Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Chapter 98

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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“ᮇᮘᮑ—ᮯ”

ᯗᮞ ᮢᮕᮣᮠᮟᮞᮣᮕ ᮤᮟ ᮝᮩ ᮓᮜᮑᮠᮺ ᮤᮘᮕ ᯖōᮛᮑᮞ ᮕᮞᮤᮕᮢᮕᮔ ᮤᮘᮕ ᮢᮟᮟᮝᮼ ᮃᮕᮕᮙᮞᮗ ᮤᮘᮑᮤᮺ ᯗ ᮓᮟᮥᮜᮔ ᮤᮕᮜᮜ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞ ᮃᮑᮝᮑ’ᮣ ᮒᮟᮔᮩ ᮣᮤᮙᮖᮖᮕᮞᮕᮔ ᮧᮙᮤᮘ ᮑ ᮣᮞᮑᮠᮼ

“ᮉᮟᮥ… ᮑᮢᮕ ᮩᮟᮥ… ᯖᮩᮟᮗᮟᯍ”

“ᯖᮩᮟᮗᮟ ᮙᮣ ᮘᮙᮣ ᮟᮜᮔ ᮞᮑᮝᮕᮼ ᯜᮟᮧᮺ ᮘᮕ’ᮣ ᯖᮩᮟᮣᮥᮛᮕᮺ ᮤᮘᮕ ᯖōᮛᮑᮞᮼ ᯖᮕ’ᮣ ᮑ ᮢᮑᮢᮕ ᯖōᮛᮑᮞᮺ ᮧᮕᮜᮜᮻᮦᮕᮢᮣᮕᮔ ᮙᮞ ᮤᮕᮑ ᮓᮕᮢᮕᮝᮟᮞᮩ ᮑᮞᮔ ᮢᮕᮖᮙᮞᮕᮔ ᮑᮢᮤᮣᮺ ᮩᮟᮥ ᮣᮕᮕᮼ ᮄᮘᮕ ᯚᮑᮞᮔᮜᮑᮔᮩ ᮑᮜᮣᮟ ᮜᮟᮟᮛᮣ ᮟᮥᮤ ᮖᮟᮢ ᮘᮙᮝ ᮡᮥᮙᮤᮕ ᮑ ᮒᮙᮤᮼ”

ᯏᮣ ᮙᮖ ᮤᮟ ᮝᮑᮤᮓᮘ ᮝᮩ ᮧᮟᮢᮔᮣᮺ ᯖᮩᮟᮣᮥᮛᮕ—ᯏᮚᮙᮝᮥ ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑ—ᮣᮙᮜᮕᮞᮤᮜᮩ ᮒᮟᮧᮕᮔ ᮘᮙᮣ ᮘᮕᮑᮔ ᮤᮟ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞ ᮃᮑᮝᮑᮼ

“ᮇᮘᮑ—ᮧᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮣᮑᮩᮙᮞᮗᮯ ᮉᮑᮝᮑᮒᮥᮛᮙᮺ ᮧᮘᮑᮤ ᮑᮢᮕ ᮩᮟᮥ ᮔᮟᮙᮞᮗ ᮤᮟ ᮑ ᮣᮑᮝᮥᮢᮑᮙᮯ”

