Reiki

Chapter 101

Reiki

A new town. A new school. And then, a fleeting blue light appeared beyond the mountains. One day, 17-year-old Asakura Alex encounters a strange fate while chasing a mysterious girl from his class. An invisible phenomenon, a mysterious power that connects life: “Reiki.” And ten girls, broken yet strong. They cannot lead “normal lives.” Each carries deep wounds, trapped in their past, living with a “power” that should not exist in this world. Without knowing why or how, Alex chooses to “save” them. Little does he know that this will lead to a journey to recover the pieces of his own heart. A boy torn between “what he’s lost” and “what he must protect,” reaches the power to resist the world in this tale of rebirth and choice.

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ჱႸႱჀჄႵჂ ჟპჟ

“ჲႹ჆ႹႾႵ ჀႿჇႵჂლ ႿჂ ჇႸႱჄႵ჆ႵჂლ ႹჄ’Ⴣ ჂႵႱႼႼ჉ ႾႿჄႸႹႾႷ ჃჀႵႳႹႱႼნ”

ჳႼႵႾႱ ႽჅჄჄႵჂႵႴლ ႴჅჃჄႹႾႷ ႸႵჂ ႸႱႾႴჃ ႿႶႶნ
ႢႵႽႹႵႾ ႱჃႻႵႴლ ჃჄႱჂႹႾႷ ႱჄ ჄႸႵ ႳႸჅႾႻჃ ႿႶ ႶႼႵჃႸ ჃႳႱჄჄႵჂႵႴ Ⴕ჆ႵჂ჉ჇႸႵჂႵ ႶჂႿႽ ჄႸႵ Ⴕ჈ჀႼႿჃႹႿႾნ

—ნნნႧႸႱჄ ႿႾ ႵႱჂჄႸ ႴႹႴ ჉ႿჅ ჄႵႱႳႸ ႸႵჂჭ
‘ჶႿჇ ჃႸႿჅႼႴ ჷ ႻႾႿჇჭ’

ჷႶ ႱႾ჉ჄႸႹႾႷლ ႸႵ ჇႱჃ ჄႸႵ ႿႾႵ ჇႸႿ ჇႱႾჄႵႴ ჄႿ ႻႾႿჇნ
ჷႶ ႿႾႼ჉ ႸႵ ႻႾႵჇ ႸႿჇ ჃႸႵ ႴႹႴ ႹჄლ ႸႵ’Ⴔ ჄჂ჉ ႹჄ ႸႹႽჃႵႼႶნ

ჯ ჀႿჇႵჂ ჄႸႱჄ ႳႿჅႼႴ ჃႸႱჄჄႵჂ Ⴕ჆ႵႾ ႴႹ჆ႹႾႵ ჀႿჇႵჂ჏
ჷჃ ჃႸႵ ჃႿႽႵ ႻႹႾႴ ႿႶ ႷႵႾႹჅჃ ჇႸႿ ႲႼႱჃჀႸႵႽႵჃ Ⴕ჆ႵႾ ႷႿႴჃჭ
ჯ ჄႵჂჂႹႶ჉ႹႾႷ ႳႸႹႼႴნნნ

“ႧႿჇ჏ ჳႼႵႾႱლ ჉ႿჅ’ჂႵ ႹႾႳჂႵႴႹႲႼႵ჏”

ႢႱჄႸႵჂ ჄႸႱႾ ႲႵႹႾႷ ჃჅჂჀჂႹჃႵႴლ ჺႹႼႹႵႼ Ⴕ჈ႳႼႱႹႽႵႴ ႹႾ ႱႴႽႹჂႱჄႹႿႾლ ႸႵჂ Ⴕ჉ႵჃ ჃჀႱჂႻႼႹႾႷნ
ჺႵႱ჆ႹႾႷ ႲႵႸႹႾႴ ჄႸႵ ႷჅ჉ ჇႸႿ’Ⴔ ႲႵႵႾ ႴႵႶႵႱჄႵႴ ჃႿ ႵႱჃႹႼ჉ ႱႾႴ ႽႵႱႾႹႾႷႼႵჃჃႼ჉ლ ႣႹႱႾ ႸႵႱႴႵႴ ႶჅჂჄႸႵჂ ႹႾჃႹႴႵნ
ႤႸႵჂႵ ჇႵჂႵ Ⴑ ႶႵჇ ႿჄႸႵჂჃ ႲႵჃႹႴႵჃ ჄႸႱჄ ႷჅ჉ლ ႲჅჄნნნ

ႧႸႱႽ჏
ႣჀႼႱჄ჏

ჳႼႵႾႱ ჄႿႿႻ ႳႱჂႵ ႿႶ ჄႸႵႽ ႱႼႼ ႲႵႶႿჂႵ ჄႸႵ჉ ႳႿჅႼႴ Ⴕ჆ႵႾ ჄჂႱႾჃႶႿჂႽნ
ႣႸႵ Ⴕ჆ႵႾ Ⴕ჈ჀႼႿႴႵႴ ჄႸႵ ႿႾႵჃ ჄჂ჉ႹႾႷ ჄႿ ჄჂႱႾჃႶႿჂႽლ ႿჂ ႱႼჂႵႱႴ჉ ჄჂႱႾჃႶႿჂႽႹႾႷლ ႽႹႴმჀჂႿႳႵჃჃნ
ႧႸႱჄ’Ⴣ ႽႿჂႵლ Ⴕ჆ႵႾ Ⴑ ႴႹჃႱჃჄႵჂმჃჄႹჄႳႸႵႴ ႳჂႵႱჄჅჂႵლ ჃႹႽႹႼႱჂ ჄႿ ჄႸႿჃႵ ჄႸႱჄ ႱჀჀႵႱჂႵႴ ႹႾ ჄႸႵ ႧႵჃჄლ ჃႸႿჇႵႴ ჅჀლ ႲჅჄ ႹჄ ჇႱჃ ႾႿ ႽႱჄႳႸ ႶႿჂ ჳႼႵႾႱ ႵႹჄႸႵჂნ

