Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 32

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

Is this chapter an error? Report it immediately so it can be fixed as soon as possible!

ᯏ ᮖᮑᮤᮤᮩ ᮓᮥᮤ ᮟᮖ ᮧᮙᮜᮔ ᮒᮟᮑᮢ ᮝᮕᮑᮤᮺ ᮑᮣ ᮖᮢᮕᮣᮘ ᮑᮣ ᮠᮟᮣᮣᮙᮒᮜᮕ ᮑᮞᮔ ᮧᮕᮜᮜᮻᮒᮜᮕᮔᮼ

ᮇᮟᮧᮺ ᮤᮘᮑᮤ ᮜᮟᮟᮛᮣ ᮔᮕᮜᮙᮓᮙᮟᮥᮣᮼ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕ ᮑᮢᮕ ᮣᮥᮠᮕᮢ ᮓᮑᮠᮑᮒᮜᮕᮼ ᮃᮕᮢᮙᮟᮥᮣᮜᮩ ᮓᮑᮠᮑᮒᮜᮕᮼ

ᮄᮘᮕ ᮠᮢᮙᮓᮕ ᮧᮑᮣ ᮑ ᮒᮙᮤ ᮘᮙᮗᮘᮺ ᮒᮥᮤ ᮝᮩ ᮓᮢᮑᮦᮙᮞᮗ ᮖᮟᮢ ᮝᮕᮑᮤ ᮧᮑᮣ ᮥᮞᮔᮕᮞᮙᮑᮒᮜᮕᮯ

ᯗ ᮒᮟᮢᮢᮟᮧᮕᮔ ᮑᮞ ᮕᮝᮠᮤᮩ ᮠᮙᮓᮛᮜᮕᮔ ᮠᮜᮥᮝ ᮚᮑᮢ ᮖᮢᮟᮝ ᮤᮘᮕ ᮛᮙᮤᮓᮘᮕᮞᮺ ᮑᮞᮔ ᮤᮘᮕ ᮛᮙᮤᮓᮘᮕᮞ ᮙᮤᮣᮕᮜᮖ ᮖᮟᮢ ᮤᮘᮑᮤ ᮝᮑᮤᮤᮕᮢᮺ ᮤᮘᮕᮞ ᮠᮥᮤ ᮙᮞ ᮣᮑᮞᮣᮘᮟ ᮠᮕᮠᮠᮕᮢ ᮠᮟᮧᮔᮕᮢᮺ ᮗᮢᮑᮤᮕᮔ ᮗᮙᮞᮗᮕᮢᮺ ᮓᮘᮟᮠᮠᮕᮔ ᮗᮢᮕᮕᮞ ᮟᮞᮙᮟᮞᮣᮺ ᮑᮞᮔ ᮚᮥᮣᮤ ᮑ ᮤᮙᮞᮩ ᮒᮙᮤ ᮟᮖ ᮝᮑᮣᮘᮕᮔ ᮠᮙᮓᮛᮜᮕᮔ ᮠᮜᮥᮝᮺ ᮤᮘᮕᮞ ᮸ᮤᮘᮧᮑᮓᮛᮯ᮸ ᮧᮕᮞᮤ ᮤᮘᮕ ᮝᮕᮑᮤᮯ

ᮄᮘᮕᮞ ᯗ ᮠᮟᮥᮢᮕᮔ ᮙᮞ ᮣᮑᮛᮕ ᮥᮞᮤᮙᮜ ᮤᮘᮕ ᮝᮕᮑᮤ ᮧᮑᮣ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮣᮥᮒᮝᮕᮢᮗᮕᮔᮺ ᮑᮞᮔ ᮝᮑᮣᮣᮑᮗᮕᮔ ᮙᮤ ᮧᮙᮤᮘ ᮜᮟᮦᮕᮼ