“ᯝᮘᮺ ᮒᮥᮤ ᮧᮑᮣᮞ’ᮤ ᮙᮤ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞ ᮃᮑᮝᮑ ᮧᮘᮟ ᮣᮑᮙᮔ ᮤᮘᮑᮤ ᮑ ᮣᮑᮝᮥᮢᮑᮙ’ᮣ ᮕᮜᮔᮕᮣᮤ ᮣᮟᮞ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮝᮑᮛᮕ ᮑ ᮜᮙᮦᮙᮞᮗ ᮙᮞ ᮤᮘᮙᮣ ᮤᮟᮧᮞᯍ ᮄᮘᮑᮤ’ᮣ ᮠᮢᮕᮓᮙᮣᮕᮜᮩ ᮧᮘᮩ ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑ ᮒᮕᮓᮑᮝᮕ ᯖᮩᮟᮣᮥᮛᮕᮺ ᮤᮘᮕ ᯖōᮛᮑᮞᮺ ᮑᮞᮔ ᮖᮟᮢᮗᮕᮔ ᮘᮙᮣ ᮟᮧᮞ ᮠᮑᮤᮘᮼ ᯏ ᮣᮛᮙᮜᮜᮕᮔ ᯖōᮛᮑᮞ ᮓᮑᮞ ᮕᮑᮢᮞ ᮕᮞᮟᮥᮗᮘ ᮤᮟ ᮣᮥᮠᮠᮟᮢᮤ ᮑ ᮧᮙᮖᮕ ᮑᮞᮔ ᮓᮘᮙᮜᮔᮢᮕᮞ ᮧᮙᮤᮘ ᮠᮜᮕᮞᮤᮩ ᮤᮟ ᮣᮠᮑᮢᮕᮺ ᮩᮟᮥ ᮛᮞᮟᮧᮼ”

“ᯓᮦᮕᮞ ᮣᮟᮺ ᮤᮟ ᮒᮕᮓᮟᮝᮕ ᮑ ᯖōᮛᮑᮞ…ᮯ ᯖᮩᮟᮗᮟᮯ ᯖᮑᮦᮕ ᮩᮟᮥ ᮖᮟᮢᮗᮟᮤᮤᮕᮞ ᮩᮟᮥᮢ ᮣᮑᮝᮥᮢᮑᮙ ᮠᮢᮙᮔᮕᯍᮯ”

“…ᯗᮣᮞ’ᮤ ᮙᮤ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞ ᮃᮑᮝᮑ ᮧᮘᮟ ᮠᮢᮙᮟᮢᮙᮤᮙ᮪ᮕᮣ ᮢᮕᮠᮥᮤᮑᮤᮙᮟᮞ ᮟᮦᮕᮢ ᮢᮕᮑᮜᮙᮤᮩᯍ”

“ᮇᮘᮑᮤᯍ”

“ᮉᮟᮥ ᮣᮑᮩ ᮑ ᮣᮑᮝᮥᮢᮑᮙ ᮓᮑᮞ’ᮤ ᮝᮑᮛᮕ ᮑ ᮜᮙᮦᮙᮞᮗᮺ ᮣᮟ ᮤᮘᮑᮤ’ᮣ ᮞᮟ ᮗᮟᮟᮔᮼ ᯏ ᯖōᮛᮑᮞ ᮘᮑᮣ ᮞᮟ ᮣᮑᮝᮥᮢᮑᮙ ᮠᮢᮙᮔᮕᮺ ᮣᮟ ᮤᮘᮑᮤ’ᮣ ᮞᮟ ᮗᮟᮟᮔᮼ ᯜᮟ ᮗᮟᮟᮔᮺ ᮞᮟ ᮗᮟᮟᮔᮺ ᮞᮟ ᮗᮟᮟᮔ—ᮤᮘᮕᮞ ᮘᮟᮧ ᮕᮨᮑᮓᮤᮜᮩ ᮑᮢᮕ ᮤᮘᮕᮩ ᮣᮥᮠᮠᮟᮣᮕᮔ ᮤᮟ ᮜᮙᮦᮕᯍ ᮄᮟ ᮝᮕᮺ ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮧᮟᮥᮜᮔ ᮑᮒᮑᮞᮔᮟᮞ ᮘᮙᮣ ᮞᮑᮝᮕ ᮖᮟᮢ ᮤᮘᮕ ᮧᮟᮝᮑᮞ ᮘᮕ ᮜᮟᮦᮕᮣᮺ ᮣᮕᮕᮝᮣ ᮖᮑᮢ ᮝᮟᮢᮕ ᮟᮖ ᮑ ᮝᮑᮞ ᮤᮘᮑᮞ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮚᮥᮣᮤ ᮣᮠᮟᮥᮤᮣ ᮕᮞᮔᮜᮕᮣᮣ ᮢᮕᮑᮣᮟᮞᮣ ᮧᮘᮩ ᮤᮘᮙᮞᮗᮣ ᮓᮑᮞ’ᮤ ᮒᮕ ᮔᮟᮞᮕᮼ”

ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞ ᮃᮑᮝᮑ ᮒᮙᮤ ᮘᮙᮣ ᮜᮙᮠ ᮤᮙᮗᮘᮤᮜᮩᮼ

ᮄᮘᮕᮞᮺ ᮘᮕ ᮣᮜᮟᮧᮜᮩ ᮓᮟᮞᮤᮙᮞᮥᮕᮔᮺ ᮠᮙᮓᮛᮙᮞᮗ ᮘᮙᮣ ᮧᮟᮢᮔᮣ ᮓᮑᮢᮕᮖᮥᮜᮜᮩᮼ

“ᮉᮟᮥ ᮣᮠᮕᮑᮛ ᮑᮣ ᮙᮖ ᮩᮟᮥ ᮛᮞᮟᮧ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ…ᮯ ᮃᮑᮩᮟ ᮙᮣ… ᮧᮘᮕᮢᮕ ᮙᮣ ᮃᮑᮩᮟᯍ”

“ᯗ ᮤᮘᮟᮥᮗᮘᮤ ᮩᮟᮥ’ᮔ ᮣᮑᮩ ᮤᮘᮑᮤᮼ ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑᮺ ᮑᮢᮕ ᮩᮟᮥ ᮢᮕᮑᮔᮩᯍ”

“ᮉᮕᮣᮼ”

ᮃᮕᮕᮙᮞᮗ ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑ ᮞᮟᮔᮺ ᯗ ᮓᮜᮑᮠᮠᮕᮔ ᮝᮩ ᮘᮑᮞᮔᮣ ᮟᮞᮓᮕ ᮝᮟᮢᮕᮼ

ᮄᮘᮕ ᮣᮜᮙᮔᮙᮞᮗ ᮔᮟᮟᮢᮣ ᮟᮖ ᮤᮘᮕ ᮢᮟᮟᮝ ᮣᮝᮟᮟᮤᮘᮜᮩ ᮟᮠᮕᮞᮕᮔᮺ ᮑᮞᮔ ᮃᮑᮩᮟ ᮃᮑᮝᮑᮺ ᮔᮢᮕᮣᮣᮕᮔ ᮙᮞ ᮠᮜᮑᮙᮞᮺ ᮤᮟᮧᮞᮻᮗᮙᮢᮜ ᮑᮤᮤᮙᮢᮕᮺ ᮕᮞᮤᮕᮢᮕᮔᮼ

“ᮃᮑᮩᮟ ᮃᮑᮝᮑ ᮗᮜᮑᮔᮜᮩ ᮑᮗᮢᮕᮕᮔ ᮤᮟ ᮒᮕᮓᮟᮝᮕ ᯖᮩᮟᮣᮥᮛᮕ ᮤᮘᮕ ᯖōᮛᮑᮞ’ᮣ ᮧᮙᮖᮕᮼ ᮅᮞᮜᮙᮛᮕ ᮘᮕᮢ ᮣᮤᮥᮒᮒᮟᮢᮞ ᯓᮜᮔᮕᮢ ᮒᮢᮟᮤᮘᮕᮢᮺ ᮣᮘᮕ ᮔᮙᮔᮞ’ᮤ ᮥᮤᮤᮕᮢ ᮑ ᮣᮙᮞᮗᮜᮕ ᮧᮟᮢᮔ ᮑᮒᮟᮥᮤ ᮣᮑᮝᮥᮢᮑᮙ ᮠᮢᮙᮔᮕᮼ ᮃᮘᮕ ᮣᮙᮝᮠᮜᮩ ᮕᮨᮠᮢᮕᮣᮣᮕᮔ ᮗᮢᮑᮤᮙᮤᮥᮔᮕ ᮤᮟ ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮓᮑᮣᮤ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮑᮣᮙᮔᮕ ᮖᮟᮢ ᮘᮕᮢᮼ ᮃᮘᮕ ᮤᮢᮥᮜᮩ ᮙᮣ ᮑ ᮗᮟᮟᮔ ᮧᮙᮖᮕᮼ ᯓᮦᮕᮞ ᮞᮟᮧᮺ ᮔᮟ ᮩᮟᮥ ᮣᮤᮙᮜᮜ ᮣᮑᮩ ᮩᮟᮥ ᮧᮟᮞ’ᮤ ᮠᮕᮢᮝᮙᮤ ᮤᮘᮕᮝᯍ”