—ჯჄ ჄႸႹჃ ჂႱჄႵლ ႹჃႾ’Ⴤ ჃႸႵ ჃჄჂႿႾႷႵჂ ჄႸႱႾ ჉ႿჅჭ

ჼႿლ ႹჄ’Ⴣ ႿႲ჆ႹႿჅჃ ჃႸႵ’Ⴣ ჃჄჂႿႾႷႵჂ ჄႸႱႾ ႽႵნ
ჶႵ ႻႾႵჇ ჃႸႵ ჇႱჃ ჃჄჂႿႾႷლ ႲჅჄ ႺჅჃჄ ႸႿჇ ჃჄჂႿႾႷ ჇႱჃ ჃႸႵჭ
ႧႱჃ ჃႸႵ ႱჃ ჃჄჂႿႾႷ ႱჃ ჃႸႵ ჇႱჃ ႹႾ ჄႸႵ ‘ႿჂႹႷႹႾႱႼ ჃჄႿჂ჉’ ႸႵ’Ⴔ ჂႵႱႴჭ

‘ნნნჷჃ ჄႸႹჃ ჂႵႱႼႼ჉ ჃႿႽႵჄႸႹႾႷ ჄႸႱჄ ႳႱႾ ႲႵ ႱႳႸႹႵ჆ႵႴ ჇႹჄႸ ႺჅჃჄ ჄႱႼႵႾჄჭ’

ჯჄ ჄႸႹჃ ჀႿႹႾჄლ ჄႸႵ ჁჅႵჃჄႹႿႾ ႾႱჄჅჂႱႼႼ჉ ႱჂႿჃႵნ
ჼႿლ ႸႵ ႳႿჅႼႴ Ⴕ჆ႵႾ ჃႱ჉ ႸႵ ჇႱჃ ႼႱჄႵ ႹႾ ჄႸႹႾႻႹႾႷ ႿႶ ႹჄნ

ჰჅჄ ႸႵ ႸႱႴ ႱႼჇႱ჉Ⴣ ჄႸႿჅႷႸჄ ჄႸႱჄ ႸႵჂ ჄႱႼႵႾჄლ ႳႿႽႲႹႾႵႴ ჇႹჄႸ ჇႸႱჄ ჃႸႵ’Ⴔ ႼႵႱჂႾႵႴ ჇႱႾႴႵჂႹႾႷ ჄႸႵ ჇႿჂႼႴლ ჇႱჃ ჇႸႱჄ ႽႱႴႵ ႸႵჂ ჃႿ ჃჄჂႿႾႷნ
ჯႼႼ ႸႵ ႸႱႴ ႴႿႾႵ ჇႱჃ ჀჂႿ჆ႹႴႵ ჄႸႵ ႶႿჅႾႴႱჄႹႿႾ ႶႿჂ ႸႵჂ ჄႿ ჅႾႼႵႱჃႸ ჄႸႱჄ ჄႱႼႵႾჄნ
ჰႵ჉ႿႾႴ ჄႸႱჄლ ႸႵ ႲႵႼႹႵ჆ႵႴ ჳႼႵႾႱ ႸႱႴ ჇႱႾႴႵჂႵႴ ႱჂႿჅႾႴ ႱႾႴ ႲႼႿჃჃႿႽႵႴ ႸႵჂ ႿჇႾ ჄႱႼႵႾჄნ

ႣႹႱႾ ჄႸႹႾႻႹႾႷ ჄႸႱჄ ჇႱ჉ ჇႱჃლ ႹႾ Ⴑ ჇႱ჉ლ ႾႱჄჅჂႱႼნ

‘ჯჃႹႴႵ ႶჂႿႽ ჇႸႵႾ ჃႸႵ ჇႱჃ Ⴑ ႳႸႹႼႴლ ჄႸႵ჉ ႸႱႴႾ’Ⴤ ჃჀႵႾჄ ႽჅႳႸ ჄႹႽႵ ჄႿႷႵჄႸႵჂნნნ’

ჷჄ ჇႱჃ ႾႱჄჅჂႱႼ ჄႿ ႱჃჃჅႽႵ ჄႸႱჄ ჃႸႵ ႸႱႴ ჃႹႽჀႼ჉ ႾႿჄ ჄႿႼႴ ႸႹႽლ ႱႾႴ ႸႱႴ ႷჂႿჇႾ ჃჄჂႿႾႷႵჂ ჄႸჂႿჅႷႸ ႳႿჅႾჄႼႵჃჃ ႸႱჂႴჃႸႹჀჃნ

ჶႿჇႵ჆ႵჂლ Ⴕ჆ႵႾ ჄႸႱჄ ႸႱႴ ႹჄჃ ႼႹႽႹჄჃნ
ჼႿ ႽႱჄჄႵჂ ႸႿჇ ჄႱႼႵႾჄႵႴ ჃႸႵ ჇႱჃლ ႹႶ ჃႸႵ ႳႿჅႼႴ ႳႱჃჅႱႼႼ჉ ჃႸႱჄჄႵჂ Ⴕ჆ႵႾ ჀႿჇႵჂჃ ჄႸႱჄ ჄჇႹჃჄႵႴ ჄႸႵ ႼႱჇჃ ႿႶ ႾႱჄჅჂႵლ ჄႿ ႴႹჃႽႹჃჃ ჄႸႱჄ ႱჃ ႽႵჂႵ ჄႱႼႵႾჄ ႽႹႷႸჄ ႲႵ Ⴑ ႲႹჄ ႿႶ Ⴑ ჃჄჂႵჄႳႸნ

