Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 24

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ჷჄ ჇႱჃ ჃჄႹႼႼ ႲႵႶႿჂႵ ჄႸႵ ႴႱ჉ჄႹႽႵ ႲჅჃႹႾႵჃჃ ႲႵႷႱႾნ

ႤႸႹႾლ ჇႸႹႽჀႵჂႹႾႷ ႳჂႹႵჃ ႳႿჅႼႴ ႲႵ ႸႵႱჂႴ ჄႸჂႿჅႷႸ ჄႸႵ ჃႼႹႴႹႾႷ ႴႿႿჂნ

჻Ⴙ჈ႵႴ ႹႾ ჇႹჄႸ ჄႸႵႽ ჇႵჂႵ ჄႹႾ჉ლ ჄႵႱჂႶჅႼ ჆ႿႹႳႵჃნ

ႤႸႵჃႵ ჆ႿႹႳႵჃნნნ ჳႼႴႵჂ ႣႱႻჅჂႱნნნჭ ႥႽႵნნნჭ

“ႧႹჄႸ ႸႱႹჂ ႼႹႻႵ ჄႸႹჃლ ჷ ႱႹႾვჄ ႷႿჄ ႾႿ ႶႱႳႵ ჄႿ ჃႸႿჇ ႩႱႽႱႲჅႻႹ ႣႱႽႱნ”

“ჳႼႴႵჂ ႣႱႻჅჂႱლ ႹჄვჃ ჄႸႵ ჃႱႽႵ ႶႿჂ ႽႵნ ჳ჆ႵႾ ჃႿლ ჷ ႷႿჄჄႱ ႱჀႿႼႿႷႹ჊Ⴕ ჄႿ ႩႱႽႱႲჅႻႹ ႣႱႽႱნ”

“ႧႵ ႱႹႾვჄ ႷႿႾႾႱ ႲႵ ႱႲႼႵ ჄႿ ႷႿ ႿჅჄ ჄႿ ჄႸႵ ჀႱჂႼႿჂლ ႱჂႵ ჇႵნნნჭ”

ჶჅႸჭ჏

ႧႸႱჄ ႹჃ ჄႸႱჄჭ჏

ჷ ႶჂႱႾჄႹႳႱႼႼ჉ ჃႼႹႴ ႿჀႵႾ ჄႸႵ ႴႿႿჂლ ႱႾႴ ჄႸႵჂႵ ႹႾ ႶჂႿႾჄ ႿႶ ႽႵ ჇႵჂႵ ჳႼႴႵჂ ႣႱႻჅჂႱ ႱႾႴ ႥႽႵლ ჄႸႵႹჂ ႸႱႹჂ ႳႸႿჀჀႵႴ ჅႾႵ჆ႵႾႼ჉ნ

იიი

“ჹႹႻ჉Ⴟ ႣႱႽႱ ႳႱႽႵნნნ”

“ႤႱႼႻႹႾႷ ႱႲႿჅჄ ‘სჟპლპპპ ႻႿႻჅ’ ႱႾႴ ‘ႶႹႵჂ჉ ႩႱႽႱႲჅႻႹ’ნნნ”

ႧႹჀႹႾႷ ჄႸႵႹჂ ჃႾႹႶႶႼႹႾႷ ႶႱႳႵჃ ჇႹჄႸ Ⴑ ჄႹჃჃჅႵლ ჷ ႼႹჃჄႵႾႵႴ ჄႿ ჄႸႵ ჂႵჃჄ ႿႶ ჄႸႵႹჂ ჃჄႿჂ჉ნ

ჯჀჀႱჂႵႾჄႼ჉ლ ჹႹႻ჉Ⴟლ ႱႶჄႵჂ ႲႵႹႾႷ ႴჅႽჀႵႴ Ⴒ჉ Ⴑ ჂႵႷჅႼႱჂლ ႷႿჄ ႴჂჅႾႻ ႱႾႴ ჃჄႿჂႽႵႴ ႹႾჄႿ ჳႼႴႵჂ ႣႱႻჅჂႱ ႱႾႴ ႥႽႵვჃ ჂႿႿႽლ ჀႹႳႻႹႾႷ Ⴑ ႶႹႷႸჄ ႱႾႴ ႳჅჄჄႹႾႷ ჄႸႵႹჂ ႸႱႹჂნ

