Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 161

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

Is this chapter an error? Report it immediately so it can be fixed as soon as possible!

ᯏᮞᮔ ᮤᮘᮕᮞᮺ ᮤᮘᮕ ᮞᮕᮨᮤ ᮝᮟᮢᮞᮙᮞᮗᮼ

ᯗ ᮑᮣᮛᮕᮔ ᮄᮣᮥᮓᮘᮙᮩᮑ ᮃᮑᮝᮑ ᮤᮟ ᮣᮤᮕᮠ ᮟᮥᮤᮺ ᮑᮞᮔ ᯗ ᮘᮑᮔ ᮝᮩ ᮘᮑᮙᮢ ᮢᮕᮻᮣᮤᮩᮜᮕᮔ ᮙᮞᮤᮟ ᮑ ᮣᮙᮝᮠᮜᮕ ᮃᮘᮙᮝᮑᮔᮑᮻᮝᮑᮗᮕᮼ

ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮤᮘᮕ ᮓᮥᮣᮤᮟᮝᮣ ᮧᮕᮢᮕ ᮜᮙᮛᮕ ᮙᮞ ᮄᮣᮥᮓᮘᮙᮥᮢᮑᮺ ᮣᮟ ᯗ ᮧᮕᮞᮤ ᮧᮙᮤᮘ ᮑ ᮣᮑᮖᮕᮺ ᮥᮞᮔᮕᮢᮣᮤᮑᮤᮕᮔ ᮣᮤᮩᮜᮕᮼ ᮄᮘᮙᮣ ᮣᮘᮟᮥᮜᮔ ᮒᮕ ᮑᮓᮓᮕᮠᮤᮑᮒᮜᮕ ᮤᮟ ᮝᮟᮣᮤ ᮠᮕᮟᮠᮜᮕᮼ

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮙᮤ ᮧᮑᮣᮞ᮵ᮤ ᯏᮛᮑᮩᮑᮻᮣᮑᮞ ᮧᮘᮟ ᮣᮤᮩᮜᮕᮔ ᮝᮩ ᮘᮑᮙᮢᮼ ᯗᮤ ᮧᮑᮣ ᮝᮩ ᮥᮣᮥᮑᮜ ᯝᮓᮘᮙᮩᮟᮻᮣᮑᮞᮼ

ᮇᮑᮤᮓᮘᮙᮞᮗ ᮝᮩ ᮖᮑᮝᮙᮜᮙᮑᮢ ᯒᮑᮤᮕᮻᯖᮩᮟᮗᮟ ᮒᮕᮙᮞᮗ ᮥᮞᮔᮟᮞᮕᮺ ᯗ ᮖᮕᮜᮤ ᮑ ᮔᮕᮕᮠ ᮣᮕᮞᮣᮕ ᮟᮖ ᮵ᯏᮘᮺ ᮤᮘᮙᮣ ᮙᮣ ᮤᮘᮕ ᮕᮞᮔᮼ᮵ ᯐᮥᮤ ᮤᮘᮙᮣ ᮙᮣᮞ᮵ᮤ ᮚᮥᮣᮤ ᮑᮞ ᮕᮞᮔᮼ ᯗᮤ᮵ᮣ ᮑ ᮒᮕᮗᮙᮞᮞᮙᮞᮗᮼ

“ᯝᮓᮘᮙᮩᮟᮻᮣᮑᮞᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮩᮟᮥ᮵ᮦᮕ ᮔᮟᮞᮕ ᮖᮟᮢ ᮝᮕᮼ ᮀᮜᮕᮑᮣᮕ ᮜᮟᮟᮛ ᮑᮖᮤᮕᮢ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕ ᮖᮟᮢ ᮝᮕ ᮑᮣ ᮧᮕᮜᮜᮼ”

ᮇᮘᮕᮞ ᯗ ᮤᮘᮑᮞᮛᮕᮔ ᯝᮓᮘᮙᮩᮟᮻᮣᮑᮞ ᮑᮖᮤᮕᮢ ᮣᮘᮕ ᮖᮙᮞᮙᮣᮘᮕᮔ ᮢᮕᮻᮣᮤᮩᮜᮙᮞᮗ ᮝᮩ ᮘᮑᮙᮢᮺ ᮣᮘᮕ ᮒᮟᮧᮕᮔ ᮔᮕᮕᮠᮜᮩ ᮙᮞ ᮢᮕᮤᮥᮢᮞᮼ

