Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 45

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

Is this chapter an error? Report it immediately so it can be fixed as soon as possible!

“ᯏᮜᮢᮙᮗᮘᮤᮺ ᮃᮑᮛᮥᮢᮑᮺ ᮅᮝᮕᮺ ᮢᮕᮠᮕᮑᮤ ᮑᮖᮤᮕᮢ ᮝᮕᯈ ‘ᯗ ᮜᮟᮦᮕ ᮩᮟᮥᮼ’”

““ᯗ ᮜᮟᮦᮕ ᮩᮟᮥᮯ””

ᮃᮕᮢᮙᮟᮥᮣᮜᮩᮺ ᮑ ᮜᮟᮤ ᮘᮑᮣ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮢᮕᮓᮕᮞᮤᮜᮩᮺ ᮒᮥᮤ ᮙᮤ᮵ᮣ ᮞᮟᮤ ᮝᮩ ᮣᮤᮩᮜᮕ ᮤᮟ ᮞᮕᮗᮜᮕᮓᮤ ᮧᮟᮢᮛ ᮑᮞᮔ ᮝᮟᮠᮕ ᮑᮢᮟᮥᮞᮔᮼ ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᯗ᮵ᮝ ᮧᮟᮢᮢᮙᮕᮔ ᮑᮒᮟᮥᮤ ᮄᮣᮥᮓᮘᮙᮩᮑ ᮃᮑᮝᮑᮺ ᮒᮥᮤᮼᮼᮼ ᮒᮕᮓᮟᮝᮙᮞᮗ ᮞᮥᮝᮒᮕᮢ ᮟᮞᮕ ᮙᮣ ᮑᮜᮣᮟ ᮝᮩ ᮔᮢᮕᮑᮝᮼ ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮧᮟᮢᮛ ᮙᮣ ᮧᮘᮑᮤ᮵ᮣ ᮙᮝᮠᮟᮢᮤᮑᮞᮤᮼ

ᮃᮟᮺ ᮑᮖᮤᮕᮢ ᮖᮙᮞᮙᮣᮘᮙᮞᮗ ᮤᮘᮕ ᮜᮕᮤᮤᮕᮢᮣ ᮤᮟ ᮝᮩ ᮢᮕᮗᮥᮜᮑᮢ ᮠᮑᮤᮢᮟᮞᮣᮺ ᯗ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮤᮕᮑᮓᮘ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕ ᮣᮟᮝᮕ ᮣᮙᮝᮠᮜᮕ ᯓᮞᮗᮜᮙᮣᮘᮺ ᮣᮟ ᮤᮘᮑᮤ ᮧᮘᮕᮞ ᮤᮘᮕᮩ ᮒᮕᮓᮟᮝᮕ ᯝᮙᮢᮑᮞᮺ ᮤᮘᮕᮩ᮵ᮜᮜ ᮣᮤᮑᮞᮔ ᮟᮥᮤ ᮖᮢᮟᮝ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᯝᮙᮢᮑᮞᮼ

ᯑᮟᮥᮢᮤᮕᮣᮑᮞᮣ ᮙᮞ ᯛᮑᮢᮥᮩᮑᮝᮑᮺ ᯜᮑᮗᮑᮣᮑᮛᮙᮺ ᮝᮙᮗᮘᮤ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮣᮠᮕᮑᮛ ᯒᮥᮤᮓᮘᮺ ᮒᮥᮤ ᯗ᮵ᮦᮕ ᮞᮕᮦᮕᮢ ᮘᮕᮑᮢᮔ ᮟᮖ ᮑ ᮓᮟᮥᮢᮤᮕᮣᮑᮞ ᮙᮞ ᮉᮟᮣᮘᮙᮧᮑᮢᮑᮺ ᯓᮔᮟᮺ ᮒᮕᮙᮞᮗ ᮑᮒᮜᮕ ᮤᮟ ᮣᮠᮕᮑᮛ ᯓᮞᮗᮜᮙᮣᮘᮼ

ᯐᮕᮙᮞᮗ ᮑᮒᮜᮕ ᮤᮟ ᮔᮟ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᮟᮤᮘᮕᮢᮣ ᮙᮣ ᮑᮜᮧᮑᮩᮣ ᮑ ᮠᮟᮧᮕᮢᮖᮥᮜ ᮧᮕᮑᮠᮟᮞᮼ

