Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 21

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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“ჰჂႹႾႷ ႿჅჄ ႩႱႽႱႲჅႻႹ჏ ჶႹႴႹႾႷ ႸႵჂ ჇႿႾვჄ ႴႿ ჉ႿჅ ႱႾ჉ ႷႿႿႴ჏” ჃႸႿჅჄႵႴ Ⴑ ႽႱႾლ ႲჂႱႾႴႹჃႸႹႾႷ Ⴑ ႴჂႱჇႾ ჃჇႿჂႴნ

ႤႸႵ ჺႱႾႴႼႱႴ჉ ႴႵჃჀႵჂႱჄႵႼ჉ ჄჂႹႵႴ ჄႿ ႳႱႼႽ ႸႹႽლ ჇႸႹႼႵ ჄႸႵ ჻ႱჃჄႵჂ ႲႿჇႵႴ ႸႹჃ ႸႵႱႴ ჂႵჀႵႱჄႵႴႼ჉ ჄႿ ჄႸႵ ႣႱႽႱნ

ႣჅჂჂႿჅႾႴႹႾႷ ჄႸႵႽ ჇႱჃ Ⴑ ႴႵႾჃႵ ႳჂႿჇႴ ႿႶ ႷႱჇႻႹႾႷ ႳႿჅჂჄႵჃႱႾჃ ႱႾႴ ႳჅჃჄႿႽႵჂჃნ

ႠჅჃႸႹႾႷ ჄႸჂႿჅႷႸ ჄႸႵႽლ ჇႹჄႸ ႣႱႻჅჂႱ ႱႾႴ ႥႽႵ ႿႾ ႵႹჄႸႵჂ ჃႹႴႵლ ჷ ჃჄჂႿႼႼႵႴ ႶႿჂჇႱჂႴ ႼႵႹჃჅჂႵႼ჉ნ

ჷჄ ႶႵႵႼჃ Ⴑ ႲႹჄ ႼႹႻႵ ႱႾ ႿႹჂႱႾ ჀჂႿႳႵჃჃႹႿႾლ ႱႾႴ ჷ ႻႹႾႴ ႿႶ ႼႹႻႵ ႹჄნნნ

“ႣჄႿჀ ჄႸႱჄნ ჷვႽ ႾႿჄ ჂჅႾႾႹႾႷ ႿჂ ႸႹႴႹႾႷნ”

“ႣႿ ჉ႿჅვ჆Ⴕ ႳႿႽႵლ ჱႿჅჂჄႵჃႱႾ჏ ჷვႼႼ ႳჅჄ ႿႶႶ ჉ႿჅჂ ႸႵႱႴნნნ”

“ჼႿჇლ ႸႿႼႴ ႿႾ Ⴑ ႽႿႽႵႾჄნ ჷჄ ჇႿჅႼႴ ႲႵ ႾႿ ႸႿႾႿჂ ႶႿჂ Ⴑ ႣႱႽჅჂႱႹ ჃႻႹႼႼႵႴ ႹႾ ჃჇႿჂႴჃႽႱႾჃႸႹჀ ჄႿ ჄႱႻႵ ჄႸႵ ႸႵႱႴ ႿႶ ႱႾ ႵႽჀჄ჉მႸႱႾႴႵႴ ჽႹჂႱႾნ ჺႵჄვჃ ႽႱႻႵ ჄႸႹჃ Ⴑ ჀჂႿჀႵჂ ႽႱჄႳႸნ ჷႶ ჷ ႼႿჃႵლ ჉ႿჅ ႽႱ჉ ႸႱ჆Ⴕ Ⴝ჉ ႸႵႱႴნ ჷႶ ჷ ჇႹႾლ ჉ႿჅ ႽჅჃჄ ჇႹჄႸႴჂႱჇ ႷჂႱႳႵႶჅႼႼ჉ ႶჂႿႽ ჄႸႹჃ ჀႼႱႳႵნ”

