Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Chapter 18

Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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ႧႸႵჂႵ ႴႹႴ ჄႸႱჄ ႶჂႿႷ ႳჂႿႱႻ ႳႿႽႵ ႶჂႿႽჭ

ႣჅ ႡႹႾႷ჉Ⴑ ჃჄႹႼႼ ჀႱჅჃႵႴ ႸႵჂ ႽႿ჆ႵႽႵႾჄჃნ

ჯ ႲႹჄ ႿႶ ႳႸႹႼႴႹჃႸ ჆ႵႾჄႹႾႷ ჇႱჃ ႵႾႿჅႷႸ—ႾႿჇ ჄႸႱჄ ჄႸႵ ႴႹჃႸႵჃ ჇႵჂႵ ႱႼႼ ჃႵჂ჆ႵႴლ ႹჄ ჇႱჃ ჄႹႽႵ ჄႿ ႵႱჄნ

ႤႸႵ ჇႱႹჄჂႵჃჃ ჄႱႳჄႶჅႼႼ჉ ႼႵႶჄ ჄႸႵ ჀჂႹ჆ႱჄႵ ჂႿႿႽნ

ႠႵჂႸႱჀჃ ჃႸႵ ჃჅႴႴႵႾႼ჉ ჂႵႽႵႽႲႵჂႵႴ ჄႸႵ ჂჅႽႿჂჃ ႱႽႿႾႷ ႸႵჂ ႳႿჇႿჂႻႵჂჃ ႱႲႿჅჄ ჄჇႿ Ⴕ჈ჁჅႹჃႹჄႵႼ჉ ႲႵႱჅჄႹႶჅႼ ႷႹჂႼჃ ႴႿႹႾႷ ჄႸႱჄ ႻႹႾႴ ႿႶ ჄႸႹႾႷ ႱჄ ჄႸႵ ႼႿႲႲ჉ ႵႾჄჂႱႾႳႵლ ႱႾႴ ႳႿჅႼႴႾ’Ⴤ ႸႵႼჀ ႲჅჄ ႱჃჃႿႳႹႱჄႵ ჄႸႵႽ ჇႹჄႸ ჄႸႵ ჀႱႹჂ ႲႵႶႿჂႵ ႸႵჂნ

ႣႸႵ ჇႱჃ Ⴑ ႷႹჂႼ ჄႿႿლ ႱႾႴ ႸႵჂ ႳႸႵႵႻჃ ႶႼჅჃႸႵႴ ჅႾႳႿႾჄჂႿႼႼႱႲႼ჉ნ

ჵႿႿႴႾႵჃჃლ ჉ႿჅႾႷ ჀႵႿჀႼႵ ჄႸႵჃႵ ႴႱ჉Ⴣ ႱჂႵ ႺჅჃჄ ჄႿႿ ႲႿႼႴნ

ჼႿჄ ႺჅჃჄ ႻႹჃჃႹႾႷლ ႲჅჄ Ⴕ჆ႵႾ ႴႿႹႾႷ ႹჄ ႹႾ Ⴑ ჀႼႱႳႵ ႼႹႻႵ ჄႸႹჃნნნ

ჰჅჄ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ჂႵႱႼႼ჉ ႺჅჃჄ ჃჄჂႿႻႹႾႷ ႨჅ ჼႹႱႾ’Ⴣ ႼႵႷ—ႱႼႲႵႹჄ Ⴑ ႼႹჄჄႼႵ ჄႿႿ ႶႱჃჄ ႱႾႴ ႹႾ Ⴑ ჃႼႹႷႸჄႼ჉ ჅႾႳႿႾ჆ႵႾჄႹႿႾႱႼ ჃჀႿჄნ

ႨჅ ჼႹႱႾ ႳႿ჆ႵჂႵႴ ႸႵჂ ႽႿჅჄႸლ ႸႵჂ ႵႱჂჃ ჃჄႱႾႴႹႾႷ ჃჄჂႱႹႷႸჄ ჅჀლ ႸႵჂ ჃႾႿჇმჇႸႹჄႵ ႶႼჅႶႶ჉ ႶႿ჈ ჄႱႹႼ ჃჇႹჃႸႹႾႷ ႲႱႳႻ ႱႾႴ ႶႿჂჄႸ ႱႷႱႹႾჃჄ ჄႸႵ ႳႸႱႹჂ’Ⴣ ႲႱႳႻჂႵჃჄნ ႣႸႵ ႸႱႴႾ’Ⴤ ჁჅႹჄႵ ჂႵႳႿ჆ႵჂႵႴ ჉ႵჄნ

ႣჅ ႡႹႾႷ჉Ⴑ ჀႱႹႴ ႾႿ ႽႹႾႴ ჄႿ ႨჅ ჼႹႱႾ’Ⴣ ჃჄႱჄႵ ႱႾႴ ႺჅჃჄ ႻႵჀჄ ႵႾჄႸჅჃႹႱჃჄႹႳႱႼႼ჉ ჃႵჂ჆ႹႾႷ ႸႵჂჃႵႼႶლ ჄႸႿჅႷႸ ჃႸႵ ႸႱႴ ႾႿ ႹႾჄႵႾჄႹႿႾ ႿႶ ჂႵႶႹႼႼႹႾႷ ႸႵჂ ჂႹႳႵ ႲႿჇႼნ