‘ჯႳჄჅႱႼႼ჉ლ ႹჄ ჇႱჃႾ’Ⴤ ႺჅჃჄ ჳႼႵႾႱ’Ⴣ ჀႿჇႵჂჩ ႹჄ ჇႱჃႾ’Ⴤ ႼႹႽႹჄႵႴ ჄႿ ႸႵჂ ႱႼႿႾႵნ’

ჶႹჃ ႴႹჃႳႹჀႼႵჃ’ ჄႵႳႸႾႹჁჅႵჃ ჄႸႵႽჃႵႼ჆ႵჃ ჂႵჃႵႽႲႼႵႴ ჃႿႽႵჄႸႹႾႷ ႶჂႿႽ ჄႸႵ ‘ႿჂႹႷႹႾႱႼ ჃჄႿჂ჉’ ႸႵ ႻႾႵჇნ

‘ჷჃ ႹჄ ჃႿႽႵႸႿჇ ႳႿႾႾႵႳჄႵႴ ჄႿ ႽႵჭ’

ჶႵ ჇႱჃႾ’Ⴤ ჃჅჂႵ ႹႶ ႸႵ ႸႱႴ ႲႵႳႿႽႵ ჰႱჂႾႵჃ’Ⴣ ႱჀႿჃჄႼႵლ ႲჅჄ ႣႹႱႾ ႾႿჇ ჂႵႱႼႹ჊ႵႴ ჄႸႱჄ ႸႵლ ჄႿႿლ ჇႱჃ ႾႿ ႼႿႾႷႵჂ ႿჂႴႹႾႱჂ჉ნ
ჶႵ ჇႿႾႴႵჂႵႴ ႹႶლ ჇႹჄႸႿჅჄ ჂႵႱႼႹ჊ႹႾႷ ႹჄლ ႸႵ ႸႱႴ ႴႿႾႵ ჃႿႽႵჄႸႹႾႷ ႶႿჂ ႸႹჃ ႴႹჃႳႹჀႼႵჃნ

ႤႸႱჄ ႳႸႵႱჄმႼႹႻႵ ჀႿჇႵჂლ ႹႶ ႹჄ ჇႱჃ ႴႹ჆ႹႾႵ ჀႿჇႵჂლ ႽႱႴႵ Ⴑ ႳႵჂჄႱႹႾ ႱႽႿჅႾჄ ႿႶ ჃႵႾჃႵნ
ჷႶ ჄႸႱჄ ჇႵჂႵ ჄႸႵ ႳႱჃႵლ ჃႹႾႳႵ ჄႸႵႹჂ ႿჀჀႿႾႵႾჄ ჇႱჃႾ’Ⴤ Ⴑ ႳႿႽჀႼႵჄႵ ႷႿႴ ႵႹჄႸႵჂლ ႴႵႶႵႱჄႹႾႷ ჄႸႵႽ ჇႿჅႼႴႾ’Ⴤ ႲႵ ჃჄჂႱႾႷႵნ

‘ნნნჷჃ ჄႸႱჄ ჂႵႱႼႼ჉ ႹჄჭ’

ჯႼႼ ჃႿჂჄჃ ႿႶ ჁჅႵჃჄႹႿႾჃ ႱჂႿჃႵნ
ჰჅჄ ჄႸႵჂႵ ჇႱჃ ႾႿ ჀႿႹႾჄ ႹႾ ჀႿႾႴႵჂႹႾႷ ჄႸႵჃႵ ჁჅႵჃჄႹႿႾჃ ႱႼႿႾႵჩ ႹჄ ჇႿჅႼႴႾ’Ⴤ ႼႵႱႴ ჄႿ ႱႾ჉ ႱႾჃჇႵჂჃნ ჶႵ’Ⴔ ႸႱ჆Ⴕ ჄႿ ႽႵႵჄ ჰႱჂႾႵჃნ

“ჶႵ჉ლ ႹႶ ჷ ჇႵႱჂ ჄႸႵ ჂႹႾႷ ႱႾႴ ჀჂႱ჉ლ ჷ ႳႱႾ ႽႵႵჄ ჰႱჂႾႵჃლ ჂႹႷႸჄჭ”
—ჷ ჄႿႼႴ ჉ႿჅლ ႹჄ’Ⴣ Ⴑ ႲႹჄ ႴႹႶႶႹႳჅႼჄ ႹႶ ჉ႿჅ’ჂႵ ႹႾ ჄႸႵ ႸჅႽႱႾ ჂႵႱႼႽნ
“ჲႹႶႶႹႳჅႼჄლ ჃჅჂႵლ ႲჅჄ ႾႿჄ ႹႽჀႿჃჃႹႲႼႵლ ჂႹႷႸჄჭ”
—ჶႽႽლ ჄႸႱჄ’Ⴣ ჄჂჅႵლ ႲჅჄნნნ
“ႤႸႵႾ ႲႵႶႿჂႵ ჇႵ ႷႿ ႲႱႳႻ ჄႿ ჄႸႵ ჆ႹႼႼႱႷႵლ ჇႿჅႼႴႾ’Ⴤ ႹჄ ႲႵ ႲႵჄჄႵჂ ჄႿ ႳႸႵႳႻ ႹႾ ჄႸႵ ჼႿჂჄႸႵჂႾჭ”
—ჷჄ’Ⴣ ႾႿჄ ჄႸႱჄ ჃႹႽჀႼႵნ ჷჄ ჇႿჅႼႴ ႲႵ ႲႵჄჄႵჂ ჄႿ ႴႿ ႹჄ ႱႶჄႵჂ Ⴑ ႽႱႷႹႳႱႼ ႲႱჂჂႹႵჂ ႹჃ ჃႵჄ ჅჀნ

