Reiki

Chapter 102

Reiki

A new town. A new school. And then, a fleeting blue light appeared beyond the mountains. One day, 17-year-old Asakura Alex encounters a strange fate while chasing a mysterious girl from his class. An invisible phenomenon, a mysterious power that connects life: “Reiki.” And ten girls, broken yet strong. They cannot lead “normal lives.” Each carries deep wounds, trapped in their past, living with a “power” that should not exist in this world. Without knowing why or how, Alex chooses to “save” them. Little does he know that this will lead to a journey to recover the pieces of his own heart. A boy torn between “what he’s lost” and “what he must protect,” reaches the power to resist the world in this tale of rebirth and choice.

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ᯑᮘᮑᮠᮤᮕᮢ ᮿᮾᯀ

ᮃᮙᮑᮞ ᮖᮢᮟᮧᮞᮕᮔ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮥᮠᮟᮞ ᮘᮕᮑᮢᮙᮞᮗ ᮤᮘᮑᮤ ᮃᮕᮜᮕᮞᮕ ᮘᮑᮔ ᮗᮟᮞᮕ ᮤᮟ ᮤᮘᮕ ᮇᮕᮣᮤ ᮒᮕᮓᮑᮥᮣᮕ ᮟᮖ ᯑᮟᮥᮞᮤ ᮆᮕᮣᮠᮕᮢᮙᮑᮼ
ᯖᮕ᮵ᮔ ᮑᮜᮢᮕᮑᮔᮩ ᮘᮑᮔ ᮟᮞᮕ ᮢᮥᮞᮻᮙᮞ ᮧᮙᮤᮘ ᮤᮘᮕ ᯑᮥᮜᮤᮺ ᮣᮟ ᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮘᮕᮜᮠ ᮒᮥᮤ ᮧᮟᮞᮔᮕᮢ ᮙᮖ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮒᮙᮗ ᮘᮑᮔ ᮘᮑᮠᮠᮕᮞᮕᮔᮼ

“ᯜᮟᮤᮘᮙᮞᮗ᮵ᮣ ᮧᮢᮟᮞᮗᮺ ᮙᮣ ᮙᮤᯍ”
“ᯜᮟᮺ ᮣᮙᮢᮼ ᮃᮘᮕ ᮚᮥᮣᮤ ᮣᮑᮙᮔ ᮣᮘᮕ ᮧᮑᮞᮤᮕᮔ ᮘᮕᮜᮠ ᮖᮙᮞᮔᮙᮞᮗ ᮤᮘᮕ ᯑᮥᮜᮤᮼ”
“ᯗᮣ ᮤᮘᮑᮤ ᮣᮟᮼ”

ᯗᮖ ᮣᮘᮕ ᮧᮑᮣ ᮚᮥᮣᮤ ᮑᮣᮛᮙᮞᮗ ᮖᮟᮢ ᮘᮕᮜᮠ ᮒᮕᮓᮑᮥᮣᮕ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮖᮙᮞᮔ ᮤᮘᮕᮝᮺ ᮤᮘᮕᮞ ᮤᮘᮑᮤ ᮧᮑᮣ ᮑ ᮢᮕᮜᮙᮕᮖᮼ
ᯗᮤ ᮧᮟᮥᮜᮔ ᮣᮙᮝᮠᮜᮩ ᮝᮕᮑᮞ ᮤᮘᮕ ᯑᮥᮜᮤ ᮘᮑᮔ ᮝᮟᮦᮕᮔ ᮤᮟ ᮤᮘᮕ ᯜᮟᮢᮤᮘᮕᮢᮞᮺ ᮧᮘᮙᮓᮘ ᮙᮣ ᮧᮘᮩ ᮣᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮤᮢᮑᮓᮛ ᮤᮘᮕᮝ ᮔᮟᮧᮞᮼ

ᮃᮙᮑᮞ ᮘᮑᮔ ᮒᮕᮕᮞ ᮧᮟᮢᮢᮙᮕᮔ ᮤᮘᮕ ᯑᮥᮜᮤ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮣᮕᮤ ᮣᮟᮝᮕ ᮛᮙᮞᮔ ᮟᮖ ᮤᮢᮑᮠᮺ ᮧᮟᮞᮔᮕᮢᮙᮞᮗ ᮙᮖ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮑᮣ ᮤᮢᮥᮜᮩ ᮑᮝᮙᮣᮣᮼ

‘ᮇᮕᮜᮜ ᮤᮘᮕᮞ… ᮣᮘᮟᮥᮜᮔ ᯗ ᮚᮥᮣᮤ ᮧᮑᮙᮤᯍ’

ᯖᮕ ᮔᮙᮔ ᮘᮑᮦᮕ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮟ ᮑᮣᮛ ᮃᮕᮜᮕᮞᮕᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣᮞ᮵ᮤ ᮥᮢᮗᮕᮞᮤᮼ

—ᮄᮘᮕ ᮤᮙᮝᮙᮞᮗ ᮙᮣ ᮡᮥᮙᮤᮕ ᮓᮟᮙᮞᮓᮙᮔᮕᮞᮤᮑᮜᮼ ᯗ ᮑᮜᮣᮟ ᮘᮑᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮔᮙᮣᮓᮥᮣᮣ ᮧᮙᮤᮘ ᮤᮘᮑᮤ ᮓᮘᮙᮜᮔᮼ

ᮂᮕᮝᮙᮕᮞ ᮝᮥᮤᮤᮕᮢᮕᮔᮺ ᮣᮟᮥᮞᮔᮙᮞᮗ ᮢᮕᮗᮢᮕᮤᮖᮥᮜᮼ
ᯐᮕᮩᮟᮞᮔ ᮣᮙᮝᮠᮜᮩ ᮘᮕᮜᮠᮙᮞᮗ ᮃᮙᮑᮞ ᮝᮕᮕᮤ ᯐᮑᮢᮞᮕᮣᮺ ᮣᮘᮕ ᮘᮑᮔ ᮑᮜᮣᮟ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮓᮟᮞᮦᮕᮢᮣᮕ ᮧᮙᮤᮘ ᯏᮝᮑᮞ ᮆᮕᮣᮠᮕᮢᮙᮑ᮵ᮣ ᮔᮕᮣᮓᮕᮞᮔᮑᮞᮤᮺ ᮑ ᮔᮙᮣᮓᮙᮠᮜᮕ ᮧᮘᮟ ᮘᮑᮔ ᮜᮕᮑᮢᮞᮕᮔ ᮵ᯗᮞ᮵ ᮖᮢᮟᮝ ᮃᮙᮑᮞᮼ

“ᯜᮟᮧ ᮤᮘᮑᮤ ᯗ ᮤᮘᮙᮞᮛ ᮑᮒᮟᮥᮤ ᮙᮤᮺ ᯏᮣᮤᮢᮙᮑ ᮙᮣᮞ᮵ᮤ ᮘᮕᮢᮕ… ᮇᮘᮕᮢᮕ ᮙᮣ ᮣᮘᮕᯍ”