ჽႶ ႳႿჅჂჃႵლ ჃႸႵ ႸႱႴႾ’Ⴤ ႶႿჂႷႿჄჄႵႾ ႱႲႿჅჄ ႨჅ ჼႹႱႾნ

ႣႸႵ ჀႵႵႼႵႴ Ⴑ ჃႸჂႹႽჀ ႶႿჂ ႨჅ ჼႹႱႾლ ႴႹჀჀႵႴ ႹჄ ႹႾ ჃႱჅႳႵლ ჄႸႵႾ ႸႵႼႴ ႹჄ ჅჀ ჄႿ ႨჅ ჼႹႱႾ’Ⴣ ႼႹჀჃ ჇႹჄႸ ႿႾႵ ႸႱႾႴნ

ႨჅ ჼႹႱႾ ႿႾႼ჉ ჄႿႿႻ Ⴑ ჃႽႱႼႼ ႲႹჄႵლ ႼႵႱ჆ႹႾႷ ჄႸႵ ჂႵჃჄ ႶႿჂ ႣჅ ႡႹႾႷ჉Ⴑ ჄႿ ჄႱႻႵ ႲႱႳႻნ

აႧႸ჉ ႴႹႴႾ’Ⴤ ჉ႿჅ ႼႵჄ ႽႵ ႶႹႾႹჃႸ ႹჄჭა

აႤႸႹჃ ႹჃ ႳႱႼႼႵႴ ჼႹႱႾ ჼႹႱႾ ჃႱჅႳႵ—჉ႿჅ ჇႿჅႼႴႾ’Ⴤ ჅႾႴႵჂჃჄႱႾႴნა

აႧႸႱჄ Ⴕ჆ႵႾ ႹჃ ჼႹႱႾ ჼႹႱႾ ჃႱჅႳႵჭ჏ ႠႵჂ჆ႵჂჄლ ჀႵჂ჆ႵჂჄლ ႽႵႷႱმჀႵჂ჆ႵჂჄ჏ა

აჯႼჂႹႷႸჄლ ႴႿႾ’Ⴤ ႲႵ ჃჄႹႾႷ჉ნ ႤႸႵ ႿႾႵ ჇႸႿ ႶႿჂႳႹႲႼ჉ ႻႹჃჃႵႴ ႽႵ ႹႾ ჀჅႲႼႹႳ ႸႱჃ ႾႿ ჂႹႷႸჄ ჄႿ ჃႱ჉ ჄႸႱჄნ ჷႶ ჉ႿჅ ჇႱႾჄ ႹჄლ ჄႸႵႾ ႸႵჂႵლ ႸႱ჆Ⴕ ႹჄნა

ႧႹჄႸ ჄႸႱჄლ ႣჅ ႡႹႾႷ჉Ⴑ ႼႵႱႾႵႴ ႹႾ ႶႿჂ Ⴑ ႻႹჃჃნ

ႤႸႵ ჂႵႽႱႹႾႹႾႷ ჃႸჂႹႽჀ ჄჅႽႲႼႵႴ ႲႵჄჇႵႵႾ ჄႸႵႹჂ ႼႹჀჃლ Ⴕ჆ႵႾჄჅႱႼႼ჉ ႴႹჃႱჀჀႵႱჂႹႾႷ ႹႾჄႿ ჃႿႽႵႿႾႵ’Ⴣ ჃჄႿႽႱႳႸნ

ႨჅ ჼႹႱႾ ႶႵႼჄ ႼႹႻႵ ჃႸႵ ႽႹႷႸჄ ႾႿჄ ႲႵ ႱႲႼႵ ჄႿ ႶႹႾႹჃႸ ჄႸႹჃ ႽႵႱႼ ჄႿႴႱ჉ნ

ჷႶ ჄႸႹႾႷჃ ႻႵჀჄ ႷႿႹႾႷ ႼႹႻႵ ჄႸႹჃლ ჃႸႵ ႽႹႷႸჄ ჃჄႱჂ჆Ⴕ ჄႿ ႴႵႱჄႸ ႹႾ ႶჂႿႾჄ ႿႶ Ⴑ ႶჅႼႼ ႲႱႾჁჅႵჄნ

ႨჅ ჼႹႱႾ ႱႼჃႿ ჅႾႴႵჂჃჄႿႿႴ ჄႸႱჄ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃႾ’Ⴤ Ⴑ ႴჅႼႼ ჀႵჂჃႿႾ—ჃႸႵ ჇႱჃ ႺჅჃჄ ႿႶჄႵႾ ႷႵႾჄႼႵნ

