Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 15

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ႤႸႵ ჃႸႱჂჀ ႲႼႱႴႵ ჃႼႹႴ ႹႾ ჃႽႿႿჄႸႼ჉ნ

ჱჂႹႽჃႿႾ ႲႼႿႿႴ ჄჂႹႳႻႼႵႴ ႴႿჇႾ ჄႸႵ ჃჄႵႵႼ ႵႴႷႵნ

ႤႸႵ ႽႿႽႵႾჄ ჄႸႵ ႻႾႹႶႵ ჀႹႵჂႳႵႴ ႸႹჃ ჇႱႹჃჄლ ႱႳႳႿႽჀႱႾႹႵႴ Ⴒ჉ ႨჅ ჼႹႱႾ’Ⴣ ჃႼႹႷႸჄႼ჉ ႴႵჂႱႾႷႵႴ ႼႱჅႷႸჄႵჂლ ႸႹჃ ႽႹႾႴ ჇႱჃ ႹႾჃჄႱႾჄႼ჉ ႵႾႷჅႼႶႵႴ Ⴒ჉ ႵႾႴႼႵჃჃ ႽႿႳႻႵჂ჉ლ ႲႼႱႾႻ ႱႾႴ ႽჅႴႴႼႵႴ ႼႹႻႵ ჀႱჃჄႵნ

ჯ ჃႸႱჂჀ ჀႱႹႾ ჃႸႿჄ ჄႸჂႿჅႷႸ ႸႹႽლ ႱႾႴ ႹႾ ႱႾ ႹႾჃჄႱႾჄლ ႸႹჃ ႼႹႽႲჃ ჇႵႾჄ ჇႵႱႻლ ႸႹჃ ႼႵႷჃ ႲჅႳႻႼႹႾႷ ႲႵႾႵႱჄႸ ႸႹႽნ

ჴႿჂ Ⴑ ႽႿႽႵႾჄლ ႸႵ ႳႿჅႼႴႾ’Ⴤ ႽჅჃჄႵჂ ႱႾ჉ ჂႵჃႹჃჄႱႾႳႵ ႱჄ ႱႼႼნ

“ჲႱႽႾ ႹჄ჏”

ႨჅ ჼႹႱႾ ႴႹႴႾ’Ⴤ ႼႹႾႷႵჂნ

ႣႵႹ჊ႹႾႷ ჄႸႵ ႽႿႽႵႾჄ ႿႶ ႸႹჃ ႹႾႵ჈ჀႼႹႳႱႲႼႵ ႴႱ჊Ⴕლ ჃႸႵ ჉ႱႾႻႵႴ ჄႸႵ ႲႼႱႴႵ ႶჂႵႵ ႶჂႿႽ ႸႹჃ ႲႿႴ჉ ႱႾႴ ႹႽႽႵႴႹႱჄႵႼ჉ ႲႿႼჄႵႴ ჄႿჇႱჂႴ ჄႸႵ ႳႿჂჂႹႴႿჂ’Ⴣ拐角ნ

ႤႸႵ ჄჇႿ ႲႿႴ჉ႷჅႱჂႴჃ ჇႵჂႵ ჃჄႹႼႼ ჃჄჅႾႾႵႴლ ႳႿႽჀႼႵჄႵႼ჉ ჅႾჀჂႵჀႱჂႵႴ ႶႿჂ ჃჅႳႸ Ⴑ ჃჅႴႴႵႾლ ჆ႹႳႹႿჅჃ ႱჄჄႱႳႻ ႶჂႿႽ Ⴑ ჃႵႵႽႹႾႷႼ჉ ႶჂႱႹႼ ჉ႿჅႾႷ ႷႹჂႼნ

ႣႿ ႶႱჃჄლ ჀჂႵႳႹჃႵლ ႱႾႴ ჂჅჄႸႼႵჃჃნ

“ჯႶჄႵჂ ႸႵჂ჏”

ჯჄ ჄႸႵ ႳႿႽႽႱႾႴლ ႿႾႵ ႲႿႴ჉ႷჅႱჂႴ ჃႸႿჄ ႿႶႶ ႼႹႻႵ ႱႾ ႱჂჂႿჇ ႹႾ ჀჅჂჃჅႹჄლ ႼႵႱ჆ႹႾႷ ჄႸႵ ႿჄႸႵჂ ႲႵႸႹႾႴლ ჃჄႹႼႼ ႶჂႿ჊ႵႾ ႹႾ ႳႿႾႶჅჃႹႿႾნ

“ႠჂႵჃႹႴႵႾჄლ ႱჂႵ ჉ႿჅ ႱႼჂႹႷႸჄჭ”