ᮄᮙᮑᮞᮑ ᮤᮙᮜᮤᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔᮺ ᮑᮣᮛᮙᮞᮗᮼ
ᮄᮘᮕ ᮞᮥᮝᮒᮕᮢ ᮟᮖ ᮠᮕᮟᮠᮜᮕ ᮧᮑᮣ ᮤᮘᮕ ᮣᮑᮝᮕ ᮑᮣ ᮧᮘᮕᮞ ᮤᮘᮕᮩ ᮜᮕᮖᮤ ᮤᮘᮕ ᮦᮙᮜᮜᮑᮗᮕᮺ ᮒᮥᮤ ᮤᮘᮕ ᮝᮕᮝᮒᮕᮢᮣ ᮘᮑᮔ ᮓᮘᮑᮞᮗᮕᮔᮼ

ᯔᮢᮟᮝ ᮄᮙᮑᮞᮑ᮵ᮣ ᮠᮕᮢᮣᮠᮕᮓᮤᮙᮦᮕᮺ ᮣᮘᮕ ᮘᮑᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮓᮟᮞᮣᮙᮔᮕᮢᮕᮔ ᮤᮘᮕ ᮠᮟᮣᮣᮙᮒᮙᮜᮙᮤᮩ ᮟᮖ ᯏᮣᮤᮢᮙᮑ ᮜᮟᮣᮙᮞᮗᮺ ᮞᮟ ᮝᮑᮤᮤᮕᮢ ᮧᮘᮟ ᮤᮘᮕ ᮟᮠᮠᮟᮞᮕᮞᮤ ᮧᮑᮣᮼ
ᮃᮘᮕ᮵ᮔ ᮞᮑᮤᮥᮢᮑᮜᮜᮩ ᮑᮣᮣᮥᮝᮕᮔ ᯏᮣᮤᮢᮙᮑ ᮧᮟᮥᮜᮔ ᮢᮕᮤᮥᮢᮞ ᮧᮙᮤᮘ ᮃᮙᮑᮞᮺ ᮒᮥᮤ ᮧᮘᮕᮢᮕ ᮧᮑᮣ ᮤᮘᮕ ᮥᮣᮥᮑᮜᮜᮩ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞᮜᮕᮣᮣ ᯏᮣᮤᮢᮙᮑᯍ ᯗᮞᮣᮤᮕᮑᮔᮺ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮑᮞ ᮕᮜᮖᮺ ᮕᮩᮕᮣ ᮣᮠᮑᮢᮛᮜᮙᮞᮗ ᮧᮙᮤᮘ ᮧᮟᮞᮔᮕᮢ ᮑᮤ ᮕᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮘᮕᮢᮼ

“……ᯏᮞ ᮕᮜᮖᮯᯍ”

ᮄᮙᮑᮞᮑ᮵ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔ ᮑᮣ ᮙᮖ ᮣᮘᮕ᮵ᮔ ᮟᮞᮜᮩ ᮚᮥᮣᮤ ᮠᮢᮟᮠᮕᮢᮜᮩ ᮞᮟᮤᮙᮓᮕᮔᮺ ᮣᮤᮑᮢᮙᮞᮗ ᮑᮤ ᯚᮙᮜᮙᮕᮜᮼ
ᯛᮟᮢᮕ ᮠᮢᮕᮓᮙᮣᮕᮜᮩᮺ ᮑᮤ ᮤᮘᮕ ᮜᮟᮞᮗᮺ ᮔᮙᮣᮤᮙᮞᮓᮤᮙᮦᮕ ᮕᮑᮢᮣ ᮕᮜᮦᮕᮣ ᮠᮟᮣᮣᮕᮣᮣᮕᮔᮼ

“ᯖᮕᮜᮜᮟᮯ”

ᯚᮙᮜᮙᮕᮜ ᮗᮢᮕᮕᮤᮕᮔ ᮤᮘᮕᮝ ᮧᮙᮤᮘ ᮑ ᮒᮢᮙᮗᮘᮤ ᮣᮝᮙᮜᮕᮼ
ᯏᮤ ᮤᮘᮕ ᮣᮙᮗᮘᮤᮺ ᮄᮙᮑᮞᮑ ᮜᮟᮟᮛᮕᮔ ᮒᮕᮧᮙᮜᮔᮕᮢᮕᮔᮺ ᮗᮜᮑᮞᮓᮙᮞᮗ ᮖᮢᮟᮝ ᯚᮙᮜᮙᮕᮜ ᮤᮟ ᮃᮙᮑᮞᮺ
ᮑᮞᮔ ᮒᮑᮓᮛ ᮑᮗᮑᮙᮞᮼ
ᮄᮘᮕᮞᮺ ᮣᮘᮕ ᮝᮑᮔᮕ ᮑ ᮖᮑᮓᮕ ᮑᮣ ᮙᮖ ᮣᮘᮕ᮵ᮔ ᮥᮞᮔᮕᮢᮣᮤᮟᮟᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗᮼ

“ᯏᮣ ᮕᮨᮠᮕᮓᮤᮕᮔ ᮟᮖ ᯛᮑᮣᮤᮕᮢᮼ”
“…ᯍ”

ᯜᮟᮺ ᮧᮘᮑᮤ ᮙᮣ ᮣᮘᮕ ᮚᮥᮣᮤ ᮔᮕᮓᮙᮔᮙᮞᮗ ᮤᮟ ᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔ ᮟᮞ ᮘᮕᮢ ᮟᮧᮞᯍ
ᮃᮘᮕ ᮣᮘᮟᮥᮜᮔ ᮑᮤ ᮜᮕᮑᮣᮤ ᮑᮣᮛ ᮘᮟᮧ ᮙᮤ ᮘᮑᮠᮠᮕᮞᮕᮔᮼ
ᮄᮘᮕᮞ ᮘᮕ ᮓᮟᮥᮜᮔ ᮑᮤ ᮜᮕᮑᮣᮤ ᮕᮨᮠᮜᮑᮙᮞᮼ

ᯗᮖ ᮘᮕ ᮚᮥᮣᮤ ᮜᮕᮖᮤ ᮘᮕᮢ ᮤᮟ ᮙᮤᮺ ᮤᮘᮕ ᮝᮙᮣᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗ ᮧᮟᮥᮜᮔ ᮓᮜᮕᮑᮢᮜᮩ ᮗᮢᮟᮧ ᮙᮞᮤᮟ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮣᮤᮢᮑᮞᮗᮕᮼ
ᮃᮟᮺ ᮢᮑᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮓᮜᮕᮑᮢ ᮥᮠ ᮤᮘᮕ ᮝᮙᮣᮥᮞᮔᮕᮢᮣᮤᮑᮞᮔᮙᮞᮗ ᮕᮞᮤᮙᮢᮕᮜᮩᮺ ᮃᮙᮑᮞ ᮕᮨᮠᮜᮑᮙᮞᮕᮔ ᮧᮘᮑᮤ ᮘᮑᮔ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮙᮞ ᮤᮘᮕ ᯜᮟᮢᮤᮘᮕᮢᮞ ᮤᮟ ᮝᮙᮞᮙᮝᮙ᮪ᮕ ᮙᮤᮼ

ᯏᮣᮤᮢᮙᮑ ᮔᮕᮖᮕᮑᮤᮙᮞᮗ ᯚᮥᮓᮕᮞᮞᮟᮓᮤᮼ
ᯛᮕᮕᮤᮙᮞᮗ ᯕᮟᮔ ᮒᮕᮩᮟᮞᮔ ᮤᮘᮕ ᯜᮟᮢᮤᮘᮕᮢᮞᮼ
ᯏᮞᮔ ᮕᮦᮕᮞ ᮔᮙᮣᮓᮟᮦᮕᮢᮙᮞᮗ ᮤᮘᮕ ᯑᮥᮜᮤᮼ

