Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 15

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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᮳ᯇᯄ ᯒᯇᯀᯑᯏ ᯁᯋᯀᯃᯄ ᯒᯋᯈᯃ ᯈᯍ ᯒᯌᯎᯎᯓᯇᯋᯘᮍ

ᮢᯑᯈᯌᯒᯎᯍ ᯁᯋᯎᯎᯃ ᯓᯑᯈᯂᯊᯋᯄᯃ ᯃᯎᯖᯍ ᯓᯇᯄ ᯒᯓᯄᯄᯋ ᯄᯃᯆᯄᮍ

᮳ᯇᯄ ᯌᯎᯌᯄᯍᯓ ᯓᯇᯄ ᯊᯍᯈᯅᯄ ᯏᯈᯄᯑᯂᯄᯃ ᯇᯈᯒ ᯖᯀᯈᯒᯓᮋ ᯀᯂᯂᯎᯌᯏᯀᯍᯈᯄᯃ ᯁᯘ ᮷ᯔ ᮭᯈᯀᯍ’ᯒ ᯒᯋᯈᯆᯇᯓᯋᯘ ᯃᯄᯑᯀᯍᯆᯄᯃ ᯋᯀᯔᯆᯇᯓᯄᯑᮋ ᯇᯈᯒ ᯌᯈᯍᯃ ᯖᯀᯒ ᯈᯍᯒᯓᯀᯍᯓᯋᯘ ᯄᯍᯆᯔᯋᯅᯄᯃ ᯁᯘ ᯄᯍᯃᯋᯄᯒᯒ ᯌᯎᯂᯊᯄᯑᯘᮋ ᯁᯋᯀᯍᯊ ᯀᯍᯃ ᯌᯔᯃᯃᯋᯄᯃ ᯋᯈᯊᯄ ᯏᯀᯒᯓᯄᮍ

ᮠ ᯒᯇᯀᯑᯏ ᯏᯀᯈᯍ ᯒᯇᯎᯓ ᯓᯇᯑᯎᯔᯆᯇ ᯇᯈᯌᮋ ᯀᯍᯃ ᯈᯍ ᯀᯍ ᯈᯍᯒᯓᯀᯍᯓᮋ ᯇᯈᯒ ᯋᯈᯌᯁᯒ ᯖᯄᯍᯓ ᯖᯄᯀᯊᮋ ᯇᯈᯒ ᯋᯄᯆᯒ ᯁᯔᯂᯊᯋᯈᯍᯆ ᯁᯄᯍᯄᯀᯓᯇ ᯇᯈᯌᮍ

ᮥᯎᯑ ᯀ ᯌᯎᯌᯄᯍᯓᮋ ᯇᯄ ᯂᯎᯔᯋᯃᯍ’ᯓ ᯌᯔᯒᯓᯄᯑ ᯀᯍᯘ ᯑᯄᯒᯈᯒᯓᯀᯍᯂᯄ ᯀᯓ ᯀᯋᯋᮍ

“ᮣᯀᯌᯍ ᯈᯓᮀ”

᮷ᯔ ᮭᯈᯀᯍ ᯃᯈᯃᯍ’ᯓ ᯋᯈᯍᯆᯄᯑᮍ

᮲ᯄᯈᯙᯈᯍᯆ ᯓᯇᯄ ᯌᯎᯌᯄᯍᯓ ᯎᯅ ᯇᯈᯒ ᯈᯍᯄᯗᯏᯋᯈᯂᯀᯁᯋᯄ ᯃᯀᯙᯄᮋ ᯒᯇᯄ ᯘᯀᯍᯊᯄᯃ ᯓᯇᯄ ᯁᯋᯀᯃᯄ ᯅᯑᯄᯄ ᯅᯑᯎᯌ ᯇᯈᯒ ᯁᯎᯃᯘ ᯀᯍᯃ ᯈᯌᯌᯄᯃᯈᯀᯓᯄᯋᯘ ᯁᯎᯋᯓᯄᯃ ᯓᯎᯖᯀᯑᯃ ᯓᯇᯄ ᯂᯎᯑᯑᯈᯃᯎᯑ’ᯒ拐角ᮍ

᮳ᯇᯄ ᯓᯖᯎ ᯁᯎᯃᯘᯆᯔᯀᯑᯃᯒ ᯖᯄᯑᯄ ᯒᯓᯈᯋᯋ ᯒᯓᯔᯍᯍᯄᯃᮋ ᯂᯎᯌᯏᯋᯄᯓᯄᯋᯘ ᯔᯍᯏᯑᯄᯏᯀᯑᯄᯃ ᯅᯎᯑ ᯒᯔᯂᯇ ᯀ ᯒᯔᯃᯃᯄᯍᮋ ᯕᯈᯂᯈᯎᯔᯒ ᯀᯓᯓᯀᯂᯊ ᯅᯑᯎᯌ ᯀ ᯒᯄᯄᯌᯈᯍᯆᯋᯘ ᯅᯑᯀᯈᯋ ᯘᯎᯔᯍᯆ ᯆᯈᯑᯋᮍ

᮲ᯎ ᯅᯀᯒᯓᮋ ᯏᯑᯄᯂᯈᯒᯄᮋ ᯀᯍᯃ ᯑᯔᯓᯇᯋᯄᯒᯒᮍ

“ᮠᯅᯓᯄᯑ ᯇᯄᯑᮀ”

ᮠᯓ ᯓᯇᯄ ᯂᯎᯌᯌᯀᯍᯃᮋ ᯎᯍᯄ ᯁᯎᯃᯘᯆᯔᯀᯑᯃ ᯒᯇᯎᯓ ᯎᯅᯅ ᯋᯈᯊᯄ ᯀᯍ ᯀᯑᯑᯎᯖ ᯈᯍ ᯏᯔᯑᯒᯔᯈᯓᮋ ᯋᯄᯀᯕᯈᯍᯆ ᯓᯇᯄ ᯎᯓᯇᯄᯑ ᯁᯄᯇᯈᯍᯃᮋ ᯒᯓᯈᯋᯋ ᯅᯑᯎᯙᯄᯍ ᯈᯍ ᯂᯎᯍᯅᯔᯒᯈᯎᯍᮍ

