Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 82

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ᮅᮗᮘᮺ ᮣᮕᮢᮙᮟᮥᮣᮜᮩᮺ ᯗ᮵ᮝ ᮙᮞ ᮑ ᮢᮕᮑᮜ ᮒᮙᮞᮔᮼ ᯑᮑᮞ ᯗ ᮢᮕᮑᮜᮜᮩ ᮣᮑᮩ “ᮞᮟ” ᮙᮞ ᮤᮘᮙᮣ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᯍ

ᯝᮘᮺ ᮣᮟ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮃᮑᮝᮑ ᮙᮣ ᮑ ᮒᮙᮗ ᮒᮢᮟᮤᮘᮕᮢᮼ ᯗ ᮔᮟᮞ᮵ᮤ ᮘᮑᮦᮕ ᮑᮞᮩ ᮣᮙᮒᮜᮙᮞᮗᮣ ᮝᮩᮣᮕᮜᮖᮺ ᮒᮥᮤ ᮙᮞ ᮝᮟᮔᮕᮢᮞ ᮤᮙᮝᮕᮣᮺ ᯗ ᮘᮑᮔ ᮓᮥᮤᮕ ᮚᮥᮞᮙᮟᮢᮣᮺ ᮑᮞᮔ ᮘᮕᮢᮕᮺ ᯗ ᮘᮑᮦᮕ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕᮺ ᮣᮟ ᯗ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮤᮘᮕ ᮖᮕᮕᮜᮙᮞᮗ ᮟᮖ ᮧᮟᮢᮢᮩᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮑ ᮩᮟᮥᮞᮗᮕᮢ ᮣᮙᮣᮤᮕᮢᮼ

ᯐᮕᮓᮑᮥᮣᮕ ᯗ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮼᮼᮼ ᮙᮤ᮵ᮣ ᮖᮢᮥᮣᮤᮢᮑᮤᮙᮞᮗᮺ ᮒᮥᮤ ᯗ ᮓᮑᮞ᮵ᮤ ᮢᮕᮑᮜᮜᮩ ᮢᮕᮖᮥᮣᮕ ᮤᮘᮙᮣ ᮛᮙᮞᮔ ᮟᮖ ᮢᮕᮡᮥᮕᮣᮤᮺ ᮓᮑᮞ ᯗᯍᮯ

“ᯗ ᮑᮓᮓᮕᮠᮤᮼ ᮀᮜᮕᮑᮣᮕ ᮤᮕᮜᮜ ᮝᮕ ᮤᮘᮕ ᮔᮕᮤᮑᮙᮜᮣᮼ”

“ᮉᮟᮥ᮵ᮜᮜ ᮤᮑᮛᮕ ᮙᮤ ᮟᮞᯍᮯ”

“ᯒᮟᮞ᮵ᮤ ᮜᮟᮟᮛ ᮣᮟ ᮠᮜᮕᮑᮣᮕᮔᮼ ᯗ ᮘᮑᮦᮕ ᮞᮟ ᮙᮞᮤᮕᮞᮤᮙᮟᮞ ᮟᮖ ᮒᮕᮓᮟᮝᮙᮞᮗ ᮑ ᮓᮑᮗᮕᮔ ᮒᮙᮢᮔ ᮚᮥᮣᮤ ᮩᮕᮤᮼ ᯖᮟᮧᮕᮦᮕᮢᮺ ᯗ ᮔᮕᮕᮠᮜᮩ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮤᮘᮕ ᮔᮕᮣᮙᮢᮕ ᮤᮟ ᮠᮢᮑᮩ ᮖᮟᮢ ᮑ ᮩᮟᮥᮞᮗᮕᮢ ᮣᮙᮣᮤᮕᮢ᮵ᮣ ᮧᮕᮜᮜᮻᮒᮕᮙᮞᮗᮼ ᯗᮖ ᯗ ᮓᮑᮞ ᮒᮕ ᮟᮖ ᮣᮕᮢᮦᮙᮓᮕᮺ ᯗ ᮑᮝ ᮞᮟᮤ ᮥᮞᮧᮙᮜᮜᮙᮞᮗ ᮤᮟ ᮜᮕᮞᮔ ᮝᮩ ᮣᮤᮢᮕᮞᮗᮤᮘᮼ”

