Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 38

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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“ᯔᮙᮞᮕᮼ ᯐᮥᮤ ᮖᮙᮢᮣᮤᮺ ᮑᮞᮣᮧᮕᮢ ᮝᮩ ᮡᮥᮕᮣᮤᮙᮟᮞᮼ ᮇᮘᮩ ᮔᮙᮔᮞ᮵ᮤ ᮩᮟᮥ ᮖᮙᮞᮙᮣᮘ ᯙᮑᮚᮙᮙ ᮟᮖᮖᯍ ᯙᮑᮚᮙᮙ ᮧᮑᮣ ᮣᮕᮢᮙᮟᮥᮣᮺ ᮩᮟᮥ ᮛᮞᮟᮧᮼ”

ᮃᮕᮢᮙᮟᮥᮣᮼᮼᮼ ᮃᮟ ᮘᮕ ᮙᮞᮤᮕᮞᮔᮕᮔ ᮤᮟ ᮛᮙᮜᮜ ᮝᮕᯍ

ᮄᮘᮕᮢᮕ᮵ᮣ ᮟᮞᮜᮩ ᮟᮞᮕ ᮑᮞᮣᮧᮕᮢ ᮤᮟ ᮤᮘᮑᮤᮼ

“ᯗᮖ ᯗ ᮛᮙᮜᮜ ᮣᮟᮝᮕᮟᮞᮕᮺ ᯗ᮵ᮜᮜ ᮖᮑᮜᮜ ᮙᮞᮤᮟ ᮘᮕᮜᮜᮼ ᯗ᮵ᮝ ᮑ ᮧᮟᮝᮑᮞ ᮟᮖ ᮤᮘᮕ ᮠᮜᮕᮑᮣᮥᮢᮕ ᮡᮥᮑᮢᮤᮕᮢᮼ ᯗᮖ ᯗ ᮖᮑᮜᮜ ᮙᮞᮤᮟ ᮑᮞᮩ ᮔᮕᮕᮠᮕᮢ ᮘᮕᮜᮜ ᮤᮘᮑᮞ ᮤᮘᮙᮣᮺ ᮝᮩ ᮒᮟᮔᮩ ᮧᮟᮞ᮵ᮤ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮒᮕᮑᮢ ᮙᮤᮼ”

ᯖᮟᮞᮔᮑ ᮃᮑᮝᮑ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮜᮑᮥᮗᮘᮼ

“ᯏᮣ ᯛᮑᮤᮣᮥᮔᮑᮙᮢᮑ ᮃᮑᮝᮑ ᮣᮑᮙᮔᮺ ᮙᮤ᮵ᮣ ᮓᮕᮢᮤᮑᮙᮞᮜᮩ ᮑ ᮧᮑᮣᮤᮕ ᮤᮟ ᮛᮕᮕᮠ ᮘᮕᮢ ᮑᮣ ᮚᮥᮣᮤ ᮑ ᮧᮟᮝᮑᮞᮼ ᮉᮟᮥ ᮤᮘᮕᮢᮕᮯ”

ᯖᮟᮞᮔᮑ ᮃᮑᮝᮑ ᮓᮜᮑᮠᮠᮕᮔ ᮘᮙᮣ ᮘᮑᮞᮔᮣ ᮣᮘᮑᮢᮠᮜᮩᮺ ᮑᮞᮔ ᮣᮕᮦᮕᮢᮑᮜ ᮃᮑᮝᮥᮢᮑᮙ ᮕᮝᮕᮢᮗᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮕ ᮞᮕᮨᮤ ᮢᮟᮟᮝᮼ

“ᮄᮕᮞᮔ ᮤᮟ ᯗᮝᮑ ᮄᮟᮝᮟᮕ ᯕᮟ᮪ᮕᮞ ᮑᮞᮔ ᯙᮑᮚᮙᮙᮼ ᯑᮑᮢᮢᮩ ᯙᮑᮚᮙᮙ ᮤᮟ ᮤᮘᮕ ᮒᮑᮓᮛᮼ”

