Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 22

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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“ᮇᮕᮜᮜ ᮤᮘᮕᮞᮺ ᮧᮙᮤᮘ ᮤᮘᮙᮣᮺ ᮉᮑᮝᮑᮒᮥᮛᮙ᮵ᮣ ᮑᮝᮑᮤᮕᮥᮢ ᮠᮜᮑᮩᮺ ᮤᮘᮕ ᮔᮥᮕᮜ ᮣᮓᮕᮞᮕᮺ ᮓᮟᮝᮕᮣ ᮤᮟ ᮑ ᮓᮜᮟᮣᮕᮺ ᮙᮤ ᮔᮟᮕᮣᮼ”

ᯏᮖᮤᮕᮢ ᮣᮤᮑᮞᮔᮙᮞᮗ ᮥᮠ ᮣᮝᮟᮟᮤᮘᮜᮩᮺ ᯗ ᮓᮜᮑᮠᮠᮕᮔ ᮝᮩ ᮘᮑᮞᮔᮣ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮑᮞᮔ ᮒᮟᮧᮕᮔ ᮤᮟ ᮤᮘᮕ ᮃᮑᮝᮑᮼ

“ᮃᮥᮓᮘ ᮑ ᮣᮠᮕᮓᮤᮑᮓᮜᮕᮺ ᯗ ᮧᮟᮞ᮵ᮤ ᮔᮟ ᮙᮤ ᮑᮗᮑᮙᮞᮺ ᮞᮟᮤ ᮖᮟᮢ ᮑᮞᮩ ᮑᮝᮟᮥᮞᮤ ᮟᮖ ᮛᮟᮒᮑᮞᮺ ᯗ ᮧᮟᮞ᮵ᮤᮼ”

ᮄᮘᮕᮞᮺ ᯗ ᮣᮙᮗᮞᮑᮜᮕᮔ ᮤᮟ ᮤᮘᮕ ᯝᮜᮔ ᮝᮑᮞ ᮑᮞᮔ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮧᮙᮤᮘ ᮝᮩ ᮕᮩᮕᮣᮼ

“ᯏᮘᮺ ᮑᮘᮘᮺ ᮤᮘᮑᮤ᮵ᮣ ᮢᮙᮗᮘᮤᮯ ᮇᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮞᮕᮢᮦᮕ ᮔᮟ ᮩᮟᮥ ᮘᮑᮦᮕᮺ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮧᮑᮤᮓᮘ ᮉᮑᮝᮑᮒᮥᮛᮙ᮵ᮣ ᮠᮜᮑᮩ ᮖᮟᮢ ᮖᮢᮕᮕᯍ ᯜᮟᮧᮺ ᮒᮑᮓᮛ ᮤᮟ ᮩᮟᮥᮢ ᮢᮟᮟᮝᮣᮺ ᮒᮑᮓᮛ ᮤᮟ ᮩᮟᮥᮢ ᮢᮟᮟᮝᮣᮯ”

ᮇᮙᮤᮘ ᮑ ᮣᮙᮔᮕᮜᮟᮞᮗ ᮗᮜᮑᮞᮓᮕ ᮑᮤ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮺ ᮧᮘᮟ ᮧᮑᮣ ᮥᮣᮘᮕᮢᮙᮞᮗ ᮤᮘᮕ ᮢᮕᮜᮥᮓᮤᮑᮞᮤ ᮗᮥᮕᮣᮤᮣ ᮑᮞᮔ ᮓᮟᮥᮢᮤᮕᮣᮑᮞᮣ ᮒᮑᮓᮛ ᮤᮟ ᮤᮘᮕᮙᮢ ᮢᮕᮣᮠᮕᮓᮤᮙᮦᮕ ᮢᮟᮟᮝᮣᮺ ᯗ ᮘᮑᮔ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕ ᮘᮕᮜᮠ ᮝᮕ ᮟᮥᮤ ᮟᮖ ᮝᮩ ᮠᮕᮢᮖᮟᮢᮝᮑᮞᮓᮕ ᮑᮤᮤᮙᮢᮕᮼ