“ᮯᯑᯄᯒᯈᯃᯄᯍᯓᮋ ᯀᯑᯄ ᯘᯎᯔ ᯀᯋᯑᯈᯆᯇᯓᮞ”

“᮶ᯇᯀᯓ ᯓᯇᯄ ᯇᯄᯋᯋ ᯀᯑᯄ ᯘᯎᯔ ᯒᯓᯀᯍᯃᯈᯍᯆ ᯀᯑᯎᯔᯍᯃ ᯅᯎᯑᮞᮀ ᮣᯎ ᮨ ᯇᯀᯕᯄ ᯓᯎ ᯒᯏᯄᯋᯋ ᯄᯕᯄᯑᯘᯓᯇᯈᯍᯆ ᯎᯔᯓ ᯅᯎᯑ ᯘᯎᯔᮞᮀ ᮦᯎ ᯀᯅᯓᯄᯑ ᯇᯄᯑᮀ ᮨ’ᯋᯋ ᯌᯀᯊᯄ ᯇᯄᯑ ᯏᯀᯘ ᯅᯎᯑ ᯓᯇᯈᯒᮀ”

ᮧᯈᯒ ᯓᯇᯎᯔᯆᯇᯓᯒ ᯒᯋᯎᯖᯋᯘ ᯑᯄᯀᯒᯒᯄᯌᯁᯋᯄᯃᮋ ᯓᯇᯄ ᯅᯎᯆ ᯈᯍ ᯇᯈᯒ ᯌᯈᯍᯃ ᯅᯈᯍᯀᯋᯋᯘ ᯋᯈᯅᯓᯈᯍᯆ ᯀᯒ ᯇᯄ ᯂᯋᯔᯓᯂᯇᯄᯃ ᯇᯈᯒ ᯖᯎᯔᯍᯃᯄᯃ ᯒᯈᯃᯄᮍ

᮸ᯄᯓ ᯒᯎᯎᯍᮋ ᯔᯍᯃᯄᯑ ᯓᯇᯄ ᯈᯍᯅᯋᯔᯄᯍᯂᯄ ᯎᯅ ᯒᯎᯌᯄ ᯌᯘᯒᯓᯄᯑᯈᯎᯔᯒ ᯅᯎᯑᯂᯄᮋ ᯓᯇᯄ ᯈᯍᯉᯔᯑᯘ ᯁᯄᯆᯀᯍ ᯓᯎ ᯇᯄᯀᯋᮍ

ᮡᯔᯓ ᯓᯇᯄ ᯏᯀᯈᯍ ᯒᯓᯈᯋᯋ ᯆᯍᯀᯖᯄᯃ ᯀᯓ ᯇᯈᯌᮋ ᯋᯄᯀᯕᯈᯍᯆ ᯇᯈᯌ ᯌᯎᯌᯄᯍᯓᯀᯑᯈᯋᯘ ᯈᯌᯌᯎᯁᯈᯋᯈᯙᯄᯃᮋ ᯁᯄᯀᯃᯒ ᯎᯅ ᯂᯎᯋᯃ ᯒᯖᯄᯀᯓ ᯅᯎᯑᯌᯈᯍᯆ ᯎᯍ ᯇᯈᯒ ᯒᯊᯈᯍᮍ

᮳ᯇᯀᯓ ᯒᯓᯀᯁ ᯇᯀᯃ ᯁᯄᯄᯍ ᯕᯈᯂᯈᯎᯔᯒᮍ

ᮠ ᯒᯔᯃᯃᯄᯍ ᯒᯓᯑᯈᯊᯄᮋ ᯋᯄᯀᯕᯈᯍᯆ ᯍᯎ ᯑᯎᯎᯌ ᯅᯎᯑ ᯃᯄᯅᯄᯍᯒᯄ—ᯀ ᯋᯄᯒᯒᯎᯍ ᯈᯍ ᯇᯔᯌᯈᯋᯈᯓᯘᮍ

ᮨᯅ ᯇᯄ ᯖᯄᯑᯄ ᯀᯍ ᯎᯑᯃᯈᯍᯀᯑᯘ ᯌᯀᯍᮋ ᯇᯄ’ᯃ ᯇᯀᯕᯄ ᯁᯋᯄᯃ ᯎᯔᯓ ᯋᯎᯍᯆ ᯁᯄᯅᯎᯑᯄ ᯀᯍᯘ ᯃᯎᯂᯓᯎᯑ ᯂᯎᯔᯋᯃ ᯀᯑᯑᯈᯕᯄᮍ

ᮣᯀᯌᯍ ᯈᯓᮀᮀᮀ

᮶ᯇᯎ ᯈᯍ ᯓᯇᯈᯒ ᯄᯍᯓᯈᯑᯄ ᯂᯈᯓᯘ ᯖᯎᯔᯋᯃ ᯃᯀᯑᯄ ᯋᯀᯘ ᯀ ᯇᯀᯍᯃ ᯎᯍ ᯇᯈᯌ ᯒᯎ ᯁᯑᯀᯙᯄᯍᯋᯘᮞ

ᮭᯎ ᯌᯀᯓᯓᯄᯑ ᯖᯇᯎ ᯒᯇᯄ ᯖᯀᯒᮋ ᯇᯄ’ᯃ ᯌᯀᯊᯄ ᯒᯔᯑᯄ ᯒᯇᯄ ᯏᯀᯈᯃ ᯃᯄᯀᯑᯋᯘ ᯅᯎᯑ ᯓᯇᯈᯒᮀ

ᮬᯄᯀᯍᯖᯇᯈᯋᯄᮋ ᮷ᯔ ᮭᯈᯀᯍ ᯒᯏᯑᯈᯍᯓᯄᯃ ᯃᯎᯖᯍ ᯓᯇᯄ ᯇᯀᯋᯋᯖᯀᯘᮋ ᯁᯔᯓ ᯆᯈᯕᯄᯍ ᯇᯄᯑ ᯏᯄᯓᯈᯓᯄ ᯅᯑᯀᯌᯄᮋ ᯇᯎᯖ ᯂᯎᯔᯋᯃ ᯒᯇᯄ ᯎᯔᯓᯑᯔᯍ ᯓᯖᯎ ᯁᯔᯑᯋᯘᮋ ᯏᯑᯎᯅᯄᯒᯒᯈᯎᯍᯀᯋᯋᯘ ᯓᯑᯀᯈᯍᯄᯃ ᯁᯎᯃᯘᯆᯔᯀᯑᯃᯒᮞ

