Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 92

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ᯏ ᮖᮙᮕᮢᮓᮕ ᮗᮥᮣᮤ ᮟᮖ ᮧᮙᮞᮔ ᮢᮟᮑᮢᮕᮔᮼ

ᮄᮙᮝᮕ ᮖᮜᮟᮧᮕᮔ ᮙᮞ ᮑ ᮧᮑᮩ ᯗ᮵ᮔ ᮞᮕᮦᮕᮢ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕᮔ ᮒᮕᮖᮟᮢᮕᮺ ᮜᮙᮛᮕ ᮑᮞ ᮙᮞᮣᮤᮑᮞᮤᮺ ᮩᮕᮤ ᮜᮙᮛᮕ ᮑᮞ ᮕᮤᮕᮢᮞᮙᮤᮩᮼ

ᯔᮢᮟᮝ ᮤᮘᮕ ᮣᮘᮑᮤᮤᮕᮢᮕᮔ ᮝᮙᮢᮢᮟᮢᮺ ᮑ ᮜᮟᮧᮺ ᮖᮕᮝᮙᮞᮙᮞᮕ ᮗᮢᮟᮑᮞ ᮕᮓᮘᮟᮕᮔᮼ ᯏ ᮤᮢᮑᮞᮣᮜᮥᮓᮕᮞᮤ ᮵ᮣᮟᮝᮕᮤᮘᮙᮞᮗ᮵ ᮤᮢᮑᮞᮣᮖᮟᮢᮝᮕᮔ ᮙᮞᮤᮟ ᮧᮘᮙᮤᮕ ᮣᮝᮟᮛᮕᮺ ᮤᮘᮕᮞ ᮤᮟᮟᮛ ᮤᮘᮕ ᮣᮘᮑᮠᮕ ᮟᮖ ᮑ ᮧᮟᮝᮑᮞ ᮙᮞ ᮑ ᮛᮙᮝᮟᮞᮟᮼ

ᯗᮤ ᮑᮣᮓᮕᮞᮔᮕᮔ ᮑᮣ ᮙᮖ ᮒᮕᮙᮞᮗ ᮠᮥᮜᮜᮕᮔ ᮥᮠᮧᮑᮢᮔᮣ ᮙᮞᮤᮟ ᮤᮘᮕ ᮣᮛᮩᮺ ᮤᮘᮕᮞᮼᮼᮼ ᮣᮓᮑᮤᮤᮕᮢᮕᮔ ᮙᮞᮤᮟ ᮓᮟᮥᮞᮤᮜᮕᮣᮣ ᮠᮙᮕᮓᮕᮣᮼ

ᮄᮘᮕ ᮖᮜᮥᮖᮖᮩ ᮧᮘᮙᮤᮕ ᮣᮥᮒᮣᮤᮑᮞᮓᮕ ᮦᮑᮞᮙᮣᮘᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮑᮙᮢ—ᮼ

ᯏ ᮠᮑᮢᮤᮙᮓᮥᮜᮑᮢᮜᮩ ᮣᮘᮑᮢᮠ ᮠᮑᮙᮞ ᮠᮙᮕᮢᮓᮕᮔ ᮝᮩ ᮤᮕᮝᮠᮜᮕᮺ ᮩᮕᮤ ᯗ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮣᮤᮑᮞᮔᮙᮞᮗᮼ ᯔᮟᮢ ᮣᮟᮝᮕ ᮢᮕᮑᮣᮟᮞᮺ ᯗ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮵ᮙᮤ ᮧᮑᮣ ᮟᮦᮕᮢᮼ᮵ ᮄᮘᮕ ᮝᮙᮢᮢᮟᮢ ᮧᮑᮣ ᮚᮥᮣᮤ ᮑ ᮝᮙᮢᮢᮟᮢ ᮑᮗᮑᮙᮞᮺ ᮣᮘᮟᮧᮙᮞᮗ ᮞᮟᮤᮘᮙᮞᮗ ᮒᮥᮤ ᮤᮘᮕ ᮢᮕᮖᮜᮕᮓᮤᮕᮔ ᮣᮓᮕᮞᮕᮢᮩᮼ

