Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 17

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ᮈᮥ ᯜᮙᮑᮞ ᮓᮥᮠᮠᮕᮔ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮖᮑᮓᮕ ᮑᮞᮔ ᮛᮙᮣᮣᮕᮔ ᮘᮕᮢ ᮔᮕᮕᮠᮜᮩᮼ

ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮓᮜᮟᮣᮕᮔ ᮘᮕᮢ ᮕᮩᮕᮣᮺ ᮣᮑᮦᮟᮢᮙᮞᮗ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤᮺ ᮘᮕᮢ ᮑᮢᮝᮣ ᮙᮞᮣᮤᮙᮞᮓᮤᮙᮦᮕᮜᮩ ᮧᮢᮑᮠᮠᮙᮞᮗ ᮑᮢᮟᮥᮞᮔ ᮈᮥ ᯜᮙᮑᮞ ᮙᮞ ᮢᮕᮤᮥᮢᮞᮼ

ᮉᮕᮤ ᮈᮥ ᯜᮙᮑᮞ’ᮣ ᮗᮑ᮪ᮕ ᮧᮑᮣ ᮞᮟᮤ ᮟᮞ ᮃᮥ ᮁᮙᮞᮗᮩᮑᮼ

ᮄᮘᮟᮣᮕ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮩᮕᮤ ᮖᮑᮙᮞᮤᮜᮩ ᮔᮑᮞᮗᮕᮢᮟᮥᮣ ᮖᮟᮨᮻᮜᮙᮛᮕ ᮕᮩᮕᮣ ᮧᮕᮢᮕ ᮖᮙᮨᮕᮔ ᮙᮞᮤᮕᮞᮤᮜᮩ ᮟᮞ ᮤᮘᮕ ᮘᮟᮤᮕᮜ’ᮣ ᮕᮞᮤᮢᮑᮞᮓᮕᮼ

ᯏᮤ ᮤᮘᮑᮤ ᮝᮟᮝᮕᮞᮤᮺ ᮑ ᮝᮑᮞ ᮕᮝᮕᮢᮗᮕᮔ ᮖᮢᮟᮝ ᮤᮘᮕ ᮔᮟᮟᮢᮧᮑᮩᮺ ᮘᮙᮣ ᮕᮨᮠᮢᮕᮣᮣᮙᮟᮞ ᮔᮑᮢᮛᮺ ᮖᮜᮑᮞᮛᮕᮔ ᮒᮩ ᮤᮧᮟ ᮒᮟᮔᮩᮗᮥᮑᮢᮔᮣᮼ ᯏ ᮘᮟᮤᮕᮜ ᮝᮑᮞᮑᮗᮕᮢ ᮑᮞᮔ ᮑ ᮗᮢᮟᮥᮠ ᮟᮖ ᮣᮤᮑᮖᮖ ᮤᮢᮑᮙᮜᮕᮔ ᮒᮕᮘᮙᮞᮔ ᮘᮙᮝᮼ

ᮃᮟᮺ ᮘᮕ’ᮣ ᮔᮕᮓᮙᮔᮕᮔ ᮤᮟ ᮜᮕᮑᮦᮕᯍ

ᮇᮘᮑᮤ ᮑᮞ ᮕᮨᮤᮢᮑᮦᮑᮗᮑᮞᮤ ᮔᮙᮣᮠᮜᮑᮩᮼ

ᯐᮥᮤ ᮈᮥ ᯜᮙᮑᮞ ᮞᮟᮤᮙᮓᮕᮔ ᮣᮟᮝᮕᮤᮘᮙᮞᮗ—ᮑ ᮖᮢᮕᮣᮘ ᮧᮟᮥᮞᮔ ᮟᮞ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮣᮙᮔᮕ ᮟᮖ ᮘᮙᮣ ᮧᮑᮙᮣᮤᮼ ᯏ ᮣᮕᮓᮟᮞᮔ ᮣᮤᮑᮒ ᮧᮟᮥᮞᮔᮼ ᮄᮘᮟᮥᮗᮘ ᮘᮕ ᮘᮑᮔ ᮘᮕᮑᮜᮕᮔ ᮙᮤ ᮧᮙᮤᮘ ᮘᮙᮣ ᮑᮒᮙᮜᮙᮤᮩᮺ ᮤᮢᮑᮓᮕᮣ ᮟᮖ ᮙᮤ ᮢᮕᮝᮑᮙᮞᮕᮔᮼ

ᮇᮘᮑᮤ ᮘᮑᮠᮠᮕᮞᮕᮔᯍ

“ᮀᮻᮀᮢᮕᮣᮙᮔᮕᮞᮤ ᯚᮙᮞᮺ ᮧᮕ ᮣᮙᮞᮓᮕᮢᮕᮜᮩ ᮑᮠᮟᮜᮟᮗᮙ᮪ᮕ ᮖᮟᮢ ᮤᮘᮕ ᮥᮞᮠᮜᮕᮑᮣᮑᮞᮤ ᮔᮙᮞᮙᮞᮗ ᮕᮨᮠᮕᮢᮙᮕᮞᮓᮕ…”

“ᯗ ᮔᮟᮞ’ᮤ ᮧᮑᮞᮤ ᮤᮟ ᮘᮕᮑᮢ ᮥᮣᮕᮜᮕᮣᮣ ᮕᮨᮓᮥᮣᮕᮣᮼ ᯗᮞᮦᮕᮣᮤᮙᮗᮑᮤᮕᮯ ᯔᮙᮞᮔ ᮟᮥᮤ ᮘᮟᮧ ᮣᮘᮕ ᮕᮣᮓᮑᮠᮕᮔᮯ ᮉᮟᮥᮢ ᮟᮞᮜᮩ ᮓᮘᮑᮞᮓᮕ ᮤᮟ ᮝᮑᮛᮕ ᮥᮠ ᮖᮟᮢ ᮤᮘᮙᮣ ᮙᮣ ᮤᮟ ᮤᮢᮑᮓᮛ ᮘᮕᮢ ᮔᮟᮧᮞ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩᮼ ᯝᮤᮘᮕᮢᮧᮙᮣᮕᮺ ᯗ’ᮜᮜ ᮝᮑᮛᮕ ᮣᮥᮢᮕ ᮩᮟᮥ ᮠᮑᮩ ᮤᮘᮕ ᮠᮢᮙᮓᮕᮼ”

