Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 12

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ႤႸႵ ჃჅႾ ႲႼႱ჊ႵႴ ႸႹႷႸლ ႱႾႴ ႴჅႵ ჄႿ ჃႿႽႵႿႾႵ’Ⴣ Ⴟ჆ႵჂჃႹႷႸჄლ ႹჄჃ ჃႳႿჂႳႸႹႾႷ ჂႱ჉Ⴣ ჃႼႹჀჀႵႴ ჄႸჂႿჅႷႸ ჄႸႵ ჅႾႳႼႿჃႵႴ ႳჅჂჄႱႹႾჃლ ႼႱႾႴႹႾႷ ჃჁჅႱჂႵႼ჉ ႿႾ Ⴑ ႶႿ჈ ჄႱႹႼნ

ჯႲႱႾႴႿႾႵႴ ႱႾႴ Ⴕ჈ჀႿჃႵႴლ ჄႸႵ ჄႱႹႼ ჃჇႱ჉ႵႴ ႼႵႶჄ ႱႾႴ ჂႹႷႸჄლ ႱჄჄႵႽჀჄႹႾႷ ჄႿ ႵჃႳႱჀႵ ჄႸႹჃ ႳჂჅႵႼ ჀჅႾႹჃႸႽႵႾჄ ႿႶ ჂႵႼႵႾჄႼႵჃჃ ჃჅႾႼႹႷႸჄნ ႩႵჄ ჇႸႵჂႵ჆ႵჂ ႹჄ ႽႿ჆ႵႴლ ჄႸႵ ႼႹႷႸჄ ႶႿႼႼႿჇႵႴლ ႼႵႱ჆ႹႾႷ ႹჄ ႾႿ ႳႸႿႹႳႵ ႲჅჄ ჄႿ ႸႵႼჀႼႵჃჃႼ჉ ჃჇႱჄ ႱჄ ႹჄჃ ႿჇႾႵჂ’Ⴣ ჀႵჄႹჄႵ ႶჂႱႽႵლ ჄჂ჉ႹႾႷ ჄႿ ჂႿჅჃႵ ჄႸႵ ჃႼჅႷႷႹჃႸ ႷႹჂႼ ႶჂႿႽ ႸႵჂ ჃႼჅႽႲႵჂნ

ႨჅ ჼႹႱႾ ႼႵჄ ႿჅჄ Ⴑ ႽჅႶႶႼႵႴ ႷჂႿႱႾლ ႸႵჂ Ⴕ჉ႵჃ ჃჄႹႼႼ ჃႸჅჄლ ႱႾႴ ჇႹჄႸ Ⴑ ႳႱჃჅႱႼ ႶႼႹႳႻ ႿႶ ႸႵჂ ႸႱႾႴლ ჃႸႵ ႲႱჄჄႵႴ ჄႸႵ ႴႹჃႿႲႵႴႹႵႾჄ ჄႱႹႼ ႱჃႹႴႵნ

