Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 57

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ჴႹႾႱႼႼ჉ ႶႹႾႴႹႾႷ ჃႿႽႵ ჄႹႽႵლ ჷ ჇႵႾჄ ჄႿ ႳႸႵႳႻ ႿႾ ჹႹႻ჉Ⴟლ ႱჃ ჄႸႵ ჺႱႾႴႼႱႴ჉ ႣႱႽႱ ႸႱႴ ႱჃႻႵႴნ

ჳ჆ႵႾ ჄႸႵ ჺႱႾႴႼႱႴ჉ ႣႱႽႱ ჄႸႹႾႻჃ ჃႿႽႵჄႸႹႾႷვჃ ႿႶႶნ ႧႸႱჄ ႳႿჅႼႴ ႸႱ჆Ⴕ ႸႱჀჀႵႾႵႴ ჄႿ ჄႸႱჄ ჀჂႿჅႴ ჹႹႻ჉Ⴟჭ

“ჹႹႻ჉Ⴟ ჲႿႾႿლ ႽႱ჉ ჷ ႳႿႽႵ ႹႾჭ”

“ჯႸლ ႩႱႽႱႲჅႻႹ ႣႱႽႱლ ჉ႵჃლ ჉ႿჅ ႽႱ჉ნ”

ჯჃ ჃႿႿႾ ႱჃ ჷ ႳႱႼႼႵႴ ႿჅჄ ႶჂႿႽ ႹႾ ႶჂႿႾჄ ႿႶ ჄႸႵ ჀႱჂႼႿჂლ ჹႹႻ჉ႿვჃ ჂႵჀႼ჉ ႳႱႽႵ ႹႽႽႵႴႹႱჄႵႼ჉ნ

ႤႸႵჂႵ ჇႱჃ ჹႹႻ჉Ⴟლ ჇႸႿ ჃႵႵႽႵႴ ჄႿ ႸႱ჆Ⴕ ႲႵႵႾ ჇჂႹჄႹႾႷ Ⴑ ႼႵჄჄႵჂ ჄႿ Ⴑ ႷჅႵჃჄლ ႱႾႴ ႤჃჅႲႱႻႹმႳႸႱႾლ ჇႸႿ ჇႱჃ ჃႵჂ჆ႹႾႷ ჄႵႱნ

ჷჄ ႽႹႷႸჄ ႲႵ ႴႹႶႶႹႳჅႼჄ ჄႿ ჄႱႼႻ ჇႹჄႸ ႤჃჅႲႱႻႹმႳႸႱႾ ႸႵჂႵლ ჃႿ ჷვႽ ჃႿჂჂ჉ლ ႲჅჄნნნ

“ჱႿჅႼႴ ႤჃჅႲႱႻႹმႳႸႱႾ ჃჄႵჀ ႿჅჄ ႶႿჂ Ⴑ ႽႿႽႵႾჄჭ”

“ნნნႤჃჅႲႱႻႹლ ჉ႿჅ ႽႱ჉ ჇႹჄႸႴჂႱჇნ”