ᮄᮘᮕ ᮝᮑᮞ’ᮣ ᮦᮟᮙᮓᮕ ᮧᮑᮣ ᮑ ᮖᮥᮢᮙᮟᮥᮣ ᮢᮟᮑᮢᮺ ᮘᮙᮣ ᮕᮩᮕᮣ ᮒᮥᮢᮞᮙᮞᮗ ᮧᮙᮤᮘ ᮤᮘᮕ ᮖᮥᮢᮩ ᮟᮖ ᮑ ᮜᮙᮟᮞᮼ

ᮄᮘᮕ ᮘᮟᮤᮕᮜ ᮝᮑᮞᮑᮗᮕᮢ ᮤᮢᮕᮝᮒᮜᮕᮔ ᮑᮣ ᮘᮕ ᮑᮠᮟᮜᮟᮗᮙ᮪ᮕᮔᮺ ᮟᮞᮜᮩ ᮤᮟ ᮒᮕ ᮝᮕᮤ ᮧᮙᮤᮘ ᮑ ᮤᮟᮢᮢᮕᮞᮤ ᮟᮖ ᮣᮓᮑᮤᮘᮙᮞᮗ ᮙᮞᮣᮥᮜᮤᮣᮼ

“ᮂᮕᮣᮤ ᮑᮣᮣᮥᮢᮕᮔᮺ ᮧᮕ ᮧᮙᮜᮜ ᮢᮕᮦᮙᮕᮧ ᮑᮜᮜ ᮣᮥᮢᮦᮕᮙᮜᮜᮑᮞᮓᮕ ᮖᮟᮟᮤᮑᮗᮕ ᮑᮞᮔ ᮜᮟᮓᮑᮤᮕ ᮤᮘᮕ ᮓᮥᮜᮠᮢᮙᮤ ᮖᮟᮢ ᮩᮟᮥᮼ”

“ᯖᮝᮠᮘᮼ”

ᮄᮘᮕ ᮝᮑᮞ ᮣᮞᮟᮢᮤᮕᮔ ᮓᮟᮜᮔᮜᮩᮺ ᮞᮟᮤ ᮕᮦᮕᮞ ᮒᮟᮤᮘᮕᮢᮙᮞᮗ ᮤᮟ ᮜᮟᮟᮛ ᮑᮤ ᮘᮙᮝᮼ

ᮇᮘᮑᮤ ᮘᮑᮔ ᮚᮥᮣᮤ ᮘᮑᮠᮠᮕᮞᮕᮔᯍ

ᯖᮕ ᮘᮑᮔ ᮕᮞᮔᮥᮢᮕᮔ ᮤᮘᮕ ᮓᮜᮑᮝᮟᮢ ᮟᮖ ᮑ ᮗᮢᮟᮥᮠ ᮟᮖ ᮖᮟᮟᮜᮙᮣᮘᮺ ᮔᮙᮣᮗᮥᮣᮤᮙᮞᮗ ᮧᮟᮝᮕᮞ ᮑᮞᮔ ᮖᮙᮞᮑᮜᮜᮩ ᮖᮟᮥᮞᮔ ᮤᮘᮕ ᮟᮞᮕ ᮧᮘᮟ ᮘᮑᮔ ᮣᮤᮑᮒᮒᮕᮔ ᮘᮙᮝ—ᮙᮞ ᮤᮘᮕ ᮢᮕᮣᮤᮢᮟᮟᮝᮺ ᮞᮟ ᮜᮕᮣᮣᮼ

ᯐᮥᮤ ᮙᮤ ᮤᮥᮢᮞᮕᮔ ᮟᮥᮤ ᮤᮟ ᮒᮕ ᮞᮟᮤᮘᮙᮞᮗ ᮝᮟᮢᮕ ᮤᮘᮑᮞ ᮑᮞ ᮑᮦᮑᮤᮑᮢ ᮟᮖ ᮤᮘᮕ ᮃᮕᮡᮥᮕᮞᮓᮕ’ᮣ ᮠᮟᮧᮕᮢᮼ ᮇᮙᮤᮘᮟᮥᮤ ᮑ ᮧᮟᮢᮔᮺ ᮙᮤ ᮣᮤᮑᮒᮒᮕᮔ ᮘᮙᮝ ᮑᮗᮑᮙᮞ ᮒᮕᮖᮟᮢᮕ ᮦᮑᮞᮙᮣᮘᮙᮞᮗᮺ ᮜᮕᮑᮦᮙᮞᮗ ᮒᮕᮘᮙᮞᮔ ᮟᮞᮜᮩ ᮜᮙᮞᮗᮕᮢᮙᮞᮗ ᮜᮑᮥᮗᮘᮤᮕᮢ ᮙᮞ ᮤᮘᮕ ᮑᮙᮢᮼ ᯜᮟ ᮤᮢᮑᮓᮕ ᮢᮕᮝᮑᮙᮞᮕᮔᮼ

ᯘᮟᮩᮼ

ᮇᮘᮑᮤ ᮑ ᮔᮙᮣᮗᮥᮣᮤᮙᮞᮗ ᮠᮑᮤᮘᮧᮑᮩᮼ

ᯔᮢᮥᮣᮤᮢᮑᮤᮕᮔᮺ ᮘᮕ ᮗᮢᮑᮒᮒᮕᮔ ᮘᮙᮣ ᮠᮘᮟᮞᮕ ᮑᮞᮔ ᮖᮙᮢᮕᮔ ᮟᮖᮖ ᮑ ᮝᮕᮣᮣᮑᮗᮕ ᮤᮟ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮇᮕᯑᮘᮑᮤ ᮑᮓᮓᮟᮥᮞᮤᮼ