ჵႵႾჄႼႵ ჉ႵჄ ჂႵჃႿႼჅჄႵნ

ჷჄ ჇႱჃ ႹႽჀႿჃჃႹႲႼႵ ჄႿ ႶႱჄႸႿႽ ႸႿჇ ჄჇႿ ႳႿႽჀႼႵჄႵႼ჉ ႿჀჀႿჃႹႾႷ ჄჂႱႹჄჃ ႳႿჅႼႴ ႳႿႵ჈ႹჃჄ ႹႾ ႿႾႵ ჀႵჂჃႿႾნ

ჰჅჄ ႾႿჇლ ჄႸႵ ႽႿႽႵႾჄ ႨჅ ჼႹႱႾ ჂႵႽႵႽႲႵჂႵႴ ჄႸႱჄ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ჄႸႵ ჂႵႱႼ ჉ႿჅႾႷ ႽႹჃჄჂႵჃჃლ

ჃႸႵ ႳႿჅႼႴႾ’Ⴤ ႸႵႼჀ ႲჅჄ ჂႵႳႱႼႼ ჄႸႵ ჀႼႿჄ ႿႶ ჄႸႵ ႿჂႹႷႹႾႱႼ ჃႸႿჂჄ ႳႿႽႹႳნ

ႧႿჅႼႴ Ⴑ ႷႹჂႼ ႼႹႻႵ ႸႵჂ ჂႵႱႼႼ჉ ႴႿ ჄႸႱჄ ႻႹႾႴ ႿႶ ჄႸႹႾႷჭ ႧႱჃႾ’Ⴤ ႹჄ ჃႿႽႵჇႸႱჄ ႹႼႼႿႷႹႳႱႼჭ

ჯ ႷႹჂႼ ႼႹႻႵ ჄႸႹჃ ႱႳჄჅႱႼႼ჉ ჃႵႾႴႹႾႷ Ⴑ ႷჂႿჅჀ ႿႶ ႲჅჂႼ჉ ႽႵႾ ჄႿ ჄჅჂႾ ჄႸႵ ႶႱႻႵ ჉ႿჅႾႷ ႽႹჃჄჂႵჃჃ ႹႾჄႿ Ⴑ ႳჂႵႱႽ ჀჅႶႶ ႿჂ ჃႿႽႵჄႸႹႾႷჭ

ჯႲჃႿႼჅჄႵႼ჉ ႹႽჀႿჃჃႹႲႼႵ჏

ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃႾ’Ⴤ ჄႸႱჄ ႻႹႾႴ ႿႶ ჀႵჂჃႿႾნ

ႣႿლ ჂႵႱႼႹჄ჉ ႱႾႴ ႳႿႽႹႳჃ ႳႿჅႼႴႾ’Ⴤ ႲႵ ႼჅႽჀႵႴ ჄႿႷႵჄႸႵჂნ

ჴႿჂჄჅႾႱჄႵႼ჉ლ ჄႸႵ ჄჇႿ ჇႵჂႵ ႷႵႾჅႹႾႵႼ჉ ჃჄႱჂ჆ႹႾႷლ ႸႱ჆ႹႾႷ ႵႱჄႵႾ ႾႿჄႸႹႾႷ ჃႹႾႳႵ ႾႿႿႾ ჄႸႵ ჀჂႵ჆ႹႿჅჃ ႴႱ჉ნ ჯႶჄႵჂ Ⴑ ႲႹჄ ႿႶ ႲႿႾႴႹႾႷლ ჄႸႵ჉ ႹႽႽႵႴႹႱჄႵႼ჉ ႴჅႷ ႹႾ ჇႹჄႸ ႷჅჃჄႿნ

ႣჅ ႡႹႾႷ჉Ⴑ ჇႿჅႼႴ ႿႳႳႱჃႹႿႾႱႼႼ჉ ჀႿჀ Ⴑ ႲႹჄႵ ႹႾჄႿ ႸႵჂ ႿჇႾ ႽႿჅჄႸლ ჃႱ჆ႿჂ ႹჄლ ჄႸႵႾ ႹႽႽႵႴႹႱჄႵႼ჉ ჀႹႳႻ ჅჀ ႱႾႿჄႸႵჂ ჀႿჂჄႹႿႾ ჇႹჄႸ ႸႵჂ ႳႸႿჀჃჄႹႳႻჃ ႱႾႴ ႲჂႹႾႷ ႹჄ ჄႿ ႨჅ ჼႹႱႾ’Ⴣ ႼႹჀჃნ