᮳ᯇᯄ ᯊᯍᯈᯅᯄ ᯇᯀᯃ ᯁᯄᯄᯍ ᯏᯑᯄᯏᯀᯑᯄᯃ ᯄᯀᯑᯋᯈᯄᯑᮋ ᯓᯔᯂᯊᯄᯃ ᯈᯍᯓᯎ ᯇᯄᯑ ᯇᯈᯃᯃᯄᯍ ᯏᯎᯔᯂᯇ—ᯎᯑᯈᯆᯈᯍᯀᯋᯋᯘ ᯌᯄᯀᯍᯓ ᯅᯎᯑ ᯒᯄᯋᯅᮌᯃᯄᯅᯄᯍᯒᯄᮍ

ᮮᯍᯋᯘ ᯍᯎᯖᮋ ᯈᯍ ᯇᯈᯍᯃᯒᯈᯆᯇᯓᮋ ᯃᯈᯃ ᯒᯇᯄ ᯑᯄᯀᯋᯈᯙᯄ ᯖᯇᯀᯓ ᯒᯇᯄ’ᯃ ᯉᯔᯒᯓ ᯃᯎᯍᯄᮍ

᮲ᯇᯄ’ᯃ ᯉᯔᯒᯓ… ᯀᯂᯓᯄᯃ ᯎᯍ ᯈᯌᯏᯔᯋᯒᯄᮋ ᯃᯑᯈᯕᯄᯍ ᯌᯀᯃ ᯁᯘ ᯇᯈᯒ ᯈᯍᯂᯄᯒᯒᯀᯍᯓ ᯂᯀᯋᯋᯒ ᯅᯎᯑ “᮰ᯈᯍᯆᯘᯀ”…

“ᮣᯀᯌᯍ ᯈᯓᮋ ᯖᯇᯀᯓ ᯃᯎ ᮨ ᯃᯎᮋ ᯖᯇᯀᯓ ᯃᯎ ᮨ ᯃᯎᮞ ᮨᯅ ᯓᯇᯄᯘ ᯂᯀᯓᯂᯇ ᯌᯄᮋ ᮨ’ᯌ ᯅᯈᯍᯈᯒᯇᯄᯃᮍ”

᮱ᯄᯌᯄᯌᯁᯄᯑᯈᯍᯆ ᯓᯇᯄ ᯅᯎᯔᯑᯓᯇ ᯒᯈᯌᯔᯋᯀᯓᯈᯎᯍᮋ ᯖᯇᯄᯑᯄ ᯉᯔᯒᯓ ᯀ ᯒᯋᯈᯆᯇᯓᯋᯘ ᯁᯀᯃ ᯀᯓᯓᯈᯓᯔᯃᯄ ᯇᯀᯃ ᯋᯀᯍᯃᯄᯃ ᯇᯄᯑ ᯈᯍ ᯏᯑᯈᯒᯎᯍ…

ᮭᯎᯖ ᯒᯇᯄ’ᯃ ᯒᯓᯀᯁᯁᯄᯃ ᯇᯈᯌᮍ ᮶ᯎᯔᯋᯃᯍ’ᯓ ᯇᯄ ᯅᯋᯀᯘ ᯇᯄᯑ ᯀᯋᯈᯕᯄ ᯅᯎᯑ ᯓᯇᯈᯒᮞ

᮲ᯇᯄ’ᯃ ᯏᯑᯄᯏᯀᯑᯄᯃ ᯀᯍ ᯄᯒᯂᯀᯏᯄ ᯏᯋᯀᯍᮋ ᯁᯔᯓ ᯓᯇᯄ ᯁᯎᯃᯘᯆᯔᯀᯑᯃᯒ ᯖᯄᯑᯄ ᯓᯎᯎ ᯂᯋᯎᯒᯄ—ᯒᯇᯄ ᯇᯀᯃ ᯍᯎ ᯂᯇᯀᯍᯂᯄ ᯓᯎ ᯔᯒᯄ ᯈᯓᮍ