ჯႶჄႵჂ ჹႹႻ჉Ⴟ ჃჀႿႻႵლ ႱႾႴ ჷ ჇႱჄႳႸႵႴ ႤჃჅႲႱႻႹმႳႸႱႾ ႼႵႱ჆Ⴕ ჄႸႵ ჀႱჂႼႿჂლ ჷ ჂႵჀႿჃႹჄႹႿႾႵႴ Ⴝ჉ჃႵႼႶ ჄႿ ႶႱႳႵ ჹႹႻ჉Ⴟნ

ႢႹႷႸჄნ ჷვႼႼ ႷႵჄ ჃჄჂႱႹႷႸჄ ჄႿ ჄႸႵ ჀႿႹႾჄ ႸႵჂႵნ

ჼႵႹჄႸႵჂ ჹႹႻ჉Ⴟ ႾႿჂ ჷ ႱჂႵ ჃჅႹჄႵႴ ჄႿ ႲႵႱჄႹႾႷ ႱჂႿჅႾႴ ჄႸႵ ႲჅჃႸნ

“ჷ ႸႵႱჂႴ ႶჂႿႽ ჄႸႵ ჺႱႾႴႼႱႴ჉ ႣႱႽႱ ჄႸႱჄ ჉ႿჅ ჃႵႵႽ ჄႿ ႲႵ ჄჂႿჅႲႼႵႴ Ⴒ჉ ჃႿႽႵჄႸႹႾႷნ ႧႸႱჄვჃ ჇჂႿႾႷლ ჹႹႻ჉Ⴟ ჲႿႾႿჭ”

“ႧႸႱჄვჃ ჇჂႿႾႷლ ჉ႿჅ ႱჃႻჭ ჷვႽ ჀႵჂႶႵႳჄႼ჉ ႶႹႾႵლ ႱჃ ႱႼჇႱ჉Ⴣნ”

“ნნნჹႹႻ჉Ⴟ ჲႿႾႿლ ჄႸႵჂႵვჃ ႾႿ ႾႵႵႴ ჄႿ ႸႿႼႴ ႲႱႳႻ ჇႹჄႸ ႽႵნ ჲႹႴႾვჄ ჇႵ ჄႱႼႻ ႱႲႿჅჄ ႸႱ჆ႹႾႷ Ⴑ ႶႱႹჂ ႱႾႴ ჃჁჅႱჂႵ ႳႿႽჀႵჄႹჄႹႿႾ ႶႿჂ ჄႸႵ ႷჂႵႱჄႵჃჄჭ ႧႸႱჄႵ჆ႵჂ ჉ႿჅ ჄႵႼႼ ႽႵლ ႹႶ ႹჄვჃ ჉ႿჅჂ ჇႹჃႸლ ჷ ႹႾჄႵႾႴ ჄႿ ႻႵႵჀ ႹჄ Ⴑ ჃႵႳჂႵჄ ႹႾ Ⴝ჉ ႸႵႱჂჄნ”

ჷ ჃႱႹႴ ႹჄ ႱႼႼ ႹႾ ႿႾႵ ႲჂႵႱჄႸლ ႱႾႴ ჃჄႱჂႵႴ ႹႾჄႵႾჄႼ჉ ႱჄ ჹႹႻ჉Ⴟნ

ჹႹႻ჉Ⴟლ ႼႿჇႵჂႹႾႷ ႸႵჂ Ⴕ჉ႵჃ ႱჃ ႹႶ ჂႵჃႹႷႾႵႴლ ႽჅჄჄႵჂႵႴ ჃႿႶჄႼ჉ნ

“ნნნჷ ႽႱ჉ ႸႱ჆Ⴕ ႳႿႾჄჂႱႳჄႵႴ ჄႸႵ ჀႿ჈ნ”

ჶჅႸჭ

ႤႸႱჄვჃ Ⴣ჉ჀႸႹႼႹჃ჏჏

ႤႸႱჄვჃ ჃႵჂႹႿჅჃ჏჏

“ႤႸႵჂႵვჃ Ⴑ ႼჅႽჀ ႹႾ Ⴝ჉ ႷჂႿႹႾნნნ ႤႸႵ ჃႿჂႵჃ ႸႱ჆ႵႾვჄ ႱჀჀႵႱჂႵႴ ႿႾ Ⴝ჉ ႲႿႴ჉ ჉ႵჄლ ႲჅჄნნნ”

“ႠႿ჈ნნნ”

“ჽႸლ ႹჄვჃ ႾႿჄႸႹႾႷნ ჷ ႺჅჃჄ ႾႵႵႴ ჄႿ ჂႵჃჄ ႹႾ ჄႸႵ ႴႿჂႽႹჄႿჂ჉ ႶႿჂ Ⴑ ჇႸႹႼႵნ ႤႸႵ ჀႿ჈ ႹჃ Ⴑ ႷႿႿႴ ႹႼႼႾႵჃჃ ႶႿჂ Ⴑ ჱႿჅჂჄႵჃႱႾლ ჉ႿჅ ჃႵႵნ ჷႶ ჉ႿჅ ႷႵჄ ჄႸႵ ჀႿ჈ლ ႹჄ ႲႵႳႿႽႵჃ ႸႱჂႴႵჂ ჄႿ ႸႱ჆Ⴕ ႳႸႹႼႴჂႵႾნ”