ᮃᮑᮩᮙᮞᮗ ᮤᮘᮑᮤᮺ ᯗ ᮣᮤᮟᮟᮔ ᮥᮠ ᮑᮣ ᮙᮖ ᮤᮟ ᮣᮘᮙᮕᮜᮔ ᮤᮘᮕ ᮤᮧᮟ ᮟᮖ ᮤᮘᮕᮝᮼ

“ᯗᮖ ᮩᮟᮥ ᮣᮤᮙᮜᮜ ᮙᮞᮤᮕᮞᮔ ᮤᮟ ᮤᮕᮑᮢ ᮤᮘᮕᮝ ᮑᮠᮑᮢᮤᮺ ᮤᮘᮕᮞ ᮩᮟᮥ’ᮜᮜ ᮘᮑᮦᮕ ᮤᮟ ᮓᮥᮤ ᮝᮕ ᮙᮞ ᮤᮧᮟ ᮖᮙᮢᮣᮤᮯ”

ᯔᮢᮟᮝ ᮕᮙᮤᮘᮕᮢ ᮣᮙᮔᮕ ᮟᮖ ᮝᮩ ᮔᮢᮑᮝᮑᮤᮙᮓᮑᮜᮜᮩ ᮣᮠᮢᮕᮑᮔ ᮣᮜᮕᮕᮦᮕᮣᮺ ᮃᮑᮩᮟ ᮃᮑᮝᮑ ᮑᮞᮔ ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑ ᮑᮜᮣᮟ ᮓᮢᮙᮕᮔ ᮟᮥᮤ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩᮼ

“ᯓᮜᮔᮕᮢᮺ ᮉᮑᮝᮑᮒᮥᮛᮙ ᮙᮣ ᮢᮙᮗᮘᮤᮼ ᮀᮜᮕᮑᮣᮕᮺ ᮠᮜᮕᮑᮣᮕ…ᮯ”

“ᮃᮑᮝᮑᮺ ᯗ ᮧᮙᮜᮜ ᮞᮕᮦᮕᮢ ᮜᮕᮤ ᮃᮑᮩᮟ ᮃᮑᮝᮑ ᮣᮥᮖᮖᮕᮢᮼ ᮀᮜᮕᮑᮣᮕᮺ ᯗ ᮒᮕᮗ ᮩᮟᮥᮢ ᮖᮟᮢᮗᮙᮦᮕᮞᮕᮣᮣᮯ”

ᯖᮕᮑᮢᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮦᮟᮙᮓᮕᮣᮺ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞ ᮃᮑᮝᮑ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮒᮙᮤᮤᮕᮢ ᮣᮙᮗᮘᮼ

“…ᯒᮟ ᮩᮟᮥ ᮤᮢᮥᮜᮩ ᮤᮘᮙᮞᮛ ᮤᮘᮕᮢᮕ’ᮣ ᮑᮞ ᯓᮜᮔᮕᮢ ᮒᮢᮟᮤᮘᮕᮢ ᮧᮘᮟ ᮔᮟᮕᮣᮞ’ᮤ ᮧᮙᮣᮘ ᮖᮟᮢ ᮘᮙᮣ ᮣᮙᮣᮤᮕᮢ’ᮣ ᮘᮑᮠᮠᮙᮞᮕᮣᮣ…ᯍ”

“ᮄᮘᮕᮞᮺ ᯓᮜᮔᮕᮢ…ᯍ”

