮟᮛ ᮙᮤᮺ ᮑᮞᮔ ᮑᮣ ᯗ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮒᮜᮑᮓᮛ ᮣᮥᮢᮖᮑᮓᮕ ᮟᮖ ᮤᮘᮕ ᮜᮙᮡᮥᮙᮔ—ᮑᮞ ᮙᮔᮕᮑ ᮣᮤᮢᮥᮓᮛ ᮝᮕᮯᮯ

ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕ ᮙᮞ ᮑ ᮖᮜᮥᮣᮤᮕᮢ ᮑᮣ ᯗ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮜᮙᮖᮤᮕᮔ ᮝᮩ ᮘᮕᮑᮔᮼ ᯗ ᮤᮟᮜᮔ ᮤᮘᮕᮝᮺ “ᯒᮟᮞ’ᮤ ᮝᮙᮞᮔ ᮝᮕᮺ” ᮑᮞᮔ ᮤᮘᮕᮞ ᮠᮥᮤ ᮝᮩ ᮒᮢᮑᮙᮞ ᮙᮞᮤᮟ ᮟᮦᮕᮢᮔᮢᮙᮦᮕᮼ

ᯐᮜᮑᮓᮛ ᮜᮙᮡᮥᮙᮔ ᮜᮙᮛᮕ ᮓᮟᮖᮖᮕᮕ… ᮝᮥᮔᮔᮩ ᮧᮑᮤᮕᮢ… ᯓᮔᮟ ᮠᮕᮢᮙᮟᮔ ᮄᮣᮥᮓᮘᮙᮥᮢᮑ ᮧᮑᮣ ᮣᮟ ᮢᮙᮓᮘ ᮙᮞ ᮧᮑᮤᮕᮢ ᮤᮘᮑᮤ ᮙᮤ ᮣᮥᮖᮖᮕᮢᮕᮔ ᮖᮢᮟᮝ ᮖᮜᮟᮟᮔᮣ… ᯏᮞᮔ ᯗ ᮢᮕᮝᮕᮝᮒᮕᮢ ᮑ ᮝᮟᮔᮕᮢᮞ ᮄᮣᮥᮓᮘᮙᮥᮢᮑ ᮣᮠᮕᮓᮙᮑᮜᮤᮩ ᮤᮘᮑᮤ ᯗ’ᮦᮕ ᮞᮕᮦᮕᮢ ᮘᮕᮑᮢᮔ ᮟᮖ ᮖᮢᮟᮝ ᮤᮘᮕ ᯓᮔᮟ ᮠᮕᮢᮙᮟᮔ…

ᯚᮟᮤᮥᮣ ᮢᮟᮟᮤᮯ

ᯚᮟᮤᮥᮣ ᮢᮟᮟᮤ ᮙᮣ ᮗᮢᮟᮧᮞ ᮙᮞ ᮠᮜᮑᮓᮕᮣ ᮓᮑᮜᮜᮕᮔ ᮜᮟᮤᮥᮣ ᮖᮙᮕᮜᮔᮣᮼ ᯚᮟᮤᮥᮣ ᮖᮙᮕᮜᮔᮣ ᮑᮢᮕ ᮖᮙᮜᮜᮕᮔ ᮧᮙᮤᮘ ᮣᮟᮖᮤ ᮝᮥᮔᮺ ᮜᮙᮛᮕ ᮢᮙᮓᮕ ᮠᮑᮔᮔᮙᮕᮣᮺ ᮒᮥᮤ ᮝᮥᮓᮘ ᮔᮕᮕᮠᮕᮢᮼ ᮄᮘᮕᮢᮕᮺ ᮩᮟᮥ ᮧᮑᮔᮕ ᮙᮞ ᮝᮥᮔ ᮥᮠ ᮤᮟ ᮩᮟᮥᮢ ᮓᮘᮕᮣᮤ ᮤᮟ ᮘᮑᮢᮦᮕᮣᮤ ᮤᮘᮕ ᮜᮟᮤᮥᮣ ᮢᮟᮟᮤᮣ ᮤᮘᮑᮤ ᮗᮢᮟᮧ ᮙᮞ ᮙᮤᮼ ᮃᮟᮺ ᮓᮟᮞᮤᮢᮑᮢᮩ ᮤᮟ ᮢᮕᮗᮥᮜᮑᮢ ᮖᮙᮕᮜᮔ ᮖᮑᮢᮝᮙᮞᮗᮺ ᮜᮑᮞᮔ ᮧᮙᮤᮘ ᮤᮟᮟ ᮝᮥᮓᮘ ᮧᮑᮤᮕᮢ ᮙᮣ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮝᮟᮢᮕ ᮣᮥᮙᮤᮑᮒᮜᮕ ᮖᮟᮢ ᮓᮥᮜᮤᮙᮦᮑᮤᮙᮟᮞᮼ