᮶ᯇᯀᯓ ᯍᯎᯖᮋ ᯖᯇᯀᯓ ᯍᯎᯖᮞ

ᮥᯈᯆᯇᯓᯈᯍᯆ ᯁᯀᯂᯊ ᯖᯀᯒ ᯈᯌᯏᯎᯒᯒᯈᯁᯋᯄᮚ ᯒᯇᯄ ᯇᯀᯃ ᯍᯎ ᯂᯎᯌᯁᯀᯓ ᯒᯊᯈᯋᯋᯒ ᯖᯇᯀᯓᯒᯎᯄᯕᯄᯑᮍ

᮳ᯇᯄᯍ…

᮷ᯔ ᮭᯈᯀᯍ’ᯒ ᯆᯀᯙᯄ ᯅᯈᯗᯀᯓᯄᯃ ᯎᯍ ᯓᯇᯄ ᯑᯄᯖᯀᯑᯃ ᯅᯑᯎᯌ ᯇᯄᯑ ᯅᯈᯅᯓᯇ ᯒᯈᯌᯔᯋᯀᯓᯈᯎᯍᮍ

ᮺ᮳ᯇᯄ ᮳ᯑᯔᯄ ᮦᯀᯙᯄ ᯎᯅ ᯀᯍ ᮤᯌᯎᯓᯈᯎᯍ ᮡᯄᯀᯒᯓᮼ

᮳ᯇᯄ ᯆᯀᯙᯄ ᯎᯅ ᯀᯍ ᮤᯌᯎᯓᯈᯎᯍ ᮡᯄᯀᯒᯓᮞ

᮲ᯇᯎᯔᯋᯃ ᯒᯇᯄ ᯑᯄᯀᯋᯋᯘ ᯔᯒᯄ ᯈᯓᮞ

᮶ᯎᯔᯋᯃ ᯈᯓ ᯂᯀᯔᯒᯄ ᯂᯇᯀᯎᯒᮞ

ᮨᯅ ᯒᯇᯄ ᯃᯈᯃᮋ ᯖᯎᯔᯋᯃ ᯓᯇᯄᯑᯄ ᯁᯄ ᯔᯍᯅᯎᯑᯄᯒᯄᯄᯍ ᯂᯎᯍᯒᯄᯐᯔᯄᯍᯂᯄᯒᮞ

᮫ᯈᯊᯄ ᯃᯘᯈᯍᯆ ᯈᯍ ᯒᯎᯌᯄ ᯆᯑᯎᯓᯄᯒᯐᯔᯄ ᯖᯀᯘᮞ

ᮮᯑ ᯓᯑᯈᯆᯆᯄᯑᯈᯍᯆ ᯀ ᯃᯈᯒᯀᯒᯓᯄᯑ ᯓᯇᯀᯓ ᯄᯍᯃᯀᯍᯆᯄᯑᯄᯃ ᯎᯓᯇᯄᯑᯒᮞ

ᮧᯄᯇᮍ

᮶ᯄᯋᯋᮋ ᯓᯇᯈᯍᯆᯒ ᯂᯎᯔᯋᯃᯍ’ᯓ ᯏᯎᯒᯒᯈᯁᯋᯘ ᯆᯄᯓ ᯖᯎᯑᯒᯄ ᯓᯇᯀᯍ ᯓᯇᯈᯒᮋ ᯂᯎᯔᯋᯃ ᯓᯇᯄᯘᮞ

ᮨᯅ ᯓᯇᯄ ᮤᯌᯎᯓᯈᯎᯍ ᮡᯄᯀᯒᯓ ᯀᯓᯓᯀᯂᯊᯄᯃ ᯓᯇᯀᯓ ᮫ᯈᯍ ᯁᯀᯒᯓᯀᯑᯃᮋ ᯇᯄ’ᯃ ᯁᯄ ᯓᯎᯎ ᯁᯔᯒᯘ ᯅᯈᯆᯇᯓᯈᯍᯆ ᯈᯓ ᯓᯎ ᯂᯇᯀᯒᯄ ᯇᯄᯑᮍ ᮨᯍ ᯓᯇᯄᯈᯑ ᯒᯓᯑᯔᯆᯆᯋᯄᮋ ᯓᯇᯄ ᯁᯄᯀᯒᯓ ᯌᯈᯆᯇᯓ ᯍᯎᯓ ᯄᯕᯄᯍ ᯇᯀᯕᯄ ᯀ ᯂᯇᯀᯍᯂᯄ ᯓᯎ ᯖᯑᯄᯀᯊ ᯇᯀᯕᯎᯂ—ᯒᯎ ᯌᯀᯘᯁᯄ ᯈᯓ ᯖᯀᯒᯍ’ᯓ ᯓᯇᯀᯓ ᯃᯀᯍᯆᯄᯑᯎᯔᯒ ᯀᯅᯓᯄᯑ ᯀᯋᯋᮍ

ᮺ᮱ᯄᯖᯀᯑᯃ ᯃᯄᯏᯋᯎᯘᯈᯍᯆ…ᮼ

ᮨᯍ ᯀᯍ ᯈᯍᯒᯓᯀᯍᯓᮋ ᮷ᯔ ᮭᯈᯀᯍ ᯅᯄᯋᯓ ᯀ ᯂᯇᯈᯋᯋᯈᯍᯆ ᯆᯀᯙᯄ ᯋᯎᯂᯊ ᯎᯍᯓᯎ ᯇᯄᯑᮍ

ᮨᯓ ᯖᯀᯒ ᯋᯈᯊᯄ ᯒᯎᯌᯄᯎᯍᯄ ᯃᯑᯀᯆᯆᯈᯍᯆ ᯆᯋᯀᯒᯒ ᯀᯂᯑᯎᯒᯒ ᯇᯄᯑ ᯄᯀᯑᯃᯑᯔᯌᯒ ᯖᯈᯓᯇ ᯀ ᯂᯀᯓ’ᯒ ᯂᯋᯀᯖᯒᮍ

“ᮧᯄᯇᯄᯇᯄᯝ”

ᮠ ᯅᯑᯄᯍᯙᯈᯄᯃ ᯋᯀᯔᯆᯇᯓᯄᯑᮋ ᯍᯎᯓ ᯇᯄᯑ ᯎᯖᯍᮋ ᯅᯋᯎᯎᯃᯄᯃ ᯇᯄᯑ ᯌᯈᯍᯃᮍ

ᮣᯀᯙᯄᯃᮋ ᮷ᯔ ᮭᯈᯀᯍ ᯂᯎᯋᯋᯀᯏᯒᯄᯃ ᯓᯎ ᯓᯇᯄ ᯅᯋᯎᯎᯑᮍ

᮳ᯇᯄ ᯓᯖᯎ ᯁᯎᯃᯘᯆᯔᯀᯑᯃᯒᮋ ᯌᯄᯑᯄ ᯒᯓᯄᯏᯒ ᯅᯑᯎᯌ ᯆᯑᯀᯁᯁᯈᯍᯆ ᯇᯄᯑᮋ ᯀᯋᯒᯎ ᯂᯑᯔᯌᯏᯋᯄᯃ ᯔᯍᯃᯄᯑ ᯓᯇᯄ ᯒᯔᯃᯃᯄᯍ ᯎᯍᯒᯋᯀᯔᯆᯇᯓ ᯎᯅ ᯋᯀᯔᯆᯇᯓᯄᯑᮍ

ᮠᯁᯑᯔᯏᯓᯋᯘᮋ ᮷ᯔ ᮭᯈᯀᯍ ᯑᯄᯀᯋᯈᯙᯄᯃ ᯇᯄᯑ ᯌᯄᯌᯎᯑᯈᯄᯒ ᯖᯄᯑᯄ ᯒᯔᯑᯆᯈᯍᯆ ᯁᯀᯂᯊᯖᯀᯑᯃ ᯈᯍ ᯇᯄᯑ ᯌᯈᯍᯃᮋ ᯄᯕᯄᯑᯘ ᯇᯀᯏᯏᯘ ᯌᯎᯌᯄᯍᯓ ᯑᯄᯏᯋᯀᯘᯈᯍᯆ ᯎᯍ ᯋᯎᯎᯏᮍ