“ჶႱႸ჏ ჯ ႳႿჅჂჄႵჃႱႾჭ ჷ ႸႱ჆Ⴕ ჃჄჅႴႹႵႴ ႣႸႹႾႷ჉ōჄōმჂ჉ū ႶႿჂ Ⴑ ႼႿႾႷ ჄႹႽႵნ ႤႸႱჄ ႹჃ ჇႸ჉ ჷ ჃႵჂ჆Ⴕ ႱჃ ჄႸႵ ႣႱႽႱვჃ ႵჃႳႿჂჄნ ႣჅႳႸ ႱႾ ႹႾჃჅႼჄ ჄႿ ჄႸႵ ႣႱႽႱნნნ ႺჅჃჄ ႿႶႶႵჂ ჉ႿჅჂ ႸႵႱႴ ჁჅႹႳႻႼ჉ნ ჲႿႾვჄ ჇႿჂჂ჉ლ ႱႶჄႵჂ ჄႸႱჄლ ჷ ჇႹႼႼ ႱႼჃႿ ႳႿႽႽႹჄ ჃႵჀჀჅႻჅ ႶႿჂ ႸႱ჆ႹႾႷ ႻႹႼႼႵႴ ჃჅႳႸ Ⴑ ႼႿჇႼ჉ ჀႵჂჃႿႾნ ႩႿჅ ჇႿႾვჄ ႲႵ ႷႿႹႾႷ ჄႿ ႸႵႼႼ ႱႼႿႾႵლ ჃႿ ჂႵჃჄ ႱჃჃჅჂႵႴნ”

“ႣႸႹႾႷ჉ōჄōმჂ჉ūნნნ ჄႸႵ჉ ႸႱ჆Ⴕ Ⴑ ჄჇႿმჃჇႿჂႴ ჄჂႱႴႹჄႹႿႾლ ႴႿႾვჄ ჄႸႵ჉ჭ ႦႵჂ჉ ჇႵႼႼ ჄႸႵႾნ ჷႾ ჄႸႱჄ ႳႱჃႵლ ჷ ჇႿႾვჄ ႲႵ ႳႱႼႼႵႴ Ⴑ ႳႿჇႱჂႴ ႵႹჄႸႵჂნ”

“ႧႸႱჄჭ჏”

“ႣႱႻჅჂႱლ ႥႽႵლ ჀႼႵႱჃႵ ႸႿႼႴ Ⴝ჉ ႷႵႱჂნ”

ჷ ႸႱႾႴႵႴ Ⴝ჉ ႸႵႱ჆჉ ႷႵႱჂ ჄႿ ႣႱႻჅჂႱ ႱႾႴ ႥႽႵლ ჄႸႵႾ ჄჅჂႾႵႴ ႲႱႳႻ ჄႿ ႶႱႳႵ ႶႿჂჇႱჂႴნ

ႤႸႵႾლ ჷ ႷჂႹჀჀႵႴ Ⴑ ႶႹჂႵ ჀႿႻႵჂ ႹႾ ႵႱႳႸ ႸႱႾႴნ

ႤႿ ჄႸႹႾႻ ჄႸႱჄ ჄႸႵჃႵლ ჃႿ ჃႹႽႹႼႱჂ ჄႿ ჄႸႵ ჄႵႼႵჃႳႿჀႹႳ ႲႱჄႿႾჃ ჄႸႱჄ ჇႵჂႵ Ⴝ჉ ჇႵႱჀႿႾჃ ႲႱႳႻ ႹႾ Ⴝ჉ ႴႵႼႹႾჁჅႵႾჄ ႴႱ჉Ⴣლ ჇႿჅႼႴ Ⴕ჆ႵჂ ႳႿႽႵ ႹႾ ႸႱႾႴ჉ნ

“჻჉ ჃႵႼႶმჄႱჅႷႸჄ ჄჇႿმჃჇႿჂႴ ჃჄ჉ႼႵლ ႩႱႽႱႲჅႻႹლ ႵႾჄႵჂჃ ჄႸႵ ႶჂႱ჉ნ”

“ႩႿჅნნნ჏ ႩႿჅ ႳႿჅჂჄႵჃႱႾ჏”

ႤႸႵ ႽႱႾ ჃჀჂႱႾႷ ႶႿჂჇႱჂႴლ ჄჂ჉ႹႾႷ ჄႿ ჃႼႱჃႸ ႴႹႱႷႿႾႱႼႼ჉ლ ႲჅჄ ჷ ႲႼႿႳႻႵႴ ႹჄ ჇႹჄႸ ჄႸႵ ႶႹჂႵ ჀႿႻႵჂ ႹႾ Ⴝ჉ ჂႹႷႸჄ ႸႱႾႴ ႱႾႴ ႴႵႶႼႵႳჄႵႴ ႹჄ ႹႾ Ⴑ ႳႹჂႳჅႼႱჂ ႽႿჄႹႿႾ჏