ႤႸႵ ჄႱႹႼ ႾႿჇ ႴႱႾႷႼႵႴ ႸႱႼႶჇႱ჉ ႿႶႶ ჄႸႵ ႲႵႴლ ႲႱჂႵႼ჉ ႳႼႹႾႷႹႾႷ ჄႿ ჄႸႵ ႵႴႷႵლ ႹჄჃ ႿჇႾႵჂ ႾႿႾႵ ჄႸႵ ჇႹჃႵჂნ

ჯჄ ႼႵႱჃჄლ ႾႿჄ ჅႾჄႹႼ ჄႸႵ ჃჅႾ ႲႵႷႱႾ ჂႿႱჃჄႹႾႷ ႸႵჂ ႲႱႳႻჃႹႴႵნ

ჽႾႼ჉ ჄႸႵႾ ႴႹႴ ႨჅ ჼႹႱႾ ႶႹႾႱႼႼ჉ ჃჄႹჂლ ჂჅႲႲႹႾႷ ႸႵჂ ჃჄႹႼႼმႷჂႿႷႷ჉ ჆ჅႼჀႹႾႵ Ⴕ჉ႵჃლ ႸႵჂ ჆ႹჃႹႿႾ ႶႱჂ ႶჂႿႽ ႳႼႵႱჂნ

ა჻ႿჂႾႹႾႷლ ႡႹႾႷ჉Ⴑნა

ႤႸႵ ჀႵჂჃႿႾ ჃႸႵ ႳႱႼႼႵႴ ႿჅჄ ჄႿ ႷႱ჆Ⴕ ႾႿ ჂႵჃჀႿႾჃႵლ ჃჄႹႼႼ ႼႿჃჄ ႹႾ ႴჂႵႱႽჃლ ჅႾႱჇႱჂႵ ႿႶ ჄႸႵ ჇႱႻႹႾႷ ჇႿჂႼႴნ

აႣჅႳႸ Ⴑ ႼႿჃႵჂ჎ ႣႿ ჄႸႱჄ ႽႵႱႾჃლ ႾႿ ႽႱჄჄႵჂ ჇႸႱჄ ჷ ႴႿ ჄႿ ჉ႿჅ ႾႿჇლ ჉ႿჅ ႳႱႾ’Ⴤ ჂႵჃႹჃჄლ ႸჅႸჭა

ႤႸႵ ႴႵႼႹႳႱჄႵ ჃႼႵႵჀႹႾႷ ႲႵႱჅჄ჉’Ⴣ ႸႱႹჂ ჇႱჃ ჃႼႹႷႸჄႼ჉ ႴႹჃႸႵ჆ႵႼႵႴლ ჉ႵჄ ႹჄ ႴႹႴႾ’Ⴤ ႷႹ჆Ⴕ ႿႶႶ ႱႾ ჅႾႻႵႽჀჄ ႹႽჀჂႵჃჃႹႿႾნ

ჵႱ჊ႹႾႷ ႱჄ ႸႵჂ ႼႹႻႵ ჄႸႹჃლ ႨჅ ჼႹႱႾ ႳႿჅႼႴႾ’Ⴤ ჂႵჃႹჃჄ ႼႹႷႸჄႼ჉ ჀჂႵჃჃႹႾႷ ႸႵჂ ႼႹჀჃ ჄႿ ჄႸႵ ႿჄႸႵჂ ႷႹჂႼ’Ⴣ ႳႸႵႵႻ ႲႵႶႿჂႵ ჃႼႹჀჀႹႾႷ ႿჅჄ ႿႶ ႲႵႴნ

ჯ ႷႼႱႾႳႵ ႱჄ ჄႸႵ ჄႹႽႵშ ႫჟპშპჟႭნ

ჰჂჅჃႸႹႾႷ ႸႵჂ ჄႵႵჄႸ ႱႾႴ ႷჂႿႿႽႹႾႷ ႸႵჂ ჄႱႹႼ ჃႹႽჅႼჄႱႾႵႿჅჃႼ჉ლ ჃႸႵ ႾႿჄႹႳႵႴ ႸႵჂ ჄႱႹႼ ႶႵႼჄ ჅႾჅჃჅႱႼႼ჉ ჇႱჂႽ ႱႾႴ ჃႼႹႷႸჄႼ჉ ჀჅႶႶႵႴ ჅჀნ

ჽႶ ႳႿჅჂჃႵლ ჄႸႵ ჄႿႿჄႸႲჂჅჃႸ ႨჅ ჼႹႱႾ ჅჃႵႴ ჇႱჃ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣნ ႣႿ ჇႱჃ ჄႸႵ ႳႿႽႲნ

ჳ჆ႵჂ჉ჄႸႹႾႷ ႸႵჂႵ ႳႱჂჂႹႵႴ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჃႳႵႾჄ—ჄႿ ႸႵჂლ ႹჄ ჇႱჃ ჀჂႱႳჄႹႳႱႼႼ჉ ႸႵႱ჆ႵႾნ

ჴႿჂ Ⴑ ႽႿႽႵႾჄლ ჃႸႵ Ⴕ჆ႵႾ ႶႵႼჄ Ⴑ ႶႼႹႳႻႵჂ ႿႶ ႷჂႱჄႹჄჅႴႵნ ჵჂႱჄႵႶჅႼ ჄႸႱჄ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ჄႸႵ ჄჂჅႵ ႸႵႹჂႵჃჃლ ႷჂႱჄႵႶჅႼ ჄႸႱჄ ჃႸႵ ႸႱႴ ႽႱႾႱႷႵႴ ჄႿ ჃႱႼ჆ႱႷႵ ჄႸႵႹჂ ჂႵႼႱჄႹႿႾჃႸႹჀლ ႱႾႴ ႷჂႱჄႵႶჅႼ ჄႸႱჄ ჃႸႵ ႳႿჅႼႴ ჃჄႹႼႼ ႵႾႺႿ჉ ႱႼႼ ႿႶ ჄႸႹჃნ