ᮥᯑᯀᯆᯌᯄᯍᯓᯒ ᯎᯅ ᯒᯖᯄᯄᯓᯍᯄᯒᯒ ᯅᯑᯎᯌ ᯁᯈᯑᯓᯇ ᯓᯈᯋᯋ ᯍᯎᯖᮍ

᮲ᯎ ᯁᯑᯈᯄᯅ—ᯔᯍᯓᯈᯋ ᯑᯄᯂᯄᯍᯓᯋᯘᮋ ᯖᯇᯄᯍ ᯓᯇᯄᯘ’ᯃ ᯆᯑᯎᯖᯍ ᯋᯎᯍᯆᯄᯑᮍ

ᮧᯄᯑ ᯋᯈᯏᯒ ᯂᯔᯑᯋᯄᯃ ᯔᯍᯂᯎᯍᯓᯑᯎᯋᯋᯀᯁᯋᯘᮍ

ᮡᯔᯓ ᯆᯑᯀᯃᯔᯀᯋᯋᯘᮋ ᯓᯇᯄ ᯑᯄᯏᯋᯀᯘ ᯒᯇᯈᯅᯓᯄᯃᮍ

ᮭᯎ ᯋᯎᯍᯆᯄᯑ ᯉᯔᯒᯓ ᯓᯇᯄ ᯆᯎᯎᯃᮍ

ᮧᯄᯑ ᯌᯄᯌᯎᯑᯈᯄᯒ ᯒᯔᯑᯆᯄᯃ ᯅᯎᯑᯓᯇᮋ ᯂᯋᯀᯌᯎᯑᯈᯍᯆ ᯅᯎᯑ ᯀᯓᯓᯄᯍᯓᯈᯎᯍᮍ

ᮡᯄᯅᯎᯑᯄ ᯂᯎᯌᯈᯍᯆ ᯓᯎ ᯓᯇᯈᯒ ᯖᯎᯑᯋᯃ—ᯒᯓᯔᯃᯘᯈᯍᯆ ᯑᯄᯋᯄᯍᯓᯋᯄᯒᯒᯋᯘᮋ ᯎᯍᯋᯘ ᯓᯎ ᯒᯓᯀᯑᯕᯄ ᯅᯎᯑ ᯀ ᯃᯀᯘ ᯀᯅᯓᯄᯑ ᯅᯀᯈᯋᯈᯍᯆ ᯓᯎ ᯑᯀᯍᯊ ᯅᯈᯑᯒᯓᮍ

ᮡᯄᯅᯎᯑᯄ ᯂᯎᯌᯈᯍᯆ ᯓᯎ ᯓᯇᯈᯒ ᯖᯎᯑᯋᯃ—ᯔᯍᯊᯍᯎᯖᯈᯍᯆᯋᯘ ᯏᯑᯎᯕᯎᯊᯈᯍᯆ ᯀ ᯒᯂᯇᯎᯎᯋ ᯁᯔᯋᯋᯘᮋ ᯁᯄᯀᯓᯄᯍ ᯀᯍᯃ ᯑᯎᯁᯁᯄᯃ ᯈᯍ ᯀ ᯁᯀᯓᯇᯑᯎᯎᯌ ᯒᯓᯀᯋᯋᮍ

ᮡᯄᯅᯎᯑᯄ ᯂᯎᯌᯈᯍᯆ ᯓᯎ ᯓᯇᯈᯒ ᯖᯎᯑᯋᯃ—ᯖᯎᯑᯊᯈᯍᯆ ᯓᯈᯑᯄᯋᯄᯒᯒᯋᯘ ᯅᯎᯑ ᯀ ᯏᯄᯑᯅᯎᯑᯌᯀᯍᯂᯄ ᯑᯎᯋᯄᮋ ᯎᯍᯋᯘ ᯓᯎ ᯇᯀᯕᯄ ᯈᯓ ᯒᯍᯀᯓᯂᯇᯄᯃ ᯀᯖᯀᯘ ᯁᯘ ᯒᯎᯌᯄᯎᯍᯄ ᯖᯈᯓᯇ ᯂᯎᯍᯍᯄᯂᯓᯈᯎᯍᯒᮍ

ᮡᯄᯅᯎᯑᯄ ᯂᯎᯌᯈᯍᯆ ᯓᯎ ᯓᯇᯈᯒ ᯖᯎᯑᯋᯃ—ᯒᯂᯑᯈᯌᯏᯈᯍᯆ ᯓᯎ ᯏᯋᯄᯀᯒᯄ ᯀ ᯆᯈᯑᯋᯅᯑᯈᯄᯍᯃᮋ ᯏᯑᯄᯒᯄᯑᯕᯈᯍᯆ ᯓᯇᯄᯈᯑ ᯂᯇᯀᯒᯓᯄ ᯑᯄᯋᯀᯓᯈᯎᯍᯒᯇᯈᯏᮋ ᯎᯍᯋᯘ ᯓᯎ ᯋᯄᯀᯑᯍ ᯒᯇᯄ’ᯃ ᯔᯒᯄᯃ ᯇᯈᯌ ᯀᯒ ᯀᯍ ᮠ᮳ᮬ ᯁᯄᯅᯎᯑᯄ ᯓᯎᯒᯒᯈᯍᯆ ᯇᯈᯌ ᯀᯒᯈᯃᯄᮍ