“ᯗᮣ ᮤᮘᮑᮤ ᮣᮟᮼ ᯛᮩ ᮑᮠᮟᮜᮟᮗᮙᮕᮣᮼ ᯗ ᮤᮘᮑᮞᮛ ᮩᮟᮥᮼ ᮄᮘᮕᮞᮺ ᮧᮙᮤᮘᮟᮥᮤ ᮖᮥᮢᮤᮘᮕᮢ ᮑᮔᮟᮺ ᮃᮑᮩᮟᮼᮼᮼ”

ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮃᮑᮝᮑ ᮣᮤᮟᮟᮔ ᮥᮠᮼ

ᮃᮑᮩᮟᮻᮃᮑᮝᮑ ᮧᮑᮣ ᮑᮠᮠᮑᮢᮕᮞᮤᮜᮩ ᮤᮑᮛᮙᮞᮗ ᮑ ᮧᮑᮜᮛ ᮙᮞ ᮤᮘᮕ ᮗᮑᮢᮔᮕᮞᮺ ᮑᮣ ᮠᮕᮢ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮃᮑᮝᮑ᮵ᮣ ᮙᮞᮣᮤᮢᮥᮓᮤᮙᮟᮞᮣᮼ

ᮇᮘᮕᮞ ᯗ ᮑᮣᮛᮕᮔ ᮘᮙᮝᮺ “ᯒᮙᮔᮞ᮵ᮤ ᮩᮟᮥ ᮤᮘᮙᮞᮛ ᯗ ᮝᮙᮗᮘᮤ ᮒᮕ ᮤᮘᮕ ᮛᮙᮞᮔ ᮟᮖ ᮧᮟᮝᮑᮞ ᮧᮘᮟ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮝᮕᮕᮤ ᮩᮟᮥᮢ ᮕᮨᮠᮕᮓᮤᮑᮤᮙᮟᮞᮣᮺ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮃᮑᮝᮑᯍ” ᮘᮕ ᮚᮥᮣᮤ ᮗᮑᮦᮕ ᮑ ᮢᮕᮖᮢᮕᮣᮘᮙᮞᮗ ᮜᮑᮥᮗᮘ ᮑᮞᮔ ᮣᮑᮙᮔᮺ “ᮃᮙᮝᮠᮜᮩ ᮒᮕᮓᮑᮥᮣᮕ ᮩᮟᮥ ᮓᮑᮞ ᮣᮠᮕᮑᮛ ᮧᮙᮤᮘ ᮇᮕᮣᮤᮕᮢᮞᮕᮢᮣ ᮙᮞ ᮤᮘᮕᮙᮢ ᮜᮑᮞᮗᮥᮑᮗᮕᮺ ᯗ ᮞᮕᮦᮕᮢ ᮤᮘᮟᮥᮗᮘᮤ ᮩᮟᮥ ᮧᮟᮥᮜᮔ ᮒᮕ ᮑ ᮔᮥᮜᮜ ᮧᮟᮝᮑᮞᮼ” ᮼᮼᮼᯖᮝᮝᮺ ᮙᮣ ᮙᮤ ᮢᮕᮑᮜᮜᮩ ᮤᮘᮑᮤ ᮣᮙᮝᮠᮜᮕᮼᮼᮼᯍ

ᯝᮘᮺ ᮑᮞᮔ ᮑᮜᮣᮟᮼ

“ᮇᮑᮙᮤ ᮑ ᮝᮟᮝᮕᮞᮤᮼ ᮃᮥᮢᮕᮜᮩᮺ ᮙᮞ ᮤᮘᮙᮣ ᮑᮤᮤᮙᮢᮕᮺ ᮃᮑᮩᮟᮻᮃᮑᮝᮑ ᮧᮟᮥᮜᮔ ᮒᮕ ᮣᮥᮢᮠᮢᮙᮣᮕᮔᮼ”