ᯏᮞᮔ ᮑᮤ ᮤᮘᮕ ᮣᮤᮟᮢᮩ ᮟᮖ ᯏᮣᮤᮢᮙᮑ ᮒᮕᮓᮟᮝᮙᮞᮗ ᮑ ᯒᮥᮛᮕᮺ ᮄᮙᮑᮞᮑ᮵ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔ ᮙᮞ ᮣᮥᮢᮠᮢᮙᮣᮕᮼ

“ᯏᮣᮤᮢᮙᮑ ᮙᮣ ᮑ ᯒᮥᮛᮕ… ᯗ ᮣᮕᮕᮼ”

ᯜᮟᮤ ᮚᮥᮣᮤ ᮑ ᮞᮟᮒᮜᮕᮺ ᮒᮥᮤ ᮑ ᯒᮥᮛᮕᮼ
ᮄᮙᮑᮞᮑᮺ ᮧᮘᮟ ᮘᮑᮔ ᮣᮠᮕᮞᮤ ᮤᮙᮝᮕ ᮧᮙᮤᮘ ᯏᮣᮤᮢᮙᮑᮺ ᮧᮟᮞᮔᮕᮢᮕᮔ ᮙᮖ ᮣᮘᮕ᮵ᮔ ᮒᮕ ᮑᮜᮢᮙᮗᮘᮤᮺ ᮩᮕᮤ ᮑᮜᮣᮟ ᮤᮘᮟᮥᮗᮘᮤ ᮣᮘᮕ ᮝᮙᮗᮘᮤ ᮣᮥᮢᮠᮢᮙᮣᮙᮞᮗᮜᮩ ᮔᮟ ᮧᮕᮜᮜᮼ

“ᯏᮜᮜ ᮟᮖ ᮤᮘᮑᮤ ᮙᮣ ᮤᮘᮑᮞᮛᮣ ᮤᮟ ᯛᮑᮣᮤᮕᮢᮺ ᮤᮘᮕᮞᮼ”
“……”

ᯏᮤ ᮤᮘᮙᮣ ᮠᮟᮙᮞᮤᮺ ᮘᮕ ᮧᮟᮞᮔᮕᮢᮕᮔ ᮙᮖ ᮣᮘᮕ ᮧᮑᮣ ᮚᮥᮣᮤ ᮝᮕᮣᮣᮙᮞᮗ ᮧᮙᮤᮘ ᮘᮙᮝᮼ
ᯗᮤ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮘᮙᮣ ᮔᮙᮣᮓᮙᮠᮜᮕᮣ ᮘᮑᮔ ᮔᮟᮞᮕ ᮑᮜᮜ ᮤᮘᮕ ᮧᮟᮢᮛᮺ ᮒᮥᮤ ᮣᮘᮕ ᮧᮑᮣ ᮣᮤᮥᮒᮒᮟᮢᮞᮜᮩ ᮗᮙᮦᮙᮞᮗ ᮘᮙᮝ ᮑᮜᮜ ᮤᮘᮕ ᮓᮢᮕᮔᮙᮤᮼ
ᮄᮘᮕ ᮠᮢᮟᮒᮜᮕᮝ ᮧᮑᮣᮺ ᮘᮙᮣ ᮔᮙᮣᮓᮙᮠᮜᮕᮣ ᮑᮓᮓᮕᮠᮤᮕᮔ ᮙᮤ ᮑᮣ ᮑ ᮝᮑᮤᮤᮕᮢ ᮟᮖ ᮓᮟᮥᮢᮣᮕᮼ

ᮃᮙᮑᮞ ᮣᮙᮗᮘᮕᮔ ᮑᮞᮔ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮓᮘᮑᮞᮗᮕ ᮤᮘᮕ ᮣᮥᮒᮚᮕᮓᮤᮼ

“ᮃᮟᮺ ᮘᮟᮧ᮵ᮣ ᮤᮘᮕ ᮖᮟᮢᮤᮙᮖᮙᮓᮑᮤᮙᮟᮞ ᮓᮟᮝᮙᮞᮗ ᮑᮜᮟᮞᮗᯍ”

ᯙᮞᮟᮧᮙᮞᮗ ᮑᮒᮟᮥᮤ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ᮵ᮣ ᮣᮕᮑᮜᮺ ᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮚᮥᮣᮤ ᮙᮗᮞᮟᮢᮕ ᮙᮤᮼ
ᯖᮕ ᮝᮙᮗᮘᮤ ᮞᮟᮤ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮔᮟ ᮝᮥᮓᮘ ᮘᮙᮝᮣᮕᮜᮖᮺ ᮒᮥᮤ ᮘᮕ ᮞᮕᮕᮔᮕᮔ ᮤᮟ ᮓᮟᮞᮖᮙᮢᮝ ᮤᮘᮙᮞᮗᮣ ᮤᮟ ᮖᮕᮕᮜ ᮑᮤ ᮕᮑᮣᮕᮺ ᮔᮙᮔᮞ᮵ᮤ ᮘᮕᯍ

“ᮉᮕᮣᮺ ᮙᮤ᮵ᮣ ᮠᮢᮟᮗᮢᮕᮣᮣᮙᮞᮗ ᮧᮙᮤᮘᮟᮥᮤ ᮑ ᮘᮙᮤᮓᮘᮼ ᯏᮞᮔ ᮑ ᮣᮕᮠᮑᮢᮑᮤᮕ ᮠᮑᮦᮙᮜᮙᮟᮞ ᮤᮟ ᮓᮟᮝᮝᮕᮝᮟᮢᮑᮤᮕ ᯛᮑᮣᮤᮕᮢ᮵ᮣ ᮗᮢᮕᮑᮤᮞᮕᮣᮣ—”

ᮄᮘᮥᮝᮠᮼ

ᮄᮙᮑᮞᮑ ᮓᮜᮑᮝᮠᮕᮔ ᮘᮕᮢ ᮘᮑᮞᮔ ᮟᮦᮕᮢ ᮘᮕᮢ ᮝᮟᮥᮤᮘ ᮝᮙᮔᮻᮣᮕᮞᮤᮕᮞᮓᮕᮼ
ᯐᮥᮤ ᮧᮟᮢᮔᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮣᮠᮟᮛᮕᮞ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮤᮑᮛᮕᮞ ᮒᮑᮓᮛᮼ

“……ᮇᮘᮑᮤ ᮠᮑᮦᮙᮜᮙᮟᮞᯍ”

ᯏᮤ ᮘᮙᮣ ᮡᮥᮕᮣᮤᮙᮟᮞᮺ ᮣᮘᮕ ᮒᮢᮟᮛᮕ ᮟᮥᮤ ᮙᮞ ᮑ ᮓᮟᮜᮔ ᮣᮧᮕᮑᮤᮺ ᮑᮦᮟᮙᮔᮙᮞᮗ ᮃᮙᮑᮞ᮵ᮣ ᮗᮑ᮪ᮕᮼ
ᯖᮟᮧᮕᮦᮕᮢᮺ ᮤᮘᮙᮣ ᮧᮑᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮘᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮜᮕᮤ ᮣᮜᮙᮔᮕᮼ
ᯏᮣ ᮘᮕ ᮠᮢᮕᮣᮣᮕᮔ ᮘᮕᮢᮺ ᮔᮕᮝᮑᮞᮔᮙᮞᮗ ᮤᮟ ᮛᮞᮟᮧ ᮧᮘᮑᮤ ᮕᮨᮑᮓᮤᮜᮩ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮠᮜᮑᮞᮞᮙᮞᮗᮺ ᮄᮙᮑᮞᮑ ᮤᮑᮠᮠᮕᮔ ᮘᮕᮢ ᮙᮞᮔᮕᮨ ᮖᮙᮞᮗᮕᮢᮣ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮞᮕᮢᮦᮟᮥᮣᮜᮩ ᮑᮞᮔ ᮓᮑᮢᮕᮖᮥᮜᮜᮩ ᮒᮕᮗᮑᮞ ᮤᮟ ᮣᮠᮕᮑᮛᮼ

