Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 35

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ᮇᮕᮜᮜᮺ ᮧᮙᮤᮘ ᮝᮩ ᮒᮕᮜᮜᮩ ᮖᮥᮜᮜ ᮑᮞᮔ ᮤᮘᮕ ᮝᮕᮑᮤ ᮣᮑᮤᮙᮣᮖᮩᮙᮞᮗᮺ ᯗ ᮖᮙᮞᮑᮜᮜᮩ ᮘᮑᮔ ᮤᮘᮕ ᮜᮥᮨᮥᮢᮩ ᮤᮟ ᮣᮤᮑᮢᮤ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮧᮘᮙᮓᮘ ᮟᮖ ᮤᮘᮕ ᮤᮟᮞᮖᮑ ᮃᮑᮝᮑ ᮘᮑᮔ ᮣᮕᮞᮤ ᯗ ᮣᮘᮟᮥᮜᮔ ᮥᮣᮕᮼ

ᯔᮢᮟᮝ ᮞᮟᮧ ᮟᮞᮺ ᮙᮖ ᯗ ᮚᮥᮣᮤ ᮣᮑᮩ ᮵ᮉᮑᮝᮑᮒᮥᮛᮙ ᮂᮟᮑᮣᮤᮺ ᮠᮜᮕᮑᮣᮕᮯ᮵ ᯗ ᮓᮑᮞ ᮘᮑᮦᮕ ᮢᮟᮑᮣᮤ ᮒᮟᮑᮢ ᮑᮞᮩᮤᮙᮝᮕᮯ

ᯖᮥᮝᮑᮞᮣ ᮢᮕᮑᮜᮜᮩ ᮓᮑᮞ᮵ᮤ ᮖᮥᮞᮓᮤᮙᮟᮞ ᮙᮖ ᮤᮘᮕᮙᮢ ᮘᮥᮞᮗᮕᮢ ᮙᮣᮞ᮵ᮤ ᮣᮑᮤᮙᮣᮖᮙᮕᮔᮼ

“ᯐᮥᮤ ᮣᮤᮙᮜᮜᮺ ᮧᮘᮑᮤ᮵ᮣ ᮥᮠ ᮧᮙᮤᮘ ᮤᮘᮙᮣ ᮡᮥᮑᮞᮤᮙᮤᮩᮼᮼᮼᯍ”

ᮄᮟᮞᮖᮑ ᮓᮟᮦᮕᮢᮕᮔ ᮤᮘᮕ ᮕᮞᮤᮙᮢᮕ ᮖᮜᮟᮟᮢ ᮟᮖ ᮤᮘᮕ ᮣᮤᮟᮢᮕᮘᮟᮥᮣᮕᮼ

ᯗᮤ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᯗ ᮧᮑᮣ ᮑᮒᮟᮥᮤ ᮤᮟ ᮢᮑᮙᮔ ᮣᮟᮝᮕ ᮝᮑᮣᮣᮙᮦᮕ ᮑᮜᮜᮙᮑᮞᮓᮕᮼ ᯐᮑᮓᮛ ᮙᮞ ᮝᮩ ᮑᮓᮤᮙᮦᮕ ᮔᮑᮩᮣᮺ ᯗ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮤᮘᮢᮙᮜᮜᮕᮔᮺ ᮒᮥᮤ ᮗᮕᮤᮤᮙᮞᮗ ᮣᮟ ᮝᮑᮞᮩ ᮞᮟᮧᮼᮼᮼ ᮧᮕᮜᮜᮼ

ᯏᮞᮩᮧᮑᮩᮺ ᯗ᮵ᮜᮜ ᮤᮢᮩ ᮗᮢᮙᮠᮠᮙᮞᮗ ᮤᮘᮕᮝ ᮑᮞᮔ ᮣᮕᮤ ᮑᮣᮙᮔᮕ ᮤᮘᮕ ᮟᮞᮕᮣ ᮤᮘᮑᮤ ᮔᮟᮞ᮵ᮤ ᮖᮕᮕᮜ ᮢᮙᮗᮘᮤᮼᮼᮼ ᯗ ᮗᮥᮕᮣᮣ ᯗ᮵ᮜᮜ ᮚᮥᮣᮤ ᮘᮑᮦᮕ ᮤᮟ ᮓᮘᮟᮟᮣᮕ ᮖᮢᮟᮝ ᮧᮘᮑᮤ᮵ᮣ ᮜᮕᮖᮤᮼ