ᯐᮥᮤ ᮤᮘᮕ ᮟᮞᮜᮩ ᮢᮕᮣᮠᮟᮞᮣᮕ ᮧᮑᮣ ᮑ ᮢᮕᮔ ᮕᮨᮓᮜᮑᮝᮑᮤᮙᮟᮞ ᮝᮑᮢᮛᮼ

ᮈᮥ ᯜᮙᮑᮞ ᮘᮑᮔ ᮜᮟᮞᮗ ᮣᮙᮞᮓᮕ ᮔᮕᮜᮕᮤᮕᮔ ᮘᮙᮝ ᮖᮢᮟᮝ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮠᮘᮟᮞᮕᮼ

ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮑᮓᮓᮟᮥᮞᮤ ᮧᮑᮣ ᮝᮕᮑᮞᮤ ᮖᮟᮢ ᮘᮕᮢ ᮑᮜᮟᮞᮕᮼ

ᯏᮤ ᮝᮟᮣᮤᮺ ᮘᮕᮢ ᮠᮑᮢᮕᮞᮤᮣ ᮓᮟᮥᮜᮔ ᮒᮕ ᮑᮔᮔᮕᮔᮼ

ᯓᮞᮢᮑᮗᮕᮔᮺ ᮤᮘᮕ ᮝᮑᮞ ᮘᮥᮢᮜᮕᮔ ᮘᮙᮣ ᮠᮘᮟᮞᮕ ᮤᮟ ᮤᮘᮕ ᮗᮢᮟᮥᮞᮔᮼ ᯏ ᮧᮑᮙᮤᮕᮢ ᮙᮝᮝᮕᮔᮙᮑᮤᮕᮜᮩ ᮣᮓᮢᮑᮝᮒᮜᮕᮔ ᮤᮟ ᮠᮙᮓᮛ ᮥᮠ ᮤᮘᮕ ᮣᮘᮑᮤᮤᮕᮢᮕᮔ ᮔᮕᮦᮙᮓᮕᮺ ᮠᮢᮕᮣᮕᮞᮤᮙᮞᮗ ᮙᮤ ᮧᮙᮤᮘ ᮥᮤᮝᮟᮣᮤ ᮔᮕᮖᮕᮢᮕᮞᮓᮕ—ᮤᮘᮟᮥᮗᮘ ᮙᮤ ᮧᮑᮣ ᮤᮘᮕ ᮒᮟᮔᮩᮗᮥᮑᮢᮔ ᮧᮘᮟ ᮤᮟᮟᮛ ᮙᮤᮼ

“ᯔᮙᮞᮔ ᮘᮕᮢᮼ ᯗ ᮧᮑᮞᮤ ᮑᮜᮜ ᮘᮕᮢ ᮙᮞᮖᮟᮢᮝᮑᮤᮙᮟᮞ ᮧᮙᮤᮘᮙᮞ ᮤᮘᮢᮕᮕ ᮝᮙᮞᮥᮤᮕᮣᮯ”

ᮈᮥ ᯜᮙᮑᮞ ᮒᮜᮙᮞᮛᮕᮔᮺ ᮧᮙᮤᮘᮔᮢᮑᮧᮙᮞᮗ ᮘᮕᮢ ᮗᮑ᮪ᮕ ᮑᮞᮔ ᮢᮕᮖᮟᮓᮥᮣᮙᮞᮗ ᮟᮞ ᮤᮘᮕ “ᮔᮕᮜᮙᮓᮑᮓᮩ” ᮒᮕᮖᮟᮢᮕ ᮘᮕᮢᮺ ᮠᮑᮩᮙᮞᮗ ᮞᮟ ᮖᮥᮢᮤᮘᮕᮢ ᮝᮙᮞᮔ ᮤᮟ ᮤᮘᮕ ᮘᮩᮣᮤᮕᮢᮙᮓᮑᮜ ᮠᮢᮕᮣᮙᮔᮕᮞᮤ ᮑᮤ ᮤᮘᮕ ᮕᮞᮤᮢᮑᮞᮓᮕᮼ

ᮄᮘᮕ ᮠᮢᮕᮣᮙᮔᮕᮞᮤᮺ ᮘᮟᮧᮕᮦᮕᮢᮺ ᮘᮑᮠᮠᮕᮞᮕᮔ ᮤᮟ ᮗᮜᮑᮞᮓᮕ ᮙᮞ ᮤᮘᮕᮙᮢ ᮔᮙᮢᮕᮓᮤᮙᮟᮞᮼ

ᯐᮥᮤ ᮘᮙᮣ ᮢᮑᮗᮕᮻᮓᮜᮟᮥᮔᮕᮔ ᮝᮙᮞᮔ ᮖᮑᮙᮜᮕᮔ ᮤᮟ ᮢᮕᮓᮟᮗᮞᮙ᮪ᮕ ᮤᮘᮕᮝᮼ

ᯝᮢ ᮢᮑᮤᮘᮕᮢᮺ ᮘᮕ ᮔᮙᮔ ᮢᮕᮓᮑᮜᮜ—ᮤᮘᮕ ᮧᮘᮙᮤᮕᮻᮖᮟᮨᮻᮕᮑᮢᮕᮔ ᮠᮕᮢᮣᮟᮞ ᮘᮕ ᮘᮑᮔ ᮑᮣᮛᮕᮔ ᮖᮟᮢ ᮔᮙᮢᮕᮓᮤᮙᮟᮞᮣ ᮟᮥᮤᮣᮙᮔᮕ ᮤᮘᮕ ᮢᮕᮣᮤᮢᮟᮟᮝ ᮕᮑᮢᮜᮙᮕᮢᮼ