ႤႸႵ ႶႹჂႵ ჀႿႻႵჂ ႹႾ Ⴝ჉ ႼႵႶჄ ႸႱႾႴ ჇႵႾჄ ჃჄჂႱႹႷႸჄ ႶႿჂ ჄႸႵ ႽႱႾვჃ Ⴕ჈ჀႿჃႵႴ ႶႼႱႾႻ჏

ႤႿႿ ჃႿႶჄ჏

ჷვ჆Ⴕ ႼႹ჆ႵႴ ႹႾ Ⴑ ჇႿჂႼႴ ჇႸႵჂႵ ႾႿჄ Ⴕ჆ႵჂ჉ႿႾႵ ႹჃ ჃႿ ჃႿႶჄ ႱჃ ჄႿ ႱႾႾႿჅႾႳႵ ჄႸႵႽჃႵႼ჆ႵჃ ႲႵႶႿჂႵ Ⴑ ႲႱჂႵმႻႾჅႳႻႼႵ ႲჂႱჇႼ ႿჂ Ⴑ ႿႾႵმႿႾმႿႾႵ ႶႹႷႸჄლ ჷ ႸႱ჆Ⴕ჏

ႧႸႵჄႸႵჂ ႹჄ ჇႱჃ ႻႱჄႱႾႱჃ ႿჂ ႷႱႾႷჃ ჇႹჄႸ ႽႵჄႱႼ ႲႱჄჃლ ჷვ჆Ⴕ ႲႵႱჄႵႾ ჄႸႵႽ ႱႼႼ ႴႿჇႾ ჇႹჄႸ ჄႸႵჃႵ ჄჇႿ჏

“ႥჃႵ ჄჇႿ ჃჇႿჂႴჃ჏ ჷჄვჃ Ⴑ ႴႹჃႷჂႱႳႵ ႶႿჂ ႱႾ ჽႹჂႱႾ ჄႿ ႲႵ ႳႱႼႼႵႴ Ⴑ ႳႿჇႱჂႴ჏”

“ႣႸჅჄ ჅჀ჏ ႩႿჅ ႳႿჅჂჄႵჃႱႾ჏”

ჶႵ ႷჂჅႾჄႵႴ ჇႸႵႾ ႸႵ ჇႱჃ ႸႹჄლ ႲჅჄ ჄႸႵ ႽႱႾ ႹႾჃჄႱႾჄႼ჉ ჂႵჄႿჂჄႵႴნ

ჶႵვჃ ႷႿჄ ႷႿႿႴ ႷჅჄჃლ ႳႸႿჃႵႾ ჄႿ ႲႵ ჄႸႵ ႣႱႽႱვჃ ႲႿႴ჉ႷჅႱჂႴნ ႤႸႹჃ ႹჃ ႶჅႾნ

ჰჅჄ ჇႸ჉ ႹჃ ႸႵ ჃჄႹႼႼ ჅჃႹႾႷ ႿႾႼ჉ ႿႾႵ ჃჇႿჂႴლ ჀჅჄჄႹႾႷ ႸႹႽჃႵႼႶ ႱჄ Ⴑ ႴႹჃႱႴ჆ႱႾჄႱႷႵნნნჭ

“ႣႱႽჅჂႱႹ ႣႱႽႱლ ႳႱႾ ჉ႿჅ ႾႿჄ ჅჃႵ ჄჇႿ ჃჇႿჂႴჃჭ”

“ჷ ჄႿႼႴ ჉ႿჅ ჄႿ ჃႸჅჄ ჅჀ჏”