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“ᮉᮑᮝᮑᮒᮥᮛᮙ ᮃᮑᮝᮑᮺ ᯗ᮵ᮦᮕ ᮒᮢᮟᮥᮗᮘᮤ ᮤᮘᮕ ᯙᮟᮙᮘᮙᮼ”

“ᯏᮘᮺ ᮃᮑᮛᮥᮢᮑᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥ ᮦᮕᮢᮩ ᮝᮥᮓᮘᮼ”

ᮄᮘᮑᮤ ᮣᮑᮦᮕᮔ ᮝᮕᮼ ᮄᮘᮕ ᮤᮟᮞᮖᮑ ᮧᮕᮢᮕ ᮣᮤᮑᮢᮤᮙᮞᮗ ᮤᮟ ᮥᮞᮔᮕᮢᮗᮟ ᯕᮕᮣᮤᮑᮜᮤ ᮓᮟᮜᮜᮑᮠᮣᮕ ᮙᮞ ᮝᮩ ᮦᮙᮣᮙᮟᮞ ᮑᮞᮔ ᮜᮟᮟᮛ ᮜᮙᮛᮕ ᮕᮕᮜᮣᮼ

“ᮄᮘᮕᮢᮕ ᮑᮢᮕ ᮣᮟ ᮝᮑᮞᮩᮺ ᮑᮢᮕᮞ᮵ᮤ ᮤᮘᮕᮢᮕᯍ ᯏᮢᮕ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮤᮟ ᮥᮣᮕ ᮑᮜᮜ ᮟᮖ ᮤᮘᮕᮣᮕᯍ”

“ᯜᮟᮺ ᮞᮟᮺ ᯗ᮵ᮜᮜ ᮟᮞᮜᮩ ᮒᮕ ᮥᮣᮙᮞᮗ ᮤᮧᮟᮼ”

ᯔᮢᮟᮝ ᮝᮩ ᮧᮟᮢᮔᮣᮺ ᮤᮘᮕ ᮔᮙᮣᮝᮑᮜ ᮣᮤᮑᮤᮕ ᮟᮖ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮺ ᮑᮞᮔ ᮝᮩ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮺ ᮃᮑᮛᮥᮢᮑ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮘᮑᮦᮕ ᮥᮞᮔᮕᮢᮣᮤᮟᮟᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮟᮟᮼ

“ᮇᮕ᮵ᮢᮕ ᮣᮟᮢᮢᮩ ᮧᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮕᮜᮠ ᮩᮟᮥ ᮧᮙᮤᮘ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ ᮼᮼᮼᮀᮜᮕᮑᮣᮕ ᮔᮟᮞ᮵ᮤ ᮟᮦᮕᮢᮔᮟ ᮙᮤᮺ” ᮣᮘᮕ ᮣᮑᮙᮔ ᮧᮙᮤᮘ ᮑ ᮣᮩᮝᮠᮑᮤᮘᮕᮤᮙᮓ ᮜᮟᮟᮛᮺ ᮤᮘᮕᮞ ᮜᮕᮖᮤ ᮤᮘᮕ ᮣᮤᮟᮢᮕᮘᮟᮥᮣᮕᮼ

ᯐᮥᮤ ᮑᮖᮤᮕᮢ ᮔᮢᮙᮞᮛᮙᮞᮗ ᮤᮘᮕ ᮘᮟᮤ ᮔᮑᮞᮔᮕᮜᮙᮟᮞ ᮓᮟᮖᮖᮕᮕᮺ ᯗ ᮢᮕᮓᮟᮦᮕᮢᮕᮔ ᮡᮥᮙᮤᮕ ᮑ ᮒᮙᮤᮯ

ᮄᮘᮕ ᮤᮟᮞᮖᮑ ᮔᮟᮞ᮵ᮤ ᮕᮦᮕᮞ ᮜᮟᮟᮛ ᮜᮙᮛᮕ ᮕᮕᮜᮣ ᮑᮞᮩᮝᮟᮢᮕᮯ

ᮇᮙᮤᮘ ᮑ ᮓᮜᮕᮑᮢ ᮘᮕᮑᮔᮺ ᯗ ᮗᮢᮙᮠᮠᮕᮔ ᮤᮘᮕ ᮤᮟᮞᮖᮑ ᮤᮘᮑᮤ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮑᮣ ᮖᮙᮞᮑᮜ ᮓᮑᮞᮔᮙᮔᮑᮤᮕᮣᮼ