᮰ᮉᮑᮝᮑᮒᮥᮛᮙᮯ᮰

ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮣᮑᮞ ᮢᮥᮣᮘᮕᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮕ ᮧᮙᮤᮘ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮕ ᮣᮠᮕᮕᮔᮼ

᮰ᯖᮥᮘᮺ ᮧᮘᮩᯍ᮰

ᯗᮤ ᮧᮑᮣ ᮟᮞᮜᮩ ᮤᮘᮕᮞ ᮤᮘᮑᮤ ᯗ ᮞᮟᮤᮙᮓᮕᮔ ᮤᮘᮕ ᮜᮙᮡᮥᮙᮔ ᮤᮢᮙᮓᮛᮜᮙᮞᮗ ᮔᮟᮧᮞ ᮝᮩ ᮖᮑᮓᮕᮼ

᮰ᮇᮘᮑᮤ ᮙᮣ ᮙᮤᯍ ᯗᮤ᮵ᮣ ᮞᮟᮤ ᮤᮕᮑᮢᮣᮺ ᮒᮥᮤ ᮙᮤ᮵ᮣ ᮧᮑᮢᮝᮼᮼᮼ᮰

ᮇᮘᮕᮞ ᯗ ᮧᮙᮠᮕᮔ ᮙᮤ ᮧᮙᮤᮘ ᮝᮩ ᮠᮑᮜᮝᮺ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮣ ᮣᮜᮙᮔ ᮣᮜᮙᮓᮛᮜᮩᮺ ᮒᮢᮙᮞᮗᮙᮞᮗ ᮤᮘᮕ ᮣᮝᮕᮜᮜ ᮟᮖ ᮢᮥᮣᮤᮕᮔ ᮙᮢᮟᮞ ᮤᮟ ᮝᮩ ᮞᮟᮣᮕᮼᮼᮼ ᮇᮑᮙᮤᮺ ᮣᮕᮢᮙᮟᮥᮣᮜᮩᯍ ᯛᮩ ᮖᮙᮞᮗᮕᮢ᮵ᮣ ᮢᮕᮔᮯ ᯗᮣ ᮤᮘᮙᮣ ᮒᮜᮟᮟᮔᯍ ᯐᮜᮟᮟᮔᮯ

ᯚᮑᮤᮕᮢᮺ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮣᮑᮞ ᮑᮣᮛᮕᮔ ᮝᮕᮺ ᮵ᮉᮟᮥ ᮘᮑᮔ ᮤᮘᮕ ᮣᮠᮙᮢᮙᮤ ᮤᮟ ᮣᮝᮑᮣᮘ ᮑ ᮓᮥᮢᮣᮕᮔ ᮝᮙᮢᮢᮟᮢᮺ ᮣᮟ ᮧᮘᮩ ᮔᮙᮔ ᮑ ᮣᮙᮞᮗᮜᮕ ᮣᮤᮢᮕᮑᮛ ᮟᮖ ᮒᮜᮟᮟᮔ ᮝᮑᮛᮕ ᮩᮟᮥ ᮜᮟᮟᮛ ᮜᮙᮛᮕ ᮤᮘᮑᮤᯍ᮵ ᯐᮥᮤ ᮖᮟᮢ ᮝᮕᮺ ᮤᮘᮕ ᮵ᮠᮘᮩᮣᮙᮓᮑᮜ᮵ ᮤᮩᮠᮕᮺ ᮙᮤ ᮧᮑᮣ ᮘᮑᮢᮔᮕᮢ ᮤᮟ ᮔᮕᮑᮜ ᮧᮙᮤᮘ ᮕᮝᮟᮤᮙᮟᮞᮑᮜᮜᮩ ᮧᮘᮕᮞ ᯗ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮤᮘᮑᮤ ᮓᮥᮢᮣᮕᮣᮺ ᮥᮞᮜᮙᮛᮕ ᮙᮞᮦᮙᮣᮙᮒᮜᮕ ᮤᮘᮙᮞᮗᮣᮺ ᮑᮓᮤᮥᮑᮜᮜᮩ ᮸ᮔᮟ᮸ ᮝᮑᮞᮙᮖᮕᮣᮤᮯ ᯒᮟ ᮩᮟᮥ ᮗᮕᮤ ᮧᮘᮑᮤ ᯗ ᮝᮕᮑᮞᯍ ᯜᮟᮺ ᮠᮜᮕᮑᮣᮕᮺ ᮩᮟᮥ ᮸ᮘᮑᮦᮕ᮸ ᮤᮟ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮯ

᮰ᯏᮢᮕ ᮩᮟᮥ ᮑᮜᮢᮙᮗᮘᮤᯍ ᮃᮘᮟᮥᮜᮔ ᯗ ᮓᮑᮜᮜ ᮑ ᮔᮟᮓᮤᮟᮢᯍ᮰

ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮣᮑᮞ ᮑᮣᮛᮕᮔᮺ ᮘᮑᮞᮔᮙᮞᮗ ᮝᮕ ᮑ ᮤᮙᮣᮣᮥᮕ ᮤᮟ ᮧᮙᮠᮕ ᮝᮩ ᮖᮑᮓᮕᮺ ᮒᮥᮤ ᯗ ᮣᮘᮟᮟᮛ ᮝᮩ ᮘᮕᮑᮔᮼ

᮰ᯗ᮵ᮝ ᮠᮕᮢᮖᮕᮓᮤᮜᮩ ᮖᮙᮞᮕᮼ᮰

ᯏᮞᮩᮧᮑᮩᮺ ᮖᮢᮟᮝ ᮧᮘᮑᮤ ᯗ ᮓᮟᮥᮜᮔ ᮤᮕᮜᮜ ᮧᮙᮤᮘ ᮝᮩ ᮖᮙᮞᮗᮕᮢᮣᮺ ᮤᮘᮕᮢᮕ ᮧᮑᮣᮞ᮵ᮤ ᮑ ᮣᮙᮞᮗᮜᮕ ᮣᮓᮢᮑᮤᮓᮘᮼ

ᮄᮘᮑᮤ᮵ᮣ ᮑ ᮓᮥᮢᮣᮕ ᮖᮟᮢ ᮩᮟᮥᮼ

ᯐᮜᮕᮕᮔᮙᮞᮗ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮓᮑᮥᮣᮕᯍ ᮄᮘᮑᮤ ᮤᮟᮤᮑᮜᮜᮩ ᮔᮕᮖᮙᮕᮣ ᮤᮘᮕ ᮜᮑᮧᮣ ᮟᮖ ᮠᮘᮩᮣᮙᮓᮣᮺ ᮔᮟᮕᮣᮞ᮵ᮤ ᮙᮤᯍ

᮰ᮄᮢᮥᮜᮩᯍ ᯗᮖ ᮣᮟᮺ ᮤᮘᮑᮤ᮵ᮣ ᮗᮟᮟᮔᮼ᮰

᮰ᮄᮘᮟᮥᮗᮘ ᮒᮜᮟᮟᮔ ᮙᮣ ᮖᮜᮟᮧᮙᮞᮗᮺ ᮤᮘᮕᮢᮕ ᮙᮣ ᮞᮟ ᮧᮟᮥᮞᮔ ᮑᮞᮩᮧᮘᮕᮢᮕᮼ ᮄᮘᮕ ᮠᮑᮙᮞ ᮙᮞ ᮝᮩ ᮒᮟᮔᮩ ᮘᮑᮣ ᮑᮜᮣᮟ ᮦᮑᮞᮙᮣᮘᮕᮔᮼ ᯗᮞᮔᮕᮕᮔᮺ ᮓᮥᮢᮣᮕᮣ ᮑᮢᮕ ᮤᮢᮥᮜᮩ ᮝᮩᮣᮤᮕᮢᮙᮟᮥᮣ ᮤᮘᮙᮞᮗᮣᮼ ᯛᮟᮢᮕ ᮙᮝᮠᮟᮢᮤᮑᮞᮤᮜᮩᮺ ᮧᮘᮑᮤ ᮑᮒᮟᮥᮤ ᮃᮑᮩᮟ ᮀᮢᮙᮞᮓᮕᮣᮣ᮵ᮣ ᮓᮟᮞᮔᮙᮤᮙᮟᮞᮼᮼᮼᯍ᮰