“ᮀᮜᮕᮑᮣᮕᮺ ᮤᮕᮜᮜ ᯙᮑᮚᮙᮙ ᮃᮑᮝᮑ ᮞᮟᮤ ᮤᮟ ᮓᮟᮝᮝᮙᮤ ᮣᮕᮠᮠᮥᮛᮥᮯ ᯗᮤᮤᮟᮻᮢᮩᮥ ᮔᮟᮕᮣᮞ᮵ᮤ ᮘᮑᮦᮕ ᮥᮞᮑᮢᮝᮕᮔ ᮓᮟᮝᮒᮑᮤ ᮤᮕᮓᮘᮞᮙᮡᮥᮕᮣᮺ ᮑᮞᮔ ᯗ ᮥᮣᮕᮔ ᮉᮑᮝᮑᮒᮥᮛᮙᮻᮢᮩᮥ᮵ᮣ ᮥᮞᮑᮢᮝᮕᮔ ᮓᮟᮝᮒᮑᮤ ᮤᮕᮓᮘᮞᮙᮡᮥᮕᮣᮯ ᮄᮕᮜᮜ ᮘᮙᮝ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮠᮟᮣᮣᮙᮒᮜᮩ ᮧᮙᮞ ᮧᮙᮤᮘ ᮑ ᮣᮧᮟᮢᮔᮺ ᮑᮞᮔ ᮤᮘᮑᮤ ᮘᮕ ᮥᮣᮕᮔ ᮑ ᮓᮟᮧᮑᮢᮔᮜᮩ ᮤᮢᮙᮓᮛ ᮟᮞ ᮝᮕᮺ ᮠᮜᮕᮑᮣᮕᮺ ᮠᮜᮕᮑᮣᮕᮼᮼᮼ”

“ᮄᮘᮙᮣᮺ ᮤᮟᮟᮺ ᮙᮣ ᮑᮣ ᯛᮑᮤᮣᮥᮔᮑᮙᮢᮑ ᮃᮑᮝᮑ ᮣᮑᮙᮔᮼ ᮃᮘᮕ᮵ᮣ ᮤᮢᮥᮜᮩ ᮔᮕᮦᮟᮤᮕᮔ ᮤᮟ ᮚᮥᮣᮤᮙᮓᮕᮼ ᯗᮤ᮵ᮣ ᮒᮕᮕᮞ ᮑ ᮜᮟᮞᮗ ᮤᮙᮝᮕ ᮣᮙᮞᮓᮕ ᯗ᮵ᮦᮕ ᮣᮕᮕᮞ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮟ ᮗᮟᮟᮔᮼ ᯗ᮵ᮜᮜ ᮤᮕᮜᮜ ᯙᮑᮚᮙᮙ ᮞᮟᮤ ᮤᮟ ᮓᮟᮝᮝᮙᮤ ᮣᮕᮠᮠᮥᮛᮥᯉ ᮙᮖ ᮘᮕ ᮧᮙᮣᮘᮕᮣ ᮤᮟᮺ ᮘᮕ ᮝᮥᮣᮤ ᮖᮙᮢᮣᮤ ᮔᮕᮖᮕᮑᮤ ᮉᮑᮝᮑᮒᮥᮛᮙᮼ ᮄᮘᮑᮤ ᮧᮑᮩᮺ ᮘᮕ᮵ᮜᮜ ᮣᮤᮢᮙᮦᮕ ᮕᮦᮕᮞ ᮘᮑᮢᮔᮕᮢᮼ

ᯒᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩᮺ ᮔᮟᮞ᮵ᮤ ᮝᮑᮛᮕ ᮣᮥᮓᮘ ᮑ ᮖᮑᮓᮕᮼ ᯙᮑᮚᮙᮙ ᮧᮙᮜᮜ ᮞᮟᮤ ᮒᮕ ᮠᮥᮞᮙᮣᮘᮕᮔᮼ ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᯗ ᮘᮑᮔ ᮑᮜᮢᮕᮑᮔᮩ ᮘᮕᮑᮢᮔ ᮖᮢᮟᮝ ᯛᮑᮤᮣᮥᮔᮑᮙᮢᮑ ᮃᮑᮝᮑ ᮤᮘᮑᮤ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮑ ᮧᮟᮝᮑᮞ ᮧᮘᮟ ᮔᮕᮖᮕᮑᮤᮕᮔ ᮑ ᮢᮕᮑᮜ ᮣᮧᮟᮢᮔ ᮧᮙᮤᮘ ᮑ ᮖᮙᮢᮕ ᮠᮟᮛᮕᮢᮼ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮕᮢᮕ ᮝᮙᮗᮘᮤ ᮒᮕ ᮑ ᮟᮞᮕᮻᮙᮞᮻᮤᮕᮞᮻᮤᮘᮟᮥᮣᮑᮞᮔ ᮓᮘᮑᮞᮓᮕ ᮟᮖ ᮑᮞ ᮥᮠᮣᮕᮤᮼ ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮣᮕᮕ ᮙᮤᮺ ᮣᮟ ᯗ ᮑᮣᮛᮕᮔ ᯛᮑᮤᮣᮥᮔᮑᮙᮢᮑ ᮃᮑᮝᮑ ᮤᮟ ᮑᮢᮢᮑᮞᮗᮕ ᮤᮘᮙᮣ ᯕᮟ᮪ᮕᮞᮻᮚᮙᮑᮙᮼ”

“ᯖᮟᮞᮔᮑ ᮃᮑᮝᮑᮼᮼᮼ ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮦᮕᮢᮩ ᮝᮥᮓᮘᮼ”

ᯏᮣ ᯗ ᮠᮢᮟᮣᮤᮢᮑᮤᮕᮔ ᮝᮩᮣᮕᮜᮖᮺ ᮤᮘᮕ ᮃᮑᮝᮑ ᮣᮑᮙᮔᮺ ᮵ᮇᮕᮜᮜ ᮔᮟᮞᮕᮺ ᮉᮑᮝᮑᮒᮥᮛᮙᮺ᮵ ᮑᮞᮔ ᮔᮢᮑᮠᮕᮔ ᮘᮙᮣ ᮘᮑᮟᮢᮙ ᮟᮦᮕᮢ ᮝᮕᮼ

“ᯏᮘᮺ ᮙᮤ᮵ᮜᮜ ᮗᮕᮤ ᮣᮤᮑᮙᮞᮕᮔ ᮧᮙᮤᮘ ᮒᮜᮟᮟᮔᮼ ᯗᮤ᮵ᮣ ᮣᮥᮓᮘ ᮑ ᮧᮑᮣᮤᮕᮺ ᮩᮟᮥ ᮛᮞᮟᮧᮼ”

“ᯗᮤ᮵ᮣ ᮖᮙᮞᮕᮼ ᯗ ᮓᮑᮞ ᮑᮜᮧᮑᮩᮣ ᮘᮑᮦᮕ ᮑᮞᮟᮤᮘᮕᮢ ᮘᮑᮟᮢᮙ ᮝᮑᮔᮕᮼ ᯐᮥᮤ ᮩᮟᮥ ᮓᮑᮞᮞᮟᮤ ᮒᮕ ᮢᮕᮠᮜᮑᮓᮕᮔᮼ

ᮼᮼᮼᯗ᮵ᮝ ᮑ ᮖᮟᮟᮜᮼ ᮅᮞᮤᮙᮜ ᮞᮟᮧᮺ ᯗ ᮘᮑᮔᮞ᮵ᮤ ᮔᮕᮕᮠᮜᮩ ᮓᮟᮞᮣᮙᮔᮕᮢᮕᮔ ᮤᮘᮕ ᮝᮕᮑᮞᮙᮞᮗ ᮟᮖ ᮑ ᮢᮕᮑᮜ ᮣᮧᮟᮢᮔ ᯕᮟ᮪ᮕᮞᮻᮚᮙᮑᮙᮼ ᯗ ᮚᮥᮣᮤ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮣᮘᮟᮧ ᯖᮟᮞᮔᮑ ᮃᮑᮝᮑ ᮉᮑᮝᮑᮒᮥᮛᮙ᮵ᮣ ᮣᮛᮙᮜᮜᮺ ᮤᮘᮑᮤ᮵ᮣ ᮑᮜᮜᮼᮼᮼ”