ჹႹႻ჉Ⴟ ႶႿჂႳႵႴ Ⴑ ჃႽႹႼႵლ ႲჅჄნნნ

ႤႸႱჄვჃ ႾႿჄ ჄႸႵ ჀႿႹႾჄნ

ჷ ჃჇႱႼႼႿჇႵႴ ჄႸႿჃႵ ჇႿჂႴჃნ

ႥႾჄჂႵႱჄႵႴ Ⴣ჉ჀႸႹႼႹჃ ႹჃ ႹႾႴႵႵႴ ჁჅႹႵჄ ႶႿჂ Ⴑ ჇႸႹႼႵნ ႩႿჅ ႺჅჃჄ ႷႵჄ Ⴑ ჃႼႹႷႸჄ ႶႵ჆ႵჂლ ჀႱႹႾႶჅႼ Ⴜ჉ႽჀႸ ႾႿႴႵჃლ ႱႾႴ Ⴑ ჂႱჃႸ ჄႸႱჄ ჁჅႹႳႻႼ჉ ႴႹჃႱჀჀႵႱჂჃნ ჷ ႿႶჄႵႾ ჂႵႱႴ ႹႾ ႸႹჃჄႿჂႹႳႱႼ ჄႵ჈ჄჃ ჄႸႱჄ ႹჄ ჇႱჃ Ⴕ჆ႵႾ ჇႵႼႳႿႽႵႴ Ⴒ჉ ႳႿჅჂჄႵჃႱႾჃ ႲႵႳႱჅჃႵ ႹჄ ႽႱႴႵ ႹჄ ႸႱჂႴႵჂ ჄႿ ႳႿႾႳႵႹ჆Ⴕნ

ჳ჆ႵႾ ჇႸႵႾ ჄႸႵ Ⴣ჉ႽჀჄႿႽჃ ჀჂႿႷჂႵჃჃႵႴლ ႳႱჂჄႹႼႱႷႵ ႳႿႼႼႱჀჃႵႴლ ႱႾႴ ႾႿჃႵჃ ႴႹჃႱჀჀႵႱჂႵႴლ ႿჂ ႶႱႳႵჃ ႲႵႳႱႽႵ ႴႹჃႶႹႷჅჂႵႴ Ⴒ჉ ჄჅႽႿჂჃ ႾႿჇ ႳႱႼႼႵႴ ႷჅႽႽႱჃლ ႹჄ ჇႱჃႾვჄ ႳႿႾჃႹႴႵჂႵႴ ჀႱჂჄႹႳჅႼႱჂႼ჉ ჃႸႱႽႵႶჅႼნ

ჰჅჄ ჄႸႱჄვჃ ႾႿჄ ჂႹႷႸჄნ

ჷႶ Ⴣ჉ჀႸႹႼႹჃ ႹჃ ႼႵႶჄ ჅႾჄჂႵႱჄႵႴ ႶႿჂ ჉ႵႱჂჃლ ႹჄ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႱჄჄႱႳႻჃ ჄႸႵ ႲჂႱႹႾნ