᮰ᯏᮘᮺ ᮑᮘᮺ ᮩᮕᮣᮺ ᮩᮟᮥ᮵ᮢᮕ ᮢᮙᮗᮘᮤᮼ᮰

ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮣᮑᮞᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮖᮜᮥᮣᮤᮕᮢᮕᮔᮺ ᮑᮠᮠᮢᮟᮑᮓᮘᮕᮔ ᮃᮑᮩᮟᮻᮣᮑᮞᮼ

ᯙᮙᮤᮑᮝᮥᮢᮑᮻᮣᮑᮞ ᮧᮑᮣ ᮤᮙᮗᮘᮤᮜᮩ ᮗᮢᮙᮠᮠᮙᮞᮗ ᮃᮑᮩᮟᮻᮣᮑᮞ᮵ᮣ ᮘᮑᮞᮔᮼ

ᯐᮩ ᮤᮘᮕ ᮧᮑᮩᮺ ᮤᮘᮕ ᮝᮟᮞᮛᮣ ᮧᮕᮢᮕ ᮑᮜᮜ ᮔᮥᮝᮒᮖᮟᮥᮞᮔᮕᮔᮼ

ᮃᮟᮢᮢᮩ ᮑᮒᮟᮥᮤ ᮤᮘᮑᮤᮼ ᯗ ᮚᮥᮣᮤ ᮑᮓᮤᮕᮔ ᮧᮙᮤᮘᮟᮥᮤ ᮑᮞᮩ ᮠᮜᮑᮞᮞᮙᮞᮗ ᮟᮢ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ ᯛᮩ ᮒᮟᮔᮩ ᮚᮥᮣᮤ ᮝᮟᮦᮕᮔ ᮟᮞ ᮙᮤᮣ ᮟᮧᮞᮼ