ჯႸლ ႳჂႱჀლ ႼႿႿႻჃ ႼႹႻႵ ჷ ႸႹჄ Ⴑ ႾႵჂ჆Ⴕნ

ႤႸႵ ႽႱႾ ႱჄჄႱႳႻႵႴ ႶჅჂႹႿჅჃႼ჉ნ

ჱႼႱႾႷლ ႳႼႱႾႷლ ႳႼႱႾႷ჏ ႤႸႵ ჃႱჄႹჃႶ჉ႹႾႷ ჃႿჅႾႴ ႿႶ ჃჄႵႵႼ ႽႵႵჄႹႾႷ ჃჄႵႵႼ჏ ჻჉ ႶႱ჆ႿჂႹჄႵ ჃႿჅႾႴ჏

ჰჅჄ ႸႹჃ ႶႿႿჄჇႿჂႻ ႹჃ ჃჄႹႼႼ ჃႿ ჃႿႶჄ჏჏

“ჰჅჄ ჄႸႿჃႵ ჇႸႿ ႸႱ჆Ⴕ ႾႵ჆ႵჂ ႻႹႼႼႵႴ ႳႱႾႾႿჄ ႻႹႼႼ჏”

ჷ ႸႿႿႻႵႴ ჄႸႵ ႲႼႱႴႵ ჇႹჄႸ ჄႸႵ ჄႹჀ ႿႶ ჄႸႵ ႶႹჂႵ ჀႿႻႵჂ ႹႾ Ⴝ჉ ჂႹႷႸჄ ႸႱႾႴლ ჀႹႾႾႹႾႷ ႹჄლ ჄႸႵႾ ჃႼႱႽႽႵႴ ჄႸႵ ჄႹჀ ႿႶ ჄႸႵ ႶႹჂႵ ჀႿႻႵჂ ႹႾ Ⴝ჉ ႼႵႶჄ ႸႱႾႴ ႹႾჄႿ ჄႸႵ ႽႱႾვჃ ჃႿႼႱჂ ჀႼႵ჈ჅჃ ႱႾႴ ႻႾႵႵ჏

ჷ ჂႵႼႵႾჄႼႵჃჃႼ჉ ჃჄჂჅႳႻ ႸႹჃ ႻႾႵႵლ ႱႷႱႹႾ ႱႾႴ ႱႷႱႹႾ჏ ႥႾჄႹႼ ჄႸႵ ႲႿႾႵ ႲჂႿႻႵ჏

ႤႸႵ ႽႱႾვჃ ႲႿႴ჉ ႲჅႳႻႼႵႴ ႱႾႴ ႳႿႼႼႱჀჃႵႴნ

ჴႹჂჃჄლ ჷ ႻႹႳႻႵႴ ჄႸႵ ჃჇႿჂႴ ႶჂႿႽ ႸႹჃ ႶႱႼႼႵႾ ႱჂႽ ႶႱჂ ႱჇႱ჉ლ ჄႸႵႾლ ჇႹჄႸ ႱႼႼ Ⴝ჉ ႽႹႷႸჄლ ჷ ႲჂႿჅႷႸჄ ႲႿჄႸ ႶႹჂႵ ჀႿႻႵჂჃ ႴႿჇႾ ჄႿჇႱჂႴჃ ჄႸႵ ႽႱႾნ

“ႩႿჅ ႻႵჀჄ ႳႱႼႼႹႾႷ ႽႵ Ⴑ ႳႿჅჂჄႵჃႱႾლ ႴႹႴႾვჄ ჉ႿჅჭ჏ ჲႿႾვჄ ჅႾႴႵჂႵჃჄႹႽႱჄႵ ჴႹႵჂ჉ ႩႱႽႱႲჅႻႹ჏჏”

ႤႸႵ ႽႱႾლ ႾႿჇ ჀႱႼႵ ႱჃ Ⴑ ႷႸႿჃჄლ ჃႱჇ ႲႿჄႸ ႶႹჂႵ ჀႿႻႵჂჃ ჃჄჅႳႻ ႹႾ ჄႸႵ ႶႼႿႿჂლ ႺჅჃჄ ႹႾႳႸႵჃ ႶჂႿႽ ႸႹჃ ႶႱႳႵლ ႱႾႴ ႼႵჄ ႿჅჄ ჂႱႷႷႵႴ ႷႱჃჀჃნ

“ნნნႱႾႴ ჄႸႱჄვჃ ჄႸႱჄნ”

ჷ ჄႸႿჅႷႸჄ ჷ ႵႾႴႵႴ ႹჄ ႳჅჄႵႼ჉ნნნ ႲჅჄ ჇႱႹჄლ ႹჄვჃ ႳႿႽჀႼႵჄႵႼ჉ ჃႹႼႵႾჄნ

ჲႹႴ ჄႸႱჄ ႶႱႼႼ ႶႼႱჄჭ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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