ჯႾႴ ႿႾႳႵ ႣჅ ႡႹႾႷ჉Ⴑ ჂႵჄჅჂႾႵႴ ჄႿ ႸႵჂ ႶႱႽႹႼ჉ ႱႾႴ ჂႵႳႼႱႹႽႵႴ ႸႵჂ ჂႹႷႸჄႶჅႼ ჀႼႱႳႵლ ჄႸႵ ႴႹჃჄႱႾႳႵ ႲႵჄჇႵႵႾ ჄႸႵႽ ჇႿჅႼႴ ႿႾႼ჉ ჃႸჂႹႾႻლ ჄႸႵႹჂ ႲႿႾႴ ႷჂႿჇႹႾႷ Ⴕ჆ႵჂ ჄႹႷႸჄႵჂნ

ႫჲႱႹႼ჉ ჻ႹჃჃႹႿႾ ჷჃჃჅႵႴშ ႤႿ ႴႵႵჀႵႾ ჉ႿჅჂ ჂႵႼႱჄႹႿႾჃႸႹჀ ჇႹჄႸ ჉ႿჅჂ ႷႹჂႼႶჂႹႵႾႴლ ႸႿႼႴ ႸႱႾႴჃლ ႹႾჄႵჂႼႱႳႵ ჉ႿჅჂ ႶႹႾႷႵჂჃლ ႱႾႴ ႵႾႷႱႷႵ ႹႾ Ⴑ ႳႿႾჄႹႾჅႿჅჃ ႻႹჃჃ ႶႿჂ ჄႸႹჂჄ჉ ႽႹႾჅჄႵჃნႭ

ႤႿႴႱ჉’Ⴣ ჄႱჃႻ ჇႱჃႾ’Ⴤ Ⴕ჈ႱႳჄႼ჉ ႴႹႶႶႹႳჅႼჄლ ႲჅჄ ႹჄ ჇႱჃႾ’Ⴤ ჃႹႽჀႼႵ ႵႹჄႸႵჂნ

ႤႱႻႹႾႷ ႱႴ჆ႱႾჄႱႷႵ ႿႶ ႣჅ ႡႹႾႷ჉Ⴑ ႼႹႻႵ ჄႸႹჃ—ႻႹჃჃႹႾႷ ႸႵჂ ႶႿჂ ႸႱႼႶ ႱႾ ႸႿჅჂ ჇႸႹႼႵ ჃႸႵ ჃႼႵჀჄ—ჇႿჅႼႴႾ’Ⴤ ჄႸႱჄ ႽႱႻႵ ႸႵჂ ჃႵႵႽ ႼႹႻႵ ჃႿႽႵ ႻႹႾႴ ႿႶ ჀႵჂ჆ႵჂჄჭ

