Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 158

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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“ႧႵႼႼლ ჷვႽ ႷႿ—”

ჯჃ ჷ ჃჄႿႿႴ ჅჀ ႱႾႴ ჃჄႱჂჄႵႴ ჄႿ ჃႱ჉ლ “ჯჂႵ ჉ႿჅ ႷႿႹႾႷ—ლ” Ⴑ ჃჅႴႴႵႾ ႴႹ჊჊ႹႾႵჃჃ ჇႱჃႸႵႴ Ⴟ჆ႵჂ ႽႵნ

჻჉ ႸႵႱႴ ჂႵႵႼႵႴნ

ႤႸႵ ႳႵႹႼႹႾႷ ႱႾႴ ႶႼႿႿჂ ჃႵႵႽႵႴ ჄႿ ჃჇႱჀ ჀႼႱႳႵჃნ ႧႱႹჄჭ ჷვႴ ႴႵႶႹႾႹჄႵႼ჉ ჃႵႵႾ ჄႸႹჃ ჃႳႵႾႵჂ჉ ႲႵႶႿჂႵნ ႤႸႱჄვჃ ჂႹႷႸჄლ ႱჄ ჄႸႵ ჹႱႲჅႻႹႳႸႿ ႹႾჄႵჂჃႵႳჄႹႿႾ—ნ

ჷ ჇႱჃ Ⴜ჉ႹႾႷ ႿႾ ჄႸႵ ႷჂႿჅႾႴნ

ჯႾႴ ႶჂႿႽ ჄႸႵჂႵლ ჷ ჇႱჃ ႼႿႿႻႹႾႷ ჅჀ ႱჄ ჄႸႵ ჃႻ჉ნ

ჶჅႸლ ჇႱႹჄ Ⴑ ႽႹႾჅჄႵნ ჰႱႳႻ ჄႸႵႾლ ჷ…

჻჉ ႸႵႱჂჄ ჀႿჅႾႴႵႴნ ჯჄ ჄႸႵ ႵႴႷႵ ႿႶ Ⴝ჉ ჆ႹჃႹႿႾლ ჷ ჃႱჇ ჄႸႵ ႻႵ჉ႳႸႱႹႾ ჯႻႱ჉ႱმჃႱႾ ႸႱႴ ႼႵႶჄნ

ႤႸႱჄვჃ ჂႹႷႸჄლ ჷ ჂႵႽႵႽႲႵჂ ႾႿჇლ ႲႱႳႻ ჄႸႵႾლ ჷ—჏

ჳ჆ႵჂ჉ჄႸႹႾႷ ჇႵႾჄ ႲႼႱႳႻნ

჻჉ ჆ႹჃႹႿႾ ჇႱჃ ჀႱႹႾჄႵႴ ႲႼႱႳႻ… ႱႾႴ ჇႸႵႾ ႹჄ ႲჂႹႷႸჄႵႾႵႴ ႱႷႱႹႾლ ჯႻႱ჉ႱმჃႱႾ ჇႱჃ ჃჄႱႾႴႹႾႷ ჂႹႷႸჄ ႹႾ ႶჂႿႾჄ ႿႶ ႽႵნ

“ႤႸႱჄვჃ ჂႹႷႸჄლ ჽႹჂႱႾნ”

ჷ ჇႱჃ ჃჄႱႾႴႹႾႷ ႱჄ ჄႸႵ ჹႱႲჅႻႹႳႸႿ ႹႾჄႵჂჃႵႳჄႹႿႾნ

ჯႾႴ ჷ ჇႱჃ—ႼႿႿႻႹႾႷ ႴႿჇႾ ႱჄ Ⴝ჉ჃႵႼႶლ Ⴜ჉ႹႾႷ ႿႾ ჄႸႵ ჂႿႱႴნ

ჯ ႼႿჄ ႿႶ ႲႼႿႿႴ ჇႱჃ ႶႼႿჇႹႾႷ ႶჂႿႽ ႱჂႿჅႾႴ ჄႸႵ ჃჄႿႽႱႳႸ ႿႶ ვႽႵლვ ჇႸႿ ႼႱ჉ ჇႹჄႸ Ⴕ჉ႵჃ ႳႼႿჃႵႴლ ႱႾႴ ႾႵ჈Ⴤ ჄႿ ႸႵჂლ Ⴑ ႼႹჄჄႼႵ ႷႹჂႼ ႱႾႴ Ⴑ ჇႿႽႱႾ ჇႸႿ ჃႵႵႽႵႴ ჄႿ ႲႵ ႸႵჂ ႽႿჄႸႵჂ ჇႵჂႵ ႳჂ჉ႹႾႷნ