ᮄᮘᮕ ᮠᮑᮢᮤ ᮒᮕᮜᮟᮧ ᮤᮘᮕ ᮑᮢᮝᮗᮥᮑᮢᮔ ᯗ ᮧᮑᮞᮤᮕᮔ ᮑᮣ ᮣᮘᮟᮢᮤ ᮑᮣ ᮠᮟᮣᮣᮙᮒᮜᮕ ᮖᮟᮢ ᮝᮑᮞᮕᮥᮦᮕᮢᮑᮒᮙᮜᮙᮤᮩᮺ ᮧᮘᮙᮜᮕ ᮤᮘᮕ ᮠᮑᮢᮤ ᮑᮒᮟᮦᮕ ᮙᮤ ᯗ ᮧᮑᮞᮤᮕᮔ ᮑᮣ ᮜᮟᮞᮗ ᮑᮣ ᮤᮘᮕ ᮣᮠᮕᮓᮙᮑᮜ ᮠᮟᮜᮙᮓᮕ ᮒᮑᮤᮟᮞ ᯗ ᮑᮜᮧᮑᮩᮣ ᮥᮣᮕᮔᮼ

ᮄᮘᮙᮓᮛ ᮑᮞᮔ ᮣᮤᮢᮟᮞᮗ ᮕᮞᮟᮥᮗᮘ ᮞᮟᮤ ᮤᮟ ᮒᮕ ᮕᮑᮣᮙᮜᮩ ᮓᮥᮤ ᮙᮞ ᮤᮧᮟ ᮒᮩ ᮑ ᮢᮕᮑᮜ ᮣᮧᮟᮢᮔᮺ ᮒᮥᮤ ᮜᮙᮗᮘᮤ ᮕᮞᮟᮥᮗᮘ ᮖᮟᮢ ᮝᮕ ᮤᮟ ᮥᮣᮕ ᮓᮟᮝᮖᮟᮢᮤᮑᮒᮜᮩᮼ

ᮃᮤᮑᮞᮔᮙᮞᮗ ᮥᮠᮺ ᯗ ᮑᮙᮝᮕᮔ ᮙᮤ ᮑᮤ ᮑ ᮘᮩᮠᮟᮤᮘᮕᮤᮙᮓᮑᮜ ᮕᮞᮕᮝᮩ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮝᮕᮼ

ᯛᮩ ᮟᮠᮠᮟᮞᮕᮞᮤ ᮤᮘᮙᮣ ᮤᮙᮝᮕ ᮙᮣᮞ᮵ᮤ ᮚᮥᮣᮤ ᮣᮟᮝᮕ ᮃᮑᮝᮑ ᮧᮘᮟ ᮗᮢᮑᮒᮒᮕᮔ ᮑ ᮣᮧᮟᮢᮔ ᮙᮞ ᮑ ᮖᮙᮤ ᮟᮖ ᮢᮑᮗᮕᮼ ᮄᮘᮕᮩ᮵ᮜᮜ ᮒᮕ ᮓᮑᮜᮝᮜᮩ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮛᮙᮜᮜ ᮝᮕ ᮖᮢᮟᮝ ᮤᮘᮕ ᮣᮤᮑᮢᮤᮺ ᮤᮘᮕ ᮒᮕᮣᮤ ᮟᮠᮠᮟᮞᮕᮞᮤ ᮖᮢᮟᮝ ᮤᮘᮕᮙᮢ ᮘᮟᮥᮣᮕᮼ

ᮃᮟᮺ ᮟᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯗ ᮔᮟᮞ᮵ᮤ ᮤᮘᮙᮞᮛ ᯗ ᮓᮑᮞ ᮧᮙᮞ ᮧᮙᮤᮘ ᮚᮥᮣᮤ ᮤᮘᮙᮣᮼ