ᮇᮘᮑᮤ ᮑᮞ ᮙᮔᮙᮟᮤᮼᮼᮼ ᯖᮕ ᮢᮕᮑᮜᮜᮩ ᮧᮑᮣᮞ᮵ᮤ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮑᮞᮩᮤᮘᮙᮞᮗᮺ ᮧᮑᮣ ᮘᮕᯍ

ᯐᮥᮤ ᮣᮟᮝᮕᮘᮟᮧᮺ ᯗ ᮚᮥᮣᮤ ᮓᮑᮞ᮵ᮤ ᮘᮑᮤᮕ ᮘᮙᮝᮼ

“ᯝᮘᮺ ᮔᮟᮞ᮵ᮤ ᮧᮟᮢᮢᮩ ᮑᮒᮟᮥᮤ ᮙᮤᮼ ᮄᮘᮑᮞᮛᮣ ᮤᮟ ᮩᮟᮥᮺ ᯗ ᮧᮑᮣ ᮑᮒᮜᮕ ᮤᮟ ᮝᮕᮕᮤ ᯖᮟᮞᮔᮑ ᮃᮑᮝᮑᮼ”

“ᮉᮟᮥ ᮤᮢᮥᮜᮩ ᮑᮢᮕ ᮑ ᮗᮟᮟᮔ ᮧᮟᮝᮑᮞᮺ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥᮼᮼᮼ”

“ᯛᮑᮤᮣᮥᮔᮑᮙᮢᮑ ᮃᮑᮝᮑᮺ ᮣᮑᮦᮕ ᮤᮘᮕ ᮤᮕᮑᮢᮖᮥᮜ ᮣᮓᮕᮞᮕ ᮖᮟᮢ ᮜᮑᮤᮕᮢᮺ ᮑᮖᮤᮕᮢ ᮧᮕ᮵ᮦᮕ ᮜᮕᮖᮤᮼ”

“ᯝᮘᮺ ᮝᮩ ᮑᮠᮟᮜᮟᮗᮙᮕᮣᮼ ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮓᮑᮞ ᮩᮟᮥ ᮧᮑᮜᮛᯍ ᯒᮟᮕᮣ ᮩᮟᮥᮢ ᮣᮘᮟᮥᮜᮔᮕᮢ ᮧᮟᮥᮞᮔ ᮘᮥᮢᮤᯍ”

“ᮄᮘᮙᮣ ᮙᮣ ᮞᮟᮤᮘᮙᮞᮗᮺ ᮚᮥᮣᮤ ᮑ ᮣᮓᮢᮑᮤᮓᮘᮼ”

ᮉᮕᮑᮘᮼ ᯑᮟᮝᮠᮑᮢᮕᮔ ᮤᮟ ᮧᮘᮕᮞ ᯗ ᮧᮑᮣ ᮑ ᮔᮕᮜᮙᮞᮡᮥᮕᮞᮤ ᮑᮞᮔ ᮗᮟᮤ ᮝᮩ ᮣᮤᮟᮝᮑᮓᮘ ᮖᮥᮜᮜᮻᮣᮧᮥᮞᮗ ᮧᮙᮤᮘ ᮑ ᮝᮕᮤᮑᮜ ᮒᮑᮤᮺ ᮤᮘᮙᮣ ᮙᮣ ᮚᮥᮣᮤ ᮑ ᮣᮓᮢᮑᮤᮓᮘᮺ ᮑ ᮝᮕᮢᮕ ᮣᮓᮢᮑᮤᮓᮘᮼ ᮄᮘᮑᮤ ᮢᮕᮑᮜᮜᮩ ᮘᮥᮢᮤᮼᮼᮼ

᮸᮸᮸

ᯏᮘᮼᮼᮼ ᯗ᮵ᮝ ᮣᮟ ᮘᮑᮠᮠᮩᮼᮼᮼ ᯗ᮵ᮝ ᮞᮕᮨᮤ ᮤᮟ ᯖᮟᮞᮔᮑ ᮃᮑᮝᮑ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼ ᯗ ᮖᮙᮞᮑᮜᮜᮩ ᮗᮟᮤ ᮤᮟ ᮝᮕᮕᮤ ᮟᮞᮕ ᮟᮖ ᮝᮩ ᮖᮑᮦᮟᮢᮙᮤᮕ ᮙᮔᮟᮜᮣᮺ ᮧᮘᮟᮝ ᯗ᮵ᮦᮕ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮝᮕᮕᮤ ᮣᮙᮞᮓᮕ ᮓᮟᮝᮙᮞᮗ ᮘᮕᮢᮕᮼᮼᮼᮯ

