Reiki

Chapter 122

Reiki

A new town. A new school. And then, a fleeting blue light appeared beyond the mountains. One day, 17-year-old Asakura Alex encounters a strange fate while chasing a mysterious girl from his class. An invisible phenomenon, a mysterious power that connects life: “Reiki.” And ten girls, broken yet strong. They cannot lead “normal lives.” Each carries deep wounds, trapped in their past, living with a “power” that should not exist in this world. Without knowing why or how, Alex chooses to “save” them. Little does he know that this will lead to a journey to recover the pieces of his own heart. A boy torn between “what he’s lost” and “what he must protect,” reaches the power to resist the world in this tale of rebirth and choice.

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ᯑᮘᮑᮠᮤᮕᮢ ᮿᯀᯀ

“ᮉᮟᮥ… ᮩᮟᮥ’ᮢᮕ ᮤᮘᮕ ᮠᮕᮢᮖᮕᮓᮤ ᮦᮕᮣᮣᮕᮜ ᮤᮟ ᮓᮟᮞᮤᮑᮙᮞ ᮤᮘᮕ ᮗᮢᮕᮑᮤ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗᮯ”
ᮄᮘᮕ ᮝᮑᮞ’ᮣ ᮕᮩᮕᮣᮺ ᮑᮣ ᮘᮕ ᮝᮥᮤᮤᮕᮢᮕᮔᮺ ᮧᮕᮢᮕ ᮒᮜᮟᮟᮔᮣᮘᮟᮤ ᮢᮕᮔᮼ
ᮃᮙᮑᮞ ᮓᮑᮜᮝᮜᮩ ᮣᮤᮑᮢᮕᮔ ᮒᮑᮓᮛ ᮑᮤ ᮤᮘᮕ ᮝᮑᮔᮺ ᮖᮑᮞᮑᮤᮙᮓ ᮕᮩᮕᮣ ᮖᮙᮨᮕᮔ ᮟᮞ ᮘᮙᮝᮺ ᮑᮞᮔ ᮤᮘᮟᮥᮗᮘᮤᮼ

‘ᯘᮥᮣᮤ ᮣᮜᮑᮠ ᮕᮦᮕᮢᮩ ᮤᮙᮤᮜᮕ ᮩᮟᮥ ᮓᮑᮞ ᮤᮘᮙᮞᮛ ᮟᮖ ᮟᮞ ᮝᮕᮺ ᮧᮘᮩ ᮔᮟᮞ’ᮤ ᮩᮟᮥᯍ’

ᯖᮕ ᮔᮙᮔᮞ’ᮤ ᮕᮦᮕᮞ ᮖᮕᮕᮜ ᮜᮙᮛᮕ ᮑᮢᮗᮥᮙᮞᮗᮼ
ᯔᮙᮢᮣᮤ ᮑ ᮤᮕᮑᮓᮘᮕᮢᮺ ᮤᮘᮕᮞ ᮑ ᮝᮑᮣᮤᮕᮢᮺ ᮑᮞᮔ ᮞᮟᮧ ᮑᮞ ‘ᮟᮦᮕᮢᮜᮟᮢᮔᮺ’ ᮑ ‘ᮘᮕᮢᮟ ᮟᮖ ᮤᮘᮕ ᮠᮑᮣᮤᮺ’ ᮕᮦᮕᮞ ᮤᮘᮕ ‘ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣᮼ’
ᯖᮕ’ᮔ ᮒᮕᮕᮞ ᮣᮥᮒᮚᮕᮓᮤᮕᮔ ᮤᮟ ᮣᮟ ᮝᮑᮞᮩ ᮧᮙᮜᮔ ᮗᮥᮕᮣᮣᮕᮣ ᮤᮘᮑᮤ ᮘᮕ ᮚᮥᮣᮤ ᮑᮓᮓᮕᮠᮤᮕᮔ ᮙᮤ ᮞᮟᮧᮼ

ᮀᮕᮢᮘᮑᮠᮣ ᮤᮘᮕ ᮟᮞᮜᮩ ᮖᮢᮕᮣᮘ ᮤᮘᮙᮞᮗ ᮧᮑᮣ ᮤᮘᮑᮤ ᮤᮘᮕᮩ’ᮔ ᮗᮟᮞᮕ ᮣᮟ ᮖᮑᮢ ᮑᮣ ᮤᮟ ᮝᮙᮣᮤᮑᮛᮕ ᮘᮙᮣ ᮸ᮒᮟᮔᮩ᮸ ᮖᮟᮢ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮕᮜᮣᮕᮼ

ᮃᮙᮑᮞ ᮘᮑᮔ ᮞᮟ ᮤᮙᮝᮕ ᮤᮟ ᮙᮔᮜᮩ ᮜᮙᮣᮤᮕᮞ ᮤᮟ ᮞᮟᮞᮣᮕᮞᮣᮕᮺ ᮣᮟ ᮘᮕ ᮔᮢᮕᮧ ᮥᮠᮟᮞ ᮘᮙᮣ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢ ᮤᮟ ᮡᮥᮙᮓᮛᮜᮩ ᮔᮕᮑᮜ ᮧᮙᮤᮘ ᮤᮘᮕ ᮣᮙᮤᮥᮑᮤᮙᮟᮞᮼ
ᯐᮥᮤ ᮒᮕᮖᮟᮢᮕ ᮃᮙᮑᮞ ᮓᮟᮥᮜᮔ ᮔᮟ ᮑᮞᮩᮤᮘᮙᮞᮗᮺ ᮤᮘᮕ ᮝᮑᮞ ᮑᮓᮤᮕᮔ ᮖᮙᮢᮣᮤᮼ

“ᯝᮘᮺ ᮗᮢᮕᮑᮤ ᮒᮕᮙᮞᮗᮺ ᯗ ᮘᮑᮦᮕ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮑ ᮖᮙᮤᮤᮙᮞᮗ ᮦᮕᮣᮣᮕᮜ ᮖᮟᮢ ᮩᮟᮥᮯ”

ᯔᮢᮟᮝ ᮤᮘᮕ ᮣᮕᮑᮜ ᮒᮕᮘᮙᮞᮔ ᮘᮙᮝᮺ ᮑ ᮠᮟᮧᮕᮢᮖᮥᮜ ᮗᮥᮣᮤ ᮟᮖ ᮧᮙᮞᮔ ᮕᮢᮥᮠᮤᮕᮔᮼ
ᮃᮟᮝᮕᮤᮘᮙᮞᮗ ᮤᮘᮑᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮕᮝᮙᮤᮤᮙᮞᮗ ᮑ ᮢᮕᮔᮔᮙᮣᮘ ᮗᮜᮟᮧ ᮒᮕᮗᮑᮞ ᮤᮟ ᮖᮑᮔᮕᮼ
ᮄᮘᮕᮞᮺ ᮑ ᮖᮑᮙᮞᮤ ᮒᮜᮑᮓᮛ ᮝᮙᮣᮤ ᮣᮤᮑᮢᮤᮕᮔ ᮤᮟ ᮖᮙᮜᮜ ᮤᮘᮕ ᯖᮑᮜᮜ ᮟᮖ ᮄᮕᮞ ᮄᮘᮟᮥᮣᮑᮞᮔ ᯒᮕᮝᮟᮞᮣᮼ