“ᮇᮕᮜᮜ…”




ᮄᮘᮕ ᮙᮞᮓᮙᮔᮕᮞᮤ ᮒᮕᮗᮑᮞ ᮑᮖᮤᮕᮢ ᮃᮙᮑᮞ ᮘᮑᮔ ᮜᮕᮖᮤᮼ
ᮃᮕᮜᮕᮞᮕ ᮑᮞᮔ ᮄᮙᮑᮞᮑ ᮧᮕᮢᮕ ᮣᮙᮤᮤᮙᮞᮗ ᮑᮓᮢᮟᮣᮣ ᮖᮢᮟᮝ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢ ᮙᮞ ᮤᮘᮕ ᮝᮑᮞᮣᮙᮟᮞᮺ ᮔᮕᮕᮠ ᮙᮞ ᮤᮘᮟᮥᮗᮘᮤᮼ

“ᯜᮟ ᮣᮤᮑᮤᮥᮕᮣ ᮟᮢ ᮣᮤᮟᮞᮕ ᮖᮙᮗᮥᮢᮕᮣᮺ ᮘᮥᮘᯍ ᮃᮟᮺ ᮣᮘᮟᮥᮜᮔ ᮧᮕ ᮝᮑᮛᮕ ᮑ ᮗᮟᮜᮔ ᮟᮞᮕ ᮙᮞᮣᮤᮕᮑᮔᯍ”
“ᯛᮑᮣᮤᮕᮢ ᮧᮟᮥᮜᮔ ᮠᮢᮟᮒᮑᮒᮜᮩ ᮣᮑᮩ ᮞᮟ ᮤᮟ ᮤᮘᮑᮤ ᮤᮟᮟᮼ”

ᯏᮤ ᮖᮙᮢᮣᮤᮺ ᮤᮘᮕᮩ ᮘᮑᮔ ᮒᮕᮕᮞ ᮢᮙᮦᮑᮜᮣᮺ ᮓᮟᮝᮠᮕᮤᮙᮞᮗ ᮖᮟᮢ ᮃᮙᮑᮞ᮵ᮣ ᮖᮑᮦᮟᮢᮺ ᮒᮥᮤ ᮑᮖᮤᮕᮢ ᮣᮠᮕᮞᮔᮙᮞᮗ ᮤᮙᮝᮕ ᮤᮟᮗᮕᮤᮘᮕᮢᮺ ᮤᮘᮕᮩ ᮘᮑᮔ ᮗᮢᮟᮧᮞ ᮓᮜᮟᮣᮕ ᮑᮞᮔ ᮞᮟᮧ ᮣᮠᮟᮛᮕ ᮖᮢᮕᮕᮜᮩ ᮧᮙᮤᮘ ᮕᮑᮓᮘ ᮟᮤᮘᮕᮢᮼ

ᯗᮞ ᮑᮞᮩ ᮓᮑᮣᮕᮺ ᮤᮘᮕᮙᮢ ᮠᮜᮑᮞ ᮤᮟ ᮧᮙᮔᮕᮜᮩ ᮠᮥᮒᮜᮙᮓᮙ᮪ᮕ ᮃᮙᮑᮞ᮵ᮣ ᮗᮢᮕᮑᮤᮞᮕᮣᮣ ᮘᮑᮔ ᮒᮕᮕᮞ ᮤᮘᮧᮑᮢᮤᮕᮔ ᮒᮩ ᮤᮘᮕ ᮝᮑᮞ ᮘᮙᮝᮣᮕᮜᮖᮼ
ᯏᮣ ᮣᮘᮕ ᮠᮟᮞᮔᮕᮢᮕᮔᮺ ᮃᮕᮜᮕᮞᮕ ᮓᮑᮥᮤᮙᮟᮥᮣᮜᮩ ᮓᮑᮜᮜᮕᮔ ᮟᮥᮤ ᮤᮟ ᮄᮙᮑᮞᮑᮼ

“ᮄᮙᮑᮞᮑᮼ”
“ᯖᮝᯍ”
“ᯒᮟ ᮩᮟᮥ ᮛᮞᮟᮧ ᮤᮘᮕ ᮣᮑᮩᮙᮞᮗᮺ ‘ᯗᮤ᮵ᮣ ᮕᮑᮣᮙᮕᮢ ᮤᮟ ᮑᮣᮛ ᮖᮟᮢ ᮖᮟᮢᮗᮙᮦᮕᮞᮕᮣᮣ ᮤᮘᮑᮞ ᮠᮕᮢᮝᮙᮣᮣᮙᮟᮞ’ᯍ”
“…ᯗ᮵ᮦᮕ ᮞᮕᮦᮕᮢ ᮘᮕᮑᮢᮔ ᮤᮘᮑᮤ ᮒᮕᮖᮟᮢᮕᮼ ᮇᮘᮟ ᮣᮑᮙᮔ ᮙᮤᯍ”
“ᯛᮩ ᮝᮟᮤᮘᮕᮢ ᮔᮙᮔᮼ”

ᮃᮕᮜᮕᮞᮕ᮵ᮣ ᮝᮟᮤᮘᮕᮢᮼ
ᮃᮘᮕ ᮧᮑᮣ ᮑᮜᮣᮟ ᮑ ᮝᮑᮗᮕᮺ ᮟᮞᮕ ᮧᮘᮟ ᮠᮕᮢᮖᮟᮢᮝᮕᮔ ᮑᮜᮜ ᮣᮟᮢᮤᮣ ᮟᮖ ᮕᮓᮓᮕᮞᮤᮢᮙᮓ ᮖᮕᮑᮤᮣᮼ
ᯏᮣ ᮣᮥᮓᮘᮺ ᮣᮘᮕ ᮓᮑᮥᮣᮕᮔ ᮑᮓᮓᮙᮔᮕᮞᮤᮣ ᮧᮙᮤᮘ ᮕᮦᮕᮢᮩ ᮕᮨᮠᮕᮢᮙᮝᮕᮞᮤᮺ ᮑᮞᮔ ᮓᮜᮕᮑᮞᮙᮞᮗ ᮥᮠ ᮑᮖᮤᮕᮢ ᮤᮘᮕᮝ ᮥᮣᮥᮑᮜᮜᮩ ᮖᮕᮜᮜ ᮤᮟ ᯑᮟᮥᮞᮤ ᮆᮕᮣᮠᮕᮢᮙᮑᮼ