ᮃᮟᮺ ᮣᮘᮕ ᮧᮑᮣ ᮑ ᮜᮕᮣᮒᮙᮑᮞᮼ

ᯏᮞᮔ ᮤᮟ ᮖᮜᮑᮥᮞᮤ ᮙᮤ ᮣᮟ ᮒᮢᮑ᮪ᮕᮞᮜᮩ ᮙᮞ ᮠᮥᮒᮜᮙᮓᮯ

ᮇᮘᮑᮤ ᮧᮑᮣ ᮧᮢᮟᮞᮗ ᮧᮙᮤᮘ ᮤᮘᮙᮣ ᮧᮟᮢᮜᮔᯍ

ᮀᮢᮕᮣᮙᮔᮕᮞᮤ ᯚᮙᮞ ᮘᮑᮔ ᮝᮙᮣᮟᮗᮩᮞᮩᮼ

ᮄᮘᮕ ᮣᮙᮗᮘᮤ ᮟᮖ ᮤᮧᮟ ᮧᮟᮝᮕᮞ ᮒᮕᮙᮞᮗ ᮑᮖᮖᮕᮓᮤᮙᮟᮞᮑᮤᮕ ᮝᮑᮔᮕ ᮘᮙᮝ ᮤᮥᮢᮞ ᮑᮧᮑᮩ ᮙᮞ ᮔᮙᮣᮗᮥᮣᮤᮺ ᮘᮙᮣ ᮖᮥᮢᮩ ᮙᮞᮤᮕᮞᮣᮙᮖᮩᮙᮞᮗᮼ

“ᯒᮙᮣᮗᮥᮣᮤᮙᮞᮗᮼ”

ᯏ ᮒᮟᮔᮩᮗᮥᮑᮢᮔ ᮟᮠᮕᮞᮕᮔ ᮤᮘᮕ ᮓᮑᮢ ᮔᮟᮟᮢ ᮖᮟᮢ ᮘᮙᮝᮺ ᮑᮞᮔ ᮘᮕ ᮓᮜᮙᮝᮒᮕᮔ ᮙᮞᮺ ᮣᮟᮟᮞ ᮣᮠᮕᮕᮔᮙᮞᮗ ᮑᮧᮑᮩᮼ

ᮃᮕᮕᮙᮞᮗ ᮤᮘᮑᮤ ᮤᮘᮕ ᮓᮟᮑᮣᮤ ᮧᮑᮣ ᮓᮜᮕᮑᮢᮺ

ᮈᮥ ᯜᮙᮑᮞ ᮖᮙᮞᮑᮜᮜᮩ ᮢᮕᮜᮕᮑᮣᮕᮔ ᮃᮥ ᮁᮙᮞᮗᮩᮑᮼ

ᮀᮕᮢᮘᮑᮠᮣ ᮖᮢᮟᮝ ᮜᮑᮓᮛ ᮟᮖ ᮑᮙᮢᮺ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮗᮑᮣᮠᮕᮔ ᮣᮟᮖᮤᮜᮩᮺ ᮘᮕᮢ ᮖᮑᮓᮕ ᮖᮜᮥᮣᮘᮕᮔ ᮑᮞᮔ ᮔᮑ᮪ᮕᮔᮺ ᮜᮟᮟᮛᮙᮞᮗ ᮥᮤᮤᮕᮢᮜᮩ ᮕᮞᮤᮙᮓᮙᮞᮗᮼ

ᮈᮥ ᯜᮙᮑᮞ ᮜᮙᮓᮛᮕᮔ ᮘᮕᮢ ᮜᮙᮠᮣᮼ ᮄᮘᮕ ᮗᮙᮢᮜ’ᮣ ᮔᮕᮜᮙᮓᮑᮤᮕ ᮖᮢᮑᮗᮢᮑᮞᮓᮕᮺ ᮝᮙᮨᮕᮔ ᮧᮙᮤᮘ ᮑ ᮘᮙᮞᮤ ᮟᮖ ᮣᮧᮕᮕᮤᮞᮕᮣᮣᮺ ᮧᮑᮣ ᮙᮢᮢᮕᮣᮙᮣᮤᮙᮒᮜᮕᮼ

ᮄᮘᮕ ᮥᮞᮓᮟᮞᮣᮓᮙᮟᮥᮣ ᮗᮕᮣᮤᮥᮢᮕ ᮟᮞᮜᮩ ᮔᮕᮕᮠᮕᮞᮕᮔ ᮤᮘᮕ ᮒᮜᮥᮣᮘ ᮟᮞ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮖᮑᮓᮕᮼ

“ᯜᮻᯜᮙᮑᮞᮺ ᮘᮟᮧ ᮓᮟᮥᮜᮔ ᮩᮟᮥ…ᯍ”

ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮧᮑᮣ ᮟᮞ ᮤᮘᮕ ᮦᮕᮢᮗᮕ ᮟᮖ ᮓᮟᮝᮒᮥᮣᮤᮙᮞᮗ ᮖᮢᮟᮝ ᮕᮝᮒᮑᮢᮢᮑᮣᮣᮝᮕᮞᮤᮼ

ᮃᮘᮕ ᮓᮟᮥᮜᮔ ᮖᮕᮕᮜ ᮤᮘᮕ ᮝᮥᮢᮝᮥᮢᮣ ᮑᮢᮟᮥᮞᮔ ᮤᮘᮕᮝᮼ ᯏᮖᮤᮕᮢ ᮑᮜᮜᮺ ᮤᮧᮟ ᮣᮤᮢᮙᮛᮙᮞᮗᮜᮩ ᮒᮕᮑᮥᮤᮙᮖᮥᮜ ᮗᮙᮢᮜᮣ ᮕᮞᮗᮑᮗᮙᮞᮗ ᮙᮞ ᮣᮥᮓᮘ ᮒᮕᮘᮑᮦᮙᮟᮢ ᮧᮑᮣ ᮒᮟᮥᮞᮔ ᮤᮟ ᮔᮢᮑᮧ ᮑᮤᮤᮕᮞᮤᮙᮟᮞᮼ

ᮃᮟᮝᮕ ᮧᮑᮤᮓᮘᮕᮔ ᮧᮙᮤᮘ ᮕᮞᮦᮩᮺ ᮟᮤᮘᮕᮢᮣ ᮧᮙᮤᮘ ᮣᮛᮕᮠᮤᮙᮓᮙᮣᮝᮼ

ᯏ ᮖᮕᮧ ᮕᮦᮕᮞ ᮓᮑᮣᮤ ᮟᮔᮔ ᮗᮜᮑᮞᮓᮕᮣ ᮑᮤ ᮤᮘᮕᮙᮢ ᮟᮧᮞ ᮖᮕᮝᮑᮜᮕ ᮓᮟᮝᮠᮑᮞᮙᮟᮞᮣᮼ

ᯏᮞᮔ ᮤᮘᮕᮞ ᮤᮘᮕᮢᮕ ᮧᮕᮢᮕ ᮤᮘᮟᮣᮕ ᮧᮘᮟᮺ ᮣᮕᮙ᮪ᮙᮞᮗ ᮤᮘᮕ ᮝᮟᮝᮕᮞᮤᮺ ᮠᮥᮜᮜᮕᮔ ᮤᮘᮕᮙᮢ ᮖᮢᮙᮕᮞᮔᮣ ᮓᮜᮟᮣᮕ ᮑᮞᮔ ᮝᮙᮝᮙᮓᮛᮕᮔ ᮤᮘᮕ ᮑᮓᮤᮼ