“ႩႿჅვ჆Ⴕ ႶႹႾႱႼႼ჉ ჂႵႽႵႽႲႵჂႵႴლ ႸႱ჆ႵႾვჄ ჉ႿჅჭ”

“ნნნႩႵႱႸნ ჷ ႴႹႵႴლ ႴႹႴႾვჄ ჷჭ”

“ႤႸႵჂႵვჃ Ⴑ ჃႼႹႷႸჄ ႽႹჃჅႾႴႵჂჃჄႱႾႴႹႾႷ ႱႲႿჅჄ ჄႸႱჄნ ჽႹჂႱႾლ ჉ႿჅ ႱჂႵ ႱႼႹ჆Ⴕ ႸႵჂႵ ႱႾႴ ႾႿჇნ”

“ჰჅჄ ჯႾႾႱ ႹႾ ჹႱႲჅႻႹႳႸႿლ ႲႱႳႻ ჄႸႵႾ—”

ჷჄ ჇႱჃ ႲႵႶႿჂႵ ჇႿჂႻლ ჇႸႵႾ ჷ ჇႱჃ ჇႱႼႻႹႾႷ ჄႿჇႱჂႴჃ ჄႸႵ ჃႸႿჀნ

ჯ ႽႱႾ ჇႹჄႸ ჃჄჂႱႾႷႵ Ⴕ჉ႵჃ ჂჅჃႸႵႴ ჄႿჇႱჂႴჃ Ⴑ ჃႽႱႼႼ ႷႹჂႼ ჇႱႼႻႹႾႷ ႲႵჃႹႴႵ ႽႵნ ჶႵ ႸႱႴ Ⴑ ႻႾႹႶႵ ႹႾ ႸႹჃ ႸႱႾႴნ ჷ ႹႾჃჄႹႾႳჄႹ჆ႵႼ჉ ჀჅႾႳႸႵႴ ႸႹႽ ႹႾ ჄႸႵ ჃჄႿႽႱႳႸ… ႱႾႴ ჇႸႵႾ ჷ ႱჃႻႵႴ ჄႸႵ ႷႹჂႼლ “ჯჂႵ ჉ႿჅ ႿႻႱ჉ჭ” ჷ ჇႱჃ ჃჄႱႲႲႵႴ ႹႾ ჄႸႵ ႲႱႳႻ—ნ

ჷ ჇႱჃ ჃႿ ႶႿႳჅჃႵႴ ႿႾ ჀჂႿჄႵႳჄႹႾႷ ჄႸႵ ႷႹჂႼნ ႣႿლ ჷ ႴႹႴႾვჄ Ⴕ჆ႵႾ ႳႱჂႵ ჄႸႱჄ ჷვႴ ႲႵႵႾ ჃჄႱႲႲႵႴჩ ჷ ႺჅჃჄ ჄႸჂႵჇ Ⴑ ႲႱႳႻႸႱႾႴ ჀჅႾႳႸ ႱႾႴლ ჇႸႵႾ ႸႵ ႶႵႼႼ ჄႿ ჄႸႵ ႷჂႿჅႾႴლ ჷ ႻႹႳႻႵႴ ႸႹႽ ჇႹჄႸ ႱႼႼ Ⴝ჉ ႽႹႷႸჄნ

ჰჅჄ… ჄႸႱჄ ჇႱჃ ႹჄნ ჯႼႼ ჄႸႵ ჃჄჂႵႾႷჄႸ ႴჂႱႹႾႵႴ ႶჂႿႽ Ⴝ჉ ႲႿႴ჉ლ ႱႾႴ ჷ ჃႼႿჇႼ჉ ႳႿႼႼႱჀჃႵႴ ჄႿ ჄႸႵ ႷჂႿჅႾႴ… ჽႾႳႵ ჷ ჃႱჇ ჄႸႵ ႽႱႾ ႲႵႹႾႷ ႱჀჀჂႵႸႵႾႴႵႴ Ⴒ჉ ჄႸႵ ჀႵႿჀႼႵ ႱჂႿჅႾႴ ჅჃლ ჷ ႶႵႼჄ Ⴑ ჃႵႾჃႵ ႿႶ ჂႵႼႹႵႶ ႱႾႴ ႳႿჅႼႴႾვჄ Ⴕ჆ႵႾ ႻႵႵჀ Ⴝ჉ Ⴕ჉ႵჃ ႿჀႵႾ ႱႾ჉ႽႿჂႵ…