ᯐᮥᮤ ᮘᮕᮩᮺ ᮜᮕᮤ᮵ᮣ ᮚᮥᮣᮤ ᮣᮑᮩ ᮙᮤ᮵ᮣ ᮑᮜᮜ ᮗᮟᮟᮔ ᮙᮞ ᮤᮘᮕ ᮕᮞᮔᮺ ᮣᮟ ᮠᮜᮕᮑᮣᮕ ᮖᮟᮢᮗᮙᮦᮕ ᮝᮕᮼ

᮰ᯙᮙᮤᮑᮝᮥᮢᮑᮺ ᮃᮑᮩᮟ ᮙᮣ—᮰

᮰ᯓᮜᮔᮕᮢᮺ ᮠᮜᮕᮑᮣᮕ ᮑᮣᮛ ᮃᮑᮩᮟ ᮘᮕᮢᮣᮕᮜᮖ ᮑᮒᮟᮥᮤ ᮘᮕᮢ ᮓᮟᮞᮔᮙᮤᮙᮟᮞᮺ ᮞᮟᮤ ᯙᮙᮤᮑᮝᮥᮢᮑᮼ᮰

᮰ᮃᮑᮩᮟᮺ ᮤᮘᮑᮤ ᮦᮟᮙᮓᮕᮼᮼᮼ ᮘᮑᮦᮕ ᮩᮟᮥ ᮢᮕᮓᮟᮦᮕᮢᮕᮔᯍᮯ᮰

᮰ᮉᮕᮣᮼ ᯗ ᮘᮕᮑᮢᮔ ᮉᮑᮝᮑᮒᮥᮛᮙ᮵ᮣ ᮧᮟᮢᮔᮣ ᮑᮞᮔ ᮤᮘᮕ ᮣᮟᮥᮞᮔ ᮟᮖ ᮤᮘᮕ ᮝᮙᮢᮢᮟᮢ ᮒᮕᮙᮞᮗ ᮤᮘᮢᮟᮧᮞ ᮑᮧᮑᮩᮼᮼᮼ ᮑᮞᮔ ᮒᮕᮖᮟᮢᮕ ᯗ ᮛᮞᮕᮧ ᮙᮤᮺ ᮒᮟᮤᮘ ᮤᮘᮕ ᮠᮑᮙᮞ ᮑᮞᮔ ᮤᮘᮕ ᮖᮕᮦᮕᮢ ᮘᮑᮔ ᮜᮕᮖᮤ ᮝᮕᮼ ᮄᮘᮕ ᮜᮥᮝᮠ ᮤᮘᮑᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮜᮟᮔᮗᮕᮔ ᮙᮞ ᮝᮩ ᮤᮘᮢᮟᮑᮤ ᮙᮣ ᮗᮟᮞᮕᮺ ᮑᮞᮔ ᮞᮟᮧᮺ ᮖᮟᮢ ᮤᮘᮕ ᮖᮙᮢᮣᮤ ᮤᮙᮝᮕ ᮙᮞ ᮑ ᮜᮟᮞᮗ ᮧᮘᮙᮜᮕᮺ ᯗ ᮖᮕᮕᮜ ᮢᮕᮖᮢᮕᮣᮘᮕᮔ ᮑᮞᮔ ᮓᮜᮕᮑᮢᮻᮘᮕᮑᮔᮕᮔᮼ ᮼᮼᮼᮄᮘᮕ ᮓᮥᮢᮣᮕᮺ ᮙᮤ ᮤᮢᮥᮜᮩ ᮕᮨᮙᮣᮤᮕᮔᮺ ᮔᮙᮔᮞ᮵ᮤ ᮙᮤᯍ᮰

ᮇᮘᮟᮑᮺ ᮃᮑᮩᮟᮻᮣᮑᮞᮺ ᮩᮟᮥᮢ ᮦᮟᮙᮓᮕ ᮙᮣ ᮙᮞᮓᮢᮕᮔᮙᮒᮜᮩ ᮒᮕᮑᮥᮤᮙᮖᮥᮜᮯ ᯓᮦᮕᮞ ᮧᮘᮕᮞ ᮙᮤ ᮧᮑᮣ ᮘᮟᮑᮢᮣᮕᮺ ᯗ ᮤᮘᮟᮥᮗᮘᮤᮺ ᮵ᮇᮘᮑᮤ ᮑ ᮠᮜᮕᮑᮣᮑᮞᮤ ᮦᮟᮙᮓᮕ ᮤᮟ ᮜᮙᮣᮤᮕᮞ ᮤᮟᮺ᮵ ᮒᮥᮤ ᮞᮟᮧ ᮙᮤ᮵ᮣ ᮟᮞ ᮑ ᮧᮘᮟᮜᮕ ᮟᮤᮘᮕᮢ ᮜᮕᮦᮕᮜᮼ ᯖᮕᮢ ᮣᮙᮞᮗᮙᮞᮗᮻᮜᮙᮛᮕ ᮤᮟᮞᮕ ᮤᮢᮥᮜᮩ ᮣᮟᮥᮞᮔᮣ ᮜᮙᮛᮕ ᮑ ᮒᮙᮢᮔᮺ ᮑᮞᮔ ᮤᮘᮕ ᮝᮕᮑᮞᮙᮞᮗ ᮟᮖ ᮘᮕᮢ ᮞᮙᮓᮛᮞᮑᮝᮕᮺ ᮵ᯜᮙᮗᮘᮤᮙᮞᮗᮑᮜᮕᮺ᮵ ᮗᮙᮦᮕᮞ ᮤᮟ ᮃᮑᮩᮟᮻᮣᮑᮞᮺ ᮤᮢᮥᮜᮩ ᮣᮑᮞᮛ ᮙᮞ ᮑᮗᮑᮙᮞ ᮢᮙᮗᮘᮤ ᮞᮟᮧᮼ