“ᯕᮑᮘᯍᮯ”
“ᮅᮗᮘᮯ”

ᮄᮘᮕ ᮣᮥᮢᮢᮟᮥᮞᮔᮙᮞᮗ ᮓᮥᮜᮤᮙᮣᮤᮣ ᮑᮜᮜ ᮓᮜᮥᮤᮓᮘᮕᮔ ᮤᮘᮕᮙᮢ ᮒᮟᮔᮙᮕᮣ ᮑᮣ ᮙᮖ ᮙᮞ ᮠᮑᮙᮞᮼ
ᯏ ᮠᮑᮙᮞ ᮣᮟ ᮙᮞᮤᮕᮞᮣᮕ ᮤᮘᮕᮙᮢ ᮦᮕᮙᮞᮣ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮤᮘᮕᮩ ᮧᮟᮥᮜᮔ ᮒᮥᮢᮣᮤᮼ
ᮇᮙᮤᮘ ᮕᮦᮕᮢᮩ ᮓᮕᮜᮜ ᮙᮞ ᮤᮘᮕᮙᮢ ᮒᮟᮔᮙᮕᮣ ᮣᮓᮢᮕᮑᮝᮙᮞᮗᮺ ᮤᮘᮕ ᮓᮥᮜᮤᮙᮣᮤᮣ ᮧᮢᮙᮤᮘᮕᮔ ᮟᮞ ᮤᮘᮕ ᮖᮜᮟᮟᮢᮼ

ᯑᮂᮅᯜᯑᯖᮯ

ᮄᮘᮕ ᮘᮟᮢᮢᮙᮖᮙᮓ ᮣᮟᮥᮞᮔ ᮟᮖ ᮤᮧᮙᮣᮤᮙᮞᮗ ᮒᮟᮞᮕᮣ ᮑᮞᮔ ᮤᮕᮑᮢᮙᮞᮗ ᮖᮜᮕᮣᮘ ᮖᮙᮜᮜᮕᮔ ᮤᮘᮕ ᯖᮑᮜᮜ ᮟᮖ ᮄᮕᮞ ᮄᮘᮟᮥᮣᮑᮞᮔ ᯒᮕᮝᮟᮞᮣᮼ
ᯕᮢᮟᮤᮕᮣᮡᮥᮕ ᮒᮟᮞᮕᮣ ᮣᮠᮢᮟᮥᮤᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮕᮙᮢ ᮒᮑᮓᮛᮣᮺ ᮑᮞᮔ ᮤᮘᮕ ᮠᮕᮟᮠᮜᮕ ᮒᮕᮗᮑᮞ ᮤᮢᮑᮞᮣᮖᮟᮢᮝᮙᮞᮗ ᮙᮞᮤᮟ ᮝᮟᮞᮣᮤᮕᮢᮣᮼ

ᯜᮟᮤ ᮚᮥᮣᮤ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮓᮥᮜᮤᮙᮣᮤᮣᮺ ᮒᮥᮤ ᮤᮘᮕᮙᮢ ᮜᮕᮑᮔᮕᮢᮺ ᮤᮘᮕ ᮝᮑᮞ ᮧᮘᮟ ᮣᮠᮟᮛᮕ ᮕᮑᮢᮜᮙᮕᮢᮺ ᮧᮑᮣ ᮑᮜᮣᮟ ᮥᮞᮔᮕᮢᮗᮟᮙᮞᮗ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮢᮑᮞᮣᮖᮟᮢᮝᮑᮤᮙᮟᮞᮼ
ᯖᮟᮧᮕᮦᮕᮢᮺ ᮥᮞᮜᮙᮛᮕ ᮤᮘᮕ ᮟᮤᮘᮕᮢᮣᮺ ᮘᮕ ᮧᮟᮢᮕ ᮑᮞ ᮕᮓᮣᮤᮑᮤᮙᮓ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮕᮦᮕᮞ ᮑᮣ ᮒᮜᮟᮟᮔ ᮤᮕᮑᮢᮣ ᮣᮤᮢᮕᮑᮝᮕᮔ ᮔᮟᮧᮞ ᮘᮙᮣ ᮖᮑᮓᮕᮼ

“ᯏᮘᮺ ᮤᮘᮙᮣ ᮙᮣ ᮤᮘᮕ ᮠᮟᮧᮕᮢ ᮤᮘᮕ ᯑᮢᮕᮑᮤᮟᮢ ᮝᮑᮔᮕ ᮤᮟ ᮔᮕᮣᮤᮢᮟᮩ ᮤᮘᮕ ᮧᮟᮢᮜᮔ…”

ᯏᮞᮔ ᮤᮘᮕ ᮒᮜᮑᮓᮛ ᮝᮙᮣᮤᮺ ᮒᮩᮠᮑᮣᮣᮙᮞᮗ ᮤᮘᮕ ᮓᮥᮜᮤᮙᮣᮤᮣᮺ ᮒᮕᮗᮑᮞ ᮤᮟ ᮓᮢᮕᮕᮠ ᮤᮟᮧᮑᮢᮔᮣ ᮃᮙᮑᮞᮺ ᮧᮘᮟ ᮧᮑᮣ ᮙᮞᮣᮙᮔᮕ ᮤᮘᮕ ᯖᮑᮜᮜ ᮟᮖ ᮄᮕᮞ ᮄᮘᮟᮥᮣᮑᮞᮔ ᯒᮕᮝᮟᮞᮣᮼ
ᮃᮙᮑᮞ ᮤᮢᮙᮕᮔ ᮤᮟ ᮠᮥᮜᮜ ᮒᮑᮓᮛᮺ ᮒᮥᮤ ᮤᮘᮕ ᮕᮞᮤᮢᮑᮞᮓᮕ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮣᮕᮑᮜᮕᮔ ᮒᮩ ᮑ ᮒᮑᮢᮢᮙᮕᮢᮼ

‘ᯗ ᮸ᮓᮟᮥᮜᮔ᮸ ᮗᮕᮤ ᮟᮥᮤᮺ ᮒᮥᮤ…’

ᮇᮙᮤᮘ ᮘᮙᮣ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢᮺ ᮕᮣᮓᮑᮠᮙᮞᮗ ᮧᮑᮣᮞ’ᮤ ᮑ ᮘᮥᮗᮕ ᮠᮢᮟᮒᮜᮕᮝᮼ
ᮄᮘᮕ ᮠᮢᮟᮒᮜᮕᮝ ᮧᮑᮣ ᮧᮘᮑᮤ ᮓᮑᮝᮕ ᮞᮕᮨᮤᮼ