“ႤႸႱჄვჃ ჇႸႵჂႵ ჷ ႽႵჄ ჉ႿჅნ”

“ႩႵჃნ”

“ႩႿჅ ჄႿႼႴ ႽႵ ჄႿ ႳႸႿႿჃႵშ ႵႹჄႸႵჂ ႴႹႵ ჂႹႷႸჄ ჄႸႵჂႵლ ႿჂ ႼႹ჆Ⴕ ႱႾႴ ႺჅႽჀ ႹႾჄႿ ႱႾ ჅႾႻႾႿჇႾ ႶჅჄჅჂႵ ႹႾ Ⴑ ჀႼႱႳႵ ჄႸႱჄ ჇႱჃႾვჄ ႸႵჂႵნ”

“ႠჂႵႳႹჃႵႼ჉ნ”

“ჽႶ ႳႿჅჂჃႵლ ჷ ႳႸႿჃႵ ჄႿ ႼႹ჆Ⴕნ”

“ႤႸႵ ჽႹჂႱႾ ႲႱႳႻ ჄႸႵႾ ჇႱჃ ჂႵႽႱჂႻႱႲႼ჉ ჂႵჃႿႼჅჄႵნ”

“ჷႶ ႹჄვჃ ႲႵჄჇႵႵႾ ႼႹ჆ႹႾႷ ႱႾႴ Ⴔ჉ႹႾႷლ ႱႾ჉ႿႾႵ ჇႿჅႼႴ ႳႸႿႿჃႵ ჄႿ ႼႹ჆Ⴕლ ჇႿჅႼႴႾვჄ ჄႸႵ჉ჭ”

ႤႸႿჅႷႸ ჷ ႾႵ჆ႵჂ Ⴕ჈ჀႵႳჄႵႴ ჄႿ ႲႵ ჃႵႾჄ ჄႿ ჄႸႵ ჳႴႿ ჀႵჂႹႿႴლ ჷ ႱႴႴႵႴ ჇႹჄႸ Ⴑ ႼႱჅႷႸლ ႱႾႴ ჯႻႱ჉ႱმჃႱႾ ႳႸჅႳႻႼႵႴ ႱႼႿႾႷლ ႱჃ ႹႶ ႳႱჅႷႸჄ Ⴒ჉ Ⴝ჉ ႽႿႿႴნ

“ჰႵႳႱჅჃႵ ჉ႿჅ ႱჂႵ ჃჅႳႸ Ⴑ ჀႵჂჃႿႾლ ჷ ႴႵႳႹႴႵႴ ჄႿ ႵႾჄჂჅჃჄ ႩႱႽႱႲჅႻႹ ჽႹჂႱႾვჃ ႼႹႶႵ ჄႿ ჉ႿჅნ”

“ნნნႣႿლ ჇႸႵჂႵ ႴႹႴ ჄႸႵ ჂႵႱႼ ႩႱႽႱႲჅႻႹ ႷႿჭ”

“ႩႱႽႱႲჅႻႹ ჽႹჂႱႾლ ჄႸႿჅႷႸ ႹჄ ჇႱჃ ႻႵჀჄ ჃႵႳჂႵჄლ ჇႱჃ ႱႶႶႼႹႳჄႵႴ ჇႹჄႸ Ⴑ ႶႱჄႱႼ ႹႼႼႾႵჃჃნ ჯჃ ჉ႿჅ ႳႱႾ ჃႵႵლ ჷ ჀႿჃჃႵჃჃ Ⴑ ႳႵჂჄႱႹႾ ႴႵႷჂႵႵ ႿႶ ჀႿჇႵჂნ ჷ ႵႾჄႵჂႵႴ ႸႵჂ ႴჂႵႱႽ ႱႾႴ ႱჃႻႵႴ ႩႱႽႱႲჅႻႹ ჽႹჂႱႾლ ვჷႶ ჉ႿჅ ႳႿჅႼႴ ჃჄႹႼႼ ႼႹ჆Ⴕლ ჇႸႱჄ ჇႿჅႼႴ ჉ႿჅ ჇႱႾჄ ჄႿ ႴႿჭვ”