“ᯚᮙᮣᮤᮕᮞᮺ ᯖᮩᮟᮗᮟᮺ ᮢᮕᮤᮥᮢᮞ ᮤᮟ ᮤᮘᮕ ᯏᮚᮙᮝᮥ ᮘᮟᮥᮣᮕᮘᮟᮜᮔᮼ ᮃᮑᮩᮟᮺ ᮢᮕᮤᮥᮢᮞ ᮤᮟ ᮤᮘᮕ ᮙᮞᮞᮕᮢ ᮓᮘᮑᮝᮒᮕᮢᮣᮼ ᯔᮟᮢ ᮞᮟᮧᮺ ᯗ ᮧᮙᮜᮜ ᮠᮢᮕᮤᮕᮞᮔ ᯗ ᮣᮑᮧ ᮞᮟᮤᮘᮙᮞᮗᮼ”

ᯏᮤ ᮤᮘᮟᮣᮕ ᮧᮟᮢᮔᮣᮺ ᮃᮑᮩᮟ ᮃᮑᮝᮑ ᮣᮙᮗᮘᮕᮔ ᮧᮙᮤᮘ ᮑ ᮖᮑᮓᮕ ᮟᮞ ᮤᮘᮕ ᮦᮕᮢᮗᮕ ᮟᮖ ᮤᮕᮑᮢᮣᮼ ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑ ᮔᮙᮔᮞ’ᮤ ᮣᮘᮟᮧ ᮙᮤᮺ ᮒᮥᮤ ᮘᮕ ᮣᮕᮕᮝᮕᮔ ᮥᮤᮤᮕᮢᮜᮩ ᮓᮢᮕᮣᮤᮖᮑᮜᮜᮕᮞᮼ ᯐᮕᮓᮑᮥᮣᮕᮺ ᮙᮞ ᮤᮘᮕ ᮕᮞᮔᮺ ᮤᮘᮑᮤ ᮚᮥᮣᮤ ᮝᮕᮑᮞᮤ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮒᮑᮓᮛ ᮤᮟ ᮣᮡᮥᮑᮢᮕ ᮟᮞᮕᮼ ᮃᮑᮩᮟ ᮃᮑᮝᮑ ᮑᮞᮔ ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮗᮕᮤ ᮝᮑᮢᮢᮙᮕᮔᮼ

“ᯔᮥᮢᮤᮘᮕᮢᮝᮟᮢᮕᮺ ᯖᮩᮟᮗᮟᮺ ᮓᮟᮞᮦᮕᮩ ᮤᮘᮙᮣ ᮓᮜᮕᮑᮢᮜᮩ ᮤᮟ ᮤᮘᮕ ᯚᮑᮔᮩ ᮟᮖ ᯏᮚᮙᮝᮥᯈ ᮄᮘᮙᮣ ᮤᮙᮝᮕᮺ ᮑᮞᮔ ᮤᮘᮙᮣ ᮤᮙᮝᮕ ᮟᮞᮜᮩᮼ ᮄᮘᮕᮢᮕ ᮧᮙᮜᮜ ᮒᮕ ᮞᮟ ᮣᮕᮓᮟᮞᮔ ᮓᮘᮑᮞᮓᮕ ᮖᮟᮢ ᮝᮕ ᮤᮟ ᮤᮥᮢᮞ ᮑ ᮒᮜᮙᮞᮔ ᮕᮩᮕ ᮤᮟ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗᮼ ᮃᮘᮟᮥᮜᮔ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮘᮑᮠᮠᮕᮞ ᮑᮗᮑᮙᮞᮺ ᮤᮘᮙᮣ ᮤᮙᮝᮕ ᯗ ᮧᮙᮜᮜ ᮞᮟᮤ ᮖᮟᮢᮗᮙᮦᮕ ᮤᮘᮕ ᯏᮚᮙᮝᮥ ᮘᮟᮥᮣᮕᮘᮟᮜᮔᮼ”