ᮄᮘᮕᮞᮺ ᯗ ᮤᮟᮟᮛ ᮤᮘᮕ ᮘᮑᮞᮔ ᮟᮖ ᮤᮘᮕ ᮃᮑᮝᮥᮢᮑᮙ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮜᮩᮙᮞᮗ ᮠᮢᮟᮣᮤᮢᮑᮤᮕᮺ ᮑᮞᮔ ᮘᮕᮜᮠᮕᮔ ᮘᮙᮝ ᮤᮟ ᮘᮙᮣ ᮖᮕᮕᮤᮼ

“ᯗᮺ ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮓᮘᮑᮜᮜᮕᮞᮗᮕᮔ ᮘᮙᮝ ᮤᮟ ᮑ ᮝᮑᮤᮓᮘᮺ ᯗ ᮔᮙᮔᮼ ᮄᮘᮕ ᮃᮑᮝᮥᮢᮑᮙ ᮃᮑᮝᮑ ᮧᮑᮣ ᮑᮣᮛᮕᮔ ᮒᮩ ᮤᮘᮕ ᮃᮑᮝᮑ ᮤᮟ ᮠᮜᮑᮩ ᮑᮜᮟᮞᮗ ᮙᮞ ᮤᮘᮙᮣ ᮝᮟᮓᮛ ᮔᮥᮕᮜ ᮧᮙᮤᮘ ᮝᮕᮼ ᮄᮘᮕ ᮃᮑᮝᮑ ᮙᮣ ᮖᮙᮞᮕ ᮧᮙᮤᮘ ᮤᮘᮑᮤᮺ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥᯍ ᮄᮘᮙᮣ ᮧᮑᮣᮞ᮵ᮤ ᮑ ᮠᮢᮙᮦᮑᮤᮕ ᮖᮙᮗᮘᮤᮺ ᮙᮤ ᮧᮑᮣᮞ᮵ᮤᮼ ᯗᮤ ᮧᮑᮣ ᮝᮕᮢᮕᮜᮩ ᮑ ᮠᮜᮑᮩᮺ ᮑ ᮝᮟᮓᮛ ᮔᮥᮕᮜᮺ ᮙᮤ ᮧᮑᮣᮼ”

“ᯐᮥᮤ ᮙᮖ ᮙᮤ ᮓᮟᮝᮕᮣ ᮤᮟ ᮤᮘᮙᮣᮺ ᯗ ᮝᮥᮣᮤ ᮓᮟᮝᮝᮙᮤ ᮣᮕᮠᮠᮥᮛᮥ…”

“ᯗᮖ ᮑ ᮄᮟ᮪ᮑᮝᮑ ᮜᮟᮢᮔ ᮧᮕᮢᮕ ᮤᮟ ᮘᮑᮦᮕ ᮑ ᮣᮧᮟᮢᮔ ᮖᮙᮗᮘᮤ ᮙᮞ ᮉᮟᮣᮘᮙᮧᮑᮢᮑᮺ ᮑᮞᮔ ᮤᮘᮕᮞ ᮕᮦᮕᮞ ᮓᮟᮝᮝᮙᮤ ᮣᮕᮠᮠᮥᮛᮥᮺ ᮙᮤ ᮧᮟᮥᮜᮔ ᮓᮑᮥᮣᮕ ᮑ ᮗᮢᮕᮑᮤ ᮔᮕᮑᮜ ᮟᮖ ᮤᮢᮟᮥᮒᮜᮕᮺ ᮙᮤ ᮧᮟᮥᮜᮔᮼ ᯗᮖ ᮙᮤ ᮧᮑᮣ ᮚᮥᮣᮤ ᮑ ᮠᮜᮑᮩ ᮧᮙᮤᮘ ᮒᮜᮥᮞᮤᮕᮔ ᮣᮧᮟᮢᮔᮣ ᮑᮞᮔ ᮖᮙᮢᮕ ᮠᮟᮛᮕᮢᮣᮺ ᮤᮘᮕᮞ ᮤᮘᮕ ᮃᮘᮟᮗᮥᮞ᮵ᮣ ᮓᮟᮥᮢᮤ᮵ᮣ ᮣᮓᮟᮜᮔᮙᮞᮗ ᮧᮟᮥᮜᮔ ᮒᮕ ᮝᮙᮞᮟᮢᮺ ᮙᮤ ᮧᮟᮥᮜᮔᮼ …ᯗᮤ ᮧᮑᮣ ᮒᮜᮥᮞᮤᮕᮔᮺ ᮧᮑᮣᮞ᮵ᮤ ᮙᮤᯍ”