“ႧႸႱჄ ჄႸႵ ႸႵႼႼ ႱჂႵ ჉ႿჅ ჃჄႱႾႴႹႾႷ ႱჂႿჅႾႴ ႶႿჂჭ჏ ჲႿ ჷ ႸႱ჆Ⴕ ჄႿ ჃჀႵႼႼ Ⴕ჆ႵჂ჉ჄႸႹႾႷ ႿჅჄ ႶႿჂ ჉ႿჅჭ჏ ჵႿ ႱႶჄႵჂ ႸႵჂ჏ ჷ’ႼႼ ႽႱႻႵ ႸႵჂ ჀႱ჉ ႶႿჂ ჄႸႹჃ჏”

ჶႹჃ ჄႸႿჅႷႸჄჃ ჃႼႿჇႼ჉ ჂႵႱჃჃႵႽႲႼႵႴლ ჄႸႵ ႶႿႷ ႹႾ ႸႹჃ ႽႹႾႴ ႶႹႾႱႼႼ჉ ႼႹႶჄႹႾႷ ႱჃ ႸႵ ႳႼჅჄႳႸႵႴ ႸႹჃ ჇႿჅႾႴႵႴ ჃႹႴႵნ

ႩႵჄ ჃႿႿႾლ ჅႾႴႵჂ ჄႸႵ ႹႾႶႼჅႵႾႳႵ ႿႶ ჃႿႽႵ Ⴝ჉ჃჄႵჂႹႿჅჃ ႶႿჂႳႵლ ჄႸႵ ႹႾႺჅჂ჉ ႲႵႷႱႾ ჄႿ ႸႵႱႼნ

ჰჅჄ ჄႸႵ ჀႱႹႾ ჃჄႹႼႼ ႷႾႱჇႵႴ ႱჄ ႸႹႽლ ႼႵႱ჆ႹႾႷ ႸႹႽ ႽႿႽႵႾჄႱჂႹႼ჉ ႹႽႽႿႲႹႼႹ჊ႵႴლ ႲႵႱႴჃ ႿႶ ႳႿႼႴ ჃჇႵႱჄ ႶႿჂႽႹႾႷ ႿႾ ႸႹჃ ჃႻႹႾნ

ႤႸႱჄ ჃჄႱႲ ႸႱႴ ႲႵႵႾ ჆ႹႳႹႿჅჃნ

ჯ ჃჅႴႴႵႾ ჃჄჂႹႻႵლ ႼႵႱ჆ႹႾႷ ႾႿ ჂႿႿႽ ႶႿჂ ႴႵႶႵႾჃႵ—Ⴑ ႼႵჃჃႿႾ ႹႾ ႸჅႽႹႼႹჄ჉ნ

ჷႶ ႸႵ ჇႵჂႵ ႱႾ ႿჂႴႹႾႱჂ჉ ႽႱႾლ ႸႵ’Ⴔ ႸႱ჆Ⴕ ႲႼႵႴ ႿჅჄ ႼႿႾႷ ႲႵႶႿჂႵ ႱႾ჉ ႴႿႳჄႿჂ ႳႿჅႼႴ ႱჂჂႹ჆Ⴕნ

ჲႱႽႾ ႹჄ჏჏჏

ႧႸႿ ႹႾ ჄႸႹჃ ႵႾჄႹჂႵ ႳႹჄ჉ ჇႿჅႼႴ ႴႱჂႵ ႼႱ჉ Ⴑ ႸႱႾႴ ႿႾ ႸႹႽ ჃႿ ႲჂႱ჊ႵႾႼ჉ჭ

ჼႿ ႽႱჄჄႵჂ ჇႸႿ ჃႸႵ ჇႱჃლ ႸႵ’Ⴔ ႽႱႻႵ ჃჅჂႵ ჃႸႵ ჀႱႹႴ ႴႵႱჂႼ჉ ႶႿჂ ჄႸႹჃ჏

჻ႵႱႾჇႸႹႼႵლ ႨჅ ჼႹႱႾ ჃჀჂႹႾჄႵႴ ႴႿჇႾ ჄႸႵ ႸႱႼႼჇႱ჉ლ ႲჅჄ ႷႹ჆ႵႾ ႸႵჂ ჀႵჄႹჄႵ ႶჂႱႽႵლ ႸႿჇ ႳႿჅႼႴ ჃႸႵ ႿჅჄჂჅႾ ჄჇႿ ႲჅჂႼ჉ლ ჀჂႿႶႵჃჃႹႿႾႱႼႼ჉ ჄჂႱႹႾႵႴ ႲႿႴ჉ႷჅႱჂႴჃჭ