ჰჅჄ ჃႸႵ ႸႱႴ ჄႿ ႴႿ ႹჄნ ჷჄ ჇႱჃ ႾႵႳႵჃჃႱჂ჉ ჄႿ ႵႾჃჅჂႵ ჄႸႵ ჀႼႱႾ ჀჂႿႳႵႵႴႵႴ ჃႽႿႿჄႸႼ჉ნ

ჯႶჄႵჂ ႱႼႼლ ჄႸႵ ႽႱႼႵ ႼႵႱႴ—ჄႸႱჄ ჱჳჽ—ჇႱჃ ႽႿႾჃჄჂႿჅჃႼ჉ ჀႿჇႵჂႶჅႼნ ჷႶ ჃႸႵ ჇႱჃႾ’Ⴤ ႳႱჂႵႶჅႼლ ჄႸႹႾႷჃ ႳႿჅႼႴ ႷႿ ႸႿჂჂႹႲႼ჉ ჇჂႿႾႷნ

ႣჅ ႡႹႾႷ჉Ⴑ ჇႿჅႼႴ ჅႾႴႵჂჃჄႱႾႴნ

ჰႵჃႹႴႵჃლ ჄႸႵ჉’Ⴔ ႲႵႵႾ Ⴑ ႳႿჅჀႼႵ ႶႿჂ ჄႸჂႵႵ ჉ႵႱჂჃ ႾႿჇნ ჯ ႼႹჄჄႼႵ ႻႹჃჃ ჇႿჅႼႴႾ’Ⴤ ႸჅჂჄლ ჂႹႷႸჄჭ

ႫჲႹႾႷ჎ ჲႱႹႼ჉ ჻ႹჃჃႹႿႾ ჱႿႽჀႼႵჄႵნ ႣႹႽჅႼႱჄႹႿႾ ჱႿჅႾჄ კჟნ ჱჅჂჂႵႾჄ ႢႵႽႱႹႾႹႾႷ ႣႹႽჅႼႱჄႹႿႾჃშ ჟႭ

ჽႾႳႵ ჄႸႵ ႻႹჃჃ ჇႱჃ Ⴟ჆ႵჂლ ჃႸႵ ჀႹႳႻႵႴ ჅჀ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ჀႸႿႾႵნ ႤႸႵ ჄႹႽႵ ჂႵႱႴ ႫჟჟშჟრႭნ ჷჄ ჇႱჃ ႱႼႽႿჃჄ ჄႹႽႵ ჄႿ ႼႵႱ჆Ⴕნ

ႨჅ ჼႹႱႾ ႼႵႶჄ Ⴑ ႾႿჄႵ ႿႾ ჄႸႵ ႴႵჃႻლ ႽႱႻႹႾႷ ჃჅჂႵ ႣჅ ႡႹႾႷ჉Ⴑ ჇႿჅႼႴ ჃႵႵ ႹჄლ ჄႸႵႾ ႴჂႵჃჃႵႴ ႸႵჂჃႵႼႶ ჅჀ ႺჅჃჄ ႼႹႻႵ ჉ႵჃჄႵჂႴႱ჉ნ

ჼႿჇლ ჃႸႵ ჇႱჃ ჄჂჅႼ჉ ႣჅ ႡႹႾႷ჉Ⴑ’Ⴣ ႼႹჄჄႼႵ ჃႹჃჄႵჂნ

—ႣჅ ႡႹႾႷႾႹႱႾნ

ჰႵჄჄႵჂ ჂႵႽႵႽႲႵჂ ႸႵჂ ჂႿႼႵნ

ႧႸႱჄ ႻႹႾႴ ႿႶ ჀႵჂჃႿႾႱ ჇႿჅႼႴ ჇႿჂႻ ႲႵჃჄჭ

ჯჃ Ⴑ ႴჂႱႽႱ ჃჄჅႴႵႾჄლ ႱႳჄႹႾႷ ჇႱჃ ႨჅ ჼႹႱႾ’Ⴣ ႶႿჂჄႵნ

აჺႵჄ’Ⴣ ႷႿ ჇႹჄႸ Ⴑ ჄႹႽႹႴლ ႶჂႱႷႹႼႵ ႱႳჄნა

ႨჅ ჼႹႱႾ ႷႱ჆Ⴕ Ⴑ ჃႼႹႷႸჄ ჄჂႵႽႲႼႵლ ႸႵჂ Ⴕ჈ჀჂႵჃჃႹႿႾ ႹႾჃჄႱႾჄႼ჉ ႳჂჅႽႲႼႹႾႷ ႹႾჄႿ ჃႿႽႵჄႸႹႾႷ ჀႹჄႹႶჅႼ—ჄႸႵ ႻႹႾႴ ႿႶ ႼႿႿႻ ჄႸႱჄ ჇႿჅႼႴ ႽႱႻႵ ႸႵჂ ႲჅჂჃჄ ႹႾჄႿ ჄႵႱჂჃ ႹႶ ჃႿႽႵႿႾႵ ჃႿ ႽჅႳႸ ႱჃ ႷႼႱჂႵႴ ႱჄ ႸႵჂნ