ᮄᮘᮕ ᮃᮑᮝᮥᮢᮑᮙ ᮃᮑᮝᮑᮺ ᮠᮕᮢᮘᮑᮠᮣ ᮘᮑᮦᮙᮞᮗ ᮓᮟᮟᮜᮕᮔ ᮘᮙᮣ ᮘᮕᮑᮔᮺ ᮞᮟᮔᮔᮕᮔ ᮟᮒᮕᮔᮙᮕᮞᮤᮜᮩᮼ

ᯓᮦᮕᮞ ᮙᮖ ᮘᮕ ᮒᮟᮢᮕ ᮤᮘᮕ ᯛᮑᮤᮣᮥᮔᮑᮙᮢᮑ ᮞᮑᮝᮕᮺ ᮘᮕ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮚᮥᮣᮤ ᮑ ᮄᮟ᮪ᮑᮝᮑ ᮜᮟᮢᮔᮼ

ᯗᮖ ᮘᮕ ᮘᮑᮔ ᮙᮞᮙᮤᮙᮑᮤᮕᮔ ᮑ ᮵ᮔᮙᮣᮢᮕᮣᮠᮕᮓᮤ ᮛᮙᮜᮜᮙᮞᮗ᮵ ᮑᮞᮔ ᮤᮘᮕᮞ ᮜᮟᮣᮤ—ᮕᮣᮠᮕᮓᮙᮑᮜᮜᮩ ᮤᮟ ᮑᮞ ᯝᮙᮢᮑᮞ ᮙᮞ ᮉᮟᮣᮘᮙᮧᮑᮢᮑ—ᮙᮤ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮕᮞᮔ ᮧᮙᮤᮘ ᮚᮥᮣᮤ ᮘᮙᮝ ᮓᮟᮝᮝᮙᮤᮤᮙᮞᮗ ᮣᮕᮠᮠᮥᮛᮥᮼ

ᯗᮤ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮣᮥᮢᮠᮢᮙᮣᮙᮞᮗ ᮙᮖ ᮘᮙᮣ ᮕᮞᮤᮙᮢᮕ ᮔᮟᮝᮑᮙᮞ ᮧᮑᮣ ᮑᮒᮟᮜᮙᮣᮘᮕᮔᮺ ᮟᮢ ᮙᮖ ᮘᮕ ᮧᮑᮣ ᮤᮢᮑᮞᮣᮖᮕᮢᮢᮕᮔ ᮤᮟ ᮑ ᮣᮝᮑᮜᮜᮕᮢᮺ ᮠᮟᮟᮢᮕᮢ ᮟᮞᮕᮼ

ᮄᮘᮕ ᮃᮑᮝᮑᮺ ᮠᮕᮢᮘᮑᮠᮣ ᮚᮥᮣᮤ ᮢᮕᮑᮜᮙ᮪ᮙᮞᮗ ᮤᮘᮙᮣ ᮞᮟᮧᮺ ᮘᮑᮔ ᮗᮟᮞᮕ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮠᮑᮜᮕᮼ

“ᮄᮘᮕᮞ ᮞᮟ ᮟᮞᮕ ᮧᮑᮣ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮓᮥᮤᮺ ᮧᮕᮢᮕ ᮤᮘᮕᮩᯍ ᯗᮤ ᮧᮑᮣ ᮑ ᮠᮜᮑᮩᮺ ᮚᮥᮣᮤ ᮑ ᮠᮜᮑᮩᮺ ᮠᮕᮢᮖᮟᮢᮝᮕᮔ ᮑᮤ ᮤᮘᮕ ᮢᮕᮡᮥᮕᮣᮤ ᮟᮖ ᮑ ᮧᮘᮙᮝᮣᮙᮓᮑᮜ ᮃᮑᮝᮑᮺ ᮙᮤ ᮧᮑᮣᮼ ᯜᮟᮧᮺ ᮃᮑᮝᮥᮢᮑᮙ ᮃᮑᮝᮑᮺ ᮠᮜᮕᮑᮣᮕ ᮢᮕᮓᮕᮙᮦᮕ ᮤᮢᮕᮑᮤᮝᮕᮞᮤᮼ ᯗ ᮑᮠᮟᮜᮟᮗᮙ᮪ᮕ ᮖᮟᮢ ᮠᮥᮤᮤᮙᮞᮗ ᮤᮟᮟ ᮝᮥᮓᮘ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮙᮞᮤᮟ ᮙᮤ ᮧᮙᮤᮘᮟᮥᮤ ᮤᮘᮙᮞᮛᮙᮞᮗᮺ ᯗ ᮔᮟᮼ”

“ᮼᮼᮼᯛᮩ ᮑᮠᮟᮜᮟᮗᮙᮕᮣᮼ ᯗ ᮑᮠᮠᮢᮕᮓᮙᮑᮤᮕ ᮩᮟᮥᮢ ᮓᮟᮞᮣᮙᮔᮕᮢᮑᮤᮙᮟᮞᮼ”

“ᯒᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩ ᮑᮒᮟᮥᮤ ᮙᮤᮼ ᯗᮖ ᮩᮟᮥ ᮔᮟᮞ᮵ᮤ ᮠᮜᮑᮩ ᮑᮜᮟᮞᮗ ᮧᮙᮤᮘ ᮤᮘᮙᮣ ᮣᮤᮟᮢᮩᮺ ᯗ᮵ᮜᮜ ᮒᮕ ᮙᮞ ᮤᮢᮟᮥᮒᮜᮕ ᮤᮟᮟᮺ ᮩᮟᮥ ᮣᮕᮕᮼ”

ᮄᮘᮕ ᮃᮑᮝᮥᮢᮑᮙ ᮃᮑᮝᮑ ᮧᮑᮣ ᮜᮕᮔ ᮑᮧᮑᮩ ᮤᮟ ᮤᮘᮕ ᮠᮢᮙᮦᮑᮤᮕ ᮡᮥᮑᮢᮤᮕᮢᮣ ᮒᮩ ᮘᮙᮣ ᮟᮤᮘᮕᮢ ᮑᮤᮤᮕᮞᮔᮑᮞᮤᮣ ᮑᮞᮔ ᮤᮘᮕ ᯝᮜᮔ ᮝᮑᮞ ᮖᮟᮢ ᮞᮟᮧᮼ

ᮃᮕᮕᮙᮞᮗ ᮤᮘᮑᮤᮺ ᯗ ᮓᮘᮥᮓᮛᮜᮕᮔᮺ ᮑᮞᮔ ᮤᮘᮕ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮤᮘᮕᮢᮕᮺ ᮒᮟᮧᮕᮔ ᮘᮙᮣ ᮘᮕᮑᮔ ᮔᮕᮕᮠᮜᮩᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᯗ ᮤᮘᮑᮞᮛ ᮩᮟᮥᮯ”