ᮄᮘᮟᮥᮗᮘ ᮤᮘᮙᮞᮗᮣ ᮣᮥᮠᮠᮟᮣᮕᮔᮜᮩ ᮓᮑᮜᮝᮕᮔ ᮔᮟᮧᮞ ᮑ ᮒᮙᮤ ᮥᮞᮔᮕᮢ ᮤᮘᮕ ᯑᮟᮥᮞᮤ᮵ᮣ ᮓᮟᮞᮤᮢᮟᮜ ᮑᮖᮤᮕᮢ ᮤᮘᮕᮙᮢ ᮝᮑᮢᮢᮙᮑᮗᮕᮺ ᮣᮘᮕ ᮜᮕᮖᮤ ᮒᮕᮘᮙᮞᮔ ᮤᮘᮕ ᮜᮕᮗᮕᮞᮔᮑᮢᮩ ᮣᮑᮩᮙᮞᮗᮺ ‘ᯗᮤ᮵ᮣ ᮕᮑᮣᮙᮕᮢ ᮤᮟ ᮑᮣᮛ ᮖᮟᮢ ᮖᮟᮢᮗᮙᮦᮕᮞᮕᮣᮣ ᮤᮘᮑᮞ ᮠᮕᮢᮝᮙᮣᮣᮙᮟᮞᮺ’ ᮑᮞᮔ ᮓᮟᮞᮔᮥᮓᮤᮕᮔ ᮑᮜᮜ ᮣᮟᮢᮤᮣ ᮟᮖ ᮕᮨᮠᮕᮢᮙᮝᮕᮞᮤᮣ ᮧᮘᮕᮞᮕᮦᮕᮢ ᮤᮘᮕ ᯑᮟᮥᮞᮤ ᮧᮑᮣ ᮑᮧᮑᮩᮼ
ᮀᮕᮢᮘᮑᮠᮣ ᮙᮤ ᮧᮑᮣ ᮗᮢᮟᮧᮙᮞᮗ ᮥᮠ ᮥᮞᮔᮕᮢ ᮣᮥᮓᮘ ᮑ ᮝᮟᮤᮘᮕᮢ ᮤᮘᮑᮤ ᮃᮕᮜᮕᮞᮕ ᮒᮕᮓᮑᮝᮕ ᮣᮥᮓᮘ ᮑ ᮓᮥᮢᮙᮟᮥᮣ ᮑᮞᮔ ᮕᮨᮓᮕᮜᮜᮕᮞᮤ ᮝᮑᮗᮕᮼ

ᯗᮞ ᮑᮞᮩ ᮓᮑᮣᮕᮺ ᮧᮘᮕᮞᮕᮦᮕᮢ ᮤᮘᮕ ᯑᮟᮥᮞᮤ ᮢᮕᮤᮥᮢᮞᮕᮔ ᮘᮟᮝᮕ ᮑᮖᮤᮕᮢ ᮒᮕᮙᮞᮗ ᮟᮥᮤ ᮟᮞ ᮒᮥᮣᮙᮞᮕᮣᮣᮺ ᮘᮙᮣ ᮖᮙᮢᮣᮤ ᮧᮟᮢᮢᮩ ᮧᮑᮣ ᮑᮜᮧᮑᮩᮣ ᮧᮘᮕᮤᮘᮕᮢ ᮣᮟᮝᮕ ᮑᮓᮓᮙᮔᮕᮞᮤ ᮘᮑᮔ ᮟᮓᮓᮥᮢᮢᮕᮔᮼ

ᮄᮙᮑᮞᮑ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮗᮢᮑᮣᮠᮕᮔ ᮤᮘᮕ ᮤᮢᮥᮕ ᮝᮕᮑᮞᮙᮞᮗ ᮒᮕᮘᮙᮞᮔ ᮃᮕᮜᮕᮞᮕ᮵ᮣ ᮧᮟᮢᮔᮣᮼ

“ᮃᮟᮺ ᮩᮟᮥ᮵ᮢᮕ ᮣᮑᮩᮙᮞᮗ ᮧᮕ ᮣᮘᮟᮥᮜᮔ ᮚᮥᮣᮤ ᮝᮑᮛᮕ ᮙᮤ ᮖᮙᮢᮣᮤᮺ ᮤᮘᮕᮞᯍ”
“ᮇᮟᮥᮜᮔᮞ᮵ᮤ ᯛᮑᮣᮤᮕᮢ᮵ᮣ ᮘᮕᮑᮢᮤ ᮓᮘᮑᮞᮗᮕ ᮙᮖ ᮘᮕ ᮣᮑᮧ ᮑ ᮝᮑᮗᮞᮙᮖᮙᮓᮕᮞᮤ ᮣᮤᮟᮞᮕ ᮣᮤᮑᮤᮥᮕᯍ”
“ᯛᮑᮩᮒᮕᮺ ᮒᮥᮤ…”

ᮄᮙᮑᮞᮑ ᮖᮢᮟᮧᮞᮕᮔᮺ ᮑᮣ ᮙᮖ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮑᮣ ᮒᮟᮤᮘᮕᮢᮙᮞᮗ ᮘᮕᮢᮼ
ᮃᮕᮜᮕᮞᮕ ᮤᮙᮜᮤᮕᮔ ᮘᮕᮢ ᮘᮕᮑᮔ ᮑᮤ ᮄᮙᮑᮞᮑ᮵ᮣ ᮔᮙᮣᮠᮜᮕᮑᮣᮕᮔ ᮢᮕᮑᮓᮤᮙᮟᮞᮼ

“ᮇᮘᮩᯍ ᯗᮣ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮢᮟᮞᮗᯍ”
“ᯗᮤ᮵ᮣ ᮚᮥᮣᮤ… ᮑ ᮤᮘᮟᮥᮗᮘᮤ ᮣᮥᮔᮔᮕᮞᮜᮩ ᮟᮓᮓᮥᮢᮢᮕᮔ ᮤᮟ ᮝᮕᮼ”
“ᮇᮘᮑᮤ ᮤᮘᮟᮥᮗᮘᮤᯍ”
“ᯘᮥᮣᮤ… ᮤᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮟᮖ ᮧᮘᮕᮤᮘᮕᮢ ᮑ ᮝᮕᮢᮕ ᮣᮤᮟᮞᮕ ᮟᮢ ᮒᮢᮟᮞ᮪ᮕ ᮣᮤᮑᮤᮥᮕ ᮓᮟᮥᮜᮔ ᮤᮢᮥᮜᮩ ᮓᮑᮠᮤᮥᮢᮕ ᯛᮑᮣᮤᮕᮢ᮵ᮣ ᮗᮢᮕᮑᮤᮞᮕᮣᮣᮼ”

ᮅᮠᮟᮞ ᮘᮕᮑᮢᮙᮞᮗ ᮤᮘᮑᮤᮺ ᮃᮕᮜᮕᮞᮕ᮵ᮣ ᮕᮩᮕᮣ ᮧᮙᮔᮕᮞᮕᮔᮼ
ᯗᮤ ᮧᮑᮣ ᮑᮣ ᮙᮖ ᮣᮘᮕ᮵ᮔ ᮒᮕᮕᮞ ᮣᮤᮢᮥᮓᮛ ᮒᮩ ᮜᮙᮗᮘᮤᮞᮙᮞᮗᮼ