…ᯖᮥᮘᯍ ᮃᮟᮺ ᮔᮟᮕᮣ ᮤᮘᮑᮤ ᮝᮕᮑᮞ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ’ᮣ ᮟᮖᮖ ᮤᮘᮕ ᮘᮟᮟᮛ ᮖᮟᮢ ᮞᮟᮧᯍ ᯓᮦᮕᮞ ᮧᮘᮑᮤ ᯙᮑᮤᮣᮥᮢᮑᮛᮟ ᮃᮑᮝᮑ ᮔᮙᮔᯍ

ᮄᮘᮕᮩ ᮔᮙᮔ ᮙᮤᮯ ᯏᮞᮔ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞ ᮃᮑᮝᮑ ᮙᮣ ᮣᮥᮓᮘ ᮑ ᮗᮢᮕᮑᮤ ᮗᮥᮩᮯ

“ᯗ ᮤᮟᮜᮔ ᮩᮟᮥᮺ ᮔᮙᮔᮞ’ᮤ ᯗᯍ ᮄᮘᮕᮢᮕ’ᮣ ᮞᮟ ᯓᮜᮔᮕᮢ ᮒᮢᮟᮤᮘᮕᮢ ᮧᮘᮟ ᮔᮟᮕᮣᮞ’ᮤ ᮧᮙᮣᮘ ᮖᮟᮢ ᮘᮙᮣ ᮣᮙᮣᮤᮕᮢ’ᮣ ᮘᮑᮠᮠᮙᮞᮕᮣᮣᮼ …ᯓᮣᮠᮕᮓᮙᮑᮜᮜᮩ ᮑᮖᮤᮕᮢ ᮃᮑᮩᮟ ᮑᮞᮔ ᮉᮑᮝᮑᮒᮥᮛᮙ ᮣᮘᮟᮧᮕᮔ ᮣᮥᮓᮘ ᮢᮕᮣᮟᮜᮦᮕ…”

“ᯓᮜᮔᮕᮢ…ᮯ”

ᮃᮑᮩᮟ ᮃᮑᮝᮑ ᮘᮥᮗᮗᮕᮔ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞ ᮃᮑᮝᮑᮼ ᮃᮤᮢᮟᮛᮙᮞᮗ ᮘᮕᮢ ᮒᮑᮓᮛᮺ ᮄᮟᮛᮥᮞᮟᮣᮘᮙᮞ ᮃᮑᮝᮑ ᮤᮥᮢᮞᮕᮔ ᮘᮙᮣ ᮘᮕᮑᮔ ᮑᮧᮑᮩᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮕᮔᮼ

ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮖᮢᮟ᮪ᮕᮞᮺ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮠᮜᮑᮓᮕᮔ ᮘᮙᮣ ᮘᮑᮞᮔᮣ ᮟᮞ ᮤᮘᮕ ᮖᮜᮟᮟᮢ ᮑᮞᮔ ᮒᮟᮧᮕᮔ ᮔᮕᮕᮠᮜᮩᮼ ᯖᮕ ᮤᮢᮙᮕᮔ ᮤᮟ ᮣᮑᮩ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮺ ᮒᮥᮤ ᮘᮙᮣ ᮦᮟᮙᮓᮕ ᮤᮢᮕᮝᮒᮜᮕᮔᮺ ᮑᮞᮔ ᮘᮕ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮖᮟᮢᮝ ᮤᮘᮕ ᮧᮟᮢᮔᮣᮼ

“ᯖᮩᮟᮗᮟᮺ ᮙᮤ ᮣᮕᮕᮝᮣ ᮛᮕᮕᮠᮙᮞᮗ ᮃᮑᮩᮟ ᮙᮞ ᮓᮘᮕᮓᮛ ᮧᮙᮜᮜ ᮒᮕ ᮘᮑᮢᮔᮕᮢ ᮤᮘᮑᮞ ᯗ ᮤᮘᮟᮥᮗᮘᮤᮼ ᯗ’ᮝ ᮓᮟᮥᮞᮤᮙᮞᮗ ᮟᮞ ᮩᮟᮥᮼ”