᮰ᮃᮑᮩᮟ ᮀᮢᮙᮞᮓᮕᮣᮣᮯ᮰

ᯙᮙᮤᮑᮝᮥᮢᮑᮻᮣᮑᮞᮺ ᮣᮤᮙᮜᮜ ᮘᮟᮜᮔᮙᮞᮗ ᮃᮑᮩᮟᮻᮣᮑᮞ᮵ᮣ ᮘᮑᮞᮔᮺ ᮣᮘᮕᮔ ᮤᮕᮑᮢᮣᮺ ᮟᮞᮕ ᮑᮖᮤᮕᮢ ᮑᮞᮟᮤᮘᮕᮢᮼ

᮰ᯗ ᮓᮑᮥᮣᮕᮔ ᮩᮟᮥ ᮧᮟᮢᮢᮩ ᮤᮟᮟᮺ ᯙᮙᮤᮑᮝᮥᮢᮑᮼ ᯗ ᮑᮠᮟᮜᮟᮗᮙ᮪ᮕᮼ᮰

᮰ᯜᮟᮺ ᮞᮟᮯ ᯗᮖ ᮃᮑᮩᮟ ᮀᮢᮙᮞᮓᮕᮣᮣ ᮙᮣ ᮣᮑᮖᮕᮺ ᯙᮙᮤᮑᮝᮥᮢᮑ ᮧᮟᮥᮜᮔ ᮞᮟᮤ ᮢᮕᮗᮢᮕᮤ ᮟᮖᮖᮕᮢᮙᮞᮗ ᮘᮕᮢ ᮟᮧᮞ ᮜᮙᮖᮕᮯ ᮉᮟᮥᮢ ᮢᮕᮓᮟᮦᮕᮢᮩᮼᮼᮼ ᮤᮢᮥᮜᮩᮼᮼᮼ ᮧᮘᮑᮤ ᮧᮟᮞᮔᮕᮢᮖᮥᮜ ᮞᮕᮧᮣᮼᮼᮼ᮰

᮰ᯜᮟᮧᮺ ᮞᮟᮧᮺ ᮔᮟᮞ᮵ᮤ ᮓᮢᮩᮼ ᯗᮺ ᮝᮩᮣᮕᮜᮖᮺ ᮧᮟᮥᮜᮔ ᮘᮑᮤᮕ ᮤᮟ ᮤᮘᮙᮞᮛ ᯗ᮵ᮦᮕ ᮔᮟᮞᮕ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮒᮑᮔ ᮤᮟ ᮩᮟᮥᮺ ᯙᮙᮤᮑᮝᮥᮢᮑᮼ ᯗ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮧᮑᮞᮤ ᮤᮘᮑᮤ ᮑᮤ ᮑᮜᮜᮼ᮰

ᮃᮑᮩᮟᮻᮣᮑᮞᮺ ᮣᮝᮙᮜᮙᮞᮗ ᮣᮟᮖᮤᮜᮩᮺ ᮢᮕᮑᮓᮘᮕᮔ ᮟᮥᮤ ᮖᮢᮟᮝ ᮘᮕᮢ ᮖᮥᮤᮟᮞ ᮑᮞᮔ ᮧᮙᮠᮕᮔ ᯙᮙᮤᮑᮝᮥᮢᮑᮻᮣᮑᮞ᮵ᮣ ᮕᮩᮕᮣ ᮧᮙᮤᮘ ᮤᮘᮕ ᮣᮜᮕᮕᮦᮕ ᮟᮖ ᮘᮕᮢ ᮛᮙᮝᮟᮞᮟᮼ

ᮄᮘᮕᮞᮺ ᮣᮘᮕ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮤᮟ ᮤᮘᮕ ᮖᮥᮤᮟᮞ ᮑᮞᮔ ᮤᮥᮢᮞᮕᮔ ᮘᮕᮢ ᮖᮑᮓᮕ ᮤᮟᮧᮑᮢᮔᮣ ᮝᮕᮼ

᮰ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᯗ ᮤᮘᮑᮞᮛ ᮩᮟᮥ ᮖᮢᮟᮝ ᮤᮘᮕ ᮒᮟᮤᮤᮟᮝ ᮟᮖ ᮝᮩ ᮘᮕᮑᮢᮤᮼ ᮄᮘᮑᮞᮛᮣ ᮤᮟ ᮩᮟᮥᮺ ᯗ ᮘᮑᮦᮕ ᮣᮑᮖᮕᮜᮩ ᮢᮕᮤᮥᮢᮞᮕᮔᮼ᮰

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Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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