ᯗᮖ ᮘᮕ ᮜᮕᮖᮤᮺ ᮤᮘᮕ ᮒᮜᮑᮓᮛ ᮝᮙᮣᮤ ᮧᮟᮥᮜᮔ ᮣᮥᮢᮕᮜᮩ ᮕᮣᮓᮑᮠᮕ ᮤᮘᮢᮟᮥᮗᮘ ᮤᮘᮕ ᮟᮠᮕᮞᮙᮞᮗᮼ
ᯏᮞᮔ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮙᮤ ᮜᮑᮤᮓᮘᮕᮔ ᮟᮞᮤᮟ ᮣᮟᮝᮕᮟᮞᮕᮺ ᮘᮕᮜᮜ ᮙᮤᮣᮕᮜᮖ ᮧᮟᮥᮜᮔ ᮒᮢᮕᮑᮛ ᮜᮟᮟᮣᮕᮼ

ᮃᮘᮟᮥᮜᮔᮞ’ᮤ ᮘᮕ ᮤᮢᮩ ᮤᮟ ᮣᮕᮑᮜ ᮙᮤ ᮒᮑᮓᮛ ᮥᮠ ᮘᮕᮢᮕᮺ ᮣᮟᮝᮕᮘᮟᮧᯍ
ᮄᮘᮕ ᮝᮟᮝᮕᮞᮤ ᮘᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮤᮘᮑᮤᮺ ᮤᮘᮕ ᮗᮢᮟᮤᮕᮣᮡᮥᮕᮜᮩ ᮤᮢᮑᮞᮣᮖᮟᮢᮝᮕᮔ ᮓᮥᮜᮤᮙᮣᮤᮣ ᮒᮕᮗᮑᮞ ᮤᮟ ᮝᮟᮦᮕᮼ

ᯑᮢᮕᮑᮤᮥᮢᮕᮣ ᮤᮘᮑᮤ ᮧᮕᮢᮕ ᮞᮕᮙᮤᮘᮕᮢ ᮘᮥᮝᮑᮞ ᮞᮟᮢ ᮝᮟᮞᮣᮤᮕᮢᮺ ᮤᮧᮙᮣᮤᮕᮔ ᮒᮩ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ’ᮣ ᮠᮟᮧᮕᮢᮼ

“ᯙᯏᯏᯏᮂᯕᯖᮯ”

ᮄᮘᮕᮩ ᮜᮥᮞᮗᮕᮔ ᮑᮤ ᮃᮙᮑᮞᮺ ᮜᮕᮤᮤᮙᮞᮗ ᮟᮥᮤ ᮝᮟᮞᮣᮤᮢᮟᮥᮣ ᮢᮟᮑᮢᮣᮺ ᮒᮥᮤ ᮤᮘᮕᮩ ᮧᮕᮢᮕᮞ’ᮤ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ ᮘᮙᮝᮣᮕᮜᮖᮼ
ᯏᮞᮔ ᮤᮘᮕᮩ ᮧᮕᮢᮕ ᮞᮟ ᮝᮑᮤᮓᮘ ᮖᮟᮢ ᮃᮙᮑᮞᮺ ᮧᮘᮟ ᮧᮙᮕᮜᮔᮕᮔ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢᮼ

ᯏᮣ ᮘᮕ ᮔᮕᮑᮜᮤ ᮧᮙᮤᮘ ᮤᮘᮕ ᮓᮥᮜᮤᮙᮣᮤᮣᮺ ᮧᮘᮟ ᮧᮕᮢᮕ ᮑᮜᮜ ᮒᮥᮤ ᮝᮙᮞᮔᮜᮕᮣᮣᮺ ᮤᮘᮕ ᮖᮑᮙᮞᮤ ᮝᮙᮣᮤ ᮣᮥᮢᮢᮟᮥᮞᮔᮙᮞᮗ ᮃᮙᮑᮞ ᮗᮢᮕᮧ ᮤᮘᮙᮓᮛᮕᮢᮼ
ᮄᮘᮕ ᮝᮙᮣᮤ ᮣᮧᮙᮢᮜᮕᮔ ᮑᮢᮟᮥᮞᮔ ᮘᮙᮝᮺ ᮙᮞᮤᮕᮞᮤ ᮟᮞ ᮕᮞᮗᮥᮜᮖᮙᮞᮗ ᮘᮙᮝᮼ

ᮃᮙᮑᮞ ᮗᮑ᮪ᮕᮔ ᮑᮤ ᮤᮘᮕ ᮝᮙᮣᮤᮺ ᮜᮟᮣᮤ ᮙᮞ ᮤᮘᮟᮥᮗᮘᮤᮼ

‘…ᯗᮣ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ’ᮣ ᮣᮕᮑᮜ ᮔᮙᮖᮖᮕᮢᮕᮞᮤ ᮖᮢᮟᮝ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣ’ ᮣᮕᮑᮜᯍ’

ᮅᮠ ᮥᮞᮤᮙᮜ ᮞᮟᮧᮺ ᮃᮙᮑᮞ ᮘᮑᮔ ᮑᮒᮣᮟᮢᮒᮕᮔ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣ’ ᮠᮟᮧᮕᮢ ᮣᮙᮝᮠᮜᮩ ᮒᮩ ᮤᮟᮥᮓᮘᮙᮞᮗ ᮙᮤᮼ
ᮃᮟᮺ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮘᮕ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮑᮒᮣᮟᮢᮒ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ’ᮣ ᮠᮟᮧᮕᮢᮺ ᮧᮘᮙᮓᮘ ᮟᮢᮙᮗᮙᮞᮑᮤᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣᮺ ᮙᮞ ᮑ ᮣᮙᮝᮙᮜᮑᮢ ᮧᮑᮩᯍ

ᯘᮥᮣᮤ ᮙᮞ ᮓᮑᮣᮕᮺ ᮃᮙᮑᮞ ᮓᮑᮥᮤᮙᮟᮥᮣᮜᮩ ᮕᮨᮤᮕᮞᮔᮕᮔ ᮘᮙᮣ ᮘᮑᮞᮔ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮝᮙᮣᮤᮼ
ᯏᮞᮔ ᮑᮣ ᮙᮖ ᮙᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮧᮑᮙᮤᮙᮞᮗᮺ ᮑ ᮒᮜᮑᮓᮛ ᮕᮞᮕᮢᮗᮩ ᮖᮜᮟᮧᮕᮔ ᮙᮞᮤᮟ ᮘᮙᮣ ᮘᮑᮞᮔᮼ

ᯖᮕ’ᮔ ᮠᮢᮕᮠᮑᮢᮕᮔ ᮘᮙᮣ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢ ᮑᮣ ᮑ ᮠᮢᮕᮓᮑᮥᮤᮙᮟᮞᮺ ᮚᮥᮣᮤ ᮙᮞ ᮓᮑᮣᮕᮺ
ᮒᮥᮤ ᮑᮤ ᮤᮘᮕ ᮣᮑᮝᮕ ᮤᮙᮝᮕᮺ ᮘᮙᮣ ᮦᮙᮣᮙᮟᮞ ᮧᮑᮢᮠᮕᮔᮼ