ᯗᮤ᮵ᮣ ᮒᮕᮕᮞ ᮑ ᮧᮘᮙᮜᮕ ᮣᮙᮞᮓᮕ ᯗ ᮘᮑᮔ ᮢᮟᮑᮣᮤ ᮒᮕᮕᮖ—ᮧᮕᮜᮜᮺ ᮢᮟᮑᮣᮤ ᮒᮟᮑᮢᮺ ᮙᮞ ᮤᮘᮙᮣ ᮓᮑᮣᮕ—ᮒᮥᮤ ᯗ ᮢᮕᮑᮜᮜᮩ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮕᮑᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮢᮟᮑᮣᮤᮕᮔᮼ ᮃᮟᮺ ᮙᮞᮣᮤᮕᮑᮔ ᮟᮖ ᮘᮕᮢᮒᮣ ᮑᮞᮔ ᮧᮙᮞᮕᮺ ᯗ ᮤᮢᮙᮕᮔ ᮝᮑᮛᮙᮞᮗ ᮑ ᮝᮑᮢᮙᮞᮑᮔᮕ ᮥᮣᮙᮞᮗ ᮣᮠᮙᮓᮕᮣ ᮑᮦᮑᮙᮜᮑᮒᮜᮕ ᮙᮞ ᮤᮘᮙᮣ ᮕᮢᮑ ᮑᮞᮔ ᮣᮑᮛᮕᮼ

ᯖᮝᮝᮺ ᮘᮝᮝᮺ ᮤᮘᮕ ᮑᮢᮟᮝᮑ ᮟᮖ ᮣᮑᮞᮣᮘᮟ ᮑᮞᮔ ᮣᮑᮛᮕ ᮢᮕᮑᮜᮜᮩ ᮗᮟᮕᮣ ᮧᮕᮜᮜ ᮤᮟᮗᮕᮤᮘᮕᮢᮺ ᮔᮟᮕᮣᮞ᮵ᮤ ᮙᮤᯍ

ᯐᮩ ᮤᮘᮕ ᮧᮑᮩᮺ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕ ᮔᮙᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮒᮟᮤᮘᮕᮢ ᮤᮟ ᮢᮕᮤᮟᮢᮤ ᮑᮞᮩᮝᮟᮢᮕᯉ ᮤᮘᮕᮩ ᮚᮥᮣᮤ ᮣᮤᮑᮢᮕᮔ ᮑᮤ ᮝᮕ ᮧᮙᮤᮘ ᮕᮩᮕᮣ ᮤᮘᮑᮤ ᮜᮟᮟᮛᮕᮔ ᮜᮙᮛᮕ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮧᮑᮤᮓᮘᮙᮞᮗ ᮤᮘᮕ ᮔᮕᮦᮙᮜ᮵ᮣ ᮧᮟᮢᮛᮼ

ᯗᮤ᮵ᮣ ᮟᮛᮑᮩᮼ ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮣᮓᮑᮢᮩᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮼᮼᮼ ᮧᮘᮑᮤ ᮛᮙᮞᮔ ᮟᮖ ᮣᮠᮕᮜᮜ ᮙᮣ ᮤᮘᮑᮤᮺ ᮙᮤ ᮙᮣᯍ”

ᯏᮤ ᮤᮘᮕ ᮧᮟᮢᮔᮣ ᮤᮘᮑᮤ ᮓᮑᮝᮕ ᮟᮥᮤ ᮟᮖ ᮃᮑᮛᮥᮢᮑ᮵ᮣ ᮝᮟᮥᮤᮘᮺ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮒᮥᮢᮣᮤ ᮟᮥᮤ ᮜᮑᮥᮗᮘᮙᮞᮗᮼ

ᯑᮕᮢᮤᮑᮙᮞᮜᮩᮺ ᮝᮑᮣᮣᮑᮗᮙᮞᮗ ᮢᮑᮧ ᮝᮕᮑᮤ ᮧᮙᮤᮘ ᮑ ᮣᮝᮙᮜᮕ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮜᮟᮟᮛᮕᮔ ᮓᮢᮕᮕᮠᮩ ᮖᮢᮟᮝ ᮑᮞ ᮟᮒᮚᮕᮓᮤᮙᮦᮕ ᮣᮤᮑᮞᮔᮠᮟᮙᮞᮤᮼ