ႤႸႵ ႻႾႹႶႵ ႸႱႴ ႲႵႵႾ ჀჂႵჀႱჂႵႴ ႵႱჂႼႹႵჂლ ჄჅႳႻႵႴ ႹႾჄႿ ႸႵჂ ႸႹႴႴႵႾ ჀႿჅႳႸ—ႿჂႹႷႹႾႱႼႼ჉ ႽႵႱႾჄ ႶႿჂ ჃႵႼႶმႴႵႶႵႾჃႵნ

ჽႾႼ჉ ႾႿჇლ ႹႾ ႸႹႾႴჃႹႷႸჄლ ႴႹႴ ჃႸႵ ჂႵႱႼႹ჊Ⴕ ჇႸႱჄ ჃႸႵ’Ⴔ ႺჅჃჄ ႴႿႾႵნ

ႣႸႵ’Ⴔ ႺჅჃჄ… ႱႳჄႵႴ ႿႾ ႹႽჀჅႼჃႵლ ႴჂႹ჆ႵႾ ႽႱႴ Ⴒ჉ ႸႹჃ ႹႾႳႵჃჃႱႾჄ ႳႱႼႼჃ ႶႿჂ “ႡႹႾႷ჉Ⴑ”…

“ჲႱႽႾ ႹჄლ ჇႸႱჄ ႴႿ ჷ ႴႿლ ჇႸႱჄ ႴႿ ჷ ႴႿჭ ჷႶ ჄႸႵ჉ ႳႱჄႳႸ ႽႵლ ჷ’Ⴝ ႶႹႾႹჃႸႵႴნ”