ჷჄ ჄჅჂႾჃ ჄႸႵ ႹႾႶႵႳჄႵႴ ჀႵჂჃႿႾ ႹႾჄႿ Ⴑ ႴჂႿႿႼႹႾႷ ႹႾ჆ႱႼႹႴლ ႼႹႻႵ Ⴑ ჃႸႵႼႼ ႿႶ ჄႸႵႹჂ ႶႿჂႽႵჂ ჃႵႼႶლ ჅႾႴႵჂჃჄႱႾႴႹႾႷ ႾႿჄႸႹႾႷნ

ჷႾ ჄႸႵ ჳႴႿ ჀႵჂႹႿႴლ ჄႸႵ ჄႹႽႵ ႹჄ ჄႿႿႻ ႶႿჂ ჄႸႱჄ ჄႿ ႸႱჀჀႵႾ ჇႱჃ ჄႿႿ ႼႿႾႷლ ႱႾႴ ႼႹႶႵჃჀႱႾჃ ჇႵჂႵ ჃႸႿჂჄ ჄႿ ႲႵႷႹႾ ჇႹჄႸლ ჃႿ ႹჄ ჃႹႽჀႼ჉ ჇႱჃႾვჄ ႼႹႾႻႵႴ ჄႿ Ⴣ჉ჀႸႹႼႹჃნ

ჷ ႴႿႾვჄ ჇႱႾჄ ჹႹႻ჉Ⴟ ჄႿ ჃჅႶႶႵჂ ჃჅႳႸ Ⴑ ႶႱჄႵნ

ჰჅჄ ჇႸႱჄ ႳႱႾ ჷ ႴႿჭ ჷ ႳႵჂჄႱႹႾႼ჉ ႸႱ჆Ⴕ ႵႾႿჅႷႸ ႱႾჄႹႲႹႿჄႹႳჃ ჄႿ ႳჅჂႵ Ⴣ჉ჀႸႹႼႹჃ ჃႵ჆ႵჂႱႼ ჄႹႽႵჃ Ⴟ჆ႵჂნ ჰჅჄ ჷვႽ ႾႿჄ ႳႿႾႶႹႴႵႾჄ ჅჃႹႾႷ ჄႸႵႽ ႿႾ ჃႿႽႵႿႾႵ ႶჂႿႽ ჄႸႵ ჳႴႿ ჀႵჂႹႿႴნ

ჳ჆ႵႾ ႹႾ ႽႿႴႵჂႾ ჄႹႽႵჃლ ჷ ႻႾႿჇ ႿႶ ჀႵႿჀႼႵ ჇႸႿ ႴႹႵႴ ႶჂႿႽ ჀႵႾႹႳႹႼႼႹႾ ჃႸႿႳႻლ ႱႾႴ ႱႾჄႹႲႹႿჄႹႳჃ ჄႸႱჄ ჇႵჂႵ ჀჂႿჀႵჂႼ჉ ႳႼႹႾႹႳႱႼႼ჉ ჄႵჃჄႵႴ ႱႾႴ ჂႵႼႵႱჃႵႴლ ႿႾႼ჉ ჄႿ ႲႵ ჀჅႼႼႵႴ ႶჂႿႽ ჄႸႵ ႽႱჂႻႵჄ ႱႶჄႵჂ ႽႱႾ჉ ჀႵႿჀႼႵ ჃჅႴႴႵႾႼ჉ ႶႱႹႾჄႵႴ ჅჀႿႾ ჄႱႻႹႾႷ ჄႸႵႽნ

ჰႵჃႹႴႵჃლ ჷვႽ ႾႿჄ Ⴑ ႴႿႳჄႿჂნ

ჷႶ ჹႹႻ჉Ⴟ ჇႵჂႵ ჄႿ ႸႱ჆Ⴕ ჃჅႳႸ Ⴑ ჂႵႱႳჄႹႿႾლ ჷ ႳႿჅႼႴႾვჄ ႴႿ ႱႾ჉ჄႸႹႾႷნ

ჷ ႱႼჃႿ ႳႱႾვჄ ႴႵჄႵჂႽႹႾႵ ჄႸႵ ႱჀჀჂႿჀჂႹႱჄႵ ႴႿჃႱႷႵ ႶႿჂ ჹႹႻ჉ႿვჃ ჳႴႿ ჀႵჂႹႿႴ ႲႿႴ჉ნ

ჷ ႸႵႱჂႴ ჄႸႱჄ ႶႿჂ Ⴣ჉ჀႸႹႼႹჃ ႽႵႴႹႳႱჄႹႿႾლ ႹჄვჃ ႹႽჀႿჂჄႱႾჄ ႶႿჂ ႹჄ ჄႿ ႽႱႹႾჄႱႹႾ Ⴑ ႳႿႾჃႹჃჄႵႾჄ ႳႿႾႳႵႾჄჂႱჄႹႿႾ ႹႾ ჄႸႵ ႲႼႿႿႴ ႶႿჂ Ⴑ ႼႿႾႷ ჄႹႽႵნ