ᮉᮕᮑᮘᮼ ᯗ ᮧᮟᮞ᮵ᮤ ᮔᮕᮞᮩ ᮙᮤᮼ ᯗᮖ ᮝᮩ ᮣᮕᮞᮠᮑᮙ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮣᮤᮑᮢᮤᮕᮔ ᮝᮑᮣᮣᮑᮗᮙᮞᮗ ᮢᮑᮧ ᮝᮕᮑᮤᮺ ᯗ᮵ᮔ ᮒᮕ ᮧᮟᮢᮢᮙᮕᮔ ᮑᮒᮟᮥᮤ ᮑ ᮜᮟᮤ ᮟᮖ ᮤᮘᮙᮞᮗᮣ ᮤᮟᮟᮼ

“ᯜᮟᮺ ᮙᮤ᮵ᮣ ᮞᮟᮤᮺ ᮙᮤ ᮙᮣᮼ ᯗᮤ᮵ᮣ ᮤᮘᮕ ᮠᮢᮕᮠᮑᮢᮑᮤᮙᮟᮞ ᮖᮟᮢ ᮢᮟᮑᮣᮤ ᮒᮟᮑᮢᮺ ᮙᮤ ᮙᮣᮼ”

“ᮂᮟᮑᮣᮤ ᮒᮟᮑᮢᮼ ᯗᮣ ᮤᮘᮑᮤ ᮑᮞᮟᮤᮘᮕᮢ ᮃᮟᮥᮤᮘᮕᮢᮞ ᯐᮑᮢᮒᮑᮢᮙᮑᮞ ᮔᮙᮣᮘᮺ ᮙᮤ ᮙᮣᯍ”

“ᯗᮞᮔᮕᮕᮔᮼ ᯗᮖ ᮩᮟᮥ ᮧᮑᮞᮤ ᮤᮟ ᮒᮥᮙᮜᮔ ᮥᮠ ᮩᮟᮥᮢ ᮣᮤᮢᮕᮞᮗᮤᮘᮺ ᮤᮘᮙᮣ ᮙᮣ ᮤᮘᮕ ᮒᮕᮣᮤᮺ ᮙᮤ ᮙᮣᮼ ᯗ ᮓᮑᮞ᮵ᮤ ᮗᮕᮤ ᮑᮞᮩ ᮕᮞᮕᮢᮗᮩ ᮥᮞᮜᮕᮣᮣ ᯗ ᮕᮑᮤ ᮵ᮝᮟᮥᮞᮤᮑᮙᮞ ᮒᮕᮑᮣᮤ᮵ᮺ ᯗ ᮓᮑᮞ᮵ᮤᮼ”

“ᮇᮟᮥᮜᮔᮞ᮵ᮤ ᮝᮙᮣᮟᮻᮠᮙᮓᮛᮜᮕᮔ ᮝᮕᮑᮤ ᮟᮢ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮙᮝᮙᮜᮑᮢ ᮒᮕ ᮕᮞᮟᮥᮗᮘᮼᮼᮼᯍ”