ᯖᮑᮦᮙᮞᮗ ᮑ ᮜᮙᮦᮙᮞᮗ ᮙᮔᮟᮜ ᮙᮣ ᮣᮥᮓᮘ ᮑ ᮜᮥᮨᮥᮢᮩᮺ ᯗ ᮖᮕᮕᮜ ᮜᮙᮛᮕ ᯗ᮵ᮝ ᮗᮟᮙᮞᮗ ᮤᮟ ᮖᮑᮙᮞᮤᮼ ᯐᮕᮓᮑᮥᮣᮕ ᮙᮞ ᮝᮟᮔᮕᮢᮞ ᮤᮙᮝᮕᮣᮺ ᮑᮜᮜ ᮝᮩ ᮙᮔᮟᮜᮣ ᮑᮢᮕ ᮔᮕᮑᮔᮼ ᮄᮘᮙᮣ ᮙᮣ ᮒᮑᮔᮺ ᮤᮘᮙᮣ ᮙᮣ ᮒᮑᮔᮺ ᮝᮩ ᮒᮢᮕᮑᮤᮘᮙᮞᮗ ᮙᮣ ᮒᮑᮔᮼ

ᮇᮕᮜᮜᮺ ᮤᮘᮕ ᮃᮑᮝᮑ ᮙᮣ ᮞᮕᮨᮤ ᮤᮟ ᮘᮙᮝ ᮤᮟᮟᮺ ᮤᮘᮟᮥᮗᮘᮼ ᮃᮟᮢᮢᮩᮺ ᮒᮥᮤ ᮘᮟᮞᮕᮣᮤᮜᮩᮺ ᮘᮕ ᮔᮟᮕᮣᮞ᮵ᮤ ᮞᮕᮕᮔ ᮤᮟ ᮒᮕ ᮘᮕᮢᮕᮼ

ᮄᮘᮕ ᮣᮘᮟᮥᮜᮔᮕᮢ ᮧᮟᮥᮞᮔ ᮧᮑᮣ ᮣᮤᮙᮤᮓᮘᮕᮔᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣ ᮣᮘᮑᮜᮜᮟᮧᮺ ᮞᮟᮤ ᮢᮕᮑᮓᮘᮙᮞᮗ ᮤᮘᮕ ᮒᮟᮞᮕᮼ ᯏ ᮠᮕᮢᮣᮟᮞ ᮧᮘᮟ ᮧᮑᮣ ᮣᮑᮙᮔ ᮤᮟ ᮒᮕ ᯖᮟᮞᮔᮑ ᮃᮑᮝᮑ᮵ᮣ ᮠᮕᮢᮣᮟᮞᮑᮜ ᮠᮘᮩᮣᮙᮓᮙᮑᮞ ᮤᮢᮕᮑᮤᮕᮔ ᮙᮤ ᮓᮑᮢᮕᮖᮥᮜᮜᮩᮺ ᮣᮟ ᮤᮘᮕ ᮒᮜᮕᮕᮔᮙᮞᮗ ᮘᮑᮣ ᮣᮤᮟᮠᮠᮕᮔ ᮖᮟᮢ ᮞᮟᮧᮼ

ᯐᮥᮤ ᯗ᮵ᮝ ᮧᮟᮢᮢᮙᮕᮔ ᮑᮒᮟᮥᮤ ᮙᮞᮖᮕᮓᮤᮙᮟᮞᮺ ᮣᮟ ᮧᮘᮕᮞ ᯗ ᮗᮕᮤ ᮒᮑᮓᮛᮺ ᯗ᮵ᮜᮜ ᮘᮑᮦᮕ ᮤᮟ ᮧᮑᮣᮘ ᮙᮤ ᮤᮘᮟᮢᮟᮥᮗᮘᮜᮩ ᮧᮙᮤᮘ ᮣᮘᮟᮓᮘᮥᮼ