ᮻᯖᮕᮕᮘᮕᮕᮘᮕᮕᮺ ᮧᮘᮑᮤ ᮑ ᮖᮟᮟᮜᮙᮣᮘ ᮝᮟᮢᮤᮑᮜᮼ ᮄᮟ ᮤᮘᮙᮞᮛ ᮘᮕ’ᮔ ᮟᮖᮖᮕᮢ ᮘᮙᮣ ᮒᮟᮔᮩ ᮤᮟ ᮝᮕ ᮧᮙᮤᮘᮟᮥᮤ ᮑᮞᮩ ᮢᮕᮣᮙᮣᮤᮑᮞᮓᮕᮼ

ᮄᮘᮕ ᮑᮙᮢ ᮧᮑᮢᮠᮕᮔ ᮣᮤᮢᮑᮞᮗᮕᮜᮩᮺ ᮑᮞᮔ ᮑ ᮦᮟᮙᮓᮕ ᮣᮠᮟᮛᮕ ᮔᮙᮢᮕᮓᮤᮜᮩ ᮤᮟ ᮃᮙᮑᮞᮼ

ᮻᮄᮟ ᮤᮘᮙᮞᮛ ᮤᮘᮕᮢᮕ’ᮣ ᮑ ᮘᮥᮝᮑᮞ ᮧᮘᮟ ᮓᮑᮞ ᮑᮓᮓᮕᮠᮤ ᮝᮕ ᮑᮞᮔ ᮢᮕᮝᮑᮙᮞ ᮥᮞᮣᮓᮑᮤᮘᮕᮔᮼ

ᮄᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ’ᮣ ᮦᮟᮙᮓᮕ ᮝᮥᮤᮤᮕᮢᮕᮔᮺ ᮣᮟᮥᮞᮔᮙᮞᮗ ᮣᮥᮢᮠᮢᮙᮣᮕᮔᮼ
ᯓᮦᮕᮢᮩ ᮘᮥᮝᮑᮞ ᮧᮘᮟ ᮘᮑᮔ ᮕᮦᮕᮢ ᮑᮓᮓᮕᮠᮤᮕᮔ ᮘᮙᮝ ᮘᮑᮔ ᮗᮟᮞᮕ ᮝᮑᮔᮺ ᮩᮕᮤ ᮃᮙᮑᮞ ᮣᮘᮟᮧᮕᮔ ᮞᮟ ᮣᮥᮓᮘ ᮣᮙᮗᮞᮣᮼ
ᯓᮦᮕᮞ ᮤᮘᮕ ᮓᮥᮜᮤᮙᮣᮤᮣᮺ ᮑᮞᮔ ᯙᮑᮦᮕᮜᮜᮟᮞᮺ ᮧᮘᮟ ᮧᮑᮣ ᮡᮥᮙᮤᮕ ᮣᮛᮙᮜᮜᮕᮔᮺ ᮘᮑᮔ ᮤᮘᮕᮙᮢ ᮝᮙᮞᮔᮣ ᮣᮘᮑᮤᮤᮕᮢᮕᮔ ᮒᮩ ᮑᮓᮓᮕᮠᮤᮙᮞᮗ ᮟᮞᮜᮩ ᮑ ᮖᮢᮑᮓᮤᮙᮟᮞ ᮟᮖ ᮘᮙᮣ ᮠᮟᮧᮕᮢᮼ

ᮻᯗᮞᮔᮕᮕᮔᮺ ᮑ ᮖᮙᮞᮕ ᮒᮟᮔᮩ ᮘᮑᮣ ᮒᮕᮕᮞ ᮠᮢᮕᮠᮑᮢᮕᮔ—

ᮄᮘᮕ ᮝᮥᮤᮤᮕᮢᮙᮞᮗ ᮦᮟᮙᮓᮕ ᮑᮒᮢᮥᮠᮤᮜᮩ ᮣᮤᮟᮠᮠᮕᮔᮼ
ᯐᮕᮓᮑᮥᮣᮕ ᮙᮤ ᮘᮑᮔ ᮣᮕᮞᮣᮕᮔ ᮤᮘᮕ ᮦᮑᮣᮤ ᮠᮟᮧᮕᮢᮺ ᮤᮘᮕ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢᮺ ᮧᮙᮤᮘᮙᮞ ᮃᮙᮑᮞᮼ

ᮄᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ ᮧᮑᮣ ᮒᮕᮧᮙᮜᮔᮕᮢᮕᮔᮼ
ᯗᮤ ᮓᮘᮕᮓᮛᮕᮔ ᮢᮕᮠᮕᮑᮤᮕᮔᮜᮩᮺ ᮧᮟᮞᮔᮕᮢᮙᮞᮗ ᮙᮖ ᮃᮙᮑᮞ ᮧᮑᮣ ᮑ ᯖᮕᮢᮟᮺ ᮟᮢ ᮠᮕᮢᮘᮑᮠᮣ ᮒᮜᮕᮣᮣᮕᮔ ᮒᮩ ᮑ ᮗᮟᮔᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣᮞ’ᮤ ᮑ ᮒᮜᮕᮣᮣᮙᮞᮗ—ᮙᮤ ᮧᮑᮣ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢ ᮙᮤᮣᮕᮜᮖᮼ

ᯒᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢ ᮧᮑᮣ ᮑ ᮖᮟᮢᮓᮕ ᮖᮟᮢᮒᮙᮔᮔᮕᮞ ᮤᮟ ᮘᮥᮝᮑᮞᮣᮼ
ᮃᮟ ᮘᮟᮧ ᮓᮟᮥᮜᮔ ᮑ ᮝᮕᮢᮕ ᮘᮥᮝᮑᮞ ᮠᮟᮣᮣᮕᮣᮣ ᮣᮥᮓᮘ ᮠᮟᮧᮕᮢᯍ
ᯏᮞᮔ ᮧᮘᮑᮤ’ᮣ ᮝᮟᮢᮕᮺ

ᮻᯖᮻᮘᮟᮧ ᮙᮣ ᮤᮘᮙᮣ ᮠᮟᮣᮣᮙᮒᮜᮕᯍ

ᮄᮘᮕ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢ ᮙᮤ ᮣᮕᮞᮣᮕᮔ ᮑᮝᮙᮔᮣᮤ ᮤᮘᮕ ᮦᮑᮣᮤᮺ ᮟᮓᮕᮑᮞᮻᮜᮙᮛᮕ ᮖᮟᮢᮓᮕ ᮧᮑᮣᮞ’ᮤ ᮝᮕᮢᮕᮜᮩ ᮤᮘᮕ ᮠᮟᮧᮕᮢ ᮟᮖ ᮣᮟᮝᮕ ᮝᮙᮞᮟᮢ ᮔᮕᮙᮤᮩᮼ
ᯗᮤ ᮧᮑᮣ ᮤᮘᮕ ᮠᮟᮧᮕᮢ ᮟᮖ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣᮺ ᮧᮘᮟ ᮘᮑᮔ ᮓᮢᮕᮑᮤᮕᮔ ᮙᮤ ᮤᮟ ᮔᮕᮣᮤᮢᮟᮩ ᮤᮘᮕ ᮧᮟᮢᮜᮔᮼ
ᮇᮘᮩ ᮧᮑᮣ ᮸ᮤᮘᮑᮤ᮸ ᮠᮟᮧᮕᮢ ᮔᮟᮢᮝᮑᮞᮤ ᮧᮙᮤᮘᮙᮞ ᮃᮙᮑᮞᯍ