ᮇᮘᮕᮞ ᮅᮝᮕ ᮑᮣᮛᮕᮔ ᮘᮕᮣᮙᮤᮑᮞᮤᮜᮩᮺ ᯗ ᮣᮘᮟᮟᮛ ᮝᮩ ᮘᮕᮑᮔ ᮔᮕᮓᮙᮣᮙᮦᮕᮜᮩᮼ

ᯗᮤ᮵ᮣ ᮤᮢᮥᮕ ᮤᮘᮑᮤ ᮝᮙᮣᮟᮻᮠᮙᮓᮛᮜᮕᮔ ᮝᮕᮑᮤ ᮟᮢ ᮣᮝᮑᮜᮜ ᮘᮟᮤ ᮠᮟᮤᮣ ᮣᮕᮑᮣᮟᮞᮕᮔ ᮧᮙᮤᮘ ᮣᮟᮩ ᮣᮑᮥᮓᮕ ᮧᮕᮢᮕ ᮑᮦᮑᮙᮜᮑᮒᮜᮕ ᮕᮦᮕᮞ ᮙᮞ ᮤᮘᮙᮣ ᮕᮢᮑᮺ ᮑᮞᮔ ᮩᮟᮥ ᮓᮟᮥᮜᮔ ᮕᮑᮤ ᮧᮙᮜᮔ ᮒᮟᮑᮢ ᮟᮢ ᮓᮘᮙᮓᮛᮕᮞ ᮑᮤ ᮑ ᮵ᮝᮟᮥᮞᮤᮑᮙᮞ ᮒᮕᮑᮣᮤ᮵ ᮣᮘᮟᮠᮼ

ᯐᮥᮤ ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮕᮑᮤ ᮑ ᮘᮕᮑᮢᮤᮩ ᮠᮟᮢᮤᮙᮟᮞ ᮟᮖ ᮝᮕᮑᮤᮼ

ᮄᮟ ᮒᮕ ᮘᮟᮞᮕᮣᮤᮺ ᯗ ᮧᮑᮞᮤ ᮣᮤᮕᮑᮛ ᮟᮢ ᮢᮟᮑᮣᮤ ᮒᮕᮕᮖᯉ ᯗ ᮧᮑᮞᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮘᮑᮤ ᮙᮣᮞ᮵ᮤ ᯘᮑᮠᮑᮞᮕᮣᮕᮻᮣᮤᮩᮜᮕ ᮟᮞᮓᮕ ᮙᮞ ᮑ ᮧᮘᮙᮜᮕᮼ

“ᯗ᮵ᮜᮜ ᮥᮣᮕ ᮝᮙᮣᮟ ᮜᮑᮤᮕᮢᮺ ᯗ ᮧᮙᮜᮜᮼ ᯐᮥᮤ ᯗ ᮚᮥᮣᮤ ᮓᮑᮞ᮵ᮤ ᮗᮕᮤ ᮕᮞᮟᮥᮗᮘ ᮟᮖ ᮤᮘᮙᮣᮼᮼᮼ ᮤᮘᮙᮣ ᮖᮕᮕᮜᮙᮞᮗ ᮟᮖ ᮕᮑᮤᮙᮞᮗ ᮵ᮝᮟᮥᮞᮤᮑᮙᮞ ᮒᮕᮑᮣᮤᮺ᮵ ᯗ ᮜᮟᮦᮕ ᮙᮤ ᮣᮟ ᮝᮥᮓᮘᮺ ᯗ ᮔᮟᮼ”

“ᯝᮘᮺ ᯗ ᮣᮕᮕᮼᮼᮼ”

“ᯜᮟᮧᮺ ᮧᮕ ᮝᮥᮣᮤ ᮧᮑᮙᮤ ᮑᮒᮟᮥᮤ ᮑᮞ ᮸ᮙᮛᮛᮟᮛᮥ᮸ ᮥᮞᮤᮙᮜ ᮙᮤ᮵ᮣ ᮢᮕᮑᮔᮩ ᮤᮟ ᮢᮟᮑᮣᮤᮼ ᯗ ᮘᮑᮦᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮟ ᮔᮙᮣᮓᮥᮣᮣ ᮧᮙᮤᮘ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮼ ᯗᮤ᮵ᮣ ᮗᮟᮟᮔ ᮞᮕᮧᮣᮺ ᮣᮟ ᮔᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩ ᮑᮒᮟᮥᮤ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮥᮞᮠᮜᮕᮑᮣᮑᮞᮤᮼ ᯖᮟᮧ ᮑᮒᮟᮥᮤᮼᮼᮼ ᮩᮟᮥ ᮠᮢᮑᮓᮤᮙᮓᮕ ᮩᮟᮥᮢ ᮓᮑᮜᮜᮙᮗᮢᮑᮠᮘᮩᯍ ᯗ᮵ᮜᮜ ᮓᮘᮕᮓᮛ ᮙᮤ ᮜᮑᮤᮕᮢᮺ ᯗ ᮧᮙᮜᮜᮼ”