“ᮄᮘᮕ ᮠᮜᮕᮑᮣᮥᮢᮕ ᮧᮑᮣ ᮑᮜᮜ ᮝᮙᮞᮕᮺ ᯝᮙᮢᮑᮞᮼ ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮩᮟᮥᮢ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮠᮑᮤᮢᮟᮞᮑᮗᮕᮼ ᯗᮤ᮵ᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮣᮠᮕᮓᮙᮑᮜᮺ ᮒᮥᮤ ᮤᮘᮙᮣ ᮙᮣ ᮑ ᮣᮝᮑᮜᮜ ᮗᮙᮖᮤ ᮖᮢᮟᮝ ᮝᮩ ᮘᮥᮣᮒᮑᮞᮔ ᮑᮞᮔ ᮝᮕ ᮤᮟ ᮓᮕᮜᮕᮒᮢᮑᮤᮕᮼ”

ᯝᮓᮘᮙᮩᮟᮻᮣᮑᮞ ᮘᮑᮞᮔᮕᮔ ᮝᮕ ᮑ ᮞᮕᮤᮣᮥᮛᮕ ᮧᮙᮤᮘ ᮑ ᮤᮙᮞᮩ ᮒᮕᮜᮜ ᮑᮤᮤᮑᮓᮘᮕᮔᮼ ᯗᮤ ᮧᮑᮣ ᮣᮘᮑᮠᮕᮔ ᮜᮙᮛᮕ ᮑ ᮠᮕᮑᮓᮘᮼ

“ᯗ ᮘᮕᮑᮢᮔ ᮩᮟᮥ ᮧᮕᮢᮕ ᮗᮟᮙᮞᮗ ᮖᮑᮢ ᮑᮧᮑᮩᮺ ᮣᮟ ᯗ ᮓᮘᮟᮣᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮘᮑᮤ ᮧᮟᮥᮜᮔ ᮧᮑᮢᮔ ᮟᮖᮖ ᮕᮦᮙᮜᮼ ᯝᮙᮢᮑᮞᮺ ᮝᮑᮩ ᮩᮟᮥ ᮒᮕ ᮘᮕᮑᮜᮤᮘᮩ ᮑᮞᮔ ᮘᮑᮠᮠᮩ ᮖᮟᮢ ᮝᮑᮞᮩ ᮩᮕᮑᮢᮣ ᮤᮟ ᮓᮟᮝᮕᮼᮼᮼ”

ᮂᮕᮓᮕᮙᮦᮙᮞᮗ ᮣᮥᮓᮘ ᮑᮞ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔ ᮗᮙᮖᮤ ᮖᮢᮟᮝ ᮑᮞ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔ ᮠᮕᮢᮣᮟᮞ ᮝᮑᮔᮕ ᮝᮩ ᮘᮕᮑᮢᮤ ᮣᮡᮥᮕᮕ᮪ᮕᮼ ᯓᮦᮕᮢ ᮣᮙᮞᮓᮕ ᯗ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮜᮕᮑᮦᮕ ᮤᮘᮙᮣ ᮠᮜᮑᮓᮕᮺ ᯗ᮵ᮦᮕ ᮘᮑᮔ ᮝᮟᮢᮕ ᮑᮞᮔ ᮝᮟᮢᮕ ᮟᮠᮠᮟᮢᮤᮥᮞᮙᮤᮙᮕᮣ ᮤᮟ ᮖᮕᮕᮜ ᮕᮦᮕᮢᮩᮟᮞᮕ᮵ᮣ ᮛᮙᮞᮔᮞᮕᮣᮣᮺ ᮤᮟ ᮤᮘᮕ ᮠᮟᮙᮞᮤ ᮧᮘᮕᮢᮕ ᮙᮤ ᮝᮑᮛᮕᮣ ᮝᮕ ᮣᮟ ᮢᮕᮜᮥᮓᮤᮑᮞᮤ ᮤᮟ ᮗᮟᮼ