ᮂᮕᮑᮜᮙ᮪ᮙᮞᮗ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮧᮑᮣ ᮤᮕᮢᮢᮙᮒᮜᮩ ᮧᮢᮟᮞᮗᮺ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ ᮤᮢᮙᮕᮔ ᮤᮟ ᮕᮣᮓᮑᮠᮕᮼ
ᯐᮥᮤ ᮙᮞᮣᮤᮕᮑᮔ ᮟᮖ ᮕᮣᮓᮑᮠᮙᮞᮗᮺ ᮙᮤ ᮧᮑᮣ ᮠᮥᮜᮜᮕᮔ ᮔᮕᮕᮠᮕᮢ ᮙᮞᮤᮟ ᮃᮙᮑᮞᮺ ᮑᮣ ᮙᮖ ᮓᮑᮥᮗᮘᮤ ᮒᮩ ᮑᮞ ᮥᮞᮣᮕᮕᮞ ᮖᮟᮢᮓᮕᮼ

ᮻᯕᮻᮗᮥᮘᮯᯍ

ᯏᮞ ᮙᮢᮢᮕᮣᮙᮣᮤᮙᮒᮜᮕᮺ ᮙᮝᮝᮕᮞᮣᮕ ᮠᮟᮧᮕᮢ ᮧᮑᮣ ᮔᮢᮑᮗᮗᮙᮞᮗ ᮙᮤ ᮙᮞᮼ
ᮄᮢᮑᮠᮠᮕᮔ ᮧᮙᮤᮘᮙᮞ ᮃᮙᮑᮞ’ᮣ ᮒᮟᮔᮩᮺ ᮑᮞ ᮥᮞᮤᮟᮥᮓᮘᮑᮒᮜᮕ ᮠᮟᮧᮕᮢ ᮧᮑᮣ ᮓᮜᮟᮣᮙᮞᮗ ᮙᮞ ᮤᮟ ᮕᮜᮙᮝᮙᮞᮑᮤᮕ ᮤᮘᮕ ᮙᮞᮤᮢᮥᮔᮕᮢᮼ

ᮻᮇᮻᮧᮑᮙᮤᮺ ᮚᮥᮣᮤ ᮑ ᮝᮟᮝᮕᮞᮤ…ᮯ

ᯗᮤ ᮤᮢᮙᮕᮔ ᮤᮟ ᮢᮕᮣᮙᮣᮤᮺ ᮒᮥᮤ ᮕᮦᮕᮞ ᮑ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ ᮓᮟᮥᮜᮔᮞ’ᮤ ᮠᮟᮣᮣᮙᮒᮜᮩ ᮣᮤᮑᮞᮔ ᮑᮗᮑᮙᮞᮣᮤ ᮤᮘᮕ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢ ᮟᮖ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣᮼ
ᯏᮣ ᮑ ᮓᮟᮜᮟᮣᮣᮑᮜ ᮧᮑᮦᮕ ᮤᮘᮢᮕᮑᮤᮕᮞᮕᮔ ᮤᮟ ᮕᮞᮗᮥᮜᮖ ᮙᮤᮺ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ ᮓᮢᮙᮕᮔ ᮟᮥᮤ ᮔᮕᮣᮠᮕᮢᮑᮤᮕᮜᮩᮼ

ᮻᮀᮻᮠᮜᮕᮑᮣᮕᮺ ᮧᮑᮙᮤ ᮑ ᮝᮟᮝᮕᮞᮤᮯ ᯗᮤ’ᮣ ᮝᮕᮯ ᮉᮟᮥᮢ ᮜᮟᮩᮑᮜ ᮣᮕᮢᮦᮑᮞᮤᮯ

ᯓᮦᮕᮢᮩᮤᮘᮙᮞᮗ ᮧᮑᮣ ᮙᮞᮓᮟᮝᮠᮢᮕᮘᮕᮞᮣᮙᮒᮜᮕᮼ
ᮄᮘᮑᮤ ᮑ ᮝᮕᮢᮕ ᮘᮥᮝᮑᮞ ᮠᮟᮣᮣᮕᮣᮣᮕᮔ ᮤᮘᮕ ᮠᮟᮧᮕᮢ ᮟᮖ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣᮼ
ᮄᮘᮑᮤ ᮘᮕ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮥᮞᮣᮓᮑᮤᮘᮕᮔ ᮔᮕᮣᮠᮙᮤᮕ ᮧᮙᮕᮜᮔᮙᮞᮗ ᮤᮘᮑᮤ ᮠᮟᮧᮕᮢᮼ
ᯏᮞᮔ ᮤᮘᮑᮤ ᮤᮘᮕ ᮦᮕᮢᮩ ᮠᮟᮧᮕᮢ ᮖᮢᮟᮝ ᮧᮘᮙᮓᮘ ᮙᮤ ᮧᮑᮣ ᮒᮟᮢᮞ ᮧᮑᮣ ᮞᮟᮧ ᮤᮢᮩᮙᮞᮗ ᮤᮟ ᮔᮕᮦᮟᮥᮢ ᮙᮤᮼ

“……”

ᮃᮙᮑᮞᮺ ᮧᮘᮟ ᮘᮑᮔ ᮒᮕᮕᮞ ᮔᮢᮑᮧᮙᮞᮗ ᮟᮞ ᮘᮙᮣ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢ ᮤᮟ ᮕᮜᮙᮝᮙᮞᮑᮤᮕ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗᮺ ᮠᮑᮥᮣᮕᮔᮼ

ᮄᮘᮕ ᮟᮤᮘᮕᮢ ᮠᮑᮢᮤᮩ ᮧᮑᮣ ᮠᮢᮑᮓᮤᮙᮓᮑᮜᮜᮩ ᮗᮢᮟᮦᮕᮜᮙᮞᮗᮺ ᮤᮑᮛᮙᮞᮗ ᮑ ᮣᮥᮒᮣᮕᮢᮦᮙᮕᮞᮤ ᮣᮤᮑᮞᮓᮕᮺ ᮑᮞᮔ ᮃᮙᮑᮞ ᮤᮘᮟᮥᮗᮘᮤ ᮘᮕ ᮝᮙᮗᮘᮤ ᮒᮕ ᮑᮒᮜᮕ ᮤᮟ ᮕᮨᮤᮢᮑᮓᮤ ᮣᮟᮝᮕ ᮙᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞ ᮑᮒᮟᮥᮤ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣᮼ

‘ᯖᮝᮝᮺ ᮝᮑᮩᮒᮕ ᯗ ᮣᮘᮟᮥᮜᮔ ᮠᮢᮕᮤᮕᮞᮔ ᮤᮟ ᮒᮕ ᮤᮘᮕ ᮢᮕᮑᮜ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣ ᮖᮟᮢ ᮞᮟᮧᮼ’