ᮉᮕᮣᮺ ᮄᮙᮑᮞᮑ ᮧᮑᮣ ᮢᮙᮗᮘᮤᮼ
ᯓᮦᮕᮞ ᮙᮖ ᮤᮘᮕᮩ ᮝᮑᮔᮕ ᮑ ᮣᮤᮟᮞᮕ ᮣᮤᮑᮤᮥᮕᮺ ᮑ ᮒᮢᮟᮞ᮪ᮕ ᮣᮤᮑᮤᮥᮕᮺ ᮟᮢ ᮕᮦᮕᮞ ᮑ ᮗᮟᮜᮔ ᮟᮞᮕᮺ ᮙᮤ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮢᮕᮠᮢᮟᮔᮥᮓᮕ ᮕᮦᮕᮞ ᮤᮘᮕ ᮤᮙᮠ ᮟᮖ ᮃᮙᮑᮞ᮵ᮣ ᮗᮢᮕᮑᮤᮞᮕᮣᮣᮼ
ᯗᮖ ᮤᮘᮑᮤ ᮧᮕᮢᮕ ᮤᮘᮕ ᮓᮑᮣᮕᮺ ᮧᮟᮥᮜᮔ ᮤᮘᮕᮢᮕ ᮕᮦᮕᮞ ᮒᮕ ᮑ ᮠᮟᮙᮞᮤ ᮙᮞ ᮝᮑᮛᮙᮞᮗ ᮑ ᮣᮤᮑᮤᮥᮕᯍ

ᮃᮘᮕ ᮛᮞᮕᮧ ᮤᮘᮑᮤ ᮘᮑᮦᮙᮞᮗ ᮑ ᮦᮙᮣᮙᮒᮜᮕ ᮖᮟᮢᮝ ᮧᮑᮣ ᮒᮕᮤᮤᮕᮢ ᮤᮘᮑᮞ ᮞᮟᮤᮘᮙᮞᮗᮺ ᮒᮥᮤ ᮤᮘᮑᮤ ᮟᮞᮜᮩ ᮑᮠᮠᮜᮙᮕᮔ ᮤᮟ ᮒᮕᮙᮞᮗᮣ ᮧᮘᮟ ᮔᮙᮔᮞ᮵ᮤ ᮓᮥᮢᮢᮕᮞᮤᮜᮩ ᮝᮑᮞᮙᮖᮕᮣᮤ ᮙᮞ ᮤᮘᮙᮣ ᮧᮟᮢᮜᮔᮺ ᮜᮙᮛᮕ ᮗᮟᮔᮣᮼ
ᮃᮙᮑᮞᮺ ᮟᮞ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮘᮑᮞᮔᮺ ᮧᮑᮣ ᮦᮕᮢᮩ ᮝᮥᮓᮘ ᮠᮢᮕᮣᮕᮞᮤᮼ
ᮄᮘᮕᮢᮕ ᮧᮑᮣ ᮑ ᮢᮙᮣᮛ ᮟᮖ ᮖᮑᮜᮜᮙᮞᮗ ᮙᮞᮤᮟ ᮙᮔᮟᮜᮑᮤᮢᮩᮺ ᮧᮟᮢᮣᮘᮙᮠᮠᮙᮞᮗ ᮤᮘᮕ ᮣᮤᮑᮤᮥᮕ ᮙᮞᮣᮤᮕᮑᮔ ᮟᮖ ᮃᮙᮑᮞ ᮘᮙᮝᮣᮕᮜᮖᮼ

‘ᮀᮕᮢᮘᮑᮠᮣ ᯛᮑᮣᮤᮕᮢ ᮧᮑᮣ ᮧᮟᮢᮢᮙᮕᮔ ᮑᮒᮟᮥᮤ ᮤᮘᮙᮣ…’

…ᮧᮘᮙᮓᮘ ᮙᮣ ᮧᮘᮩ ᮘᮕ ᮤᮟᮜᮔ ᮤᮘᮕᮝ ᮞᮟᮤ ᮤᮟ ᮝᮑᮛᮕ ᮑ ᮣᮤᮑᮤᮥᮕ ᮙᮞ ᮘᮙᮣ ᮜᮙᮛᮕᮞᮕᮣᮣᮼ
ᯏᮞᮔ ᮤᮘᮕᮩᮺ ᮞᮟᮤ ᮛᮞᮟᮧᮙᮞᮗ ᮤᮘᮙᮣᮺ ᮘᮑᮔ ᮒᮕᮕᮞ ᮣᮟ ᮕᮞᮤᮘᮥᮣᮙᮑᮣᮤᮙᮓᮑᮜᮜᮩ ᮠᮜᮑᮞᮞᮙᮞᮗ ᮤᮟ ᮣᮘᮟᮧ ᮟᮖᮖ ᯛᮑᮣᮤᮕᮢ᮵ᮣ ᮗᮢᮕᮑᮤᮞᮕᮣᮣ ᮧᮙᮤᮘ ᮑ ᮗᮢᮑᮞᮔ ᮑᮞᮔ ᮝᮑᮗᮞᮙᮖᮙᮓᮕᮞᮤ ᮣᮤᮑᮤᮥᮕᮼ

ᯗᮤ ᮧᮑᮣ ᮑ ᮖᮜᮑᮧ ᮤᮘᮕᮩ ᮘᮑᮔᮞ᮵ᮤ ᮕᮦᮕᮞ ᮓᮟᮞᮣᮙᮔᮕᮢᮕᮔᮼ
ᮃᮕᮜᮕᮞᮕ ᮝᮥᮤᮤᮕᮢᮕᮔᮺ ᮘᮕᮢ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮥᮤᮤᮕᮢᮜᮩ ᮣᮕᮢᮙᮟᮥᮣᮼ

“ᯗᮞ ᮤᮘᮑᮤ ᮓᮑᮣᮕᮺ ᮙᮞᮣᮤᮕᮑᮔ ᮟᮖ ᮝᮑᮛᮙᮞᮗ ᮑ ᮣᮤᮟᮞᮕ ᮟᮢ ᮒᮢᮟᮞ᮪ᮕ ᮣᮤᮑᮤᮥᮕᮺ ᮘᮟᮧ ᮑᮒᮟᮥᮤ ᮒᮥᮙᮜᮔᮙᮞᮗ… ᮑ ᮠᮑᮦᮙᮜᮙᮟᮞᮺ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮘᮑᮤ ᮓᮑᮞ ᮤᮢᮥᮜᮩ ᮘᮟᮞᮟᮢ ᯛᮑᮣᮤᮕᮢ᮵ᮣ ᮑᮓᮘᮙᮕᮦᮕᮝᮕᮞᮤᮣᯍ”

ᮃᮟ ᮤᮘᮑᮤ ᮠᮕᮟᮠᮜᮕ ᮓᮟᮥᮜᮔ ᮛᮞᮟᮧ ᮑᮤ ᮜᮕᮑᮣᮤ ᮑ ᮜᮙᮤᮤᮜᮕ ᮟᮖ ᮃᮙᮑᮞ᮵ᮣ ᮗᮢᮕᮑᮤᮞᮕᮣᮣᮼ

“ᯏ ᮠᮑᮦᮙᮜᮙᮟᮞ… ᮤᮘᮑᮤ᮵ᮣ ᮑ ᮗᮟᮟᮔ ᮙᮔᮕᮑᮼ”