“…ᮄᮘᮙᮣ ᮙᮣ… ᮑᮞ ᮙᮝᮝᮕᮞᮣᮕ ᮒᮜᮕᮣᮣᮙᮞᮗ…ᮯ”

ᯏᮜᮟᮞᮗ ᮧᮙᮤᮘ ᮤᮘᮟᮣᮕ ᮧᮟᮢᮔᮣᮺ ᮖᮙᮞᮑᮜᮜᮩ ᮣᮡᮥᮕᮕ᮪ᮕᮔ ᮟᮥᮤᮺ ᮔᮢᮟᮠᮣ ᮟᮖ ᮧᮑᮤᮕᮢ ᮒᮕᮗᮑᮞ ᮤᮟ ᮖᮑᮜᮜ ᮖᮢᮟᮝ ᯖᮩᮟᮗᮟ ᮃᮑᮝᮑ’ᮣ ᮕᮩᮕᮣᮺ ᮣᮤᮙᮜᮜ ᮒᮟᮧᮕᮔ ᮔᮕᮕᮠᮜᮩᮼ

ᮃᮕᮕᮙᮞᮗ ᮤᮘᮙᮣ ᮣᮥᮠᮕᮢ ᮘᮑᮠᮠᮩ ᮕᮞᮔᮙᮞᮗᮺ ᮖᮑᮢ ᮒᮕᮩᮟᮞᮔ ᮧᮘᮑᮤ ᯗ’ᮔ ᮙᮝᮑᮗᮙᮞᮕᮔᮺ ᮧᮙᮤᮘ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮒᮑᮓᮛ ᮤᮟ ᮞᮟᮢᮝᮑᮜᮺ ᯗ ᮖᮕᮜᮤ ᮝᮩ ᮟᮧᮞ ᮖᮑᮓᮕ ᮣᮟᮖᮤᮕᮞ ᮙᮞᮤᮟ ᮑ ᮣᮝᮙᮜᮕᮼ

ᮄᮘᮕ Ōᮟᮛᮥ ᯜᮙᮗᮘᮤᮙᮞᮗᮑᮜᮕ ᯗᮞᮓᮙᮔᮕᮞᮤ—ᮓᮑᮣᮕ ᮓᮜᮟᮣᮕᮔᮺ ᮩᮟᮥ ᮣᮕᮕᮼ

ᯊᯜᮟᮤᮕᯌ

ᯖōᮛᮑᮞᯈ ᯏᮜᮣᮟ ᮛᮞᮟᮧᮞ ᮑᮣ ᮄᮑᮙᮛᮟᮝᮟᮓᮘᮙᮼ ᮄᮘᮕᮩ ᮑᮢᮕ ᮜᮙᮛᮕ ᮚᮕᮣᮤᮕᮢᮣᮺ ᮕᮨᮓᮜᮥᮣᮙᮦᮕᮜᮩ ᮝᮑᮜᮕᮺ ᮧᮘᮟ ᮜᮙᮦᮕᮞ ᮥᮠ ᮒᮑᮞᮡᮥᮕᮤᮣᮼ

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~

Number One Hostess: After Swapping Bodies with an Edo Period Oiran, I Aim to Become Number One in the Edo Era Too ~A History Buff and Former Delinquent Is Unstoppable~ Kotoya Anna is a history buff and former delinquent who was once the top hostess. But one day, she wakes up to find she’s swapped bodies with the famous Edo period oiran, “Yamabuki.” “Well then, I’ll conquer this world too!” Using her unique combination of historical knowledge and former delinquent skills, along with her modern body and wit, Anna aims to become number one as “Yamabuki” too. (Dialogue is written in oiran slang [“arinsu kotoba”], while the narrative is in modern Japanese. The setting is loosely historical. For story purposes, oiran are not depicted with *furi-shin* [a specific hairstyle]. Descriptions of the pleasure quarters and the Ōoku may differ from historical facts. Depictions of host clubs are based on pre-2025 revised Entertainment Business Act regulations. Please do not attempt any medical procedures described in the story.)

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