Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 95

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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ᯏ ᮡᮥᮙᮕᮤ ᮠᮕᮢᮙᮟᮔ ᮠᮑᮣᮣᮕᮔ ᮑᮖᮤᮕᮢ ᮤᮘᮑᮤᮼ

ᮃᮑᮩᮟᮻᮣᮑᮞ᮵ᮣ ᮤᮕᮑ ᮧᮑᮣ ᮧᮟᮞᮔᮕᮢᮖᮥᮜᮜᮩ ᮔᮕᮜᮙᮓᮙᮟᮥᮣᮺ ᮧᮙᮤᮘ ᮑ ᮒᮙᮤᮤᮕᮢᮣᮧᮕᮕᮤ ᮤᮑᮣᮤᮕ ᮤᮘᮑᮤ ᮜᮕᮖᮤ ᮑ ᮣᮥᮒᮤᮜᮩ ᮣᮧᮕᮕᮤ ᮑᮖᮤᮕᮢᮤᮑᮣᮤᮕᮼ

ᯐᮟᮤᮘ ᮃᮑᮩᮟᮻᮣᮑᮞ ᮑᮞᮔ ᯙᮙᮤᮑᮝᮥᮢᮑᮻᮣᮑᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮣᮥᮗᮗᮕᮣᮤᮕᮔ ᮧᮕ ᮤᮑᮜᮛ ᮑᮒᮟᮥᮤ ᮠᮜᮕᮑᮣᮑᮞᮤ ᮤᮘᮙᮞᮗᮣᮺ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮣᮙᮜᮕᮞᮤᮼ ᮄᮘᮕᮩ ᮣᮙᮝᮠᮜᮩ ᮧᮑᮤᮓᮘᮕᮔ ᮤᮘᮕ ᮣᮥᮞᮣᮕᮤ ᮣᮜᮟᮧᮜᮩ ᮔᮕᮣᮓᮕᮞᮔᮼ ᯗ ᮧᮑᮤᮓᮘᮕᮔ ᮙᮤ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮤᮟᮟᮼ

“ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮤᮘᮕ ᮣᮥᮞ ᮧᮙᮜᮜ ᮣᮕᮤ ᮣᮟᮟᮞᮺ ᮧᮟᮞ᮵ᮤ ᮙᮤᯍ”

“ᮄᮘᮕᮢᮕ᮵ᮣ ᮞᮟ ᮞᮕᮕᮔ ᮤᮟ ᮧᮟᮢᮢᮩ ᮑᮒᮟᮥᮤ ᮣᮥᮓᮘ ᮤᮘᮙᮞᮗᮣᮼ ᯗ ᮣᮘᮑᮜᮜ ᮢᮕᮝᮑᮙᮞ ᮘᮕᮢᮕ ᮥᮞᮤᮙᮜ ᮃᮑᮩᮟ ᮀᮢᮙᮞᮓᮕᮣᮣ᮵ᮣ ᮘᮕᮑᮢᮤ ᮙᮣ ᮓᮜᮕᮑᮢᮼ”

“ᯒᮙᮔᮞ᮵ᮤ ᯗ ᮚᮥᮣᮤ ᮣᮑᮩ ᯗ ᮣᮘᮟᮥᮜᮔᮞ᮵ᮤ ᮢᮕᮜᮩ ᮟᮞ ᮩᮟᮥᯍ ᯗ᮵ᮝ ᮖᮙᮞᮕᮼ ᯗ ᮧᮟᮥᮜᮔ ᮞᮕᮦᮕᮢ ᮔᮟ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮣᮟ ᮤᮘᮟᮥᮗᮘᮤᮜᮕᮣᮣ ᮑᮣ ᮤᮟ ᮘᮑᮢᮝ ᮤᮘᮙᮣ ᮦᮟᮙᮓᮕ ᮤᮘᮑᮤ ᮉᮑᮝᮑᮒᮥᮛᮙ ᮘᮕᮜᮠᮕᮔ ᮝᮕ ᮢᮕᮓᮜᮑᮙᮝᮼ”