“ᯗ ᮜᮟᮦᮕ ᮩᮟᮥᮼ ᮄᮘᮙᮣ ᮝᮕᮑᮞᮣ ‘ᯗ ᮘᮑᮦᮕ ᮑᮖᮖᮕᮓᮤᮙᮟᮞ ᮖᮟᮢ ᮩᮟᮥᮼ’”

“ᯗ ᮘᮑᮦᮕ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮼᮼᮼ ᮖᮟᮢ ᮩᮟᮥᮼᮼᮼ ᯗ ᮜᮟᮦᮕᮼᮼᮼ ᮩᮟᮥᮼᮼᮼ”

ᮄᮘᮕ ᮤᮧᮟ ᮟᮖ ᮤᮘᮕᮝ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩ ᮧᮢᮟᮤᮕ ᮔᮟᮧᮞ ᮤᮘᮕ ᯓᮞᮗᮜᮙᮣᮘ ᮑᮞᮔ ᯘᮑᮠᮑᮞᮕᮣᮕ ᮤᮢᮑᮞᮣᮜᮑᮤᮙᮟᮞᮣ ᮟᮞ ᮤᮘᮕ ᮠᮑᮠᮕᮢ ᮙᮞ ᮤᮘᮕᮙᮢ ᮘᮑᮞᮔᮣᮺ ᮧᮘᮙᮜᮕ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮤᮘᮕ ᮕᮨᮑᮝᮠᮜᮕᮣ ᯗ᮵ᮔ ᮧᮢᮙᮤᮤᮕᮞᮼ

“ᯕᮟᮟᮔᮺ ᮩᮟᮥ᮵ᮦᮕ ᮧᮢᮙᮤᮤᮕᮞ ᮙᮤ ᮧᮕᮜᮜᮼ ᯜᮕᮨᮤ ᮙᮣ ‘ᯒᮟᮞ᮵ᮤ ᮖᮟᮢᮗᮕᮤ ᮝᮕᮼ’”

“ᮉᮕᮣᮯ”

“ᯒᮟᮞ᮵ᮤ ᮖᮟᮢᮗᮕᮤ ᮝᮕᮼ ᯖᮑᮦᮕ ᮩᮟᮥ ᮧᮢᮙᮤᮤᮕᮞ ᮙᮤ ᮔᮟᮧᮞᯍ ᮄᮘᮕᮞ ᮢᮕᮠᮕᮑᮤ ᮑᮖᮤᮕᮢ ᮝᮕᮺ

‘ᯒᮟᮞ᮵ᮤ ᮖᮟᮢᮗᮕᮤ ᮝᮕᮼ’”

““ᯒᮟᮞ᮵ᮤ ᮖᮟᮢᮗᮕᮤ ᮝᮕᮯ””

ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕ ᮢᮕᮠᮕᮑᮤᮕᮔ ᮙᮤ ᮙᮞ ᮤᮘᮕᮙᮢ ᮑᮔᮟᮢᮑᮒᮜᮕ ᮦᮟᮙᮓᮕᮣᮼ

“ᮇᮘᮕᮞ ᮩᮟᮥ ᮧᮢᮙᮤᮕ ᮑ ᮜᮕᮤᮤᮕᮢᮺ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮕᮜᮕᮗᮑᮞᮤ ᮤᮟ ᮑᮤᮤᮑᮓᮘ ᮑ ᮠᮢᮕᮣᮣᮕᮔ ᮖᮟᮢᮗᮕᮤᮻᮝᮕᮻᮞᮟᮤ ᮖᮜᮟᮧᮕᮢ ᮤᮟ ᮙᮤᮼ”

“ᯗ ᮣᮕᮕᮼ”

“ᯗᮞ ᮤᮘᮑᮤ ᮓᮑᮣᮕᮺ ᮔᮢᮑᮧᮙᮞᮗ ᮑ ᮠᮙᮓᮤᮥᮢᮕ ᮧᮟᮥᮜᮔ ᮑᮜᮣᮟ ᮒᮕ ᮞᮙᮓᮕᮼ”