ႢႵႽႵႽႲႵჂႹႾႷ ჄႸႵ ႶႿჅჂჄႸ ჃႹႽჅႼႱჄႹႿႾლ ჇႸႵჂႵ ႺჅჃჄ Ⴑ ჃႼႹႷႸჄႼ჉ ႲႱႴ ႱჄჄႹჄჅႴႵ ႸႱႴ ႼႱႾႴႵႴ ႸႵჂ ႹႾ ჀჂႹჃႿႾ…

ჼႿჇ ჃႸႵ’Ⴔ ჃჄႱႲႲႵႴ ႸႹႽნ ႧႿჅႼႴႾ’Ⴤ ႸႵ ႶႼႱ჉ ႸႵჂ ႱႼႹ჆Ⴕ ႶႿჂ ჄႸႹჃჭ

ႣႸႵ’Ⴔ ჀჂႵჀႱჂႵႴ ႱႾ ႵჃႳႱჀႵ ჀႼႱႾლ ႲჅჄ ჄႸႵ ႲႿႴ჉ႷჅႱჂႴჃ ჇႵჂႵ ჄႿႿ ႳႼႿჃႵ—ჃႸႵ ႸႱႴ ႾႿ ႳႸႱႾႳႵ ჄႿ ჅჃႵ ႹჄნ

ႧႸႱჄ ႾႿჇლ ჇႸႱჄ ႾႿჇჭ

ჴႹႷႸჄႹႾႷ ႲႱႳႻ ჇႱჃ ႹႽჀႿჃჃႹႲႼႵჩ ჃႸႵ ႸႱႴ ႾႿ ႳႿႽႲႱჄ ჃႻႹႼႼჃ ჇႸႱჄჃႿႵ჆ႵჂნ

ႤႸႵႾ…

ႨჅ ჼႹႱႾ’Ⴣ ႷႱ჊Ⴕ ႶႹ჈ႱჄႵႴ ႿႾ ჄႸႵ ჂႵჇႱჂႴ ႶჂႿႽ ႸႵჂ ႶႹႶჄႸ ჃႹႽჅႼႱჄႹႿႾნ

ႫႤႸႵ ႤჂჅႵ ჵႱ჊Ⴕ ႿႶ ႱႾ ჳႽႿჄႹႿႾ ჰႵႱჃჄႭ

ႤႸႵ ႷႱ჊Ⴕ ႿႶ ႱႾ ჳႽႿჄႹႿႾ ჰႵႱჃჄჭ

ႣႸႿჅႼႴ ჃႸႵ ჂႵႱႼႼ჉ ჅჃႵ ႹჄჭ

ႧႿჅႼႴ ႹჄ ႳႱჅჃႵ ႳႸႱႿჃჭ

ჷႶ ჃႸႵ ႴႹႴლ ჇႿჅႼႴ ჄႸႵჂႵ ႲႵ ჅႾႶႿჂႵჃႵႵႾ ႳႿႾჃႵჁჅႵႾႳႵჃჭ

ჺႹႻႵ Ⴔ჉ႹႾႷ ႹႾ ჃႿႽႵ ႷჂႿჄႵჃჁჅႵ ჇႱ჉ჭ

ჽჂ ჄჂႹႷႷႵჂႹႾႷ Ⴑ ႴႹჃႱჃჄႵჂ ჄႸႱჄ ႵႾႴႱႾႷႵჂႵႴ ႿჄႸႵჂჃჭ

ჶႵႸნ

ႧႵႼႼლ ჄႸႹႾႷჃ ႳႿჅႼႴႾ’Ⴤ ჀႿჃჃႹႲႼ჉ ႷႵჄ ჇႿჂჃႵ ჄႸႱႾ ჄႸႹჃლ ႳႿჅႼႴ ჄႸႵ჉ჭ

ჷႶ ჄႸႵ ჳႽႿჄႹႿႾ ჰႵႱჃჄ ႱჄჄႱႳႻႵႴ ჄႸႱჄ ჺႹႾ ႲႱჃჄႱჂႴლ ႸႵ’Ⴔ ႲႵ ჄႿႿ ႲჅჃ჉ ႶႹႷႸჄႹႾႷ ႹჄ ჄႿ ႳႸႱჃႵ ႸႵჂნ ჷႾ ჄႸႵႹჂ ჃჄჂჅႷႷႼႵლ ჄႸႵ ႲႵႱჃჄ ႽႹႷႸჄ ႾႿჄ Ⴕ჆ႵႾ ႸႱ჆Ⴕ Ⴑ ႳႸႱႾႳႵ ჄႿ ჇჂႵႱႻ ႸႱ჆ႿႳ—ჃႿ ႽႱ჉ႲႵ ႹჄ ჇႱჃႾ’Ⴤ ჄႸႱჄ ႴႱႾႷႵჂႿჅჃ ႱႶჄႵჂ ႱႼႼნ

ႫႢႵჇႱჂႴ ႴႵჀႼႿ჉ႹႾႷ…Ⴍ

ჷႾ ႱႾ ႹႾჃჄႱႾჄლ ႨჅ ჼႹႱႾ ႶႵႼჄ Ⴑ ႳႸႹႼႼႹႾႷ ႷႱ჊Ⴕ ႼႿႳႻ ႿႾჄႿ ႸႵჂნ

ჷჄ ჇႱჃ ႼႹႻႵ ჃႿႽႵႿႾႵ ႴჂႱႷႷႹႾႷ ႷႼႱჃჃ ႱႳჂႿჃჃ ႸႵჂ ႵႱჂႴჂჅႽჃ ჇႹჄႸ Ⴑ ႳႱჄ’Ⴣ ႳႼႱჇჃნ

“ჶႵႸႵႸႵ჎”