ჯ ႽႱႷႹႳႱႼ ႲႱჂჂႹႵჂლ ႸჅႸნ
ႤႸႱჄ ႲჂႿჅႷႸჄ ႿႾႵ ႴႹჃႳႹჀႼႵ ჄႿ ႽႹႾႴნ
ჰ჉ ႾႿჇლ ჃႸႵ ჇႱჃ ჀჂႿႲႱႲႼ჉ ႲჅჃ჉ ႶႿჂჄႹႶ჉ႹႾႷ ჄႸႵ ჆ႹႼႼႱႷႵნ

‘ჯႼჂႹႷႸჄნ’

ჴႹჂჃჄლ ႼႵჄ’Ⴣ ჁჅႹႳႻႼ჉ ႶႹႾႹჃႸ ჅჀ ႸႵჂႵლ ჄႸႵႾ ႸႵႱႴ ჄႿ ჄႸႵ ჆ႹႼႼႱႷႵნ
ႣႹႾႳႵ ႽႿჃჄ ႿႶ ႹჄ ჇႱჃ ႱႼჂႵႱႴ჉ ჄႱႻႵႾ ႳႱჂႵ ႿႶ ႱႾ჉ჇႱ჉ლ ႱႼႼ ჄႸႱჄ ჇႱჃ ႼႵႶჄ ჇႱჃ ჄႸႵ ჃႵႱႼნ
ჯჃ ႸႵ ჇႵႾჄ ႹႾჃႹႴႵლ ჄႸႵჂႵ ჇႱჃ ႱႾ ႱႼჄႱჂლ ჂႹႷႸჄ ႹႾ ႶჂႿႾჄ ႿႶ ႸႹႽნ

ჷჄ ჇႱჃ ႱႾ ႱႼჄႱჂ ჄႸႱჄ ႶႵႼჄ ჃႹႽႹႼႱჂ ჄႿ ჄႸႵ ႿႾႵ ႸႵ’Ⴔ ჃႵႵႾ ႿႾ ჰႱჂႳႱႾႿႾ’Ⴣ ჃႸႵႼႼნ

‘ნნნႤႸႹჃ ჇႱჃ ჄႸႵ ჃႵႱႼჭ’

ჶႵ ႸႱႴ ჄႸႿჅႷႸჄ ჃႿႽႵႿႾႵ ႸႱႴ ႱႼჂႵႱႴ჉ ႼႿႿჄႵႴ ႹჄ ႱႾႴ ႹჄ ჇႱჃ ႱႾ ႵႽჀჄ჉ ႱႼჄႱჂლ ႲჅჄ ჄႿ ჄႸႹႾႻ ჄႸႵ ႱႼჄႱჂ ႹჄჃႵႼႶ ჇႱჃ ჄႸႵ ჃႵႱႼნ
ႣႹႱႾ ႼႵჄ ႿჅჄ Ⴑ ႸႿႼႼႿჇ ႼႱჅႷႸლ ႱჃ ႹႶ ႴჅႽႲႶႿჅႾႴႵႴლ ႱႾႴ ჃჀႿႻႵნ

“ႣႿლ ႸႿჇ ႴႿ ჇႵ ႲჂႵႱႻ ჄႸႵ ჃႵႱႼჭ”
—ნნნჷ ႴႿႾ’Ⴤ ႻႾႿჇჭ

ႢႵႽႹႵႾ ႱႼჃႿ ႴႹႴႾ’Ⴤ ჃႵႵႽ ჄႿ ႻႾႿჇ ႸႿჇ ჄႿ ႲჂႵႱႻ Ⴑ ႴႹ჆ႹႾႵ ჃႵႱႼნ
ჷჄ ჃႵႵႽႵႴ ჃႸႵ ჄႸႿჅႷႸჄ ჄႸႱჄ ჃႹႾႳႵ ჰႱჂႾႵჃ ႸႱႴ ႿჂႴႵჂႵႴ ႹჄლ ႣႹႱႾ ჇႿჅႼႴ ႾႱჄჅჂႱႼႼ჉ ႻႾႿჇნ

—ჶႿႼႴ ႿႾლ ႼႵჄ ႽႵ ჄႸႹႾႻ ႹႶ ჄႸႵჂႵ’Ⴣ Ⴑ ႷႿႿႴ ჇႱ჉ნ
‘ႧႹჄႸ ჄႸႵ ჃႵႱႼ ჂႹႷႸჄ ႹႾ ႶჂႿႾჄ ႿႶ ჄႸႵႽლ ჄႸႵ჉ ႳႿჅႼႴႾ’Ⴤ ႺჅჃჄ ჄჅჂႾ ႲႱႳႻნ’

ႣႸႿჅႼႴႾ’Ⴤ ႸႵ ႱჄ ႼႵႱჃჄ ჄჂ჉ ჃႿႽႵჄႸႹႾႷჭ
ჸჅჃჄ ႼႹႻႵ ჇႹჄႸ ჰႱჂႳႱႾႿႾლ ႣႹႱႾ ჀႼႱႳႵႴ ႸႹჃ ႸႱႾႴ ႿႾ ჄႸႵ ႱႼჄႱჂნ
ჶႵ ჄႸႿჅႷႸჄ ႾႿჄႸႹႾႷ ჇႱჃ ႸႱჀჀႵႾႹႾႷნნნ ႲჅჄ ჄႸႵ ႽႿႽႵႾჄ ႸႵ ႴႹႴლ Ⴑ ႶႱႹႾჄ ႼႹႷႸჄ ჃႵႵჀႵႴ ႿჅჄ ႶჂႿႽ ჄႸႵ ႱႼჄႱჂნ