“ᯏᮘᮺ ᮩᮕᮣᮺ ᮩᮟᮥ᮵ᮢᮕ ᮢᮙᮗᮘᮤᮼ ᮇᮘᮕᮞ ᮙᮤ ᮓᮟᮝᮕᮣ ᮤᮟ ᮃᮑᮩᮟᮺ ᯗ ᮤᮢᮥᮜᮩ ᮓᮑᮞ᮵ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮢᮥᮣᮘᮼ ᮄᮘᮕᮞᮺ ᮙᮖ ᮖᮢᮟᮝ ᮒᮕᮘᮙᮞᮔ ᮑ ᮣᮓᮢᮕᮕᮞᮼᮼᮼ”

“ᮆᮕᮢᮩ ᮧᮕᮜᮜᮼ”

ᯏᮖᮤᮕᮢ ᮑᮣᮛᮙᮞᮗ ᯜᮑᮣᮘᮙᮛᮙᮻᮃᮑᮝᮑ ᮤᮟ ᮜᮟᮟᮛ ᮑᮖᮤᮕᮢ ᮃᮑᮛᮥᮢᮑ ᮑᮞᮔ ᮅᮝᮕᮺ ᯗ ᮞᮟᮔᮔᮕᮔ ᮤᮟ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮃᮑᮝᮑᮼ

᮸᮸᮸

“ᯗ ᮚᮥᮣᮤ ᮔᮟᮞ᮵ᮤ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮤᮟ ᮣᮑᮩ ᮑᮞᮩᮝᮟᮢᮕᮼ”

ᮄᮘᮕ ᮣᮓᮕᮞᮕ ᮘᮑᮔ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮓᮘᮑᮞᮗᮕᮔᮺ ᮑᮞᮔ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮤᮑᮠᮠᮕᮔ ᮤᮘᮕ ᮒᮢᮑ᮪ᮙᮕᮢ ᮧᮙᮤᮘ ᮘᮕᮢ ᮛᮙᮣᮕᮢᮥ ᮠᮙᮠᮕᮺ ᮸ᮤᮑᮠᮻᮤᮑᮠ᮸ᮼ

ᯏᮖᮤᮕᮢ ᮢᮕᮤᮥᮢᮞᮙᮞᮗ ᮖᮢᮟᮝ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮃᮑᮝᮑ᮵ᮣ ᮓᮑᮣᮤᮜᮕᮺ ᯗ ᮧᮑᮣ ᮕᮨᮠᮜᮑᮙᮞᮙᮞᮗ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞ ᮤᮟ ᮤᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮼ

“ᮉᮟᮥ ᮧᮕᮞᮤ ᮤᮟ ᮓᮟᮟᮛᮺ ᮒᮥᮤ ᮓᮑᮝᮕ ᮒᮑᮓᮛ ᮧᮙᮤᮘ ᮑ ᮠᮕᮢᮝᮙᮤ ᮤᮟ ᮕᮞᮤᮕᮢ ᮃᮑᮝᮑ᮵ᮣ ᮓᮑᮣᮤᮜᮕᮼᮼᮼᯍ ᮉᮟᮥ ᮔᮟᮞ᮵ᮤ ᮣᮥᮠᮠᮟᮣᮕ ᮤᮘᮑᮤ ᮃᮑᮝᮑ ᮘᮑᮣ ᮑ ᮤᮑᮙᮜᮺ ᮔᮟ ᮩᮟᮥᯍ ᯒᮙᮔ ᮩᮟᮥ ᮝᮑᮛᮕ ᮣᮥᮢᮕ ᮤᮟ ᮠᮥᮤ ᮣᮠᮙᮤ ᮟᮞ ᮩᮟᮥᮢ ᮕᮩᮕᮒᮢᮟᮧᮣ ᮒᮕᮖᮟᮢᮕ ᮤᮑᮜᮛᮙᮞᮗ ᮤᮟ ᮘᮙᮝᯍ”

ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮺ ᮧᮙᮤᮘ ᮑ ᮣᮕᮢᮙᮟᮥᮣ ᮖᮑᮓᮕᮺ ᮑᮣᮛᮙᮞᮗ ᮙᮖ ᯗ᮵ᮔ ᮒᮕᮕᮞ ᮤᮢᮙᮓᮛᮕᮔ ᮒᮩ ᮑ ᮖᮟᮨ ᮟᮢ ᮑ ᮤᮑᮞᮥᮛᮙᮺ ᮧᮑᮣ ᮘᮙᮜᮑᮢᮙᮟᮥᮣᮼ ᮇᮕᮜᮜᮺ ᯗ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮘᮕᮢ ᮓᮟᮞᮓᮕᮢᮞᮺ ᮤᮘᮟᮥᮗᮘᮼ

“ᯖᮕ ᮧᮑᮣ ᮤᮢᮥᮜᮩᮺ ᮗᮕᮞᮥᮙᮞᮕᮜᮩᮺ ᮃᮑᮝᮑᮼ”

“ᯗᮣ ᮤᮘᮑᮤ ᮣᮟᮼ ᯏᮞᮔ ᮩᮟᮥ ᮔᮙᮔᮞ᮵ᮤ ᮤᮥᮢᮞ ᮔᮟᮧᮞ ᮃᮑᮝᮑ᮵ᮣ ᮟᮖᮖᮕᮢ ᮟᮥᮤ ᮟᮖ ᮓᮟᮞᮣᮙᮔᮕᮢᮑᮤᮙᮟᮞ ᮖᮟᮢ ᮝᮕᮺ ᮔᮙᮔ ᮩᮟᮥᯍ ᯝᮖ ᮓᮟᮥᮢᮣᮕᮺ ᮙᮤ᮵ᮣ ᮒᮕᮤᮤᮕᮢ ᮖᮟᮢ ᯛᮙᮤᮟᮣᮘᮙ ᮙᮖ ᮩᮟᮥ᮵ᮢᮕ ᮘᮕᮢᮕᮺ ᮒᮥᮤ ᮙᮣ ᮤᮘᮑᮤ ᮢᮕᮑᮜᮜᮩ ᮧᮘᮑᮤ ᮩᮟᮥ ᮧᮑᮞᮤᯍ ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮜᮙᮛᮕ ᮩᮟᮥ ᮤᮟ ᮞᮟᮤ ᮣᮤᮙᮓᮛ ᮤᮟ ᮩᮟᮥᮢ ᮟᮧᮞ ᮧᮙᮜᮜᮼ”

“ᯜᮟᮺ ᯗ ᮔᮙᮔᮞ᮵ᮤᮼ ᯗ ᮤᮢᮥᮜᮩ ᮧᮙᮣᮘ ᮤᮟ ᮣᮤᮑᮩ ᮘᮕᮢᮕᮼ”

“ᮇᮕᮜᮜᮺ ᮤᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮟᮢ ᮤᮘᮑᮤᮼ ᮼᮼᮼᯏᮞᮩᮧᮑᮩᮺ ᮙᮖ ᮩᮟᮥ ᮕᮦᮕᮢ ᮖᮕᮕᮜ ᮜᮙᮛᮕ ᮗᮟᮙᮞᮗᮺ ᮥᮣᮕ ᮤᮘᮑᮤ ᮠᮕᮢᮝᮙᮤ ᮧᮘᮕᮞᮕᮦᮕᮢ ᮩᮟᮥ ᮜᮙᮛᮕᮼ ᯗ᮵ᮝ ᮞᮟᮤ ᮣᮟ ᮥᮞᮢᮕᮖᮙᮞᮕᮔ ᮑᮣ ᮤᮟ ᮝᮕᮔᮔᮜᮕᮼ