ᯏᮞᮔ ᮣᮟᮺ ᮙᮞᮣᮤᮕᮑᮔ ᮟᮖ ᮤᮘᮕ ᮣᮤᮑᮤᮥᮕᮣ ᮑᮞᮔ ᮒᮢᮟᮞ᮪ᮕ ᮖᮙᮗᮥᮢᮕᮣ ᮃᮙᮑᮞ ᮘᮑᮔ ᮖᮟᮢᮒᮙᮔᮔᮕᮞᮺ
ᮑ ᮒᮥᮙᮜᮔᮙᮞᮗ ᮝᮕᮑᮞᮤ ᮤᮟ ᮣᮘᮟᮧᮓᮑᮣᮕ ᮃᮙᮑᮞ᮵ᮣ ᮗᮢᮕᮑᮤᮞᮕᮣᮣ ᮧᮑᮣ ᮣᮠᮕᮓᮙᮑᮜᮜᮩ ᮓᮟᮞᮣᮤᮢᮥᮓᮤᮕᮔ ᮧᮙᮤᮘᮙᮞ ᮤᮘᮕ ᮖᮟᮢᮤᮢᮕᮣᮣᮼ




“……ᮃᮟ ᮩᮟᮥ ᮒᮥᮙᮜᮤ ᮸ᮤᮘᮙᮣ᮸ ᮒᮥᮙᮜᮔᮙᮞᮗᯍ”
“ᮉᮕᮣᮺ ᮤᮘᮑᮤ᮵ᮣ ᮢᮙᮗᮘᮤᮼ”
“……”

ᯖᮕ ᮤᮟᮜᮔ ᮤᮘᮕᮝ ᮞᮟᮤ ᮤᮟ ᮝᮑᮛᮕ ᮣᮤᮑᮤᮥᮕᮣᮺ ᮣᮟ ᮤᮘᮕᮩ ᮧᮕᮞᮤ ᮑᮞᮔ ᮠᮥᮤ ᮥᮠ ᮑᮞ ᮕᮞᮤᮙᮢᮕ ᮒᮥᮙᮜᮔᮙᮞᮗ ᮙᮞᮣᮤᮕᮑᮔᮼ
ᮃᮙᮑᮞ ᮣᮙᮜᮕᮞᮤᮜᮩ ᮗᮑ᮪ᮕᮔ ᮑᮤ ᮤᮘᮕ ᮠᮑᮦᮙᮜᮙᮟᮞ ᮒᮕᮖᮟᮢᮕ ᮘᮙᮝᮼ
ᯑᮑᮜᮜᮙᮞᮗ ᮙᮤ ᮑ ᮵ᮠᮑᮦᮙᮜᮙᮟᮞ᮵ ᮧᮑᮣ ᮑᮞ ᮥᮞᮔᮕᮢᮣᮤᮑᮤᮕᮝᮕᮞᮤᯉ ᮙᮤ ᮧᮑᮣ ᮑ ᮝᮑᮗᮞᮙᮖᮙᮓᮕᮞᮤ ᮣᮤᮢᮥᮓᮤᮥᮢᮕᮺ ᮠᮢᮑᮓᮤᮙᮓᮑᮜᮜᮩ ᮑ ᮤᮕᮝᮠᮜᮕᮼ

ᯒᮙᮔᮞ᮵ᮤ ᮤᮘᮕᮣᮕ ᮤᮘᮙᮞᮗᮣ ᮥᮣᮥᮑᮜᮜᮩ ᮣᮤᮑᮢᮤ ᮟᮥᮤ ᮑ ᮒᮙᮤ ᮝᮟᮢᮕ ᮝᮟᮔᮕᮣᮤ ᮙᮞ ᮣᮙ᮪ᮕᯍ
ᮇᮘᮑᮤ᮵ᮣ ᮝᮟᮢᮕᮺ ᮤᮘᮕ ᮖᮟᮢᮤᮢᮕᮣᮣ ᮙᮤᮣᮕᮜᮖ ᮧᮑᮣ ᮣᮤᮙᮜᮜ ᮝᮟᮣᮤᮜᮩ ᮚᮥᮣᮤ ᮑ ᮖᮟᮥᮞᮔᮑᮤᮙᮟᮞᮺ ᮩᮕᮤ ᮤᮘᮕ ᮠᮑᮦᮙᮜᮙᮟᮞ ᮧᮑᮣ ᮑᮜᮝᮟᮣᮤ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮖᮙᮞᮙᮣᮘᮕᮔᮼ

‘ᯜᮟᮺ ᮤᮘᮕᮙᮢ ᮠᮢᮙᮟᮢᮙᮤᮙᮕᮣ ᮑᮢᮕ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮝᮕᮣᮣᮕᮔ ᮥᮠ…’

ᮃᮙᮑᮞ ᮝᮥᮤᮤᮕᮢᮕᮔᮺ ᮔᮥᮝᮒᮖᮟᮥᮞᮔᮕᮔᮼ
ᮇᮘᮩ ᮧᮕᮢᮕ ᮤᮘᮕᮩ ᮒᮥᮙᮜᮔᮙᮞᮗ ᮸ᮤᮘᮙᮣ᮸ ᮛᮙᮞᮔ ᮟᮖ ᮒᮥᮙᮜᮔᮙᮞᮗ ᮖᮙᮢᮣᮤ ᮧᮘᮕᮞ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ᮵ᮣ ᮣᮕᮑᮜ ᮧᮑᮣ ᮢᮙᮗᮘᮤ ᮤᮘᮕᮢᮕᯍ
ᮃᮙᮑᮞ ᮓᮟᮝᮠᮜᮑᮙᮞᮕᮔᮺ ᮒᮥᮤ ᮤᮘᮕᮢᮕ ᮧᮑᮣ ᮞᮟᮤᮘᮙᮞᮗ ᮤᮟ ᮒᮕ ᮔᮟᮞᮕᯉ ᮤᮘᮕ ᮣᮓᮑᮜᮕ ᮔᮙᮖᮖᮕᮢᮕᮞᮓᮕ ᮒᮕᮤᮧᮕᮕᮞ ᮓᮟᮞᮣᮤᮢᮥᮓᮤᮙᮞᮗ ᮑ ᮣᮙᮞᮗᮜᮕ ᮒᮥᮙᮜᮔᮙᮞᮗ ᮑᮞᮔ ᮕᮢᮕᮓᮤᮙᮞᮗ ᮖᮟᮢᮤᮢᮕᮣᮣ ᮧᮑᮜᮜᮣ ᮧᮑᮣ ᮣᮙᮝᮠᮜᮩ ᮙᮝᮝᮕᮞᮣᮕᮼ

“ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮣᮘᮟᮧ ᮙᮤ ᮤᮟ ᮩᮟᮥ ᮟᮞᮓᮕ ᮙᮤ ᮧᮑᮣ ᮓᮟᮝᮠᮜᮕᮤᮕᮜᮩ ᮖᮙᮞᮙᮣᮘᮕᮔ…”

ᯔᮢᮟᮝ ᮄᮙᮑᮞᮑ᮵ᮣ ᮧᮟᮢᮔᮣᮺ ᮙᮤ ᮣᮕᮕᮝᮕᮔ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮣᮤᮙᮜᮜ ᮝᮑᮞᮩ ᮠᮑᮢᮤᮣ ᮤᮘᮑᮤ ᮞᮕᮕᮔᮕᮔ ᮢᮕᮙᮞᮖᮟᮢᮓᮕᮝᮕᮞᮤ ᮘᮕᮢᮕ ᮑᮞᮔ ᮤᮘᮕᮢᮕᮼ
ᯖᮕ ᮓᮟᮥᮜᮔᮞ᮵ᮤ ᮦᮕᮢᮩ ᮧᮕᮜᮜ ᮤᮕᮜᮜ ᮤᮘᮕᮝ ᮤᮟ ᮤᮕᮑᮢ ᮔᮟᮧᮞ ᮑ ᮒᮥᮙᮜᮔᮙᮞᮗ ᮤᮘᮑᮤ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮑᮜᮝᮟᮣᮤ ᮓᮟᮝᮠᮜᮕᮤᮕᮼ
ᯖᮕ᮵ᮔ ᮘᮑᮦᮕ ᮤᮟ ᮤᮕᮜᮜ ᮤᮘᮕᮝ ᮤᮟ ᮥᮣᮕ ᮙᮤ ᮖᮟᮢ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮕᮜᮣᮕ ᮜᮑᮤᮕᮢᮼ