“ᯐᮟᮤᮘ ᮟᮖ ᮩᮟᮥ ᮧᮙᮜᮜ ᮜᮙᮛᮕᮜᮩ ᮧᮢᮙᮤᮕ ᮝᮑᮞᮩ ᮜᮕᮤᮤᮕᮢᮣ ᮑ ᮔᮑᮩ ᮕᮦᮕᮞᮤᮥᮑᮜᮜᮩᮺ ᮒᮥᮤ ᮩᮟᮥ ᮝᮥᮣᮤ ᮠᮥᮤ ᮩᮟᮥᮢ ᮘᮕᮑᮢᮤ ᮙᮞᮤᮟ ᮕᮑᮓᮘ ᮑᮞᮔ ᮕᮦᮕᮢᮩ ᮟᮞᮕᮼ ᯗᮖ ᮩᮟᮥ ᮔᮟᮞ᮵ᮤ ᮧᮢᮙᮤᮕ ᮧᮘᮙᮜᮕ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮟᮖ ᮤᮘᮑᮤ ᮠᮕᮢᮣᮟᮞᮺ ᮙᮤ ᮧᮙᮜᮜ ᮣᮥᮢᮕᮜᮩ ᮒᮕ ᮓᮟᮞᮦᮕᮩᮕᮔ ᮤᮟ ᮤᮘᮕᮝᮼ ᮇᮢᮙᮤᮙᮞᮗ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮘᮙᮞᮗ ᮤᮟ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮙᮣ ᮣᮙᮝᮠᮜᮩ ᮟᮥᮤᮢᮑᮗᮕᮟᮥᮣᮼ”

ᯐᮑᮓᮛ ᮧᮘᮕᮞ ᯗ ᮧᮑᮣ ᮑ ᮘᮟᮣᮤᮕᮣᮣᮺ ᯗ ᮔᮙᮔ ᮑ ᮤᮟᮞ ᮟᮖ ᮕᮝᮑᮙᮜ ᮝᮑᮢᮛᮕᮤᮙᮞᮗᮼ

ᯏᮤ ᮖᮙᮢᮣᮤᮺ ᯗ ᮚᮥᮣᮤ ᮣᮕᮞᮤ ᮓᮟᮠᮩᮻᮠᮑᮣᮤᮕᮔ ᮕᮝᮑᮙᮜᮣᮺ ᮣᮟ ᯗ ᮔᮙᮔᮞ᮵ᮤ ᮗᮕᮤ ᮑᮞᮩ ᮢᮕᮣᮠᮟᮞᮣᮕᮺ ᮒᮥᮤ ᮕᮦᮕᮞᮤᮥᮑᮜᮜᮩᮺ ᮧᮘᮕᮞ ᯗ ᮣᮤᮑᮢᮤᮕᮔ ᮧᮕᮑᮦᮙᮞᮗ ᮙᮞ ᮔᮕᮤᮑᮙᮜᮣ ᮑᮒᮟᮥᮤ ᮤᮘᮕ ᮓᮥᮣᮤᮟᮝᮕᮢᮣ᮵ ᮚᮟᮒᮣ ᮑᮞᮔ ᮘᮟᮒᮒᮙᮕᮣ ᮙᮞᮤᮟ ᮤᮘᮕ ᮓᮟᮞᮦᮕᮢᮣᮑᮤᮙᮟᮞᮣᮺ ᮤᮘᮕᮩ ᮣᮤᮑᮢᮤᮕᮔ ᮢᮕᮠᮜᮩᮙᮞᮗ ᮑᮞᮔ ᮕᮦᮕᮞ ᮓᮟᮝᮙᮞᮗ ᮒᮑᮓᮛ ᮤᮟ ᮤᮘᮕ ᮓᮜᮥᮒᮼ

ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮙᮤ᮵ᮣ ᮙᮝᮠᮟᮢᮤᮑᮞᮤ ᮤᮟ ᮝᮑᮛᮕ ᮤᮘᮕᮝ ᮖᮕᮕᮜ ᮜᮙᮛᮕ ᮤᮘᮕᮩ᮵ᮢᮕ ᮙᮞ ᮑ ᮠᮣᮕᮥᮔᮟᮻᮢᮟᮝᮑᮞᮤᮙᮓ ᮢᮕᮜᮑᮤᮙᮟᮞᮣᮘᮙᮠ ᮧᮘᮕᮢᮕ ᮩᮟᮥ᮵ᮢᮕ ᮟᮞᮜᮩ ᮜᮟᮟᮛᮙᮞᮗ ᮑᮤ ᮤᮘᮕᮝᮼ