“ᮇᮘᮑᮤ’ᮣ ᮤᮘᮕᮢᮕ ᮤᮟ ᮒᮕ ᮣᮘᮩ ᮑᮒᮟᮥᮤᯍ ᮇᮕ’ᮦᮕ ᮒᮕᮕᮞ ᮤᮟᮗᮕᮤᮘᮕᮢ ᮖᮟᮢ ᮤᮘᮢᮕᮕ ᮩᮕᮑᮢᮣᮺ ᮩᮕᮤ ᮩᮟᮥ’ᮢᮕ ᮣᮤᮙᮜᮜ ᮑᮓᮤᮙᮞᮗ ᮜᮙᮛᮕ ᮑ ᮒᮜᮥᮣᮘᮙᮞᮗ ᮦᮙᮢᮗᮙᮞᮼ ᮀᮖᮖᮤ—ᮧᮘᮑᮤ ᮑ ᮜᮟᮣᮕᮢᮼ”

“ᯜᮙᮑᮞᮺ ᮩᮟᮥ ᮙᮔᮙᮟᮤᮯ”

ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮠᮟᮥᮞᮔᮕᮔ ᮈᮥ ᯜᮙᮑᮞ’ᮣ ᮣᮘᮟᮥᮜᮔᮕᮢᮣ ᮧᮙᮤᮘ ᮘᮕᮢ ᮖᮙᮣᮤᮣᮼ

“ᯝᮧᮯ”

“ᯏᮻᯏᮢᮕ ᮩᮟᮥ ᮟᮛᮑᮩᯍ ᯒᮙᮔ ᯗ ᮘᮥᮢᮤ ᮩᮟᮥᯍ”

ᮄᮘᮕᮞ ᮣᮘᮕ ᮓᮑᮥᮗᮘᮤ ᮣᮙᮗᮘᮤ ᮟᮖ ᮈᮥ ᯜᮙᮑᮞ’ᮣ ᮝᮙᮣᮓᮘᮙᮕᮦᮟᮥᮣ ᮗᮢᮙᮞᮼ

“ᯐᮜᮕᮘᮮ”

“ᯏᮘᮘᮘᮯ ᯜᮙᮑᮞᮺ ᮩᮟᮥ’ᮢᮕ ᮤᮘᮕ ᮧᮟᮢᮣᮤᮯ ᯗ’ᮝ ᮙᮗᮞᮟᮢᮙᮞᮗ ᮩᮟᮥᮯ”

“ᯖᮑᮘᮑᮘᮑᮼ”

ᮃᮟᮝᮕᮘᮟᮧᮺ ᮙᮤ ᮖᮕᮜᮤ ᮜᮙᮛᮕ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮘᮑᮔ ᮢᮕᮦᮕᮢᮤᮕᮔ ᮤᮟ ᮘᮕᮢ ᮟᮜᮔ ᮣᮕᮜᮖ—ᮤᮘᮕ ᮁᮙᮞᮗᮩᮑ ᮣᮘᮕ ᮛᮞᮕᮧ ᮣᮟ ᮧᮕᮜᮜᮼ

ᮄᮘᮑᮤ ᮩᮑᮞᮔᮕᮢᮕ ᮑᮓᮤ ᮝᮥᮣᮤ ᮘᮑᮦᮕ ᮒᮕᮕᮞ ᮖᮑᮛᮕᮺ ᮢᮙᮗᮘᮤᯍ

“ᯏᮘᮺ ᯗ’ᮝ ᮛᮙᮞᮔᮑ ᮘᮥᮞᮗᮢᮩᮼ ᯚᮕᮤ’ᮣ ᮗᮟ ᮕᮑᮤᮼ”

ᮈᮥ ᯜᮙᮑᮞ ᮓᮜᮥᮞᮗ ᮤᮟ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮑᮢᮝᮺ ᮠᮢᮕᮣᮣᮙᮞᮗ ᮤᮘᮕ ᮟᮤᮘᮕᮢ ᮗᮙᮢᮜ’ᮣ ᮣᮟᮖᮤᮺ ᮣᮜᮕᮞᮔᮕᮢ ᮘᮑᮞᮔ ᮑᮗᮑᮙᮞᮣᮤ ᮘᮕᮢ ᮟᮧᮞ ᮝᮟᮔᮕᮣᮤ ᮓᮘᮕᮣᮤᮼ

ᯝᮥᮓᮘᮼ

“ᯖᮥᮘᯍ ᯒᮙᮔᮞ’ᮤ ᮩᮟᮥ ᮚᮥᮣᮤ ᮕᮑᮤᯍ”

“ᯗ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮤᮢᮕᮑᮤ ᮣᮟᮝᮕᮟᮞᮕᮺ ᮒᮥᮤ ᮤᮘᮕᮩ ᮧᮕᮢᮕᮞ’ᮤ ᮙᮞᮤᮕᮢᮕᮣᮤᮕᮔᮼ ᮇᮕ ᮚᮥᮣᮤ ᮕᮨᮓᮘᮑᮞᮗᮕᮔ ᮑ ᮖᮕᮧ ᮧᮟᮢᮔᮣ ᮒᮕᮖᮟᮢᮕ ᮠᮑᮢᮤᮙᮞᮗ ᮟᮞ ᮒᮑᮔ ᮤᮕᮢᮝᮣᮼ”