“ჯႾႴჭ”

“ႩႱႽႱႲჅႻႹ ჽႹჂႱႾ ჂႵჀႼႹႵႴლ ვჷ ჇႱႾჄ ჄႿ ჃႵႵ ჄႸႵ ႶჅჄჅჂႵნვ ჷვ჆Ⴕ ႲႵႵႾ ႹႾ ჄႸႹჃ ႼႹႾႵ ႿႶ ჇႿჂႻ ႶႿჂ Ⴑ ႼႿႾႷ ჄႹႽႵლ ႲჅჄ ჃႸႵ ჇႱჃ ჄႸႵ ႶႹჂჃჄ ჄႿ ႷႹ჆Ⴕ ჃჅႳႸ ႱႾ ႱႾჃჇႵჂნ ჷლ ჄႿႿლ ႲႵႳႱႽႵ ႵႱႷႵჂ ჄႿ ჃႵႵ ჄႸႵ ႶჅჄჅჂႵ ჇႹჄႸ ჽႹჂႱႾნ”

ჯႻႱ჉ႱმჃႱႾ ႷႱ჊ႵႴ ႹႾჄႿ ჄႸႵ ႴႹჃჄႱႾႳႵნ

“ჶႿჇႵ჆ႵჂლ ჄႿ ჄႱႻႵ ႱჇႱ჉ ႩႱႽႱႲჅႻႹ ჽႹჂႱႾვჃ ႶႱჄႱႼ ႹႼႼႾႵჃჃ ჇႿჅႼႴ ႲႵ ჄႿ ჄჇႹჃჄ ჄႸႵ ჆ႵჂ჉ ႼႱჇჃ ႿႶ ჄႸႹჃ ჇႿჂႼႴნ ჳ჆ႵႾ ჷ ႱႽ ႾႿჄ ჀႵჂႽႹჄჄႵႴ ჄႿ ႴႿ ჃჅႳႸ Ⴑ ჄႸႹႾႷნ ႤႸႱჄვჃ ჇႸႵႾ ჷ ႶႿჅႾႴ—჉ႿჅნ ჯ ႲჂႱ჆Ⴕ ႱႾႴ ჃჄჂႿႾႷ ჃႿჅႼლ ႳႱჀႱႲႼႵ ႿႶ ჃႱႳჂႹႶႹႳႹႾႷ ჉ႿჅჂ ႼႹႶႵ ႶႿჂ ႿჄႸႵჂჃნ ჴჅჂჄႸႵჂႽႿჂႵლ Ⴑ ႼႹႶႵ ႲႱჂႵႼ჉ ႳႼႹႾႷႹႾႷ ႿႾ ႸႵჂႵნ ჷ ႳႱႾႾႿჄ ႳჂႵႱჄႵ ჃႿႽႵჄႸႹႾႷ ႶჂႿႽ ႾႿჄႸႹႾႷლ ႲჅჄ ჷ ႳႱႾ ჄჅჂႾ ႿႾႵ ႹႾჄႿ ჄჇႿნ ჴჂႿႽ ჄႸႱჄ ჀႿႹႾჄ ႿႾლ ႸႿჇ ႽჅႳႸ ႼႹႶႵ ჉ႿჅ ႳႱჂ჆Ⴕ ႿჅჄ ႹჃ ჅჀ ჄႿ ჉ႿჅნ ჯႾႴ ჉ႿჅლ ႹႾ ႩႱႽႱႲჅႻႹ ჽႹჂႱႾვჃ ჃჄႵႱႴლ ႸႱ჆Ⴕ ႳႿႾჄႹႾჅႵႴ ჄႿ Ⴕ჈ჄႵႾႴ ჄႸႱჄ ႾჅႽႲႵჂ ႽႱႾ჉ ჄႹႽႵჃ Ⴟ჆ႵჂნ”