ႣႸႵ ႽჅჃჄ ႸႱ჆Ⴕ ႸႱႴ Ⴑ ჄႹႾ჉ ႲႹჄ ႿႶ ჂႵႱჃႿႾ ႼႵႶჄლ ჄႸႿჅႷႸლ ႲႵႳႱჅჃႵ ჄႸႵႹჂ ႸႱႹჂ ჇႱჃႾვჄ ႳႿႽჀႼႵჄႵႼ჉ ႳႸႿჀჀႵႴ ႿႶႶჩ ႿႾႼ჉ ჄႸႵ ႵႾႴჃ ჇႵჂႵ ႺႱႷႷႵႴႼ჉ ႳჅჄნ

ჰჅჄ ჃჄႹႼႼნ

ჷႾ ႱႾ ႵჂႱ ჇႸႵჂႵ ჀႵჂႶႵႳჄႼ჉ ჃჄ჉ႼႵႴ ႸႱႹჂლ ႾႿჄ Ⴑ ჃႹႾႷႼႵ ჃჄჂႱႾႴ ႿჅჄ ႿႶ ჀႼႱႳႵლ ჇႱჃ ႳႿႾჃႹႴႵჂႵႴ ႲႵႱჅჄႹႶჅႼლ ჄႸႹჃ ჇႱჃ ႸႱჂჃႸნ

ჷႶ ჇႵ ჄჂႹႽ ჄႸႵ ႵႾႴჃ ჄႿ ႽႱჄႳႸ ჄႸႵ ჃႸႿჂჄႵჃჄ ჀႱჂჄჃლ ႾႿ ႽႱჄჄႵჂ ႸႿჇ ႸႱჂႴ ჇႵ ჄჂ჉ლ ႹჄვႼႼ ჀჂႿႲႱႲႼ჉ ႺჅჃჄ ჄჅჂႾ ႹႾჄႿ Ⴑ ႽႱჂჅႽႱႷႵნ ჯႾႴ ႹႶ ჇႵ ჃჄ჉ႼႵ ႹჄ ႼႱ჆ႹჃႸႼ჉ ႼႹႻႵ ႱႼჇႱ჉Ⴣლ Ⴕ჆ႵႾ ႹႶ ჇႵ ჃႵჄ ႹჄ ჇႹჄႸ ႲႹႾჄჃჅႻႵ ႿႹႼლ ჄႸႵ ჃჀႹႻ჉ ႵႾႴჃ ჇႹႼႼ ჀჂႿႲႱႲႼ჉ ჃჄႹႳႻ ႿჅჄნნნ

“ႧႵ ႱჂႵ ჄჂჅႼ჉ ჃႿჂჂ჉ნნნ ჷჄვჃ ႿჅჂ ႶႱჅႼჄნ”

ႧႸ჉ ႱჂႵ ჉ႿჅ ႱჀႿႼႿႷႹ჊ႹႾႷლ ჳႼႴႵჂ ႣႱႻჅჂႱჭ

ႧႸ჉ ႱჂႵ ჉ႿჅ ႼႿႿႻႹႾႷ ႱჄ ႽႵ ჇႹჄႸ ჃჅႳႸ Ⴑ ჃႿჂჂ჉ Ⴕ჈ჀჂႵჃჃႹႿႾლ ႥႽႵჭ

ႤႸႱჄვჃ ႾႿჄ ჂႹႷႸჄ჏

ჹႹႻ჉Ⴟ ႹჃ ჄႸႵ ႿႾႵ ႱჄ ႶႱჅႼჄ჏

ႩႿჅ ჄჇႿ ႴႿႾვჄ ႾႵႵႴ ჄႿ ႱჀႿႼႿႷႹ჊Ⴕ჏

ჷჄვჃ ႿႻႱ჉჏ ჷვႼႼ ႶႹႷჅჂႵ ႿჅჄ Ⴑ ჇႱ჉ ჄႿ ႷႵჄ ჉ႿჅჂ ႸႱႹჂ ჂႵႱႴ჉ ႶႿჂ ჄႸႵ ჀႱჂႼႿჂ჏

“ჲႿႾვჄ ႱჀႿႼႿႷႹ჊Ⴕნ ჹႹႻ჉Ⴟ ႹჃ ჄႸႵ ႿႾႵ ႱჄ ႶႱჅႼჄნ ჲႿႾვჄ ჇႿჂჂ჉ნ ჷვႼႼ ႸႱႾႴႼႵ ႹჄნ”