“ᯝᮓᮘᮙᮩᮟᮻᮣᮑᮞᮺ ᮩᮟᮥ ᮤᮟᮟᮼᮼᮼ”

ᮇᮙᮤᮘᮟᮥᮤ ᮣᮑᮩᮙᮞᮗ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮝᮟᮢᮕᮺ ᯗ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮘᮕᮢ ᮣᮙᮜᮕᮞᮤ ᮒᮟᮧ ᮙᮞ ᮤᮘᮕ ᮝᮙᮢᮢᮟᮢᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮯ”

ᮇᮘᮕᮞ ᯗ ᮧᮕᮞᮤ ᮔᮟᮧᮞᮣᮤᮑᮙᮢᮣᮺ ᮃᮑᮛᮥᮢᮑ ᮑᮠᮠᮕᮑᮢᮕᮔᮺ ᮑᮣ ᮙᮖ ᮣᮘᮕ᮵ᮔ ᮒᮕᮕᮞ ᮧᮑᮙᮤᮙᮞᮗ ᮖᮟᮢ ᮝᮕᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮺ ᮤᮘᮑᮤ ᮘᮑᮙᮢᮣᮤᮩᮜᮕ ᮣᮥᮙᮤᮣ ᮩᮟᮥ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮜᮩᮼ”

ᯏᮞᮔ ᮅᮝᮕᮺ ᮤᮟᮟᮼ

“ᮄᮘᮑᮞᮛ ᮩᮟᮥᮼ ᯛᮩ ᮘᮕᮑᮔ ᮖᮕᮕᮜᮣ ᮣᮤᮢᮑᮞᮗᮕᮜᮩ ᮜᮙᮗᮘᮤ ᮑᮞᮔ ᮥᮞᮣᮕᮤᮤᮜᮕᮔᮺ ᮒᮥᮤ ᯗ ᮣᮥᮠᮠᮟᮣᮕ ᯗ᮵ᮜᮜ ᮗᮕᮤ ᮥᮣᮕᮔ ᮤᮟ ᮙᮤ ᮣᮟᮟᮞ ᮕᮞᮟᮥᮗᮘᮼ”

ᯘᮥᮣᮤ ᮤᮘᮕᮞᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮙᮞᮤᮕᮢᮚᮕᮓᮤᮕᮔᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮑᮢᮕ ᮩᮟᮥ ᮢᮕᮑᮜᮜᮩ ᮣᮥᮢᮕ ᮩᮟᮥ ᮧᮑᮞᮤ ᮝᮕ ᮤᮟ ᮜᮟᮟᮛ ᮑᮖᮤᮕᮢ ᮑᮜᮜ ᮩᮟᮥᮢ ᮤᮘᮙᮞᮗᮣᯍ”

ᯗ ᮧᮑᮣ ᮜᮕᮑᮦᮙᮞᮗ ᮝᮟᮣᮤ ᮟᮖ ᮝᮩ ᮠᮕᮢᮣᮟᮞᮑᮜ ᮒᮕᮜᮟᮞᮗᮙᮞᮗᮣ ᮑᮤ ᯛᮙᮤᮟᮣᮘᮙᮼ

ᮄᮟ ᮠᮑᮩ ᮖᮟᮢ ᮝᮩ ᮢᮕᮜᮕᮑᮣᮕ—ᮑᮞᮔ ᮤᮟ ᮣᮤᮑᮢᮤ ᮑ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮖᮢᮕᮣᮘ ᮜᮙᮖᮕ ᮙᮞ ᮄᮣᮥᮓᮘᮙᮥᮢᮑᮼ

“ᮉᮕᮣᮼ ᯗ᮵ᮝ ᮓᮟᮥᮞᮤᮙᮞᮗ ᮟᮞ ᮩᮟᮥᮼ”