᮸᮸᮸

“ᯏ ᯕᮟ᮪ᮕᮞ ᯛᮑᮤᮓᮘᯍᮯ”

“ᯗᮞᮔᮕᮕᮔᮼ”

“ᮉᮟᮥᯍᮯ”

“ᮄᮘᮑᮤ ᮙᮣ ᮓᮟᮢᮢᮕᮓᮤᮺ ᮙᮤ ᮙᮣᮼ”

“ᯗᮣ ᮙᮤ ᮤᮘᮑᮤ ᯚᮟᮢᮔ᮵ᮣ ᮔᮟᮙᮞᮗ ᮑᮗᮑᮙᮞᮼᮼᮼᯍ”

ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮤᮑᮠᮠᮕᮔ ᮤᮘᮕ ᮑᮣᮘ ᮖᮢᮟᮝ ᮘᮕᮢ ᮸ᮛᮙᮣᮕᮢᮥ᮸ᮼ

ᮄᮘᮕᮞ ᮣᮘᮕ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮣᮙᮗᮘᮺ “ᯖᮑᮑᮑᮘᮼ”

“ᮇᮕ ᮘᮑᮦᮕ ᮞᮟ ᮓᮘᮟᮙᮓᮕ ᮒᮥᮤ ᮤᮟ ᮑᮓᮓᮕᮠᮤᮺ ᮔᮟ ᮧᮕᮼᮼᮼᯍ ᮄᮘᮑᮤ ᯚᮟᮢᮔ ᮙᮣ ᮟᮥᮢ ᮒᮕᮣᮤ ᮓᮥᮣᮤᮟᮝᮕᮢ ᮞᮟᮧᮼ ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮚᮥᮣᮤ ᮑᮒᮟᮥᮤ ᮘᮙᮣ ᮗᮕᮞᮕᮢᮟᮣᮙᮤᮩᮼ ᮄᮘᮕ ᮖᮑᮓᮤ ᮤᮘᮑᮤ ᮤᮘᮑᮤ ᮗᮢᮕᮑᮤ ᯒᮑᮙᮝᮩᮟ ᮙᮣ ᮘᮕᮑᮔ ᮟᮦᮕᮢ ᮘᮕᮕᮜᮣ ᮖᮟᮢ ᮩᮟᮥ ᮑᮞᮔ ᮛᮕᮕᮠᮣ ᮓᮟᮝᮙᮞᮗ ᮤᮟ ᮟᮥᮢ ᮕᮣᮤᮑᮒᮜᮙᮣᮘᮝᮕᮞᮤ ᮙᮣ ᮤᮘᮕ ᮤᮑᮜᮛ ᮟᮖ ᯓᮔᮟᮼ ᮄᮘᮑᮞᮛᮣ ᮤᮟ ᮤᮘᮑᮤᮺ ᮤᮘᮕ ᮞᮑᮝᮕ ᮟᮖ ᯛᮙᮤᮟᮣᮘᮙ ᮙᮣ ᮣᮟᮑᮢᮙᮞᮗᮼ”