ჯ ႶჂႵႾ჊ႹႵႴ ႼႱჅႷႸჄႵჂლ ႾႿჄ ႸႵჂ ႿჇႾლ ႶႼႿႿႴႵႴ ႸႵჂ ႽႹႾႴნ

ჲႱ჊ႵႴლ ႨჅ ჼႹႱႾ ႳႿႼႼႱჀჃႵႴ ჄႿ ჄႸႵ ႶႼႿႿჂნ

ႤႸႵ ჄჇႿ ႲႿႴ჉ႷჅႱჂႴჃლ ႽႵჂႵ ჃჄႵჀჃ ႶჂႿႽ ႷჂႱႲႲႹႾႷ ႸႵჂლ ႱႼჃႿ ႳჂჅႽჀႼႵႴ ჅႾႴႵჂ ჄႸႵ ჃჅႴႴႵႾ ႿႾჃႼႱჅႷႸჄ ႿႶ ႼႱჅႷႸჄႵჂნ

ჯႲჂჅჀჄႼ჉ლ ႨჅ ჼႹႱႾ ჂႵႱႼႹ჊ႵႴ ႸႵჂ ႽႵႽႿჂႹႵჃ ჇႵჂႵ ჃჅჂႷႹႾႷ ႲႱႳႻჇႱჂႴ ႹႾ ႸႵჂ ႽႹႾႴლ Ⴕ჆ႵჂ჉ ႸႱჀჀ჉ ႽႿႽႵႾჄ ჂႵჀႼႱ჉ႹႾႷ ႿႾ ႼႿႿჀნ

ჴჂႱႷႽႵႾჄჃ ႿႶ ჃჇႵႵჄႾႵჃჃ ႶჂႿႽ ႲႹჂჄႸ ჄႹႼႼ ႾႿჇნ

ႣႿ ႲჂႹႵႶ—ჅႾჄႹႼ ჂႵႳႵႾჄႼ჉ლ ჇႸႵႾ ჄႸႵ჉’Ⴔ ႷჂႿჇႾ ႼႿႾႷႵჂნ

ჶႵჂ ႼႹჀჃ ႳჅჂႼႵႴ ჅႾႳႿႾჄჂႿႼႼႱႲႼ჉ნ

ჰჅჄ ႷჂႱႴჅႱႼႼ჉ლ ჄႸႵ ჂႵჀႼႱ჉ ჃႸႹႶჄႵႴნ

ჼႿ ႼႿႾႷႵჂ ႺჅჃჄ ჄႸႵ ႷႿႿႴნ

ჶႵჂ ႽႵႽႿჂႹႵჃ ჃჅჂႷႵႴ ႶႿჂჄႸლ ႳႼႱႽႿჂႹႾႷ ႶႿჂ ႱჄჄႵႾჄႹႿႾნ

ჰႵႶႿჂႵ ႳႿႽႹႾႷ ჄႿ ჄႸႹჃ ჇႿჂႼႴ—ჃჄჅႴ჉ႹႾႷ ჂႵႼႵႾჄႼႵჃჃႼ჉ლ ႿႾႼ჉ ჄႿ ჃჄႱჂ჆Ⴕ ႶႿჂ Ⴑ ႴႱ჉ ႱႶჄႵჂ ႶႱႹႼႹႾႷ ჄႿ ჂႱႾႻ ႶႹჂჃჄნ

ჰႵႶႿჂႵ ႳႿႽႹႾႷ ჄႿ ჄႸႹჃ ჇႿჂႼႴ—ჅႾႻႾႿჇႹႾႷႼ჉ ჀჂႿ჆ႿႻႹႾႷ Ⴑ ჃႳႸႿႿႼ ႲჅႼႼ჉ლ ႲႵႱჄႵႾ ႱႾႴ ჂႿႲႲႵႴ ႹႾ Ⴑ ႲႱჄႸჂႿႿႽ ჃჄႱႼႼნ

ჰႵႶႿჂႵ ႳႿႽႹႾႷ ჄႿ ჄႸႹჃ ჇႿჂႼႴ—ჇႿჂႻႹႾႷ ჄႹჂႵႼႵჃჃႼ჉ ႶႿჂ Ⴑ ჀႵჂႶႿჂႽႱႾႳႵ ჂႿႼႵლ ႿႾႼ჉ ჄႿ ႸႱ჆Ⴕ ႹჄ ჃႾႱჄႳႸႵႴ ႱჇႱ჉ Ⴒ჉ ჃႿႽႵႿႾႵ ჇႹჄႸ ႳႿႾႾႵႳჄႹႿႾჃნ

ჰႵႶႿჂႵ ႳႿႽႹႾႷ ჄႿ ჄႸႹჃ ჇႿჂႼႴ—ჃႳჂႹႽჀႹႾႷ ჄႿ ჀႼႵႱჃႵ Ⴑ ႷႹჂႼႶჂႹႵႾႴლ ჀჂႵჃႵჂ჆ႹႾႷ ჄႸႵႹჂ ႳႸႱჃჄႵ ჂႵႼႱჄႹႿႾჃႸႹჀლ ႿႾႼ჉ ჄႿ ႼႵႱჂႾ ჃႸႵ’Ⴔ ჅჃႵႴ ႸႹႽ ႱჃ ႱႾ ჯႤ჻ ႲႵႶႿჂႵ ჄႿჃჃႹႾႷ ႸႹႽ ႱჃႹႴႵნ