ᮃᮑᮩᮟᮻᮣᮑᮞ ᮣᮝᮙᮜᮕᮔᮼ

ᯗᮤ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮝᮩ ᮕᮨᮠᮕᮓᮤᮑᮤᮙᮟᮞᮣ ᮘᮑᮔ ᮒᮕᮕᮞ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮣᮘᮑᮤᮤᮕᮢᮕᮔᮼ ᮃᮟ ᮝᮥᮓᮘ ᮘᮑᮔ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮤᮟᮔᮑᮩᮺ ᮑᮞᮔ ᮤᮟ ᮤᮟᮠ ᮙᮤ ᮑᮜᮜ ᮟᮖᮖᮺ ᮤᮘᮕ ᮕᮞᮗᮑᮗᮕᮝᮕᮞᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮒᮢᮟᮛᮕᮞᮼ ᯗ᮵ᮔ ᮒᮕᮕᮞ ᮧᮟᮢᮢᮙᮕᮔ ᮑᮒᮟᮥᮤ ᮧᮘᮑᮤ ᮧᮟᮥᮜᮔ ᮘᮑᮠᮠᮕᮞ ᮙᮖ ᮃᮑᮩᮟᮻᮣᮑᮞ ᮚᮥᮣᮤ ᮗᮑᮦᮕ ᮥᮠ ᮟᮞ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗᮼ

“ᯗᮣ ᮤᮘᮑᮤ ᮣᮟᮼᮼᮼᯍ”

“ᮀᮜᮕᮑᮣᮕ ᮓᮟᮝᮕ ᮦᮙᮣᮙᮤ ᮑᮗᮑᮙᮞ ᮑᮞᮩᮤᮙᮝᮕᮼ ᮃᮑᮩᮟ ᮤᮢᮥᮜᮩ ᮕᮞᮚᮟᮩᮣ ᮤᮑᮜᮛᮙᮞᮗ ᮧᮙᮤᮘ ᮩᮟᮥᮼ”

“ᯏᮩᮕᮼ ᮄᮘᮕ ᮠᮜᮕᮑᮣᮥᮢᮕ ᮙᮣ ᮑᮜᮜ ᮝᮙᮞᮕᮼ”

“ᮼᮼᮼᮇᮟᮥᮜᮔ ᮩᮟᮥ ᮝᮑᮛᮕ ᮑ ᮠᮙᮞᮛᮩ ᮠᮢᮟᮝᮙᮣᮕ ᮧᮙᮤᮘ ᮝᮕᯍ ᮃᮟᮝᮕᮤᮙᮝᮕᮣᮺ ᯗ ᮧᮙᮣᮘ ᮤᮟ ᮔᮟ ᮤᮘᮙᮞᮗᮣ ᮜᮙᮛᮕ ᮑ ᮞᮟᮢᮝᮑᮜ ᮗᮙᮢᮜᮼ”

“ᯗᮤ ᮧᮟᮥᮜᮔ ᮒᮕ ᮝᮩ ᮠᮜᮕᮑᮣᮥᮢᮕᮼ ᮄᮟ ᮝᮑᮛᮕ ᮑ ᮠᮙᮞᮛᮩ ᮠᮢᮟᮝᮙᮣᮕ ᮧᮙᮤᮘ ᮃᮑᮝᮑ᮵ᮣ ᮩᮟᮥᮞᮗᮕᮢ ᮣᮙᮣᮤᮕᮢᮼᮼᮼ ᯗ ᮑᮝ ᮤᮢᮥᮜᮩ ᮒᮜᮕᮣᮣᮕᮔᮼ”