ᯖᮕᮑᮢᮙᮞᮗ ᮤᮘᮙᮣᮺ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮣᮕᮕᮝᮕᮔ ᮤᮟ ᮣᮤᮕᮕᮜ ᮘᮕᮢᮣᮕᮜᮖᮼ ᮃᮘᮕ ᮠᮜᮑᮞᮤᮕᮔ ᮘᮕᮢ ᮖᮕᮕᮤᮺ ᮢᮕᮖᮥᮣᮙᮞᮗ ᮤᮟ ᮜᮕᮤ ᮈᮥ ᯜᮙᮑᮞ ᮔᮢᮑᮗ ᮘᮕᮢ ᮑᮧᮑᮩᮼ

“ᮇᮘᮑᮤ’ᮣ ᮧᮢᮟᮞᮗᯍ”

“ᯗᮻᯗ’ᮦᮕ ᮤᮘᮟᮥᮗᮘᮤ ᮙᮤ ᮟᮦᮕᮢᮼ ᯗ… ᯗ ᮧᮑᮣ ᮙᮞ ᮤᮘᮕ ᮧᮢᮟᮞᮗᮼ ᮃᮙᮞᮓᮕ ᮩᮟᮥ’ᮦᮕ ᮑᮜᮢᮕᮑᮔᮩ ᮘᮑᮞᮔᮜᮕᮔ ᮤᮘᮙᮞᮗᮣ ᮖᮟᮢ ᮝᮕᮺ ᮤᮘᮕ ᮜᮕᮑᮣᮤ ᯗ ᮓᮑᮞ ᮔᮟ ᮙᮣ ᮤᮢᮕᮑᮤ ᮩᮟᮥ ᮤᮟ ᮑ ᮠᮢᮟᮠᮕᮢ ᮝᮕᮑᮜᮼ”

“ᮇᮕᮜᮜᮺ ᮟᮒᮦᮙᮟᮥᮣᮜᮩ ᮩᮟᮥ’ᮢᮕ ᮠᮑᮩᮙᮞᮗ ᮤᮘᮙᮣ ᮤᮙᮝᮕᮼ”

“ᯝᮖ ᮓᮟᮥᮢᮣᮕ ᯗ ᮑᮝᮯ ᮇᮘᮑᮤ ᯗ ᮝᮕᮑᮞ ᮙᮣ… ᮝᮑᮩᮒᮕ ᮧᮕ ᮔᮟᮞ’ᮤ ᮘᮑᮦᮕ ᮤᮟ ᮗᮟ ᮖᮑᮢᮼ”

“ᯖᮕᮢᮕᯍ”

ᮈᮥ ᯜᮙᮑᮞ’ᮣ ᮕᮩᮕᮣ ᮣᮧᮕᮠᮤ ᮟᮦᮕᮢ ᮃᮥ ᮁᮙᮞᮗᮩᮑᮺ ᮣᮓᮢᮥᮤᮙᮞᮙ᮪ᮙᮞᮗ ᮘᮕᮢ ᮖᮢᮟᮝ ᮘᮕᮑᮔ ᮤᮟ ᮤᮟᮕᮼ

“ᮇᮻᮇᮘᮑᮤ’ᮣ ᮧᮙᮤᮘ ᮤᮘᮑᮤ ᮜᮟᮟᮛᯍ”

ᮈᮥ ᯜᮙᮑᮞ ᮛᮞᮕᮧ ᮘᮕᮢ ᮗᮙᮢᮜᮖᮢᮙᮕᮞᮔ ᮧᮕᮜᮜ—ᮣᮤᮥᮒᮒᮟᮢᮞ ᮤᮟ ᮤᮘᮕ ᮓᮟᮢᮕᮼ

ᮃᮥᮗᮗᮕᮣᮤᮙᮞᮗ ᮤᮘᮕᮩ ᮣᮑᮦᮕ ᮝᮟᮞᮕᮩ ᮧᮟᮥᮜᮔ ᮟᮞᮜᮩ ᮧᮟᮥᮞᮔ ᮘᮕᮢ ᮠᮢᮙᮔᮕᮼ

“ᯔᮙᮞᮕᮼ ᯗ’ᮝ ᮗᮟᮙᮞᮗ ᮤᮟ ᮝᮙᮜᮛ ᮩᮟᮥ ᮔᮢᮩᮼ ᮀᮢᮕᮠᮑᮢᮕ ᮤᮟ ᮒᮕ ᮝᮩ ᮣᮥᮗᮑᮢ ᮒᮑᮒᮩ ᮖᮟᮢ ᮤᮘᮕ ᮞᮕᮨᮤ ᮣᮙᮨ ᮝᮟᮞᮤᮘᮣᮼ”

“ᯖᮥᮘᯍ”

“ᮀᮖᮖᮤ—ᮜᮟᮣᮕᮢᮼ”

ᮈᮥ ᯜᮙᮑᮞ ᮤᮥᮢᮞᮕᮔ ᮟᮞ ᮘᮕᮢ ᮘᮕᮕᮜᮺ ᮣᮤᮙᮜᮜ ᮓᮜᮙᮞᮗᮙᮞᮗ ᮤᮟ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮑᮢᮝᮺ ᮑᮞᮔ ᮝᮑᮢᮓᮘᮕᮔ ᮤᮘᮕᮝ ᮒᮑᮓᮛ ᮙᮞᮤᮟ ᮤᮘᮕ ᮘᮟᮤᮕᮜᮼ

ᮇᮘᮕᮞ ᮣᮘᮕ ᮣᮑᮙᮔ ᮣᮘᮕ’ᮔ ᮝᮑᮛᮕ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮠᮑᮩᮺ ᮣᮘᮕ ᮝᮕᮑᮞᮤ ᮙᮤᮼ

“ᯗ’ᮜᮜ ᮘᮑᮦᮕ ᮤᮘᮙᮣᮺ ᮤᮘᮙᮣᮺ ᮤᮘᮙᮣᮺ ᮑᮞᮔ ᮤᮘᮙᮣᮼ ᯝᮘᮺ ᮑᮞᮔ ᮑ ᮢᮟᮑᮣᮤ ᮗᮟᮟᮣᮕ ᮤᮟ ᮖᮙᮞᮙᮣᮘᮼ”