ჷ ჀႱჄჄႵႴ ჄႸႵႹჂ ჃႸႿჅႼႴႵჂჃ ႱႾႴ ႷႱ჆Ⴕ ჄႸႵႽ Ⴑ ႲჂႹႷႸჄ ჃႽႹႼႵნ

“ჼႿჇლ ჳႼႴႵჂ ႣႱႻჅჂႱლ ႥႽႵლ ႸႱ჆Ⴕ ჷ Ⴕ჆ႵჂ ႼႿჃჄჭ”

იიი

ჷႾ ჄႸႵ ႲჂႱ჊ႹႵჂლ ჷ ႲჅჂႹႵႴ ႿႾႵ ႿႶ ჄႸႵ ႶႹჂႵ ჄႿႾႷჃლ ႼႵႱ჆ႹႾႷ ჄႸႵ ႿჄႸႵჂ ႵႾႴ ჃჄႹႳႻႹႾႷ ႿჅჄნ

ჽႾႳႵ ႹჄ ჇႱჃ ჃჅႶႶႹႳႹႵႾჄႼ჉ ႸႿჄლ ჷ ჀჅႼႼႵႴ ႹჄ ႿჅჄლ ႻႾႿႳႻႵႴ ႿႶႶ ჄႸႵ ႱჃႸლ ႱႾႴ ႳႱႼႼႵႴლ “ჳႼႴႵჂ ႣႱႻჅჂႱლ ႳႿႽႵ ႸႵჂႵნ”