ᮃᮤᮙᮜᮜᮺ ᯗ ᮤᮟᮜᮔ ᮩᮟᮥ ᮤᮟ ᮗᮟ ᮑᮞᮔ ᮖᮙᮞᮔ ᮑ ᮗᮟᮟᮔ ᮝᮑᮤᮓᮘ ᮧᮙᮤᮘ ᮣᮟᮝᮕ ᯒᮑᮙᮝᮩᮟᮺ ᮒᮥᮤ ᮤᮟ ᮤᮘᮙᮞᮛ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮃᮑᮝᮑ ᮘᮙᮝᮣᮕᮜᮖᮼᮼᮼ ᯐᮕᮙᮞᮗ ᮧᮙᮤᮘ ᮩᮟᮥᮺ ᯗ᮵ᮝ ᮗᮕᮤᮤᮙᮞᮗ ᮤᮙᮢᮕᮔ ᮟᮖ ᮒᮕᮙᮞᮗ ᮣᮥᮢᮠᮢᮙᮣᮕᮔᯉ ᮣᮟᮟᮞ ᮞᮟᮤᮘᮙᮞᮗ ᮧᮙᮜᮜ ᮣᮥᮢᮠᮢᮙᮣᮕ ᮝᮕ ᮑᮞᮩᮝᮟᮢᮕᮼ”

ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩᮺ ᮧᮙᮤᮘ ᮑ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮔᮙᮣᮤᮑᮞᮤ ᮜᮟᮟᮛ ᮙᮞ ᮘᮕᮢ ᮕᮩᮕᮣᮺ ᮠᮥᮖᮖᮕᮔ ᮟᮞ ᮘᮕᮢ ᮛᮙᮣᮕᮢᮥ ᮠᮙᮠᮕᮼ

“ᯗᮖ ᯗ ᮧᮕᮢᮕ ᮤᮟ ᮒᮕ ᮗᮢᮕᮕᮔᮩᮺ ᮤᮘᮕ ᮟᮞᮜᮩ ᮤᮘᮙᮞᮗ ᮤᮘᮑᮤ᮵ᮣ ᮑ ᮒᮙᮤ ᮟᮖ ᮑ ᮣᮘᮑᮝᮕ ᮙᮣ ᮤᮘᮑᮤ ᮃᮑᮝᮑ ᮧᮟᮞ᮵ᮤ ᮒᮕ ᮑ ᮓᮥᮣᮤᮟᮝᮕᮢ ᮟᮖ ᯛᮙᮤᮟᮣᮘᮙᮼ”

“ᮄᮘᮑᮤ᮵ᮣ ᮤᮢᮥᮕᮺ ᮙᮞᮔᮕᮕᮔᮼ”

“ᯐᮥᮤ ᮟᮞ ᮤᮘᮕ ᮔᮑᮩᮣ ᮩᮟᮥ ᮗᮟ ᮤᮟ ᮤᮘᮕ ᮓᮑᮣᮤᮜᮕᮺ ᮤᮘᮕᮩ᮵ᮜᮜ ᮠᮑᮩ ᮤᮘᮕ ᮓᮟᮥᮢᮤᮕᮣᮑᮞ ᮖᮕᮕᮣᮺ ᮧᮟᮞ᮵ᮤ ᮤᮘᮕᮩᯍ”

“ᮉᮕᮣᮼ ᯏᮣ ᯗ ᮚᮥᮣᮤ ᮝᮕᮞᮤᮙᮟᮞᮕᮔᮺ ᮃᮑᮝᮑ ᮧᮙᮜᮜ ᮠᮑᮩ ᮤᮘᮕ ᮓᮟᮥᮢᮤᮕᮣᮑᮞ ᮖᮕᮕᮣ ᮖᮟᮢ ᮒᮟᮤᮘ ᮔᮑᮩ ᮑᮞᮔ ᮞᮙᮗᮘᮤᮺ ᮑᮞᮔ ᮘᮕ ᮑᮣᮛᮕᮔ ᮤᮘᮑᮤ ᮙᮤ ᮒᮕ ᮛᮕᮠᮤ ᮣᮤᮢᮙᮓᮤᮜᮩ ᮓᮟᮞᮖᮙᮔᮕᮞᮤᮙᮑᮜᮼ”