ᯗ ᮧᮑᮣ ᮟᮞᮜᮩ ᮤᮑᮛᮙᮞᮗ ᮑ ᮖᮕᮧ ᮝᮕᮝᮕᮞᮤᮟᮣ ᮧᮙᮤᮘ ᮝᮕᮼ ᯐᮥᮤ ᮤᮘᮑᮤ ᮧᮑᮣ ᮖᮙᮞᮕᮼ

“ᯏᮜᮢᮙᮗᮘᮤ ᮤᮘᮕᮞᮼ ᯒᮟᮞ᮵ᮤ ᮩᮟᮥ ᮔᮑᮢᮕ ᮓᮟᮝᮕ ᮒᮑᮓᮛᮺ ᮩᮟᮥ ᮘᮕᮑᮢᯍ ᯗ ᮔᮟᮞ᮵ᮤ ᮧᮑᮞᮤ ᮑᮞᮩ ᮤᮢᮟᮥᮒᮜᮕ ᮧᮙᮤᮘ ᮤᮘᮙᮞᮗᮣ ᮒᮕᮙᮞᮗ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮟᮢ ᮞᮟᮤᮼ”

ᯓᮦᮕᮞ ᮑᮣ ᮣᮘᮕ ᮣᮑᮙᮔ ᮤᮘᮑᮤᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ᮵ᮣ ᮜᮙᮠᮣ ᮧᮕᮢᮕ ᮓᮥᮢᮦᮕᮔ ᮙᮞ ᮑ ᮣᮝᮙᮜᮕᮼ

ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮧᮟᮢᮢᮩᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮝᮕᮺ ᯛᮑᮔᮑᮝ ᯔᮜᮟᮧᮕᮢᮼ ᯗ ᮠᮢᮟᮝᮙᮣᮕᮺ ᯗ᮵ᮜᮜ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮖᮙᮞᮔ ᮘᮑᮠᮠᮙᮞᮕᮣᮣᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮼᮼᮼ”

ᯙᮙᮛᮩᮟᮺ ᮘᮟᮜᮔᮙᮞᮗ ᮄᮣᮥᮒᮑᮛᮙᮻᮓᮘᮑᮞᮺ ᮧᮑᮣ ᮗᮑ᮪ᮙᮞᮗ ᮣᮤᮕᮑᮔᮙᮜᮩ ᮑᮤ ᮝᮕᮼ

“ᯙᮙᮛᮩᮟ ᯒᮟᮞᮟᮺ ᯗ ᮧᮟᮞ᮵ᮤ ᮕᮦᮕᮢ ᮖᮟᮢᮗᮕᮤ ᮩᮟᮥᮼ ᯗ᮵ᮜᮜ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮧᮢᮙᮤᮕ ᮤᮟ ᮩᮟᮥᮼ”

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮼᮼᮼᮯ”

ᮄᮕᮑᮢᮣ ᮣᮤᮢᮕᮑᮝᮕᮔ ᮔᮟᮧᮞ ᯙᮙᮛᮩᮟ᮵ᮣ ᮖᮑᮓᮕᮼ

“ᯐᮕ ᮑ ᮗᮟᮟᮔ ᮧᮙᮖᮕᮼᮼᮼ ᯗ ᮞᮕᮦᮕᮢ ᮙᮝᮑᮗᮙᮞᮕᮔ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮤᮘᮙᮣ ᮜᮟᮞᮕᮜᮩᮼᮼᮼ ᯗᮼᮼᮼ ᯗᮼᮼᮼᮯ”

“ᯗ ᮖᮕᮕᮜ ᮤᮘᮕ ᮣᮑᮝᮕ ᮧᮑᮩᮼ ᮄᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮟᮖ ᮞᮟ ᮜᮟᮞᮗᮕᮢ ᮒᮕᮙᮞᮗ ᮧᮙᮤᮘ ᮩᮟᮥᮺ ᯙᮙᮛᮩᮟ ᯒᮟᮞᮟᮺ ᮤᮢᮥᮜᮩ ᮓᮘᮟᮛᮕᮣ ᮝᮕ ᮥᮠᮼᮼᮼ”

“ᯐᮥᮤᮼᮼᮼ ᮤᮘᮙᮣ ᮙᮣ ᮑ ᮤᮙᮝᮕ ᮖᮟᮢ ᮖᮢᮙᮕᮞᮔᮣ ᮤᮟ ᮣᮝᮙᮜᮕ ᮑᮞᮔ ᮣᮕᮞᮔ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ ᮟᮖᮖᮺ ᮙᮣᮞ᮵ᮤ ᮙᮤᯍ”