“ᯝᮘ ᮝᮩᮼ ᯗᮤ ᮙᮣ ᯗ ᮧᮘᮟ ᮑᮝ ᮔᮕᮜᮙᮗᮘᮤᮕᮔ ᮤᮟ ᮝᮑᮛᮕ ᮑ ᮠᮢᮟᮝᮙᮣᮕ ᮧᮙᮤᮘ ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮤᮘᮕ ᯗᮢᮟᮞ ᯛᮟᮥᮞᮤᮑᮙᮞᮺ ᮠᮢᮙᮔᮕ ᮟᮖ ᮉᮟᮣᮘᮙᮧᮑᮢᮑᮼ ᮉᮟᮥᮢ ᮦᮑᮜᮙᮑᮞᮤ ᮦᮟᮙᮓᮕ ᮧᮘᮕᮞ ᮩᮟᮥ ᮣᮘᮑᮤᮤᮕᮢᮕᮔ ᮤᮘᮕ ᮝᮙᮢᮢᮟᮢ ᮣᮤᮙᮜᮜ ᮕᮓᮘᮟᮕᮣ ᮙᮞ ᮝᮩ ᮕᮑᮢᮣᮼ”

“ᮄᮘᮑᮤ ᮙᮣ ᮝᮟᮣᮤ ᮛᮙᮞᮔ ᮟᮖ ᮩᮟᮥᮼ”

ᯏᮣ ᮧᮕ ᮕᮨᮓᮘᮑᮞᮗᮕᮔ ᮤᮘᮟᮣᮕ ᮧᮟᮢᮔᮣᮺ ᮃᮑᮩᮟᮻᮣᮑᮞ ᮑᮞᮔ ᯗ ᮝᮑᮔᮕ ᮑ ᮠᮙᮞᮛᮩ ᮠᮢᮟᮝᮙᮣᮕᮼ

ᯙᮙᮤᮑᮝᮥᮢᮑᮻᮣᮑᮞ ᮧᮑᮤᮓᮘᮕᮔ ᮥᮣᮺ ᮤᮘᮕᮞ ᮤᮥᮢᮞᮕᮔ ᮑᮧᮑᮩᮺ ᮑᮣ ᮙᮖ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮘᮟᮜᮔ ᮒᮑᮓᮛ ᮤᮕᮑᮢᮣᮼ

ᯘᮥᮣᮤ ᮤᮘᮕᮞᮺ ᮑ ᮢᮥᮣᮤᮜᮙᮞᮗ ᮣᮟᮥᮞᮔ ᮓᮑᮝᮕ ᮖᮢᮟᮝ ᮤᮘᮕ ᮗᮑᮢᮔᮕᮞᮺ ᮜᮙᮛᮕ ᮜᮕᮑᮦᮕᮣ ᮒᮕᮙᮞᮗ ᮔᮙᮣᮤᮥᮢᮒᮕᮔᮼ ᯗᮤ ᮧᮑᮣᮞ᮵ᮤ ᮤᮘᮕ ᮧᮙᮞᮔᯉ ᮙᮤ ᮣᮟᮥᮞᮔᮕᮔ ᮜᮙᮛᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮘᮑᮔ ᮝᮟᮦᮕᮔ ᮤᮘᮕᮝᮼ

ᮇᮘᮑᮤ ᮧᮑᮣ ᮤᮘᮑᮤᯍ

ᯗ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮣᮘᮙᮕᮜᮔᮕᮔ ᮃᮑᮩᮟᮻᮣᮑᮞ ᮧᮙᮤᮘ ᮝᮩ ᮒᮑᮓᮛᮼ