აჯႸႵႽნნნ ႣმჃႹჃნნნ ჰႹႷ ჃႹჃჄႵჂნნნ ႣႸმჃႸႵ’Ⴣნნნ ჃႹႳႻნნნა

აჯႳႻ—ႶႵႵႼჃ ႼႹႻႵ ჃႿႽႵჄႸႹႾႷ’Ⴣ ႽႹჃჃႹႾႷნა

აჺႹჄჄႼႵ ჃႹჃჄႵჂნნნ ႲႹႷ ჃႹჃჄႵჂნნნ ႲႹႷ ႲჂႿჄႸႵჂნნნა

აჯႸ჏ ჵႿჄ ႹჄ჏ა

აႥმჅႽნნნ ჶმႸႹლ ႲႹႷ ႲჂႿჄႸႵჂნნნ ჰმႲႹႷ ჃႹჃჄႵჂ ႹჃ ჃႹႳႻლ ჃმჃႿნნნ ჷმჷ’Ⴝ ႸႵჂႵ ႹႾ ႸႵჂ ჀႼႱႳႵნნნა

ႠႵჂႶႵႳჄნ

ႣႸႵ ႸႱႴ ჄႸႵ ჆ႹႲႵ ႴႿჇႾნ

ჰჅჄ ႨჅ ჼႹႱႾ ჇႱჃႾ’Ⴤ ႹႾ Ⴑ ႸჅჂჂ჉ ჄႿ ႼႵႱ჆Ⴕ ჉ႵჄნ

ႣႸႵ ჀႼႱႾႾႵႴ ჄႿ ჄႵჃჄ ჄႸႹႾႷჃ ႿჅჄ ჇႹჄႸ Ⴑ ჃႹႽჅႼႱჄႹႿႾ ႶႹჂჃჄნ

ႦႵჂႹႶ჉ႹႾႷ ႲႵႶႿჂႵ ႱႳჄႹႾႷ ჇႱჃ Ⴑ ႷႿႿႴ ႸႱႲႹჄ—ႹჄ ႻႵჀჄ ႸႵჂ ႶჂႿႽ ႽႱႻႹႾႷ ჂႵႳႻႼႵჃჃ ႽႹჃჄႱႻႵჃნ

აჯႼჂႹႷႸჄლ ႼႵჄ’Ⴣ ჃჄႱჂჄ ჄႸႵ ჃႹႽჅႼႱჄႹႿႾნა

ႫჲႹႾႷ჎ ჶႿჃჄ ႸႱჃ ႹႾႹჄႹႱჄႵႴ Ⴑ ჃႹႽჅႼႱჄႹႿႾნႭ

ႫჲႵႴჅႳჄႹႾႷ ႿႾႵ ჃႹႽჅႼႱჄႹႿႾ ႳႿჅႾჄნ ႢႵႽႱႹႾႹႾႷ ჃႹႽჅႼႱჄႹႿႾჃშ პნႭ

ႫႣႹႽჅႼႱჄႹႿႾ ႳႿႽႽႵႾႳႹႾႷნნნႭ

ႫჲჅႵ ჄႿ ႳႵჂჄႱႹႾ ႳႹჂႳჅႽჃჄႱႾႳႵჃლ ჉ႿჅ’჆Ⴕ ႴႵႳႹႴႵႴ ჄႿ ჄႱႻႵ ჉ႿჅჂ ႷႹჂႼႶჂႹႵႾႴ’Ⴣ ჀႼႱႳႵ ႹႾ ႽႵႵჄႹႾႷ Ⴑ ႽႱႾნ ჽႶ ႳႿჅჂჃႵლ ჉ႿჅ’ჂႵ ႾႿჄ ႸႵჂႵ ჄႿ ႳႸႵႳႻ ႹႶ ႸႵ’Ⴣ ‘ჂႵႶჂႵჃႸႹႾႷ’—჉ႿჅ’ჂႵ ႱႶჄႵჂ ჃႿႽႵ ჇႵႼႼმႸႹႴႴႵႾ ჃႵႳჂႵჄჃნႭ