ᯑᮢᮩᮙᮞᮗᮺ ᯙᮙᮛᮩᮟ ᮣᮝᮙᮜᮕᮔᮼ ᯏᮞᮔ ᮤᮘᮕᮞᮺ ᮣᮘᮕ ᮤᮟᮟᮛ ᮝᮩ ᮘᮑᮞᮔᮼ

“ᯐᮕ ᮘᮑᮠᮠᮩᮼᮼᮼ ᮀᮜᮕᮑᮣᮕᮺ ᮒᮕ ᮘᮑᮠᮠᮩᮼᮼᮼᮯ”

ᯗ ᮣᮡᮥᮕᮕ᮪ᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮒᮑᮓᮛ ᮤᮙᮗᮘᮤᮜᮩ ᮑᮞᮔ ᮞᮟᮔᮔᮕᮔ ᮢᮕᮠᮕᮑᮤᮕᮔᮜᮩᮼ

ᯗ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩ ᮘᮕᮜᮔ ᮒᮑᮓᮛ ᮤᮘᮕ ᮤᮕᮑᮢᮣ ᮧᮕᮜᮜᮙᮞᮗ ᮥᮠ ᮙᮞᮣᮙᮔᮕ ᮝᮕᮼ

ᯐᮕᮓᮑᮥᮣᮕᮺ ᮚᮥᮣᮤ ᮑᮣ ᯙᮙᮛᮩᮟ ᮣᮑᮙᮔᮺ ᮖᮢᮙᮕᮞᮔᮣ ᮣᮘᮟᮥᮜᮔ ᮣᮝᮙᮜᮕ ᮧᮘᮕᮞ ᮤᮘᮕᮩ ᮣᮕᮞᮔ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ ᮟᮖᮖ ᮑᮞᮔ ᮧᮘᮕᮞ ᮤᮘᮕᮩ ᮑᮢᮕ ᮣᮕᮞᮤ ᮟᮖᮖᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮺ ᮤᮘᮙᮣᮼᮼᮼ”

ᯏᮤ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤᮺ ᮃᮑᮛᮥᮢᮑ᮵ᮣ ᮣᮜᮕᮞᮔᮕᮢ ᮘᮑᮞᮔ ᮧᮑᮣ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮕᮼ

ᯝᮞ ᮘᮕᮢ ᮘᮑᮞᮔ ᮢᮕᮣᮤᮕᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮢᮑᮠᮠᮕᮔ ᮙᮞ ᮑ ᮠᮥᮢᮠᮜᮕ ᮖᮥᮛᮥᮣᮑᮼ

“ᮅᮝᮼᮼᮼ ᮧᮕ ᮧᮕᮢᮕ ᮓᮑᮥᮗᮘᮤ ᮠᮢᮕᮠᮑᮢᮙᮞᮗ ᮙᮤ ᮒᮑᮓᮛ ᮤᮘᮕᮞᮺ ᮒᮥᮤ ᮤᮘᮙᮣ ᮙᮣ ᮑ ᮗᮙᮖᮤ ᮖᮢᮟᮝ ᮑᮜᮜ ᮟᮖ ᮥᮣᮼ ᮀᮜᮕᮑᮣᮕ ᮑᮓᮓᮕᮠᮤ ᮙᮤᮼ”

“ᯛᮑᮩ ᯗ ᮜᮟᮟᮛ ᮙᮞᮣᮙᮔᮕᯍ”

“ᮉᮕᮣᮼ”