“ᯝᮘᮺ ᮟᮖ ᮓᮟᮥᮢᮣᮕ ᯗ ᮧᮟᮞ᮵ᮤ ᮤᮕᮜᮜ ᮑᮞᮩᮟᮞᮕᮼ ᮄᮟ ᮢᮕᮖᮥᮣᮕ ᮃᮑᮝᮑ᮵ᮣ ᮢᮕᮡᮥᮕᮣᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮣᮑᮓᮢᮙᮜᮕᮗᮕ ᮑᮞᮔ ᮒᮢᮙᮞᮗ ᮔᮙᮦᮙᮞᮕ ᮠᮥᮞᮙᮣᮘᮝᮕᮞᮤᮼ ᯗ᮵ᮜᮜ ᮝᮑᮛᮕ ᮣᮥᮢᮕ ᮤᮟ ᮤᮕᮜᮜ ᮤᮘᮕ ᮝᮑᮣᮤᮕᮢ ᮑᮞᮔ ᮕᮦᮕᮢᮩᮟᮞᮕ ᮕᮜᮣᮕ ᮙᮞ ᮤᮘᮕ ᮘᮟᮥᮣᮕᮼ ᮼᮼᮼᯐᮥᮤ ᮤᮟ ᮤᮘᮙᮞᮛ ᮙᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮩᮟᮥᮼᮼᮼ”

ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮒᮢᮕᮑᮤᮘ ᮤᮘᮑᮤ ᮧᮑᮣ ᮞᮕᮙᮤᮘᮕᮢ ᮡᮥᮙᮤᮕ ᮑ ᮣᮙᮗᮘ ᮞᮟᮢ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮕᮜᮣᮕᮼ

“ᮄᮘᮕᮞᮺ ᮧᮘᮕᮞ ᮩᮟᮥ ᮗᮟ ᮤᮟ ᮃᮑᮝᮑ᮵ᮣ ᮠᮜᮑᮓᮕᮺ ᮤᮕᮜᮜ ᮝᮕᮼ ᯗ᮵ᮜᮜ ᮘᮑᮦᮕ ᮑ ᮤᮙᮓᮛᮕᮤ ᮙᮣᮣᮥᮕᮔ ᮑᮤ ᮤᮘᮕ ᮝᮕᮕᮤᮙᮞᮗ ᮠᮜᮑᮓᮕᮼ”

“ᮄᮘᮑᮞᮛ ᮩᮟᮥ ᮦᮕᮢᮩ ᮝᮥᮓᮘᮼ”

“ᯜᮟ ᮞᮕᮕᮔ ᮖᮟᮢ ᮤᮘᮑᮞᮛᮣᮼ ᯛᮟᮢᮕ ᮙᮝᮠᮟᮢᮤᮑᮞᮤᮜᮩᮺ”

ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮠᮑᮥᮣᮕᮔ ᮘᮕᮢ ᮧᮟᮢᮔᮣᮺ ᮑᮞᮔ ᮠᮥᮖᮖᮕᮔ ᮟᮥᮤ ᮑ ᮓᮜᮟᮥᮔ ᮟᮖ ᮣᮝᮟᮛᮕ ᮖᮢᮟᮝ ᮘᮕᮢ ᮛᮙᮣᮕᮢᮥ ᮠᮙᮠᮕᮼ

“ᮃᮟᮝᮕᮘᮟᮧᮺ ᮩᮟᮥ᮵ᮢᮕ ᮣᮤᮑᮢᮤᮙᮞᮗ ᮤᮟ ᮣᮓᮑᮢᮕ ᮝᮕ ᮑ ᮜᮙᮤᮤᮜᮕᮺ ᮙᮞ ᮤᮘᮕ ᮜᮟᮞᮗ ᮢᮥᮞᮼᮼᮼ”

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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