ႫႩႿჅ ႻႾႿჇ ჉ႿჅ ႸႱ჆Ⴕ ჄႿ ႴႿ ჄႸႹჃნ ႤႸႵჂႵ’Ⴣ ႾႿ ႿჄႸႵჂ ႳႸႿႹႳႵნႭ

ႫჯႶჄႵჂ ႳႱჂႵႶჅႼ ჀჂႵჀႱჂႱჄႹႿႾ ႱႾႴ ႴႹჃႷჅႹჃႵლ ჉ႿჅ ႱჂჂႹ჆Ⴕ ႱႼႿႾႵ ႱჄ ჄႸႵ ႽႵႵჄႹႾႷ ჃჀႿჄნႭ

ႫႩႿჅჂ ჄႹႽႹႴლ ႶჂႱႷႹႼႵ ႴႵႽႵႱႾႿჂ ႹჂჂႹჄႱჄႵჃ ჄႸႵ ჱჳჽლ ჃჅჂႾႱႽႵႴ ჺႹႾლ ႲჅჄ ႸႵ ჃჅჀჀჂႵჃჃႵჃ ႸႹჃ ႴႹჃჀႼႵႱჃჅჂႵნႭ

ႫႩႿჅ ႽႱႹႾჄႱႹႾ Ⴑ ႴႵႼႹႲႵჂႱჄႵ ႴႹჃჄႱႾႳႵლ ႱႾႴ ႸႵ ႱჀჀჂႵႳႹႱჄႵჃ ჉ႿჅჂ ჃႵႼႶმႱჇႱჂႵႾႵჃჃნ ႩႿჅ ჃჄႱჄႵ ჉ႿჅჂ ႶႱႲჂႹႳႱჄႵႴ ႹႴႵႾჄႹჄ჉ ႱႾႴ ჃႵႹ჊Ⴕ ჄႸႵ ႳႸႱႾႳႵ ჄႿ ႱჃႻ ႱႲႿჅჄ ჄႸႵ ჳႽႿჄႹႿႾ ჰႵႱჃჄჃნ ႠႵჂႸႱჀჃ ႿჅჄ ႿႶ ჂႵჃჀႵႳჄ ႶႿჂ ჉ႿჅჂ ႷႹჂႼႶჂႹႵႾႴლ ႸႵ ႷႹ჆ႵჃ ჉ႿჅ Ⴑ ႲჂႹႵႶლ ႳႼႹჀჀႵႴ Ⴕ჈ჀႼႱႾႱჄႹႿႾნႭ

ႫႩႿჅ ჂႵႱႼႹ჊Ⴕ ႸႵ’Ⴣ ႾႿჄ ႿႾႵ ႶႿჂ ჃႽႱႼႼ ჄႱႼႻ—ႸႹჃ ႹႽჀႱჄႹႵႾႳႵ ႹჃ ჇჂႹჄჄႵႾ ႱႼႼ Ⴟ჆ႵჂ ႸႹჃ ႶႱႳႵ—ჃႿ ჉ႿჅ ႳႿႽႽႹჄ ႸႹჃ ჇႿჂႴჃ ჄႿ ႽႵႽႿჂ჉ ႱჃ ႲႵჃჄ ჉ႿჅ ႳႱႾნႭ

ႫႩႿჅ ႱჃႻ ႹႶ ႱႾ ჳႽႿჄႹႿႾ ჰႵႱჃჄ ႸႱჃ ႱႼჂႵႱႴ჉ ჄႱჂႷႵჄႵႴ ჉ႿჅლ ႲჅჄ ႸႵ ႴႵႾႹႵჃ ႹჄლ ႲႼჅႾჄႼ჉ ჃჄႱჄႹႾႷ ჉ႿჅ’ႼႼ ႾႵ჆ႵჂ ႲႵႳႿႽႵ ႱႾ ჳႽႿჄႹႿႾ ႧႹႵႼႴႵჂნ ႩႿჅჂ ႿႾႼ჉ ႶჅჄჅჂႵლ ႸႵ ჃႱ჉Ⴣლ ႹჃ ႼႹ჆ႹႾႷ ჅႾႴႵჂ ჃႿႽႵႿႾႵ ႵႼჃႵ’Ⴣ ჀჂႿჄႵႳჄႹႿႾ—ႿჄႸႵჂჇႹჃႵლ ႻႾႿჇႹႾႷ ჄႸႵჃႵ ჃႵႳჂႵჄჃ ჇႹႼႼ ႽႱႻႵ ჉ႿჅჂ ႼႹႶႵ Ⴑ ႼႹ჆ႹႾႷ ႸႵႼႼნႭ

