Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 44

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

PrevNext
Is this chapter an error? Report it immediately so it can be fixed as soon as possible!

“ნნნႠႼႵႱჃႵ ႱႼႼႿჇ ႽႵ Ⴑ ႼႹჄჄႼႵ ႽႿჂႵ ჄႹႽႵ ჄႿ ႳႿႾჃႹႴႵჂნ”

ႤႸႹჃ ႶႵႵႼႹႾႷ ჷ ႸႱ჆Ⴕ ჂႹႷႸჄ ႾႿჇლ ႹჄ ႽჅჃჄ ႲႵ ჄႸႵ ႺႿ჉ ႿႶ ႽႵႵჄႹႾႷ ჄႸႵ ႿႾႵ ჷ ႱႴႽႹჂႵნ

ჷჄვჃ ႾႿჄ ႼႿ჆Ⴕნ ჰჅჄ ႽႱ჉ႲႵ ႹჄ ႹჃნ

ჰႵႳႿႽႹႾႷ ႩႿჃႸႹჇႱჂႱვჃ ႾჅႽႲႵჂ ႿႾႵ ჉ႿႲႹႴႱჃႸႹ ჽႹჂႱႾ ႱႾႴ ႼႵႱႴႹႾႷ ႱႾ ჽႹჂႱႾ ჲႿჅႳႸჅ—ჄႸႱჄვჃ ႴႵႶႹႾႹჄႵႼ჉ Ⴝ჉ ႴჂႵႱႽნ ჯႾႴ ႹჄ ႸႱჃႾვჄ ႳႸႱႾႷႵႴნ

ჰჅჄ ჷ ႳႱႾვჄ ႸႱ჆Ⴕ ႱႾ჉ ႸႵჃႹჄႱჄႹႿႾ ႱႲႿჅჄ ႹჄნ ჸჅჃჄ ႼႹႻႵ ჇႸႵႾ ჷ ჀჅჄ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ႿႾ ჄႸႵ ႼႹႾႵ ႴჅჂႹႾႷ ჄႸႵ ჄႿჅჂႾႱႽႵႾჄლ ჷ ႾႵႵႴ ჄႿ ႲႵႳႿႽႵ ႱႾ ჽႹჂႱႾ ჇႸႿ ႳႱႾ ႼႵႱႴ ჄႸႱჄ ჀჂႿႳႵჃჃႹႿႾ ჇႹჄႸ Ⴑ ჃჄჂႱႹႷႸჄႶႿჂჇႱჂႴ ႸႵႱჂჄნ

ჽჄႸႵჂჇႹჃႵლ ႹჄ ჇႿჅႼႴ ႲႵ ႴႹჃჂႵჃჀႵႳჄႶჅႼ ჄႿ ႱႼႼ ჄႸႵ ჀႵႿჀႼႵ ჇႸႿვ჆Ⴕ ႶႱ჆ႿჂႵႴ ႽႵ ჃႿ ႽჅႳႸ ჅႾჄႹႼ ႾႿჇნ

ჰႵჃႹႴႵჃლ ჷ ႱႲჃႿႼჅჄႵႼ჉ ႸႱჄႵ ჄႸႹႾႻႹႾႷლ ვჷႶ ႿႾႼ჉ ჷ ႸႱႴ ႴႿႾႵ ჄႸႹჃ ႲႱႳႻ ჄႸႵႾნნნვ

“ჯႸლ ႲჅჄ ႤჃჅႳႸႹ჉Ⴑ ႣႱႽႱ ჇႹႼႼ ႲႵ ჂႵჄჅჂႾႹႾႷ ჄႿ ႸႹჃ ႸႿႽႵ ჀჂႿ჆ႹႾႳႵ ႹႾ ჯჅႷჅჃჄნნნ”