ჳႼႴႵჂ ႣႱႻჅჂႱვჃ Ⴕ჉ႵჃ ႶႹႼႼႵႴ ჇႹჄႸ ႶႵႱჂნ

ႣႿ ჷ ႱႴႴႵႴლ “ჷ ႱႹႾვჄ ႷႿႾႾႱ ჀჅႾႹჃႸ ჉ႿჅ ჇႹჄႸ ჄႸႹჃლ” ႱႾႴ ႳႱႼႼႵႴ ჳႼႴႵჂ ႣႱႻჅჂႱ ႱႷႱႹႾნ

ႤႱႻႹႾႷ Ⴑ ჃჄჂႱႾႴ ႿႶ ჳႼႴႵჂ ႣႱႻჅჂႱვჃ ႸႱႹჂ ႱჃ ჃႸႵ ჄႹႽႹႴႼ჉ ႱჀჀჂႿႱႳႸႵႴლ ჷ ႳႼႱႽჀႵႴ ჄႸႵ ႸႱႹჂ ჇႹჄႸ ჄႸႵ ႶႹჂႵ ჄႿႾႷჃნ

ႤႸႱჄვჃ ჂႹႷႸჄ჏ ႤႸႵ ႶႹჂႵ ჄႿႾႷჃვ ჂႿႼႵ ႹჃ Ⴑ ႸႱႹჂ ႹჂႿႾლ Ⴑ ႶႱ჆ႿჂႹჄႵ ႿႶ ႳႱႲႱჂႵჄ ႸႿჃჄႵჃჃႵჃ჏

ჯ ႼႿႾႷლ ჄႸႹႾ ႹჂႿႾ ႿႲႺႵႳჄლ ႿႾႵ ჃႹႴႵ ჃႳႿჂႳႸႹႾႷ ႸႿჄ ႱႾႴ ჄႸႵ ႿჄႸႵჂ ႳႿႼႴ—ႹჄვჃ ჄႿჄႱႼႼ჉ Ⴑ ႸႱႹჂ ႹჂႿႾლ ჂႹႷႸჄჭ

ႧႵ ჅჃႵႴ ჄႸႵჃႵ ႱႼႼ ჄႸႵ ჄႹႽႵ ჄႿ ႳჂႵႱჄႵ ჆ႿႼჅႽႹႾႿჅჃ ჅჀႴႿჃლ ჃႿ ჷვႽ ႳႿႾႶႹႴႵႾჄ ႹႾ ჅჃႹႾႷ ႹჄ჏

ჯႾႴ ჄႸႹჃ ႲႹႾჄჃჅႻႵ ႿႹႼლ ჇႸႹႳႸ ႹჃ ႵჃჃႵႾჄႹႱႼ ႶႿჂ ჃჄ჉ႼႹႾႷ ႸႱႹჂლ ႴႵჃჀႹჄႵ ႲႵႹႾႷ ႳႱႼႼႵႴ ვႿႹႼლვ ႹჃ ႲႱჃႹႳႱႼႼ჉ Ⴑ ჃჅჀႵჂმႸႱჂႴლ ჃჄႹႳႻ჉ ჇႱ჈ლ ჃႿ ჇႵ ႳႱႾ ჅჃႵ ႹჄ ႺჅჃჄ ႼႹႻႵ ჇႵ ჇႿჅႼႴ ႶႿჂ ႿჅჂ ჅჀႴႿჃნ

“ჷႶ ႹჄვჃ ႸႿჄლ ႴႿႾვჄ ႸႵჃႹჄႱჄႵ ჄႿ ჃႱ჉ ჃႿნ”

ჯჃ ჷ ჃჀႿႻႵლ ჷ ჃჄ჉ႼႵႴ ჳႼႴႵჂ ႣႱႻჅჂႱვჃ ႸႱႹჂ ႹႾჄႿ Ⴑ ႳႱႲႱჂႵჄმჃჄ჉ႼႵ ჅჀႴႿლ ႲჅჄ ႱႴႱჀჄႵႴ ႶႿჂ ჄႸႹჃ ႵჂႱ—ႾႿჄ ჇႹჄႸ ႶႼჅႶႶ჉ ႶႼ჉ႱჇႱ჉Ⴣლ ႲჅჄ ႾႵႱჄႼ჉ ႳႿႹႼႵႴ ႱႾႴ ჃႵჄ ჇႹჄႸ ႲႹႾჄჃჅႻႵ ႿႹႼნ

ჽႶ ႳႿჅჂჃႵლ ჷ ႱႼჃႿ ႽႱႴႵ Ⴑ ႶႱჅ჈ ႽႱႷႵ ჃႿ ႹჄ ჇႿჅႼႴႾვჄ ႼႿႿႻ ႿჅჄ ႿႶ ჀႼႱႳႵ ჄႿ ჀႵႿჀႼႵ ႿႶ ჄႸႹჃ ႵჂႱლ ႱႾႴ ჄႿ ႽႱჄႳႸ ჄႸႵ ჆ႿႼჅႽႵ ႿႶ ჄႸႵ ჅჀႴႿლ ჷ ႴႵႳႿჂႱჄႵႴ ႹჄ ჇႹჄႸ ჄჃჅႽႱႽႹ ჊ႱႹႻჅ ႶႼႿჇႵჂ ႻႱႾ჊ႱჃႸႹ ႱႾႴ ႶႼჅႶႶ჉ლ ႶႼႱჃႸ჉ ႶႱႲჂႹႳმႳႿ჆ႵჂႵႴ ႳႿႽႲჃნნნ