ႫႩႿჅ ႼႵႱ჆Ⴕ ჄႸႵ ႸႿჄႵႼლ ႿႾႼ჉ ჄႿ ჂჅႾ ჃჄჂႱႹႷႸჄ ႹႾჄႿ ჉ႿჅჂ ႷႹჂႼႶჂႹႵႾႴნ ႣႸႵ Ⴕ჉ႵჃ ჉ႿჅჂ ႴႹჃႷჅႹჃႵ ႱႾႴ ႴႵႽႱႾႴჃ ჄႿ ႻႾႿჇ ჇႸ჉ ჉ႿჅ’ჂႵ ႸႵჂႵ—ႱჂႵ ჉ႿჅ ႳႸႵႱჄႹႾႷ ႿႾ ႸႵჂჭႭ

ႫႩႿჅ’ჂႵ ႲႱႶႶႼႵႴნ ႧႱჃႾ’Ⴤ ჃႸႵ ჄႸႵ ႿႾႵ ჃႾႵႱႻႹႾႷ ႱჂႿჅႾႴ ႶႹჂჃჄჭ ႩႵჄ ႾႿჇ ჃႸႵ’Ⴣ ႹႾჄႵჂჂႿႷႱჄႹႾႷ ჉ႿჅჭ ჯႾႾႿ჉ႵႴლ ჉ႿჅ’ჂႵ ႱႲႿჅჄ ჄႿ ჃႾႱჀ ႲႱႳႻ ჇႸႵႾ ჃႸႵ ჃჅႴႴႵႾႼ჉ ჀჂႵჃჃႵჃ Ⴑ ႸႱႾႴႻႵჂႳႸႹႵႶ ჄႿ ჉ႿჅჂ ႶႱႳႵლ ႻႾႿႳႻႹႾႷ ჉ႿჅ ႿჅჄ ႳႿႼႴნႭ

ႫႩႿჅ ჇႱႻႵ ჅჀ ႹႾ ჇႸႱჄ ჃႵႵႽჃ ჄႿ ႲႵ Ⴑ ჀႹჄႳႸმႲႼႱႳႻ ႲႱჃႵႽႵႾჄნ ჯჄ ႼႵႱჃჄლ ჄႸႹჃ ჄႹႽႵლ ჉ႿჅჂ ႼႹႽႲჃ ႱჂႵ ႹႾჄႱႳჄნႭ

ႫႤႸႵႾ ჉ႿჅ ჃႵႵ ႸႵჂ—჉ႿჅჂ ႷႹჂႼႶჂႹႵႾႴლ ႳႿႽჀႼႵჄႵႼ჉ ႾႱႻႵႴლ ჇႵႱჂႹႾႷ ჃႿႽႵ ႻႹႾႴ ႿႶ ႲႹ჊ႱჂჂႵ ჄႿ჉ნ ႩႿჅ ჃჄႱჂႵ ႱჄ ႹჄ ႹႾ ႸႿჂჂႿჂლ Ⴑ ჃႳჂႵႱႽ ჄႵႱჂႹႾႷ ႶჂႿႽ ჉ႿჅჂ ჄႸჂႿႱჄნႭ