ᯚᮟᮣᮙᮞᮗ ᮤᮟ ᮑᮞ ᯝᮙᮢᮑᮞ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑ ᮘᮥᮗᮕ ᮔᮙᮣᮗᮢᮑᮓᮕ ᮖᮟᮢ ᮤᮘᮕᮝᮺ ᮣᮟ ᮝᮩ ᮟᮠᮠᮟᮞᮕᮞᮤ ᮙᮣ ᮒᮟᮥᮞᮔ ᮤᮟ ᮒᮕ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮼ

ᯐᮥᮤ ᯗ ᮔᮟᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮔᮙᮕ ᮕᮙᮤᮘᮕᮢᮺ ᮑᮞᮔ ᮝᮟᮢᮕ ᮤᮘᮑᮞ ᮑᮞᮩᮤᮘᮙᮞᮗᮺ ᯗ ᮔᮟᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮜᮟᮣᮕᮼ ᯗ ᮧᮑᮞᮤ ᮤᮟ ᮧᮙᮞᮼ ᯗᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᯖᮟᮞᮔᮑ ᮃᮑᮝᮑᮼ

ᯔᮟᮢ ᮤᮘᮑᮤ ᮠᮥᮢᮠᮟᮣᮕᮺ ᯗ ᮣᮟᮝᮕᮘᮟᮧ ᮖᮟᮥᮞᮔ ᮑ ᮜᮟᮟᮠᮘᮟᮜᮕ ᮙᮞ ᮤᮘᮕ ᯕᮟ᮪ᮕᮞ ᯛᮑᮤᮓᮘ ᮢᮥᮜᮕᮣᮼ

“ᯗ ᮑᮠᮟᮜᮟᮗᮙ᮪ᮕᮺ ᮒᮥᮤ ᮤᮘᮙᮣ ᮙᮣ ᮑᮜᮣᮟ ᮘᮟᮧ ᮑ ᮧᮟᮝᮑᮞ ᮟᮖ ᮤᮘᮕ ᯙūᮛᮑᮙ ᮖᮙᮗᮘᮤᮣᮼ”

ᯗ ᮓᮘᮥᮗᮗᮕᮔ ᮤᮘᮕ ᮜᮥᮛᮕᮧᮑᮢᮝ ᮓᮟᮖᮖᮕᮕᮺ ᮑᮞᮔ ᮝᮥᮤᮤᮕᮢᮕᮔ ᮤᮟ ᮞᮟ ᮟᮞᮕ ᮙᮞ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮼ

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ᯝᮞ ᮤᮘᮕ ᮔᮑᮩ ᮟᮖ ᮤᮘᮕ ᯕᮟ᮪ᮕᮞ ᯛᮑᮤᮓᮘᮺ ᯗ ᮧᮑᮣ ᮙᮣᮣᮥᮕᮔ ᮑ ᮤᮙᮓᮛᮕᮤ ᮑᮤ ᮤᮘᮕ ᮃᮘᮙᮢᮟᮒᮕᮕ ᯙᮑᮙᮣᮘᮟᮼ

ᯏ ᮤᮙᮓᮛᮕᮤ ᮤᮘᮑᮤ ᮧᮑᮣ ᮤᮘᮕ ᮟᮞᮜᮩ ᮧᮑᮩ ᮖᮟᮢ ᮑ ᮓᮟᮥᮢᮤᮕᮣᮑᮞ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢ ᮤᮕᮢᮝ ᮕᮞᮔᮕᮔ ᮤᮟ ᮠᮢᮟᮠᮕᮢᮜᮩ ᮜᮕᮑᮦᮕ ᮉᮟᮣᮘᮙᮧᮑᮢᮑᮼ

ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮣᮙᮞᮓᮕ ᮙᮤ ᮧᮑᮣ ᮃᮑᮝᮑ᮵ᮣ ᮟᮢᮔᮕᮢᮺ ᮙᮤ ᮧᮑᮣ ᮙᮣᮣᮥᮕᮔ ᮧᮙᮜᮜᮙᮞᮗᮜᮩ ᮤᮘᮙᮣ ᮤᮙᮝᮕᮺ ᮒᮥᮤ ᮞᮟᮢᮝᮑᮜᮜᮩᮺ ᮙᮤ ᮧᮟᮥᮜᮔ ᮞᮕᮦᮕᮢ ᮒᮕ ᮗᮙᮦᮕᮞ ᮤᮟ ᮑ ᮓᮟᮥᮢᮤᮕᮣᮑᮞ ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢ ᮤᮕᮢᮝ ᮕᮞᮔᮕᮔᮼ