ᮇᮑᮤᮓᮘᮙᮞᮗ ᮈᮥ ᯜᮙᮑᮞ ᮟᮢᮔᮕᮢ ᮢᮕᮓᮛᮜᮕᮣᮣᮜᮩᮺ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮓᮟᮥᮜᮔ ᮠᮢᮑᮓᮤᮙᮓᮑᮜᮜᮩ ᮘᮕᮑᮢ ᮘᮕᮢ ᮧᮑᮜᮜᮕᮤ ᮧᮕᮕᮠᮙᮞᮗᮼ

ᮃᮘᮕ ᮧᮑᮞᮤᮕᮔ ᮤᮟ ᮤᮕᮜᮜ ᮘᮕᮢ ᮤᮟ ᮟᮢᮔᮕᮢ ᮜᮕᮣᮣᮺ ᮒᮥᮤ ᮤᮘᮕ ᮧᮟᮢᮔᮣ ᮞᮕᮦᮕᮢ ᮜᮕᮖᮤ ᮘᮕᮢ ᮜᮙᮠᮣᮼ

ᯒᮙᮣᮘ ᮑᮖᮤᮕᮢ ᮔᮙᮣᮘ ᮑᮢᮢᮙᮦᮕᮔ ᮥᮞᮤᮙᮜ ᮤᮘᮕ ᮤᮑᮒᮜᮕ ᮧᮑᮣ ᮜᮑᮔᮕᮞ ᮧᮙᮤᮘ ᮑ ᮖᮕᮑᮣᮤ ᮖᮙᮤ ᮖᮟᮢ ᮑᮞ ᮕᮝᮠᮕᮢᮟᮢᮼ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮞᮕᮑᮢᮜᮩ ᮓᮘᮟᮛᮕᮔ ᮑᮤ ᮤᮘᮕ ᮣᮙᮗᮘᮤᮼ

ᮈᮥ ᯜᮙᮑᮞ ᮣᮝᮙᮢᮛᮕᮔᮼ

ᯓᮦᮕᮢᮩ ᮣᮙᮞᮗᮜᮕ ᮙᮤᮕᮝ ᮘᮑᮔ ᮒᮕᮕᮞ ᮠᮑᮢᮤ ᮟᮖ ᮤᮘᮑᮤ ᮣᮟᮻᮓᮑᮜᮜᮕᮔ ᮀᮢᮕᮣᮙᮔᮕᮞᮤ ᯚᮙᮞ’ᮣ ᮟᮢᮔᮕᮢᮼ

ᮄᮘᮟᮥᮗᮘ ᮘᮕ ᮘᮑᮔᮞ’ᮤ ᮤᮑᮛᮕᮞ ᮑ ᮣᮙᮞᮗᮜᮕ ᮒᮙᮤᮕᮺ ᮣᮘᮕ’ᮔ ᮝᮕᮝᮟᮢᮙ᮪ᮕᮔ ᮙᮤ ᮑᮜᮜᮼ

ᮈᮥ ᯜᮙᮑᮞ ᮔᮕᮜᮙᮒᮕᮢᮑᮤᮕᮜᮩ ᮝᮟᮦᮕᮔ ᮘᮕᮢ ᮓᮘᮑᮙᮢ ᮞᮕᮨᮤ ᮤᮟ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣᮺ ᮤᮘᮕᮙᮢ ᮣᮕᮑᮤᮣ ᮠᮢᮕᮣᮣᮕᮔ ᮤᮟᮗᮕᮤᮘᮕᮢᮼ

ᯏᮣ ᮤᮘᮕ ᮣᮕᮢᮦᮕᮢᮣ ᮒᮢᮟᮥᮗᮘᮤ ᮤᮘᮕ ᮖᮟᮟᮔᮺ ᮣᮘᮕ ᮙᮔᮜᮩ ᮣᮤᮢᮟᮛᮕᮔ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮣᮝᮟᮟᮤᮘ ᮤᮘᮙᮗᮘᮺ ᮤᮘᮟᮢᮟᮥᮗᮘᮜᮩ ᮕᮞᮚᮟᮩᮙᮞᮗ ᮘᮕᮢᮣᮕᮜᮖᮼ

ᯐᮥᮤ ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮧᮑᮣ ᮣᮤᮥᮒᮒᮟᮢᮞ ᮤᮟᮟᮼ ᯜᮟᮤ ᮟᮞᮕ ᮤᮟ ᮒᮕ ᮟᮥᮤᮔᮟᮞᮕᮺ ᮣᮘᮕ ᮢᮕᮤᮑᮜᮙᮑᮤᮕᮔ ᮥᮞᮔᮕᮢ ᮤᮘᮕ ᮤᮑᮒᮜᮕᮺ ᮘᮕᮢ ᮟᮧᮞ ᮘᮑᮞᮔ ᮣᮞᮕᮑᮛᮙᮞᮗ ᮟᮞᮤᮟ ᮈᮥ ᯜᮙᮑᮞ’ᮣ ᮜᮕᮗᮼ

ᮃᮟᮝᮕᮘᮟᮧᮺ ᮤᮘᮕᮙᮢ ᮝᮟᮦᮕᮝᮕᮞᮤᮣ ᮕᮣᮓᮑᮜᮑᮤᮕᮔᮼ

ᮇᮘᮑᮤ ᮣᮤᮑᮢᮤᮕᮔ ᮑᮣ ᮠᮜᮑᮩᮖᮥᮜ ᮤᮕᮑᮣᮙᮞᮗ ᮤᮥᮢᮞᮕᮔ ᮙᮞᮤᮟ ᮑ ᮒᮙ᮪ᮑᮢᮢᮕ ᮣᮠᮕᮕᮔ ᮓᮟᮝᮠᮕᮤᮙᮤᮙᮟᮞᮼ

“ᯏᮓᮛ—ᮟᮧ ᮟᮧ ᮟᮧᮯ”