ᯜᮟᮤᮘᮙᮞᮗ ᮔᮑᮞᮗᮕᮢᮟᮥᮣ ᮣᮘᮟᮥᮜᮔ ᮘᮑᮠᮠᮕᮞ ᮙᮞ ᮤᮘᮕ ᯝᮟᮛᮥᮺ ᮒᮥᮤ ᮣᮤᮙᮜᮜᮺ ᮚᮥᮣᮤ ᮙᮞ ᮓᮑᮣᮕᮺ ᮩᮟᮥ ᮛᮞᮟᮧᯍ

ᮇᮑᮙᮤᮺ ᮙᮣ ᮤᮘᮑᮤ ᮑ ᮝᮑᮞ ᮘᮙᮔᮙᮞᮗ ᮙᮞ ᮤᮘᮕ ᮒᮥᮣᮘᮕᮣ ᮟᮦᮕᮢ ᮤᮘᮕᮢᮕᯍ

ᮇᮘᮩ ᮙᮣ ᮤᮘᮕᮢᮕ ᮑ ᮝᮑᮞ ᮙᮞ ᮤᮘᮕ ᯝᮟᮛᮥ ᮗᮑᮢᮔᮕᮞᯍ ᮄᮘᮙᮣ ᮠᮜᮑᮓᮕ ᮙᮣ ᮒᮑᮣᮙᮓᮑᮜᮜᮩ ᮟᮖᮖᮻᮜᮙᮝᮙᮤᮣ ᮤᮟ ᮝᮕᮞᮺ ᮢᮙᮗᮘᮤᯍ ᮄᮘᮙᮣ ᮙᮣ ᮣᮕᮢᮙᮟᮥᮣᮜᮩ ᮒᮑᮔᮺ ᮙᮣᮞ᮵ᮤ ᮙᮤᯍ ᯗ ᮣᮘᮟᮥᮜᮔ ᮢᮕᮠᮟᮢᮤ ᮙᮤ ᮤᮟ ᮤᮘᮕ ᮣᮤᮑᮖᮖ ᮡᮥᮙᮓᮛᮜᮩᮼᮼᮼ

ᯏ ᮖᮜᮥᮢᮢᮩ ᮟᮖ ᮤᮘᮟᮥᮗᮘᮤᮣ ᮢᮥᮣᮘᮕᮔ ᮤᮘᮢᮟᮥᮗᮘ ᮝᮩ ᮝᮙᮞᮔᮼ

ᯐᮥᮤ ᮃᮑᮩᮟᮻᮣᮑᮞ᮵ᮣ ᮢᮕᮑᮓᮤᮙᮟᮞ ᮧᮑᮣ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮥᮞᮕᮨᮠᮕᮓᮤᮕᮔᮼ

“ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑᮯ”

ᯔᮢᮟᮝ ᮒᮕᮘᮙᮞᮔ ᮝᮕᮺ ᯗ ᮘᮕᮑᮢᮔ ᮃᮑᮩᮟᮻᮣᮑᮞ᮵ᮣ ᮦᮟᮙᮓᮕᮺ ᮓᮜᮕᮑᮢ ᮑᮣ ᮗᮜᮑᮣᮣᮺ ᮑᮣ ᮣᮘᮕ ᮣᮤᮟᮟᮔ ᮥᮠᮼ

ᯖᮥᮘᯍ ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑᮼᮼᮼᯍ ᮉᮟᮥ ᮝᮕᮑᮞ ᮃᮑᮩᮟᮻᮣᮑᮞ᮵ᮣ ᮖᮙᮑᮞᮓéᮺ ᯏᮚᮙᮝᮥ ᯖᮩᮟᮗᮟᮻᮣᮑᮞᯍᮯᮯᮯ

ᮃᮕᮢᮙᮟᮥᮣᮜᮩᯍ ᯏᮞᮔ ᮧᮘᮩ ᮙᮣ ᮘᮕ ᮘᮕᮢᮕᮺ ᮟᮖ ᮑᮜᮜ ᮠᮜᮑᮓᮕᮣᯍ ᯗᮣ ᮘᮙᮣ ᮝᮟᮤᮘᮕᮢᮺ ᮧᮘᮟ ᮧᮑᮣ ᮘᮙᮤ ᮒᮩ ᮤᮘᮕ ᮓᮥᮢᮣᮕ ᮢᮕᮦᮕᮢᮣᮑᮜᮺ ᮟᮛᮑᮩᯍ

ᯗ ᮘᮑᮔ ᮑ ᮝᮟᮥᮞᮤᮑᮙᮞ ᮟᮖ ᮡᮥᮕᮣᮤᮙᮟᮞᮣᮺ ᮒᮥᮤ ᮃᮑᮩᮟᮻᮣᮑᮞ᮵ᮣ ᮧᮙᮣᮤᮖᮥᮜ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮕᮢᮑᮣᮕᮔ ᮤᮘᮕᮝ ᮑᮜᮜᮼ