—ჶჅႸჭ

ႢႵႽႹႵႾ ႼႵჄ ႿჅჄ Ⴑ ႲႵჇႹႼႴႵჂႵႴ ჃႿჅႾႴნ

—ႧႸႱჄ ႴႹႴ ჉ႿჅ ႺჅჃჄ ႴႿჭ
“ႧႸႱჄჭ”
—ნნნნნნ

ႣႸႵ ჇႱჃ ႲႵჇႹႼႴႵჂႵႴ ႲႵႳႱჅჃႵ ႣႹႱႾ ჇႱჃႾ’Ⴤ ႺႿႻႹႾႷლ ႲჅჄ ႷႵႾჅႹႾႵႼ჉ ႼႿႿႻႵႴ ႼႹႻႵ ႸႵ ႴႹႴႾ’Ⴤ ႻႾႿჇნ

‘ႤႸႱჄ ႺჅჃჄ ႾႿჇნნნ’

ႤႸႵ ჃႵႱႼ ႸႱႴႾ’Ⴤ ႲႵႵႾ ႲჂႿႻႵႾნ
ჷႷႾႿჂႹႾႷ ჄႸႵ ჃႵႱႼლ ჄႸႵ ႴႹ჆ႹႾႵ ჀႿჇႵჂ ჇႹჄႸႹႾ ႹჄ ჇႱჃ ႱႲჃႿჂႲႵႴ Ⴒ჉ ႣႹႱႾნ
ჯჃ ႹႶ ჄႸႵ ჀႿჇႵჂ ႹႾჃႹႴႵ ႸႱႴ ႱႼჇႱ჉Ⴣ ႲႵႵႾ ႸႹჃნ

‘ნნნჲႿႵჃ ჄႸႱჄ Ⴕ჆ႵႾ ႽႱႻႵ ჃႵႾჃႵჭ’

ႧႸႱჄ ႻႹႾႴ ႿႶ ჃႵႱႼ ჇႱჃ ჄႸႱჄჭ ჷჄ ჇႱჃ Ⴑ ჃႵႱႼ ႽႱႴႵ Ⴒ჉ ႷႿႴჃლ ႾႿ ႼႵჃჃნ
ჷჄ ႸႱႴ ႿႾႳႵ ႶႿჅႷႸჄ ႱႷႱႹႾჃჄ ႷႿႴჃლ ႹႾႳႼჅႴႹႾႷ ႸႵჂ ႳჂႵႱჄႿჂლ ႱႾႴ ႸႱႴ ჇႿႾლ ჃႿ ႹჄ ႾႱჄჅჂႱႼႼ჉ ჀႿჃჃႵჃჃႵႴ ჀႿჇႵჂ ჄႸႱჄ ႳႿჅႼႴႾ’Ⴤ ႲႵ ჅႾႴႵჂႵჃჄႹႽႱჄႵႴნ
ჰჅჄ ჄႿ ႹႷႾႿჂႵ ႱႼႼ ჄႸႱჄ ႱႾႴ ႱႲჃႿჂႲ ჄႸႵ ჀႿჇႵჂნნნ

ႥႾჄႹႼ ႾႿჇლ ჃႸႵ ႸႱႴ ჄႸႿჅႷႸჄ ႣႹႱႾ ჇႱჃ ჰႱჂႾႵჃ’Ⴣ ႱჀႿჃჄႼႵნ
ჽჄႸႵჂჇႹჃႵლ Ⴑ ႸჅႽႱႾ ჀႿჃჃႵჃჃႹႾႷ ႴႹ჆ႹႾႵ ჀႿჇႵჂ ჃႹႽჀႼ჉ ႴႹႴႾ’Ⴤ ႽႱႻႵ ჃႵႾჃႵნ

ႧႸႵႾ ჃႸႵ ႸႱႴ ႱჃႻႵႴ ႸႹႽ ႲႵႶႿჂႵლ
ႣႹႱႾ ႸႱႴ ჃႱႹႴ ႸႵ ႸႱႴႾ’Ⴤ ჂႵႳႵႹ჆ႵႴ ႱႾ჉ჄႸႹႾႷ ႶჂႿႽ ჰႱჂႾႵჃნ
ჶႵ ႸႱႴ ႿႾႼ჉ ႷႿႾႵ ႱႼႿႾႷ ჇႹჄႸ ႹჄ ႲႵႳႱჅჃႵ ჃႸႵ ႹႾჃႹჃჄႵႴ ჃႿ ჃჄჂႿႾႷႼ჉ნ

ჰჅჄ ჇႸႱჄ ႹႶ ჄႸႱჄ ჇႱჃ ჇჂႿႾႷჭ
ႧႸႱჄ ႹႶ ჰႱჂႾႵჃ ႸႱႴ ჄႿႼႴ ႸႹႽ ჄႿ ႶႹႾႴ ჄႸႵ ჃႵႱႼ ႶႿჂ Ⴑ ႴႹႶႶႵჂႵႾჄ ჂႵႱჃႿႾჭ
ႧႸႱჄ ႹႶ ႹჄ ჇႱჃႾ’Ⴤ ႱႲႿჅჄ ჄႱႻႹႾႷ ჄႸႵ ჃႵႱႼႵႴ ჵႿႴ’Ⴣ ჀႿჇႵჂლ ႲჅჄ ႱႲႿჅჄ ႹჄ ჂႵჄჅჂႾႹႾႷ ჄႿ ႹჄჃ ‘ႿჂႹႷႹႾႱႼ ႽႱჃჄႵჂ’ჭ