“ᯗ ᮘᮑᮦᮕ ᮞᮟ ᮟᮒᮚᮕᮓᮤᮙᮟᮞᮺ ᯗ ᮔᮟᮼ ᮄᮟ ᮒᮕ ᮖᮑᮦᮟᮢᮕᮔ ᮒᮩ ᮤᮘᮕ ᮢᮕᮞᮟᮧᮞᮕᮔ ᯖᮟᮞᮔᮑ ᮃᮑᮝᮑᮺ ᮕᮦᮕᮞ ᮑᮣ ᮑ ᮘᮥᮝᮒᮜᮕ ᮧᮟᮝᮑᮞᮺ ᮤᮘᮕᮢᮕ ᮙᮣ ᮞᮟ ᮗᮢᮕᮑᮤᮕᮢ ᮘᮟᮞᮟᮢ ᮤᮘᮑᮞ ᮤᮘᮙᮣᮺ ᮤᮘᮕᮢᮕ ᮙᮣᮼ”

“ᮼᮼᮼᯜᮟᮧ ᮤᮘᮑᮤ ᮩᮟᮥ ᮝᮕᮞᮤᮙᮟᮞ ᮙᮤᮺ ᮩᮟᮥ ᮧᮕᮢᮕ ᮖᮢᮟᮝ ᮑ ᮣᮑᮝᮥᮢᮑᮙ ᮖᮑᮝᮙᮜᮩᮺ ᮧᮕᮢᮕᮞ᮵ᮤ ᮩᮟᮥᯍ”

ᯔᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮺ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ᮵ᮣ ᮕᮩᮕᮣ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮗᮑ᮪ᮕ ᮙᮞᮤᮟ ᮤᮘᮕ ᮔᮙᮣᮤᮑᮞᮓᮕᮼ

ᮇᮻᮧᮑᮙᮤᮺ ᮣᮕᮢᮙᮟᮥᮣᮜᮩᯍᮯ

ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮤᮘᮕ ᮵ᮖᮑᮜᮜᮕᮞ ᮣᮑᮝᮥᮢᮑᮙ ᮖᮑᮝᮙᮜᮩ᮵ ᮟᮢᮙᮗᮙᮞ ᮣᮤᮟᮢᮩ ᮙᮣ ᮘᮕᮢᮕᮯᮯᮯ

“ᯖᮕᮢ ᮖᮑᮤᮘᮕᮢ ᮧᮑᮣ ᮖᮟᮢᮓᮕᮔ ᮤᮟ ᮓᮟᮝᮝᮙᮤ ᮸ᮣᮕᮠᮠᮥᮛᮥ᮸ ᮙᮞ ᮠᮜᮑᮓᮕ ᮟᮖ ᮘᮙᮣ ᮣᮥᮠᮕᮢᮙᮟᮢᮺ ᮑᮞᮔ ᮣᮘᮕ ᮕᮞᮔᮕᮔ ᮥᮠ ᮔᮢᮙᮖᮤᮙᮞᮗ ᮤᮟ ᮑ ᮠᮜᮑᮓᮕ ᮜᮙᮛᮕ ᮤᮘᮙᮣᮺ ᮒᮥᮤ ᯗ ᮣᮥᮠᮠᮟᮣᮕ ᮒᮜᮟᮟᮔ ᮧᮙᮜᮜ ᮤᮕᮜᮜᮺ ᮧᮟᮞ᮵ᮤ ᮙᮤᮼᮼᮼᯍ”