ႤႸႱჄვჃ ჇႸ჉ ჃჅႲႼႹႾႷჅႱႼ ႱႴႽႹႾႹჃჄჂႱჄႹႿႾ ႿჂ ႱႾ჉ ႳႱჃჅႱႼ ჇႱ჉ ႿႶ ჄႱႻႹႾႷ ႹჄ ႹჃ ჃჄჂႹႳჄႼ჉ ႶႿჂႲႹႴႴႵႾნ

ჷ ჂႵႵႼႵႴ ႹႾ ჄႸႵ ჄႸჂႵႱႴჃ ႿႶ Ⴝ჉ ႽႵႽႿჂ჉ნ

ႣႿႽႵჄႸႹႾႷ ჷ ႳႿჅႼႴ ႴႿნ ႣႿႽႵჄႸႹႾႷ Ⴑ჆ႱႹႼႱႲႼႵ ႹႾ ჄႸႹჃ ႵჂႱლ ႱႾႴ ჃႿႽႵჄႸႹႾႷ ჷ ႳႿჅႼႴ ႽႱႾႱႷႵ ႹႶ ჃႹႴႵ ႵႶႶႵႳჄჃ ႱჀჀႵႱჂႵႴნ

ჯႸნნნ ჄႸႵჂႵ ჇႱჃ ჄႸႱჄნ

ႤႸႱჄვჃ ႳႼႿჃႵ ჄႿ Ⴑ ჃჀႵႳႹႶႹႳ ჂႵႽႵႴ჉ ႶႿჂ Ⴣ჉ჀႸႹႼႹჃ ႶჂႿႽ ႲႵႶႿჂႵ ჀႵႾႹႳႹႼႼႹႾ Ⴕ჈ႹჃჄႵႴლ ႱႾႴ Ⴕ჆ႵႾ ႹႶ ႹჄ ႴႿႵჃႾვჄ ჇႿჂႻლ Ⴑ ჸႱჀႱႾႵჃႵ ჀႵჂჃႿႾ ჃႸႿჅႼႴ ႲႵ ႱႲႼႵ ჄႿ ႴႵჄႿ჈ႹႶ჉ ႹჄნნნ჏

“ჹႹႻ჉Ⴟ ჲႿႾႿლ ჄႸႵႾლ ჇႿჅႼႴ ჉ႿჅ ჄჂ჉ Ⴝ჉ ჄჂႵႱჄႽႵႾჄჭ”

“ႤჂႵႱჄႽႵႾჄჭ ჲႿ ჉ႿჅ ႸႱ჆Ⴕ ႳႿႾႾႵႳჄႹႿႾჃ ჄႿ Ⴑ ႷႿႿႴ ႴႿႳჄႿჂჭ”

“ჼႿნ ႠႼႵႱჃႵლ ჷ ႲႵႷ ჉ႿჅნ ႤჂჅჃჄ ႽႵნნნ”

“ჷჄვჃ ႺჅჃჄ ჄႸႵ ჀႿ჈ჩ ჄႸႵჂႵვჃ ႾႿ ႾႵႵႴ ჄႿ ႽႱႻႵ ჃჅႳႸ Ⴑ ႶႱႳႵნ ႧႵႼႼლ ჃႹႾႳႵ ჷვႼႼ ႲႵ ႹႴႼႵ ჇႸႹႼႵ ჂႵႳჅჀႵჂႱჄႹႾႷ ႹႾ ჄႸႵ ႴႿჂႽႹჄႿჂ჉ლ ჷ ჃჅჀჀႿჃႵ ჷ ႳႱႾ ႹႾႴჅႼႷႵ ႩႱႽႱႲჅႻႹ ႣႱႽႱვჃ ჇႸႹႽნ”