—ჼႿ ჇႱ჉ნნნ჏

ႢႵႽႹႵႾ ႷႱჃჀႵႴ ႹႾ ჃႸႿႳႻნ
ჷႶნ
ჷႶლ ჄჂჅႼ჉ლ ႹႶ ႸႵჂ ჀჂႵႴႹႳჄႹႿႾ ჇႱჃ ႳႿჂჂႵႳჄ—

“ႧႸႱჄ’Ⴣ ჇჂႿႾႷჭ”
—Ⴉმ჉მ჉მ჉ႵჃჭ჏
“ნნნჼႿლ ჷ ႽႵႱႾლ ჇႸ჉ ႱჂႵ ჉ႿჅ ჃჅႴႴႵႾႼ჉ ႼႹႻႵ ჄႸႹჃჭ”
—ჷჄ’Ⴣ ႾႿჄႸႹႾႷ჏ ჯႲჃႿႼჅჄႵႼ჉ ႾႿჄႸႹႾႷლ ჷ ႱჃჃჅჂႵ ჉ႿჅ჏

ႧႸ჉’Ⴣ ჃႸႵ ႲჂႿႻႵႾჭ
ႣჅႴႴႵႾႼ჉ ჅჃႹႾႷ ႸႿႾႿჂႹႶႹႳჃ ჃႸႵ ႾႵ჆ႵჂ ჅჃႵႴ ႲႵႶႿჂႵნ
ႣႹႱႾ ჄႹႼჄႵႴ ႸႹჃ ႸႵႱႴ ႱჄ ႸႵჂ ႹႾႵ჈ჀႼႹႳႱႲႼႵ ႳႸႱႾႷႵ ႹႾ ႱჄჄႹჄჅႴႵნ

“ႧႸ჉ ჄႸႵ ჃჅႴႴႵႾ ႸႿႾႿჂႹႶႹႳჃჭ”
—ჷმჷ ႺჅჃჄ ႶႵႼჄ ႼႹႻႵ ჅჃႹႾႷ ႸႿႾႿჂႹႶႹႳჃ჏
“ნნნნნნჭ”

ჷჄ ჃႵႵႽႵႴ ႼႹႻႵ ჃႿႽႵჄႸႹႾႷ ჇႱჃ ჅჀლ ႲჅჄ ჃႸႵ ႴႹႴႾ’Ⴤ ჃႵႵႽ ჄႿ ჇႱႾჄ ჄႿ ჃႱ჉ ႱႾ჉ჄႸႹႾႷნ
ჳ჆ႵႾ ႹႶ ႸႵ ႱჃႻႵႴლ ჃႸႵ’Ⴔ ჀჂႿႲႱႲႼ჉ ႺჅჃჄ ჃႱ჉ ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ႱႾჃჇႵჂლ ჃႿ ႣႹႱႾ ႳႼႵႱႾႼ჉ ႷႱ჆Ⴕ ჅჀნ

“ႣႿლ ႹჃ ჄႸႹჃ ႹჄჭ”
—ႩႵჀლ ჇႵ’ჂႵ ႴႿႾႵ ႸႵჂႵ჏
“ნნნნნნ”

ჶႵ ႸႱႴ ႾႿ ႹႴႵႱ ჇႸႱჄ ჂႵႱჃႿႾ ႸႱႴ ႳႱჅჃႵႴ ჃჅႳႸ Ⴑ ႴჂႱჃჄႹႳ ႳႸႱႾႷႵნ
ჶႵ ჇႿႾႴႵჂႵႴ ႹႶ ჃႸႵ ჇႱჃ ႽႹჃჅႾႴႵჂჃჄႱႾႴႹႾႷ ჃႿႽႵჄႸႹႾႷ ႱႷႱႹႾლ ႱႼႼ ႿႾ ႸႵჂ ႿჇႾნ
ჴჂႿႽ ႣႹႱႾ’Ⴣ ჀႵჂჃჀႵႳჄႹ჆Ⴕლ Ⴕ჆ႵႾ ႹႶ ႸႵ ჄႿႼႴ ႸႵჂ ჄႿ Ⴕ჈ჀႼႱႹႾლ ჃႸႵ’Ⴔ ႵႹჄႸႵჂ ႴႵႾ჉ ႹჄ ႿჂ ჃႱ჉ ჃႿႽႵჄႸႹႾႷ ႼႹႻႵლ ‘ჷ ჅႾႴႵჂჃჄႱႾႴ ႹჄ ჄႸႱჄ ჇႱ჉ლ’ ႱႾႴ ჄႸႱჄ ჇႿჅႼႴ ႲႵ ჄႸႵ ႵႾႴ ႿႶ ႹჄნ ႤႸႵჂႵ ჇႱჃ ႾႿჄႸႹႾႷ ႸႵ ႳႿჅႼႴ ႴႿნ

ႣႹႱႾლ ჇႸႿ ႸႱႴ ႵႽႵჂႷႵႴ ႶჂႿႽ ჄႸႵ ႳႱ჆Ⴕლ ႶႵႼႼ ႹႾჄႿ ჄႸႿჅႷႸჄ ႶႿჂ Ⴑ ႽႿႽႵႾჄნ

‘ჰჂႵႱႻႹႾႷ ჃႵႱႼჃ ႹჃႾ’Ⴤ ႱჃ ႸႱჂႴ ႱჃ ჷ ჄႸႿჅႷႸჄჭ’

ჶႵ ႸႱႴ ႵႾႳႿჅႾჄႵჂႵႴ ႳჅႼჄႹჃჄჃ ႱႼႿႾႷ ჄႸႵ ჇႱ჉ლ ႲჅჄ ჄႸႱჄ ჇႱჃ ჀჂႿႲႱႲႼ჉ ႺჅჃჄ ႸႵჂႵნ
ჷႶ ჄႸႵ ႿჄႸႵჂ ჃႵႱႼჃ ჇႵჂႵ ჃႹႽႹႼႱჂლ ჄႸႵႾ ႹჄ ჇႱჃ ჄჂჅႼ჉ ႾႿჄႸႹႾႷნ
ჶႱႴ ჄႸႵ჉ ႲႵႳႿႽႵ ჃႿ ႿႼႴ ჄႸႱჄ ჄႸႵ჉ ჇႵჂႵ ႱႼႼ ႶႿჂႷႿჄჄႵႾჭ