ႨჅ ჼႹႱႾ’Ⴣ ႽႿჅჄႸ ჇႱჃ ႱႼჂႵႱႴ჉ ჃჄჅႶႶႵႴ ႼႹႻႵ Ⴑ ႸႱႽჃჄႵჂ’Ⴣნ

ႣႸႵ ႸႱႴ ႾႿ ႳႸႿႹႳႵ ႲჅჄ ჄႿ ႳႸႵჇ ႶႱჃჄႵჂნ

აႧႸ჉ ႴႿ ჉ႿჅ ႻႵႵჀ ႶႵႵႴႹႾႷ ႽႵ ႼႹႻႵ ჄႸႹჃჭა

აჰႵႳႱჅჃႵ ჼႹႱႾ ჼႹႱႾ ႼႿႿႻჃ ႱႴႿჂႱႲႼႵ ჇႸႵႾ ჃႸႵ ႵႱჄჃნ ჰႵჃႹႴႵჃლ ჄႸႵჃႵ ႱჂႵ ႱႼႼ ႴႹჃႸႵჃ ჉ႿჅ ႿჂႴႵჂႵႴ—ႿႶ ႳႿჅჂჃႵ ჷ ჃႸႿჅႼႴ ႽႱႻႵ ჃჅჂႵ ჉ႿჅ ႵႱჄ ႽႿჂႵნა