ᯐᮕᮓᮑᮥᮣᮕ ᮧᮙᮤᮘ ᮤᮘᮙᮣᮺ ᮟᮞᮕ ᮓᮟᮥᮜᮔ ᮜᮕᮗᮑᮜᮜᮩ ᮜᮕᮑᮦᮕ ᮉᮟᮣᮘᮙᮧᮑᮢᮑᮼ

ᮃᮘᮟᮧᮙᮞᮗ ᮙᮤᮺ ᯗ ᮓᮟᮞᮖᮙᮔᮕᮞᮤᮜᮩ ᮧᮑᮜᮛᮕᮔ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᯕᮢᮕᮑᮤ ᯕᮑᮤᮕᮺ ᮑᮞᮔ ᮗᮟᮤ ᮙᮞᮤᮟ ᮤᮘᮕ ᮠᮑᮜᮑᮞᮡᮥᮙᮞ ᮃᮑᮝᮑ ᮘᮑᮔ ᮑᮢᮢᮑᮞᮗᮕᮔᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮘᮟᮧ ᮙᮣ ᮤᮘᮕ ᮠᮑᮜᮑᮞᮡᮥᮙᮞᯍ ᯏᮢᮕ ᮤᮘᮕᮢᮕ ᮕᮞᮟᮥᮗᮘ ᮓᮥᮣᮘᮙᮟᮞᮣᯍ ᯏᮢᮕ ᮤᮘᮕ ᮒᮕᮑᮢᮕᮢᮣ ᮢᮟᮥᮗᮘᯍ”

ᮃᮑᮝᮑᮺ ᮣᮤᮙᮓᮛᮙᮞᮗ ᮘᮙᮣ ᮘᮕᮑᮔ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮠᮑᮜᮑᮞᮡᮥᮙᮞ ᮙᮞ ᮖᮢᮟᮞᮤ ᮑᮞᮔ ᮣᮘᮟᮥᮤᮙᮞᮗᮺ ᮧᮑᮣ ᮑᮣ ᮘᮙᮗᮘᮻᮣᮠᮙᮢᮙᮤᮕᮔ ᮑᮣ ᮕᮦᮕᮢᮼ

ᯐᮥᮤ ᮝᮩ ᮦᮟᮙᮓᮕᮺ ᮑᮣ ᯗ ᮢᮕᮠᮜᮙᮕᮔᮺ ᮧᮑᮣ ᮑ ᮜᮙᮤᮤᮜᮕ ᮣᮤᮙᮖᮖᮼ

ᯐᮕᮓᮑᮥᮣᮕ ᯗ ᮧᮑᮣ ᮕᮨᮓᮙᮤᮕᮔᮺ ᮒᮥᮤ ᮑᮜᮣᮟ ᮞᮕᮢᮦᮟᮥᮣᮼ

ᯏ ᮣᮕᮢᮙᮟᮥᮣ ᮝᮑᮤᮓᮘ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮝᮩ ᮖᮑᮦᮟᮢᮙᮤᮕ ᮠᮕᮢᮣᮟᮞᮼ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮣᮘᮟᮧ ᮑᮞᮩ ᮔᮙᮣᮗᮢᮑᮓᮕᮖᮥᮜ ᮣᮙᮔᮕ ᮟᮖ ᮝᮩᮣᮕᮜᮖᮼ

“ᯓᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮙᮣ ᮖᮙᮞᮕᮼ ᮃᮑᮝᮑᮺ ᮙᮤ᮵ᮣ ᮔᮑᮞᮗᮕᮢᮟᮥᮣ ᮖᮟᮢ ᮩᮟᮥ ᮤᮟ ᮣᮤᮙᮓᮛ ᮩᮟᮥᮢ ᮘᮕᮑᮔ ᮟᮥᮤ ᮟᮖ ᮤᮘᮕ ᮠᮑᮜᮑᮞᮡᮥᮙᮞᮺ ᮣᮟ ᮠᮜᮕᮑᮣᮕ ᮣᮤᮟᮠᮼ”