ᮡᯄᯅᯎᯑᯄ ᯒᯇᯄ—

“ᮢᯀᯍ’ᯓ ᯄᯕᯄᯍ ᯇᯀᯍᯃᯋᯄ ᯒᯎᯌᯄᯓᯇᯈᯍᯆ ᯓᯇᯈᯒ ᯒᯈᯌᯏᯋᯄᮞ ᮶ᯇᯀᯓ ᯔᯒᯄ ᯀᯑᯄ ᯘᯎᯔᮞ ᮶ᯄ ᯒᯋᯀᯕᯄ ᯀᯖᯀᯘ ᯓᯎ ᯅᯄᯄᯃ ᯀᯍᯃ ᯂᯋᯎᯓᯇᯄ ᯘᯎᯔᮋ ᯀᯍᯃ ᯓᯇᯈᯒ ᯈᯒ ᯇᯎᯖ ᯘᯎᯔ ᯑᯄᯏᯀᯘ ᯔᯒᮞ ᮲ᯓᯔᯃᯘᯈᯍᯆ ᯈᯒ ᯓᯇᯄ ᯎᯍᯄ ᯓᯇᯈᯍᯆ ᯘᯎᯔ ᯍᯄᯄᯃ ᯓᯎ ᯃᯎ—ᯂᯀᯍ’ᯓ ᯄᯕᯄᯍ ᯌᯀᯍᯀᯆᯄ ᯓᯇᯀᯓᮞ ᮨᯅ ᯘᯎᯔ ᯃᯎᯍ’ᯓ ᯆᯄᯓ ᯓᯎᯏ ᯌᯀᯑᯊᯒᮋ ᯖᯇᯀᯓ ᯅᯔᯓᯔᯑᯄ ᯃᯎ ᯘᯎᯔ ᯇᯀᯕᯄᮞ ᮶ᯄ’ᯑᯄ ᯃᯎᯈᯍᯆ ᯓᯇᯈᯒ ᯅᯎᯑ ᯘᯎᯔᯑ ᯎᯖᯍ ᯆᯎᯎᯃᮍ”

“᮶ᯎᯑᯓᯇᯋᯄᯒᯒ ᯓᯑᯀᯒᯇᮍ ᮩᯔᯒᯓ ᯋᯎᯎᯊᯈᯍᯆ ᯀᯓ ᯘᯎᯔ ᯏᯈᯒᯒᯄᯒ ᯌᯄ ᯎᯅᯅᮍ ᮡᯄ ᯒᯌᯀᯑᯓ—ᯏᯀᯘ ᯔᯏ ᯄᯕᯄᯑᯘ ᯖᯄᯄᯊᮋ ᯎᯑ ᮨ’ᯋᯋ ᯁᯄᯀᯓ ᯘᯎᯔ ᯄᯕᯄᯑᯘ ᯓᯈᯌᯄ ᮨ ᯒᯄᯄ ᯘᯎᯔᮍ ᮦᯎᯓ ᯈᯓᮋ ᯋᯎᯒᯄᯑᮞ”

“ᮮᯏᯏᯎᯑᯓᯔᯍᯈᯓᯈᯄᯒ ᯂᯎᯌᯄ ᯀᯍᯃ ᯆᯎᮋ ᯊᯈᯃᮍ ᮭᯎ ᯍᯄᯄᯃ ᯓᯎ ᯑᯔᯒᯇᮍ ᮨᯅ ᯈᯓ’ᯒ ᯍᯎᯓ ᯘᯎᯔᯑ ᯓᯔᯑᯍ ᯓᯇᯈᯒ ᯓᯈᯌᯄᮋ ᯖᯀᯈᯓ ᯅᯎᯑ ᯓᯇᯄ ᯍᯄᯗᯓᮍ ᮬᯈᯒᯒ ᮢᯇᯄᯍ ᯑᯄᯀᯋᯋᯘ ᯍᯄᯄᯃᯒ ᯓᯇᯈᯒ ᯂᯇᯀᯍᯂᯄ—ᯂᯀᯍ’ᯓ ᯘᯎᯔ ᯁᯄ ᯂᯇᯈᯕᯀᯋᯑᯎᯔᯒᮞ ᮶ᯇᯀᯓᮞ ᮶ᯇᯄᯍ’ᯒ ᯓᯇᯄ ᯍᯄᯗᯓ ᯎᯍᯄᮞ ᮭᯄᯗᯓ ᯘᯄᯀᯑᮍ”

“ᮧᯀᯇᮍ ᮠᯒᯊᯈᯍᯆ ᯖᯇᯀᯓ ᯖᯄ ᯇᯀᯃᮞ ᮢᯀᯋᯋ ᯈᯓ ᯘᯎᯔᯑ ᯁᯀᯃ ᯋᯔᯂᯊᮍ ᮣᯈᯃ ᯘᯎᯔ ᯀᯂᯓᯔᯀᯋᯋᯘ ᯓᯇᯈᯍᯊ ᮨ ᯋᯈᯊᯄᯃ ᯘᯎᯔᮞ ᮫ᯄᯓ ᯌᯄ ᯒᯏᯄᯋᯋ ᯈᯓ ᯎᯔᯓ—ᮨ ᯖᯀᯒ ᯉᯔᯒᯓ ᯏᯋᯀᯘᯈᯍᯆ ᯖᯈᯓᯇ ᯘᯎᯔᮍ ᮸ᯎᯔᯍᯆ ᮬᯀᯒᯓᯄᯑ ᮶ᯀᯍᯆ ᯇᯀᯒ ᯖᯀᯘ ᯌᯎᯑᯄ ᯌᯎᯍᯄᯘ ᯓᯇᯀᯍ ᯘᯎᯔᮍ ᮯᯀᯓᯇᯄᯓᯈᯂᮍ ᮸ᯎᯔ ᯍᯄᯕᯄᯑ ᯄᯕᯄᯍ ᯓᯎᯔᯂᯇᯄᯃ ᯌᯘ ᯇᯀᯍᯃᮍ ᮫ᯄᯓ’ᯒ ᯏᯀᯑᯓ ᯖᯀᯘᯒ ᯍᯈᯂᯄᯋᯘᮍ”

“ᮍᮍᮍᮍᮍᮍ”

ᮢᯇᯀᯎᯓᯈᯂ ᯕᯎᯈᯂᯄᯒ ᯒᯖᯀᯑᯌᯄᯃ ᯇᯄᯑ ᯌᯈᯍᯃᮍ

ᮮᯕᯄᯑ ᯀᯍᯃ ᯎᯕᯄᯑᮋ ᯓᯇᯄᯘ ᯒᯂᯎᯔᯑᯄᯃ ᯇᯄᯑᮍ

᮷ᯔ ᮭᯈᯀᯍ’ᯒ ᯇᯄᯀᯃ ᯓᯇᯑᯎᯁᯁᯄᯃᮍ

᮳ᯇᯄᯒᯄ ᯖᯄᯑᯄ ᯇᯄᯑ ᯎᯖᯍ ᯌᯄᯌᯎᯑᯈᯄᯒ—ᯒᯎ ᯖᯇᯘ… ᯖᯇᯘ ᯃᯈᯃ ᯒᯇᯄ ᯖᯀᯍᯓ ᯓᯎ ᯋᯀᯔᯆᯇᮞ

“ᮧᯀᯇᯀᯇᯀᮀ”