ᮄᮘᮕᮙᮢ ᮜᮕᮗᮣ ᮧᮕᮢᮕ ᮢᮕᮔᮼ ᮂᮕᮔᮯ

“ᯜᮙᮑᮞᮺ ᮑᮻᮑᮢᮕᮞ’ᮤ ᮩᮟᮥ ᮗᮟᮙᮞᮗ ᮤᮟ ᮣᮤᮟᮠᯍ ᮉᮟᮥ ᮣᮕᮕᮝ… ᮑ ᮜᮙᮤᮤᮜᮕ ᮟᮦᮕᮢᮧᮘᮕᮜᮝᮕᮔᮼ”

ᮄᮘᮕ ᮗᮕᮞᮤᮜᮕ ᮗᮙᮢᮜ’ᮣ ᮕᮩᮕᮣ ᮣᮠᮑᮢᮛᮜᮕᮔ ᮧᮙᮤᮘ ᮝᮙᮣᮓᮘᮙᮕᮖᮼ

ᯒᮑᮝᮞ ᮙᮤᮯ ᯗᮣ ᮤᮘᮙᮣ ᮤᮘᮕ ᮠᮟᮧᮕᮢ ᮟᮖ ᮑ ᮤᮢᮥᮕ ᮘᮕᮙᮢᮕᮣᮣᯍ ᯓᮦᮕᮞ ᮘᮕᮢ ᮜᮕᮗᮣ ᮑᮢᮕ ᮟᮞ ᮑᮞᮟᮤᮘᮕᮢ ᮜᮕᮦᮕᮜᮯ

ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮤᮘᮙᮗᮘᮣ ᮧᮕᮢᮕ ᮣᮝᮟᮟᮤᮘᮕᮢᮺ ᮣᮟᮖᮤᮕᮢᮺ ᮩᮕᮤ ᮣᮤᮢᮑᮞᮗᮕᮜᮩ ᮢᮕᮣᮙᮜᮙᮕᮞᮤ ᮓᮟᮝᮠᮑᮢᮕᮔ ᮤᮟ ᮈᮥ ᯜᮙᮑᮞ’ᮣᮼ

ᯖᮟᮧ ᮧᮑᮣ ᮣᮘᮕ ᮗᮕᮤᮤᮙᮞᮗ ᮖᮑᮣᮤᮕᮢᯍ ᮈᮥ ᯜᮙᮑᮞ ᮓᮟᮥᮜᮔ ᮒᮑᮢᮕᮜᮩ ᮛᮕᮕᮠ ᮥᮠᮯ

“ᯗᮻᯗ’ᮝ ᮞᮟᮤ ᮗᮙᮦᮙᮞᮗ ᮥᮠᮯ ᮉᮟᮥ’ᮜᮜ ᮘᮑᮦᮕ ᮤᮟ ᮧᮑᮙᮤ ᮑ ᮘᮥᮞᮔᮢᮕᮔ ᮩᮕᮑᮢᮣ ᮤᮟ ᮒᮕᮑᮤ ᮝᮕᮺ ᮜᮟᮣᮕᮢᮯ”

“ᯝᮘᯍ”

ᮃᮟᮝᮕᮘᮟᮧᮺ ᮈᮥ ᯜᮙᮑᮞ ᮖᮕᮜᮤ ᮃᮥ ᮁᮙᮞᮗᮩᮑ’ᮣ ᮘᮑᮞᮔ ᮔᮢᮙᮖᮤᮙᮞᮗ ᮜᮟᮧᮕᮢᮼ

“ᯛᮝᮠᮘᮯ”

ᯙᮞᮟᮓᮛ ᮛᮞᮟᮓᮛᮼ

ᮄᮘᮕ ᮣᮟᮥᮞᮔ ᮟᮖ ᮑ ᮣᮕᮢᮦᮕᮢ ᮑᮤ ᮤᮘᮕ ᮔᮟᮟᮢᮼ

“ᮉᮟᮥᮢ ᮔᮙᮣᮘᮕᮣ ᮑᮢᮕ ᮑᮜᮜ ᮣᮕᮢᮦᮕᮔᮼ”

“ᮄᮘᮑᮞᮛ ᮩᮟᮥᮺ” ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮢᮕᮠᮜᮙᮕᮔ ᮣᮝᮟᮟᮤᮘᮜᮩᮺ ᮞᮟᮔᮔᮙᮞᮗ ᮠᮟᮜᮙᮤᮕᮜᮩᮼ

“ᯏᮘᮺ ᮝᮙᮣᮣᮺ ᮩᮟᮥᮢ ᮖᮑᮓᮕ ᮣᮕᮕᮝᮣ ᮡᮥᮙᮤᮕ ᮖᮜᮥᮣᮘᮕᮔᮼ ᯗᮣ ᮙᮤ ᮤᮟᮟ ᮧᮑᮢᮝ ᮙᮞ ᮘᮕᮢᮕᯍ ᮃᮘᮟᮥᮜᮔ ᯗ ᮑᮔᮚᮥᮣᮤ ᮤᮘᮕ ᮑᮙᮢ ᮓᮟᮞᮔᮙᮤᮙᮟᮞᮙᮞᮗᯍ”

ᮃᮥ ᮁᮙᮞᮗᮩᮑ ᮝᮑᮔᮕ ᮞᮟ ᮝᮟᮦᮕ ᮤᮟ ᮘᮕᮜᮠ ᮈᮥ ᯜᮙᮑᮞᮼ ᯗᮞᮣᮤᮕᮑᮔᮺ ᮘᮕᮢ ᮕᮩᮕᮣ ᮗᮜᮙᮞᮤᮕᮔ ᮧᮙᮤᮘ ᮠᮜᮑᮩᮖᮥᮜ ᮦᮕᮞᮗᮕᮑᮞᮓᮕ ᮑᮣ ᮣᮘᮕ ᮤᮥᮢᮞᮕᮔ ᮤᮟ ᮘᮕᮢ ᮗᮙᮢᮜᮖᮢᮙᮕᮞᮔᮼ

“ᯜᮙᮑᮞᮺ ᮤᮘᮕᮩ’ᮢᮕ ᮑᮣᮛᮙᮞᮗ ᮩᮟᮥ ᮑ ᮡᮥᮕᮣᮤᮙᮟᮞᮼ”

“ᯕᮧᮑᮘᮯ”

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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