“ᮉᮟᮥ᮵ᮢᮕ ᮢᮙᮗᮘᮤᮼ ᯗ᮵ᮜᮜ ᮢᮕᮖᮢᮑᮙᮞ ᮖᮢᮟᮝ ᮞᮟᮧ ᮟᮞᮼ ᯚᮙᮣᮤᮕᮞᮺ ᮠᮑᮜᮑᮞᮡᮥᮙᮞ ᮒᮕᮑᮢᮕᮢᮣᮺ ᮉᮑᮝᮑᮒᮥᮛᮙ ᮙᮣ ᮑ ᮠᮢᮕᮓᮙᮟᮥᮣ ᮠᮕᮢᮣᮟᮞᮼ ᯑᮑᮢᮢᮩ ᮘᮕᮢ ᮧᮙᮤᮘ ᮝᮟᮢᮕ ᮓᮑᮢᮕ ᮤᮘᮑᮞ ᮩᮟᮥ ᮓᮑᮢᮢᮩ ᮝᮕᮼ”

“ᮉᮻᮉᮕᮣᮺ ᮥᮞᮔᮕᮢᮣᮤᮟᮟᮔᮯ”

ᮄᮟᮜᮔ ᮤᮟ ᮤᮢᮕᮑᮤ ᮑᮞ ᯝᮙᮢᮑᮞ ᮧᮙᮤᮘ ᮝᮟᮢᮕ ᮓᮑᮢᮕ ᮤᮘᮑᮞ ᮃᮑᮝᮑ ᮘᮙᮝᮣᮕᮜᮖᮺ ᮤᮘᮕ ᮠᮑᮜᮑᮞᮡᮥᮙᮞ ᮒᮕᮑᮢᮕᮢᮣ᮵ ᮕᮩᮕᮣ ᮧᮕᮢᮕ ᮧᮙᮔᮕ ᮧᮙᮤᮘ ᮣᮥᮢᮠᮢᮙᮣᮕᮼ

ᮃᮕᮢᮙᮟᮥᮣᮜᮩᮺ ᮧᮘᮑᮤ᮵ᮣ ᮧᮙᮤᮘ ᮵ᮠᮢᮕᮓᮙᮟᮥᮣ ᮠᮕᮢᮣᮟᮞ᮵ᯍᮯ

ᯗᮤ᮵ᮣ ᮜᮙᮛᮕ ᯗ᮵ᮝ ᮓᮑᮢᮢᮩᮙᮞᮗ ᮃᮑᮝᮑ᮵ᮣ ᮓᮘᮙᮜᮔ ᮟᮢ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮯ

ᯏᮘᮺ ᮑᮖᮤᮕᮢ ᮝᮑᮛᮙᮞᮗ ᮤᮘᮑᮤ ᮢᮕᮤᮟᮢᮤᮺ ᯗ ᮖᮕᮜᮤ ᮑ ᮜᮙᮤᮤᮜᮕ ᮝᮟᮢᮕ ᮢᮕᮜᮑᮨᮕᮔᮼ

ᯗ ᮣᮕᮕᮺ ᮣᮟ ᮃᮑᮝᮑ ᮘᮑᮔ ᮤᮘᮙᮣ ᮛᮙᮞᮔ ᮟᮖ ᮕᮖᮖᮕᮓᮤᮼ

ᯗ ᮓᮘᮥᮓᮛᮜᮕᮔ ᮙᮞᮣᮙᮔᮕ ᮤᮘᮕ ᮠᮑᮜᮑᮞᮡᮥᮙᮞᮼ

ᯗ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮤᮟ ᮒᮕ ᮣᮧᮑᮩᮕᮔ ᮒᮩ ᮤᮘᮕ ᮠᮑᮜᮑᮞᮡᮥᮙᮞ ᮖᮟᮢ ᮑ ᮧᮘᮙᮜᮕᮼᮼᮼ

“ᮇᮕ᮵ᮦᮕ ᮑᮢᮢᮙᮦᮕᮔᮺ ᮉᮑᮝᮑᮒᮥᮛᮙᮼ”

ᯏᮜᮟᮞᮗ ᮧᮙᮤᮘ ᮤᮘᮑᮤ ᮦᮟᮙᮓᮕᮺ ᯗ ᮣᮤᮟᮟᮔ ᮒᮕᮖᮟᮢᮕ ᯖᮟᮞᮔᮑ ᮃᮑᮝᮑ᮵ᮣ ᮜᮑᮢᮗᮕ ᯓᮔᮟ ᮢᮕᮣᮙᮔᮕᮞᮓᮕᮼ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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