᮪ᯍᯄᯄᯋᯈᯍᯆ ᯎᯍ ᯓᯇᯄ ᯂᯀᯑᯏᯄᯓᮋ ᯂᯋᯔᯓᯂᯇᯈᯍᯆ ᯇᯄᯑ ᯇᯄᯀᯃ ᯈᯍ ᯀᯆᯎᯍᯘᮋ ᯇᯄᯑ ᯋᯀᯔᯆᯇᯓᯄᯑ ᯒᯘᯍᯂᯄᯃ ᯖᯈᯓᯇ ᯓᯇᯄ ᯕᯎᯈᯂᯄᯒ ᯈᯍ ᯇᯄᯑ ᯒᯊᯔᯋᯋᮍ

᮳ᯈᯌᯄ ᯁᯋᯔᯑᯑᯄᯃ ᯁᯄᯅᯎᯑᯄ ᯒᯇᯄ ᯅᯎᯑᯂᯄᯃ ᯇᯄᯑᯒᯄᯋᯅ ᯔᯏᮋ ᯒᯓᯔᯌᯁᯋᯈᯍᯆ ᯈᯍᯓᯎ ᯀᯍᯎᯓᯇᯄᯑ拐角ᮋ ᯕᯀᯍᯈᯒᯇᯈᯍᯆ ᯅᯑᯎᯌ ᯒᯈᯆᯇᯓᮍ

ᮠᯒ ᯅᯎᯑ ᯓᯇᯄ ᯁᯎᯃᯘᯆᯔᯀᯑᯃᯒ—

᮳ᯇᯄ ᯒᯀᯌᯄ ᯌᯀᯃ ᯋᯀᯔᯆᯇᯓᯄᯑ ᯈᯍᯕᯀᯃᯄᯃ ᯓᯇᯄᯈᯑ ᯌᯈᯍᯃᯒᮍ

ᮡᯔᯓ ᯅᯎᯑ ᯓᯇᯄᯌᮋ ᯈᯓ ᯃᯑᯄᯃᯆᯄᯃ ᯔᯏ ᯍᯎ ᯁᯈᯓᯓᯄᯑ ᯌᯄᯌᯎᯑᯈᯄᯒᮍ

ᮨᯍᯒᯓᯄᯀᯃᮋ ᯓᯇᯄᯈᯑ ᯅᯀᯂᯄᯒ ᯓᯖᯈᯒᯓᯄᯃ ᯈᯍᯓᯎ ᯁᯋᯈᯒᯒᯅᯔᯋ ᯆᯑᯈᯍᯒᮍ

“ᮣᯀᯌᯍ ᯈᯓᮋ ᯖᯇᯘ ᯈᯒ ᯓᯇᯄᯑᯄ ᯀᯍ ᮤᯌᯎᯓᯈᯎᯍ ᮡᯄᯀᯒᯓ ᯇᯄᯑᯄᮞᮀ”

᮳ᯇᯄ ᯌᯀᯍ ᮷ᯔ ᮭᯈᯀᯍ ᯇᯀᯃ ᯒᯓᯀᯁᯁᯄᯃ ᯅᯈᯍᯀᯋᯋᯘ ᯂᯀᯔᯆᯇᯓ ᯔᯏᮋ ᯇᯀᯕᯈᯍᯆ ᯁᯀᯑᯄᯋᯘ ᯑᯄᯆᯀᯈᯍᯄᯃ ᯄᯍᯎᯔᯆᯇ ᯒᯓᯑᯄᯍᯆᯓᯇ ᯓᯎ ᯌᯎᯕᯄᮍ ᮡᯔᯓ ᯍᯎᯖᮋ ᯇᯄ ᯅᯎᯔᯍᯃ ᯀᯍ ᮤᯌᯎᯓᯈᯎᯍ ᮡᯄᯀᯒᯓ ᯋᯎᯎᯒᯄ ᯈᯍ ᯓᯇᯄ ᯇᯎᯓᯄᯋᮍ

ᮧᯈᯒ ᯌᯈᯍᯃ ᯈᯌᯌᯄᯃᯈᯀᯓᯄᯋᯘ ᯋᯈᯍᯊᯄᯃ ᯈᯓ ᯓᯎ ᮷ᯔ ᮭᯈᯀᯍ—ᯒᯇᯄ’ᯃ ᯀᯒᯊᯄᯃ ᯈᯅ ᯀᯍ ᮤᯌᯎᯓᯈᯎᯍ ᮡᯄᯀᯒᯓ ᯖᯀᯒ ᯖᯀᯓᯂᯇᯈᯍᯆ ᯇᯄᯑᮍ

ᮧᯈᯒ ᯀᯍᯒᯖᯄᯑ ᯇᯀᯃ ᯁᯄᯄᯍ ᯍᯎᮍ

ᮠᯍᯃ ᯓᯇᯀᯓ ᯒᯓᯀᯁ… ᯈᯓ ᯇᯀᯃᯍ’ᯓ ᯁᯄᯄᯍ ᯎᯑᯃᯈᯍᯀᯑᯘᮍ

“ᮠ ᮩᯎᯘ ᮡᯄᯀᯒᯓᮞ”