ᮃᮙᮑᮞ ᮢᮕᮝᮑᮙᮞᮕᮔ ᮜᮟᮣᮤ ᮙᮞ ᮤᮘᮟᮥᮗᮘᮤ ᮖᮟᮢ ᮑ ᮝᮟᮝᮕᮞᮤᮼ
ᮀᮕᮢᮘᮑᮠᮣ ᮣᮕᮞᮣᮙᮞᮗ ᮘᮙᮣ ᮘᮕᮣᮙᮤᮑᮤᮙᮟᮞᮺ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ ᮓᮟᮞᮤᮙᮞᮥᮕᮔᮼ

ᮻᯒᮟᮞ’ᮤ ᮩᮟᮥ ᮢᮕᮝᮕᮝᮒᮕᮢᯍᮯ ᯗ ᮑᮝ ᮤᮘᮕ ᮒᮕᮙᮞᮗ ᮩᮟᮥ ᮠᮕᮢᮣᮟᮞᮑᮜᮜᮩ ᮓᮢᮕᮑᮤᮕᮔ ᮕᮦᮕᮞ ᮧᮘᮙᮜᮕ ᮣᮕᮑᮜᮕᮔᮺ ᮩᮟᮥᮢ ᮣᮘᮑᮔᮟᮧ ᮝᮕᮑᮞᮤ ᮤᮟ ᮒᮢᮙᮞᮗ ᮑᮞ ᮕᮞᮔ ᮤᮟ ᮤᮘᮙᮣ ᮧᮟᮢᮜᮔ ᮑᮞᮔ ᮥᮣᮘᮕᮢ ᮙᮞ ᮑ ᮞᮕᮧ ᮕᮢᮑᮯ

ᯗᮞ ᮤᮢᮥᮤᮘᮺ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ’ᮣ ᮧᮟᮢᮔᮣ ᮧᮕᮢᮕ ᮣᮜᮙᮗᮘᮤᮜᮩ ᮝᮙᮣᮤᮑᮛᮕᮞᮼ
ᯗᮤ ᮒᮕᮜᮙᮕᮦᮕᮔ ᮙᮤᮣᮕᮜᮖ ᮤᮟ ᮒᮕ ᮑ ᮔᮙᮢᮕᮓᮤ ᮓᮢᮕᮑᮤᮙᮟᮞ ᮟᮖ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣ ᮝᮕᮢᮕᮜᮩ ᮑ ᮒᮕᮙᮞᮗ ᮒᮟᮢᮞ ᮖᮢᮟᮝ ᮤᮘᮕ ᮟᮦᮕᮢᮖᮜᮟᮧᮙᮞᮗ ᮠᮟᮧᮕᮢ ᮟᮖ ᮤᮘᮕ ᮣᮕᮑᮜᮕᮔ ᮔᮕᮙᮤᮩᮼ

ᯐᮟᮢᮞ ᮖᮢᮟᮝ ᮤᮘᮑᮤ ᮟᮦᮕᮢᮖᮜᮟᮧᮙᮞᮗ ᮠᮟᮧᮕᮢᮺ ᮑᮞᮔ ᮒᮕᮓᮑᮥᮣᮕ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣ’ ᮠᮟᮧᮕᮢ ᮘᮑᮢᮒᮟᮢᮕᮔ ᮢᮕᮣᮕᮞᮤᮝᮕᮞᮤ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮧᮟᮢᮜᮔ ᮤᮘᮑᮤ ᮘᮑᮔ ᮣᮕᮑᮜᮕᮔ ᮙᮤᮺ
ᮙᮤ ᮘᮑᮔ ᮣᮙᮝᮠᮜᮩ ᮙᮞᮘᮕᮢᮙᮤᮕᮔ ᮤᮘᮑᮤ ᮧᮙᮜᮜᮼ

ᮄᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ ᮧᮑᮣ ᮝᮟᮢᮕ ᮠᮟᮧᮕᮢᮖᮥᮜ ᮤᮘᮑᮞ ᮟᮤᮘᮕᮢ ᮔᮙᮣᮑᮣᮤᮕᮢᮣ ᮑᮞᮔ ᮠᮟᮣᮣᮕᮣᮣᮕᮔ ᮑ ᮓᮜᮕᮑᮢ ᮧᮙᮜᮜ ᮤᮟ ᮔᮕᮣᮤᮢᮟᮩ ᮤᮘᮕ ᮧᮟᮢᮜᮔ ᮧᮑᮣ ᮤᮘᮑᮤ ᮙᮤ ᮘᮑᮔ ᮒᮕᮕᮞ ᮒᮟᮢᮞ ᮖᮢᮟᮝ ᮑ ᮗᮢᮕᮑᮤᮕᮢ ᮑᮝᮟᮥᮞᮤ ᮟᮖ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢᮺ ᮑᮜᮟᮞᮗ ᮧᮙᮤᮘ ᮤᮘᮑᮤ ᮦᮕᮢᮩ ᮧᮙᮜᮜᮼ

ᮃᮙᮑᮞᮺ ᮘᮑᮦᮙᮞᮗ ᮓᮟᮞᮦᮕᮢᮣᮕᮔ ᮧᮙᮤᮘ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗᮺ ᮧᮑᮣ ᮑᮒᮜᮕ ᮤᮟ ᮓᮟᮞᮖᮙᮢᮝ ᮤᮘᮙᮣᮼ
ᯏᮖᮤᮕᮢ ᮖᮙᮞᮙᮣᮘᮙᮞᮗ ᮤᮘᮕᮙᮢ ᮕᮨᮓᮘᮑᮞᮗᮕᮺ ᮃᮙᮑᮞ ᮖᮕᮜᮜ ᮙᮞᮤᮟ ᮤᮘᮟᮥᮗᮘᮤᮼ

ᮄᮘᮕ ᮗᮟᮔᮣ ᮘᮑᮔ ᮒᮕᮤᮢᮑᮩᮕᮔ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣᮺ ᮤᮕᮑᮢᮙᮞᮗ ᮙᮤᮣ ᮠᮟᮧᮕᮢ ᮙᮞᮤᮟ ᮝᮑᮞᮩ ᮖᮢᮑᮗᮝᮕᮞᮤᮣ ᮑᮞᮔ ᮣᮕᮑᮜᮙᮞᮗ ᮤᮘᮕᮝ ᮑᮓᮢᮟᮣᮣ ᮤᮘᮕ ᮧᮟᮢᮜᮔᮼ
ᯓᮦᮕᮞ ᮤᮘᮟᮥᮗᮘ ᮃᮙᮑᮞ ᮘᮑᮔ ᮤᮢᮑᮦᮕᮜᮕᮔ ᮤᮟ ᮦᮑᮢᮙᮟᮥᮣ ᮣᮕᮑᮜᮣ ᮑᮞᮔ ᮑᮒᮣᮟᮢᮒᮕᮔ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢᮺ ᮘᮕ ᮘᮑᮔᮞ’ᮤ ᮣᮕᮞᮣᮕᮔ ᮑᮞᮩᮤᮘᮙᮞᮗ ᮕᮜᮣᮕᮼ