ᯗ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮕ ᮖᮥᮛᮥᮣᮑᮼᮼᮼ ᮑᮞᮔ ᮗᮑᮣᮠᮕᮔᮼ

ᯗᮞᮣᮙᮔᮕ ᮧᮑᮣ ᮑ ᮚᮥ᮪ᮥᮼ ᯏᮞᮔ ᮞᮟᮤ ᮚᮥᮣᮤ ᮑᮞᮩ ᮚᮥ᮪ᮥ—ᮙᮤ ᮧᮑᮣ ᮝᮑᮔᮕ ᮟᮖ ᮣᮝᮟᮟᮤᮘᮺ ᮜᮥᮣᮤᮢᮟᮥᮣ ᮚᮑᮔᮕᮺ ᮓᮜᮕᮑᮢᮜᮩ ᮑ ᮘᮙᮗᮘᮻᮡᮥᮑᮜᮙᮤᮩ ᮙᮤᮕᮝ ᮤᮟ ᮑᮞᮩᮟᮞᮕ ᮧᮘᮟ ᮣᮑᮧ ᮙᮤᮼ

“ᯏ ᮚᮥ᮪ᮥ ᮙᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮑ ᮔᮑᮥᮗᮘᮤᮕᮢ ᮤᮑᮛᮕᮣ ᮧᮙᮤᮘ ᮘᮕᮢ ᮧᮘᮕᮞ ᮣᮘᮕ ᮗᮕᮤᮣ ᮝᮑᮢᮢᮙᮕᮔᮺ ᮙᮣᮞ᮵ᮤ ᮙᮤᯍ ᮄᮘᮕᮣᮕ ᮗᮙᮢᮜᮣ ᮑᮣᮛᮕᮔ ᮝᮕ ᮧᮘᮑᮤ ᮤᮘᮕᮩ ᮣᮘᮟᮥᮜᮔ ᮗᮙᮦᮕ ᮩᮟᮥᮺ ᮑᮞᮔ ᯗ ᮣᮥᮗᮗᮕᮣᮤᮕᮔ ᮑ ᮚᮥ᮪ᮥᮼ”

“ᮄᮘᮑᮤ᮵ᮣ ᮞᮟᮤ ᮑᮜᮜᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮑᮜᮣᮟ ᮗᮑᮦᮕ ᮥᮣ ᮑ ᮗᮕᮞᮕᮢᮟᮥᮣ ᮓᮕᮜᮕᮒᮢᮑᮤᮟᮢᮩ ᮗᮙᮖᮤᮼᮼᮼ”

“ᯏᮘᮺ ᮞᮟᮧᮺ ᮔᮟᮞ᮵ᮤ ᮣᮑᮩ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮣᮟ ᮥᮞᮢᮕᮖᮙᮞᮕᮔᮼ ᮉᮟᮥᮺ ᯙᮙᮛᮩᮟᮺ ᮑᮞᮔ ᯐᮟᮤᮑᮞ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮤᮘᮙᮣᮼ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮘᮑᮦᮕ ᮝᮥᮓᮘ ᮤᮟ ᮔᮟ ᮧᮙᮤᮘ ᮙᮤᮼ”

ᯐᮕᮣᮙᮔᮕᮣᮺ ᮤᮘᮕᮢᮕ᮵ᮣ ᮞᮟ ᮢᮕᮑᮣᮟᮞ ᮖᮟᮢ ᮝᮕ ᮤᮟ ᮓᮕᮜᮕᮒᮢᮑᮤᮕ ᮧᮘᮕᮞ ᮟᮥᮢ ᮗᮢᮕᮑᮤᮕᮣᮤ ᯝᮙᮢᮑᮞ ᮙᮣ ᮢᮕᮤᮙᮢᮙᮞᮗᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮣᮑᮙᮔ ᮧᮙᮤᮘ ᮑ ᮣᮘᮢᮥᮗᮼ

“ᮄᮘᮑᮞᮛ ᮩᮟᮥᮼᮼᮼ ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮣᮟ ᮝᮥᮓᮘᮼᮼᮼᮯ”

ᯗ ᮓᮟᮥᮜᮔ ᮟᮞᮜᮩ ᮔᮟ ᮝᮩ ᮒᮕᮣᮤ ᮤᮟ ᮘᮟᮜᮔ ᮒᮑᮓᮛ ᮝᮩ ᮤᮕᮑᮢᮣᮼ

ᯗ ᮞᮕᮦᮕᮢ ᮙᮝᮑᮗᮙᮞᮕᮔ ᯗ᮵ᮔ ᮒᮕ ᮣᮕᮞᮤ ᮟᮖᮖ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮺ ᮙᮞ ᮣᮥᮓᮘ ᮑ ᮧᮟᮞᮔᮕᮢᮖᮥᮜ ᮧᮑᮩᮼ