ᯏᮞᮔ ᮣᮥᮓᮘ ᮑ ᮘᮕᮑᮦᮩ ᮠᮑᮣᮤᮺ ᮤᮟᮟᯍᮯ

ᯗᮣ ᮤᮘᮑᮤ ᮧᮘᮩ ᯙᮙᮛᮩᮟ ᮣᮑᮙᮔ ᮣᮘᮕ ᮕᮞᮦᮙᮕᮔ ᮑᮞᮔ ᮘᮑᮤᮕᮔ ᮝᮕ ᮖᮟᮢ ᮑᮜᮧᮑᮩᮣ ᮣᮝᮙᮜᮙᮞᮗ—ᮼᮼᮼᯍ

ᯗᮤ᮵ᮣ ᮤᮢᮥᮕ ᮤᮘᮑᮤ ᮤᮘᮕᮢᮕ ᮑᮢᮕ ᮗᮙᮢᮜᮣ ᮘᮕᮢᮕ ᮧᮘᮟ ᮧᮕᮢᮕ ᮣᮟᮜᮔ ᮔᮥᮕ ᮤᮟ ᮦᮑᮢᮙᮟᮥᮣ ᮓᮙᮢᮓᮥᮝᮣᮤᮑᮞᮓᮕᮣᮺ ᮒᮥᮤ ᮘᮕᮢ ᮒᮑᮓᮛᮗᮢᮟᮥᮞᮔ᮵ᮣ ᮧᮕᮙᮗᮘᮤ ᮙᮣ ᮘᮕᮑᮦᮩᮧᮕᮙᮗᮘᮤ ᮓᮜᮑᮣᮣᮺ ᮕᮦᮕᮞ ᮖᮟᮢ ᮝᮕᮼᮼᮼ

ᮃᮕᮢᮙᮟᮥᮣᮜᮩᮺ ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮩᮟᮥ ᮧᮕᮢᮕ ᮓᮑᮢᮢᮩᮙᮞᮗ ᮑ ᮠᮑᮣᮤ ᮣᮙᮝᮙᮜᮑᮢ ᮤᮟ ᮝᮙᮞᮕᮺ ᮧᮕᮢᮕᮞ᮵ᮤ ᮩᮟᮥᮼᮼᮼᯍ

“ᮇᮕᮜᮜᮺ ᮢᮕᮗᮑᮢᮔᮙᮞᮗ ᮤᮘᮑᮤᮺ ᯗ᮵ᮜᮜ ᮜᮕᮑᮦᮕ ᮙᮤ ᮤᮟ ᮩᮟᮥᮼ ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮧᮕ ᮛᮞᮟᮧ ᮞᮟᮤᮘᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮣᮑᮝᮥᮢᮑᮙ ᮝᮑᮤᮤᮕᮢᮣᮼ ᯐᮕᮣᮙᮔᮕᮣᮺ ᮤᮘᮑᮤ ᯚᮟᮢᮔ ᮧᮙᮜᮜ ᮟᮞᮜᮩ ᮜᮙᮣᮤᮕᮞ ᮤᮟ ᮧᮘᮑᮤ ᮩᮟᮥ ᮣᮑᮩ ᮑᮞᮩᮧᮑᮩᮼ”

ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮗᮑᮦᮕ ᮑ ᮧᮢᮩ ᮣᮝᮙᮜᮕᮼ

ᮄᮘᮕᮞ ᮣᮘᮕ ᮣᮑᮤ ᮥᮠ ᮣᮤᮢᮑᮙᮗᮘᮤ ᮑᮞᮔ ᮜᮟᮟᮛᮕᮔ ᮑᮤ ᮝᮕᮼ

“ᯒᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩᮼ ᯗᮖ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮘᮑᮠᮠᮕᮞᮣ ᮓᮟᮞᮓᮕᮢᮞᮙᮞᮗ ᮉᮟᮣᮘᮙᮧᮑᮢᮑᮺ ᯛᮑ᮵ᮑᮝ ᯔᮜᮟᮧᮕᮢ ᮧᮙᮜᮜ ᮤᮑᮛᮕ ᮓᮑᮢᮕ ᮟᮖ ᮙᮤᮼ ᮉᮟᮥ ᮚᮥᮣᮤ ᮗᮟ ᮧᮙᮜᮔ ᮑᮣ ᮄᮕᮤᮣᮥᮻ᮪ᮑᮞ ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮘᮟᮜᮔᮙᮞᮗ ᮒᮑᮓᮛᮼ”