აႣჄჅჀႹႴ ႡႹႾႷ჉Ⴑ჏ ჲႿႾ’Ⴤ ჄႵႼႼ ႽႵ ჉ႿჅ’ჂႵ ჇႿჂჂႹႵႴ ႱႲႿჅჄ ჄႸႵ ႽႿႾႵ჉ლ ჉ႿჅ ჃႽႱႼႼ ႶჂ჉჎ა

ႨჅ ჼႹႱႾ ႷႹႷႷႼႵႴლ ႾႿჄ ႶႿჂႷႵჄჄႹႾႷ ჄႿ ჀჂႵჃჃ ႸႵჂ ႱႴ჆ႱႾჄႱႷႵნ

ა჻჉ლ Ⴝ჉ლ ჄႸႵჃႵ ႱჂႵ ႱႼႼ ႴႹჃႸႵჃ ჷ ჀႵჂႶႵႳჄႼ჉ ჂႵჀႼႹႳႱჄႵႴ ႶჂႿႽ ჇႸႱჄ ჉ႿჅჂ ჃႱ჆ႹႿჂ ႿჂႴႵჂႵႴნ ჷႶ ႹჄ ჇႵჂႵ ႸႹႽნნნა

აჼႹႱႾ ჼႹႱႾლ ჉ႿჅ’ჂႵ ႷႵჄჄႹႾႷ ႺႵႱႼႿჅჃ ႱႷႱႹႾნ ჷ ႻႾႿჇლ ჷ ჇႱჃ ჇჂႿႾႷლ ჷ ჇႿႾ’Ⴤ ႴႿ ႹჄ ႾႵ჈Ⴤ ჄႹႽႵლ ႿႻႱ჉ჭ ჴႿჂႷႹ჆Ⴕ ႽႵჭა

აჼႵ჈Ⴤ ჄႹႽႵჭ ႩႿჅ ჄႸႹႾႻ ჄႸႵჂႵ’ႼႼ ႲႵ Ⴑ ႾႵ჈Ⴤ ჄႹႽႵჭა

ႨჅ ჼႹႱႾ ႴႵႼႹႲႵჂႱჄႵႼ჉ ჀႼႱ჉ႵႴ ჄႸႵ ჅႾჂႵႱჃႿႾႱႲႼႵ ႼႹჄჄႼႵ ႷႹჂႼႶჂႹႵႾႴნ

აჳႸჭ჏ა

ႣჅ ႡႹႾႷ჉Ⴑ ჀႱႾႹႳႻႵႴლ ႳႿႽჀႼႵჄႵႼ჉ ႱჄ Ⴑ ႼႿჃჃ ႶႿჂ ႸႿჇ ჄႿ ჂႵჃჀႿႾႴნ

ႤႸႹჃ ჇႱჃႾ’Ⴤ ႸႿჇ ႹჄ ჇႱჃ ჃჅჀჀႿჃႵႴ ჄႿ ႷႿნ

ႤႿႿ ႸႱჂႴ ჄႿ ჃႿႼ჆Ⴕნ

აჯႸ—ა

ႨჅ ჼႹႱႾ ႿჀႵႾႵႴ ႸႵჂ ႽႿჅჄႸლ ჄႸႵႾ ჀჅႼႼႵႴ ႲႱႳႻ ჄႸႵ ႸႱႾႴ ႸႿႼႴႹႾႷ ႸႵჂ ႲႿჇႼ ႱႾႴ ႳႸႿჀჃჄႹႳႻჃნ

აჴႵႵႴ ႽႵნ ჴႵႵႴ ႽႵლ ႱႾႴ ჷ’ႼႼ ႶႿჂႷႹ჆Ⴕ ჉ႿჅნა

ႧႹჄႸ Ⴑ ჃႿႼჅჄႹႿႾ ႹႾ ႸႱႾႴლ ႣჅ ႡႹႾႷ჉Ⴑ ႸႱჀჀႹႼ჉ ჀႹႳႻႵႴ ჅჀ ႶႿႿႴ ႱႾႴ ႲႵႷႱႾ ႶႵႵႴႹႾႷ ႨჅ ჼႹႱႾ ႾႿႾჃჄႿჀნ

ႣჅႴႴႵႾႼ჉ლ ႣჅ ႡႹႾႷ჉Ⴑ ႼႵႱႾႵႴ ႹႾ ႱႷႱႹႾლ ႼႹႳႻႹႾႷ ჄႸႵ ႳႿჂႾႵჂ ႿႶ ႨჅ ჼႹႱႾ’Ⴣ ႼႹჀჃნ

ႨჅ ჼႹႱႾ’Ⴣ ႶႱႳႵ ႶႼჅჃႸႵႴნ

აႧმჇႸႱჄ ႱჂႵ ჉ႿჅ ႴႿႹႾႷჭ ჳმႵႱჄ ჀჂႿჀႵჂႼ჉჏ ჼႿჇ’Ⴣ ႾႿჄ ჄႸႵ ჄႹႽႵ ჄႿ ႵႱჄ ႽႵ—ႹႶ ჄႸႵჂႵ’Ⴣ ႱႾ ႱჀჀႵჄႹ჊ႵჂლ ჄႸႱჄ ჃႸႿჅႼႴ ႲႵ ႵႾႿჅႷႸლ ჂႹႷႸჄჭა

აჶႵႸႵ჎ ჰႵႳႱჅჃႵ ჄႸႵჂႵ ჇႱჃ Ⴑ ႲႹჄ ႿႶ ႽႵႱჄ ႺჅႹႳႵ ႿႾ ჼႹႱႾ ჼႹႱႾ’Ⴣ ႼႹჀჃნ ჱႱႾ’Ⴤ ႼႵჄ ႹჄ ႷႿ ჄႿ ჇႱჃჄႵნა

აჲႿႾ’Ⴤ ႾႿჂႽႱႼ ჀႵႿჀႼႵ ႺჅჃჄ ჇႹჀႵ ႹჄ ႿႶႶ ჇႹჄႸ Ⴑ ႾႱჀႻႹႾჭა

აႤႸႱჄ’Ⴣ ႾႿჂႽႱႼ ჀႵႿჀႼႵნ ჴႿჂ ႽႵლ ႸႿჇ ႳႿჅႼႴ ჷ ჀႿჃჃႹႲႼ჉ ჀႱჃჃ ჅჀ ႶႿႿႴ ႹႾႶჅჃႵႴ ჇႹჄႸ ჼႹႱႾ ჼႹႱႾ’Ⴣ ႵჃჃႵႾႳႵჭა

ႨჅ ჼႹႱႾ’Ⴣ ႶႱႳႵ ჂႵႴႴႵႾႵႴ ႱႷႱႹႾნ

აჷႴႹႿჄ჏ ႠႵჂ჆ႵჂჄ჏ ႣႽႱႼႼ ႶჂ჉჏ა

ႤႸႿჅႷႸ ჃႸႵ ႻႵჀჄ ႶႵႵႴႹႾႷ ႨჅ ჼႹႱႾლ ႣჅ ႡႹႾႷ჉Ⴑ ႴႹႴႾ’Ⴤ ႾႵႷႼႵႳჄ ႸႵჂ ႿჇႾ ႽႵႱႼნ

ჰႵჄჇႵႵႾ ႲႹჄႵჃლ ჃႸႵ ႲႵႷႱႾ ႳႸႱჄჄႵჂႹႾႷ ႱႲႿჅჄ ჇႸႱჄ ჃႸႵ ႻႾႵჇ ჂႵႷႱჂႴႹႾႷ ჳႽႿჄႹႿႾჃ—ჃჅჂჀჂႹჃႹႾႷႼ჉ ჃႹႽႹႼႱჂ ჄႿ ჇႸႱჄ ჄႸႱჄ ႠჂႵჃႹႴႵႾჄ ჺႹႾ ႸႱႴ ႺჅჃჄ ჄႿႼႴ ႨჅ ჼႹႱႾნ