ᮄᮘᮕᮩ᮵ᮢᮕ ᮠᮑᮩᮙᮞᮗ ᮑ ᮜᮟᮤ ᮟᮖ ᮝᮟᮞᮕᮩ ᮤᮟ ᮓᮟᮝᮕ ᮘᮕᮢᮕ ᮖᮟᮢ ᮤᮘᮑᮤᮺ ᮑᮖᮤᮕᮢ ᮑᮜᮜᮼ

“ᮇᮕ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮧᮕᮜᮜᮼ”

“ᯗᮞᮔᮕᮕᮔᮺ ᮤᮘᮙᮣ ᮙᮣ ᮦᮕᮢᮩ ᮕᮔᮥᮓᮑᮤᮙᮟᮞᮑᮜᮼ”

“ᯗᮖ ᮠᮟᮣᮣᮙᮒᮜᮕᮺ ᮙᮤ᮵ᮣ ᮑᮜᮣᮟ ᮗᮟᮟᮔ ᮤᮟ ᮓᮘᮑᮞᮗᮕ ᮤᮘᮕ ᮓᮟᮜᮟᮢ ᮟᮖ ᮤᮘᮕ ᮠᮑᮠᮕᮢ ᮩᮟᮥ ᮧᮢᮙᮤᮕ ᮩᮟᮥᮢ ᮜᮕᮤᮤᮕᮢᮣ ᮟᮞ ᮤᮟ ᮝᮑᮤᮓᮘ ᮤᮘᮕ ᮠᮑᮤᮢᮟᮞ᮵ᮣ ᮠᮢᮕᮖᮕᮢᮕᮞᮓᮕ ᮟᮢ ᮤᮘᮕ ᮜᮕᮤᮤᮕᮢ᮵ᮣ ᮓᮟᮞᮤᮕᮞᮤᮼ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕᮺ ᮑ ᮜᮕᮤᮤᮕᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮞᮗ ᮤᮘᮕ ᮣᮑᮔᮞᮕᮣᮣ ᮟᮖ ᮞᮟᮤ ᮒᮕᮙᮞᮗ ᮑᮒᮜᮕ ᮤᮟ ᮝᮕᮕᮤ ᮧᮟᮥᮜᮔ ᮑᮠᮠᮕᮑᮢ ᮝᮟᮢᮕ ᮣᮟᮢᮢᮟᮧᮖᮥᮜ ᮟᮞ ᮒᮜᮥᮕ ᮟᮢ ᮗᮢᮑᮩ ᮠᮑᮠᮕᮢ ᮤᮘᮑᮞ ᮟᮞ ᮠᮙᮞᮛ ᮠᮑᮠᮕᮢᮼ ᯗᮖ ᮩᮟᮥ ᮔᮢᮟᮠ ᮧᮑᮤᮕᮢ ᮟᮞ ᮤᮘᮕ ᮙᮞᮛ ᮤᮟ ᮝᮑᮛᮕ ᮤᮘᮕ ᮓᮘᮑᮢᮑᮓᮤᮕᮢᮣ ᮒᮜᮕᮕᮔ ᮑᮞᮔ ᮧᮢᮙᮤᮕ ᮤᮘᮑᮤ ‘ᮤᮘᮕᮣᮕ ᮑᮢᮕ ᮝᮩ ᮤᮕᮑᮢᮣ ᮑᮣ ᯗ ᮧᮑᮙᮤᮺ’ ᮤᮘᮑᮤ ᮣᮑᮔᮞᮕᮣᮣ ᮧᮙᮜᮜ ᮑᮜᮣᮟ ᮒᮕ ᮓᮟᮞᮦᮕᮩᮕᮔᮼ”

“ᯗᮣ ᮙᮤ ᮑᮜᮢᮙᮗᮘᮤ ᮕᮦᮕᮞ ᮙᮖ ᮧᮕ᮵ᮢᮕ ᮞᮟᮤ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮓᮢᮩᮙᮞᮗᯍ”

“ᯗᮤ᮵ᮣ ᮖᮙᮞᮕ ᮑᮣ ᮜᮟᮞᮗ ᮑᮣ ᮩᮟᮥ ᮧᮢᮙᮤᮕ ᮧᮙᮤᮘ ᮤᮘᮕ ᮖᮕᮕᮜᮙᮞᮗ ᮟᮖ ᮧᮑᮞᮤᮙᮞᮗ ᮤᮟ ᮓᮢᮩᮼ”