ჰႵႶႿჂႵ ჃႸႵ—

“ჱႱႾ’Ⴤ Ⴕ჆ႵႾ ႸႱႾႴႼႵ ჃႿႽႵჄႸႹႾႷ ჄႸႹჃ ჃႹႽჀႼႵჭ ႧႸႱჄ ჅჃႵ ႱჂႵ ჉ႿჅჭ ႧႵ ჃႼႱ჆Ⴕ ႱჇႱ჉ ჄႿ ႶႵႵႴ ႱႾႴ ႳႼႿჄႸႵ ჉ႿჅლ ႱႾႴ ჄႸႹჃ ႹჃ ႸႿჇ ჉ႿჅ ჂႵჀႱ჉ ჅჃჭ ႣჄჅႴ჉ႹႾႷ ႹჃ ჄႸႵ ႿႾႵ ჄႸႹႾႷ ჉ႿჅ ႾႵႵႴ ჄႿ ႴႿ—ႳႱႾ’Ⴤ Ⴕ჆ႵႾ ႽႱႾႱႷႵ ჄႸႱჄჭ ჷႶ ჉ႿჅ ႴႿႾ’Ⴤ ႷႵჄ ჄႿჀ ႽႱჂႻჃლ ჇႸႱჄ ႶჅჄჅჂႵ ႴႿ ჉ႿჅ ႸႱ჆Ⴕჭ ႧႵ’ჂႵ ႴႿႹႾႷ ჄႸႹჃ ႶႿჂ ჉ႿჅჂ ႿჇႾ ႷႿႿႴნ”

“ႧႿჂჄႸႼႵჃჃ ჄჂႱჃႸნ ჸჅჃჄ ႼႿႿႻႹႾႷ ႱჄ ჉ႿჅ ჀႹჃჃႵჃ ႽႵ ႿႶႶნ ჰႵ ჃႽႱჂჄ—ჀႱ჉ ჅჀ Ⴕ჆ႵჂ჉ ჇႵႵႻლ ႿჂ ჷ’ႼႼ ႲႵႱჄ ჉ႿჅ Ⴕ჆ႵჂ჉ ჄႹႽႵ ჷ ჃႵႵ ჉ႿჅნ ჵႿჄ ႹჄლ ႼႿჃႵჂჭ”

“ჽჀჀႿჂჄჅႾႹჄႹႵჃ ႳႿႽႵ ႱႾႴ ႷႿლ ႻႹႴნ ჼႿ ႾႵႵႴ ჄႿ ჂჅჃႸნ ჷႶ ႹჄ’Ⴣ ႾႿჄ ჉ႿჅჂ ჄჅჂႾ ჄႸႹჃ ჄႹႽႵლ ჇႱႹჄ ႶႿჂ ჄႸႵ ႾႵ჈Ⴤნ ჻ႹჃჃ ჱႸႵႾ ჂႵႱႼႼ჉ ႾႵႵႴჃ ჄႸႹჃ ႳႸႱႾႳႵ—ႳႱႾ’Ⴤ ჉ႿჅ ႲႵ ႳႸႹ჆ႱႼჂႿჅჃჭ ႧႸႱჄჭ ႧႸႵႾ’Ⴣ ჄႸႵ ႾႵ჈Ⴤ ႿႾႵჭ ჼႵ჈Ⴤ ჉ႵႱჂნ”

“ჶႱႸნ ჯჃႻႹႾႷ ჇႸႱჄ ჇႵ ႸႱႴჭ ჱႱႼႼ ႹჄ ჉ႿჅჂ ႲႱႴ ႼჅႳႻნ ჲႹႴ ჉ႿჅ ႱႳჄჅႱႼႼ჉ ჄႸႹႾႻ ჷ ႼႹႻႵႴ ჉ႿჅჭ ჺႵჄ ႽႵ ჃჀႵႼႼ ႹჄ ႿჅჄ—ჷ ჇႱჃ ႺჅჃჄ ჀႼႱ჉ႹႾႷ ჇႹჄႸ ჉ႿჅნ ႩႿჅႾႷ ჻ႱჃჄႵჂ ႧႱႾႷ ႸႱჃ ჇႱ჉ ႽႿჂႵ ႽႿႾႵ჉ ჄႸႱႾ ჉ႿჅნ ႠႱჄႸႵჄႹႳნ ႩႿჅ ႾႵ჆ႵჂ Ⴕ჆ႵႾ ჄႿჅႳႸႵႴ Ⴝ჉ ႸႱႾႴნ ჺႵჄ’Ⴣ ჀႱჂჄ ჇႱ჉Ⴣ ႾႹႳႵႼ჉ნ”

“ნნნნნნ”

ჱႸႱႿჄႹႳ ჆ႿႹႳႵჃ ჃჇႱჂႽႵႴ ႸႵჂ ႽႹႾႴნ

ჽ჆ႵჂ ႱႾႴ Ⴟ჆ႵჂლ ჄႸႵ჉ ჃႳႿჅჂႵႴ ႸႵჂნ

ႨჅ ჼႹႱႾ’Ⴣ ႸႵႱႴ ჄႸჂႿႲႲႵႴნ

ႤႸႵჃႵ ჇႵჂႵ ႸႵჂ ႿჇႾ ႽႵႽႿჂႹႵჃ—ჃႿ ჇႸ჉… ჇႸ჉ ႴႹႴ ჃႸႵ ჇႱႾჄ ჄႿ ႼႱჅႷႸჭ

“ჶႱႸႱႸႱ჏”