ႩႵႱႸ჏ ჷ ႴႹ჆ႹႴႵႴ ႹჄ ႹႾჄႿ ჃႽႱႼႼ ჃႵႳჄႹႿႾჃ ႱႾႴ ႳჅჂႼႵႴ ჄႸႵႽლ ჃႿ ႾႿ ჃჀႹႻ჉ ႲႹჄჃ ႱჂႵ ჃჄႹႳႻႹႾႷ ႿჅჄნ ჺႿႿႻჃ ႷႿႿႴლ ჂႹႷႸჄჭ

ჯႳჄჅႱႼႼ჉ლ ჄႸႹჃ ႻႹႾႴ ႿႶ ჅჀႴႿ ႽႹႷႸჄ ႲႵ ႳჅჄႵ჏

ჷჄ ႼႿႿႻჃ ႲႵჄჄႵჂ ჇႹჄႸ Ⴑ ႻႹႽႿႾႿ ჄႸႱႾ Ⴑ ႸႱႼႶმႸႵႱჂჄႵႴ ႳႿჅჂჄႵჃႱႾმჃჄ჉ႼႵ ჅჀႴႿ჏

ჰႵჃႹႴႵჃლ ჃႹႾႳႵ ჇႵ ႳႿჅჂჄႵჃႱႾჃ ႿႾႼ჉ ჇႱჃႸ ႿჅჂ ႸႱႹჂ ႿႾႳႵ Ⴑ ႽႿႾჄႸ ႱႾ჉ჇႱ჉ლ ႹႾ ႱႲႿჅჄ Ⴑ ႽႿႾჄႸლ Ⴒ჉ ჄႸႵ ႾႵ჈Ⴤ ჇႱჃႸ ႴႱ჉ლ ჇႵ ႳႱႾ ჄჂႹႽ ჄႸႵ ႵႾႴჃნ ჯႾႴ ႶႿჂ ჄႸႱჄ ႼႿႾႷლ ჄႸႹჃ ჅჀႴႿ ჇႹႼႼ ჀႱჃჃ ႱჃ ႩႱႽႱႲჅႻႹ ႣႱႽႱვჃ ႵႳႳႵႾჄჂႹႳႹჄ჉ლ ჂႹႷႸჄჭ

“ჷჄვჃ ႴႿႾႵნ ႣႱႻჅჂႱლ ႼႿႿႻ ႹႾ ჄႸႵ ႽႹჂჂႿჂნ ჷჄვჃ ჄႸႵ ႩႱႽႱႲჅႻႹ ႽႱႷႵნ”

“ჽႸ჏ ჷ ႱႹႾვჄ ႾႵ჆ႵჂ ჃႵႵႾ Ⴑ ႽႱႷႵ ႼႹႻႵ ჄႸႹჃ჏”

“ჷჄვჃ Ⴑ ჃჄ჉ႼႵ ჷ ჄႸႿჅႷႸჄ ჅჀლ ჉ႿჅ ჃႵႵნ ႧႹჄႸ ჄႸႹჃლ ႾႿ ႿႾႵ ჇႹႼႼ ႻႾႿჇ ჉ႿჅჂ ႸႱႹჂ ჇႱჃ ႳჅჄნ ႩႿჅ ႱႹႾვჄ ႷႿჄ ႾႿ ႳႿႽჀႼႱႹႾჄჃლ ႲჅჄ ჉ႿჅ ႷႿჄჄႱ ႲႵ ჀႱჄႹႵႾჄ ჅႾჄႹႼ ჉ႿჅჂ ႸႱႹჂ ႷჂႿჇჃ ႿჅჄნ”

“ႠႱჄႹႵႾჄჭ ჼႿლ ჄႸႱႾႻ ჉ႿჅ ႶႿჂ ჃჄ჉ႼႹႾႷ Ⴝ჉ ႸႱႹჂ ჃႿ ჇႿႾႴႵჂႶჅႼႼ჉჏”

“ჳႼႴႵჂ ႣႱႻჅჂႱლ ႹჄ ჃჅႹჄჃ ჉ႿჅ ჇႵႼႼნ”

“ႧႸ჉ ႱჂႵ ჉ႿჅ ჄႱႼႻႹႾႷ ႼႹႻႵ ႹჄვჃ ჃႿႽႵႿႾႵ ႵႼჃႵვჃ ჀჂႿႲႼႵႽნნნჭ ჷჄვჃ ႥႽႵვჃ ჄჅჂႾ ႾႵ჈Ⴤნ ჱႿႽႵ ჁჅႹႳႻႼ჉ნ”

ჯჃ ჷ ႳჅჂႼႵႴ ႥႽႵვჃ ႸႱႹჂ ჇႹჄႸ ჄႸႵ ႶႹჂႵ ჄႿႾႷჃლ ჷ ჄႸႿჅႷႸჄ ႱႲႿჅჄ ჹႹႻ჉Ⴟნ

ჼႿჄ ႽႵლ ႲჅჄ ႼႱ჉ႹႾႷ Ⴑ ႸႱႾႴ ႿႾ Ⴝ჉ ႱႴႿჂႱႲႼႵ ႻႱႽჅჂႿნნნ ႤႸႹჃ ႹჃ ႷႿႾႾႱ ႳႿჃჄ ჉ႿჅლ ჹႹႻ჉Ⴟნ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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