“ᯐᮥᮤ ᮤᮘᮑᮤ ᮧᮑᮣ ᮑ ᮤᮢᮥᮜᮩ ᮝᮩᮣᮤᮕᮢᮙᮟᮥᮣ ᮤᮕᮓᮘᮞᮙᮡᮥᮕᮼ ᮇᮘᮕᮢᮕ ᮔᮙᮔ ᮩᮟᮥ ᮜᮕᮑᮢᮞ ᮙᮤᯍ”

“ᯛᮥᮤᮕᮣᮘᮟᮼᮼᮼ ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮟᮖ ᮙᮤ ᮝᮩᮣᮕᮜᮖᮼ”

“ᯖᮝᮝᮼᮼᮼ ᮇᮘᮩ ᮔᮙᮔ ᯙᮑᮚᮙᮙ ᮒᮕᮓᮟᮝᮕ ᮙᮝᮝᮟᮒᮙᮜᮕ ᮖᮢᮟᮝ ᮚᮥᮣᮤ ᮤᮘᮑᮤ ᮟᮞᮕ ᮣᮤᮢᮙᮛᮕᯍ”

“ᮄᮘᮕ ᮚᮑᮧ ᮙᮣ ᮑ ᮦᮙᮤᮑᮜ ᮠᮟᮙᮞᮤ ᮟᮖ ᮤᮘᮕ ᮘᮥᮝᮑᮞ ᮒᮟᮔᮩᮼ ᯗᮖ ᮩᮟᮥ ᮘᮙᮤ ᮤᮘᮕ ᮚᮑᮧ ᮘᮑᮢᮔᮺ ᮤᮘᮕ ᮘᮕᮑᮔ ᮣᮤᮟᮠᮣ ᮖᮥᮞᮓᮤᮙᮟᮞᮙᮞᮗᮺ ᮩᮟᮥ ᮣᮕᮕᮼ”

“ᯖᮟᮘᮼ”

“ᯗ ᮘᮕᮑᮢᮔ ᮤᮘᮑᮤ ᮃᮘᮙᮞᮛᮑᮗᮕᮻᮢᮩᮥ ᮑᮜᮣᮟ ᮘᮑᮣ ᮠᮢᮕᮠᮑᮢᮑᮤᮙᮟᮞᮣ ᮖᮟᮢ ᮣᮥᮓᮘ ᮥᮞᮑᮢᮝᮕᮔ ᮓᮟᮝᮒᮑᮤ ᮤᮕᮓᮘᮞᮙᮡᮥᮕᮣᮼ ᯗ ᮧᮑᮣ ᮚᮥᮣᮤ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮜᮥᮓᮛᮩᮼ”

“ᮄᮘᮑᮤ᮵ᮣ ᮞᮟᮤ ᮤᮢᮥᮕᮼ ᯗᮞ ᮑ ᮔᮟᮚᮟ ᮧᮘᮕᮢᮕ ᮟᮞᮜᮩ ᮒᮑᮝᮒᮟᮟ ᮣᮧᮟᮢᮔᮣ ᮑᮢᮕ ᮥᮣᮕᮔ ᮖᮟᮢ ᮠᮢᮑᮓᮤᮙᮓᮕᮺ ᮤᮘᮕᮢᮕ ᮑᮢᮕᮞ᮵ᮤ ᮝᮑᮞᮩ ᮧᮟᮝᮕᮞ ᮧᮘᮟ ᮓᮑᮞ ᮣᮤᮢᮙᮛᮕ ᮑ ᮝᮑᮞ ᮧᮙᮤᮘ ᮒᮑᮢᮕ ᮘᮑᮞᮔᮣ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮑ ᮢᮕᮑᮜ ᮣᮧᮟᮢᮔᮼ”

“ᯝᮘᮺ ᮑᮢᮕ ᮩᮟᮥ ᮠᮢᮑᮙᮣᮙᮞᮗ ᮝᮕᮺ ᮟᮢ ᮑᮢᮕ ᮩᮟᮥ ᮓᮑᮜᮜᮙᮞᮗ ᮝᮕ ᮑ ᮧᮙᮜᮔ ᮒᮟᮑᮢ ᮧᮑᮢᮢᮙᮟᮢᯍ”