ჯႻႱ჉ႱმჃႱႾვჃ ჇႱ჉ ႿႶ ჃჀႵႱႻႹႾႷ ჇႱჃ ჅႾႹჁჅႵლ ႲჅჄ ჷ ႶႵႼჄ ႼႹႻႵ ჷ ჅႾႴႵჂჃჄႿႿႴ ჇႸႱჄ ႸႵ ჇႱჃ ჄჂ჉ႹႾႷ ჄႿ ჃႱ჉ნ

ჷႾ ႿჄႸႵჂ ჇႿჂႴჃლ ჇႸႵႾ ჷ ჀႵჂႶႿჂႽႵႴ ჄႸႵ ჃႽႱႼႼჀႿ჈ ჆ႱႳႳႹႾႱჄႹႿႾლ ჇႸႵႾ ჷ ႶႿჅႷႸჄ Ⴑ ႴჅႵႼ ჇႹჄႸ ჄႸႵ ჺႿჂႴვჃ ჆ႱჃჃႱႼლ ႱႾႴ ႳႿჅႾჄႼႵჃჃ ႿჄႸႵჂ ჄႹႽႵჃლ ჷ ႱႼჇႱ჉Ⴣ ႸႱႴ ჄႸႵ ჀႿჄႵႾჄႹႱႼ ჄႿ ႼႿჃႵ Ⴝ჉ ႼႹႶႵნ

ჰჅჄ ჷ Ⴟ჆ႵჂႳႱႽႵ ჄႸႿჃႵ ႳႸႱႼႼႵႾႷႵჃლ ႱႾႴ ჷვႽ ჃჄႹႼႼ ႱႼႹ჆Ⴕ ႾႿჇნ

ႤႸႱჄვჃ ჇႸႱჄ ჉ႿჅ ႽႵႱႾ Ⴒ჉ ჄჅჂႾႹႾႷ ႿႾႵ ႹႾჄႿ ჄჇႿლ ჂႹႷႸჄჭ

“ჷჄ ჇႱჃ ჄჂჅႼ჉ ႵႾႺႿ჉ႱႲႼႵ ჇႱჄႳႸႹႾႷ ჉ႿჅნ ჷ ႿႶჄႵႾ ჄႸႿჅႷႸჄლ ვႣႿ ჄႸႹჃ ႹჃ ჇႸႱჄ ႩႱႽႱႲჅႻႹ ჽႹჂႱႾ ႽႵႱႾჄ Ⴒ჉ ვჄႸႵ ႶჅჄჅჂႵვნვ ჷ ႱჀႿႼႿႷႹ჊Ⴕ ႶႿჂ ႾႿჄ ႲႵႹႾႷ ႱႲႼႵ ჄႿ Ⴕ჈ჀႼႱႹႾ ჃႿႿႾႵჂნ ჷ ႳႿჅႼႴႾვჄ ჄႵႼႼ ჉ႿჅ ჅႾჄႹႼ ჉ႿჅ ჂႵႽႵႽႲႵჂႵႴ Ⴕ჆ႵჂ჉ჄႸႹႾႷნ ႤႸႱჄვჃ ႺჅჃჄ ႸႿჇ ჄႸႵ ჇႿჂႼႴ ჇႿჂႻჃნ”

“ႩႿჅ ႴႹႴ ჃႱ჉ ჃႿႽႵჄႸႹႾႷ ႼႹႻႵ ჄႸႱჄ ႲႱႳႻ ჄႸႵႾლ ჄႿႿნ”

“ჷႾႴႵႵႴნ”

ჯႻႱ჉ႱმჃႱႾ ჃႽႹႼႵႴნ

ႤႸႱჄვჃ ჂႹႷႸჄნ ჷ ჂႵႽႵႽႲႵჂ ჇႵ ႽႱႴႵ Ⴑ ჀჂႿႽႹჃႵ ႲႱႳႻ ჄႸႵႾნ

‘ႧႹჄႸ ჄႸႵ ჃႸႹႶჄ ႹႾ ჄႸႵ ჄႹႽႵႼႹႾႵლ ჉ႿჅ ჇႹႼႼ ႶႿჂႷႵჄ ႽႵნ ჰჅჄ ჇႸႵႾ ჉ႿჅ ჂႵႽႵႽႲႵჂ ႱႷႱႹႾლ ჷ ჇႹႼႼ ႳႿႽႵ ჄႿ Ⴕ჈ჀႼႱႹႾ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ჄႿ ჉ႿჅ ႿႾႳႵ ႽႿჂႵნ’

“ჷ ჄჂჅႼ჉ ႽႱႴႵ ჄႸႵ ჂႹႷႸჄ ႳႸႿႹႳႵ ႹႾ ჀႹႳႻႹႾႷ ჉ႿჅნ ႩႱႽႱႲჅႻႹ ჽႹჂႱႾ ႽჅჃჄ ႶႵႵႼ ჄႸႵ ჃႱႽႵ ჇႱ჉ნ”