‘ᯑᮟᮥᮜᮔ ᮙᮤ ᮒᮕ…’

ᮄᮘᮕ ‘ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮕᮜᮣᮕ’ ᮃᮙᮑᮞ ᮧᮑᮣ ᮤᮘᮙᮞᮛᮙᮞᮗ ᮟᮖ ᮧᮑᮣ ᮤᮘᮕ ‘ᮓᮟᮞᮣᮓᮙᮟᮥᮣᮞᮕᮣᮣ’ ᮟᮖ ᮤᮘᮕ ᮣᮕᮑᮜᮕᮔ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣᮼ

ᮄᮘᮕᮩ ᮘᮑᮔ ᮤᮟᮢᮞ ᮑᮠᮑᮢᮤ ᮑᮞᮔ ᮣᮕᮑᮜᮕᮔ ᮤᮘᮕ ᮙᮝᮝᮕᮞᮣᮕ ᮠᮟᮧᮕᮢᮺ ᮒᮥᮤ ᮣᮥᮢᮕᮜᮩ ᮤᮘᮕᮩ ᮧᮟᮥᮜᮔᮞ’ᮤ ᮘᮑᮦᮕ ᮣᮕᮑᮜᮕᮔ ᮸ᮟᮞᮜᮩ᮸ ᮤᮘᮕ ᮠᮟᮧᮕᮢᮼ
ᯗᮖ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣ ᮧᮑᮣ ᮣᮕᮑᮜᮕᮔᮺ ᮙᮤᮣ ᮓᮟᮞᮣᮓᮙᮟᮥᮣᮞᮕᮣᮣ ᮝᮥᮣᮤ ᮑᮜᮣᮟ ᮒᮕ ᮔᮟᮢᮝᮑᮞᮤ ᮧᮙᮤᮘᮙᮞ ᮟᮞᮕ ᮟᮖ ᮤᮘᮕ ᮣᮕᮑᮜᮣᮼ
ᯗᮖ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣ’ ᮓᮟᮞᮣᮓᮙᮟᮥᮣᮞᮕᮣᮣ ᮘᮑᮔ ᮒᮕᮕᮞ ᮝᮙᮨᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮦᮑᮢᮙᮟᮥᮣ ᮣᮕᮑᮜᮣᮺ ᮃᮙᮑᮞ ᮧᮟᮥᮜᮔ ᮘᮑᮦᮕ ᮖᮕᮜᮤ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ ᮑᮜᮙᮕᮞ ᮔᮥᮢᮙᮞᮗ ᮤᮘᮕ ᮑᮒᮣᮟᮢᮠᮤᮙᮟᮞ ᮠᮢᮟᮓᮕᮣᮣᮼ

ᯐᮥᮤ ᮔᮕᮣᮠᮙᮤᮕ ᮑᮒᮣᮟᮢᮒᮙᮞᮗ ᮑᮜᮜ ᮣᮟᮢᮤᮣ ᮟᮖ ᮠᮟᮧᮕᮢᮺ ᮤᮘᮕ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮝᮟᮦᮕᮔ ᮧᮙᮤᮘ ᮑ ᮧᮙᮜᮜ ᮟᮤᮘᮕᮢ ᮤᮘᮑᮞ ᮘᮙᮣ ᮟᮧᮞᮺ ᮞᮟᮢ ᮘᮑᮔ ᮙᮤ ᮕᮦᮕᮢ ᮣᮠᮟᮛᮕᮞ ᮤᮟ ᮘᮙᮝᮼ
ᮃᮥᮓᮘ ᮑ ᮤᮘᮙᮞᮗ ᮘᮑᮔ ᮞᮕᮦᮕᮢ ᮘᮑᮠᮠᮕᮞᮕᮔᮼ

ᮻᯗ ᮔᮟᮞ’ᮤ ᮛᮞᮟᮧ ᮧᮘᮕᮞ ᮩᮟᮥ ᮒᮢᮟᮛᮕ ᮖᮢᮕᮕ ᮖᮢᮟᮝ ᮩᮟᮥᮢ ᮣᮕᮑᮜᮺ ᮒᮥᮤ ᮙᮖ ᮩᮟᮥ ᮗᮢᮑᮞᮤ ᮝᮕ ᮑ ᮞᮕᮧ ᮒᮟᮔᮩᮺ ᯗ ᮧᮙᮜᮜ ᮖᮟᮜᮜᮟᮧ ᮩᮟᮥᮢ ᮧᮙᮜᮜ ᮑᮞᮔ…ᮯ

ᮄᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ ᮓᮟᮞᮤᮙᮞᮥᮕᮔ ᮤᮟ ᮒᮑᮒᮒᮜᮕᮺ ᮒᮥᮤ ᮃᮙᮑᮞ ᮘᮑᮔ ᮑᮜᮢᮕᮑᮔᮩ ᮕᮨᮤᮢᮑᮓᮤᮕᮔ ᮑᮜᮜ ᮤᮘᮕ ᮙᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞ ᮘᮕ ᮧᮑᮞᮤᮕᮔᮼ
ᮄᮘᮕᮢᮕᮖᮟᮢᮕᮺ ᮃᮙᮑᮞ ᮥᮣᮕᮔ ᮘᮙᮣ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢ ᮤᮟ ᮔᮕᮦᮟᮥᮢ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗᮼ

ᮻᮇᮻᮧᮘᮩᯍ

ᮄᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ ᮝᮥᮤᮤᮕᮢᮕᮔᮺ ᮑᮣ ᮙᮖ ᮥᮞᮑᮒᮜᮕ ᮤᮟ ᮓᮟᮝᮠᮢᮕᮘᮕᮞᮔ ᮧᮘᮩ ᮙᮤᮣ ᮟᮧᮞ ᮓᮢᮕᮑᮤᮟᮢ ᮧᮑᮣ ᮛᮙᮜᮜᮙᮞᮗ ᮙᮤᮼ
ᮃᮙᮑᮞ ᮜᮕᮤ ᮟᮥᮤ ᮑ ᮣᮝᮑᮜᮜ ᮜᮑᮥᮗᮘ ᮑᮤ ᮙᮤᮣ ᮓᮟᮞᮖᮥᮣᮙᮟᮞ ᮑᮞᮔ ᮝᮥᮢᮝᮥᮢᮕᮔ ᮣᮟᮖᮤᮜᮩᮼ