“ᯗᮤ ᮙᮣ ᯗ ᮧᮘᮟ ᮣᮘᮟᮥᮜᮔ ᮤᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮣᮘᮕᮑᮤᮘᮙᮞᮗ ᮩᮟᮥᮢ ᮣᮠᮕᮑᮢᮺ ᯗ ᮔᮟᮼ ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮦᮕᮢᮩ ᮝᮥᮓᮘᮺ ᯗ ᮤᮢᮥᮜᮩ ᮔᮟᮼ”

ᮉᮕᮑᮘᮼ ᯗ ᮢᮕᮑᮜᮜᮩ ᮝᮕᮑᮞᮤ ᮤᮘᮑᮤᮼ

ᯗ ᮧᮑᮣ ᮧᮟᮞᮔᮕᮢᮙᮞᮗ ᮧᮘᮑᮤ ᯗ᮵ᮔ ᮔᮟ ᮙᮖ ᮘᮕ ᮘᮑᮔᮞ᮵ᮤ ᮒᮑᮓᮛᮕᮔ ᮔᮟᮧᮞ ᮤᮘᮕᮢᮕᮼ

ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮕᮞᮔ ᮥᮠ ᮛᮙᮜᮜᮙᮞᮗ ᮣᮟᮝᮕᮟᮞᮕ ᮙᮖ ᮘᮕ ᮓᮑᮝᮕ ᮑᮤ ᮝᮕ ᮢᮕᮑᮔᮩ ᮤᮟ ᮓᮟᮝᮝᮙᮤ ᮣᮕᮠᮠᮥᮛᮥᮺ ᮑᮞᮔ ᯗ ᮓᮕᮢᮤᮑᮙᮞᮜᮩ ᮔᮙᮔᮞ᮵ᮤ ᮧᮑᮞᮤ ᮘᮙᮣ ᮔᮟᮝᮑᮙᮞ ᮤᮟ ᮒᮕ ᮑᮒᮟᮜᮙᮣᮘᮕᮔᮺ ᮜᮕᮑᮦᮙᮞᮗ ᮤᮘᮕ ᮓᮑᮣᮤᮜᮕ ᮤᮟᮧᮞᮣᮠᮕᮟᮠᮜᮕ ᮤᮟ ᮧᮑᮞᮔᮕᮢ ᮤᮘᮕ ᮣᮤᮢᮕᮕᮤᮣᮼ

“ᮼᮼᮼᯗ᮵ᮝ ᮣᮝᮙᮤᮤᮕᮞᮯ”

ᯖᮥᮘᯍ

“ᯗ᮵ᮝ ᮣᮝᮙᮤᮤᮕᮞᮺ ᮉᮑᮝᮑᮒᮥᮛᮙᮯ ᮉᮟᮥᮢ ᮣᮠᮙᮢᮙᮤᮺ ᮓᮑᮢᮙᮞᮗ ᮖᮟᮢ ᮩᮟᮥᮢ ᮗᮥᮕᮣᮤᮣ ᮕᮦᮕᮞ ᮙᮞ ᮤᮘᮙᮣ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ—ᯝᮣᮑᮛᮑᮒᮕ ᮧᮑᮣ ᮢᮙᮗᮘᮤᮺ ᮩᮟᮥ ᮑᮢᮕ ᮤᮘᮕ ᮗᮢᮕᮑᮤᮕᮣᮤ ᯝᮙᮢᮑᮞ ᮟᮖ ᮤᮘᮙᮣ ᮑᮗᮕᮯ ᮼᮼᮼᯏᮞᮔ ᮩᮟᮥᮢ ᮝᮑᮢᮤᮙᮑᮜ ᮣᮛᮙᮜᮜᮼᮼᮼ ᮜᮙᮛᮕ ᮄᮟᮝᮟᮕ ᯕᮟ᮪ᮕᮞ ᮟᮢ ᮄᮣᮥᮢᮥᮘᮙᮝᮕᮼᮼᮼ ᮒᮟᮤᮘ ᮣᮤᮢᮕᮞᮗᮤᮘ ᮑᮞᮔ ᮒᮕᮑᮥᮤᮩᮺ ᮩᮟᮥ ᮑᮢᮕ ᮤᮢᮥᮜᮩ ᮤᮘᮕ ᮧᮟᮝᮑᮞ ᯗ ᮑᮔᮟᮢᮕᮼᮼᮼ”