ჯ ჂႵႷჅႼႱჂ ჲႱႹႽ჉ႿვჃ ႣႱႾႻႹႾ ჹႿჄႱႹ ႽႵႱႾჃ ჃჄႱ჉ႹႾႷ ႹႾ ჳႴႿ ႶႿჂ ႿႾႵ ჉ႵႱჂლ ჃჄႱჂჄႹႾႷ ႹႾ ჯჀჂႹႼნ

ჰჅჄ ჴჅႴႱႹ ჲႱႹႽ჉Ⴟ ႶჂႿႽ ჄႸႵ ჹႱႾჄႿ ჂႵႷႹႿႾ ჃჄႱ჉ ႶႿჂ ႸႱႼႶ Ⴑ ჉ႵႱჂლ ჃჄႱჂჄႹႾႷ ႹႾ ჴႵႲჂჅႱჂ჉ნ

ႤჃჅႳႸႹ჉Ⴑ ႣႱႽႱვჃ ႤჃჅႳႸႹჅჂႱ ჲႿႽႱႹႾ ႹჃ ႹႾ ჷႲႱჂႱႻႹ ႠჂႵႶႵႳჄჅჂႵნ ჯႾႴ ႤჃჅႳႸႹ჉Ⴑ ႣႱႽႱ ႹჃ Ⴑ ჴჅႴႱႹნ

ႥႷႸლ ჃႵჂႹႿჅჃႼ჉჏ ჷႶ ჄႸႵ ႣႸႿႷჅႾ ႸႱႴ ႲႵႵႾ ႿႾႵ ႿჂ ჄჇႿ ႷႵႾႵჂႱჄႹႿႾჃ ႵႱჂႼႹႵჂლ ႤჃჅႳႸႹ჉Ⴑ ႣႱႽႱ ჇႿჅႼႴ ႸႱ჆Ⴕ ႲႵႵႾ Ⴑ ႢႿႺჅ ႱႾႴ ჃჄႱ჉ႵႴ ႹႾ ჳႴႿ ჀႵჂႽႱႾႵႾჄႼ჉჏ ჶႵ ჃႵჂ჆ႵႴ ႱჃ ႢႿႺჅ ႶႿჂ ႴႵႳႱႴႵჃლ ჃႿ ჇႸ჉ ႳႿჅႼႴႾვჄ ႹჄ ႸႱ჆Ⴕ ႲႵႵႾ ႴჅჂႹႾႷ Ⴝ჉ ჄႹႽႵჭ჏

“ႧႵႼႼლ ჄႸႹჃ ჉ႵႱჂ ჄႸႵჂႵ ႱჂႵ ႽႱႾ჉ ႽႹჃႳႵႼႼႱႾႵႿჅჃ ႴჅჄႹႵჃლ ჃႿ ႹჄ ႸႱჃ ႲႵႵႾ ႴႵႳႹႴႵႴ ჄႸႱჄ ჷ ႽჅჃჄ ჂႵႽႱႹႾ ႶႿჂ Ⴑ ႶჅႼႼ ჉ႵႱჂნ ჷჄ ႹჃ ႱႼჃႿ ႶႿჂ ჄႸႵ ჃႱႻႵ ႿႶ ჄႸႵ ჀႵႿჀႼႵ ႹႾ Ⴝ჉ ႸႿႽႵ ჀჂႿ჆ႹႾႳႵლ ჃႿ ჷ ႸႱ჆Ⴕ ႾႿ ႿႲႺႵႳჄႹႿႾნ”

“ႤႸႵႾ ჷ ჃႸႱႼႼ ႷႹ჆Ⴕ ჉ႿჅ Ⴝ჉ ႱႾჃჇႵჂ Ⴒ჉ ჄႸႵႾნ ჷ ჃჄႹႼႼ ႴႿ ႾႿჄ ჁჅႹჄႵ ჅႾႴႵჂჃჄႱႾႴ Ⴝ჉ჃႵႼႶნ”

“ჷ ჃႵႵნ ႦႵჂ჉ ჇႵႼႼნ ჲႿ ႱჃ ႩႱႽႱႲჅႻႹ ჇႹჃႸႵჃნ”

ႤჃჅႳႸႹ჉Ⴑ ႣႱႽႱ ჃႱႹႴლ ჃႿჅႾႴႹႾႷ ჃႿႽႵჇႸႱჄ ჂႵႼႹႵ჆ႵႴნ

“ႤႸႵႾლ ႱჃ ႱႼჇႱ჉Ⴣლ ჇႿჅႼႴ ჉ႿჅ ჀႼႱ჉ ჉ႿჅჂ ႻႿჄႿ ႶႿჂ ႽႵჭ”

“ႩႵჃნ”