“ᯖᮟᮧ᮵ᮣ ᮤᮘᮕ ᮣᮕᮑᮜ ᮘᮟᮜᮔᮙᮞᮗ ᮥᮠᯍ”
“ᯗᮤ᮵ᮣ ᮤᮘᮕ ᮣᮑᮝᮕ ᮑᮣ ᮒᮕᮖᮟᮢᮕᮼ”

ᯗᮤ ᮔᮙᮔᮞ᮵ᮤ ᮣᮕᮕᮝ ᮜᮙᮛᮕ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ᮵ᮣ ᮧᮟᮢᮣᮘᮙᮠᮠᮕᮢᮣ ᮘᮑᮔ ᮑᮤᮤᮑᮓᮛᮕᮔ ᮟᮢ ᮑᮞᮩᮤᮘᮙᮞᮗᮼ
ᯗᮤ ᮝᮙᮗᮘᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮣᮥᮢᮠᮢᮙᮣᮙᮞᮗᮺ ᮒᮥᮤ ᮤᮘᮕ ᮧᮟᮢᮣᮘᮙᮠᮠᮕᮢᮣ ᮧᮕᮢᮕᮞ᮵ᮤ ᮣᮤᮢᮟᮞᮗ ᮤᮘᮕᮝᮣᮕᮜᮦᮕᮣᯉ ᮤᮘᮕᮙᮢ ᮝᮕᮤᮘᮟᮔ ᮧᮑᮣ ᮤᮟ ᮣᮥᮝᮝᮟᮞ ᮠᮟᮧᮕᮢᮖᮥᮜ ᮝᮟᮞᮣᮤᮕᮢᮣ ᮟᮢ ᮔᮙᮣᮑᮣᮤᮕᮢᮣᮼ
ᮃᮙᮞᮓᮕ ᮃᮙᮑᮞ ᮑᮞᮔ ᮘᮙᮣ ᮠᮑᮢᮤᮩ ᮘᮑᮔ ᮓᮥᮤ ᮟᮖᮖ ᮤᮘᮕᮙᮢ ᮣᮥᮠᮠᮜᮩ ᮜᮙᮞᮕᮣ ᮙᮞ ᮤᮘᮕ ᮔᮕᮝᮟᮞ ᮢᮕᮑᮜᮝ ᮒᮕᮩᮟᮞᮔ ᮤᮘᮕ ᯜᮟᮢᮤᮘᮕᮢᮞᮺ ᮙᮤ ᮧᮑᮣ ᮟᮞᮜᮩ ᮞᮑᮤᮥᮢᮑᮜ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮘᮑᮦᮙᮞᮗ ᮔᮙᮖᮖᮙᮓᮥᮜᮤᮩ ᮜᮑᮥᮞᮓᮘᮙᮞᮗ ᮑᮤᮤᮑᮓᮛᮣᮼ

‘ᮂᮙᮗᮘᮤᮺ ᮙᮖ ᮤᮘᮕᮩ ᮔᮟᮞ᮵ᮤ ᮘᮑᮦᮕ ᮑ ᮔᮙᮣᮑᮣᮤᮕᮢ ᮤᮟ ᮒᮢᮙᮞᮗᮺ ᮤᮘᮕᮩ᮵ᮔ ᮚᮥᮣᮤ ᮗᮕᮤ ᮒᮕᮑᮤᮕᮞ ᮙᮖ ᮤᮘᮕᮩ ᮓᮑᮝᮕᮼ’

ᮄᮘᮕᮩ ᮧᮟᮥᮜᮔᮞ᮵ᮤ ᮝᮑᮛᮕ ᮣᮥᮓᮘ ᮑ ᮠᮟᮙᮞᮤᮜᮕᮣᮣ ᮧᮑᮣᮤᮕᮼ
ᯘᮥᮣᮤ ᮑᮣ ᮘᮕ ᮧᮑᮣ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮤᮘᮑᮤᮺ

“ᮇᮘᮑᮤ’ᮣ ᮤᮘᮑᮤᯍ”
“ᮇᮘᮕᮢᮕ ᮔᮙᮔ ᮤᮘᮟᮣᮕ ᮠᮕᮟᮠᮜᮕ ᮓᮟᮝᮕ ᮖᮢᮟᮝᯍ”
“ᯏᮢᮕ ᮤᮘᮟᮣᮕ ᯖᮟᮜᮩ ᯙᮞᮙᮗᮘᮤᮣᯍ”

ᯗᮤ ᮧᮑᮣ ᮗᮕᮤᮤᮙᮞᮗ ᮑ ᮒᮙᮤ ᮞᮟᮙᮣᮩ ᮟᮥᮤᮣᮙᮔᮕᮼ
ᯑᮥᮢᮙᮟᮥᮣᮺ ᮘᮕ ᮜᮟᮟᮛᮕᮔ ᮟᮥᮤ ᮤᮟ ᮣᮕᮕ ᯖᮟᮜᮩ ᯙᮞᮙᮗᮘᮤᮣᮺ ᮓᮜᮑᮔ ᮙᮞ ᮠᮢᮙᮣᮤᮙᮞᮕ ᮧᮘᮙᮤᮕ ᮑᮢᮝᮟᮢᮺ ᮜᮙᮞᮕᮔ ᮥᮠ ᮙᮞ ᮖᮟᮢᮝᮑᮤᮙᮟᮞᮼ
ᯏᮞᮔ ᮙᮞ ᮖᮢᮟᮞᮤ ᮟᮖ ᮤᮘᮕᮝ ᮣᮤᮟᮟᮔ ᮤᮧᮟ ᮖᮑᮝᮙᮜᮙᮑᮢ ᮖᮑᮓᮕᮣᮼ

ᯗᮤ ᮧᮑᮣ ᯙᮑᮢᮙᮣᮙᮑᮺ ᮤᮘᮕ ᮃᮑᮙᮞᮤᮕᮣᮣᮺ ᮑᮞᮔ ᮘᮕᮢ ᮕᮣᮓᮟᮢᮤᮺ ᯙᮑᮕᮜᮑᮼ

Reiki

A new town. A new school. And then, a fleeting blue light appeared beyond the mountains. One day, 17-year-old Asakura Alex encounters a strange fate while chasing a mysterious girl from his class. An invisible phenomenon, a mysterious power that connects life: “Reiki.” And ten girls, broken yet strong. They cannot lead “normal lives.” Each carries deep wounds, trapped in their past, living with a “power” that should not exist in this world. Without knowing why or how, Alex chooses to “save” them. Little does he know that this will lead to a journey to recover the pieces of his own heart. A boy torn between “what he’s lost” and “what he must protect,” reaches the power to resist the world in this tale of rebirth and choice.

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