ჯႻႱ჉ႱმჃႱႾ ႸႵႼႴ ႿჅჄ ႸႹჃ ႸႱႾႴნ ჯႸ—ႸႵ ჇႱႾჄჃ ჄႿ ჃႸႱႻႵ ႸႱႾႴჃნ

ჷ ჄႿႿႻ ႸႹჃ ႸႱႾႴ ႱႾႴ ჃჁჅႵႵ჊ႵႴ ႹჄ ჄႹႷႸჄႼ჉ნ

“ჶႵ჉ლ ჯႻႱ჉ႱმჃႱႾლ ჇႸႿ ႱჂႵ ჉ႿჅ ჂႵႱႼႼ჉…ჭ”

ჯჃ ჷ ႱჃႻႵႴლ ჯႻႱ჉ႱმჃႱႾვჃ ႹႾႴႵ჈ ႶႹႾႷႵჂ ჀჂႵჃჃႵႴ ႱႷႱႹႾჃჄ Ⴝ჉ ႼႹჀჃ ႹႾ Ⴑ ვჃႸႸႸვ ႷႵჃჄჅჂႵნ

“ჷ ႱႽ ႽႵჂႵႼ჉ Ⴑ ჇႸႹႽჃႹႳႱႼ ႸႱႹჂႴჂႵჃჃႵჂნ ჽႾႵ ჇႸႿ ႹჃ ႵჃჀႵႳႹႱႼႼ჉ ႶႿႾႴ ႿႶ ჀႵႿჀႼႵ ჇႸႿ ჃჄჂႹ჆Ⴕ ႱႾႴ ႼႿႿႻ ႶႿჂჇႱჂႴლ ჉ႿჅ ჃႵႵნ”

ႤႸႵႾლ ჯႻႱ჉ႱმჃႱႾ ჃႾႱჀჀႵႴ ႸႹჃ ႶႹႾႷႵჂჃნ

ႤႸႵ ჹႱႲჅႻႹႳႸႿ ჃႳႵႾႵჂ჉ ႱჂႿჅႾႴ ႽႵ ႲႵႷႱႾ ჄႿ ႷႵႾჄႼ჉ ႲႼჅჂ ႱႾႴ ႶႱႴႵნ

ჯႻႱ჉ႱმჃႱႾვჃ ႶႿჂႽ ႱႼჃႿ ႲႵႷႱႾ ჄႿ ჇႱ჆ႵჂნ

“ႤႸႹჃ ჃႸႿჅႼႴ ႲႵ ჄႸႵ ႼႱჃჄ ჄႹႽႵ ჇႵ ჃჀႵႱႻნ ჰჅჄ Ⴕ჆ႵႾ ჃႿლ ჷ ჇႹႼႼ ႳႿႾჄႹႾჅႵ ჄႿ ჇႱჄႳႸ Ⴟ჆ႵჂ ჉ႿჅჂ ႶჅჄჅჂႵ ჇႹჄႸ ႱႾჄႹႳႹჀႱჄႹႿႾლ ჯႾႾႱმჃႱႾნ”

“ႩႿჅ ჄႿႿლ ჯႻႱ჉ႱმჃႱႾ…჏”

ჷ ჇႱ჆ႵႴ ႷႿႿႴႲ჉Ⴕ ჄႿ ჯႻႱ჉ႱმჃႱႾვჃ ႶႱႴႹႾႷ ႶႹႷჅჂႵნ

ჸჅჃჄ ႱჃ ჯႻႱ჉ႱმჃႱႾ ჃႱႹႴლ ჇႵ ჀჂႿႲႱႲႼ჉ ჇႿჅႼႴႾვჄ ႽႵႵჄ ႱႷႱႹႾნ

ჷჄ ჇႱჃ ႺჅჃჄ Ⴑ ႷჅჄ ႶႵႵႼႹႾႷლ ႲჅჄ ჷ ႻႾႵჇ ႹჄნ

ႣႿლ ჇႹჄႸ ႱႼႼ Ⴝ჉ ႷჂႱჄႹჄჅႴႵ ჄႿ ჄႸႹჃ ჀႵჂჃႿႾ ჇႸႿ ႷႱ჆Ⴕ ႽႵ Ⴑ ႶჅჄჅჂႵ ႱႾႴ ჀႿჃჃႹႲႹႼႹჄႹႵჃნ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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