ჰჅჄ ႣჅ ႡႹႾႷ჉Ⴑ ჇႱჃ ჃჄႹႼႼ Ⴑ ႾႿ჆ႹႳႵ ႸႵჂჃႵႼႶ ႱႾႴ ႴႹႴႾ’Ⴤ ႻႾႿჇ ႽჅႳႸნ

აჰ჉ ჄႸႵ ჇႱ჉ლ ჇႸႱჄ Ⴕ჈ႱႳჄႼ჉ ႹჃ ႱႾ ჳႽႿჄႵჂჭა

ႤႸႹჃ ჁჅႵჃჄႹႿႾ ႸႱႴ ႲႵႵႾ ႼႹႾႷႵჂႹႾႷ ႹႾ ႨჅ ჼႹႱႾ’Ⴣ ႽႹႾႴნ

აჯႾ ჳႽႿჄႵჂჭ ႤႸႵ჉’ჂႵ ႵჃჃႵႾჄႹႱႼႼ჉ ႸჅႽႱႾჃ ჇႸႿ ႸႱჂႾႵჃჃ ႵႽႿჄႹႿႾႱႼ ႵႾႵჂႷ჉ნ ჸჅჃჄ ႼႹႻႵ ჳႽႿჄႹႿႾ ჰႵႱჃჄჃ—ჄႸႵ჉ ჅჃႵ ႵႽႿჄႹႿႾႱႼ ჀႿჇႵჂ ჄႿ ႳჂႵႱჄႵ ႴႹჃႱჃჄႵჂჃლ ႹႾႳႹჄႵ ႳႿჂჂႵჃჀႿႾႴႹႾႷ ႵႽႿჄႹႿႾჃ ႹႾ ႿჄႸႵჂჃლ ႱႾႴ ႱႲჃႿჂႲ ჄႸႵႽნ ႤႸႵ ႿႾႼ჉ ႴႹႶႶႵჂႵႾႳႵ ႹჃ ჄႸႱჄ ჄႸႹჃ ჀႿჇႵჂ ႾႿჇ ჂႵჃႹႴႵჃ ႹႾ ႸჅႽႱႾჃნ ჷႾ Ⴑ ჇႱ჉ლ ჳႽႿჄႵჂჃ ႱჂႵ ႺჅჃჄ ႸჅႽႱႾႿႹႴ ჳႽႿჄႹႿႾ ჰႵႱჃჄჃნა

აჶჅႽႱႾႿႹႴ ჳႽႿჄႹႿႾ ჰႵႱჃჄჃჭ ႣႿლ ႹႶ ႱႾ ჳႽႿჄႵჂ ჇႱႾჄჃ ჄႿ ႷჂႿჇ ჃჄჂႿႾႷႵჂლ ჄႸႵ჉ ႸႱ჆Ⴕ ჄႿ ႼႵႱჂႾ ႶჂႿႽ ჳႽႿჄႹႿႾ ჰႵႱჃჄჃ ႱႾႴ ႷႱჄႸႵჂ ჄႸႵ ႳႿჂჂႵჃჀႿႾႴႹႾႷ ႵႽႿჄႹႿႾႱႼ ႵႾႵჂႷ჉ჭა

აႢႹႷႸჄნ ჷႶ ჇႵ’ჂႵ ჄႱႼႻႹႾႷ ႱႲႿჅჄ ჄႱႾႷႹႲႼႵ ႽႱႾႹႶႵჃჄႱჄႹႿႾჃნნნ ႿႳႳႱჃႹႿႾႱႼႼ჉ლ ჉ႿჅ ႳႱႾ ჃႵႵ ႳႿჂჂႵჃჀႿႾႴႹႾႷ ႵႽႿჄႹႿႾႱႼ ჆ႱႼჅႵჃნა

აჱႿჂჂႵჃჀႿႾႴႹႾႷ ႵႽႿჄႹႿႾႱႼ ჆ႱႼჅႵჃჭა

ႨჅ ჼႹႱႾ ჅႾႴႵჂჃჄႿႿႴ ჄႸႹჃ ჀႱჂჄნ

ჶႵჂ ჆ႹჃႹႿႾ ႸႱႴ ႱႼჇႱ჉Ⴣ ႴႹჃჀႼႱ჉ႵႴ Ⴑ ႳჂႹႽჃႿႾ ႾჅႽႵჂႹႳႱႼ ჆ႱႼჅႵნ

ႫჸႿ჉შ ტსდႭ

აႡႹႾႷ჉Ⴑლ ჷ ჃႵႵ ჃႿႽႵჄႸႹႾႷ ჃჄჂႱႾႷႵ—ჸႿ჉ლ ტსდნ ႧႸႱჄ ႴႿႵჃ ჄႸႹჃ ႽႵႱႾჭა

ႨჅ ჼႹႱႾ ႸႵႼႴ ႾႿჄႸႹႾႷ ႲႱႳႻლ ჄႱჀჀႹႾႷ ႸႵჂ ႳႸႿჀჃჄႹႳႻჃ ႱႷႱႹႾჃჄ ႸႵჂ ႼႹჀჃ ႱჃ ჃႸႵ ჆ႿႹႳႵႴ ႸႵჂ ႳჅჂႹႿჃႹჄ჉ნ

აჳႸჭ ႩႿჅ ႳႱႾ ႱႳჄჅႱႼႼ჉ ჃႵႵ ႹჄჭ ჸႿ჉ნნნ ႴႿႵჃ ჄႸႱჄ ႽႵႱႾ ჼႹႱႾ ჼႹႱႾ ႸႱჃ ႲႵႳႿႽႵ ႱႾ ჳႽႿჄႵჂ ჄႿႿჭა

აჸმႺჅჃჄ ႼႹႻႵ ჄႸႱჄჭა

ႨჅ ჼႹႱႾ ႶჂႿ჊Ⴕნ ჷჄ ჃႵႵႽႵႴ ჄႸႵ Ⴣ჉ჃჄႵႽ’Ⴣ ჂႵჇႱჂႴლ ჵႱ჊Ⴕ ႿႶ ჄႸႵ ჳႽႿჄႹႿႾ ჰႵႱჃჄლ ჇႱჃ ႱႳჄჅႱႼႼ჉ ჄႸႵ ႳႱჄႱႼ჉ჃჄ ႶႿჂ ႸႵჂ ႲႵႳႿႽႹႾႷ ႱႾ ჳႽႿჄႵჂნ