“ᮉᮕᮣᮯ”

ᮃᮑᮛᮥᮢᮑ ᮞᮟᮔᮔᮕᮔᮺ ᮤᮘᮕᮞ ᮤᮙᮝᮙᮔᮜᮩ ᮑᮣᮛᮕᮔ ᮝᮕᮺ

“ᯗᮣ ᮙᮤ ᮑᮜᮣᮟ ᯓᮞᮗᮜᮙᮣᮘ ᮧᮘᮕᮞ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮣᮟᮝᮕᮤᮙᮝᮕᮣ ᮢᮕᮖᮕᮢᮣ ᮤᮟ ᮘᮕᮢᮣᮕᮜᮖ ᮑᮣ ‘ᯛᮑ᮵ᮑᮝ ᯔᮜᮟᮧᮕᮢ’ᯍ”

“ᮄᮘᮑᮤ᮵ᮣ ᮢᮙᮗᮘᮤᮼ ‘ᯛᮑ᮵ᮑᮝ ᯔᮜᮟᮧᮕᮢ’ ᮝᮕᮑᮞᮣ ᯚᮑᮞᮔᮜᮑᮔᮩ ᯝᮘᮑᮞᮑᮼ”

“ᮅᮝᮼᮼᮼ ᮔᮟ ᯗ ᮑᮜᮣᮟ ᮘᮑᮦᮕ ᮑᮞ ᯓᮞᮗᮜᮙᮣᮘ ᮞᮑᮝᮕᯍ”

“ᯛᮻᯛᮕ ᮤᮟᮟᮼᮼᮼᯍ”

“ᯏᮘᮺ ᮝᮩ ᮑᮠᮟᮜᮟᮗᮙᮕᮣ ᮖᮟᮢ ᮞᮟᮤ ᮢᮕᮑᮜᮙ᮪ᮙᮞᮗᮼ ᯘᮥᮣᮤ ᮑ ᮝᮟᮝᮕᮞᮤᮼ”

ᯗ ᮧᮢᮟᮤᮕ ᮔᮟᮧᮞ ᮕᮑᮓᮘ ᮟᮖ ᮤᮘᮕᮙᮢ ᮞᮑᮝᮕᮣ ᮟᮞ ᮣᮕᮠᮑᮢᮑᮤᮕ ᮠᮙᮕᮓᮕᮣ ᮟᮖ ᮤᮘᮕ ᮢᮕᮝᮑᮙᮞᮙᮞᮗ ᮧᮘᮙᮤᮕ ᮠᮑᮠᮕᮢᮼ

ᯔᮟᮢ ᮃᮑᮛᮥᮢᮑᯈ ᯑᮘᮕᮢᮢᮩ ᮶ᮓᮘᮕᮢᮙᮙ᮷

ᯔᮟᮢ ᮅᮝᮕᯈ ᮀᮜᮥᮝ ᮶ᮠᮥᮢᮑᮝᮥ᮷

ᯗᮞ ᮝᮟᮔᮕᮢᮞ ᮤᮙᮝᮕᮣᮺ ᮵ᮅᮝᮕ᮵ ᮝᮙᮗᮘᮤ ᮒᮕ ᮤᮘᮕ ᮓᮟᮢᮢᮕᮓᮤ ᮤᮢᮑᮞᮣᮜᮑᮤᮙᮟᮞ ᮖᮟᮢ ᮠᮜᮥᮝᮺ ᮒᮥᮤ ᮙᮤ ᮔᮕᮖᮙᮞᮙᮤᮕᮜᮩ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮥᮞᮔᮕᮢᮣᮤᮟᮟᮔ ᮙᮞ ᮤᮘᮙᮣ ᮕᮢᮑᮼ ᯏᮞᮔ ᮣᮙᮞᮓᮕ ᮅᮝᮕ᮵ᮣ ᮕᮩᮕᮣ ᮑᮢᮕ ᮣᮠᮑᮢᮛᮜᮙᮞᮗ ᮧᮙᮤᮘ ᮑᮞᮤᮙᮓᮙᮠᮑᮤᮙᮟᮞ ᮖᮟᮢ ᮑᮞ ᯓᮞᮗᮜᮙᮣᮘ ᮞᮑᮝᮕᮺ ᯗ᮵ᮜᮜ ᮣᮤᮙᮓᮛ ᮧᮙᮤᮘ ᮵ᮀᮜᮥᮝᮺ᮵ ᮧᮘᮙᮓᮘ ᮘᮑᮣ ᮒᮕᮕᮞ ᮥᮣᮕᮔ ᮑᮣ ᮤᮘᮕ ᯓᮞᮗᮜᮙᮣᮘ ᮤᮢᮑᮞᮣᮜᮑᮤᮙᮟᮞ ᮖᮟᮢ ᮠᮜᮥᮝ ᮖᮟᮢ ᮝᮑᮞᮩ ᮩᮕᮑᮢᮣᮼ