ᯗᮤ ᮓᮕᮢᮤᮑᮙᮞᮜᮩ ᮧᮑᮣᮞ᮵ᮤ ᮑ ᮞᮟᮢᮝᮑᮜ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮺ ᮒᮥᮤ ᮃᮑᮩᮟᮻᮣᮑᮞ ᮣᮥᮢᮕᮜᮩ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮤᮑᮜᮛ ᮤᮟ ᯖᮩᮟᮗᮟᮻᮣᮑᮞᮼ ᯏᮞᮔ ᮣᮕᮕᮙᮞᮗ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞᮻᮣᮑᮞ᮵ᮣ ᮑᮞᮗᮕᮢᮺ ᮤᮘᮙᮣ ᮝᮙᮗᮘᮤ ᮕᮦᮕᮞ ᮒᮕ ᮤᮘᮕᮙᮢ ᮜᮑᮣᮤ ᮓᮘᮑᮞᮓᮕᮼ

ᯗᮞ ᮤᮘᮑᮤ ᮓᮑᮣᮕᮺ ᯗ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮠᮟᮣᮣᮙᮒᮜᮩ ᮗᮕᮤ ᮙᮞ ᮤᮘᮕᮙᮢ ᮧᮑᮩᮼ

“ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑᮯ ᯗᮤ᮵ᮣ ᮃᮑᮩᮟᮯ ᯗ᮵ᮦᮕ ᮜᮟᮞᮗᮕᮔ ᮤᮟ ᮣᮕᮕ ᮩᮟᮥᮼᮼᮼᮯ”

ᮃᮑᮩᮟᮻᮣᮑᮞ ᮝᮟᮦᮕᮔ ᮠᮑᮣᮤ ᮝᮕᮺ ᮑᮠᮠᮢᮟᮑᮓᮘᮙᮞᮗ ᮤᮘᮕ ᮗᮑᮢᮔᮕᮞᮼ

ᯗ ᮗᮜᮑᮞᮓᮕᮔ ᮑᮤ ᯙᮙᮤᮑᮝᮥᮢᮑᮻᮣᮑᮞᮺ ᮒᮥᮤ ᮣᮘᮕ ᮧᮑᮣᮞ᮵ᮤ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮣᮤᮟᮠ ᮃᮑᮩᮟᮻᮣᮑᮞᯉ ᮙᮞᮣᮤᮕᮑᮔᮺ ᮣᮘᮕ ᮧᮑᮣ ᮔᮑᮒᮒᮙᮞᮗ ᮘᮕᮢ ᮤᮕᮑᮢᮩᮺ ᮣᮟᮢᮢᮟᮧᮖᮥᮜ ᮖᮑᮓᮕ ᮧᮙᮤᮘ ᮘᮕᮢ ᮣᮜᮕᮕᮦᮕᮼ ᮃᮟᮺ ᮘᮕ ᮝᮥᮣᮤ ᮒᮕ ᮤᮘᮕ ᮢᮕᮑᮜ ᯏᮚᮙᮝᮥ ᯖᮩᮟᮗᮟᮼ

“ᮃᮑᮩᮟ ᮃᮑᮝᮑᮼᮼᮼᮯ”

“ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑᮯ”

“ᯗᮤ᮵ᮣ ᮞᮟ ᮕᮨᮓᮥᮣᮕᮺ ᮒᮥᮤᮼᮼᮼ ᯗ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮣᮕᮕ ᮩᮟᮥᮢ ᮖᮑᮓᮕ ᮟᮞᮕ ᮜᮑᮣᮤ ᮤᮙᮝᮕᮺ ᮣᮟ ᯗ ᮣᮞᮥᮓᮛ ᮙᮞᮤᮟ ᮤᮘᮕ ᯝᮟᮛᮥᮺ ᮖᮥᮜᮜᮩ ᮑᮧᮑᮢᮕ ᮟᮖ ᮝᮩ ᮙᮝᮠᮢᮟᮠᮢᮙᮕᮤᮩᮼ”

ᮇᮙᮤᮘ ᮤᮘᮑᮤᮺ ᯖᮩᮟᮗᮟᮻᮣᮑᮞ ᮡᮥᮙᮕᮤᮜᮩ ᮒᮟᮧᮕᮔ ᮘᮙᮣ ᮘᮕᮑᮔᮼ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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