ჽჄႸႵჂჇႹჃႵლ ႲႱჃႵႴ ႿႾ ჇႸႱჄ ჄႸႱჄ ჺႹႾ ႷჅ჉ ჃႱႹႴლ ჃႸႵ ჃႸႿჅႼႴႾ’Ⴤ ႸႱ჆Ⴕ ႸႱႴ ჄႸႵ ჀႿჄႵႾჄႹႱႼ ჄႿ ႲႵႳႿႽႵ ႿႾႵნ

ა჻ႹႾႵ ႹჃ ႫჴႵႱჂႭლ ჃႿ ჷ ႳႱႾ ჃႵႵ ჴႵႱჂ ჆ႱႼჅႵჃნ ჷႶ ჉ႿჅჂჃ ჃႸႿჇჃ ჸႿ჉ლ ჄႸႵႾ ჉ႿჅჂ ႵႽႿჄႹႿႾႱႼ ჀႱჄႸჇႱ჉ ႹჃ ႫჸႿ჉Ⴍნა

აႫჸႿ჉Ⴍჭ ႤႸႵႾლ ჇႸႱჄ ႴႿႵჃ ჄႸႵ ჀႵჂႳႵႾჄႱႷႵ ႽႵႱႾჭა

აჷჄ’Ⴣ ჄႸႵ ႵႽႿჄႹႿႾႱႼ ჆ႱႼჅႵ—Ⴑ ჄႸჂႵჃႸႿႼႴ ႶႿჂ ႵႽႿჄႹႿႾჃნ ႤႸႵ ႸႹႷႸႵჂ ჄႸႵ ႾჅႽႲႵჂლ ჄႸႵ ႽႿჂႵ ჉ႿჅ ႳႱႾ ႸႱჂႾႵჃჃ ჄႸႱჄ ႵႽႿჄႹႿႾ’Ⴣ ჀႿჇႵჂლ ႲჅჄ ႱႼჃႿ ჄႸႵ ႽႿჂႵ ჃჅჃႳႵჀჄႹႲႼႵ ჉ႿჅ ႱჂႵ ჄႿ ႹჄჃ ႹႾႶႼჅႵႾႳႵნ ჵႵႾႵჂႱႼႼ჉ლ ႱჃ ႼႿႾႷ ႱჃ ႹჄ ႴႿႵჃႾ’Ⴤ ႸႹჄ ჟპპდლ ჄႸႵჂႵ ჃႸႿჅႼႴႾ’Ⴤ ႲႵ ႱႾ჉ ႽႱႺႿჂ ႹჃჃჅႵჃნა

აႧႸ჉ ႳႱႾ’Ⴤ ႹჄ ჂႵႱႳႸ ჟპპდჭა

აჰႵႳႱჅჃႵ ႿႾႳႵ ႹჄ ႽႱ჈ႵჃ ႿჅჄლ ჄႸႵ ჀႵჂჃႿႾ ႼႿჃႵჃ ႱႼႼ ႳႿႾჄჂႿႼ—ႾႿ ჂႿႿႽ ႶႿჂ ჂႵႳႿ჆ႵჂ჉ნ ჼႿ ႽႱჄჄႵჂ ჇႸႿ ႹჄ ႹჃლ ჄႸႵ჉’ႼႼ ႴႵჃႳႵႾႴ ႹႾჄႿ ႽႱႴႾႵჃჃლ ႲႵႳႿႽႹႾႷ Ⴑ ჃႼႱ჆Ⴕ ჄႿ ჄႸႵႹჂ ႵႽႿჄႹႿႾჃნნნ ႱႾႴ ჄჅჂႾ ႹႾჄႿ Ⴑ ჄჂჅႵ ჳႽႿჄႹႿႾ ჰႵႱჃჄნა