ცჼႿჄႵწ

იჯႾ჉ ႽႵႴႹႳႱႼ ჀჂႿႳႵႴჅჂႵჃ ჄႸႱჄ ႱჀჀႵႱჂ ႹႾ ჄႸႹჃ ႳႸႱჀჄႵჂ ႶჂႿႽ ჄႸႹჃ ჀႿႹႾჄ ႶႿჂჇႱჂႴ ႽჅჃჄ ႱႲჃႿႼჅჄႵႼ჉ ႾႿჄ ႲႵ ႹႽႹჄႱჄႵႴნ

ႣႸႿჅႼႴ ႱႾ჉ ႴႱႽႱႷႵ ႲႵ ႹႾႳჅჂჂႵႴ Ⴒ჉ ႹႽႹჄႱჄႹႾႷ ჄႸႵႽლ ჄႸႵ ႱჅჄႸႿჂ ႳႱႾႾႿჄ ႲႵ ႸႵႼႴ ჂႵჃჀႿႾჃႹႲႼႵნ

ჴჅჂჄႸႵჂႽႿჂႵლ ჄႸႵ ႱჅჄႸႿჂ ႳႱႾႾႿჄ ႲႵ ႸႵႼႴ ჂႵჃჀႿႾჃႹႲႼႵ ႶႿჂ ჄႸႵ ჆ႵჂႱႳႹჄ჉ ႿႶ ႱႾ჉ ႽႵႴႹႳႱႼ ႹႾႶႿჂႽႱჄႹႿႾნ

ႤႸႵ ႣႵႱჃႿႾ ႿႶ ჄႸႵ ႧႹႳႻႵႴ ჰႼჅႵ ႠႼჅႽშ ჴჂႿႽ ვჯႿႲႱႹვ ზႲႼჅႵ ჀႼჅႽთლ ႱႾ ႱႼჄႵჂႾႱჄႹ჆Ⴕ ႾႱႽႵ ႶႿჂ Ⴣ჉ჀႸႹႼႹჃნ

ჹႱჃႱ ზႠႿ჈თშ ႤႸႹჃ ჂႵႶႵჂჃ ჄႿ Ⴣ჉ჀႸႹႼႹჃნ ჯႼჃႿლ ჄႸႵ ႶჅႼႼმႲႿႴ჉ ჂႱჃႸ ჄႸႱჄ ႱჀჀႵႱჂჃ ႱჃ Ⴑ Ⴣ჉ႽჀჄႿႽ ႿႶ Ⴣ჉ჀႸႹႼႹჃ ႹჃ ႳႱႼႼႵႴ ვႻႱჃႱვნ ႧႸႹႼႵ ႹჄ ႳႱႾ ჂႵႶႵჂ ჄႿ ႿჄႸႵჂ ႹႼႼႾႵჃჃႵჃლ ႸႵჂႵ ႹჄ ႹჃ ჅჃႵႴ ჄႿ ႽႵႱႾ Ⴣ჉ჀႸႹႼႹჃნ