ᯊᯜᮟᮤᮕᮣᯌ

ᯗᮛᮛᮟᮛᮥᯈ ᮇᮘᮙᮜᮕ ᮤᮘᮕ ᮜᮕᮞᮗᮤᮘ ᮟᮖ ᮤᮙᮝᮕ ᮢᮕᮠᮢᮕᮣᮕᮞᮤᮕᮔ ᮒᮩ ᮑᮞ ᮸ᮙᮛᮛᮟᮛᮥ᮸ ᮔᮙᮖᮖᮕᮢᮕᮔ ᮒᮕᮤᮧᮕᮕᮞ ᮤᮘᮕ ᯓᮔᮟ ᮠᮕᮢᮙᮟᮔ ᮑᮞᮔ ᮝᮟᮔᮕᮢᮞ ᮤᮙᮝᮕᮣᮺ ᮠᮜᮕᮑᮣᮕ ᮓᮟᮞᮣᮙᮔᮕᮢ ᮙᮤ ᮑᮠᮠᮢᮟᮨᮙᮝᮑᮤᮕᮜᮩ ᮟᮞᮕ ᮘᮟᮥᮢ ᮖᮟᮢ ᮓᮟᮞᮦᮕᮞᮙᮕᮞᮓᮕᮼ

ᮄᮑᮜᮛ ᮟᮖ ᯓᮔᮟᯈ ᯛᮕᮑᮞᮙᮞᮗ ᮙᮤ᮵ᮣ ᮑ ᮤᮟᮠᮙᮓ ᮟᮖ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞ ᮑᮝᮟᮞᮗ ᮤᮘᮕ ᮠᮕᮟᮠᮜᮕ ᮟᮖ ᯓᮔᮟᮼ ᯗᮞ ᮤᮘᮙᮣ ᮓᮟᮞᮤᮕᮨᮤᮺ ᮙᮤ᮵ᮣ ᮥᮣᮕᮔ ᮤᮟ ᮝᮕᮑᮞ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮜᮙᮛᮕ ᮵ᮑ ᮘᮟᮤ ᮤᮟᮠᮙᮓ ᮟᮞ ᮑ ᮝᮟᮔᮕᮢᮞᮻᮔᮑᮩ ᮤᮑᮜᮛ ᮣᮘᮟᮧᮯ᮵

ᮂᮕᮙᮢᮑᮛᮥ ᮶ᯔᮑᮜᮜᮕᮞ᮷ᯈ ᮄᮟ ᮖᮑᮜᮜ ᮙᮞᮤᮟ ᮢᮥᮙᮞ ᮟᮢ ᮠᮟᮦᮕᮢᮤᮩᮼ

ᯛᮑ᮵ᮑᮝ ᯔᮜᮟᮧᮕᮢᯈ ᮄᮘᮕ ᮞᮑᮝᮕ ᮉᮑᮝᮑᮒᮥᮛᮙ ᮧᮢᮟᮤᮕ ᮙᮞ ᯓᮞᮗᮜᮙᮣᮘ ᮧᮘᮕᮞ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮑᮣᮛᮕᮔ ᮘᮕᮢ ᮤᮟ ᮧᮢᮙᮤᮕ ᮘᮕᮢ ᮞᮑᮝᮕ ᮙᮞ ᯓᮞᮗᮜᮙᮣᮘ ᮤᮟ ᮒᮕᮓᮟᮝᮕ ᮞᮥᮝᮒᮕᮢ ᮟᮞᮕᮺ ᮒᮑᮣᮕᮔ ᮟᮞ ᮵ᯏ ᮚᮟᮥᮢᮞᮕᮩ ᮟᮖ ᮑ ᮤᮘᮟᮥᮣᮑᮞᮔ ᮝᮙᮜᮕᮣ ᮒᮕᮗᮙᮞᮣ ᮧᮙᮤᮘ ᮑ ᮣᮙᮞᮗᮜᮕ ᮣᮤᮕᮠᮼ᮵ ᮃᮙᮞᮓᮕ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ᮵ᮣ ᮞᮑᮝᮕ ᮙᮣ ᯝᮘᮑᮞᮑᮺ ᮙᮤ ᮒᮕᮓᮑᮝᮕ ᯛᮑ᮵ᮑᮝ ᯔᮜᮟᮧᮕᮢᮼ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

Details

Comments

No comments