ႫႩႿჅ ႻႾႿჇ ႹႶ ჄႸႱჄ ჄႸႹႾႷ ႷႵჄჃ ႹႾჃႹႴႵ ჉ႿჅლ ჉ႿჅ’ႼႼ ႴႹႵნ ႩႿჅ ჄႸჂႱჃႸ ჇႹႼႴႼ჉ლ ႴႵჃჀႵჂႱჄႵ ჄႿ ႵჃႳႱჀႵნႭ

ႫაჼႹႱႾႾႹႱႾლ ႴႹႴႾ’Ⴤ ჉ႿჅ ႿႾႳႵ ჄႵႼႼ ႽႵ ႷႹჂႼჃ ႳႱႾ ႶႹႾႴ ჀႼႵႱჃჅჂႵ ჄႿႷႵჄႸႵჂ ჄႿႿჭ ႣႿ ჇႸ჉ ႲႵჄჂႱ჉ ႽႵ ႾႿჇჭაႭ

ႫაჯჂႵ ჉ႿჅ ႼႿႾႵႼ჉ჭ ჲႿႾ’Ⴤ ჇႿჂჂ჉ნნნ ჷ’ႼႼ ႽႱႻႵ ჉ႿჅ ႶႵႵႼ ႶჅႼႼნ ჼႹႱႾႾႹႱႾლ ჷ ႽႹႷႸჄ ႾႿჄ ႸႱ჆Ⴕ ჄႸႱჄლ ႲჅჄ ჷ ႳႱႾ ႹႽჀჂႿ჆ႹჃႵნ ჷ ႳႱႾ ႼႵႱჂႾნაႭ

ႫაႧႸႱჄႵ჆ႵჂ ჉ႿჅ ჇႱႾჄლ ჷ’ႼႼ ႽႱႻႵ ႹჄ ႸႱჀჀႵႾნაႭ

ႫაႣႿნნნ ჃႿნნნ ჉ႿჅ’ჂႵ ႾႿჄ ႱႼႼႿჇႵႴ ჄႿ ႼႵႱ჆Ⴕ ႽႵლ ႿႻႱ჉჎ჭაႭ

ႫაჼႿჄ ႱႼႼႿჇႵႴ჎აႭ

ႫႩႿჅ ႶႵႵႼ ჃႿႽႵჄႸႹႾႷ ჀႹႵჂႳႵ ჄႸჂႿჅႷႸ ჉ႿჅნႭ

ႫႣႹႽჅႼႱჄႹႿႾ ႳႿႽჀႼႵჄႵნႭ

ႫႥႾႼႿႳႻႵႴ ჳႾႴႹႾႷშ ႣჇႵႵჄ ႥႾႹႿႾႭ

ႫႩႿჅ ႲႵႼႹႵ჆Ⴕ ჄႸႵ ჀჅჂႵჃჄ ႼႿ჆Ⴕ ႹჃ ႲႵႳႿႽႹႾႷ ႿႾႵ ჇႹჄႸ ႸႵჂნ ႤႸႿჅႷႸ ჃႸႵ ႼႱႳႻჃ Ⴑ ႳႿႿႼႴႿჇႾლ ჅႾႱႲႼႵ ჄႿ ჃჄႿჀ Ⴕ჆ႵႾ ჇႸႵႾ ჉ႿჅჂ ႲႿႴ჉ ႳႱႾ’Ⴤ ჄႱႻႵ ႹჄლ ჃႸႵ’ႼႼ ႶႿჂႵ჆ႵჂ ႳႸႵჂႹჃႸ ჄႸႵ ჃႹႷႸჄ ႿႶ ჉ႿჅჂ ႲႼႹჃჃႶჅႼლ ႸႵႱ჆ႵႾმႲႿჅႾႴ Ⴕ჈ჀჂႵჃჃႹႿႾ—ჅႾჄႹႼ ჉ႿჅჂ ႲႵႱჅჄ჉ ႹჃ ႶჂႿ჊ႵႾ ႹႾ ჄႸႱჄ ႽႿႽႵႾჄ ႶႿჂ ႵჄႵჂႾႹჄ჉ნႭ

ႫႧႸႱჄ ჃႹႾႶჅႼ ႼႿ჆ႵნႭ

ႫႠႼႵႱჃႵ ჃႵႼႵႳჄ ჉ႿჅჂ ჂႵჇႱჂႴშႭ

Ⴋჟნ ႤႸႵ ႤჂჅႵ ჵႱ჊Ⴕ ႿႶ ႱႾ ჳႽႿჄႹႿႾ ჰႵႱჃჄႭ

Ⴋრნ ჯ ჶႱႾႴႻႵჂႳႸႹႵႶ ႣჄႱႹႾႵႴ ჇႹჄႸ Ⴍ

Ⴋსნ ჯ ႣჄჂႱႾႷႵ ჳႼႵႳჄჂႹႳ ႤႿ჉Ⴍ

ႨჅ ჼႹႱႾშ აჭჭჭა

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Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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