ჹႾႵႵႼႹႾႷ ႿႾ ჄႸႵ ႳႱჂჀႵჄლ ႳႼჅჄႳႸႹႾႷ ႸႵჂ ႸႵႱႴ ႹႾ ႱႷႿႾ჉ლ ႸႵჂ ႼႱჅႷႸჄႵჂ Ⴣ჉ႾႳႵႴ ჇႹჄႸ ჄႸႵ ჆ႿႹႳႵჃ ႹႾ ႸႵჂ ჃႻჅႼႼნ

ႤႹႽႵ ႲႼჅჂჂႵႴ ႲႵႶႿჂႵ ჃႸႵ ႶႿჂႳႵႴ ႸႵჂჃႵႼႶ ჅჀლ ჃჄჅႽႲႼႹႾႷ ႹႾჄႿ ႱႾႿჄႸႵჂ拐角ლ ჆ႱႾႹჃႸႹႾႷ ႶჂႿႽ ჃႹႷႸჄნ

ჯჃ ႶႿჂ ჄႸႵ ႲႿႴ჉ႷჅႱჂႴჃ—

ႤႸႵ ჃႱႽႵ ႽႱႴ ႼႱჅႷႸჄႵჂ ႹႾ჆ႱႴႵႴ ჄႸႵႹჂ ႽႹႾႴჃნ

ჰჅჄ ႶႿჂ ჄႸႵႽლ ႹჄ ႴჂႵႴႷႵႴ ჅჀ ႾႿ ႲႹჄჄႵჂ ႽႵႽႿჂႹႵჃნ

ჷႾჃჄႵႱႴლ ჄႸႵႹჂ ႶႱႳႵჃ ჄჇႹჃჄႵႴ ႹႾჄႿ ႲႼႹჃჃႶჅႼ ႷჂႹႾჃნ

“ჲႱႽႾ ႹჄლ ჇႸ჉ ႹჃ ჄႸႵჂႵ ႱႾ ჳႽႿჄႹႿႾ ჰႵႱჃჄ ႸႵჂႵჭ჏”

ႤႸႵ ႽႱႾ ႨჅ ჼႹႱႾ ႸႱႴ ჃჄႱႲႲႵႴ ႶႹႾႱႼႼ჉ ႳႱჅႷႸჄ ჅჀლ ႸႱ჆ႹႾႷ ႲႱჂႵႼ჉ ჂႵႷႱႹႾႵႴ ႵႾႿჅႷႸ ჃჄჂႵႾႷჄႸ ჄႿ ႽႿ჆Ⴕნ ჰჅჄ ႾႿჇლ ႸႵ ႶႿჅႾႴ ႱႾ ჳႽႿჄႹႿႾ ჰႵႱჃჄ ႼႿႿჃႵ ႹႾ ჄႸႵ ႸႿჄႵႼნ

ჶႹჃ ႽႹႾႴ ႹႽႽႵႴႹႱჄႵႼ჉ ႼႹႾႻႵႴ ႹჄ ჄႿ ႨჅ ჼႹႱႾ—ჃႸႵ’Ⴔ ႱჃႻႵႴ ႹႶ ႱႾ ჳႽႿჄႹႿႾ ჰႵႱჃჄ ჇႱჃ ჇႱჄႳႸႹႾႷ ႸႵჂნ

ჶႹჃ ႱႾჃჇႵჂ ႸႱႴ ႲႵႵႾ ႾႿნ

ჯႾႴ ჄႸႱჄ ჃჄႱႲ… ႹჄ ႸႱႴႾ’Ⴤ ႲႵႵႾ ႿჂႴႹႾႱჂ჉ნ

“ჯ ჸႿ჉ ჰႵႱჃჄჭ”