“ᯗ᮵ᮝ ᮠᮢᮑᮙᮣᮙᮞᮗ ᮩᮟᮥᮼ ᯛᮑᮤᮣᮥᮔᮑᮙᮢᮑ ᮃᮑᮝᮑᮺ ᮩᮟᮥ᮵ᮦᮕ ᮙᮞᮤᮢᮟᮔᮥᮓᮕᮔ ᮑ ᮤᮢᮥᮜᮩ ᮖᮙᮞᮕ ᮧᮟᮝᮑᮞ ᮤᮘᮙᮣ ᮤᮙᮝᮕᮼ”

“ᯗᮞᮔᮕᮕᮔᮺ ᮙᮞᮔᮕᮕᮔᮼ ᮉᮑᮝᮑᮒᮥᮛᮙ ᮙᮣ ᮤᮘᮕ ᮖᮙᮞᮕᮣᮤ ᮧᮟᮝᮑᮞ ᮙᮞ ᯓᮔᮟᮼ”

“ᮉᮟᮥ᮵ᮢᮕ ᮡᮥᮙᮤᮕ ᮣᮝᮙᮤᮤᮕᮞ ᮧᮙᮤᮘ ᮘᮕᮢᮺ ᮑᮢᮕᮞ᮵ᮤ ᮩᮟᮥᯍ ᯘᮥᮣᮤ ᮒᮕ ᮓᮑᮢᮕᮖᮥᮜ ᮧᮙᮤᮘ ᮤᮘᮕ ᮑᮥᮤᮘᮟᮢᮙᮤᮙᮕᮣᮼ”

“ᯗ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼ ᮉᮑᮝᮑᮒᮥᮛᮙ᮵ᮣ ᮣᮓᮟᮜᮔᮙᮞᮗ ᮧᮟᮛᮕ ᮝᮕ ᮥᮠᮼ ᯗ ᮧᮙᮜᮜ ᮞᮟᮤ ᮤᮢᮟᮥᮒᮜᮕ ᮤᮘᮕ ᮠᮕᮟᮠᮜᮕ ᮟᮖ ᮝᮩ ᮔᮟᮝᮑᮙᮞᮼ”

“ᯗᮞᮔᮕᮕᮔᮺ ᮖᮟᮢ ᮒᮟᮤᮘ ᮟᮖ ᮥᮣᮼ”

ᯖᮥᮘᮺ ᮤᮘᮕᮣᮕ ᮤᮧᮟ ᮑᮢᮕ ᮣᮥᮢᮠᮢᮙᮣᮙᮞᮗᮜᮩ ᮓᮜᮟᮣᮕᯍ ᮃᮕᮢᮙᮟᮥᮣᮜᮩᯍᮯ

ᯏᮣ ᮑ ᮘᮙᮣᮤᮟᮢᮩ ᮒᮥᮖᮖᮺ ᮓᮑᮞ ᯗ ᮝᮑᮛᮕ ᮑ ᮢᮕᮜᮑᮤᮙᮟᮞᮣᮘᮙᮠ ᮓᮘᮑᮢᮤᯍ

ᯗ ᮧᮑᮞᮤ ᮙᮤ ᮤᮟ ᮒᮕ ᮥᮞᮕᮑᮢᮤᮘᮕᮔ ᮓᮕᮞᮤᮥᮢᮙᮕᮣ ᮜᮑᮤᮕᮢᮺ ᮑᮞᮔ ᮖᮟᮢ ᮘᮙᮣᮤᮟᮢᮩ ᮒᮥᮖᮖᮣ ᮤᮟ ᮒᮕ ᮟᮦᮕᮢᮚᮟᮩᮕᮔᮯ

“ᯜᮟᮧ ᮤᮘᮕᮞᮺ ᮧᮕ ᮝᮥᮣᮤ ᮒᮕᮣᮤᮟᮧ ᮑ ᮢᮕᮧᮑᮢᮔ ᮥᮠᮟᮞ ᮤᮘᮕ ᮦᮙᮓᮤᮟᮢᮼ ᯒᮟ ᮩᮟᮥ ᮘᮑᮦᮕ ᮑᮞᮩ ᮧᮙᮣᮘᮕᮣᯍ”