ᮼᮼᮼᯗ ᮧᮟᮞᮔᮕᮢ ᮙᮖ ᮑ ᮗᮟᮟᮔ ᮧᮘᮑᮓᮛ ᮧᮙᮤᮘ ᮑ ᮖᮙᮢᮕ ᮠᮟᮛᮕᮢ ᮧᮟᮥᮜᮔ ᮒᮢᮙᮞᮗ ᮤᮘᮙᮣ ᮝᮑᮞ ᮒᮑᮓᮛ ᮤᮟ ᮘᮙᮣ ᮣᮕᮞᮣᮕᮣᮼ

“ᯗ ᮝᮑᮩ ᮑᮞᮗᮕᮢ ᮩᮟᮥ ᮑᮗᮑᮙᮞᮺ ᮒᮥᮤ ᯗ ᮧᮙᮣᮘ ᮤᮟ ᮟᮖᮖᮕᮢ ᮩᮟᮥ ᮛᮟᮒᮑᮞ ᮑᮣ ᮓᮟᮝᮠᮕᮞᮣᮑᮤᮙᮟᮞ ᮖᮟᮢ ᮤᮟᮔᮑᮩ᮵ᮣ ᮤᮢᮟᮥᮒᮜᮕᮼ ᮼᮼᮼᯔᮟᮢᮗᮙᮦᮕ ᮝᮕᮼᮼᮼ ᯗ ᮛᮞᮟᮧ ᮞᮟ ᮟᮤᮘᮕᮢ ᮧᮑᮩᮼᮼᮼ”

“ᯗ ᮘᮑᮦᮕ ᮢᮕᮓᮕᮙᮦᮕᮔ ᮣᮥᮖᮖᮙᮓᮙᮕᮞᮤ ᮠᮑᮩᮝᮕᮞᮤ ᮖᮟᮢ ᮝᮩ ᮣᮕᮢᮦᮙᮓᮕᮣᮺ ᯗ ᮘᮑᮦᮕᮼ ᮄᮘᮑᮤ ᮙᮣ ᮖᮟᮢ ᮤᮘᮕ ᯝᮜᮔ ᮝᮑᮞ ᮑᮞᮔ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮼᮼᮼ ᯏᮘᮺ ᮑᮞᮔ ᮖᮟᮢ ᮝᮩ ᯙᮑᮝᮥᮢᮟᮺ ᮧᮘᮟ ᮧᮘᮙᮞᮕᮔ ᮑᮒᮟᮥᮤ ᮖᮟᮜᮜᮟᮧᮙᮞᮗ ᮝᮕ ᮕᮦᮕᮞ ᮤᮟ ᮤᮘᮕ ᮥᮞᮔᮕᮢᮧᮟᮢᮜᮔᮺ ᮤᮘᮕᮩ ᮣᮘᮟᮥᮜᮔ ᮕᮑᮓᮘ ᮢᮕᮓᮕᮙᮦᮕ ᮟᮞᮕ ᮛᮟᮒᮑᮞ ᮑᮣ ᮠᮟᮓᮛᮕᮤ ᮝᮟᮞᮕᮩᮺ ᮤᮘᮕᮩ ᮣᮘᮟᮥᮜᮔᮼ”