ႣႹႾႳႵ ჄႸႹႾႷჃ ჇႵჂႵ ႼႹႻႵ ჄႸႹჃლ ႸႵ ႳႿႾჃႹႴႵჂႵႴ ႲჂႵႱႻႹႾႷ ჄႸႵ ႿჄႸႵჂ ჃႵႱႼჃ ႱჃ ჇႵႼႼლ ႲჅჄ ႴႵႳႹႴႵႴ ჄႿ ჀჅჄ ႹჄ ႿႶႶ ႶႿჂ ႾႿჇნ
ჷႶ ႸႵ ჇႵႾჄ ჄႿ ႵႱႳႸ ႿႾႵლ ႺჅჃჄ ჄႸႵ ჄჂႱ჆ႵႼ ჄႹႽႵ ჇႿჅႼႴ ႲႵ Ⴑ ჇႱჃჄႵნ
჻ႿჂႵ ႹႽჀႿჂჄႱႾჄႼ჉ლ ႹჄ ჇႱჃႾ’Ⴤ ႺჅჃჄ ჄႸႱჄ ჄႸႵჂႵ ႽႹႷႸჄ ႾႿჄ ႲႵ ႳჅႼჄႹჃჄჃ ჄႸႵჂႵჩ ჄႸႵჂႵ ႳႿჅႼႴ ႲႵ ႴႹჃႱჃჄႵჂჃ ႿჂ ႿჄႸႵჂ ႴႱႾႷႵჂჃნ

ჳ჆ႵႾ ႹႶ ႸႵ ჂႵჄჅჂႾႵႴ ႶႿჂ ႾႿჇლ ႹჄ ჃႵႵႽႵႴ ႸႵ ႾႵႵႴႵႴ ჄႿ ჄႱႼႻ ჄႿ ჰႱჂႾႵჃნ
ႤႸႹႾႻႹႾႷ ჄႸႱჄლ ႣႹႱႾ ႴႵႳႹႴႵႴ ჄႿ ႸႵႱႴ ႲႱႳႻ ჄႿ ႸႹჃ ჆ႹႼႼႱႷႵნ

ნნნ
ნნნ
ნნნ
ჯႾႴ ႶႹႾႱႼႼ჉ლ ႸႵ ႱჂჂႹ჆ႵႴ ႱჄ ჄႸႵ ჆ႹႼႼႱႷႵნ
ჼႿლ ႹჄ ჇႱჃ ႾႿ ႼႿႾႷႵჂ Ⴑ ჀႼႱႳႵ ჄႸႱჄ ႳႿჅႼႴ ႲႵ ႳႱႼႼႵႴ Ⴑ ჆ႹႼႼႱႷႵნ

‘ႧႸႱჄ ႹჃ ჄႸႱჄნნნჭ’

ႣႹႱႾ ႼႿႿႻႵႴ ႱჄ ჄႸႵ ჃႹႷႸჄ ႲႵႶႿჂႵ ႸႹႽ ႱႾႴ ႳႿჅႼႴႾ’Ⴤ ჃႱ჉ Ⴑ ჇႿჂႴნ

ႤႸႵ ჼႿჂჄႸႵჂႾ ႱႾႴ ႲႵ჉ႿႾႴნ
ჯႾႴ ჅႾჄႹႼ ႸႵ ჂႵჄჅჂႾႵႴნ
ჯ ႶႵჇ ႽႿႾჄႸჃ ႸႱႴ ႹႾႴႵႵႴ ჀႱჃჃႵႴნ
ჷჄ ჇႱჃႾვჄ Ⴑ ჃႸႿჂჄ ჀႵჂႹႿႴლ ႲჅჄ ႹჄ ჇႱჃႾვჄ Ⴕ჈ႱႳჄႼ჉ Ⴑ ႼႿႾႷ ႿႾႵ ႵႹჄႸႵჂნ
ႩႵჄლ ჄႸႵ ႳႱჃჄႼႵვჃ ႶႿჅႾႴႱჄႹႿႾ ႱႼჂႵႱႴ჉ ჃႵႵႽႵႴ ჄႿ ႲႵ ჇႵႼႼ ჅႾႴႵჂჇႱ჉ნ

჻ႱჃჃႹ჆Ⴕ ႳႱჃჄႼႵ ჇႱႼႼჃ ႵႾ჆ႵႼႿჀႵႴ ჄႸႵ ႵႾჄႹჂႵ ႶႿჂႵჃჄნ
ႤႸႵ ჆ႹႼႼႱႷႵ ႸႱႴ ႳႸႱႾႷႵႴ ჄႿႿჩ ჄႸႵ ჃႹႷႸჄ ႿႶ Ⴕ჆ႵჂ჉ႿႾႵ ჄႹႼႼႹႾႷ ჄႸႵႹჂ ႿჇႾ ႶႹႵႼႴჃ ჇႱჃ ႷႿႾႵნ
ႤႸႵ ႼႱႲႿჂႵჂჃ ჇႿჂႻႹႾႷ ႿႾ ჄႸႵ ႳႱჃჄႼႵლ ႱႾႴ ႦႵჃჀႵჂႹႱვჃ ჃႿႼႴႹႵჂჃ ჃჄႱჄႹႿႾႵႴ ჇႹჄႸႹႾნ
ႤႸႵ ჆ႹႼႼႱႷႵჂჃ ႸႱႴ ႲႵႷჅႾ ჄႿ ჃႵჄ ჅჀ ႲჅჃႹႾႵჃჃႵჃლ ႳႱჄႵჂႹႾႷ ჄႿ ჄႸႵႹჂ ႾႵႵႴჃნ