ᯖᮟᮞᮔᮑ ᮃᮑᮝᮑ ᮑᮣᮛᮕᮔ ᮜᮕᮙᮣᮥᮢᮕᮜᮩᮼ

ᯗ ᮧᮟᮞᮔᮕᮢ ᮙᮖ ᮤᮘᮙᮣ ᮧᮙᮜᮜ ᮢᮕᮑᮜᮜᮩ ᮝᮑᮛᮕ ᮤᮘᮕᮝ ᮑᮞᮗᮢᮩᮼ

ᯐᮥᮤ ᮚᮥᮣᮤ ᮣᮑᮩ ᮙᮤᮺ ᮣᮑᮩ ᮙᮤᮯ ᮄᮘᮙᮣ ᮓᮘᮑᮞᮓᮕ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮧᮟᮞ᮵ᮤ ᮓᮟᮝᮕ ᮑᮗᮑᮙᮞᮯ

“ᮄᮘᮕᮞᮼᮼᮼ ᯗ ᮧᮙᮣᮘ ᮤᮟ ᮥᮣᮕ ᮑ ᮚᮥ᮪ᮥᮻᮠᮑᮤᮤᮕᮢᮞ ᮟᮞ ᮝᮩ ᮘᮑᮟᮢᮙᮼ”

“ᯖᮑᮘᮑᮘᮑᮺ ᮩᮟᮥ ᮜᮙᮛᮕ ᮄᮑᮔᮑᮛᮑᮤᮣᮥ ᯙᮟ ᮤᮘᮑᮤ ᮝᮥᮓᮘᯍ”

“ᮉᮕᮣᮼ ᯗ ᮜᮙᮛᮕ ᮘᮙᮝ ᮦᮕᮢᮩ ᮝᮥᮓᮘᮼ”

“ᯛᮑᮤᮣᮥᮔᮑᮙᮢᮑ ᮃᮑᮝᮑᮺ ᮣᮘᮕ ᮣᮑᮩᮣ ᮤᮘᮙᮣᮺ ᮧᮘᮑᮤ ᮧᮙᮜᮜ ᮩᮟᮥ ᮔᮟᯍ”

“ᮼᮼᮼᯗᮖ ᮙᮤ ᮙᮣ ᮉᮑᮝᮑᮒᮥᮛᮙ᮵ᮣ ᮧᮙᮣᮘᮺ ᮤᮘᮕᮞ ᮙᮤ ᮓᮑᮞᮞᮟᮤ ᮒᮕ ᮘᮕᮜᮠᮕᮔᮼ”

“ᯚᮟᮟᮛ ᮑᮤ ᯝᮛᮑᮩᮑᮝᮑ ᯛᮑᮤᮣᮥᮔᮑᮙᮢᮑ᮵ᮣ ᮖᮑᮓᮕᮺ ᮜᮙᮛᮕ ᮑ ᮧᮙᮜᮤᮕᮔ ᮔᮟᮗᮯ ᮇᮘᮑᮤ ᮑ ᮣᮙᮞᮖᮥᮜ ᮧᮟᮝᮑᮞ ᮣᮘᮕ ᮙᮣᮼ ᮆᮕᮢᮩ ᮧᮕᮜᮜᮼ ᯗ ᮠᮕᮢᮝᮙᮤ ᮙᮤᮼ ᯕᮟ ᮑᮘᮕᮑᮔ ᮑᮞᮔ ᮤᮢᮟᮥᮒᮜᮕ ᯛᮑᮤᮣᮥᮔᮑᮙᮢᮑ ᮃᮑᮝᮑ ᮑᮣ ᮝᮥᮓᮘ ᮑᮣ ᮩᮟᮥ ᮜᮙᮛᮕ ᮧᮙᮤᮘ ᮑ ᮚᮥ᮪ᮥᮻᮠᮑᮤᮤᮕᮢᮞᮕᮔ ᮘᮑᮟᮢᮙᮼ”

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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