᮳ᯎ ᯇᯈᯌᮋ ᯓᯇᯄ ᯑᯄᯀᯒᯎᯍ ᯅᯎᯑ ᮷ᯔ ᮭᯈᯀᯍ’ᯒ ᯒᯔᯃᯃᯄᯍ ᯀᯓᯓᯀᯂᯊ ᯖᯀᯒ ᯍᯎᯖ ᯂᯋᯄᯀᯑᮍ

᮶ᯈᯓᯇ ᯀ ᯂᯎᯋᯃ ᯒᯍᯎᯑᯓᮋ ᯀ ᯌᯘᯒᯓᯄᯑᯈᯎᯔᯒ ᯅᯎᯑᯂᯄ ᯏᯈᯄᯑᯂᯄᯃ ᯓᯇᯑᯎᯔᯆᯇ ᯒᯏᯀᯂᯄᮍ

᮳ᯇᯄᯍ—ᯀ ᯒᯇᯑᯈᯋᯋ ᯀᯕᯈᯀᯍ ᯒᯇᯑᯈᯄᯊᮍ

᮳ᯇᯄ ᯋᯀᯔᯆᯇᯓᯄᯑ ᯅᯀᯃᯄᯃᮋ ᯓᯇᯄᯍ ᯕᯀᯍᯈᯒᯇᯄᯃ ᯄᯍᯓᯈᯑᯄᯋᯘᮍ

᮲ᯓᯑᯀᯍᯆᯄᮍ

ᮧᯄ ᯅᯑᯎᯖᯍᯄᯃᮍ

᮳ᯇᯈᯒ ᮤᯌᯎᯓᯈᯎᯍ ᮡᯄᯀᯒᯓ ᯖᯀᯒ ᯖᯄᯀᯊᮍ

᮴ᯍᯔᯒᯔᯀᯋᯋᯘ ᯒᯎᮍ

ᮤᯕᯄᯍ ᯀ ᮩᯎᯘ ᮡᯄᯀᯒᯓ ᯒᯇᯎᯔᯋᯃᯍ’ᯓ ᯇᯀᯕᯄ ᯃᯈᯄᯃ ᯓᯇᯈᯒ ᯄᯀᯒᯈᯋᯘᮍ

᮲ᯎ ᯇᯎᯖ ᯇᯀᯃ ᯒᯔᯂᯇ ᯀ ᯅᯄᯄᯁᯋᯄ ᯓᯇᯈᯍᯆ ᯒᯋᯈᯏᯏᯄᯃ ᯏᯀᯒᯓ ᯇᯈᯒ ᯒᯄᯍᯒᯄᯒ ᯀᯍᯃ ᯀᯏᯏᯄᯀᯑᯄᯃ ᯇᯄᯑᯄ ᯔᯍᯍᯎᯓᯈᯂᯄᯃᮞ

ᮭᯎ ᯓᯈᯌᯄ ᯓᯎ ᯃᯖᯄᯋᯋᮍ ᮧᯈᯒ ᯅᯎᯂᯔᯒ ᯒᯍᯀᯏᯏᯄᯃ ᯁᯀᯂᯊ ᯓᯎ ᯓᯇᯄ ᯆᯈᯑᯋ ᯖᯇᯎ’ᯃ ᯒᯓᯀᯁᯁᯄᯃ ᯇᯈᯌᮍ

ᮣᯀᯌᯍ ᯇᯄᯑᮍ ᮤᯕᯄᯍ ᯈᯅ ᯓᯇᯄᯑᯄ ᯖᯀᯒ ᯀ ᯑᯄᯀᯒᯎᯍᮋ ᯓᯇᯀᯓ ᯁᯋᯀᯃᯄ ᯖᯎᯔᯋᯃᯍ’ᯓ ᯆᯎ ᯔᯍᯏᯔᯍᯈᯒᯇᯄᯃᮍ

ᮧᯄ ᯊᯈᯂᯊᯄᯃ ᯓᯇᯄ ᯓᯖᯎ ᯁᯎᯃᯘᯆᯔᯀᯑᯃᯒ ᯒᯏᯑᯀᯖᯋᯄᯃ ᯎᯍ ᯓᯇᯄ ᯅᯋᯎᯎᯑᮍ “ᮦᯄᯓ ᯓᯇᯄ ᯇᯄᯋᯋ ᯔᯏᮀ”

ᮡᯔᯓ ᯓᯇᯄ ᮩᯎᯘ ᮡᯄᯀᯒᯓ’ᯒ ᯀᯅᯓᯄᯑᯄᯅᯅᯄᯂᯓᯒ ᯖᯄᯑᯄᯍ’ᯓ ᯒᯎ ᯄᯀᯒᯈᯋᯘ ᯒᯇᯀᯊᯄᯍ ᯎᯅᯅᮍ ᮳ᯇᯄ ᯌᯄᯍ ᯑᯄᯌᯀᯈᯍᯄᯃ ᯒᯋᯔᯌᯏᯄᯃᮋ ᯃᯀᯙᯄᯃᮍ

ᮤᯌᯎᯓᯈᯎᯍ ᮡᯄᯀᯒᯓᯒ’ ᯈᯍᯅᯋᯔᯄᯍᯂᯄ ᯖᯀᯒᯍ’ᯓ ᯓᯑᯈᯕᯈᯀᯋ—ᯓᯇᯄᯈᯑ ᯏᯎᯖᯄᯑ ᯎᯕᯄᯑ ᯇᯄᯀᯑᯓᯒ ᯀᯍᯃ ᯌᯈᯍᯃᯒ ᯖᯀᯒ ᯀ ᯅᯎᯑᯌ ᯎᯅ ᯏᯒᯘᯂᯇᯈᯂ ᯀᯒᯒᯀᯔᯋᯓᮍ

“᮶ᯇᯈᯂᯇ ᯖᯀᯘ ᯃᯈᯃ ᯒᯇᯄ ᯆᯎᮞ”

ᮮᯍᯄ ᯁᯎᯃᯘᯆᯔᯀᯑᯃ ᯏᯎᯈᯍᯓᯄᯃ ᯖᯄᯀᯊᯋᯘᮍ

᮫ᯄᯀᯕᯈᯍᯆ ᯓᯇᯄᯌ ᯁᯄᯇᯈᯍᯃᮋ ᯇᯄ ᯑᯔᯒᯇᯄᯃ ᯈᯍ ᯓᯇᯀᯓ ᯃᯈᯑᯄᯂᯓᯈᯎᯍᮍ

ᮡᯔᯓ ᯈᯍᯒᯓᯄᯀᯃ ᯎᯅ ᯇᯈᯒ ᯓᯀᯑᯆᯄᯓᮋ ᯇᯄ ᯍᯄᯀᯑᯋᯘ ᯂᯎᯋᯋᯈᯃᯄᯃ ᯖᯈᯓᯇ ᯀ ᯖᯇᯈᯓᯄᮌᯅᯎᯗ ᯆᯈᯑᯋ ᯄᯌᯄᯑᯆᯈᯍᯆ ᯅᯑᯎᯌ ᯓᯇᯄ ᯑᯄᯒᯓᯑᯎᯎᯌᮍ

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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