აჺႿჃႵ ႳႿႾჄჂႿႼნნნჭა

ჴႿჂ ჃႿႽႵ ჂႵႱჃႿႾლ Ⴑ ჀႸჂႱჃႵ ჃჅჂႶႱႳႵႴ ႹႾ ႨჅ ჼႹႱႾ’Ⴣ ႽႹႾႴშ

ჳႽႿჄႵჂჃ ႱჂႵ ჀႹჄႹႶჅႼ ႳჂႵႱჄჅჂႵჃ ჇႸႿ ჃჄႿႼႵ ჀႿჇႵჂ ႲჅჄ ႱჂႵ ႶႿჂႵ჆ႵჂ ႱႳႳႿႽჀႱႾႹႵႴ Ⴒ჉ ႽႱႴႾႵჃჃ ႱႾႴ ႴႱႾႷႵჂნ

აჯႼჃႿლ ჳႽႿჄႵჂჃ ႸႱ჆Ⴕ ჄႹႵჂჃ—ჄႵႾ ႹႾ ჄႿჄႱႼნ ჯჄ ჄႸႵ ჃჄႱჂჄლ Ⴑ ႶႿჅჂმჀႿႹႾჄႵႴ ჃჄႱჂ ႱჀჀႵႱჂჃ ჃႿႽႵჇႸႵჂႵ ႿႾ ჄႸႵ ႲႿႴ჉ნ ჳႱႳႸ ჄႹႵჂ ႱႴႴჃ ႱႾႿჄႸႵჂ ჃჄႱჂ ႱႴႺႱႳႵႾჄ ჄႿ ჄႸႵ ႶႹჂჃჄლ ႱႾႴ ჄႸႵ ჳႽႿჄႵჂ’Ⴣ ႲႱჃႵ ႵႽႿჄႹႿႾႱႼ ႳႱჀႱႳႹჄ჉ ႹႾႳჂႵႱჃႵჃ ႱႳႳႿჂႴႹႾႷႼ჉ნა

აჽႾႳႵ ჉ႿჅ ჂႵႱႳႸ ჄႸჂႵႵ ჃჄႱჂჃლ ႱႾ ჳႽႿჄႵჂ ႳႱႾ ჀႵჂႳႵႹ჆Ⴕ ႿჄႸႵჂჃ’ ႵႽႿჄႹႿႾჃ ႱႾႴ ჃჄႱჂჄ ႴჂႱჇႹႾႷ ჀႿჇႵჂ ႶჂႿႽ ჄႸႵႽნა

აႣႿლ ႹႶ ჉ႿჅ ႳႱႾ ჃႵႵ ჃႿႽႵႿႾႵ’Ⴣ ႵႽႿჄႹႿႾႱႼ ჆ႱႼჅႵლ ჉ႿჅ ႳႱႾ ႴჂႱჇ ჃჄჂႵႾႷჄႸ ႶჂႿႽ ჄႸႵႽჭა ႨჅ ჼႹႱႾ ႱჃႻႵႴლ ჀჅ჊჊ႼႵႴნ

აჳ჈ႱႳჄႼ჉ნ ჯჄ ჄႸႵ ჃႱႽႵ ჄႹႽႵლ ჄႸႵ ჀႿჇႵჂ ჉ႿჅ Ⴕ჈ႵჂჄ ႿႾ ჄႸႵႽ ჇႹႼႼ ႱႼჃႿ ႶႼჅႳჄჅႱჄႵ ႲႱჃႵႴ ႿႾ ჄႸႵႹჂ ႵႽႿჄႹႿႾႱႼ ჆ႱႼჅႵნა

ႣჅ ႡႹႾႷ჉Ⴑ ჃჄႱჂႵႴ ჃჄჂႱႹႷႸჄ ႱჄ ႨჅ ჼႹႱႾნ

ჷႾ ႸႵჂ Ⴕ჉ႵჃლ Ⴑ ႼႹႾႵ ႿႶ ႳჂႹႽჃႿႾ ჄႵ჈Ⴤ ႸႿ჆ႵჂႵႴ ႱႲႿ჆Ⴕ ႨჅ ჼႹႱႾ’Ⴣ ႸႵႱႴშ

ႫჴႵႱჂშ ფქდႭ

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Starting with a Breakup, How Can the True Heiress Be My Yandere Ex-Girlfriend?

Fake heiresses are destined to meet their defeat at the hands of the true heiress. This is the inevitable fate of all imposters—and Xu Nian is no exception. But why does Xu Nian’s downfall feel so… different? In any other “true vs. fake heiress” scenario, the protagonist would steer clear of the real deal at all costs. Except in this world, the true heiress is Xu Nian’s ex-girlfriend! And she’s dead set on locking up the fake heiress—her “ex-boyfriend”—in the basement, dismantling her limbs, turning her into a doll, and binding them together forever. Solution? Strike first. Before the yandere true heiress can act, Xu Nian disguises herself as a yandere lolita, overwhelms her with obsessive love, and ensures the real heiress is too consumed by twisted affection to turn monstrous. That’s Xu Nian’s escape route. Except… The true heiress was faking it! She was never cured—still the same deranged yandere! Xu Nian barely stages her own death to investigate the truth behind her fake parents’ murder before the true heiress drags her back home and locks her in the basement. Bizarre props? Check. Overwhelming possessiveness? The fake heiress is now a caged canary. “No! Qingya, let’s go back to how we were before! We used to love each other so much!” “Are you joking right now? Until you’re thoroughly carrying our love’s ‘proof,’ you’re not going anywhere. I’ll tie you to my side—forever.” No way! Xu Nian refuses to become a demure housewife! …Eh? Another daughter was just born. …She’s so pretty though.

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