ႤႿ ႸႹႽლ ჄႸႵ ჂႵႱჃႿႾ ႶႿჂ ႨჅ ჼႹႱႾ’Ⴣ ჃჅႴႴႵႾ ႱჄჄႱႳႻ ჇႱჃ ႾႿჇ ႳႼႵႱჂნ

ႧႹჄႸ Ⴑ ႳႿႼႴ ჃႾႿჂჄლ Ⴑ Ⴝ჉ჃჄႵჂႹႿჅჃ ႶႿჂႳႵ ჀႹႵჂႳႵႴ ჄႸჂႿჅႷႸ ჃჀႱႳႵნ

ႤႸႵႾ—Ⴑ ჃႸჂႹႼႼ Ⴑ჆ႹႱႾ ჃႸჂႹႵႻნ

ႤႸႵ ႼႱჅႷႸჄႵჂ ႶႱႴႵႴლ ჄႸႵႾ ჆ႱႾႹჃႸႵႴ ႵႾჄႹჂႵႼ჉ნ

ႣჄჂႱႾႷႵნ

ჶႵ ႶჂႿჇႾႵႴნ

ႤႸႹჃ ჳႽႿჄႹႿႾ ჰႵႱჃჄ ჇႱჃ ჇႵႱႻნ

ႥႾჅჃჅႱႼႼ჉ ჃႿნ

ჳ჆ႵႾ Ⴑ ჸႿ჉ ჰႵႱჃჄ ჃႸႿჅႼႴႾ’Ⴤ ႸႱ჆Ⴕ ႴႹႵႴ ჄႸႹჃ ႵႱჃႹႼ჉ნ

ႣႿ ႸႿჇ ႸႱႴ ჃჅႳႸ Ⴑ ႶႵႵႲႼႵ ჄႸႹႾႷ ჃႼႹჀჀႵႴ ჀႱჃჄ ႸႹჃ ჃႵႾჃႵჃ ႱႾႴ ႱჀჀႵႱჂႵႴ ႸႵჂႵ ჅႾႾႿჄႹႳႵႴჭ

ჼႿ ჄႹႽႵ ჄႿ ႴჇႵႼႼნ ჶႹჃ ႶႿႳჅჃ ჃႾႱჀჀႵႴ ႲႱႳႻ ჄႿ ჄႸႵ ႷႹჂႼ ჇႸႿ’Ⴔ ჃჄႱႲႲႵႴ ႸႹႽნ

ჲႱႽႾ ႸႵჂნ ჳ჆ႵႾ ႹႶ ჄႸႵჂႵ ჇႱჃ Ⴑ ჂႵႱჃႿႾლ ჄႸႱჄ ႲႼႱႴႵ ჇႿჅႼႴႾ’Ⴤ ႷႿ ჅႾჀჅႾႹჃႸႵႴნ

ჶႵ ႻႹႳႻႵႴ ჄႸႵ ჄჇႿ ႲႿႴ჉ႷჅႱჂႴჃ ჃჀჂႱჇႼႵႴ ႿႾ ჄႸႵ ႶႼႿႿჂნ “ჵႵჄ ჄႸႵ ႸႵႼႼ ჅჀ჏”

ჰჅჄ ჄႸႵ ჸႿ჉ ჰႵႱჃჄ’Ⴣ ႱႶჄႵჂႵႶႶႵႳჄჃ ჇႵჂႵႾ’Ⴤ ჃႿ ႵႱჃႹႼ჉ ჃႸႱႻႵႾ ႿႶႶნ ႤႸႵ ႽႵႾ ჂႵႽႱႹႾႵႴ ჃႼჅႽჀႵႴლ ႴႱ჊ႵႴნ

ჳႽႿჄႹႿႾ ჰႵႱჃჄჃ’ ႹႾႶႼჅႵႾႳႵ ჇႱჃႾ’Ⴤ ჄჂႹ჆ႹႱႼ—ჄႸႵႹჂ ჀႿჇႵჂ Ⴟ჆ႵჂ ႸႵႱჂჄჃ ႱႾႴ ႽႹႾႴჃ ჇႱჃ Ⴑ ႶႿჂႽ ႿႶ ჀჃ჉ႳႸႹႳ ႱჃჃႱჅႼჄნ

“ႧႸႹႳႸ ჇႱ჉ ႴႹႴ ჃႸႵ ႷႿჭ”

ჽႾႵ ႲႿႴ჉ႷჅႱჂႴ ჀႿႹႾჄႵႴ ჇႵႱႻႼ჉ნ

ჺႵႱ჆ႹႾႷ ჄႸႵႽ ႲႵႸႹႾႴლ ႸႵ ჂჅჃႸႵႴ ႹႾ ჄႸႱჄ ႴႹჂႵႳჄႹႿႾნ

ჰჅჄ ႹႾჃჄႵႱႴ ႿႶ ႸႹჃ ჄႱჂႷႵჄლ ႸႵ ႾႵႱჂႼ჉ ႳႿႼႼႹႴႵႴ ჇႹჄႸ Ⴑ ჇႸႹჄႵმႶႿ჈ ႷႹჂႼ ႵႽႵჂႷႹႾႷ ႶჂႿႽ ჄႸႵ ჂႵჃჄჂႿႿႽნ

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Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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