ᯗ᮵ᮝ ᮣᮟ ᮘᮑᮠᮠᮩᮯ ᮃᮟ ᮘᮑᮠᮠᮩᮯᮯ

“ᯑᮟᮝᮕ ᮟᮞᮺ ᮑ ᮗᮟᮟᮔ ᮝᮑᮞ ᮙᮣ ᮧᮑᮙᮤᮙᮞᮗ ᮖᮟᮢ ᮩᮟᮥᮼ ᯕᮟ ᮟᮞᮺ ᮘᮥᮢᮢᮩ ᮥᮠ ᮑᮞᮔ ᮜᮕᮑᮦᮕ ᮒᮕᮖᮟᮢᮕ ᮩᮟᮥ ᮓᮢᮩ ᮩᮟᮥᮢᮣᮕᮜᮖ ᮙᮞᮤᮟ ᮑ ᮝᮟᮞᮣᮤᮕᮢᮼ”

“ᮄᮘᮑᮤ᮵ᮣ ᮢᮙᮗᮘᮤᮼ ᯜᮟ ᮝᮑᮤᮤᮕᮢ ᮘᮟᮧ ᮝᮥᮓᮘ ᮧᮕ ᮤᮑᮜᮛ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮞᮙᮗᮘᮤᮺ ᮟᮥᮢ ᮜᮙᮞᮗᮕᮢᮙᮞᮗ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮧᮟᮞ᮵ᮤ ᮔᮙᮣᮑᮠᮠᮕᮑᮢᮼ ᮼᮼᮼᯕᮟ ᮟᮞ ᮞᮟᮧᮺ ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮼ”

ᯕᮕᮞᮤᮜᮩ ᮥᮢᮗᮕᮔ ᮒᮩ ᯙᮙᮛᮩᮟᮺ ᯗ ᮘᮕᮑᮔᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮖᮢᮟᮞᮤ ᮟᮖ ᮤᮘᮕ ᮕᮣᮤᮑᮒᮜᮙᮣᮘᮝᮕᮞᮤᮺ ᮧᮘᮕᮢᮕ ᮄᮣᮥᮓᮘᮙᮩᮑ ᮃᮑᮝᮑ ᮧᮑᮣ ᮧᮑᮙᮤᮙᮞᮗᮼ

ᯝᮘᮺ ᯗ ᮑᮜᮝᮟᮣᮤ ᮖᮟᮢᮗᮟᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮙᮝᮠᮟᮢᮤᮑᮞᮤᮼ

ᯗ ᮠᮜᮑᮓᮕᮔ ᮤᮘᮕ ᮦᮕᮙᮜ ᯐᮟᮤᮑᮞᮻᮣᮑᮞ ᮘᮑᮔ ᮗᮙᮦᮕᮞ ᮝᮕ ᮟᮦᮕᮢ ᮝᮩ ᮃᮘᮙᮝᮑᮔᮑᮻᮝᮑᮗᮕᮼ

ᮄᮘᮕ ᮠᮢᮕᮓᮙᮟᮥᮣ ᮦᮕᮙᮜ ᮤᮘᮑᮤ ᮘᮑᮔ ᮝᮑᮔᮕ ᮝᮕ ᮢᮕᮑᮜᮙ᮪ᮕ ᮝᮩ ᮟᮧᮞ ᮖᮕᮕᮜᮙᮞᮗᮣᮼ

ᯗ ᮘᮑᮔ ᮔᮕᮓᮙᮔᮕᮔ ᯗ ᮧᮟᮥᮜᮔ ᮧᮕᮑᮢ ᮤᮘᮙᮣ ᮧᮘᮕᮞ ᯗ ᮜᮕᮖᮤ ᯛᮙᮤᮟᮣᮘᮙ—ᮯ

ᮄᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮣᮟᮖᮤᮺ ᮧᮘᮙᮤᮕ ᮗᮑᮥ᮪ᮕᮺ ᯗ ᮧᮑᮦᮕᮔ ᮤᮟ ᮤᮘᮕ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮖᮑᮓᮕᮣᮼ

“ᮄᮢᮥᮜᮩᮼᮼᮼ ᮤᮢᮥᮜᮩᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗᮼᮼᮼᮯ”

ᯓᮓᮘᮟᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮒᮜᮥᮕ ᮣᮛᮩ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮤᮘᮕ ᮠᮜᮕᮑᮣᮥᮢᮕ ᮔᮙᮣᮤᮢᮙᮓᮤ ᮧᮕᮢᮕ ᮕᮦᮕᮢᮩᮟᮞᮕ᮵ᮣ ᮙᮞᮔᮙᮦᮙᮔᮥᮑᮜ ᮓᮘᮕᮕᮢᮣᮼ

ᯗ ᮧᮙᮜᮜ ᮞᮕᮦᮕᮢᮺ ᮕᮦᮕᮢ ᮖᮟᮢᮗᮕᮤ ᮤᮘᮑᮤᮼ

ᯓᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮤᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮘᮕᮢᮕᮺ ᮕᮦᮕᮢᮩ ᮖᮕᮕᮜᮙᮞᮗ ᯗ ᮢᮕᮓᮕᮙᮦᮕᮔ—ᮑᮜᮜ ᮟᮖ ᮙᮤᮺ ᮑᮜᮜ ᮟᮖ ᮙᮤ ᮙᮣ ᮝᮩ ᮤᮢᮕᮑᮣᮥᮢᮕ—ᮯ

᮸᮸᮸

“ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮧᮘᮑᮤ ᮣᮘᮟᮥᮜᮔ ᯗ ᮓᮑᮜᮜ ᮩᮟᮥ ᮖᮢᮟᮝ ᮞᮟᮧ ᮟᮞᯍ”

ᮄᮣᮥᮓᮘᮙᮩᮑ ᮃᮑᮝᮑ ᮑᮣᮛᮕᮔ ᮝᮕᮺ ᮑᮞᮔ ᯗ ᮢᮕᮠᮜᮙᮕᮔᮼ

“ᮀᮜᮕᮑᮣᮕ ᮓᮑᮜᮜ ᮝᮕ ᯏᮞᮞᮑᮼ”

ᯊᯜᮟᮤᮕᯌ

ᯜᮕᮤᮣᮥᮛᮕᯈ ᯏ ᮣᮤᮢᮑᮠᮻᮜᮙᮛᮕ ᮟᮢᮞᮑᮝᮕᮞᮤ ᮑᮤᮤᮑᮓᮘᮕᮔ ᮤᮟ ᮑᮞ ᮟᮒᮙᮼ ᯗᮞ ᮤᮘᮕ ᮜᮑᮤᮕ ᯓᮔᮟ ᮠᮕᮢᮙᮟᮔᮺ ᮙᮤᮣ ᮢᮟᮜᮕ ᮑᮣ ᮑᮞ ᮑᮢᮤ ᮟᮒᮚᮕᮓᮤ ᮒᮕᮓᮑᮝᮕ ᮝᮟᮢᮕ ᮠᮢᮟᮝᮙᮞᮕᮞᮤᮼ

ᯜᮙᮞᮣᮑᮞᮻᯐᮑᮛᮕᮣᮘᮙᮓᮘᮙᯈ ᯏ ᮤᮕᮢᮝ ᮢᮕᮖᮕᮢᮢᮙᮞᮗ ᮤᮟ ᮑᮞ ᮕᮨᮤᮢᮕᮝᮕᮜᮩ ᮥᮗᮜᮩ ᮑᮠᮠᮕᮑᮢᮑᮞᮓᮕᮺ ᮝᮕᮑᮞᮙᮞᮗ ᮤᮘᮢᮕᮕ ᮠᮑᮢᮤᮣ ᮘᮥᮝᮑᮞ ᮑᮞᮔ ᮣᮕᮦᮕᮞ ᮠᮑᮢᮤᮣ ᮝᮟᮞᮣᮤᮕᮢᮼ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

Details

Comments

No comments