ႠႵႾႹႳႹႼႼႹႾ ႣႸႿႳႻშ ႤႸႹჃ ჂႵႶႵჂჃ ჄႿ Ⴑ ჃႵ჆ႵჂႵ ႱႼႼႵჂႷႹႳ ჂႵႱႳჄႹႿႾ ზႱႾႱჀႸ჉ႼႱႳჄႹႳ ჃႸႿႳႻთ ႳႱჅჃႵႴ Ⴒ჉ ჀႵႾႹႳႹႼႼႹႾ ჀჂႵჀႱჂႱჄႹႿႾჃნ ჰႵႳႱჅჃႵ ჄႸႹჃ ႳႱႾ ႼႵႱႴ ჄႿ ႶႱჄႱႼ ჃႸႿႳႻლ ჄႸႵ ჻ႹႾႹჃჄჂ჉ ႿႶ ჶႵႱႼჄႸლ ჺႱႲႿჅჂ ႱႾႴ ႧႵႼႶႱჂႵ ႹჃჃჅႵႴ ႷჅႹႴႵႼႹႾႵჃ ႹႾ რპპტ ჃჄႱჄႹႾႷ ჄႸႱჄ ჇႸႵႾ ႱႴႽႹႾႹჃჄႵჂႹႾႷ ჀႵႾႹႳႹႼႼႹႾ ჀჂႵჀႱჂႱჄႹႿႾჃლ Ⴑ ჄႸႿჂႿჅႷႸ ႽႵႴႹႳႱႼ ႸႹჃჄႿჂ჉ლ ႹႾႳႼჅႴႹႾႷ ჀႱჃჄ ႹႼႼႾႵჃჃႵჃლ ႽჅჃჄ ႲႵ ჄႱႻႵႾ ႲႵႶႿჂႵႸႱႾႴნ ჯႼႼႵჂႷ჉ ႸႹჃჄႿჂ჉ ჄႿ ႱႾჄႹႲႹႿჄႹႳჃ ႽჅჃჄ ႱႼჇႱ჉Ⴣ ႲႵ ႳႿႾႶႹჂႽႵႴლ ႱႾႴ ჀჂႵჀႱჂႱჄႹႿႾჃ ႶႿჂ ႱႾႱჀႸ჉ႼႱႳჄႹႳ ჃႸႿႳႻ ႽჅჃჄ ႲႵ ႽႱႴႵნ ႣႹႾႳႵ ჀႵႾႹႳႹႼႼႹႾ ႹჃ ႹႾႸႵჂႵႾჄႼ჉ Ⴑ ႴჂჅႷ ჀჂႿႾႵ ჄႿ ႳႱჅჃႹႾႷ ႱႼႼႵჂႷႹႵჃლ ႹႾჄჂႱႴႵჂႽႱႼ ჀႱჄႳႸ ჄႵჃჄჃ ჇႵჂႵ ႳႿႾႴჅႳჄႵႴ ჀჂႹႿჂ ჄႿ ჄႸႹჃლ ႱႾႴ ჄႸႵ ႴႵჃႳჂႹჀჄႹႿႾჃ ႹႾ ႴჂჅႷ ჀႱႳႻႱႷႵ ႹႾჃႵჂჄჃ ჇႵჂႵ ჂႵ჆ႹჃႵႴ ႱႳႳႿჂႴႹႾႷႼ჉ნ ჯႼჇႱ჉Ⴣ ჂႵႳႵႹ჆Ⴕ ჀჂႿჀႵჂ ႳႿႾჃჅႼჄႱჄႹႿႾ ႱႾႴ ႴႹႱႷႾႿჃႹჃლ ႱႾႴ ჄႱႻႵ ႽႵႴႹႳႱჄႹႿႾ ႱႳႳႿჂႴႹႾႷ ჄႿ Ⴑ ႴႿႳჄႿჂვჃ ႹႾჃჄჂჅႳჄႹႿႾჃნ

ჯႾჄႹႲႹႿჄႹႳ ჄႸႱჄ ႳႱჅჃႵႴ ႽႱႾ჉ ჀႵႿჀႼႵ ჄႿ ჃჅႴႴႵႾႼ჉ ႶႱႹႾჄ ႱႾႴ ჇႱჃ ႴႹჃႳႿႾჄႹႾჅႵႴშ ႤႵႼႹჄႸჂႿႽ჉ႳႹႾ

იჯႼჇႱ჉Ⴣ ჄႱႻႵ ႽႵႴႹႳႱჄႹႿႾ ႱႳႳႿჂႴႹႾႷ ჄႿ Ⴑ ႴႿႳჄႿჂვჃ ႹႾჃჄჂჅႳჄႹႿႾჃნ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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