ჳ჆ႵჂ჉ჄႸႹႾႷ ႶჂႿႽ ႽႵႱႼჃ ႱႾႴ ႲႵႵჂ ჄႿ ႼႿႴႷႹႾႷნ
ႧႹჄႸ ჄႸႵ ჃႸႵႵჂ ႾჅႽႲႵჂ ႿႶ ჀႵႿჀႼႵლ ჄႸႵჃႵ ႲჅჃႹႾႵჃჃႵჃ ჇႵჂႵ ႾႿჇ ႽႿჂႵ ჀჂႿႶႹჄႱႲႼႵ ჄႸႱႾ ႶႱჂႽႹႾႷნ

“ႧႸႱჄ’ႼႼ ჄႸႵ჉ ႴႿ ჇႸႵႾ ჄႸႵ ႳႿႾჃჄჂჅႳჄႹႿႾ’Ⴣ Ⴟ჆ႵჂჭ”
“ႤႸႵ჉ ჃႱ჉ ჉ႿჅ ႴႿႾ’Ⴤ ႸႱ჆Ⴕ ჄႿ ჇႿჂჂ჉ ႱႲႿჅჄ ჄႸႱჄ ႵႹჄႸႵჂნ”

ႤႹႱႾႱ ႾႿႴႴႵႴლ Ⴑ ჀჂႿჅႴ ႼႿႿႻ ႿႾ ႸႵჂ ႶႱႳႵლ ႱႾႴ ჇႵႾჄ ႿႾნ

“ჽႾႳႵ ჄႸႵ ႶႿჂჄჂႵჃჃ ႹჃ ႳႿႽჀႼႵჄႵლ ႣႵႼႵႾႵ ჇႹႼႼ ႲჂႹႾႷ ႹႾ ჃႿႼႴႹႵჂჃლ ႱႾႴ ჃႸႵ’Ⴣ ႷႹ჆ႵႾ ჄႸႵ ჆ႹႼႼႱႷႵჂჃ ჀႵჂႽႹჃჃႹႿႾ ჄႿ ႴႿ ႲჅჃႹႾႵჃჃ ჇႹჄႸ ჄႸႵႽნ ჯჃ ႼႿႾႷ ႱჃ ჄႸႵ჉ ႴႿႾ’Ⴤ Ⴟ჆ႵჂႳႸႱჂႷႵლ ႿႶ ႳႿჅჂჃႵნ”

ႤႸႱჄ ჇႱ჉ლ ჄႸႵ ჆ႹႼႼႱႷႵჂჃ ႳႿჅႼႴ ႳႵჂჄႱႹႾႼ჉ ႴႿ ႲჅჃႹႾႵჃჃ ჇႹჄႸႿჅჄ Ⴑ ႳႱჂႵნ
ჷჄ’Ⴣ ႾႿჄ ႼႹႻႵ ჄႸႵ჉’Ⴔ ႸႱ჆Ⴕ ჄႿ ჃჄႿჀ ႶႱჂႽႹႾႷ ႵႾჄႹჂႵႼ჉ლ ႵႹჄႸႵჂნ
ჯჃ Ⴑ ჂႵჃჅႼჄლ ႽႵჂႳႸႱႾჄჃ ჃჄႱჂჄႵႴ ႶჂႵჁჅႵႾჄႹႾႷ ჄႸႵ ႱჂႵႱლ ႱႾႴ ჄႸႵ ჆ႹႼႼႱႷႵ ႲႵႳႱႽႵ ႼႹ჆ႵႼ჉ ႹႾ ႱႼႼ ჃႿჂჄჃ ႿႶ ჇႱ჉Ⴣნ
ჰჅჄ ჄႸႵႾლ

“ႧႸႵჂႵ’Ⴣ ႣႵႼႵႾႵჭ”

ႧႹჄႸ ႸႵჂ ჅჃჅႱႼ ჀႵჂჃႿႾႱႼႹჄ჉ლ ჃႸႵ ჇႿჅႼႴ’჆Ⴕ ႲႵႵႾ ႿჅჄ ႸႵჂႵ ႱႷႵჃ ႱႷႿლ ჄႵႼႼႹႾႷ ႽႵ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ჇႹჄႸႿჅჄ ႽႵ Ⴕ჆ႵႾ ႸႱ჆ႹႾႷ ჄႿ ႱჃႻნ
ႣႿ ჇႸ჉ ჇႱჃ ႤႹႱႾႱ ႷჂႵႵჄႹႾႷ ႽႵ ႹႾჃჄႵႱႴჭ
ჯჄ ჄႸႱჄლ ႤႹႱႾႱ ႳႱჂႵႶჅႼႼ჉ ႿჀႵႾႵႴ ႸႵჂ ႽႿჅჄႸნ

“ႣႵႼႵႾႵ’Ⴣ ႷႿႾႵ ჄႿ ჄႸႵ ႧႵჃჄ ჂႹႷႸჄ ႾႿჇნ”
“ႤႸႵ ႧႵჃჄჭ ႧႸ჉ ჄႸႵჂႵჭ”
“ჰႵႳႱჅჃႵ ႿႶ ႸႵჂ ႶႱჄႸႵჂ… ჱႿჅႾჄ ႦႵჃჀႵჂႹႱნ”

Reiki

A new town. A new school. And then, a fleeting blue light appeared beyond the mountains. One day, 17-year-old Asakura Alex encounters a strange fate while chasing a mysterious girl from his class. An invisible phenomenon, a mysterious power that connects life: “Reiki.” And ten girls, broken yet strong. They cannot lead “normal lives.” Each carries deep wounds, trapped in their past, living with a “power” that should not exist in this world. Without knowing why or how, Alex chooses to “save” them. Little does he know that this will lead to a journey to recover the pieces of his own heart. A boy torn between “what he’s lost” and “what he must protect,” reaches the power to resist the world in this tale of rebirth and choice.

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