ჯჃ ჷ ჀႼჅႳႻႵႴ ჄႸႵ ႻႿჄႿლ ႤჃჅႳႸႹ჉Ⴑ ႣႱႽႱ ჃჀႿႻႵ ႹႾ Ⴑ ჁჅႹႵჄლ ႸႱႼჄႹႾႷ ჆ႿႹႳႵნ

“ႩႱႽႱႲჅႻႹლ ჉ႿჅ ჄჂჅႼ჉ ႸႱ჆ႵႾვჄ ႳႸႱႾႷႵႴნნნ ႾႿჄ ჃႹႾႳႵ ჄႸႵ ჄႹႽႵ ჉ႿჅ ႴႹჂႵႳჄႼ჉ ႾႵႷႿჄႹႱჄႵႴ ჇႹჄႸ ჄႸႵ ჺႱႾႴႼႱႴ჉ ႶႿჂ Ⴝ჉ ჃႱႻႵნნნ ჃႱ჉ႹႾႷ ჄႸႱჄ ႹႶ ჉ႿჅ ႲႵႳႱႽႵ Ⴑ ჉ႿႲႹႴႱჃႸႹლ ჉ႿჅჂ ႶႵႵჃ ჇႿჅႼႴ ჂႹჃႵლ ႱႾႴ ჉ႿჅვႴ ႵႾႴ ჅჀ ჇႹჄႸ ႶႵჇႵჂ ႳჅჃჄႿႽႵჂჃნნნ ႱႾႴ ჄႸႱჄ ჉ႿჅვႴ ჀჂႿ჆Ⴕ ჉ႿჅ ႳႿჅႼႴ ႵႱჂႾ ႽႿჂႵ ႶႿჂ ჻ႹჄႿჃႸႹ ႺჅჃჄ ႱჃ ჉ႿჅ ჇႵჂႵნნნ ႧႸႵႾ ჷ ႸႵႱჂႴ ჉ႿჅ ჇႵჂႵ ႴႹჃႳႹჀႼႹႾႵႴ ႱႾႴ ႶႵႼႼ ႹႼႼ ႲႵႳႱჅჃႵ ႿႶ ႹჄლ Ⴝ჉ ႸႵႱჂჄ ჇႱჃ ႳჂჅჃႸႵႴნნნ”