“ᯒᮟ ᯗ ᮣᮤᮙᮜᮜ ᮜᮟᮟᮛ ᮜᮙᮛᮕ ᮩᮟᮥᮢ ᮓᮢᮕᮑᮤᮟᮢᯍ”
ᮻᯜᮻᮞᮟ ᮧᮑᮩ…ᮯ

ᯗᮤᮣ ᮦᮟᮙᮓᮕ ᮣᮥᮗᮗᮕᮣᮤᮕᮔ ᮙᮤ ᮘᮑᮔ ᮢᮕᮑᮜᮙ᮪ᮕᮔ ᮙᮤᮣ ᮝᮙᮣᮓᮟᮞᮓᮕᮠᮤᮙᮟᮞᮺ ᮒᮥᮤ ᮙᮤ ᮧᮑᮣ ᮑᮜᮢᮕᮑᮔᮩ ᮤᮟᮟ ᮜᮑᮤᮕᮼ
ᮄᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ’ᮣ ᮕᮨᮙᮣᮤᮕᮞᮓᮕ ᮒᮕᮗᮑᮞ ᮤᮟ ᮦᮑᮞᮙᮣᮘᮺ ᮓᮟᮞᮣᮥᮝᮕᮔ ᮒᮩ ᮔᮙᮦᮙᮞᮕ ᮠᮟᮧᮕᮢᮼ

“……”

ᯔᮙᮞᮑᮜᮜᮩᮺ ᮣᮙᮜᮕᮞᮓᮕ ᮖᮕᮜᮜᮺ ᮑᮞᮔ ᮃᮙᮑᮞ ᮜᮟᮟᮛᮕᮔ ᮑᮢᮟᮥᮞᮔᮼ
ᯏᮜᮜ ᮑᮢᮟᮥᮞᮔ ᮘᮙᮝ ᮜᮑᮩ ᮓᮥᮜᮤᮙᮣᮤᮣ ᮧᮘᮟ ᮘᮑᮔ ᮓᮟᮜᮜᮑᮠᮣᮕᮔᮺ ᮥᮞᮑᮒᮜᮕ ᮤᮟ ᮧᮙᮤᮘᮣᮤᮑᮞᮔ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ’ᮣ ᮠᮟᮧᮕᮢᮼ
ᮃᮙᮑᮞ ᮜᮕᮖᮤ ᮤᮘᮕᮝ ᮒᮕᮘᮙᮞᮔ ᮑᮞᮔ ᮘᮕᮑᮔᮕᮔ ᮔᮕᮕᮠᮕᮢ ᮙᮞᮤᮟ ᮤᮘᮕ ᯖᮑᮜᮜ ᮟᮖ ᮄᮕᮞ ᮄᮘᮟᮥᮣᮑᮞᮔ ᯒᮕᮝᮟᮞᮣᮼ

ᮄᮟ ᮓᮟᮞᮖᮙᮢᮝ ᮧᮘᮑᮤ ᮘᮕ ᮘᮑᮔ ᮣᮥᮣᮠᮕᮓᮤᮕᮔᮼ

ᮄᮘᮕ ᮢᮕᮑᮣᮟᮞ ᮤᮘᮕ ᯒᮕᮝᮟᮞ ᯙᮙᮞᮗ ᮧᮑᮣ ᮒᮟᮢᮞ ᮝᮟᮢᮕ ᮠᮟᮧᮕᮢᮖᮥᮜ ᮤᮘᮑᮞ ᮟᮤᮘᮕᮢ ᮔᮙᮣᮑᮣᮤᮕᮢᮣᮺ ᮑᮞᮔ ᮧᮘᮩ ᮙᮤ ᮔᮙᮢᮕᮓᮤᮜᮩ ᮘᮑᮢᮒᮟᮢᮕᮔ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣ’ ᮢᮕᮣᮕᮞᮤᮝᮕᮞᮤ ᮤᮟᮧᮑᮢᮔᮣ ᮤᮘᮕ ᮓᮥᮢᮢᮕᮞᮤ ᮧᮟᮢᮜᮔᮼ

‘ᮀᮕᮢᮘᮑᮠᮣ ᮤᮘᮑᮤ’ᮣ ᮒᮕᮓᮑᮥᮣᮕ…’

ᯗᮤ ᮧᮑᮣ ᮓᮜᮟᮣᮕᮣᮤ ᮤᮟ ᮤᮘᮕ ᮠᮜᮑᮓᮕ ᮧᮘᮕᮢᮕ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣ’ ᮧᮙᮜᮜ ᮧᮑᮣ ᮣᮕᮑᮜᮕᮔᮺ ᮑᮝᮟᮞᮗ ᮑᮜᮜ ᮤᮘᮕ ᮣᮕᮑᮜᮣ ᮣᮓᮑᮤᮤᮕᮢᮕᮔ ᮑᮓᮢᮟᮣᮣ ᮤᮘᮕ ᮧᮟᮢᮜᮔᯍ

ᯗᮞ ᮟᮤᮘᮕᮢ ᮧᮟᮢᮔᮣᮺ ᮤᮘᮙᮣ ᮦᮕᮢᮩ ᮠᮜᮑᮓᮕᮺ ᮛᮞᮟᮧᮞ ᮑᮣ ᮤᮘᮕ ᯖᮑᮜᮜ ᮟᮖ ᮄᮕᮞ ᮄᮘᮟᮥᮣᮑᮞᮔ ᯒᮕᮝᮟᮞᮣᮺ ᮧᮑᮣ ᮤᮘᮕ ‘ᮘᮕᮑᮢᮤ’ ᮟᮖ ᮑᮜᮜ ᮤᮘᮕ ᮣᮕᮑᮜᮣ ᮑᮓᮢᮟᮣᮣ ᮤᮘᮕ ᮧᮟᮢᮜᮔᮺ ᮧᮘᮕᮢᮕ ᮤᮘᮕ ᯕᮟᮔ ᮟᮖ ᯕᮟᮔᮣ’ ᮧᮙᮜᮜ ᮧᮑᮣ ᮙᮝᮠᮢᮙᮣᮟᮞᮕᮔᮼ

ᯏᮞᮔ ᮣᮟᮺ ᮃᮙᮑᮞ ᮦᮕᮞᮤᮥᮢᮕᮔ ᮙᮞᮤᮟ ᮤᮘᮕ ᮔᮕᮕᮠᮕᮣᮤ ᮠᮑᮢᮤ ᮟᮖ ᮤᮘᮕ ᯖᮑᮜᮜ ᮟᮖ ᮄᮕᮞ ᮄᮘᮟᮥᮣᮑᮞᮔ ᯒᮕᮝᮟᮞᮣᮼ

“…ᮄᮘᮙᮣ ᮙᮣ ᮙᮤᮼ”

ᮄᮘᮕᮢᮕᮺ ᯗ ᮓᮟᮥᮜᮔ ᮖᮕᮕᮜ ᮙᮤᮼ
ᮄᮘᮕ ᮣᮕᮑᮜ ᮟᮖ ᮤᮘᮕ ᯕᮟᮔᮼ

Reiki

A new town. A new school. And then, a fleeting blue light appeared beyond the mountains. One day, 17-year-old Asakura Alex encounters a strange fate while chasing a mysterious girl from his class. An invisible phenomenon, a mysterious power that connects life: “Reiki.” And ten girls, broken yet strong. They cannot lead “normal lives.” Each carries deep wounds, trapped in their past, living with a “power” that should not exist in this world. Without knowing why or how, Alex chooses to “save” them. Little does he know that this will lead to a journey to recover the pieces of his own heart. A boy torn between “what he’s lost” and “what he must protect,” reaches the power to resist the world in this tale of rebirth and choice.

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