“ᯐᮥᮤ ᮤᮘᮕᮞ ᮝᮩ ᮖᮕᮕᮜᮙᮞᮗᮣ ᮧᮟᮞ᮵ᮤ ᮒᮕ ᮓᮟᮞᮦᮕᮩᮕᮔ…”

“ᮀᮜᮕᮑᮣᮕ ᮓᮟᮝᮕ ᮑᮗᮑᮙᮞᮺ ᮃᮑᮝᮑᮼ ᮄᮘᮑᮤ ᮧᮟᮥᮜᮔ ᮠᮜᮕᮑᮣᮕ ᮝᮕ ᮝᮟᮢᮕ ᮤᮘᮑᮞ ᮑᮞᮩᮤᮘᮙᮞᮗᮺ ᮙᮤ ᮧᮟᮥᮜᮔᮼ”

“ᯛᮑᮩ ᯗ ᮤᮢᮥᮜᮩ ᮓᮟᮝᮕ ᮑᮗᮑᮙᮞᯍ ᯗ ᮓᮑᮥᮣᮕᮔ ᮣᮥᮓᮘ ᮑ ᮓᮟᮝᮝᮟᮤᮙᮟᮞᮺ ᮩᮟᮥ ᮛᮞᮟᮧᮼ”

“ᯗᮤ᮵ᮣ ᮡᮥᮙᮤᮕ ᮑᮜᮢᮙᮗᮘᮤᮼ ᯘᮥᮣᮤᮺ ᮠᮜᮕᮑᮣᮕ ᮣᮠᮑᮢᮕ ᮝᮕ ᮖᮢᮟᮝ ᮠᮕᮢᮖᮟᮢᮝᮙᮞᮗ ᮑᮞᮩ ᮝᮟᮢᮕ ᮠᮜᮑᮩᮣᮼ ᯏᮞᮔ ᮠᮜᮕᮑᮣᮕ ᮒᮕ ᮑ ᮜᮙᮤᮤᮜᮕ ᮝᮟᮢᮕ ᮓᮑᮢᮕᮖᮥᮜ ᮧᮙᮤᮘ ᮩᮟᮥᮢ ᮧᮟᮢᮔᮣᮺ ᮩᮟᮥ ᮣᮘᮟᮥᮜᮔᮼ”

“ᯖᮝᮝᮼ ᮇᮘᮑᮤ ᮩᮟᮥ ᮣᮑᮩ ᮙᮣ ᮡᮥᮙᮤᮕ ᮢᮙᮗᮘᮤᮼ ᯗ᮵ᮜᮜ ᮒᮕ ᮓᮑᮢᮕᮖᮥᮜ ᮞᮕᮨᮤ ᮤᮙᮝᮕᮼ ᮉᮟᮥ ᮑᮢᮕ ᮤᮢᮥᮜᮩ ᮑ ᮧᮟᮞᮔᮕᮢᮖᮥᮜ ᮧᮟᮝᮑᮞᮼ”

ᮄᮑᮜᮛᮙᮞᮗ ᮤᮟ ᮤᮘᮙᮣ ᮝᮑᮞ ᮣᮟᮝᮕᮘᮟᮧ ᮔᮢᮑᮙᮞᮣ ᮑᮜᮜ ᮝᮩ ᮕᮞᮕᮢᮗᮩᮼᮼᮼ

ᯛᮑᮩᮒᮕ ᮤᮘᮙᮣ ᮝᮑᮞ ᮙᮣᮞ᮵ᮤ ᮣᮟ ᮒᮑᮔ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮼᮼᮼ ᮚᮥᮣᮤ ᮑ ᮖᮟᮟᮜᮼ

ᯏᮞᮔ ᮘᮕ ᮜᮟᮟᮛᮣ ᮜᮙᮛᮕ ᮑ ᮣᮓᮟᮜᮔᮕᮔ ᮔᮟᮗᮺ ᮤᮟᮟᮼᮼᮼ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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