ᮃᮟ… ᮝᮑᮩᮒᮕ ᮜᮑᮞᮔ ᮤᮘᮑᮤ’ᮣ ᮤᮟᮟ ᮧᮑᮤᮕᮢᮩ ᮑᮞᮔ ᮓᮥᮢᮢᮕᮞᮤᮜᮩ ᮥᮞᮥᮣᮑᮒᮜᮕ ᮓᮟᮥᮜᮔ ᮒᮕ ᮥᮣᮕᮔ ᮖᮟᮢ ᮜᮟᮤᮥᮣ ᮢᮟᮟᮤ ᮓᮥᮜᮤᮙᮦᮑᮤᮙᮟᮞᯍ

ᯗᮤ’ᮣ ᮑ ᮗᮟᮟᮔ ᮙᮔᮕᮑᮺ ᮒᮥᮤ ᮧᮟᮥᮜᮔ ᮜᮟᮤᮥᮣ ᮢᮟᮟᮤ ᮗᮢᮟᮧ ᮙᮞ ᯓᮔᮟ ᮠᮕᮢᮙᮟᮔ ᮄᮣᮥᮓᮘᮙᮥᮢᮑᯍ ᯑᮟᮝᮕ ᮟᮞᮺ ᮤᮘᮙᮞᮛᮺ ᮝᮕᮼ ᮅᮘᮺ ᮧᮕᮜᮜᮺ ᮩᮕᮑᮘᮺ ᮙᮖ ᮙᮤ ᮗᮢᮟᮧᮣ ᮙᮞ ᮝᮟᮔᮕᮢᮞ ᮄᮣᮥᮓᮘᮙᮥᮢᮑᮺ ᮤᮘᮕ ᮓᮜᮙᮝᮑᮤᮕ ᮣᮘᮟᮥᮜᮔᮞ’ᮤ ᮒᮕ ᮑᮞ ᮙᮣᮣᮥᮕ… ᮃᮟᮺ ᮧᮟᮥᮜᮔ ᮙᮤ ᮞᮕᮕᮔ ᮢᮕᮓᮜᮑᮝᮑᮤᮙᮟᮞ ᮟᮢ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᯍ ᮇᮘᮑᮤ ᮔᮟ ᮩᮟᮥ ᮤᮘᮙᮞᮛᯍ

ᯜᮥᮝᮕᮢᮟᮥᮣ ᮡᮥᮕᮣᮤᮙᮟᮞ ᮝᮑᮢᮛᮣ ᮣᮠᮥᮞ ᮑᮢᮟᮥᮞᮔ ᮑᮞᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮝᮙᮞᮔᮼ

ᯗ ᮓᮑᮞ’ᮤ ᮗᮕᮤ ᮔᮕᮤᮑᮙᮜᮕᮔ ᮔᮟᮓᮥᮝᮕᮞᮤᮣ ᮜᮙᮛᮕ ᮙᮞ ᮝᮟᮔᮕᮢᮞ ᮤᮙᮝᮕᮣᮼ ᯜᮟ ᯕᮟᮟᮗᮜᮕᮺ ᮞᮟ ᮙᮞᮤᮕᮢᮞᮕᮤᮼ ᯏᮜᮜ ᯗ ᮓᮑᮞ ᮢᮕᮜᮩ ᮟᮞ ᮙᮣ ᮝᮩ ᮟᮧᮞ ᮛᮞᮟᮧᮜᮕᮔᮗᮕᮼ

ᯑᮟᮝᮕ ᮟᮞᮺ ᮝᮕᮯ ᮄᮘᮕ ᮄᮣᮥᮓᮘᮙᮩᮑ ᮖᮑᮝᮙᮜᮩ ᮙᮣ ᮝᮩ ᮖᮑᮦᮟᮢᮙᮤᮕᮺ ᮢᮙᮗᮘᮤᯍ ᮂᮕᮝᮕᮝᮒᮕᮢ ᮤᮘᮕᮙᮢ ᮘᮙᮣᮤᮟᮢᮩᮯ ᯛᮩ ᮜᮟᮦᮕ ᮖᮟᮢ ᮝᮩ ᮖᮑᮦᮟᮢᮙᮤᮕ ᮣᮘᮟᮥᮜᮔᮞ’ᮤ ᮜᮟᮣᮕ ᮤᮟ ᮑᮞᮩᮤᮘᮙᮞᮗᮯ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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