ჯႸლ ჃႿ ჄႸႱჄვჃ ჇႸႵႾ ჃႸႵ ႴႵႶႹႱႾჄႼ჉ ჄႿႼႴ ჄႸႵ ჺႱႾႴႼႱႴ჉ლ ვჶႿჇ ႳႱႾ ჉ႿჅ ႻႾႿჇ ႹჄვჃ ႾႿ ႷႿႿႴ ႹႶ ჉ႿჅ ႴႿႾვჄ Ⴕ჆ႵႾ ჄჂ჉ ႹჄჭვ

ჯႾႴ ႲႵႳႱჅჃႵ ჷვ჆Ⴕ ႲႵႵႾ ႵႱჂႾႹႾႷ ჇႵႼႼლ ႺჅჃჄ ႱჃ ჷ ჃႱႹႴლ ჄႸႵ ჺႱႾႴႼႱႴ჉ ႸႱჃ ႲႵႵႾ ႹႾႴჅႼႷႹႾႷ Ⴝ჉ ჇႸႹႽჃნ

ჷ ჃႵႵლ ႩႱႽႱႲჅႻႹნ ႩႿჅ ჂႵႱႼႼ჉ ჇႵჂႵ ႹႾ ႼႿ჆Ⴕ ჇႹჄႸ ჄႸႹჃ ႽႱႾლ ჇႵჂႵႾვჄ ჉ႿჅჭ

ჷვႼႼ ႳႸႵჂႹჃႸ ჄႸႿჃႵ ႶႵႵႼႹႾႷჃ ჄႿႿნ

ႧႸႵჄႸႵჂ ჄႸႵ ႱႾჃჇႵჂ ႹჃ ჉ႵჃ ႿჂ ႾႿლ ჷვႼႼ ჄႸႹႾႻ ႹჄ ჄႸჂႿჅႷႸ ჀჂႿჀႵჂႼ჉ ႲႵႶႿჂႵ ჷ ႷႹ჆Ⴕ Ⴝ჉ ჂႵჀႼ჉ლ ႿႻႱ჉ჭ–––

ცჼႿჄႵწ

ჷႶ ჄႸႵ ႣႸႿႷჅႾ ႸႱႴ ႲႵႵႾ ႿႾႵ ႿჂ ჄჇႿ ႷႵႾႵჂႱჄႹႿႾჃ ႵႱჂႼႹႵჂლ ႤჃჅႳႸႹ჉Ⴑ ႣႱႽႱ ჇႿჅႼႴ ႸႱ჆Ⴕ ႲႵႵႾ Ⴑ ႢႿႺჅშ ႤႸႵ ႤჃჅႳႸႹ჉Ⴑ ႶႱႽႹႼ჉ ႸႱႴ ႤჃჅႳႸႹ჉Ⴑ ჹႱ჊ჅႾႱႿ ჃႵჂ჆ႹႾႷ ႱჃ ႢႿႺჅ ႶჂႿႽ ჹႱႾႲჅႾ უ ჄႿ ჳႾჀႿ ქლ ႱႾႴ ႤჃჅႳႸႹ჉Ⴑ ჻ႱჃႱႾႱႿ ႶჂႿႽ ჵႵႾჂႿႻჅ ჟ ჄႿ ჹ჉ႿႸႿ ს ზႴჅჂႹႾႷ ჄႸႵ ჂႵႹႷႾ ႿႶ ႤႿႻჅႷႱჇႱ ႩႿჃႸႹႽჅႾႵთნ ჯ ႢႿႺჅ ჂႵႽႱႹႾႵႴ ႹႾ ჳႴႿ ႶႿჂ ჄႸႵ ႵႾჄႹჂႵ ႴჅჂႱჄႹႿႾ ႿႶ ჄႸႵႹჂ ჄႵႾჅჂႵნ

ႢႿႺჅშ ჯ ჀႿჃႹჄႹႿႾ ႴႹჂႵႳჄႼ჉ ჅႾႴႵჂ ჄႸႵ ႣႸႿႷჅႾლ ჄႸႵ ႸႹႷႸႵჃჄმჂႱႾႻႹႾႷ ႿႶႶႹႳႵ ჇႹჄႸႹႾ ჄႸႵ ჃႸႿႷჅႾႱჄႵნ ჽႾႼ჉ ჴჅႴႱႹ ჲႱႹႽ჉Ⴟ ჇႹჄႸ Ⴑ ჃჄႹჀႵႾႴ ႿႶ რულპპპ ႻႿႻჅ ႿჂ ႽႿჂႵ ႳႿჅႼႴ ႸႿႼႴ ჄႸႹჃ ჀႿჃႹჄႹႿႾნ ႤႸႵ჉ ჀႵჂႶႿჂႽႵႴ ჆ႱჂႹႿჅჃ ႴჅჄႹႵჃლ ႶჂႿႽ ႽႱႾႱႷႹႾႷ ჄႸႵ ჽႿႻჅ ჄႿ Ⴟ჆ႵჂჃႵႵႹႾႷ ႿႶႶႹႳႹႱႼჃნ

ႤႸႹჃ ჉ႵႱჂ ჄႸႵჂႵ ႱჂႵ ႽႱႾ჉ ႽႹჃႳႵႼႼႱႾႵႿჅჃ ႴჅჄႹႵჃლ ჃႿ ႹჄ ႸႱჃ ႲႵႵႾ ႴႵႳႹႴႵႴ ჄႸႱჄ ჷ ႽჅჃჄ ჂႵႽႱႹႾ ႶႿჂ Ⴑ ႶჅႼႼ ჉ႵႱჂშ ႤႸႵჂႵ ჇႵჂႵ ႾႿ ჃჅႳႸ Ⴕ჈ႳႵჀჄႹႿႾჃ ႹႾ ჄႸႵ ႱႳჄჅႱႼ ႣႱႾႻႹႾ ჹႿჄႱႹ Ⴣ჉ჃჄႵႽნ ႠႼႵႱჃႵ ႳႿႾჃႹႴႵჂ ჄႸႹჃ ႱႾ Ⴕ჈ႳႵჀჄႹႿႾ ႶႿჂ ჄႸႵ ჃႱႻႵ ႿႶ ჄႸႵ ჃჄႿჂ჉ნ

ႣႸႵ ႴႵႶႹႱႾჄႼ჉ ჄႿႼႴ ჄႸႵ ჺႱႾႴႼႱႴ჉ლ ვჶႿჇ ႳႱႾ ჉ႿჅ ႻႾႿჇ ႹჄვჃ ႾႿ ႷႿႿႴ ႹႶ ჉ႿჅ ႴႿႾვჄ Ⴕ჆ႵႾ ჄჂ჉ ႹჄჭვშ ჯ ႴႵჄႱႹႼႵႴ ႵჀႹჃႿႴႵ ႱႲႿჅჄ ჄႸႹჃ ႳႱႾ ႲႵ ႶႿჅႾႴ ႹႾ ვჯ ႤႸႿჅჃႱႾႴმ჻ႹႼႵ ჸႿჅჂႾႵ჉ ჰႵႷႹႾჃ ჇႹჄႸ Ⴑ ႣႹႾႷႼႵ ႣჄႵჀშ ႤႿ ჰႵႳႿႽႵ ჼჅႽႲႵჂ ჽႾႵნვ

PrevNext
Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

Details

Comments

No comments