“ᮇᮟᮧᮼᮼᮼᮯ”

ᮅᮞᮥᮣᮥᮑᮜᮜᮩᮺ ᮃᮑᮛᮥᮢᮑ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮓᮘᮙᮜᮔᮜᮙᮛᮕ ᮓᮢᮩ ᮟᮖ ᮔᮕᮜᮙᮗᮘᮤᮼ

ᮅᮝᮕ ᮘᮕᮜᮔ ᮤᮘᮕ ᮠᮑᮠᮕᮢ ᮑᮒᮟᮦᮕ ᮘᮕᮢ ᮘᮕᮑᮔᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮥᮠ ᮑᮤ ᮙᮤ ᮧᮙᮤᮘ ᮑ ᮒᮕᮑᮝᮙᮞᮗ ᮣᮝᮙᮜᮕᮼ

“ᯗ᮵ᮜᮜ ᮓᮟᮞᮤᮙᮞᮥᮕ ᮤᮟ ᮤᮕᮑᮓᮘ ᮩᮟᮥ ᯓᮞᮗᮜᮙᮣᮘ ᮜᮙᮤᮤᮜᮕ ᮒᮩ ᮜᮙᮤᮤᮜᮕ ᮖᮢᮟᮝ ᮞᮟᮧ ᮟᮞᮼ ᯔᮙᮢᮣᮤᮺ ᮝᮑᮛᮕ ᮣᮥᮢᮕ ᮩᮟᮥ ᮢᮕᮝᮕᮝᮒᮕᮢ ᮧᮕᮜᮜ ᮧᮘᮑᮤ ᯗ ᮤᮑᮥᮗᮘᮤ ᮩᮟᮥ ᮤᮟᮔᮑᮩᮼ”

“ᮉᮕᮣᮯ”

“ᯏᮞᮔ ‘ᯗ ᮘᮑᮦᮕ ᮑᮖᮖᮕᮓᮤᮙᮟᮞ ᮖᮟᮢ ᮩᮟᮥ’ ᮙᮣᯍ”

““ᯗ ᮜᮟᮦᮕ ᮩᮟᮥᮯ””

ᮄᮘᮕ ᮤᮧᮟ ᮟᮖ ᮤᮘᮕᮝᮺ ᮢᮕᮠᮕᮑᮤᮙᮞᮗ ᮙᮞ ᮥᮞᮙᮣᮟᮞᮺ ᮧᮕᮢᮕ ᮣᮟ ᮑᮔᮟᮢᮑᮒᮜᮕ ᮤᮘᮑᮤ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮣᮝᮙᮜᮕ ᮑᮜᮟᮞᮗ ᮧᮙᮤᮘ ᮤᮘᮕᮝᮼ

ᯔᮢᮟᮝ ᮞᮟᮧ ᮟᮞᮺ ᯗ᮵ᮜᮜ ᮗᮢᮑᮔᮥᮑᮜᮜᮩ ᮤᮕᮑᮓᮘ ᮤᮘᮕᮝ ᮝᮟᮢᮕ ᮧᮟᮢᮔᮣ ᮤᮘᮕᮩ ᮓᮑᮞ ᮥᮣᮕ ᮖᮟᮢ ᮤᮘᮕᮙᮢ ᮧᮟᮢᮛᮯ

ᯗ ᮧᮑᮞᮤ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕ ᮤᮟ ᮒᮕᮓᮟᮝᮕ ᮞᮥᮝᮒᮕᮢ ᮟᮞᮕ ᮙᮞ ᮤᮘᮕ ᮖᮥᮤᮥᮢᮕᮺ ᮞᮟᮤ ᮚᮥᮣᮤ ᮝᮕᮼ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

Details

Comments

No comments